#Mark Lanegan QOTSA

[lyrasky]

Queens Of The Stone Age【A Song For Dead】和訳 祝来日 強い男の生き方 Let.s Take A Little Ride

Queens Of The Stone Age【A Song For Dead】和訳 強い男の生き方 Let.s Take A Little Ride Lyraのblogへ #QueensOfTheStoneAge #JoshHomme #MarkLanegan #DaveGrohl #NickOliveri #EricValentine #BrianGardner #AdamKasper

これぞ男の中の男！❤️ LyraはQueens Of The Stone Age クイーンズ・オブ・ザ・ストーン・エイジの大人の色気に惚れ惚れ〜って「そんなのとうの昔に知っとるわ！」と言う 皆んなの声が聞こえてくるわっ(笑)！この色気ムンムンが好きです、たまりません。 Josh Homme の周りのバンドもメンバーのプライベートなお仕事関連もマッチョ系や威勢の良い兄貴達ばかりなので影響されてしまい、もう普通の男には戻れなそう…ってジョークはほどほどに、日本公演行って興奮冷めあらないそこのアナタ‼︎ そんな貴方のために、いつもライブで盛り上がる (ラストにやることが多い).この【A Song For The Death】を和訳しちゃいましょう。 随分前になりますが、この曲のライブ映像が最高で、良すぎて興奮したLyraは、X…

[straightjacketfitting]

Queens of the Stone Age

Doing things the hard way forever! [insp]

The Vampyre Of Time And Memory [dir. Kii Arens and Jason Trucco]

The Way You Used To Do [dir. Jonas Åkerlund]

No One Knows [dir. Dean Karr and Michel Gondry]

Monsters In The Parasol [dir. Bob Stevens]

Go With The Flow [dir. Shynola]

Burn The Witch [dir. Chapman Baehler]

Sick, Sick, Sick [dir. Brett Simon]

Carnavoyeur [dir. Liam Lynch]

Negative Space [dir. Liam Lynch]

I Appear Missing [anim. Boneface and Liam Brazier]

Template credits: [lyrics] [playing bar] [band/discography/album]

[twymyn99]

Queens of the Stone Age - Song For the Dead (2002)

Mark Lanegan on vocals

[glorious-blackout]

I still get to love them

Josh Homme, talking about grief and the friends he's lost 💔

Source

[rainingmusic]

Queens of the Stone Age - Auto Pilot

[musickickztoo]

Mark Lanegan *November 25, 1964

[grungeincluded]

QUEENS OF THE STONE AGE|THE PIECE HALL|20/06/2023 © Sintija Brence @37fotosb

Grunge Included | @37fotosb | Linktree

[eye-of-the-purricane]

Queens of the Stone Age - Song for the Dead

Live from the Mean Fiddler Version

feat. Dave Grohl, Mark Lanegan, Josh Homme, Nick Oliveri, Troy van Leeuwen

Werchter 2002

[luca-ercolani]

Queens of the Stone Age - Go with the Flow

Director: Shynola

Josh Homme @ behind the scene (Via: @qotsaarchive 👉 Source 👈)

Go with the Flow: Testo

She said "I'll throw myself away,

They're just photos after all"

I can't make you hang around

I can't wash you off my skin.

Outside the frame, is what we're leaving out

You won't remember anyway

I can go with the flow

But don't say it doesn't matter, matter anymore

I can go with the flow

Do you believe it in your head?

It's so safe to play along

Little soldiers in a row

Falling in and out of love

Something sweet to throw away

I want something good to die for

To make it beautiful to live.

I want a new mistake, lose is more than hesitate.

Do you believe it in your head?

I can go

With the flow (ohohoho)

(I can go) Don't say it doesn't matter

(With the flow)

Matter anymore

I can go

With the flow (ohohoho)

(I can go) Do you believe it in your head? (with the flow)

Do you believe it in your head? (ohohoho)

Do you believe it in your head? (ohohoho)

How...

[steveandthesea]

When the covid voice hits just right, you've got to make the most of it and do your best Mark Lanegan impersonation.

[averseunhinged]

thanks to @garglyswoof, @purplesigebert, and @galvanizedfriend for tagging me! the game is first ten songs with my most played/on repeat on shuffle.

i feel like i should say something about at least one of them. so, if you're into folk noir/dark americana, the new son of the velvet rat album, ghost ranch, is very good.

(eta vague descriptions for everything, because i forget people might actually want to read my long rambles.)

vera sola - the colony (i usually describe her as nancy sinatra if she studied poetry at harvard. this song is from her older, more bizarre album. i like it as much the new one, but it might be slightly less accessible than the newer one. it's still weird, but it has more of that classic nashville sound.)

queens of the stone age - made to parade (i didn't get around to this album until recently and was surprised by how much i loved it. i'm a fan of qotsa, but lost track of them a little. mark lanegan's death made me revisit them more and they still have it. they are old and josh homme is a kind of a wreck physically, but the album is still stoner rock's more punishing cousin, and they still go hard live.)

caroline polachek - ocean of tears (not one of polachek's most popular tracks, but it's my favorite. it's so pretty and catchy and well written. art pop at its best.)

son of the velvet rat - bewildering black & white moments captured on trail cams (see above. also jolie holland's on a handful of songs on the album and she's always good.)

.grouptherapy - ...i changed my mind (a new song off the deluxe version of their 2023 album, which was one of my favorite albums of last year. they're young and talented and trying a lot of things out. it's been fun following their releases and hearing the big and little ways they alter things as the develop.)

vera sola - bad idea (obsessed. i am obsessed with this song and this album and this entire artist.)

emma ruth rundle - darkhorse (my user name is actually from this song. she's my forever favorite. she's one of the progenitors of doom folk, which is basically the denver sound when it's not at home, and sounds like emmy lou harris if she was really into metal.)

skryptonite - Притон (my favorite song by my favorite russian language rapper-producer. he's fucking huge in the cis, but not at all in north america. it's always so wild watching these huge, packed stadium, unhinged shows by performers who might book a small club in the states. the world is both very small and very big.)

shovels & rope - gotta get out of here (shovels & rope do the best covers. this one isn't super far off from the original, but it has a more sinister vibe than kevin kinney's plaintive recording.)

nick cave & the bad seeds - wild god (new bad seeds single! as typically good as nick cave usually is. i think his voice is sounding older and rougher these days, but that never detracts for me. the way singers' voices change as they age is fascinating. there's something so compelling about an artist's later in life albums, when their voice carries the weight of their age.)

because of ingrained weirdness about tagging people, this is a free for all. if you see this, i'm tagging you.

[thejoyofviolentmovement]

Throwback: Happy 59th Birthday, Mark Lanegan!

Throwback: Happy 59th Birthday, Mark Lanegan! @marklanegan @twilitekid @qotsa

The great Mark Lanegan was born 59 years ago today. I was extremely lucky to have caught him twice and was thrilled to see him because I adored his solo work, his work with Queens of the Stone Age and his work with Screaming Trees, an act that should have been much bigger than what they were. Of course, if you really love Lanegan, you also love his work with The Afghan Whigs‘ Greg Dulli in The…

[carnavoyeur]

Hey idk if your asks work anymore but I was wondering about QotSA and what album I should listen to. I've only heard a couple of their songs and was considering of just doing a listen to their discography.

Asks work, thank god!! Sorry for the info dump. <3

I’m always a fan of starting at the beginning :) Each album feels very unique from one another, but they all sound like QotSA, if that makes sense. The two albums I listened to before really getting into them were Songs for the Deaf (every single fan and I would recommend this one) and Era Vulgaris (underrated, apparently the most divisive before Villains, and my favorite). If I had to recommend a top three to listen to though, I would say their self-titled, Songs for the Deaf, and …Like Clockwork.

A little rundown of each album and then my faves from them under the read more:

Queens of the Stone Age (1998) is quintessential desert rock; it’s sludgy, heavy, and has likely taken psychedelics in the last hour. Like, every stoner QotSA fan I know is obsessed with this album. It’s an excellent blueprint for every follow up album. Josh Homme has his hands basically everywhere on this, from vocals, guitar, bass, keyboards, and also producer. favorites: Spiders and Vinegaroons, You Can't Quit Me Baby, Regular John

Rated R (2000) is my least favorite lmao and also a favorite of the stoners. Heavy rock with punk influences, and very much a stoner rock album. This is one of two vocally collaborative albums, featuring bassist Nick Oliveri and vocalist Mark Lanegan (RIP grunge king). I don't have a lot to say other than I don't like 2/3 of the songs Nick sings on. favorites: In the Fade, Better Living Through Chemistry, The Lost Art of Keeping a Secret

Songs for the Deaf (2002) is just, the Queens of album of all time. It's what really solidified them as a mainstay in modern rock. It's a concept album of flipping through radio stations while driving out into the desert. Similar genre-wise to Rated R, but significantly better and stronger. This is the second album to have collaborative vocals, still featuring Nick and Mark. I don't like 3/4 of the songs Nick sings on, but the songs themselves work with the album and don't ruin the fluidity of it for me. Also, drums by Dave Grohl. That's a highlight in and of itself. favorites: God Is in the Radio, The Sky is Fallin', A Song for the Deaf

Lullabies to Paralyze (2005) has a lot of bluesy undertones, and is also just? kind of horny? It plays with the concept of like, children's fairy tales as a way to deal with the Problems™️. It's definitely darker but not like, in a way that's inaccessible and super uncomfortable. This was a bit of a slow grower on me. I love it, though, and it's overall pretty solid. Features the first full contributions from guitarist Troy van Leeuwen and drummer Joey Castillo. favorites: I Never Came, Someone's in the Wolf, Burn the Witch

Era Vulgaris (2007) is. Is. I saw someone refer to this the meth album, and I can't even disagree. It has a lot of bite to it, is more experimental (especially with electronics), and draws inspiration from all sorts of genres. It's considered """less easily accessible""" sound-wise but I think that's just a skill issue on everyone else's part. favorites: Misfit Love, Suture Up Your Future, I'm Designer

...Like Clockwork (2013) would probably be their magnum opus, in my opinion. There was a long stretch between albums because of Josh's health issues, which has influenced a lot of these tracks. It has the first full features of guitarist/keyboardist Dean Fertita and bassist Michael Shuman (my beloveds <3). Thematically dark, has the most amount of guest backing vocalists, and one of the most favorites: Smooth Sailing, Keep Your Eyes Peeled, I Appear Missing

Villains (2017) is so so divisive because of the more obviously stronger pop vibes. It's still a rock album, but it's one of the more dancier ones. This is the only album not produced by Josh, who brought in Mark Ronson. There is a noticeable difference in the way this album is mixed from the others, but I don't care about it personally. First full feature of drummer Jon Theodore. favorites: Head Like a Haunted House, Hideaway, The Way You Used to Do

In Times New Roman... (2023), the Divorce Album™️. Josh went through a crazy divorce, and uh, yeah, you definitely feel it in this. This one is the end of a trilogy and does encompass the sounds and themes of ...Like Clockwork and Villains really well, but with a lot of reminders of earlier albums. It's more guitar-driven and doesn't have any real slow down songs like previous albums. favorites: Sicily, Made to Parade, Straight Jacket Fitting

So yeah!! Like I said, chronology is always a good way to listen and I'd say that's a good choice, but if any of these stick out more to you, check them out first!! My personal top three are Era Vulgaris, In Times New Roman..., and self-titled. I would also recommend listening to Them Crooked Vultures, which was fronted by Josh with Dave on drums and John Paul Jones on bass.

[ruscha]

ppl reacting to all the dave grohl stuff is bringing me back to my qotsa days.. do you think somebody out there has now photoshopped out everybody except for mark lanegan and troy van leeuwen on tour photos for songs for the deaf

[nehistripesseattle]

Perusing the archive org site late last night looking for anything newly uploaded. I was specifically looking for any new rock music magazines BOOM! This past week we’ve been discussing Mark Lanegan and Layne Staley. More specific than that was Lanegan’s book “Sing Backwards and Weep” (my copy alone has many many highlighted passages). I’m not going to provide excerpts from the piece, I do think it’s one you’ll want to bookmark and save. If you’re unaware, IG does have an option to save posts. You can even name the bookmarked items specifically (help link: https://about.instagram.com/blog/announcements/introducing-new-ways-to-organize-your-saved-posts). • The article is from the UK published magazine “Record Collector” from October/November 2021. I hope you guys like it and would love to read your comments. • • • • • • —————————————————— #nehistripesseattle #marklanegan #screamingtrees #recordcollector #magazines #books #2020s #soloartists #marklaneganband #QOTSA #missed #seattleloved #legendary https://www.instagram.com/p/CqOmUHRvZNo/?igshid=NGJjMDIxMWI=

[rocktambulos]

¡A un año de su partida, recordamos al gran Mark Lanegan! 🖤 Le dedicamos la nueva edición de nuestro podcast #LaCulpaEsDelRock al genio que lideró a los Screaming Trees y supo evolucionar como solista y como parte de grandes grupos. 🤘 Durante casi dos horas, repasamos la carrera musical de Lanegan y escuchamos algunos de sus temas, un legado musical que va mucho más allá del grunge. 🙌 Escúchalo en tu plataforma de streaming favorita o visita el link en nuestra story 📲 #MarkLanegan #ScreamingTrees #QOTSA #queensofthestoneage #MadSeason #Kyuss — view on Instagram https://ift.tt/pAzn4ZS