#Marjorie Welish

[spudcity]

6

Insects are good creatures, bells dazzle. Flying insects paste themselves to streetlights. Splash knives on marble. Ashes, ashes for example.

Splash knives on marble to obtain a reply from the ladies and gentlemen interwoven. Paste chutes under ladders, paste napkins to bells.

Won’t you buy a few sprigs of rosemary from ladies interwoven like self-abolishing lace? Splash knives on marble; ashes, ashes for example.

Ladders leap to the chimney, spread the word. Insects fly fast through spaces arranged by ladders; bells dazzle.

I wish you a child pulling a pull-toy and all increase. All increased like knives on marble. Shove, stab and fall

across the human family who has commenced to extinguish itself. Paste chutes to ladders, paste napkins to bells, splash knives on marble: ashes, ashes, for example.

–Marjorie Welish

[stephanemroczkowski]

Subject to Change Michael Corris, Stéphane Mroczkowski, Marjorie Welish, Alexandra Pignol Mare et Martin, le Kremlin-Bicêtre, France Collection Anatomies de la modernité (dir. Stéphane Mroczkowski, Alexandra Pignol)

Second semestre 2023, disponible novembre 2023 144 pages, bilingue anglais-français, offset couleur, format 23,5 x 20 cm, cartonné cousu, design Fred Dupuis, 39€

LE LIVRE :

Un poème de Bertolt Brecht, écrit durant la guerre 39-45, sert de point de départ à un livre de créations graphiques et de textes échangés entre quatre auteurs et artistes de Dallas, New York, Strasbourg.

Un livre qui expose le processus de création et de recherche, comme une enquête au sujet de la maison de Brecht à Santa Monica et de son importance comme lieu de création.

Sujet To Change est un ouvrage collaboratif mêlant dessins et textes, qui prend appui sur le poème de Bertolt Brecht « Le Masque du Méchant » (1942). Ce poème, écrit en exil, porte sur un masque de théâtre Nô qui devient l’image même du mal qui sévit alors en Europe. Ce poème nous conduit donc à prendre en compte différentes disciplines : histoire, littérature, poésie, théâtre.

À ce bref poème, chaque artiste-auteur répond dans un registre distinct et avec un style graphique et une écriture particuliers. Les nombreux dessins se répondent et dialoguent pour questionner la personne de Brecht, l’artiste, le poème, et les lieux de création artistique. L’essai d’Alexandra Pignol apporte, sur un ton libre, une somme essentielle d’informations et d’idées sur l’époque de Brecht en exil, à partir d’une ironie sur les idéaux de fonctionnalisme du Bauhaus.

THE BOOK :

A poem by Bertolt Brecht, written during the 1939-1945 war, is the starting point for a book of images and texts exchanged between artists and writers living in Dallas, New York and Strasbourg (France).

The work proposes to reveal and deconstruct the process of creation, research and exposition through an investigation of professional and domestic aspects of Brecht��s exile in the United States.

The collaborative work in Subject to Change begins with Bertolt Brecht’s poem, “The Mask of Evil” (1942). The central image of the poem is a Noh mask that Brecht had traveled with on his journey to the United States. In a sense, the mask functions as the epitome of absolute evil that existed in Europe during the Second World War, and leads us to consider different disciplines: history, literature, poetry, theater, and philosophy.

Each of the participants in the project responded to Brecht’s poem in a distinct register and style, engaging in a dialogue questioning Brecht: the poet, the work, the circumstances of creation, and the man. The essay by Alexandra Pignol provides additional information and insight this period in Brecht’s life, drawing a connection between Brecht’s poems written during his U.S. exile and his writings on the Bauhaus ideals of functionalism.

Subject to Change explores the relationship between seeing and reading, art and knowledge, form and content. The project aims to make the research process visible. The aim is not to reconstruct a historical journey or moment (Brecht in Santa Monica), nor to illustrate Brecht’s poem. Rather, the aim is to draw connections between the past and the present.

Subject to Change is available through Mare et Martin Publishers (Paris). To purchase a copy :

[louderfade]

Gracias Khouw and Marjorie Welish

[bm-contemporary-art]

Collaboration Project Lodz, #5, #6, #7, #8, Marjorie Welish, 1997, Brooklyn Museum: Contemporary Art

Four sections, framed. Size: a: 14 × 17 in. (35.6 × 43.2 cm) b: 14 × 17 in. (35.6 × 43.2 cm) c: 14 × 17 in. (35.6 × 43.2 cm) d: 14 × 17 in. (35.6 × 43.2 cm) Medium: Oil on paper with graphite on vellum overlay

https://www.brooklynmuseum.org/opencollection/objects/224306

[smallpressdistribution]

10 Books to Peel the Scales from Your Eyes

IN THIS MONTH’S SPDCLICKHOLE by Trisha Low

From visionary writers to collaborations that shift our perspective, from work that sheds a light on injustice and dares us to face it, we’re happy to honor this month’s #SPDHANDPICKED theme - VISION - with a list of books that peel the scales from our eyes.

1. Vision of the Children of Evil by Miguel Angel Bustos, trans. Lucina Schell (co-im-press)

"Like the tormented Peruvian César Vallejo or the Spanish madman-savant Leopoldo Panero, Argentina's Miguel Ángel Bustos ransacks the unconscious for its darkest revelations of the inexpressible. Like García Lorca forty years before in Spain, Bustos was murdered for his politics in 1976 by his country's military dictatorship. To render his hallucinated language and his dream-nightmare visions in credible English, Lucina Schell reaches for the edges of expression and introduces us to a strangely gifted, wildly imaginative, prematurely silenced twentieth-century voice."—Stephen Kessler 2. Tela de sevoya / Onioncloth by Myriam Moscona, trans. Antena: Jen Hofer with John Pluecker (Les Figues Press)

The narrator of TELA DE SEVOYA / ONIONCLOTH travels to Bulgaria, searching for traces of her Sephardic heritage. Her journey becomes an autobiographical and imagined exploration of childhood, diaspora, and the possibilities of her family language: Ladino or Judeo-Spanish, the living tongue spoken by descendants of the Jews expelled from Spain in 1492. Memoir, poetry, storytelling, songs, and dreams are interwoven in this visionary text—this tela or cloth that brings the past to life, if only for a moment, and that looks at the present though the lens of history.

3. Television by Claire Millikin (Unicorn Press)

"In this remarkable collection, Claire Millikin has made her own persistent music of a fully felt, fully experienced life in which 'what's broken never heals completely.' Often edging into what seems unspeakable, she finds a language that remains plain, steady, scrupulous, unsentimental and unshowy. Poem after poem registers the poet's 'battle for the moral world'—illuminating not only a single life but its human and environmental surroundings. As a motif draws us to the heart of a piece of music, Millikin's recurrent emblem is the centering fact and force of television: its role—fractured, phantasmagoric and familiar—in home and family, and in the wider world, where it may exercise its 'balm of blue light.'” —Eamon Grennan

4. Actualities by Norma Cole and Marina Adams (Litmus Press)

In this lambent collaboration, visual artist Marina Adams echoes the spareness of Norma Cole's language with delicate lines that contour muscular negative spaces, sometimes stark and densely foreboding, sometimes luxuriant with color. Norma Cole dialogues with Marina Adams with syncopated poems concerned with fragmentation, transformation, love, precarity, and the tenuousness of kinship between places, things, and being. In ACTUALITIES, poet and artist meditate in tandem, moving between anxiety and reconciliation, in a call and response with one another, and with a cosmos that continuously thwarts knowing, refusing to sit still.

5. Tucson Salvage: Tales and Recollections from La Frontera by Brian Jabes Smith (Eyewear Publishing)

This book is a chronicle of the overlooked and unsung, a collection of award-winning essays based on Brian Jabas Smith's popular column, "Tucson Salvage." "A true champion of the dispossessed and forgotten. ... I can't recommend this book highly enough."—Willy Vlautin

6. Bred from the Eyes of a Wolf by Kim Kyung Ju, trans. Jake Levine (Plays Inverse Press)

Equal parts poetry, drama, and sci-fi, award-winning poet Kim Kyung Ju's verse play BRED FROM THE EYES OF A WOLF follows a post-apocalyptic family of wolves (indistinguishable from humans) forced to taxidermy their own cubs in order to survive. An allegory for the degraded social relations of the present, Kim Kyung Ju's all-too-familiar dystopia partitions the male body into monetized parts while the female body is valued only for its reproductive ability. Various mythologies and science fictions layer one over the other—from Oedipus to zombies to a cybernetic police state—in this stunning depiction of family, alienation, and contemporary capitalism, translated from Korean into English for the first time by frequent collaborator Jake Levine.

7. Thirteen Ways of Looking at The Bus by Gizelle Gajelonia (Tinfish Press)

In THIRTEEN WAYS OF LOOKING AT THE BUS, Gizelle Gajelonia discovers her muse in Honolulu's TheBus mass transit system. She takes seriously (in this seriously funny chapbook) the notion of routes—routes through Hawai'i's history and geography, routes through American poetry, routes through languages spoken in Hawai'i. Many of the pieces parody canonical poems by T. S. Eliot, Wallace Stevens, Hart Crane, Elizabeth Bishop, John Ashbery, and Eric Chock. Out of her parodies come marvelous revisions. Among the figures included in Gajelonia's revised canon are Hawai'i's last queen, Lili'uokalani, Filipina nurses, and an honors thesis writer very like the author who dreams of Columbia University.

8. USO: I'll Be Seeing You by Kim Rosenfield (Ugly Duckling Presse)

USO: I'LL BE SEEING YOU is at its core a parable of performance and service. How does one perform/serve issues of identity, race, politics, and the essential vulnerability of what it means to be human? What is language in service of and when does it go too far? What degrades? What supports? What is heroic? What does it mean to put oneself at risk or in harm's way? This book speaks via the poetry of stand-up comedy to the U.S. involvement in the Middle East and the difficulties of naming the unnameable. 

9. War and Peace 4: Vision and Text, by Judith Goldman and Leslie Scalapino, Editors (O Books)

WAR AND PEACE 4: VISION AND TEXT is devoted to collaborations between visual works and poetry, includes collaborative works of Charles Bernstein with Susan Bee, Amy Evans McClure with Michael McClure, Kiki Smith with Leslie Scalapino, Denise Newman with Gigi Janchang, a film on paper by Lyn Hejinian, Alan Halsey's visual texts, Simone Fattal, and Petah Coyne. Judith Goldman interviews Marjorie Welish, Lauren Shufran interviews Jean Boully, Leslie Scalapino interviews Mei-mei Berssenbrugge. Also included are E. Tracy Grinnell's homophonic translations of Claude Cahun's "Helene la rebelle" and poems by Fanny Howe, Thom Donovan, and others.

10. How Do I Look? by Sennah Yee (Metatron) Through a series of flash poetry/non-fiction pieces, Sennah Yee's debut full-length book HOW DO I LOOK? paints a colourful portrait of a woman both raised and repelled by the media. With pithy, razor-sharp prose, Sennah dissects and reassembles pop culture through personal anecdotes, crafting a love-hate letter to the media and the microaggressions that have shaped how she sees herself and the world. HOW DO I LOOK? is a raw and vulnerable reflection on identities real and imagined. 

All #SPDhandpicked books on VISION are 20% off all month w/ code HANDPICKED

[speakerreetywadhwa]

Newsletter: Poem.com

October 19, 2021 Two Poems Marjorie Welish Itself Sedentary in another language is language as such Whether or not we can read it, sought Because home. Inscription composted space works this interrogation of me: “You have a nice listening face,” Inspection shining forth. You face + the animal kingdom. There was once transparency near the face Hexagonal in facets blown vehemently and so…

[moodoofoo]

Marjorie Welish Before After Oaths Gray 4, 2013 acrylic on panel (diptych) 20 x 32 inches

[inexhaleart-blog]

Artist: Marjorie Welish

http://www.art-3gallery.com

[queenspoetlore]

50% of all net sales receipts donated to Planned Parenthood

Resist Much / Obey Little Inaugural Poems to the Resistance

Edited by Michael Boughn, John Bradley, Brenda Cardenas, Ching-In Chen, Lynne DeSilva-Johnson,  Kass Fleisher, Roberto Harrison, Kent Johnson, Andrew Levy, Nathaniel Mackey, Ruben Medina, Philip Metres, Julie Patton, Margaret Randall, Michael Rothenberg, Chris Stroffolino, Anne Waldman, Marjorie Welish, Tyrone Williams

ISBN 978-1-944682-32-3       740 pages      $30.00 Dispatches Editions     edited by Michael Boughn & Kent Johnson

Pub Date February 28 2017

[tidrywall]

Roy Dowell and Richard Kalina: Standing their ground

Contributed by Marjorie Welish /  “Synchronicity: A State of Painting” an exhibition of paintings by Roy Dowell and Richard Kalina, on view at Lennon, Weinberg through December 23,  proves that the notion of standing one’s ground may be reason enough to create uncommonly interesting pairing and debate. Apart from a schematic approach to matters, their diagrammatic … read more... "Roy Dowell and Richard Kalina: Standing their ground"

[nyfacurrent]

Artist News | October

As the leaves begin to fall, events featuring NYFA Affiliated Artists pick up in a season full of art!

And if you're attending any exhibitions, performances or screenings by NYSCA/NYFA Artist Fellows and NYFA Fiscally Sponsored Projects (or just enjoying some of their work at home, while sipping your favorite pumpkin flavored drink), make sure to tell us about it on social media. Use the handle @nyfacurrent to tag us on Twitter, Facebook, and Instagram.

Things to do & see in NYC:

Renee Cox (Fellow in Photography '96) Hank Willis Thomas (Fellow in Photography '06) State Property is a multi-disciplinary three-venue group exhibition examining the relationship between prison labor and American consumerism. When: Now through October 21, 2017, at BronxArtSpace; through November 20 at Swing Space & Andrew Freedman Home Where: BronxArtSpace, 305 East 140 Street, Bronx, NY 10454; Swing Space, 900 Grand Concourse, Bronx, NY 10451; and  The Andrew Freedman Home, 1125 Grand Concourse, Bronx, NY 10452

Sanford Biggers (Fellow in Performance '05) One more week to see Selah at Marianne Boesky Gallery, an exhibition comprised of works which highlight overlooked cultural and political narratives in American History. When: Now through October 21, 2017 Where: Marianne Boesky Gallery, 507 West 24th Street, New York, NY 10011

Diana Al-Hadid (Fellow in Sculpture '09) Falcon’s Fortress includes sculpture works, works on Mylar, and the artist’s largest presentation of wall panels seen in New York. When: Now through October 21, 2017 Where: Marianne Boesky Gallery, 509 West 24th Street, New York, NY 10011

John O’Connor (Fellow in Painting '08, Printmaking/Drawing/Artists’ Books '14) One more week to see Dead Drop, a group show featuring work by O’Connor. When: Now through October 22, 2017 Where: Honey Ramka, 56 Bogart Street, Brooklyn, NY 11206

Leeza Ahmady (Sponsored Project) Leeza Ahmady’s Asia Contemporary Art Week (ACAW) brings together leading New York and Asia-based art institutions, museums, and galleries to present a showcase of exhibitions, innovative projects, provocative dialogues on current topics, and networking opportunities. See the schedule here. When: Now through October 26, 2017 Where: Various locations throughout New York City.

Alison Saar (Fellow in Sculpture '85) William Villalongo (Fellow in Painting '12) Last two weeks to see Near & Dear, a group exhibition exploring the amorous connections artists make with signifying materials and objects. When: Now through October 28, 2017 Where: Elizabeth Foundation for the Arts Project Space, 323 West 39th Street, 2nd Floor, New York, NY 10018

Alois Kronschlaeger (Fellow in Architecture/Environmental Structures '13) There’s still time to go to Cristin Tierney Gallery to see Alois Kronschlaeger: New Work, an exhibition of new fiber works and sculptures. When: Now through October 28, 2017 Where: Cristin Tierney, 540 West 28th Street, New York, NY 10001

Leigh Davis (Sponsored Project) Leigh Davis’s photographs are included in BRIC’s Brooklyn Photographs, which brings together the work of 11 photographers who have turned their lens on the Brooklyn experience from the late 1960s to the present. Leigh Davis’s An Inquiry into the ELE is a fiscally sponsored project. When: Now through October 29, 2017 Where: Gallery at BRIC House, 647 Fulton Street, Brooklyn, NY 11217

Nadja Verena Marcin (Sponsored Project) Space Odyssey: Beyond Material Confinements, curated by Nadja Verena Marcin, explores themes including artificial intelligence, gravity, the explosion of movement, and feminine architecture. When: Now through November 10, 2017 Where: Radiator Gallery, 10-61 Jackson Avenue, Long Island City, NY 11106

Leslie McCleave (Sponsored Project) Producer-Director of Blind Boys of Alabama, Leslie McCleave will be on a free panel on accessing new audiences for NYFF Live. When: October 13, 2017, 8:00 PM Where: Elinor Bunin Munroe Film Center, Amphitheater, 144 West 65th Street, New York, NY 10023

Annie Lanzillotto (Fellow in Performance '99, Nonfiction '14) Lanzillotto will be performing in Susan Cook’s family drama Run, based on a true story. Buy tickets at the door. When: October 13, 2017, 8:00 PM Where: BAAD: Bronx Academy of Art and Dance, 2474 Westchester Avenue, Bronx, NY 10461

Kyoung eun Kang (Fellow in Video '10) NURTUREart presents 1402 Seok-Dong, a solo exhibition by Kyoung eun Kang. When: October 14, 2017 - November 5, 2017; Opening Reception: October 13, 7:00 PM - 9:00 PM Where: NURTUREart, 56 Bogart Street, Brooklyn, NY 11206

Judith Bernstein (Fellow in Printmaking/Drawing/Artists’ Books '88) Judith Bernstein: Cabinet of Horrors showcases a new body of work by the artist, specifically commissioned by The Drawing Center. When: October 13, 2017 - February 4, 2018 Where: The Drawing Center, 35 Wooster Street, New York, NY 10013

LoVid (Fellow in Interdisciplinary Work '09, Digital/Electronic Arts '17) LoVid will be performing live at Music for Plants, an event inspired by artists and musicians making music for the pleasure and benefit of plants. Compact discs will be on sale to benefit the garden. When: October 14, 2017, 5:00 PM - 9:00 PM Where: La Casita Verde, 451 Bedford Avenue, Brooklyn, NY 11211

Lenora Champagne (Fellow in Playwriting/Screenwriting '98, Performance Art/Multidisciplinary Work '03) Champagne will be performing Traps, an interactive performance reflecting on the traps we encounter both everyday and large-scale. When: October 15, 2017, 3:00 PM Where: Jefferson Market Library, 425 Sixth Avenue, New York, NY 10011

Angel Nevarez (Fellow in Performance Art/Multidisciplinary Work '05) Nevarez will be participating in WTF Do We Do Now?, a one-day gathering of artists and activists in conversation, reflecting on moving forward in a time of political tension. When: October 15, 2017, 10:00 AM - 7:00 PM Where: Pioneer Works, 159 Street, Red Hook, Brooklyn NY 11231

Brenda Zlamany (Fellow in Painting '94) Derfner Judaica Museum + The Art Collection at Hebrew Home presents Brenda Zlamany: 100/100, featuring 100 watercolor portraits. An artist talk will follow the reception. RSVP by email. When: September 10, 2017 - January 7, 2018; Opening Reception: October 15, 2017, 1:30 PM - 3:00 PM  Where: Derfner Judaica Museum, 5901 Palisade Avenue, Bronx, NY 10471

Joseph Keckler (Fellow in Interdisciplinary Arts '12) The topical theatrical cabaret, Weimar New York, once again finds its way back to the stage during these politically turbulent times. Tickets may be purchased here. When: October 17, 2017, 9:30 PM Where: Joe’s Pub, The Public Theater, 425 Lafayette Street, New York, NY 10003

Monika Fabijanska (Sponsored Project) Presented by The Culture Club, curator Monika Fabijanska will discuss her upcoming exhibition, The Un-Heroic Act: Representations of Rape in Contemporary Women’s Art in the U.S. scheduled for September 2018. When: October 17, 2017, 7:30PM Where: 68 Jay Street Bar, 26 Jay Street, Brooklyn, NY 11201

Elizabeth Foundation for the Arts Open Studios 2017 Join the Elizabeth Foundation for the Arts for their Annual Open Studios to see new work by the following NYSCA/NYFA Artist Fellows and Finalists: Samira Abbassy (Fellow in Printmaking/Drawing/Artists’ Books '07) Wafaa Bilal (Fellow in Interdisciplinary '12) Rhona Bitner (Fellow in Photography '10) Martha Burgess (Fellow in Computer Arts '99) Mattia Casalegno (Fellow in Finalist in Digital/Electronic Arts '17) Patty Cateura (Fellow in Painting '08) Sally Egbert (Fellow in Painting '94) Sean Fader (Fellow in Photography '13) Cui Fei (Fellow in Crafts '07, Printmaking/Drawing/Artists’ Books '14) Valerie Hegarty (Fellow in Sculpture '09, Crafts/Sculpture '17) Edgar Jerins (Fellow in Printmaking/Drawing/Artists’ Books '05) Tamiko Kawata (Fellow in Crafts '01, '05) Sarah Leahy (Fellow in Printmaking/Drawing/Artists’ Books '01) Armita Raafat (Fellow in Crafts/Sculpture '14) Suzanne Song (Fellow in Painting '08) Steed Taylor (Fellow in Painting '02, Sculpture '07) Dannielle Tegeder (Fellow in Printmaking/Drawing/Artists’ Books '17) Scott Teplin (Fellow in Printmaking/Drawing/Artists’ Books '17) Yuken Teruya (Fellow in Sculpture '05) Marjorie Welish (Fellow in Poetry '90, '07) Saya Woolfalk (Fellow in Cross-Disciplinary '07, Digital/Electronic Arts '14) When: October 19, 2017, 6:00 PM - 10:00 PM; October 20, 2017, 6:00 PM - 9:00 PM; October 21, 2017, 1:00 PM - 6:00 PM Where: Elizabeth Foundation for the Arts Center, 323 West 39th Street, New York, NY 10018

Josephine Halvorson (Fellow in Painting '10) Join Sikkema Jenkins & Co for the opening reception of As I Went Walking, an exhibition of recent paintings and works on paper by Halvorson. When: October 19, 2017 - November 22, 2017; Opening Reception: October 19, 2017, 6:00 PM - 8:00 PM  Where: Sikkema Jenkins & Co, 530 West 22nd Street, New York, NY 10011

Amir Hariri (Fellow in Printmaking/Drawing/Book Arts '17) Hariri’s work is featured in the Bombay Sapphire Artisan Series Regional Semi-Finalist show. When: Now through 23, 2017; Artist Reception: October 19, 2017, 6:00 PM - 9:00 PM Where: Allouche Gallery, 82 Gansevoort Street, New York, NY 10014

Walter Dundervill (Finalist in Choreography '16) Life Arts presents Skybox, a dance performance choreographed and created by Dundervill. Tickets start at $15 and can be purchased here. When: October 20 & 21, 2017, 7:30PM; October 22, 2017, 6:00 PM  Where: Pioneer Works, 159 Pioneer Street, Brooklyn, NY 11231

Adam Parker Smith (Fellow in Painting '15) The Hole is proud to announce an upcoming solo show of sculptures by Adam Parker Smith. When: October 21, 2017 - November 12, 2017; Opening Reception: October 21, 2017, 6:00 PM - 9:00 PM Where: The Hole, 312 Bowery, New York, NY 10012

Faith Holland (Finalist in Digital/Electronic Arts '14) Holland’s show Speculative Fetish addresses the way technology functions as a metaphor for the body. When: October 21, 2017 - January 6, 2018; Opening Reception: October 21, 2017, 6:00 PM - 10:00 PM Where: Transfer, 1030 Metropolitan Avenue, Brooklyn, NY 11211

Carolee Schneemann (Fellow in Performance Art/Emergent Forms '87) MoMA PS1 presents Carolee Schneemann: Kinetic Painting, the first comprehensive retrospective of Carolee Schneemann. When: October 22, 2017 - March 11, 2018 Where: MoMA PS1, 22-25 Jackson Avenue, Long Island City, NY 11101

William Villalongo (Fellow in Painting '12) Keep on Pushing is a solo exhibition of new work re-imagining the black male figure in current times, and speaking to the inherent human spirit’s will to persevere. When: October 26, 2017 - December 9, 2017, Opening Reception: October 26, 2017, 6:00 PM - 8:00 PM  Where: Susan Inglett Gallery, 522 West 24th Street, New York, NY 10011  

Get out of town to see:

Rebecca Chamberlain (Fellow in Painting '12) Last chance to see Homatorium III at Charlie James Gallery, the debut Los Angeles solo show of New York-based artist Rebecca Chamberlain. When: Now through October 14, 2017 Where: Charlie James Gallery, 969 Chung King Road, Los Angeles, CA 90012

Sarah Oppenheimer (Fellow in Architecture/Environmental Structures/Design '06, '10, '16) One more week to see two new works by Oppenheimer, S-011110 and S-010100, at Annely Juda Fine Art. When: Now through October 21, 2017 Where: Annely Juda Fine Arts, 4th floor, 23 Dering Street, London, England W1S 1AW

Saya Woolfalk (Fellow in Cross-disciplinary '07, Digital/Electronic Arts '14) This is the last week to see Color:Coded, a group exhibition of site-specific installations by artists who explore the layered issues and loaded history of color. When: Now through October 21, 2017 Where: New Art Center, 61 Washington Park, Newtonville, MA 02460

Roger Grunwald (Sponsored Project) Roger Grunwald’s one-man play, The Obligation, is about a Jewish-American comedian, an Auschwitz survivor, a half-Jewish German soldier, and an SS General who explore the dark history of our world. Buy tickets here. When: Now through November 5, 2017 Where: Portero Stage, 1695 18th Street, San Francisco, CA 94107

John Morton (Sponsored Project) John Morton’s work is part of Sup-A-Genius: The Five Guy Show, a group exhibition that celebrates the artist-as inventor. When: Now through November 11, 2017 Where: Drawing Rooms, 180 Grand Street, Jersey City, NJ 07302

Helène Aylon (Sponsored Project) Aylon’s exhibition and conclusion to her two-decade-long G-D Project: Nine Houses Without Women, Afterword: For the Children, travels to the 2017 Jerusalem Biennale. When: Now through November 15, 2017 Where: Hamachtarot Museum (Museum of Underground Prisoners), Rehov Mishol Hagvura 1, Russian Compound, Jerusalem, Israel 9131401

Charlotte Schulz (Fellow in Printmaking/Drawing/Artists’ Books '01, '09, '17) Schulz has work in the group exhibition Dwellings, on view at the Rockland Center for the Arts. When: Now through November 19, 2017 Where: Rockland Center for the Arts, 27 South Greenbush Road, West Nyack, NY 10994

Hank Willis Thomas (Fellow in Photography '06) The Beautiful Game is an exhibition comprised of new floor and wall based sculptures and quilts, marking Thomas’ first solo exhibition in the United Kingdom. When: Now through November 24, 2017 Where: Ben Brown Fine Arts London, 12 Brook’s Mews, London, England W1K 4DG

Drew Shiflett (Fellow in Sculpture '90, Printmaking/Drawing/Artists’ Books '09) James Siena (Fellow in Painting '96) On Repeat brings together works by 14 artists who use patterning and repetition in their work. When: Now through December 14, 2017 Where: Clarke & Associates, 301 East 11th Street, Houston, TX 77008

Sherrie Levine (Fellow in Painting '87) David Zwirner, London, is pleased to present Pie Town, an exhibition of new works by Sherrie Levine. When: Now through November 18, 2017 Where: David Zwirner, 24 Grafton Street, Mayfair, London, England W1S 4EZ

Terre O’Connor (Fellow in Choreography '87, '92, '98, '02, '06, '10) The Fisher Center will be presenting the premiere of Long Run, a major new choreographic work from Tere O’Connor. Purchase tickets here. When: October 13, 2017, 7:30PM; October 14, 2017, 7:30PM; October 15, 2017, 2:00 PM Where: The Fisher Center for the Performing Arts at Bard College, LUMA Theater, Annandale-on-Hudson, NY 12504

Desirée Alvarez (Fellow in Printmaking/Drawing/Artists’ Books '97, '03, Poetry '11) Alvarez will be reading poems with a group of writers in celebration of the literary journal La Presa. When: October 15, 2017, 4:00 PM Where: Hudson Area Library, 51 North 5th Street, Hudson, NY 12534

Carolyn Jones (Sponsored Project) Carolyn Jones’ documentary film, Defining Hope, is a part of the Heartland Film Festival. The film follows patients with life-threatening illnesses as they face death, embrace hope, and ultimately redefine what makes life worth living. Purchase tickets here. When: October 17 & October 18, 2017 Where: Heartland Film Festival, Indianapolis, IN, Various Locations

Laura Spector (Fellow in Photography '01) New photographs inspired by paintings from the Johann Friedrich Daniel Museum, which were stolen during World War II. When: October 26, 2017 - January 11, 2018; Opening Reception: October 26, 2017, 6:00 PM - 8:30 PM  Where: City Hall Houston, 901 Bagby Street, Houston, TX 7702

New releases to enjoy at home:

James Sherry (Fellow in Poetry '91) Sherry’s new book, The Oligarch, is a response to our current political era, and a modern sequel to Machiavelli’s classic, The Prince. Through Sherry’s literary strategy, he offers a compelling view on American politics and the direction of global politics and economics.   When: Released on October 12, 2017 Where: Purchase here.

Marilyn Minter (Fellow in Painting '88, '92) Check out a recent article spotlighting Minters’ current group project, Anger Management, the resistance-themed pop-up shop set inside of the Brooklyn Museum. When: Published on October 2, 2017 Where: Online at The New York Times

Debi Cornwall (Sponsored Project) Debi Cornwall’s Welcome to Camp America: Inside Guantanamo Bay is a vivid and disorientating collection of photographs, once-classified government documents, and first-person accounts providing a glimpse into the U.S. Naval Station in Guantanamo Bay. Check out a glimpse on the New York Times! Where: Purchase from Radius Books here.

Li Lu (Sponsored Project) Li Lu’s film There is a New World Somewhere is now streaming on Amazon Prime. Where: Watch on Amazon Prime.

NYFA congratulates:

Dawoud Bey (Fellow in Photography '86, '90 Taylor Mac (Fellow in Interdisciplinary Work '09) We proudly congratulate Dawoud Bey and Taylor Mac who were named as 2017 MacArthur Fellows! Read more about the artists and the MacArthur Foundation online.

Follow us on Twitter and Instagram for more events with NYFA affiliated artists. Also, don’t forget to like us on Facebook to see what current fiscally sponsored projects are up to! To receive more artist news updates, sign up for our bi-weekly newsletter, NYFA News.

The NYSCA/NYFA Artist Fellowship Program awards $7,000 grants to individual artists living and working in New York State, and NYFA Fiscal Sponsorship enhances the fundraising capabilities of individual artists and emerging arts organizations.

Images from top to bottom: Hank Willis Thomas (Fellow in Photography '06), Basketball & Chain, 2003, and Sarah Oppenheimer (Fellow in Architecture/Environmental Structures/Design '06, '10, '16), Horizontal Roll, 2008

[nofomoartworld]

Hyperallergic: Reader’s Diary: A Poetry of Alternate Takes

The other day on the subway I caught sight of a sign that read what if everyone in New York was reading the same book at the same time and fell into a deep funk. It almost made me want to give up reading forever. Luckily, I was able to rally my spirits and stick my nose in a book I had with me, one I could feel pretty sure everyone else wouldn’t be reading at the same time. Later, not on the subway, I started to read one that struck me, not as a book everyone wouldn’t be reading at the same time, but one that couldn’t be read by everyone — or even by two people at once — because it could never be the same book for any two people, or maybe not even for the same person twice. Yes, they’d be reading the same words, but not the same book. Probably that’s true of any book, but some of them make more of a point of it. So What So That, Marjorie Welish’s new collection of poetry, is that kind of book — one “constituted       of alternative takes,” to quote a poem titled “You Needn’t,” which (given the various musical references embedded in it) I take as an allusion to Thelonious Monk’s “Well, You Needn’t.” But you might see it differently. My So What So That will inevitably be different from yours. Somehow permeable to its reader, it finds its form only in a sort of chemical compound with whatever spirit any individual brings to it. Welish’s poetry, like Monk’s music, is a montage of moving parts in which you’d be wise to expect the unexpected. It’s hard to locate oneself inside this poetry, and yet it never seems confused. I recently came across these words from Henry James, quoted by the novelist Adam Thirlwell in an essay on Henry Green: “The muddled state too is one of the very sharpest of the realities.” Like Green and James, Welish is sharp about the muddle that is almost everyone’s daily lot. She doesn’t entirely regret that muddle, and certainly rejects the claimed literary antidotes to it: “Word away are the armaments: / some speak through aphorism, others harangue; still others enlist reasoning arguments / wanting the hearer to do something.” So, in fact, you’ll find no arguments, harangues, or aphorisms here. Nothing meant to line up all readers into a unity. Just what another poem calls “Looking nonstop” as a way to “devise notation for the ambient sounds / and transcribe unbound pages from the age of reason.” (Evidently it’s not reason of which the poet is suspicious, but of “reasoning arguments” with what Keats called “a palpable design on us.”) It strikes me now that something like those “unbound pages” might be what I’ve been looking for, so often, in what might seem unlikely places, the bound pages of books. (“The geneticist / concluded: my search involves the greatest difference that matters to the smallest divergence,” writes Welish.) I’m going to keep looking, but for now, at least, I’m going to put the diary of my search on hiatus. It’s been fun keeping this Reader’s Diary but, well, I needn’t. “Because life — or a different song with a similar beginning / then becoming that companion to on off on of — / is short shrift.”

Marjorie Welish’s So What So That: Poems (2016) is published by Coffee House Press and is available from Amazon and other online booksellers.

The post Reader’s Diary: A Poetry of Alternate Takes appeared first on Hyperallergic.

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[stephanemroczkowski]

Stéphane Mroczkowski, Alexandra Pignol (dir.), David Diao. Peinture et document/painting and document

Paris, Mare & Martin, mars 2021 format 15 x 21 cm, 273 pages, 13 textes, 56 illustrations

Résumé Figure majeure de l’abstraction conceptuelle, David Diao questionne les usages et les institutions du monde de l’art. Les documents d’archive, photographies, listes, chiffres de ventes, biographies, carrières d’artistes — dont la sienne — bouleversent l’approche que l’on a de la peinture. Reproduits sur un fond monochrome très élaboré, les documents ont une valeur informative tout comme une valeur esthétique. Diao donne à la peinture une dimension conceptuelle effective : focalisée sur l’information et le contenu. Et s’il donne un rôle central à l’information, il affirme aussi la présence irréductible de la peinture, qui rend le rôle des documents plus complexe à définir, comme le montrent les essais du présent ouvrage.

Avec les textes de Hélène Chouteau-Matikian, Michael Corris, Felix Gmelin, Catherine Grout, James Harithas, Jean-Marc Huitorel, Marjolaine Lévy, Joseph Masheck, Stéphane Mroczkowski & Alexandra Pignol, Marshall N. Price, Ramon Tio-Bellido, Hiram To, Marjorie Welish

[francescacolson]

Lawrence Weiner

"Lawrence Weiner." Guggenheim. THE SOLOMON R. GUGGENHEIM FOUNDATION, n.d. Web. 27 Feb. 2017.

Smith, Roberta. "The Well-Shaped Phrase as Art." The New York Times. The New York Times Company, 16 Nov. 2007. Web. 27 Feb. 2017.

Welish, Marjorie. "Lawrence Weiner." BOMB Magazine. N.p., 1996. Web. 27 Feb. 2017.

[rickilanders]

Inhaling and Exhaling: Marjorie Welish’s Abstract Paintings at Art Gallery 3 Urge Us to Reconsider What We See

Inhaling and Exhaling: Marjorie Welish’s Abstract Paintings at Art Gallery 3 Urge Us to Reconsider What We See

Inhaling and Exhaling: Marjorie Welish’s Abstract Paintings at Art Gallery 3 Urge Us to Reconsider What We See Source: Art Magazine Through February 5 in New York Read More Inhaling and Exhaling: Marjorie Welish’s Abstract Paintings at Art Gallery 3 Urge Us to Reconsider What We See

[2mares-carlalamoyi]

Postée par Dos Mares