#Mariinsky Ballet Мариинский театр

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Alisa Khayrnasova

Alisa Khayrnasova (Rusina) Алиса Хайрнасова (Русина) as “Mercedes”, “Don Quixote Дон Кихот”, choreo by Aleksandr Gorsky Александр Горский, Marius Petipa, Nina Anisimova Нина Анисимова (gypsy and oriental dances) and Fyodor Lopukhov Фёдор Лопухов (Fandango), libretto by Marius Petipa based on the novel “El Ingenioso Hidalgo Don Quijote de la Mancha” (“The Ingenious Nobleman Sir Quixote of La Mancha”) by Miguel de Cervantes Saavedra (1547-1616), music by Ludwig Minkus, costume design by Konstantin Korovin Константин Коровин, Mariinsky Ballet Мариинский театр, Saint Petersburg, Russia (October 20, 2024; Historic Stage):

Source and more info at:

Photographer Aleksandr Neff on Facebook

Photographer Aleksandr Neff on Instagram

Photographer Aleksandr Neff on VKontakte

via:

Alisa Khayrnasova (Rusina) on Instagram

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The Mariinsky Theatre, St. Petersburg Мариинский театр

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Maria Khoreva as Raymonda and  Alexander Romanchikov as Abderakhman (Saracen knight), “Raymonda”, music by Alexander Glazunov, choreography by Marius Petipa (1898) revised version by Konstantin Zverev (1948) with choreographic fragments by Fyodor Lopukhov, Mariinsky Ballet Мариинский театр, Saint Petersburg, Russia (March 19, 2021)

Photographer Svetlana Avvakum

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Irma Nioradze Ирма Ниорадзе Mariinsky Ballet Мариинский театр, “The Dying Swan”

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Maria Ilyushkina’s debut in “Swan Lake”

Vaganova Ballet Academy graduate (class of Yulia Kasenkova, 2016), Maria Ilyushkina, has debuted as Odette / Odile in the Mariinsky’s “Swan Lake”.

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A post shared by Мариинский театр / Mariinsky (@mariinsky) on Jan 9, 2020 at 3:12am PST

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A post shared by Мариинский театр / Mariinsky (@mariinsky) on Jan 10, 2020 at 1:51pm PST

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A post shared by Catherine Pollak (@catherine_pollak) on Jan 11, 2020 at 2:20am PST

[costyaklein]

Восхитительный балет «Жизель». Правда, не самые лучшие места :( но мне очень понравилось. Самые красивые моменты не заснял :( #жизель #балет #балетжизель #мариинка #мариинский #мариинскийтеатр #giselle #ballet #giselleballet #mariinsky #mariinskytheatre (at Мариинский театр / Mariinsky Theatre) https://www.instagram.com/p/B0jUlM5pXtG/?igshid=1ng3tiyao0cyt

[natalykovalli]

Белое кружевное изящество и невесомость! Эти серьги у меня ассоциируются с балетом. Лёгкость, тонкие линии, плавные изгибы. И восторг! И овации! И признание таланта, и безмерное уважение к труду и служению искусств��! Серьги из коллекции украшений премиум класса Excellent. Невесомый хлопковый жемчуг, изящные ажурные подвески из перламутра. Швензы матированные посеребренные. Серьги практически невесомые! Общая длина от прокола около 7 см. В единственном экземпляре. Стоимость 2900= Уже в продаже в отдельном профиле @natalykovalli_jewelry, где все позиции #вналичии. #NatalyKovalli #серьги #изящно #балет #красота #балерина #искусство #красивыесерьги #идеальныеукрашения #российскиедизайнеры #earrings #ballet #art #teater #авторскиеукрашения #СанктПетербург #мариинскийтеатр (at Мариинский театр / Mariinsky Theatre) https://www.instagram.com/p/BvWKNGSFycI/?utm_source=ig_tumblr_share&igshid=1hyoy09silwnv

[yoiness]

© Sasha Gouliaev Саша Гуляев

Alina Somova Алина Сомова, Mariinsky Ballet Мариинский театр

[balletthebestphotographs]

Yulia Kobzar

Yulia Kobzar Юлия Кобзарь as “Egyptian”, “Spartacus Спартак”, music by Aram Khachaturian Арам Хачатурян, choreo by Leonid Yakobson Леонид Якобсон, libretto by Nikolay Volkov Николай Волков, sets and costume by Valentina Khodasevich Валентина Ходасевич, choreo revived by Vyacheslav Khomyakov Вячеслав Хомяков, Mariinsky Ballet Мариинский театр (New Stage), Saint Petersburg, Russia.

Source and more info at: Photographer Svetlana Avvakum on Facebook Photographer Svetlana Avvakum on Instagram Photographer Svetlana Avvakum on VKontakte

via: Yulia Kobzar on Instagram

Note I: This blog is open to receiving and considering any suggestions, contributions, and/or criticisms that may help correct mistakes or improve its content. Comments are available to any visitor.

Note II: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.

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The Mariinsky Theatre, St. Petersburg Мариинский театр

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Oksana Skorik (Mariinsky Ballet, Мариинский Театр) as Nikiya, “La Bayadère” for Beatrice Magazine (in russian)

Photos © Ira Yakovleva

[mariakhorevaballet-blog]

Ballet Swan Lake (Marius Petipa & Lev Ivanov ) - The Prince’s Friends: (pas de trois) - Pyotr Tchaikovsky  Описание: Maria Khoreva - Ballet Swan Lake (Marius Petipa & Lev Ivanov ) - The Prince’s Friends: (pas de trois) - Pyotr TchaikovskySubscribe to the channel=) https://www.youtube.com/channel/UCffAKmQG_O6ev6gcuJ1bM0w?sub_confirmation=1 Mariinsky Theatre:https://www.mariinsky.ru/playbill/pla... Maria Khorevahttps://www.instagram.com/marachok/   Performers: Conductor: Gavriel HeineOdette-Odile: Alina SomovaSiegfried: Timur Askerovvon Rothbart: Andrei SolovyovThe Prince’s Friends: Maria Khoreva, May Nagahisa, Philipp StepinThe Jester: Maxim Izmestiev Music by Pyotr Tchaikovsky Libretto by Vladimir Begichev and Vasily GeltzerChoreography by Marius Petipa and Lev Ivanov (1895)revised choreography and stage direction: Konstantin Sergeyev (1950)Set design by Igor IvanovCostume design by Galina Solovyova 20.04.2019  ABOUT THE PERFORMANCE: Swan Lake is a ballet without which it is impossible to imagine contemporary classical theatre, and in terms of itspsychology it is bang up to date. The classical qualities of Swan Lakelie in the precise structural forms,in the strict classical school and in the traditional split of classical and character dance. Its psychology liesin the mysterious theme of duplicity and the well-developed theme of fate and destiny. Nevertheless, when it appeared in 1877 there was no instant acclaim for Swan Lake. The production stagedat the Bolshoi Theatre by Vaclav Reisinger was “one of many”, extremely traditional and in no way innovative.The famous “Russian soul” was absent in it, and neither was there the eternal symbol of Russian spiritualityin the image of the Swan. And Tchaikovsky’s music, in turns mournfully aching, festively triumphant andmenacingly fatal, was not regarded as a masterpiece for a long time to come. Initially, Pyotr Ilyich’s opus wasreceived in a very restrained manner: people felt that the ballet was “poor in melodies” and the music“the weakest point of all.” The spirituality in the rst production was hard to nd: much was hidden by the corpsde ballet which rigorously waved their cardboard wings at the premiere – today one could only imagine sucha thing in a parody of the ballet! And only the name of Polina Karpakova, who went down in history as the rstperformer of the role of Odette (the name of the performer of the role of Odile was covered by three stars onthe playbill), tells us that the history of the ballet did not begin in St Petersburg. But it was in the city on the River Neva that the White Swan “built its nest.” Following a concert in memoryof the composer at the Mariinsky Theatre in 1895, when Lev Ivanov showed a “swan scene” – gentle, tender andtouching – Marius Petipa, the director of the ballet company in St Petersburg, nally resolved to stageTchaikovsky’s debut in the dance genre at the Imperial theatre. The premiere took place one year later, in 1896. The conductor and composer Riccardo Drigo undertook a very tactical musical revision of the score – it is hisversion of the music for Swan Lakethat most choreographers follow. The Frenchman Petipa and the RussianIvanov (the choreographers), the Italian Drigo (conductor and author of this version of the music) and PierinaLegnani as Odette-Odile – these are the creators of the famous myth of Swan Lake. In the more than century-long existence of Swan Lake at the Mariinsky Theatre, the production has been radicallyaltered on just three occasions, which, you must agree, is very little for a ballet that is over a hundred years old. The most radical, however strange it may seem, was by a woman – Agrippina Yakovlevna Vaganova, the famedteacher and excellent soloist (in Swan Lake, apropos, she did not particularly stand out at all). She attemptedto simplify the mysticism of the libretto and the music, presenting the story of the swan-maiden as the sickhallucinations of an erudite youth, mercilessly killing off the protagonists with no right to resurrectionin the nale (in the 1896 production Odette and Siegfried, once dead, were reunited in the afterlife). All that remains of Vaganova in the current production, however, is the “swan-like” turns of the arms and the dancemeeting of Odette and Siegfried: Agrippina Yakovlevna, dissatised with the fussy pantomime nature of thisscene, created highly imagistic choreography. Ten years later Fyodor Lopukhov, another classic of Soviet ballet, resolved to let the male protagonist live and moreover restored Odette’s human image – in the nale she became a woman. But this production too, memorable for von Rothbart’s excellent variation, remained in the theatre’srepertoire for just ve years before it was replaced by the version of Konstantin Sergeyev, one of the nestSiegfrieds of all time anywhere, in which the dancer and choreographer, true to classical dance, combinedthe very best that had been created for Swan Lake in the course of half a century. Today, too, this production isconsidered the epitome of classical dance imagery. It was this version recorded on lm that documents the lyricaldance of Galina Ulanova, the virtuoso sparkle of Natalia Dudinskaya, the classical perfection of Gabriela Komlevaand the mutinous passion of Galina Mezentseva. Olga Fedorchenko #балерина #балет #лебединое #озеро #лев #мариинский #театр #мария #хорева #мариус #ballet #ballerina #petipa #tchaikovsky #mariinsky #theatre #МарияХорева #MariaKhoreva #Ballet #Ballerina #RussianBallet #БалетЛебединоеОзеро #��ебединоеОзеро #BalletSwanLake #SwanLake #МариусПетипа #ЛевИванов #MariusPetipa #LevIvanov #ПетрЧайковский #PyotrTchaikovsky #МариинскийТеатр #MariinskyTheatre #АлинаСомова #МейНагахиса

[anovikme]

Одна из самых сложных съёмок... Конечно такие кадры смотрятся именно в большом формате, когда чувствуется весь объём... . . Ph - @anovik.me @vlad_filjov 2008 . . . #studiophoto #saatchiart #ny #newyork #фотосъёмка #galleryart #ballet #russianballet #балет #bnwsouls #ig_russia #idea #lovepictures #stillifephotography #photoart (at Мариинский театр / Mariinsky Theatre) https://www.instagram.com/p/Bq9RZ_ojpoO/?utm_source=ig_tumblr_share&igshid=gr1niku47rx9

[costyaklein]

Ну что же, прошло несколько дней и я вновь в Мариинском театре, на этот раз на исторической сцене. На этот раз буду смотреть балет «Жизель». А Вы любите балет? Напишите в комментарии. #жизель #балет #балетжизель #мариинка #мариинский #мариинскийтеатр #giselle #ballet #giselleballet #mariinsky #mariinskytheatre (at Мариинский театр / Mariinsky Theatre) https://www.instagram.com/p/B0i_pr1p8Zi/?igshid=1uhn9ot5kaiet

[natashiko-blog]

11 марта 2017 ТЕАТР ИМ. Н.И. САЦ Москва, Проспект Вернадского, д. 5. #балетжарптица #мариинскийноваясцена #театр #владивосток #театроперыибалета #питер #новаяопера #мариинский #мариинскийтеатр #mariinsky #mariinskytheatre #жарптица #русскиесезоны #russianballet #балетыфокина #дягилев #левбакст #leonbakst #гмии #пушкинскиймузей #стравинский #мирискусства #дягелевскиесезоны #music #ballet #art #follow4follow #repost #picoftheday #instagram (at Moscow, Russia)

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Léa Thomasson

Léa Thomasson Леа Томассон, “The Snake” solo scene within “Oriental Dance” from “Nutcracker Щелкунчик”; libretto and stage by Marius Petipa adapted by Mikhail Chemiakin Михаил Шемякин based on the fairy tale “The Nutcracker and the Mouse King” (1816) by Ernst Hoffmann; choreo by Kirill Simonov Кирилл Симонов; music by Pyotr Tchaikovsky Пётр Чайковский; set, costume and production design by Mikhail Chemiakin Михаил Шемякин; Mariinsky Ballet Мариинский театр, Saint Petersburg, Russia.

Upcoming performances from December 8 to December 30, 2024 (cast to be announced).

Source and more info at:

Photographer Alexander Neff on Facebook

Photographer Alexander Neff on Instagram

Photographer Alexander Neff on VKontakte

via:

Léa Thomasson Website

Léa Thomasson on Pinterest

Léa Thomasson on Telegram

Léa Thomasson on You Tube

Léa Thomasson on Facebook (page)

Léa Thomasson on Facebook (personal)

Léa Thomasson on Instagram

Note I: This blog is open to receiving and considering any suggestions, contributions, and/or criticisms that may help correct mistakes or improve its content. Comments are available to any visitor.

Note II: Original quality of pho