#Marie Blake
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citizenscreen · 3 months ago
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A candid of sisters Jeanette MacDonald and Blossom Rock (Marie Blake) in 1932
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badmovieihave · 2 years ago
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Bad movie I have Snow White and the Three Stooges 1961
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gatutor · 7 months ago
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Marie Blake-Russell Hicks "Here comes happiness" 1941, de Noel M. Smith.
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jedivoodoochile · 1 year ago
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Happy Birthday, in memoriam, to MARIE BLAKE (1895 – 1978) as "Grandmama" on The Addams Family. She is pictured with John Astin as Gomez Addams. Marie was born on August 21st.
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violettesiren · 1 year ago
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I will exchange a city for a sunset, The tramp of legions for a wind's wild cry; And all the braggart thrusts of steel triumphant For one far summit, blue against the sky.
Barter by Marie Blake
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jay-wasstuff · 3 months ago
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juniper-clan · 3 months ago
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Moon 27: Walking on My Grave (feat @in-memoriam-tgwk Glowstar!)
PREVIOUS | NEXT
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diioonysus · 9 months ago
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red + art
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theeminentlyimpractical · 1 year ago
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William Blake, illustrations for Milton's Paradise Lost (Butts set, 1808)
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daniel-bruehl · 1 year ago
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"Octavia kom Skaikru... is victorious."
Marie Avgeropoulos as OCTAVIA BLAKE THE 100 4x10 | 'Die All, Die Merrily'
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citizenscreen · 3 months ago
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Remembering Blossom Rock aka Marie Blake on her birthday #botd
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brokentrafficknight · 8 months ago
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Ghira and Tai's 'I Hate My Son in Law' t-shirts are custom made.
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gatutor · 7 months ago
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Marie Blake (Philadelphia, Pennsylvania, 21/08/1895-Los Angeles, California, 14/01/1978)-
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behindthescreamz · 11 months ago
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behind the scenes with the cast of “scooby doo” (2002)
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softspeirs · 2 months ago
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Steer Clear
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A/N: Here we are, kids. This OC came to me out of nowhere. I had no plans to write anything for Ev Blakely, but once I started thinking about it, I couldn't stop. Meet Marie.
It was an innocuous request, in his mind. Hey, Fernandez. Run these messages to the Colonel on your way?
She had frozen in place, halfway down the tower steps at his words, and he recognized the look on her face. He's seen it a thousand times since he met her over a year ago.
"I'm pressed for time, Captain." She says. "I have to run these figures to the plotters--"
"You're on your way there anyway." He insists. He holds out a stack of messages. Weather reports, updated communications from nearby bases, messages about incoming ferries happening later that day.
She turns her back on him.
Heads right down the stairs like he hadn't even spoken, and leaves him standing there.
"For fuck's sake," he whispers to himself, and then he's taking off, hot on her heels.
She's like a wraith the way he catches only glimpses of her disappearing around corners, until finally she's in Ops, handing a message to Red at the maps before turning to pass on other messages, her steps quick and efficient.
The room is relatively quiet and he's sure he's not imagining the way people take one look at the two of them and pretty much clear out. They don't want to be stuck inside with them when the arguing inevitably starts.
He sighs. "Fernandez-- can you just wait a minute?"
"Not really, no."
The thing about an impending promotion is that he's starting to understand why Jack hates being Air Exec. He hates being stuck inside, or in the tower, or elsewhere on the base while others are doing the flying. He understands his role. He'll do it and he'll do a damned good job of it, but that doesn't mean he likes it.
Especially because it means he's in close contact with the Ops staff, who are all, except for Marie Fernandez, willing to work with him.
"Do we have a problem?" He blurts, because he already knows they do. The first day he met her she looked at him with.... nothing. She wasn't rude or anything, but he felt like he could have been any other suit standing in front of her, and it hit him in the gut like he didn't expect. "I'm not giving you orders, I just asked if you'd do me a favor." He's aware his tone is hardening. He's trying not to let it happen, but she's just staring at him in that way she does.
"I don't work for you," she points out, tone perfectly neutral, but something about it just grates. He opens his mouth to respond, but she beats him to it. "I work for the Colonel, and he's the one who gives me orders."
His hands go to his hips and he looks down at the ground, clenching his jaw as he fights his temper. "We're working together, Fernandez. All of us." He leans in, "Unless you forgot."
Her eyes narrow. "Because I couldn't possibly feel the same patriotism that you do, could I?" She pretends to think, finger tapping he chin. "I forgot that the only way to fight from the air is in the seat. Us pencil pushers don't count." Her eyes are blazing, a few tendrils of her dark hair escaping from their pins after hours and hours of work.
"You weren't supposed to hear that." He mutters. Not a good excuse, but he can't help but bite back at her. She gets under his skin - he needs to have the last word. It's a matter of pride, is what he tells himself.
"Then don't gossip where everyone can hear you, Captain." She raises a perfectly manicured eyebrow. "Now. Is there something I can help you with? Because if not, then we're busy."
He takes a deep breath, tries to lower his voice. "I'm just asking if you would be willing to take messages when you're on your way anyway--"
"-- And I told you I don't have time. I know you think I don't do anything but sit around and twirl my hair all day--"
"That's not what I think."
"Can I--" Harry Crosby's head appears around the doorframe of his office.
"Not now, Croz--"
"Shut up Harry--"
They both snap at him in unison, and he holds his hands up in surrender and backs into his office. He's been the third wheel of too many arguments between Fernandez and Blakely over the last few months, and he has no desire to get in the middle of another one, even though he's desperate for a few minutes of quiet.
The sudden quiet between them is tense and for a moment -- he doesn't even think she's aware she does it - the wall around Marie Fernandez comes down. Her face is open, vulnerable. She looks exhausted, just like the rest of them.
She takes a deep breath, settles her shoulders, and squares to face him again, and he's suddenly breathless. She is unbearably lovely. Especially when she's yelling at him. And his heart is pounding, and she's saying something but he can't hear her and--
"Well?" She snaps.
"I-- what?"
"I said, the next time you need something from Ops, send one of the other girls. There's no need for us to keep disturbing everyone else." Her voice is quieter than it was a few minutes ago and he hates it. The fight's gone out of her eyes too, and for a crazed half-second, he wants to reach for her.
To do what, he has no idea, but suddenly he feels out of control, like he has no idea how to speak or move or--
She brushes past him. The door slams behind her as she goes back to her office, just outside the Colonel's.
He pinches the bridge of his nose as the quiet of the room settles over him. He knows this has to get sorted. They can't keep fighting like this, not with the invasion so close on the horizon, not when the communication between Ops and the tower is so important.
They need to trust each other, and he needs to keep his big mouth shut and stop taking his frustrations out on her.
He knows all this, but there's a part of him that's itching for a fight, and she's always willing to give it. Perhaps it's the masochistic part of him that came back from Bremen, knowing everything had gone to shit and convinced that it always would.
Harry comes out of his office again, hands in his pockets.
"Don't say it--"
"You can't keep doing that." He says, serious.
"She started it--"
"She's just doing her job, doing what she's supposed to do."
"I asked for a favor! That's all! Goddamn, you'd think I'm asking for her to get in the goddamn seat and drop a bomb on Hitler's house."
Crosby frowns. "Look, I just-- you let her get to you, and I don't know why, but you're driving everyone crazy. We're all tired but this is too important."
He opens his mouth to argue that Harry Crosby of all people shouldn't be lecturing him about being tired, but he bites his tongue. The door behind him opens again, and he looks over his shoulder, expecting her to storm back in and demand he apologize to her, but it's Douglass.
"Fightin' with Marie again?" He asks, casually, leaning against the wall as he bites down on an apple.
"Jesus Christ." Ev mutters.
"I'm just asking because the two of you really know how to clear a room."
"I'm going to go now. Don't you two have anything better to do?"
"Besides bother you? Not really."
"Thanks, Dougie."
Douglass follows him out the door, calling after him, "Just let us know when you're finally going to do something about it so we can steer clear, alright?"
Blakely flips him the finger over his shoulder and walks back to the tower, his gut roiling for reasons he doesn't want to examine. No, he'll steer clear of her from now on. It's best for everyone.
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