#Majboor (1964)

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ये बात होती है Yeh Baat Hoti Hai Song Lyrics- Majboor (1964)

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“Majboor”  /  1964  /  Song booklet featuring Biswajit and Waheeda Rehman  /  Source: Osianama

[bollywoodirect]

Remembering legendary music composer Madan Mohan on his 94th birth anniversary.

Madan Mohan Kohli (25 June 1924 – 14 July 1975), better known as Madan Mohan, was a music director of the 1950s, 1960s, and 1970s.

He scored his first big break with the film Aankhen (1950 film) in 1950. His next film was "Adaa" which saw the beginning of a long lasting collaboration with Lata Mangeshkar; who would go on to sing for many of his films. Two of his composed songs from "Sharabi" "Sawan ke maheeney mein" and the classic song "Kabhi na Kabhi koi na koi toh aayega", both filmed for Dev Anand are among the most well known renditions of the renowned singer Mohammad Rafi. In addition, his other compositions like Wo Chup Rahen To from the film Jahan Ara (1964) and Maine Rang Li Aaj Chunariya from Dulhan Ek Raat Ki (1966) are two similar examples. Madan was also able to write songs for male singers such as Talat Mahmood (Phir wahi Sham, wahi dil, wahi tanhayee hai, Main Teri Nazar Ka Suroor Hoon and Teri Aankh Ke Aansoo from Jahan Ara, and Meri Yaad Mein Tum Na from Madhosh) and Mohammad Rafi (Ek Haseen Shaam Ko from Dulhan Ek Raat Ki, Kisi Ki Yaad Mein from Jahan Ara, Main Nigahen Tere Chehere Se from Aap Ki Parchaiyian, Aap Ke Pehlun Mein Aakar Ro Diye from Mera Saaya, the all-time haunting Meri Awaaz Suno and Tumhare Zulf Ke Sayen from Naunihal, Teri Aankhon Ke Siva Duniya Mein from Chiraag as well. Madan did not usually employ Kishore Kumar. Nonetheless their partnership created songs as well; in this category fall songs such as Simti Si, Sharmai Si from Parwana, Zaroorat Hai, Zaroorat Hai from Manmauji, the title song from Ek Muthi Aasman, Mera Naam Abdul Rehman from Bhai Bhai, and Aai Hasino, Naazanino from Chacha Zindabad. Madan often collaborated with lyricists Raja Mehdi Ali Khan, Kaifi Azmi, and Rajinder Krishan, Sahir Ludhianvi and Majrooh Sultanpuri for his movies.

In 1957 he came out with a film named Dekh Kabira Roya in which the legendary singer Manna Dey gave his voice to the melodious Kaun Aaya Mere Man Ke Dwaare and unforgettable numbers like Tum Bin Jeevan Kaisa Jeevan in the film Bawarchi. In addition to that, he had Lata sing Tu Pyaar Kare Ya Thukraaye and Meri Veena Tum Bin Roye numbers, and he used Talat Mahmood for the song Hum Se Aaya Na Gaya in the same movie. Once in an interview Manna Dey recalled that Madan Mohan asked him to take special care when singing Kaun Aaya Mere Man Ke Dwaare.

A film scored by Madan was Chetan Anand's Haqeeqat (1964), starring Balraj Sahni and Dharmendra and based on the Sino-Indian War of 1962. In it, he used Rafi, who sang numbers like Kar Chale Hum Fida, Main Yeh Soch Kar. Lata was used for the song Zara Si Aahat Hoti Hai and the unscreened " Khelo na mere dilse". And the same film saw Rafi, Talat, Manna Dey, and Bhupendra singing Hoke Majboor Mujhe Usne Bhulaya Hoga. Bhupendra appeared on the screen as well for the first time, much before he established himself as a playback singer. This song is also the only song in which four top-rated male playback singers have put voices together in a song. In 1966, he again paired with Lata Mangeshkar for Mera Saaya.

Madan Mohan's venture was Raj Khosla's version of "Woman in White", titled "Woh Kaun Thi?". This film has three Lata solos ('Naina barse rim jhim rim jhim', 'Lag ja gale' and 'Jo humne daastaan apni sunayee') and a Lata duet.

The late fifties, sixties and the early seventies were the most productive period in Madan Mohan's career. His songs from those decades include compositions for films like Adalat, Anpadh, Dulhan ek raat ki, Mera Saya, Dastak, Hanste Zakhm, Heer Raanjha, Maharaja, and Mausam, among many others. His second last bow was for a film released five years after his death, Chalbaaz. In 1970, during the changing times of western music he gave music based on ragas for Rajinder Singh Bedi's Dastak and won his only 1971 National Film Award for Best Music Direction. Its songs sung by Lata Mangeshkar are still considered her finest.

His legacy wouldn't be complete without mentioning the ghazal he composed for the movie "Dil Ki Rahein" - "Rasm-e-ulfat ko nibhaein to nibhaein kaise". The shayar(lyricist) for the ghazal was Naqsh Lallayalpuri and it was sung by Lata Mangeshkar. It is considered as one of the best songs sung by Lata Mangeshkar, ever.

Madan Mohan's son Sanjeev Kohli recreated 11 of his late father's unused compositions for the soundtrack of the 2004 Yash Chopra film Veer-Zaara. Later on, Kohli brought out an album "Tere Baghair" which contains some of Madan Mohan's songs.

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तेरे बिना ओ सजना Tere Bina O Sajna Song Lyrics- Majboor (1964)

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बदली है ज़माने की नज़र Badli Hai Zamane Ki Nazar Song Lyrics- Majboor (1964)

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दीवाना कहके लोगो ने मुझे Diwana Kahke Logo Ne Mujhe Song Lyrics- Majboor (1964)

Hello friends if you are Looking Diwana Kahke Logo Ne Mujhe song lyrics then you landed right place so don’t worry relaxed and enjoyed the Majboor (1964) movie all songs lyrics peacefully at one place. You can find and read this lyrics easily in any smartphone and Tablet such as Samsung, Motorola, Sony, Xiaomi, Vivo, Oppo, LG, Huawei, Asus, Lava, Micromax, iTel, Nokia, Oneplus, iphone, HTC and…

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तुम्हें जो भी देख लेगा Tumhein Jo Bhi Dekh Lega Song Lyrics- Majboor (1964)

Hello friends if you are Looking Tumhein Jo Bhi Dekh Lega song lyrics then you landed right place so don’t worry relaxed and enjoyed the Majboor (1964) movie all songs lyrics peacefully at one place. You can find and read this lyrics easily in any smartphone and Tablet such as Samsung, Motorola, Sony, Xiaomi, Vivo, Oppo, LG, Huawei, Asus, Lava, Micromax, iTel, Nokia, Oneplus, iphone, HTC and…

[bollywoodirect]

Remembering legendary music composer Madan Mohan on his 93rd birth anniversary. Madan Mohan Kohli (25 June 1924 – 14 July 1975), better known as Madan Mohan, was a music director of the 1950s, 1960s, and 1970s. He scored his first big break with the film Aankhen (1950 film) in 1950. His next film was "Adaa" which saw the beginning of a long lasting collaboration with Lata Mangeshkar; who would go on to sing for many of his films. Two of his composed songs from "Sharabi" "Sawan ke maheeney mein" and the classic song "Kabhi na Kabhi koi na koi toh aayega", both filmed for Dev Anand are among the most well known renditions of the renowned singer Mohammad Rafi. In addition, his other compositions like Wo Chup Rahen To from the film Jahan Ara (1964) and Maine Rang Li Aaj Chunariya from Dulhan Ek Raat Ki (1966) are two similar examples. Madan was also able to write songs for male singers such as Talat Mahmood (Phir wahi Sham, wahi dil, wahi tanhayee hai, Main Teri Nazar Ka Suroor Hoon and Teri Aankh Ke Aansoo from Jahan Ara, and Meri Yaad Mein Tum Na from Madhosh) and Mohammad Rafi (Ek Haseen Shaam Ko from Dulhan Ek Raat Ki, Kisi Ki Yaad Mein from Jahan Ara, Main Nigahen Tere Chehere Se from Aap Ki Parchaiyian, Aap Ke Pehlun Mein Aakar Ro Diye from Mera Saaya, the all-time haunting Meri Awaaz Suno and Tumhare Zulf Ke Sayen from Naunihal, Teri Aankhon Ke Siva Duniya Mein from Chiraag as well. Madan did not usually employ Kishore Kumar. Nonetheless their partnership created songs as well; in this category fall songs such as Simti Si, Sharmai Si from Parwana, Zaroorat Hai, Zaroorat Hai from Manmauji, the title song from Ek Muthi Aasman, Mera Naam Abdul Rehman from Bhai Bhai, and Aai Hasino, Naazanino from Chacha Zindabad. Madan often collaborated with lyricists Raja Mehdi Ali Khan, Kaifi Azmi, and Rajinder Krishan, Sahir Ludhianvi and Majrooh Sultanpuri for his movies. In 1957 he came out with a film named Dekh Kabira Roya in which the legendary singer Manna Dey gave his voice to the melodious Kaun Aaya Mere Man Ke Dwaare and unforgettable numbers like Tum Bin Jeevan Kaisa Jeevan in the film Bawarchi. In addition to that, he had Lata sing Tu Pyaar Kare Ya Thukraaye and Meri Veena Tum Bin Roye numbers, and he used Talat Mahmood for the song Hum Se Aaya Na Gaya in the same movie. Once in an interview Manna Dey recalled that Madan Mohan asked him to take special care when singing Kaun Aaya Mere Man Ke Dwaare. A film scored by Madan was Chetan Anand's Haqeeqat (1964), starring Balraj Sahni and Dharmendra and based on the Sino-Indian War of 1962. In it, he used Rafi, who sang numbers like Kar Chale Hum Fida, Main Yeh Soch Kar. Lata was used for the song Zara Si Aahat Hoti Hai and the unscreened " Khelo na mere dilse". And the same film saw Rafi, Talat, Manna Dey, and Bhupendra singing Hoke Majboor Mujhe Usne Bhulaya Hoga. Bhupendra appeared on the screen as well for the first time, much before he established himself as a playback singer. This song is also the only song in which four top-rated male playback singers have put voices together in a song. In 1966, he again paired with Lata Mangeshkar for Mera Saaya. Madan Mohan's venture was Raj Khosla's version of "Woman in White", titled "Woh Kaun Thi?". This film has three Lata solos ('Naina barse rim jhim rim jhim', 'Lag ja gale' and 'Jo humne daastaan apni sunayee') and a Lata duet. The late fifties, sixties and the early seventies were the most productive period in Madan Mohan's career. His songs from those decades include compositions for films like Adalat, Anpadh, Dulhan ek raat ki, Mera Saya, Dastak, Hanste Zakhm, Heer Raanjha, Maharaja, and Mausam, among many others. His second last bow was for a film released five years after his death, Chalbaaz. In 1970, during the changing times of western music he gave music based on ragas for Rajinder Singh Bedi's Dastak and won his only 1971 National Film Award for Best Music Direction. Its songs sung by Lata Mangeshkar are still considered her finest. His legacy wouldn't be complete without mentioning the ghazal he composed for the movie "Dil Ki Rahein" - "Rasm-e-ulfat ko nibhaein to nibhaein kaise". The shayar(lyricist) for the ghazal was Naqsh Lallayalpuri and it was sung by Lata Mangeshkar. It is considered as one of the best songs sung by Lata Mangeshkar, ever. Madan Mohan's son Sanjeev Kohli recreated 11 of his late father's unused compositions for the soundtrack of the 2004 Yash Chopra film Veer-Zaara. Later on, Kohli brought out an album "Tere Baghair" which contains some of Madan Mohan's songs. Like बॉलीवुड डायरेक्ट Bollywoodirect

[bollywoodirect]

Remembering Mac Mohan, one of Hindi cinema's famed character actors, on his 7th death anniversary.

Born as Mohan Makhijaney in Karachi, Macmohan's roots as an actor were in the theater. He forayed into the film industry as an assistant to Chetan Anand following which he made his debut in the 1964 film "Haqeeqat". He acted in nearly 200 films in a career spanning 46 years. The actor, who was mostly a part of the villain's gang in the films that he worked, played the bad guy despite not having a physique that could look intimidating on screen. He shot to fame as the gun-toting dacoit Sambha in "Sholay". He was also part of several blockbusters with Amitabh Bachchan like "Zanjeer", "Don", "Majboor", "Satte Pe Satta", "Shaan", "Dostana", "Khoon Pasina", "Kaala Patthar", and "Hera Pheri". According to Ramesh Sippy, Sambha's role immortalized Mac Mohan. "No one could have suited Sambha's role better than Mac Mohan. He will be always remembered by that role." Amjad Khan's (Gabbar Singh) conversation with Mac Mohan, sitting on a hilltop, are among the most favourite dialogues from the film. When asked by Gabbar, "Arrey o Sambha, kitna inaam rakhe hain sarkar hum par?" (Hey Sambha, what is the reward on my head?), promptly comes Sambha's reply, "Poorey pachaas hazaar (altogether Rs 50,000)". That tiny bit of dialogue “Poore Pachaas Hazaar” shot Mac Mohan to fame and made him immortal. So famous was Sambha, that even an immigration officer in New York recognized him as Gabbar Singh’s sidekick. Mac Mohan passed away in March 2010 due to lung cancer, but till this day, if anyone talks about Sholay, the first words that come to mind are, “Arre o Sambha!”.

[bollywoodirect]

Remembering Bollywood's character actor 'Sambha' Mac Mohan on his 79th birth anniversary today.

Born as Mohan Makhijaney in Karachi, Macmohan's roots as an actor were in the theater. He forayed into the film industry as an assistant to Chetan Anand following which he made his debut in the 1964 film "Haqeeqat". He acted in nearly 200 films in a career spanning 46 years. The actor, who was mostly a part of the villain's gang in the films that he worked, played the bad guy despite not having a physique that could look intimidating on screen.

He shot to fame as the gun-toting dacoit Sambha in "Sholay". He was also part of several blockbusters with Amitabh Bachchan like "Zanjeer", "Don", "Majboor", "Satte Pe Satta", "Shaan", "Dostana", "Khoon Pasina", "Kaala Patthar", and "Hera Pheri".

According to Ramesh Sippy, Sambha's role immortalized Mac Mohan. "No one could have suited Sambha's role better than Mac Mohan. He will be always remembered by that role."

Amjad Khan's (Gabbar Singh) conversation with Mac Mohan, sitting on a hilltop, are among the most favourite dialogues from the film.

When asked by Gabbar, "Arrey o Sambha, kitna inaam rakhe hain sarkar hum par?" (Hey Sambha, what is the reward on my head?), promptly comes Sambha's reply, "Poorey pachaas hazaar (altogether Rs 50,000)".

That tiny bit of dialogue “Poore Pachaas Hazaar” shot Mac Mohan to fame and made him immortal. So famous was Sambha, that even an immigration officer in New York recognized him as Gabbar Singh’s sidekick.

Mac Mohan passed away in March 2010 due to lung cancer, but till this day, if anyone talks about Sholay, the first words that come to mind are, “Arre o Sambha!”

(Image: Mac Mohan presenting a Vishesh Jaimala program at Vividh Bharati studio)

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