#MIGHT do more of these cause I think it's a fun

[siriuslylantsov]

home

pairing: spencer reid x fem!reader

description: in which spencer gets home and needs you.

tags: MDNI smut! and fluff, established relationship, sleepy sex, pinv, little praise, brief nipple stuff (im a creature of habit), cockwarming, aftercare, this is just sweet and quiet.

a/n: anon who sent in the req, this is for you :) little gilmore girls adjacent line there at the end because i have that show memorised and i think its silly. smut is slowly getting easier for me to right and im really happy about that. happy reading! tell me what you think

wc: 1.3k

you feel the all so familiar lips on your shoulder and you know. you stir awake. with a groggy groan, you open your eyes and turn your head around. the strap of your tank top is peeled down to your arm and a messy mop of curls is tucked into your neck. he's home.

“hey,” you whisper. “you're home.”

spencer lifts his head up, “yeah, baby.”

you scoot back into him, needing him to be closer. chuckling, when you feel an unmistakable hardness against your ass. you nudge your nose against his. 

“you okay?”

“mhm. you're just so pretty,” he responds, lip caught between his teeth, eyes glistening even in the low light. you could see the need in his eyes, and even barely awake, you felt compelled to tease him.

you turn to face him, subtly wedging a leg between his. action ever so slightly causing some friction, just enough that it seemed innocuous. you scrunch your nose up appreciatively, muttering a quiet “thank you”, pressing your thigh more firmly against him. 

he pouts, knowing what you're doing. “please,” he mumbles.

“please, what?” you taunt, playing dumb.

“i need you, please angel,” he whines, hand finding your waist.

you caress his cheek lightly with your knuckles, the gentleness making him shiver, so sensitive. you smile at him and he returns it. “you have me, spence. whenever you want.”

he leans into your touch, eyebrows furrowed in mild exasperation. “why tease me then?” he implores. 

“it's fun,” you offer up uselessly with a shrug. everytime you do, it draws something whiny from him and you find it so endearing. 

he huffs, in disbelief and amusement. “you're impossible.”

“you love me,” you retort, melting into the pillow.

“i do,” he confirms with a nod, leaning in to kiss your lips, lingering for a moment to see if you'll kiss him back.

you do, it's a little sloppy but he's okay taking the lead. his tongue slips into your mouth as he slowly pushes you to lay on your back. finding the waistband of your shorts, he pulls them down along with your underwear. your legs instinctively part as he lifts himself to settle between them. he dips his head down to capture your lips again, the kiss more frenzied this time. his hand trails up to your shoulder pulling the other strap of your tank top too and bunching the fabric at your waist so your tits were out. you weakly paw at his t-shirt and he takes it off, kicking his pants and underwear off in the process, clothes in a tangled mess somewhere under the duvet.

he mouths at your neck, sucking lightly. his hand trails over your breast, kneading the flesh. his thumb grazes your nipple and it stiffens. he rolls the bud between his fingers, making you quiver, causing arousal to pool between your thighs.

“spence,” you whimper.

“i got you,” he responds quickly, dipping his fingers between your folds. groaning when he feels the wetness there. “always so wet for me,” he murmurs. your eyes flutter shut as he gently circles your clit.

“do you need my fingers first? or are you ready?” he inquires.

 “‘m okay. i can take it,” you reassure him, your tone a little petulant because of the lingering sleep. 

you look so unbelievably soft, he's afraid that he might break you. “i know you can, angel, but it's been a week.”

“need you inside me,” you slur.

your gaze meets his, equally clouded in lust. he takes the plunge, guiding the tip of his cock to your entrance. he pushes in slowly, matching your sigh when he bottoms out. 

he stays there for a moment, relishing in the way you wrap around him. it's warm and soft and wet and overwhelmingly you, he couldn’t imagine being anywhere else. 

you seem just as content as him when you don't urge him to move immediately, raising your arms to pull him closer. your fingers trace the subtle lines of muscle on his shoulder blades, hallowed paths that you’re well accustomed to. 

your walls flutter around him and he buries his head into the crook of your neck, whispering sweet nothings into your skin, lips pressed firmly against you because he wants you to have it all, to absorb it, to take it. 

“perfect girl, you feel so good. so so good for me,” his words are muffled but heard by you all the same as he draws his hips back, only to somehow push in deeper. 

it goes like this. languid thrusts by him and soothing passes over his spine by you. it’s tranquil, the way that he fucks you–for a lack of a less crude word. it isn't making love either, in the sense that it isn't passionate or intense. but it's sweet, done with ease. practised motions of his hips has him dragging against your sweet spot incessantly. he can hear the hushed ah’s you let out, and god does he love how you sound. 

“i missed you,” he drawls into your neck, lips pressing feathery kisses to your skin.

your hand snakes into his hair, lightly scratching his scalp. “i missed you too, sweet boy.”

his pace quickens, ever so slightly, in mollified desperation. you almost feel a little bad that he's doing all the work, but you're too tired to think about it–and he feels fucking incredible inside you–so you happily let him. he lurks his hand between your bodies to rub at your clit again, angling his thrusts higher.

“fuck, baby, like that,” you keen.

“yeah?” he pants.

just like that. your orgasm washes over you in a wave of bliss–high, high and higher. the feel of you squeezing around him, drives him over the edge too. his hips snap as he fucks you through it, once, twice, and then he stills. 

he raises his head from your shoulder, “hi pretty,” he whispers, soft smile gracing his lips.

you hum in acknowledgement, the post orgasmic haze lulling you back to sleep. he chuckles quietly, brushing his lips over your forehead. he cautiously pulls out as to not wake you, corners of his mouth twitching when you make an incoherent noise at the feeling. 

he grabs a damp towel, warily cleaning the mess. he's careful when he redresses you, slipping on a clean pair of underwear and pulling the straps of your top over your shoulders, kissing either joint before lying down next to you. he pulls the covers up, starkly reminded of how cold you keep the room, holding your hand as he falls asleep too. 

your eyes flit open hours later at the feel of his fingers skimming over your face. rays of sunlight peek through the gap in the curtain. you look up at him, already staring down at you.

“creep,” you rasp, though there's no malice behind your words.

“i'm sorry, i didn’t mean to wake you,” he apologises.

“which time?”

“both,” he lets out sheepishly.

“it’s okay, i'm not,” you counter as you throw an arm over him and tuck yourself into his side.

he wraps his around you in turn, smiling into your hair. you rest your chin on his chest, half-lidded eyes staring into his wide eyed brown ones.

“what time is it?” you inquire, too lazy to check the clock that sat atop your bedside table.

“late,” he says, running his hand down your arm and up again.

“i’m hungry, i want pancakes. can we make pancakes?”

“we can make whatever you want, sweetheart,” he answers, prompting you to grin and spring upright.

you notice the clothes on your body and you stick your bottom lip out, “you’re sweet.” you look at him a moment longer, eyes following the features of his face in awe. you pull him up to hug him tightly.

“oh, i’m so happy you’re home.” you chirp giddily.

he squeezes you, “they say absence makes the heart grow fonder.”

you let go of him, jumping out of the bed. “yeah, well. sex does that too.”

[uncle-fruity]

Also, like... I get that there is a lot of anxiety about being seen as morally good & fighting for everyone at every turn, but! Crucially, the people who try to guilt trip you or judge you off your Tumblr presence don't fucking know you. They don't know what you do off Tumblr. They may not know any other social media that you DO use for your politics and heavy posting. And, tbh, at a certain level of offline activism & direct action, it is actively dangerous for you to be posting about what you do online, so a perceived lack of interest or dedication online does not necessarily translate to the efforts you put in to causes you care about.

Fact of the matter is, YOU are the only one who knows what you get up to. If it's not as much as you think you should be doing, that's for you to assess and change. If you feel like you're doing enough, or if you feel like taking on more responsibility in activism would overwhelm you or burn you out, that's okay! You know your limits better than anyone else. You get to set your priorities. And if you really want to help with social justice causes, you HAVE to take care of yourself. Anger, fear, and guilt are not sustainable motivations to drive a movement. You NEED places to relax and have fun and not think about how bleak things can get. You NEED to have places to retreat, enjoy yourself, and remind yourself that it's all worth fighting for.

I know this, because I'm in my 30s now. When I was in my early 20s, I was friends with a lot of folks who went hard during the Ferguson protests, and while many of them are still active in their activism, almost none of them are operating on the same level as they used to. All of them are burnt out & depressed. I spend a lot of my energy urging them to take care of their most basic needs. We also have a problem with a lot of older activists being too broken & traumatized to continue organizing. And part of the problem is people within the movement encouraging people to push past their limits until they have nothing left to give. Or just having no support systems in place to help people recover while actively judging people who need them & can't continue without them.

And, like, it's hard, because it's easy to start feeling like no one cares about the stuff you care about when you're out there trying to make change -- especially true if all your activism is online posting & raising awareness. It can feel like you're talking to a void or a brick wall. The idea that you are so stressed & strung out & never let yourself take a break from the harsh reality of the world while there are people who have the audacity to make time to enjoy their lives and put their efforts into other activities that aren't directly related to The Cause -- well, that's why a lot of people resort to guilt trips. I know I did, too, when I was younger and freshly angry. And I know that those guilt trips did nothing to convince anyone of anything. In fact, it was the constant guilt trips that made me retreat from those online groups. Where they might have had any and all skills I could offer, they instead made me feel like shit for doing what I could handle at the time. And even though I knew guilt tripping was a major manipulation & abuse tactic, I still resorted to it and, in doing so, I felt wrong. Like I betrayed some of my core values by trying to make people feel so bad that they would suddenly realize that they should be ashamed & join the movement headfirst. It just... doesn't work that way. A guilt trip will turn people off. If you want people to join a movement or be more active in a movement they are already part of, it is so much better to encourage them to come with you to organized events or give them something tangible to do that they can actually accomplish. And if you're just talking about posting online, well... that is not the most important thing to focus on, and is a really bad measure to judge someone's morality.

All that to say, a guilt trip is usually a manifestation of the desperation folks are feeling. It's not right to guilt trip folks, and if you're at that point that you feel like that's the only thing that will get people to change and care, then I'm sorry to say you are probably on the verge of your own burnout and you need to take a break. Please don't let people make you feel bad for not being angry or on your activism shit 24/7. And don't judge yourself harshly when you need to have boundaries online. The best tactic will always be community building and working with people & their various skills on their level. Compassion and encouragement go so much farther than guilt.

No matter what a post on tumblr tries to tell you, your moral and ethical stances will never be determined by what you reblog and what you scroll past. Don’t let manipulation tactics force you into doing anything you don’t want to do.

[cleolinda]

"We are here on a very important day, before a very important election and we are here, more than anything, to speak about protection of an election, making sure that the election that occur tomorrow will be free, will be fair and it will be final," [Philadelphia District Attorney Larry Krasner] said.

He said that the task force, which, Krasner, a Democrat, noted was operating on a non-partisan basis -- "We do not care who gets your vote. We care that you get to vote," he promised -- would be on the lookout for any election concerns throughout the day.

Though they don't believe there will be issues, Krasner said the task force will be looking out for "people working in polls or close to polls who will bring frivolous challenges to voters."

"Anybody who thinks they are going to play those games in Philadelphia, you're going to do it in bad faith -- I got no problem with doing it in good faith -- but, if you're going to do it in bad faith, there is an election court, there are judges, they have orders and, those orders are going to say, in essence, 'get out of the polling places,'" he said. "Anybody who doesn't get out, you're going to be arrested."

And, he warned that anyone who think it's will be fun as they plan to interfere in Tuesday's elections, they might find out otherwise.

"You can have your fun in a jail cell, cause that's what's coming," he said.

In fact, Krasner took a moment to superficially warn anyone who has any plans to interfere with the city's electoral process -- like the two men who came to the city and were arrested after being found with weapons outside the Pennsylvania Convention Center when votes were being tallied there in 2020 -- would simply 'F around and find out."

"Anybody who thinks it's time to play militia, F around and find out. Anybody who thinks it's time to insult, to deride, to mistreat, to threaten people, F around and find out," said Krasner. "We do have the cuffs, we do have the jail cells, we do have the Philly juries and we have the state prisons. So, if you're going to turn the election into some form of coercion, if you're going to try to bully people, bully votes or voters, if you're going to try to erase votes, if you're going to try any of that nonsense, F around and find out."

[girlfromthecrypt]

I haven't posted to this account very much (or at all, really), so I figured I'd update you guys on the state of Such Happy Campers and Press Play. I don’t want to talk about the incident that led to me putting SHC on ice because it still rather upsets me, but honestly, I think it was a good decision. I was grieving the “loss” of SHC for a while, but I can't help but believe I made the right call. Continuing on under the circumstances would have drained me and likely taken me right down the road to writer's block.

Furthermore, and in hindsight, I find writing Press Play a lot more fulfilling right now. All my life, I've only ever written horror, so Press Play has been a wonderful breath of fresh air. It feels cathartic writing about struggles I myself have experienced, and it’s so easy to write about music. I love music so much, and I didn't realize how fun it could be to combine this with my passion for writing. You might have been able to tell from the sheer difference in word count between Press Play and SHC, but it's been so much easier working on this somehow. Also, I do believe SHC wasn't all it could have been. I only want to put out my best work, and I don't think SHC was quite on par with Press Play.

But what about SHC, you may wonder. Or you may not, but I'll address it anyhow. I have recently had an idea for what I might turn the original SHC into. It's only a vague outline right now and I won't turn it into anything more until I'm done with Press Play (I have learned that I can't really write several IFs at once, I'm not C.C. Hill), but I figured I'd let you know that the SHC characters aren't gone forever. My idea would involve the entire SHC cast, though some names/appearances/personalities may undergo changes. Also, I might exclude Anita because she was, admittedly, my least favorite to write and might not fit in with the new setting. Other than that, the IF would explore an interesting alternative to the SHC narrative— for example, the character equivalent to Basil Laurier would actually be a practicing lawyer in this one. Another prominent change would be the inclusion of Sawyer Wright-Garcia as a full RO. They’re the only one I actually have a clear mental image for as to where their story would go, and it is… nuts.

Without spoiling too much, the plot and setting would be very different. It'd be horror, except it'd start out very unassuming, light-hearted and sitcom-y, only to then spiral. I feel like I'd enjoy causing that kind of whiplash. Anyhow, that's that. I hope that if you liked and perhaps miss SHC, this post helped at least a little bit.

[literaryvein-reblogs]

bunny x cat dynamic?

Like, adhd bunny and grumpy cat dynamic? I'm going to try writing a bit where the dynamic of the main characters are fleshed out. Any input on what people often enjoy about these for me to take into account?

To me it's so cute because she considers herself more as an annoying dog but for him, he considers her to be a cute, hyperactive bunny (that's kind of useless to (literal) death but let's put that aside, or not)

The ideal response to this would come from your readers. If you've already established your reader base, try asking them their preferences and expectations. Of course—still, write the story you want (and need) as a writer. And there it is, in your second paragraph. The idea is that if you write what you want, the people who also prefer this dynamic will find your work and stay for the rest of the story, and will more likely enjoy your other work as well (this is essentially what most successful authors advise new writers—write what you want, what you enjoy etc etc). But striking a balance between your readers' and your own preferences would be great too.

If you don't have a reader base yet, I'd suggest going through your favourite literature/films and finding ones that depict this particular character dynamic. Then you yourself, as a reader/viewer now, could answer what you find enjoyable about these pieces of media, and incorporate that in your writing.

Also, here are some tropes that I think have similarities with the dynamic you described. Same suggestion with finding books or films/TV shows you like that feature these tropes. But also research their readers'/audience's feedback to find out what they enjoyed about these character tropes, and this is what you can take into consideration for your story.

Grump and sunshine. One character is so grumpy all the time; the other character is so bubbly all the time. And somehow, through that power-of-love thing, they end up balancing each other out. The grump sometimes has sworn off love.

Savvy Guy, Energetic Girl. This is a potential pairing (platonic or otherwise) between a pragmatic guy and a girl who is very full of energy. One partner in the pair will be lively and optimistic while the other is savvy and more slothful, quiet, or otherwise less expressive. EXAMPLES:

In Corpse Bride, Emily and Victor. The former is a dead bride who is rather lively and spiritual for a corpse, while the latter is a live man who is shy and awkward almost to a fault.

This defines Anna and Kristoff's relationship in Frozen nicely. She is a spunky princess willing to do whatever it takes to bring her sister home, he is a grumpy, rough-around-the-edges ice harvester helping her along the way.

In Pixar's Up, the quiet and timid Carl befriended and eventually married the energetic Ellie.

Uptight Loves Wild. He's stuffy. She's untamed. It's true love. Mr. Stuffy is in a rut: Life is boring because he plays by the rules. Along comes this wild and crazy woman to show him how to live life to its fullest, and she just might learn a few things along the way, too. EXAMPLES:

Enchanted: Stuffy, cynical divorce lawyer Robert meets fairytale princess Giselle.

The Sound of Music: Maria isn't "wild", but she is a Blithe Spirit in the face of the extremely uptight, Captain von Trapp.

Eternal Sunshine of the Spotless Mind: Quite thoroughly deconstructs this. A relationship like this doesn't always work and after the falling-in-love part, it causes more pain than joy; so much so that both parties opt to have their memories removed of each other. The Manic Pixie Dream Girl is also far more complicated: "I'm not a concept, I'm just a fucked-up girl looking for a peace of mind".

Opposites Attract. EXAMPLES:

The Princess and the Frog has Tiana and Naveen. She's a Workaholic, no-nonsense waitress and he's a fun-loving, lazy prince.

Tangled gives us the jaded, worldly-wise thief Flynn Rider and the spirited, innocent princess Rapunzel.

Treasure Planet has Captain Amelia and Dr. Doppler. She's a tough-as-nails Action Girl, he's a bookish scientist, not to mention they're basically an anthropomorphic cat and dog, respectively. The two grow closer throughout the movie, and by the end they even have several kids.

Sources: 1 2 ⚜ More: Writing Notes & References

[specific-dreamer]

can u elaborate more on pony being darrys little “shadow” like all the cute/irritating things he would do that would annoy darry but also just funny to the rest of the fam

edit: i thought i posted this way back when soz it too so long omfg soz it took so long to answer you, i’ve been thinking v hard on this and most of these might be ooc since i haven’t read the book in like a month

when i say shadow, pony tried to do literally everything darry did

i mentioned already younger pony doing darry’s workouts. like darry’s in the gym doing pull-ups? so’s pony, darry just gave him bands to assist him (pony only uses them when darry looks, he has dangled from the bar multiple times).

darry’s doing a farmers walk around the room while carring 35lb dumbbells? well, darry tried giving him 10lbs but pony’s face got all red and darry knew if he didn’t do something pony would cause a scene

(they went back home that evening with ponyboy crying and whining about how his arms hurt and felt like limp noodles)

not much of a shadow but

pony hated listening to his parents. mrs c: “pony grab your coat it’s gonna be cold”

pony: “no i won’t get cold”

darry: “pony go get my jacket i’m cold”

pony comes back with both him and darry’s jacket because “what if i get cold too ?”

in middle school, when darry first started doing jv football, he had the meanest coach ever. his coach didn’t want anybody on the field that wasn’t actively on the team and darry tried explaining that to pony one night but at this point ponyboy was at the peak of his shadowing (probably 6-8 yrs old to darry’s 12-14).

he took darry’s helmet and when asked why he said “i’m going to football practice”

at 14 darry was a peak middle school boy, he ate a lot and fast as hell at that. but when he ate at home he had to eat slowly because pony always tried to match pace with him. like if darry ate two bites in a row before chewing, so’s pony. if darry got an extra helping of green beans, ponyboys gonna make a face but he’s gonna get an extra helping too.

(subconsciously, i think pony still tries to match darry’s pacing when the eat. like darry’s done growing now, he’s 20 so eats a lot slower than he use to as a kid, and when pony catches himself matching pace he can’t help but notice that darry eats like a sloth in comparison to him)

ponyboy learned how to “read” when he was a toddler, like 2 or 3 because he saw darry reading and wanted to read too (ofc he didn’t actually know how to read but he knew when to turn the pages and he could read goodnight moon and that was good enough for him)

pony tried doing football once because he saw how much fun darry had playing and he figured if he played too then darry would have no choice but to hang out with him more

he made the team somehow but he quit before the first practice because he didn’t like how far he’d be thrown whenever he got tackled (middle school pony is skin and bones, 70lbs wet, he’s flying when he gets tackled)

he also did not like the feeling of the wind being knocked out of him everytime either

lowkey this is when the decline of his shadowing starts, the poor baby

[cal-daisies-and-briars]

🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲

So interested to read that story 😊

Thank you so much! 135 or 1k for 🌲 - whatever I reach first!

---

But this? This isn’t like that. There’s no walking this back with patience or determination. The hearing he has lost cannot be recovered. There’s nothing Buck can do. He just has to learn to accept it and move forward.  

Right now, he doesn’t know how to do that. He doesn’t even know where to begin. 

At least he can keep his job. That’s at the forefront of his mind. He’s not really sure how he’d be stomaching any of this if that was off the table. That was the big fear with his leg, and while he’s done a lot of work to extricate his self-worth from his career, it still makes it easier that he doesn’t have to weigh those two things against each other now. 

Buck practices calming breathing on his drive home from the appointment. He needs to not freak out right now. Especially not while he’s driving. 

You are fine, he tells himself, repeating it like a mantra. You’re healthy. You will not lose your job. You have steps to move forward. He lets this loop until he gets home. Then, he enters the quiet of his loft and sort of freezes.

There is a kind of stillness to receiving news you didn’t want to hear. Like an obstacle hits smack in the middle of your course, and everything is brought to a halt. Buck feels that stillness now. He sits on his couch and just… Ceases to operate. He breathes. He feels his heartbeat. He tries to listen to a million little sounds in his apartment, wondering if there are more that he’s missing. 

There must be. That’s what he realizes. There must be

Suddenly feeling the need to squirm, Buck reaches for the television remote and turns on the TV. News highlights are looping. He doesn’t actually care what it is. He just needs something consistently noisy at a comfortable volume that he can focus on. 

Buck tries to relax, listening to the steady voice of the newscaster.

“In a shocking turn of events, a second body of an American citizen has been found outside Katrineholm, Sweden. Arizona resident William Orson was reported missing by family members weeks ago, only to be uncovered by Swedish police. Details on cause of death have not been released.”

“What the fuck?” Buck mutters. Too dark right now. He’s usually interested in true crime and news stories - thank you, Taylor, for that fleeting hyperfixation - but right now, he needs something lighter. He switches channels to a home renovation show. Perfect. 

Buck watches until he feels numb. 

🍂

Eventually, he does know  he needs to talk to someone. Maddie might be his natural first choice, but her, Chim, Hen, and Karen are going through a lot this week regarding Mara’s foster status. Bobby is working on set. So he sends two texts. One to Eddie and one to Tommy. They’re a bit different in tone, he’ll admit. 

To Eddie: I really need to talk. Had a fucked up morning and it’s kind of serious. Can you call?

To Tommy: Are you free at all this afternoon/evening? 

It takes Tommy ten minutes to reply. Eddie never does. 

Tommy replies that he has dinner plans with friends, but can swing by before. Fine. Good. That’s enough time for Buck to explain. As he waits for Tommy to come over, he keeps staring at his phone. As much as he’s glad he can talk to Tommy, he really wants Eddie to reply. Maybe he could just… Be there for him today. But by the time Tommy arrives, Eddie hasn’t even opened the message. 

When Tommy comes in, it’s clear he thinks Buck has invited him over for… Well, for fun. He pulls Buck into a bruising kiss right away, and it takes a second after Buck steps out of it, not matching his energy, for him to notice the upset look on Buck’s face. 

“Evan? What’s wrong?”

“Uh…” Buck scratches his head. “It’s sort of serious.”

“Okay,” Tommy frowns. “Tell me.”

At the thought of speaking it aloud for the first time, Buck’s throat constricts. His eyes well up. It all comes spilling out of him incoherently. 

“When I was seventeen a firework went off over my head,” he blurts. “It-it burnt my coat.” 

Tommy looks at him like he’s crazy. 

He explains everything else. The jet. The symptoms. The appointment. The diagnosis. The hearing aids. All of it. 

“I-I have a follow up appointment in  a few days to get fitted, and… And I’m kind of freaking out,” Buck admits. 

Tommy exhales heavily. “I’m sorry. That’s hard news.”

Buck nods. “Yeah, I… I still don’t know what to think.”

“It’s a risk of the job, I guess,” Tommy says. 

“I mean, yeah… Still sucks that, other than Eddie, I’ve been here the least amount of time and it’s happening to me,” Buck grumbles. “And, honestly? Scratch that, because Eddie has all that time in the army.”

“Are you saying you’d rather this be happening to a team member?” Tommy frowns. Like, sort of judgmentally. “Because you also just said you were kind of an idiot at seventeen.”

Buck shrinks a little.

“Uh, no. Obviously I don’t wish this on my friends, Tommy. I’m saying… It-it doesn’t feel fair.” 

“I don’t think it’s about fair or not fair,” Tommy replies.

Buck sighs. “I know. Can I be upset for thirty fucking seconds?”

Tommy raises his hands. “Sorry.”

“Sorry, I’m just… This is a lot to process.”

“I bet,” Tommy concedes. “What are you going to do about work?”

“I’ve already put in for a leave,” Buck explains. 

“Just a leave?” Tommy asks. 

Buck blinks, caught off guard. “Uh, yeah. Until I’m comfortable with the hearing aids.”

“Not a transfer, too?” Tommy adds.

“A transfer?” 

“Well, yeah,” Tommy replies. “The 118 is one of the most intense stations in the LAFD. It might not be the best place to… Adjust.”

“What are you saying?” Buck demands. 

“Don’t bite my head off, Evan,” Tommy replies. “I’m just saying, it might not be the best place for you anymore.”

[robindaydream]

Pyromancers

[crunchchute]

my attempt at a bunch of my fav artists styles :] idea by sootnuki!!

i would love to do more but this was already a huge challenge

if any artist here dislikes this/is uncomfortable with it/any reason i can take it down or turn off reblogs etc. otherwise i hope its ok 🫡 im not gonna tag anyone just gonna let it do its thing in the wild lol

[art-from-the-juice-box]

wonderlust stuff :]

[civetfish]

Nerd-to-nerd communication

Something super pointless and self-indulgent I've had on the backburner for a while. I love trying to make the pieces they gave us fit together!

Al-AN and Robin would absolutely bond over learning about each other's biology. I could talk about this forever but I'll get into all of the headcanons I have for these two in another post eventually

Below the cut is another version with some extra bits and pieces and the transcription

Transcript :

Architect Anatomy A. Architect "Brain" - Doesn't "store" information so much as allow for easy communication with the network B. Brainstem - connects the information received to the central nervous/circulatory system C. "Heart" - Circulatory system pumps the bioluminescent fluid to other organ systems and surface veins. Each node connects to a vast vasculature network D. "Kidneys" - Organs that filter the bioluminescent "blood" and other bodily fluids, absorbing and distributing collected material E. Nerve Center - Receives raw sensory data and filters it. Filtering can be unconscious or intentional

F. "Respiratory" Tract - Intakes gases or liquids and filters out material for use. Disposes of waste on exhale. Provides cooling to internal systems

The respiratory tract functions less like a set of lungs and more akin to a computer's cooling system, with the ability to absorb material from the environment to use in other parts of the body. It also would likely help the architect's body analyze the environment it is currently exposed to on a molecular level. It is also truly unidirectional, with the intake vents near the "collarbone" and the exhaust vents on both sides of the abdomen

The architect organ cache in-game felt like it was definitely not a complete model of the internal organs, so I wanted to come up with something to fill some more space. I also just really liked the idea of Al-An being capable of something similar to breathing, without having a respiratory system in the traditional sense. Feel free to use any of this in your own headcanons if you would like :)

BONUS - a gif of all the layers!

[somegrumpynerd]

Alright, colouring book test!

These should both be transparent so you can either print them out or save and open them in your art program of choice, put a layer underneath and colour away! :D

Since the poll was pretty close, I have one with the eye and nose sockets pre-coloured and one with them still blank so you can have your choice. It wasn't that hard to do both so if I make more I'll probably do one of each for variety. Let me know if you come across any problems with them and I'll try and find a way to fix it!

Also I printed it earlier to test and tried colouring it in so I'll put that under the cut lol

[dawnthefluffyduck]

feeling of being watched

[averlym]

litany of the martyrs (click for better resolution!)

[daughtersgallery]

ok yeah anyways LOOK AT MY LAPIS LAZULI REDESIGNS, BOY.

[thatonecrookedsmile]

I would say that, considering his history, he's not that wrong, but even I have doubts as to whether that would be right. But at the end of the day, this is just a joke that's been in my head for a while, sooooo…eh.

Oh hey, an attempt at a comic? Made by me? That I didn't give up during the process or lost all motivation? What was my only attempt at this, 2019? Damn, it's been a long time.

I thought about leaving this here without editing or any colors, just the natural ones from the paper and pencil. But something in my head said "HAHAHA, no" so I went back to work. I had to put this idea down on paper this time (literally). If another year passes without me being able to execute this idea, I would lose my mind.

This scenario was inspired by this video by Jehtt, inspired by the original meme by Windii. Credits to both of them.

For a long time I wanted to joke - especially on the anniversary - that I wanted Sammy to only have less than 5 seconds in the next game (or in other words, take his screen time in DR, and shorten it even more). You know, just for the funnies (unless..?) But,thanks to the news released at the beginning of January this year about The Cage, I legally can't do this joke anymore…this year. Don't worry, after that comes out (and finally gives Sam the screen time he wants,hopefully) and we start to crawl into the Bendy 3 production era, I'll make this joke when I can.

Anyway, happy birthday Sammy Lawrence. You may not be my favorite character in this franchise, but there are some things I can actually appreciate about you. Plus, you made me laugh a few moments before (you know what I'm talking about) so there's that.

And happy 7 years to Chapter 2, and by extension, Susie, Norman, Alice, the Searchers, (Johnny????), and Beta Ink Bendy. (I would mention Jack too, but he was only introduced with the release of CH4, so technically it's not his birthday yet, but I'll consider him here).

And now? May I be able to do something for CH4's anniversary. Wish me luck,cus I'll need it.

(it might be really late now, but it's still the 18th where I live, so it's still his birthday, so I still won)