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solarsonicsoda · 10 months ago

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Rebbie's Wrestling Show Reviews - RevPro: Live in Southampton 28 (11/2/2024)

For the first time since I started this whole blog, I went to a live wrestling show! So I thought, why not give a brief review. This was one of RevPro’s weekly shows, and the go-home before High Stakes in Crystal Palace (which I am also attending!!!), so for those unfamiliar with these bigger indies, it's essentially their version of a tv taping. These shows and their big shows are all available on RevPro OnDemand. The company is known for a strong relationship with New Japan Pro Wrestling, being where they send trainees on excursion and in the past frequently seeing major NJPW stars hold the British Heavyweight Title.

Pre-Show

These shows are a breeze for me to reach down at The 1865 in Southampton, and always feature a pretty lairy crowd. It's a music venue, with the stage featuring some chairs with a few more on most sides of the ring. Wrestlers enter through a small walkway in the far corner of the building with a projected screen on the stage. It's an intimate and ever so slightly awkward venue, but I absolutely love it, and it's so easy to attend. Without further ado, let's get into the show, as the ever wonderful Francesca introduced the action.

Robbie X def. Joshua James by pinfall in 11:54

This was a really hot match to start things off. Robbie X is really popular with this RevPro crowd, and he earns it by always putting on a show. He’s facing Mustafa Ali in Crystal Palace, which is sure to be a highlight. On this night though, he was up against Joshua James, one of the Contenders. These are essentially the RevPro own guys. Something I love about RevPro crowds is how much they get behind the Contenders. They’re one of our own! Both men got a great reaction, and this was an awesome big vs small match. Josh James had a great power game on display, and Robbie is an awesome seller, so this went really well. It was never slow, just all action, and maybe my favourite match of the night in the end. Robbie is able to get the win when he hits the Handspring Cutter out of a James pounce, which was a counter of a previous handspring cutter attempt. That was pretty fun! The night is off to a great start!

3.5 STARS OUT OF 5

I feel it pertinent to mention it here as James sported the memorial armband and t-shirt, but this is the first show I’ve seen since Mad Kurt sadly passed away late last year. Mad Kurt was on the first few shows I saw in The 1865, and made an immediate impression. I’d known him from Twitter and had no idea what to expect from his wrestling, and I was charmed by his mixture of silly comedy and serious wrestling acumen. I was heartbroken by the news, and I’m so sorry to all those who knew him for their loss. There were multiple tributes to him throughout, and he is extremely missed. Mad Kurt Forever. If you want to support his family monetarily for the various costs in this trying time, you can do so via the GoFundMe here.

“Flash” Morgan Webster def. Will Kaven via pinfall in 10:12

The Modfather, one half of the British Tag Team Champions with Mark Andrews/Dani Luna, takes on Will Kaven of… PORTSMOUTH?! For those unaware, Portsmouth is the next city over from Southampton, so Kaven always gets a strong reaction from us Southampton fans… Portsmouth is actually more local to me originally than Southampton but shhh don't tell anyone!! This is another good match, a pair of guys who can mix high flying with a more grounded game, and we see all sides of that in this one. Webster is highly popular, and Kaven is highly unpopular, and it makes for a fun match. I think the crowd may have been a smidge tired here, but they still had plenty of energy! Webster gets the win with the Shadows Over Malice swanton bomb.

3 STARS OUT OF 5

Anthony Ogogo def. David Francisco by TKO in 14:52

Speaking of loving the Contenders, here’s David Francisco! We love David in RevPro, and the big man from Portugal was just as popular on this night. There was even a great chant I don't think I’d heard before of “Francisco” replacing “You are gold” in Spandau Ballet’s Gold. That’s inspired! His opponent was AEW’s Anthony Ogogo, the former Olympic bronze medallist boxer. For some reason, he still has The Factory’s logo on his jacket despite the group disbanding almost a year ago. This one was all about Ogogo, and he worked well as a heel, jibing back and forth with the crowd who had lots of banter for the “Pound Shop David Haye” as they chanted. He had a pretty good match with Francisco, who was predictably over like rover, and had a few nearfalls that could have been an upset. In the end though, despite showing resilient including a subtle rope break that fooled Ogogo, Francisco was knocked out, with the Union Jack being draped on him by the olympian. Fun if unremarkable match.

3 STARS OUT OF 5

Post-match, Ogogo got on the mic, bragging about his big American house, fighting with the crowd (including a passing fan and his middle finger), and most importantly, deriding Ricky Knight Jr. for being “cocky”. However, RKJ was actually here, and he met Ogogo in the ring! They had a war of words, with RKJ again challenging Ogogo for High Stakes. He promises to take all the vision in Ogogo’s damaged eye. Both men invoke the names of each other's families, and it’s when Ogogo says RKJ’s newborn daughter takes after him in being “butters, mate” as he put it that we get a big brawl. The backstage area clears out to seperate them, with great difficulty, but they are eventually split, with Ogogo seemingly going out the wrong door. I say this because during the next match, he quietly trots from there to the entrance way and heads to the back.

Luke Jacobs def. Yuto Nakashima by pinfall in 12:17

Beef! This is a clash of two big men, and the crowd were excited. We have here the first wrestler on the card that I’ve never seen in any capacity, that being Yuto Nakashima! One half of Young Blood passed me a few times pre-show and he is a big guy! Off the bat, love his vibe! A lot of personality and aura from him, as he enters with a big chain and wild hair. Jacobs also heads to the ring and looks in great shape! These two started a little slow in my opinion, but they ramped up and this one got pretty good by the end! Big strikes, and the highlights were some gnarly headbutts as these two had a colossal tussle. This also saw one of my favourite spots they do at these RevPro shows, as they cleared the chairs in front of me for Yuto to throw Jacobs clattering through them. Jacobs is able to secure the win in the end though, hitting Yuto with a great lariat. I was even further sold on Yuto with his post match sell, as he stumbled wildly all the way to the back, falling into the crowd and ring multiple times. He was also prone to a dance any chance he got the whole show long, and I love him for that.

3.5 STARS OUT OF 5

Intermission

This brought an end to the first half of the show, bringing a short intermission. Ogogo made conversation near the bar and took a few photos with fans, and Sha Samuels & Morgan Webster joined the merch table, taking photos and selling their wares. I was able to meet them both, and bought a shirt and print from Webster, despite some hassle with my card! I forgot to get a photo though, so I’ll have to see them again at another show! Both were lovely and shortly after that, our second half began.

Oskar Leube vs. JJ Gale ended in a no contest in 9:57

We came back with the other half of Young Blood taking on the other half of the High Stakes match between Luke Jacobs and JJ Gale. This match was really fun! This was my first time seeing Leube, and I was extremely impressed with his work. The man walked past me a couple times during the show and he is TALL. He uses that size well in the ring but is really smooth with everything he does. JJ Gale was a great opponent for him too, using his quickness to build a pretty cool match. Sadly, this one ended pretty quickly with a no contest, as Mark Trew & Kieron Lacey attacked both men, even wielding chairs. Yuto returns to help his partner, but he’s overwhelmed by the tag team. In the end, it’s Luke Jacobs who clears the way, wanting Gale at his best for the big show the following week. They end up brawling anyway though, as Young Blood stand off with Trew & Lacey.

3 STARS OUT OF 5

Mark Trew & Kieron Lacey def. Harry Milligan & Michael Oku (w/ Amira) by pinfall in 13:42

Trew & Lacey are already in the ring as the following match gets announced, with their opponents meeting them for their match. There’s a big “Mad Kurt” chant to start this one, which was touching. This was a decently fun match, with the champion and his younger ally contesting with the nefarious Trew & Lacey. Trew losing his beanie also elicits a big reaction from this crowd. This one is moving along decently enough, until Trew & Lacey bring Amira into the path of Oku’s shooting star press over the top rope to the outside. Amira’s down, and a distraught Oku carries her to the back for attention… Bit of an odd move to choose for that spot if you ask me, but who am I to judge? But Trew & Lacey capitalised off this numbers advantage to get the win over Milligan. Post-match, Young Blood take their chance to strike as Trew & Lacey continue to beat up Milligan. This brings out Oku, who’s keeping an eye on Young Blood. Leube gets on the mic and demands a tag team match at High Stakes! Exciting stuff.

3 STARS OUT OF 5

Cameron Khai def. Richard Holliday by pinfall in 12:59

We were breathing rarefied air next, when Richard Holliday from Connecticut, America came to the ring. He grabbed the mic from Francesca and began to introduce himself. He says he’s familiar with our game as a UK crowd, and said if we want to get ourselves over, we have to make a chant for him. He isn’t pleased with the crowd’s chants of “Dick”, saying he thought we were more original than that, as he finds one fan willing to sing his praises in song form. Sadly, I can’t for the life of me recall what the song is called, so you’ll just have to imagine the tune. It’s here that Holliday’s foe comes out: Cameron Khai! Khai is a really talented young wrestler who I’ve seen a couple times now, and he has had some absolutely great matches. One to watch for the future as he develops further! This is a decent match, but I think it’s pretty heavily overrun by fan chants. They were certainly entertaining though! Chants of “Dick Vacation” anger Holliday, as well as “You’ve got one fan, and he’s shit!” chants. There’s a fun moment as Holliday does some corner strikes, each punctuated by a call of “You’re not shit” directed at his loyal fan. What a heel! Not all of the chants were great though, you can imagine some of the humour derived from Richard’s first name. The chants really did distract from the in-ring action though, which I can’t imagine was desired. The finish comes when Khai is able to roll up Holliday with a small package pin for the win. Holliday sulks in the ring post-match, refusing to leave, which is a thread we’ll come back to shortly.

3 STARS OUT OF 5

Seeing Holliday for the first time, I was pretty impressed with his charisma. You can definitely see the comparisons to his former tag partner MJF in his promo skills. He was solid in the ring too, definitely doing his part for the match. Sadly, his promo riling up got out of hand. Excited to see what more he can do though!

Spike Trivet def. Sha Samuels by pinfall in 14:17

Richard Holliday is still in the ring as Francesca announces our main event, which comes with a small video package and everything! How fancy! It’s Sha Samuels intervention that ousts Holliday, with the East End Butcher clearing him from the ring with his entrance. Holliday lingers outside, seeming unhappy with this from Samuels. Trivet is out next, being understandably booed for being Spike Trivet. This grudge match, built from Trivet’s general attitude and attacking Samuels at Uprising, is a decent match! A fun spot is Samuels going to use his scarf, which the referee takes away, but Samuels using this chance to use his braces on Trivet. He gets as good as he gives! There’s some back and forth decent stuff, until Holliday returns to the ring side area. Samuels takes exception to this, as does the referee, which allows Trivet the chance to grab a weapon from the earlier discovered toolbox, and get the win over Samuels.

3 STARS OUT OF 5

Post match, Holliday and Trivet argue over beating up Samuels, before they decide to both do it. This brings out Cameron Khai and Flash Morgan Webster to even the odds, with all 5 men brawling all over the place! Right in front of me, Webster and Trivet went flying into the merch section! I couldn’t follow it all! It was a pretty fun ending after a few matches with a little less pizazz. Samuels ends the show on the mic cursing out his enemies.

Post-Show

With our show over, I went over to the merch table once again, this time getting a signed print from JJ Gale, where I had to get his PayPal for payment as I had no cash, as well as meeting Young Blood. The pair of them were lovely, and I actually remembered to get a selfie with them! I also bought a signed print of Yuto, as they only took cash and I only had £5. They better come back to Southampton so I can get a signed print with Oskar!

Final Thoughts

Overall, this was a pretty fun show. I’ve certainly seen bigger barnburners on these Southampton live shows, but this was good fun ahead of High Stakes. There wasn’t too much build to the big show, but look, I had fun. What more do you want from me? I think this show gets a high 3 STARS OUT OF 5 from me!

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wrestlingwiththoughts · 28 days ago

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GCW You Wouldn't Understand 2024 Live Impressions

If we accept professional wrestling as a form of pantomime, then it certainly makes sense that you can feel the emotions of professional wrestling more directly live and in person than by watching on television. So, though GCW is not my preferred professional wrestling company, I went to their latest show at Brooklyn's Roulette Intermedium, You Wouldn't Understand, since it was a fairly affordable ticket ($54 for first row balcony reserved) and accessible (close to the Atlantic Avenue-Barclays Center hub).

Credit goes to GCW for cultivating an atmosphere that 1. replicates the atmosphere from old Chikara shows that I attended, where fans would wave to other fans that they had seen at other shows 2. is decidedly closer to 50/50 between men and women attendees 3. had a surprising number of young fans in attendance despite the flying profanity and the violence inherent to the show.

Independent wrestling merchandise, as always, remains a mixed bag at best. I was hopeful that UltraMantis Black and the Spectral Envoy might have apparel that I wouldn't be too embarrassed to wear, but I couldn't even find their stand before or after the show.

1. Brandon Kirk d. Bam Sullivan

Right off the bat, we are treated to plunder and excess as Bam Sullivan tries to prove his mettle to the GCW locker room by resurrecting Joey Ryan's groin-based offense. At least Sullivan is assaulting his opponent's groin and not forcing his opponents to touch his groin; nonetheless, I didn't think groin-based gimmicks, especially in a company that is open to intergender matches, survived Speaking Out. Bam Sullivan proved me wrong on that. Sullivan is a local act, so the obnoxiously loud fans to my right were happy to riff about Sullivan's mustache (another echo of Joey Ryan). To prove that he is a worthwhile addition to the GCW roster, Sullivan summoned chairs and doors from under the ring because that's what GCW's and Sullivan's limited definition of hardcore wrestling is. I wonder if the two deathmatch veterans used chairs and doors so early to compensate for the blood ban in New York.

Sullivan and Kirk started with a lot of energy, and things were fine until Sullivan either tired or lost focus and was slightly off his timing on some of the sequences with Kirk. Kirk beat Sullivan with a Psycho Driver and then indeed endorsed Sullivan as a worthy member of the roster. I wish someone had jumped Sullivan after that, but I suppose GCW has time later to tell the story that not everyone agrees that Sullivan belongs in GCW. For what it's worth, Sullivan fits the aesthetic and the working standard in GCW about as well as Kirk.

2. Brooke Havok d. Zayda Steel

Havok is 25 years old and has wrestled 136 matches in 3 years. Steel is 21 years old and has 113 matches in 2 years. With those caveats, I am willing to grade this on a curve because this was a mess. Havok struggled to lift Steel at various points during the match and had to repeat two spots twice. Havok and Steel couldn't quite rotate fully on a poisonrana, and they landed awkwardly. Their strikes looked unconvincing, and Steel's lungblower on Havok, who was suspended on the middle rope, makes no sense as a move in an ostensible fight. Steel, the WWE ID signee, seems more polished than Havok, even though her character is fairly shallow. Steel set up Havok for an Unprettier that looked tentative, but Havok squirmed free and pinned Steel to end the match. I suppose that means that being a WWE ID signee doesn't restrict you from losing matches, for now.

At this point, I was not impressed by the show or the fact that the venue was, at best, 2/3 full.

3. Tony Deppen d. Man Like DeReiss

I had last seen DeReiss at DEFY Can't Deny It, where he teamed with Michael Oku against the Bollywood Boyz, so I was looking forward to seeing how much he had progressed in those seven intervening months. He's certainly still energetic and charismatic, which made for an interesting contrast with Deppen, who has a deceptively dirtbag charm to his character and his wrestling style. Watching this, I felt like both Deppen and DeReiss could do better than wrestling undercard matches in a small GCW show in Brooklyn. Deppen should be able to reach at least the heights that Jimmy Rave reached at his peak in ROH.

DeReiss, the younger of the two, has more time to put it together. His sequence of rapping on the mic while hitting Deppen with shoulder tackle, chops, and clotheslines was fun if incomprehensible. It seemed like his focus during this match was to sell the arm that Deppen targeted and to find a way to channel the crowd's sympathy. On the first count, DeReiss was mostly successful; I don't understand why he would try to force Deppen to submit to a Stepover Toehold Facelock and not have his damaged arm come into play there or how his hurt arm slowed his climb to the top rope for a double stomp, but I appreciate how he would grimace and shake his arm every now and then. I'm not sure how well DeReiss succeeded on the second front; the crowd seemed to be more against Deppen, and eventually Griffin McCoy, than for DeReiss. I chalk that up to how the GCW crowd seems to go to shows to see GCW wrestlers, not to see wrestling in general, which I'll explore more later.

I hate the wrestling trope that a match's babyface must be completely flustered when someone appears ringside. DeReiss was set to finish Deppen with his 450 splash when Griffin McCoy appeared and taunted DeReiss from the stage. It's contrived nonsense.

After the match, Deppen pretended he had nothing to do with McCoy and left the ringside area. McCoy and DeReiss traded blows, and McCoy disabled DeReiss with a lowblow that looked like it took two attempts to hit. McCoy's opponent this evening, Grim Reefer, emerged to confront McCoy to let DeReiss leave.

4. Griffin McCoy d. Grim Reefer

I enjoyed Grim Reefer's work the last time I saw him live, which was 16 years ago at Jersey All Pro Wrestling's Reclaiming Hudson show on January 19, 2008. Reefer's gained some weight, slowed down a little, and doesn't fly from the top rope as much now, but he still seemed like a solid pro. The crowd, as it is wont to do, had fun punning off of Reefer's name with "Reefer's gonna smoke you" and "Light him up" chants to taunt McCoy. Reefer lit his joint and started smoking it while fighting McCoy, and the scent of weed wafted to the balcony. The crowd, of course, then chanted "Pass that shit."

McCoy's own scumbag charm was also great, and he reminded me of Austin Theory from Theory's Evolve run. I think there's potential there as a braggadocious heel who talks too much during the match but has the mettle to back it up when he's forced to do so. He doesn't have Theory's athleticism, but he's more entertaining and less off-putting than Theory was. It makes a ton of sense that McCoy was trained by the aforementioned Jimmy Rave at one point.

After the match, which McCoy won with a cheap pin, McCoy and Deppen beat up Reefer. DeReiss saved Reefer and called for Reefer to help hit Deppen with a 3-D for some reason. McCoy pulled Deppen to safety.

At this point, I felt like the show had gotten its feet under it after an uninspired start.

5. Matt Tremont d. Lou Nixon

In this match, the show lost whatever momentum it had been able to build. Tremont and Nixon decided to pay homage to Don Frye and Yoshihiro Takayama and missed the reason why Frye and Takayama's fight is so memorable: the respect that Frye and Takayama had, the position that they were in (as the last fight in a show that had largely underwhelmed, Frye and Takayama wanted to give the crowd a show), and the intensity of their violence (Frye and Takayama exchanged 137 punches in about 90 seconds). Instead, Tremont and Nixon exchanged some light punches, brawled to the floor, had Nixon hit Tremont with some kicks, and then Tremont hit a Death Valley Driver to win the match. An utterly pointless match that could have been replaced with a match featuring wrestlers from DEFY and PROGRESS's afternoon show. Tremont then told everyone that he and Nixon were paying homage to Frye and Takayama (poorly).

6. Allie Katch d. Microman

Katch and GCW promoter Brett Lauderdale clearly don't believe in wasting a crisis since they had Katch address how Effy's comments about Shad and Tony Khan likely caused AEW to pull Ricky Starks from all future GCW shows. I had said earlier that GCW fans attend GCW shows to see GCW wrestlers, but I'm not convinced that they care about the top level story that GCW is trying to tell with Katch, Effy, and Mance Warner. It didn't help that Katch talked for longer than she needed to for her point to be made. (I accept the irony in my writing this.)

On the other hand, the crowd loved Microman. So, when Katch gets booed for throwing Microman around, she can claim that the crowd is booing her character and the character's role in the story they're trying to weave. I don't think the investment was there from tonight's crowd; instead, I think the sentiment is for Microman more than it's against her. Using power wrestler moves like Mark Henry's World Strongest Slam and Yokozuna's corner Bonzai drop against Microman is a nice touch.

It was amusing when Katch tried to hit Microman with a running butt splash in the corner but missed him completely because he was too short.

For some reason, Blake Christian came out from under the ring and threatened Microman before deciding to leave him alone.

7. Megan Bayne vs. Parrow - No contest

I hadn't seen Parrow since he invaded Evolve with his partner in The End, Odinson, and forced us to listen to atrocious heavy metal music for minutes at a time while they fought the WorkHorsemen, Catch Point, and the Skulk. I guess he's a creep who likes to beat up women now in GCW. Bayne, after finishing her tour in Stardom, has been working primarily in Limitless, GCW, and Beyond, and it's a mystery why she's there instead of elsewhere. Bayne struggled to lift Parrow for the F-5 and messily dropped him in the execution. Parrow used a variety of power moves against her, which made sense since he dwarfed Bayne. Parrow was about to finish Bayne with a chokeslam, but the lights went out, and the supposedly criminally insane Charles Mason replaced Bayne in the chokeslam hold. I don't understand how that makes sense, where Bayne went, and what the deal with Bayne is.

8. Luke Jacobs d. 1 Called Manders

The show needed a good match after the stretch from Tremont vs. Nixon to Bayne vs. Parrow, and luckily Jacobs and Manders were able to deliver a thrilling fight to save the show for me. It was also apparent that no one knew who Luke Jacobs was; I was the only person cheering for him, and the crowd was oddly silent even though Manders and Jacobs worked very hard to get the crowd to notice. Manders and Jacobs had extended chop, forearm, lariat, and headbutt exchanges. It's not as if the crowd booed Jacobs and cheered Manders; they simply didn't seem to care about this unannounced match. I also don't understand the business logic of not announcing this match; given the 1/3 empty seats at the Roulette Intermedium on this Black Friday show, one could reasonably conclude that the announced matches weren't enough to entice potential attendees. Jacobs and Manders traded one-counts after lariats because they're both tough bastards; I enjoyed Jacobs calling Manders "a big bastard" while fighting to lift him up for a German suplex. They were tough bastards to the end as Manders refused to give up in Jacobs's rear-naked choke, raised a middle finger in defiance, and passed out to give Jacobs the win.

GCW, meanwhile, can claim that they held this match first even though it was not announced for the advertised card and DEADLOCK Pro Wrestling had announced on November 27 that they had booked Jacobs vs. Manders for their 3rd Anniversary Show on December 8. So much for GCW's hypocritical indignation about other companies breaking the unwritten rules of promoting professional wrestling.

9. Los Desperados (Gringo Loco, Arez & Azrieal) d. The Spectral Envoy (Frightmare, Hallowicked & UltraMantis Black)

This was my main event of the show and the reason I decided to attend; I have fond memories of the Spectral Envoy and was looking forward to seeing UltraMantis Black, in particular, again. Frightmare has entered his fat luchador phase, and Hallowicked looks unchanged; it was nice to see Hallowicked hit the Go to Sleepy Hollow combo with Frightmare and UMB again. They played for comedy at first that felt like a throwback to Chikara trios matches. Frightmare and Arez missed their timing on an armdrag, but it wasn't as noticeable as the confusion later when the Envoy were supposed to run at the Desperados. Once they had the match back under control, the offense looked good. Arez, in particular, looked really impressive here and was the standout in the match.

While this wasn't one of the best matches of the year that I've seen, I think it's still worth checking out because it's a lesson in how comedy can be seamlessly incorporated into a wrestling match's action. For all that can be said about Chikara, I think that is its lasting legacy: to show that you can combine action and comedy and that you can escalate from humor to high drama in a single match.

10. Mance Warner d. Homicide

My expectations for the match were low, and I still felt underwhelmed. Warner threw a fan's phone to the hard camera operator in the balcony during his entrance. Worse, Warner decided to give a monologue in the middle of the match about how the fans believed in Homicide (the chants of "New champ" at the match's start notwithstanding, nobody believed that Homicide would dethrone Warner this night), and so on, and so on. I paid for action and fake fighting, not poorly acted skits. Frankly, I tuned out of the match the moment Warner picked up a microphone, and there was no way they could win me back. Add yet another outside interference spot (Jimmy Lloyd appeared to pull the referee out of the ring during a Homicide pin) to the show's count.

I can forgive Tremont and Nixon for their utterly pointless match. I can forgive Havok and Steel's sloppiness. However, this is the show's main event, the headline of the show, and it was melodramatic, plodding slop.

If not for the fact that live wrestling in New York City is not frequent or the fact that the Spectral Envoy were a special attraction for this show, I would have written the show off altogether based on what they had announced for it. This show did GCW no favors in convincing me to return for another show; given the attendance at this show, I'm not sure GCW would have much appetite for running the venue again.

One last note: I'm glad at least that wrestlers have moved away from using just heavy metal for their entrance themes. There was a diversity of music among the entrances, from classic rock to pop to Homicide's classic "The Truth" remix.

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