#Luisa Gerstein
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genevieveetguy · 4 months ago
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Santosh, Sandhya Suri (2024)
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mitjalovse · 1 year ago
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The modern electronica comes in all shapes and sizes as we see, though a good question in here would be – which musicians could be called the major influences? I would claim one of those might be Simian Mobile Disco. Mind you, these two aren't the originators of the modern electronica, since the latter had a variety of different predecessors, yet their outfit did point towards the developments of the style during the noughts already. Yes, they anticipated the brand together with some other musicians we probably mentioned in some other discussions. Thus, their latest works feel like a validation of their path thanks to their scene becoming close to the way the charted. Still, one does ask oneself more – did they plan this?
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sonicziggy · 2 years ago
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"The Wild Hunt" by Johnny Flynn, Robert Macfarlane, Héloïse Tunstall-Behrens and Luisa Gerstein https://ift.tt/dftQqTX
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wantrea · 1 year ago
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mikimeiko · 2 years ago
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Albums I listened to in 2023
Six Signs: Six Songs (Inspired by Susan Cooper's the Dark is Rising) - Johnny Flynn, Robert Macfarlane, Hélöise Tunstall-Behrens & Auclair and Luisa Gerstein (2022)
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uselectionnews · 1 year ago
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"Ark. Gov. Sarah Huckabee Sanders to face GOP-led audit over $19K lectern," by María Luisa Paúl in The Washington Post.
"Some Free Legal Advice for Donald Trump, From the Jury Experts," by Ankush Khardori in Politico."
"A Uniquely Terrible New DEI Policy," by Conor Friedersdorf in The Atlantic.
"Basic income is less radical than you think," by Oshan Jarow in Vox.
"Israel Is Walking Into a Trap," by Hussein Ibish in The Atlantic.
"The Supreme Court Can Repair Clarence Thomas’ Greatest Folly," by Saul Cornell in Slate.
"National monument honoring freed enslaved Black people slated for 2024," by Russell Contreras in Axios.
"The Progressives Who Flunked the Hamas Test," by Helen Lewis in The Atlantic.
"To end Hamas, Israel may need to grieve first," by Nathal Toosi in Politico.
"Why Uncontacted Tribes Want to Stay Uncontacted," by Adam Goodheart in The Atlantic.
"The Life and Death of a Community Fridge," by Kim Foster in Slate.
"The Source of America’s Political Chaos," by Tom Nichols in The Atlantic.
"Supreme Court sets showdown over agency power for January," by Josh Gerstein in Politico.
"Move over "LOL": Gen Z embraces "IJBOL"," by April Rubin in Axios.
"Computers Are Learning to Smell," by Matteo Wong in The Atlantic.
"The Online Sleuths Who Helped the FBI Track Down January 6 Insurrectionists," by Ryan J. Reilly in Politico.
"Exclusive video — Bush says Hamas are "cold-blooded killers," lauds Biden's support for Israel," by Mike Allen, Zachary Basu, and Barak Ravid in Axios.
"The Good Luck of a Hard Life," by Rich Paul in The Atlantic.
"JPMorgan’s Dimon: ‘The most dangerous time the world has seen in decades’," by Katy O'Donnell in Politico.
"Friday the 13th and its history of Tupac’s death, Nazi bombings and covid-19," by Timothy Bella in The Washington Post.
"What Salt Lake City gets right about downtown," by Miles Bryan in Vox.
"Why the Supreme Court’s New Voting Rights Case Could Be Its Most Dangerous Anti-Democracy Decision Yet," by Conner Mitchell in Balls & Strikes.
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r3mlato · 2 years ago
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The Wild Hunt - Johnny Flynn ft. Robert Macfarlane & Héloïse Tunstall-Behrens and Luisa Gerstein
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nofatclips · 5 years ago
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Hey Sister by Simian Mobile Disco from the album Murmurations - Director and choreographer: Kiani Del Valle
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refusalon · 4 years ago
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islandofnada · 4 years ago
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This Place by Catherine Repko & Luisa Gerstein
Onomatopoeia.club community: instagram.com/onomatopoeia.club/
Full zine: onomatopoeia.club/
Collaboration and curation by Coda to Coda and Rosie Lee
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burlveneer-music · 4 years ago
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Deep Throat Choir - Camille - first single from forthcoming album
After reverential reviews of their 2017 debut, Be OK, Deep Throat Choir return with their new single Camille. Taking its name from Children of the Compost, a collection of future fables by the eco-feminist writer Donna Haraway, the track is “an exploration of the feeling that the boundaries between yourself and the natural world, or somebody else, are entirely porous and dissolving”, says choir leader Luisa Gerstein. A music video for the track has been created by London based visual artist Rachel Sale.
It is the first single from Deep Throat Choir’s forthcoming album, and marks the foundation of the Amorphous Sounds collective. The label takes its name from the lyrics to Camille, in which the group sing “I’m reeling / I’m restless / porous / amorphous”. Describing the collaborative practice of the artists working within Deep Throat Choir, it gives name to an already existing collective of music makers from a wide-range of disciplines, and is a statement of intent for future cross-stitched imaginings. The label is founded by Luisa Gerstein and Anika Mottershaw.
Video directed by Rachel Sale and Alexandra Boutsi  Edited by Nathan Bather  Animation by Sophie Koko Gate
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soveum · 6 years ago
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"Blind" by The M Machine, Luisa Gerstein https://open.spotify.com/track/5FpU7tqYbhFzZLlWjYakdc
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audacioussoundwaves · 7 years ago
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"Blind" by The M Machine, Luisa Gerstein http://ift.tt/2mVzPuo
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piasgermany · 3 years ago
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[Album + Video] Deep Throat Choir mit neuem Album und Single!
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Das Londoner Kollektiv Deep Throat Choir, bestehend aus weiblichen und nicht-binären Mitglieder*innen, und gegründet von der Landshapes-Sängerin Luisa Gerstein, kündigt ihr zweites Album „In Order To Know You“ für den 03. Dezember digital only über Bella Union an!
Mit „Alchemilla“ präsentieren sie außerdem den ersten Song und Albumopener. Mit minimalistischer und dennoch experimenteller Instrumentierung baut der Song vor allem auf die stimmlichen Qualitäten der Mitglieder*innen und den herrlich luftigen Melodien. Dabei stechen diese Tugenden vor allem hervor: ein Gefühl der Kraft aus Gemeinschaft, Austausch kollektiver Ideen und dennoch der Begrüßung von individueller Besonderheit.
Das 2017er Debütalbum „Be OK“ war fast ausschließlich eine Ansammlung an Covern – das neue Album sind nun alles neue, eigene Songs. Luisa Gerstein führt dazu ergänzend aus: “This album is the alchemy of all the specific voices and players that make up the choir, and a collaborative process of writing and sharing music and ideas. Sonically, I wanted to move beyond just voices and percussion, to see what richness could be brought with acoustic instruments and electronics, and to transition from a choir that does covers to a band with loads of vocalists.”
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Die elf Stücke präsentieren die individuellen Erfahrungen der Mitglieder*innen, welche neben Gerstein noch die Solist*innen Tanya Auclair, Liv Stones, Holly Holden, Elly Condron, Miryam Solomon, Fikir Assefa, Maddie Rix, Rosa Slade, Heloise Tunstall-Behrens und Fran Lobo beinhalten. Dazu gesellten sich Bläser und ein Pianist. Es ensteht ein Sound zwischen Kammermusik und beinahe Ambient-Sphären. Organische Sounds mixen sich mit digitalen Feinheiten. Doch bleiben die Stimmen der Sänger*innen immer im Mittelpunkt der Musik.
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Tracklist “In Order To Know You”:
01. Alchemilla 02. Firefly 03. Picturing 04. Uvas 05. Lighter 06. Tremelo Train 07. Patience 08. Camille 09. In Order To Know You 10. Unstitching 11. Field Of Not Knowing
Presse: [email protected] Radio: [email protected] (+ Online) I [email protected] Website
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chadgarber-blog-blog · 6 years ago
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Consider subscribing to my channel!: https://goo.gl/wnJH8U How to Play Cups Pitch Perfect on Guitar In this video, I show how to play from the Pitch Perfect movie on acoustic guitar. This lesson is for both beginners and for more advanced. Enjoy. Here are the lyrics: Cups Anna Kendrick I got my ticket for the long way ‘round Two bottle ‘a whiskey for the way And I sure would like some sweet company And I’m leaving tomorrow, wha-do-ya say? When I’m gone When I’m gone You’re gonna miss me when I’m gone You’re gonna miss me by my hair You’re gonna miss me everywhere, oh You’re gonna miss me when I’m gone I’ve got my ticket for the long way ‘round The one with the prettiest of views It’s got mountains, it’s got rivers, it’s got sights to give you shivers But it sure would be prettier with you When I’m gone When I’m gone You’re gonna miss me when I’m gone You’re gonna miss me by my walk You’re gonna miss me by my talk, oh You’re gonna miss me when I’m gone Songwriters: A.P. Carter / Luisa Gerstein / Heloise Tunstall-Behrens Cups lyrics © Peermusic Publishing, BMG Rights Management US, LLC
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ruffrowdyboiz · 8 years ago
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The M Machine - Blind (feat. Luisa Gerstein)
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