#Ludwig goransson

[aintnoloveintheheatofthesun]

More Pearline fanart 🖤

Credit: Aiden Lucky

Credit: Beware Designs

Ms Pearline on the IMAX screen ❤️

BTS pics with Jayme Lawson + Smoke/Stack stunt double Paul Sampson

[reids-prettygirl]

I just want to inject the sinners movie and soundtrack into my veins

[rookrolled]

Marvin Gaye - I Want You

//

Sinners - Ryan Coogler

“I want you, but I want you to want me too”

[izze-art]

pale pale moon 🌙

[xxgothchatonxx]

Massive shout-out to Ludwig Goransson for his incredible work on Sinners. This man has proven himself time and time again as one of the best film composers of our time, and Sinners is no exception.

Everyone involved in the music of Sinners should be so proud of themselves!

[mahoganygold213]

96th Academy Awards - March 10, 2024

[honeytoffee]

For my vinyl tribe, score up top and the soundtrack below! Ecstatic for this release! 8/25/25 👏🏾

[whenmemorydies]

Ryan Coogler on Democracy Now

This interview is so thoughtful, rich and wide-ranging. It sounds like the Cooglers and the rest of the team that created Sinners were working with deep-rooted, respectful and collaborative magic when they made this art.

[darerendevil]

@jackrippners: why is he just doing a cuntier version of the oppenheimer post above him

[captivatedbycillianmurphy]

At the Oppenheimer/Ludwig Goransson concert tonight in LA. Looking amazing. And being introduced as “Golden Globe winner”

[agentnico]

Sinners (2025) review

Bet Marvel wishes they could make a post credits scene like this!

Plot: Trying to leave their troubled lives behind, twin brothers return to their Mississippi hometown to start again, only to discover that an even greater evil is waiting to welcome them back.

When it comes to the horror genre, primarily we are looking for one thing - solid scares (and a splash of gore for good measure). An aspect that you won’t usually find is multi-layered character work, as at the end of the day most of the cast are there simply to serve the purpose of being killed off in some gruesome messed up fashion. Which is totally fine; I am not here to complain or bad-mouth fun B-movie horror flicks - I’ve always got time for those. However Sinners, the new horror/adventure/thriller from director Ryan Coogler (Creed, Black Panther), is here to very much change up that stigma. There is genuine character development, where I found myself fully invested in the story and personal dynamics, that I completely forgot this was a vampire movie until they do show up half way through, and that’s when the movie goes really mad crazy. As much as I loved the suspenseful and gory second half, I really did appreciate the slow burn first half, as it made the character demises later on much more meaningful. It is too a reflection of how personal and meaningful this film must be to Ryan Coogler, with the 1930s Mississippi setting and the underlining themes of inequality and racism haunting throughout, but in turn also the visual aspect.

In a recently released video from Kodak on YouTube, Ryan discusses the visual language behind Sinners. The movie not only continues Hollywood’s recent return to celluloid, seen recently in The Brutalist, but also pushes the boundaries of what’s possible with analog formats and aspect ratios. By combining two different large film formats (Ultra Panavision 70 and IMAX 15-perf), Coogler can draw viewers deeper into the story – literally. The choice to switch aspect ratios during the film facilitates dynamic changes in how scenes are experienced, especially in IMAX theaters, where the screen size and shape fully showcase the transitions. The result is a heightened sense of immersion, a quality that Coogler intentionally pursued for a genre as visceral as horror. Not to throw around this overused online term, but “this is CINEMA” comes to mind when considering the passion and heart that Coogler is dedicating to this medium, and it’s evident on what you see when you go and watch Sinners.

Music needs to be mentioned too, as it plays an integral part in driving the core of what Sinners strives to be. The soundtrack is filled with southern blues songs, and it was a pure joy to really lose myself in the feels and motions of the score and singing, and there is a particular sequence about half way into the film that can be referred to as Coogler’s ‘magnum opus’ moment, as essentially it reflects upon the history of black music, and the one way to describe it is rad. The movie also holds its own self aware level of humour, as the evil vampires are Irish and as such they play, sing and dance to some very famous Irish folk songs, which resulted in a few amusing and entertaining renditions of the likes of “Rocky Road to Dublin” and “Will Ye Go, Lassie, Go?”. Safe to say, I’m planning on picking up the Sinners soundtrack album vinyl record as soon as either Mondo, Waxwork or Made by Mutant inevitably announce it.

Michael B. Jordan plays two distinct characters in the film - and not in a gimmicky or disconnected way. These characters interact constantly - they're twins - which makes for a serious acting challenge. Jordan rises to the occasion, and the visual effects team behind the scenes pulls it off beautifully, with impressive execution on every technical level. Visually, the film is nothing short of stunning. Alongside Jordan, musician Miles Caton gives a remarkably strong performance in the second lead role. I was genuinely surprised to learn this was his first-ever acting role. What surprised me even more was the chap’s vocals, as you wouldn’t expect such a deep voice to come out of such a young lad. Hailee Steinfeld is radiating and dazzling, and Wunmi Mosaku provides emotional depth and gravitas. Jack O’Connell, as it turns out, has some serious Irish dancing skills which should not be left unmentioned, and Delroy Lindo pretty much stole the show anytime he was on-screen.

Sinners does not reinvent the vampire genre, as the story itself is pretty straightforward (reminiscent of From Dusk Till Dawn), yet it is the execution that makes it stand out. It's one of the best films I’ve seen in recent memory: energetic, gripping, occasionally funny, with a sharp script, top-tier directing, brilliant performances, and musical ingenuity that stuns scene after scene. It has all the makings of a strong contender for film of the year. Make sure to stay throughout the credits as there is a phenomenal 5-10 min sequence during them that is one of the best scenes of the whole film, as well as a fun musical moment at the end of the credits too. You’re welcome.

Overall score: 8/10

[dgct2]

OPPENHEIMER wins 7 Oscars 🔥

🏆 Best Picture

🏆 Best Director

🏆 Best Actor

🏆 Best Supporting Actor

🏆 Best Score

🏆 Best Cinematography

🏆 Best Editing

[majestyeverlasting]

Just got out of the theater for Sinners, and wow. That was such an experience. I felt the music in my chest and it was such a good time. Amazing direction and performances with a beautiful soundtrack and cinematography. Such a layered, sensual, and gory story. Really looking forward to more from Ryan Coogler.

[tomhardymyking]

I think 𝑽𝒆𝒏𝒐𝒎's music is wonderful and I love it a lot ❤️

So, with this special video with a little of that music, I want to thank 𝗟𝘂𝗱𝘄𝗶𝗴 𝗚��̈𝗿𝗮𝗻𝘀𝘀𝗼𝗻, 𝐎𝐬𝐜𝐚𝐫 winner at the 96th gala (last week), for creating this spectacular soundtrack for the film, and congratulate him on his award (although I didn't think his comment towards video games was good) 👏🏻💞

⠀⠀⠀⠀

La música de 𝑽𝒆𝒏𝒐𝒎 me parece maravillosa y me encanta un montón ❤️

Así que, con este vídeo especial con un poco de esa música, quiero agradecer a 𝗟𝘂𝗱𝘄𝗶𝗴 𝗚𝗼̈𝗿𝗮𝗻𝘀𝘀𝗼𝗻, ganador del 𝐎𝐬𝐜𝐚𝐫 en la gala 96 (la semana pasada), por haber creado esta espectacular banda sonora para la película, y felicitarlo por su premio (aunque no me pareció bien su comentario hacia los videojuegos) 👏🏻💞

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[danbenzvi]

On The Jukebox: "Sinners (Original Motion Picture Soundtrack)"

Track listing:

Miles Caton, DC6 Singers Collective & Pleasant Valley Youth Choir Of New Orleans - "This Little Light Of Mine"

Don Toliver & Ludwig Goransson - "Flames Of Fortune"

Cedric Burnside, Sharde Thomas - Malloy & Tierinii Jackson - "Wang Dang Doodle"

Miles Caton - "Travelin'"

Bobby Rush & Miles Caton - "Juke"

James Blake & Ludwig Goransson - "Seance"

Hailee Steinfeld - "Dangerous"

Miles Caton - "I Lied To You"

Jack O'Connell, Lola Kirke & Peter Dreams - "Pick Poor Robin Clean"

Tierinii Jackson & Cedric Burnside - "Can't Win For Losin'"

Rhiannon Giddens & Justin Robinson - "Old Corn Liquor"

Lola Kirke, Peter Dreams, Brian Dunphy, Darren Holden & Jack O'Connell - "Will Ye Go, Lassie Go?"

Jayme Lawson - "Pale, Pale Moon"

Jack O'Connell, Brian Dunphy & Darren Holden - "Rocky Road To Dublin"

Jerry Cantrell & Ludwig Goransson - "In Moonlight"

Buddy Guy - "Travelin'"

Alice Smith & Miles Caton - "Last Time (I Seen The Sun)"

Rod Wave - "Sinners"

OG DAYV & Uncle James - "Troubled Waters/Homesick"

Brittany Howard - "Pale, Pale Moon"

Miles Caton - "I Lied To You (Radio Edit)"

Geeshie Wiley - "Pick Poor Robin Clean"

[seeforyaself]

Why SINNERS Is Ryan Coogler's Love Letter To Black People

Ryan Coogler just dropped one of the most layered, emotional, and visually stunning films of his career with Sinners and I had to talk about it. From Michael B. Jordan’s best performance to Wunmi Mosaku stealing scenes, this film is a love letter to Black culture, music, history, and spirituality. It’s a vampire movie, yes but it’s so much more than that. Let’s unpack the symbols, performances, and why Coogler might be the greatest director of his generation.