#Love Kao and Pete

[loveisactivated]

pete + his love for kao

[coffeebookslovegt]

¿Qué somos?

Somos...amigos.

[bl-bam-beyond]

DARK BLUE KISS (2019, THAILAND)

Episode 7

A anniversary celebration from Kao (THITIPOOM TECHA-APAIKHUN aka NEW) to boyfriend of 3 years Pete (TAWAN VIHOKRATANA aka TAY) incites Pete to say I LOVE YOU, KAO followed by a kiss.

[sparklyeyedhimbo]

just @petrichoraline making me cry while i try to live blog pit babe

[teerayus]

Just found out about these PeteKao bitches y’all keep talking about… I’m adopting them

[kageyamaana]

The Last

The last.

That was what they always told each other because it was what they would be.

It may seem stupid thinking that while they were still in university but deep down they knew that after each other, there would never be someone else.

Kao and Pete may have had most of their firsts with other people but they were each other's last love and no one would be able to change.

Yes, they almost broke up sometimes but they came back stronger and with a better understanding of each other's feelings so they knew that this was fate telling them that no matter the adversities they would always come back.

So, it shouldn't have been surprising for their friends when Kao got on one knee during Pete's 26th birthday or that they got married half a year after that happened.

And even much less that the two were now planning on adopting a child as both had stable jobs and felt ready for this next step.

"I can't wait to meet our future kid" Pete whispers the night before they go to the orphanage

"Me too" Kao whispers back and cuddles more into Pete "Whoever we choose, we will do our best to give them a good life and be there no matter what problems fate gives them" he adds with a soft smile

"Just like our parents did with us" Pete agrees and kisses his husband softly

"Love you, Pete"

"Me too, Kao"

.

.

.

"So you are Gun?" Kao asks as he looks at the teen in front of him

"Y-yes" the boy says looking slightly afraid but mostly confused

"Take care of Tinn, he may seem serious and strong but he is just like his papa" Kao says smiling at Gun "Just give him affection and make sure he doesn't stress himself doing his work and trying to help you" he adds before patting Gun's head and going to tell Tinn that his friend had arrived

"Eh?" Gun says confused after Kao left

"Ignore him, he is an idiot" Pete sighs from the couch "Me and Kao will be leaving to visit his sister so you and Tinn can study in peace" he says getting up from the couch once his husband and Tinn appear

The married couple says their goodbyes, kissing Tinn in the forehead and making him promise to be careful while they are gone, before they leave the two teens to study in peace.

"How long do you think it will take until one of them confesses?" Kao asks Pete amused

"Who knows hopefully they do it before university" Pete says smiling

[lurkingshan]

The Ride or Die Drama Couples List

So the other night I got a little sassy on main because some of the girlies were complaining that King the Land is focusing more on the couple moments (aka relationship development) between Gu Won and Sa Rang and doesn’t have enough plot. Which is a very typical fandom complaint about romcoms that I absolutely hate, because in a good romance the relationship is the plot, people! It’s bizarre attitudes like this that get us random murder plots spliced into every other romcom for the ratings, and I am begging y’all to stop the madness. 

Ahem. Anyway, that post seemed to resonate with some folks and get them discussing other dramas, and so inevitably @troubled-mind wandered into my notes and said gee Shan, it seems like maybe you should make a list of dramas that show us couples in a relationship and explore how they make it work and ultimately stay together. And I’ve warned y’all before, if you make a stray comment in my direction there will be a list coming your way. So here I am again, doing the absolute most.

Today I present to you a list of my favorite dramas that show you not only how the couple gets together, but also how they stay together. Criteria:

The couple doesn’t have to be together when the drama starts, but they do have to actually begin their romantic relationship no later than halfway through the drama’s run so that we have substantial time with them as a couple

The relationship development between the couple is a primary plot driver (so no dramas where there’s a great long term couple just hanging out in the background)

The relationship story may include some physical separation or even a temporary breakup, but not the betrayal kind–these are the sort that actually force an unaddressed issue to the surface and ultimately bring the couple even closer 

Happy endings only, these pairs are sticking together 

Ride or Die Drama Couples

Bad Buddy - Pat and Pran

(Thailand, YouTube)

This is tumblr so do I really need to tell y’all about Pat and Pran? There is a reason we all lost our minds over this show and it’s because we got to be in this relationship with them so intensely and see them fight to stay together despite it all. Their ending is bittersweet because of their families, but the show leaves us no doubt that they both think the other is worth it and they will always stick it out together. 

Dark Blue Kiss - Pete and Kao

(Thailand, YouTube)

Shout out to the OGs! Pete and Kao originally got together in the Kiss series (you can watch it, but you really don’t have to, fam) and Dark Blue Kiss brings them back three years into their long-term relationship to give us a peek into their struggles with the closet and the toll it takes on both of them individually as well as the strain it puts on their relationship. 

Flower of Evil - Hee Sung and Ji Won

(S Korea, Netflix or Viki)

Hee Sung and Ji Won are already married (with an adorable daughter) when this drama begins, and the backstory of their relationship is unspooled alongside the larger mystery at the heart of the show. One of the most fascinating and heart wrenching love stories I have ever seen, centered on a character who is so emotionally damaged that he genuinely believes he is incapable of love even as love pours out of him. Damn, I’m gonna make myself cry into my oatmeal.

It’s Okay, That’s Love - Jae Yeol and Hae Soo

(S Korea, Viki)

Speaking of crying, lord. Ahhhhhhh. Let me pull myself together. It’s Okay, That’s Love is a healing drama about two people who fall in love and support each other through serious mental health challenges. I don’t really want to say much more than that. Bring tissues, besties!

La Pluie - Patts and Saengtai

(Thailand, iQIYI)

My beloved! This Thai drama is about a pair of soulmates–or are they–who find each other and try to make their relationship work. That’s it, that’s the show. In this drama, the relationship truly is the plot, despite some of the fantasy elements being used to highlight its themes. La Pluie is about the importance of choice and a rebuke of romantic fantasies that fate and destiny will handle your love life for you. I and many others have written about it extensively, so if you decide to watch, you can go nuts on meta. 

Lighter & Princess - Li Xun and Zhu Yun

(China, Viki)

I really love this show. This is a long format drama so there will be longer stretches where the couple still has not officially gotten together, but the relationship between them is the heart of the entire show, and we get the distinct pleasure of watching them fall in love twice, and the second time figure out how to make it stick. Such a treat.

One Spring Night - Ji Ho and Jung In

(S Korea, Netflix)

Oh how I love this quiet little drama about two people who fall for each other while one is still in a relationship with someone else, and figure out how to untangle the mess they’re in. We get to see them not only fall in love, but figure out how to become a unit who can withstand the harsh judgment coming their way and become a family on their own terms. Bonus adorable child alert!

Tomorrow With You - So Joon and Ma Rin

(S Korea, Viki)

This time travel melodrama is one of those that I started with no expectations and then sat up part way through and said what gave you the right to be this good! This is another one where the relationship begins for dubious reasons, but the suspect motives are quickly taken over by genuine feeling. We really get to live with the relationship in this one and the message is all about treasuring the life and time we have together. 

The Rebel Princess - Awu (Wang Xuan) and Xiao Qi

(China, Viki)

I think the phrase Ride or Die was actually invented for them. Talk about a power couple. Once these two get to know each other (this is a historical so as per usual, their marriage wasn’t actually their choice but rather the result of some asshole’s machinations in a quest for power, joke’s on them though) they are in, baby, and their devotion and loyalty never wavers. This is a historical epic in war time, so the couple will be physically separated multiple times, but it only makes them stronger and each of their reunions sweeter. Their relationship is the heart of the show and the throughline in their chaotic lives.

What Did You Eat Yesterday? - Shiro and Kenji

(Japan, the ether)

Saving the best for last because this right here is the GOAT in this category. It sits at the top of my all-time favorite dramas list and I love it passionately. Because y’all? This drama is explicitly about a middle-aged couple learning how to be together in a long-term relationship. That is the entire plot. And it’s fantastic. Stop reading this and go watch it!

Honorable Mentions

Yumi’s Cells - Yu Mi and Goo Wong 

(S Korea, Viki)

This one is not on the list proper because (gasp) the couple doesn’t end up together. I know, I’m still sad about it, too, even though I went into this drama fully aware of the concept (a season about each of Yu Mi’s major relationships). But man. Yu Mi and Goo Wong just have that something, you know? Even knowing they don’t stick it out, it’s a delight to watch them fall in love and settle into a relationship together. Technically there is a second season featuring Yu Mi’s next relationship (Babi? I don’t know her), but I don’t want to recommend it and you can’t make me.

I must also give a shout out to the bl season 2s that exist expressly for the purpose of showing how the characters settle into a relationship after the first season get together:

Gameboys 2 (Philippines, Gaga) - Cairo and Gavreel

Minato’s Laundromat 2 (Japan, Gaga)- Shin and Minato 

SOTUS S and Our Skyy (Thailand, YouTube) - Kongpob and Arthit

Still 2gether (Thailand, YouTube) - Tine and Sarawat

Utsukushii Kare 2 (Japan, Gaga) - Hira and Kiyoi

And because this is my post and I make the rules, I am also doing some honorable mentions of the friends to lovers slow burns where technically they are not together until the final arc of the story but let’s be serious they are together the whole time and just don’t realize it yet so you know exactly what their relationship is going to look like:

Fight for My Way (S Korea, Viki) - Dong Man and Ae Ra

Happiness (S Korea, Viki) - Sae Bom and Yi Hyun

Hospital Playlist 1 and 2 (S Korea, Viki) - Song Hwa and Ik Jun

My Only 12% (Thailand, iQIYI) - Seeiw and Cake

My Ride (Thailand, Gaga or YouTube) - Mork and Tawan 

Romance is a Bonus Book (S Korea, Netflix) - Dan Yi and Eun Ho

Weightlifting Fairy Kim Bok-Joo (S Korea, Viki) - Joon Hyeong and Bok Joo

Whoops you woke the beast @troubled-mind. @rocketturtle4 @neuroticbookworm @chickenstrangers here are more for your mile long rec lists. :)))

[maybe-boys-do-love]

Finished Last Twilight, and I'm not adding to the ableism discourse, because most things have already been said and with a lot of beautiful nuance that I agree with. But I do want to talk about how that ending arrived because of Aof Noppharnach's consistent symbolic commentary on the experience of living with HIV in much of his work, with an approach that's unique among all queer content. Imma skip Gay OK Bangkok since its not even a metaphor there, but I'll explain my rationale for the others, and we can just appreciate the foundation Gay OK Bangkok lays for us to think about the rest of his stuff.

The motif of life-saving medical intervention comes up in all but one of the works he takes screenwriting credit on. He's Coming To Me: P'Med dies originally because of a lack of medical intervention. 1000 Stars: Tian gets a heart transplant. Moonlight Chicken: this one's more subtle, but the whole series is explicitly established in the context of reopening following the COVID pandemic, and Wen will later say to Jim, "we are survivors." It was this line upon rewatch that made me start considering how thorough this theme is. Survivors of what? The meaning is three-fold: hard lessons in love, COVID, and, for gay men of their age, the HIV epidemic. The hope of medical intervention for Day's condition takes on a secondary meaning, with this trend in mind, even if the mixed disability politics between visual impairment and being HIV positive really fails.

His comparisons are more intricate though. Pills and daily regimens are a consistent motif. Day has his daily eye-drops, Tian his pills (which are presumably immune-suppressants to help accept the transplant but I'm not going to Viki right now and watching every ep to find out so someone feel free to correct me). 'But people take medicine for lots of things,' you say. 'Just because its gay doesn't mean its an HIV metaphor!' You have a fair point! But here's where Aof gets real fun and sneaky. P'Med dies from lack of pills the same year Torfun, whose heart will save Tian's life, is born, 1997. I'm mentioned once before 1997 as important for the class-conscious Aof because of the Asian financial crisis that Thailand set off that year. However, 1997 is also important because its the year HAART, or Highly Active Anti-Retroviral Therapy was first used in Thailand (it had hit the market only one year earlier). HAART, a multi-drug regimen, boosted someone's life-expectancy with HIV up by 15 years, and its side-effects were significantly milder than previous approaches. The medical conditions of P'Med and Torfun's heart point us directly to HAART, and what it could offer.

Now we're moving out of the medical and into the experiential connections because, while Dark Blue Kiss is the only work Aof chose to take credit for screen-writing without incorporating medical references, it is by far the most dense with references to the issue of concealment. Its in the narrative as people closet identities and hide relationships, yes, but its in SO much of the visuals, too, most obviously the Pete & Kao mug hidden inside its coozie. It's easy to see the surface story about gay visibility and the closet, but there's a more specific subtext here about the associated condition that intensified the stigma of being gay and how that impacts your sense of self. Bad Buddy explores this issue less, but even in the BL Bubble, its haunted by the stigma of homophobia--it just shuffles it over onto rivalry so the audience can experience it without reproducing it.

However, the grief and shame of surviving when others haven't haunts Aof's other works much more intensely. Jim and Tian both are hung up on guilt for someone's death that they did not actually cause, continuing to pursue the goals for those that passed rather than their own. Then, there's Thun and P'Med, which is the best allegory for living and dating with HIV, bar none. It goes into the feelings of stigma and the limits of physical intimacy with partners that living with HIV caused, especially prior to Truvada's introduction in 2004. Even then, the show depicts how a HIV negative partner maintains the choice to participate in their own regimens, as Thun's desires for physical intimacy with P'Med manage their relationship and never the other way around.

This sense of required separation and gay identities that are less sex-focused also play into oft-maligned motifs in Aof's work. He's talked explicitly about people's criticisms of the limited physical intimacy in his earlier works that led to the more prominent stuff in Bad Buddy, but I hope given the above context, we can appreciate why physical intimacy is less of a priority than other kinds (and I'd add that 1000 Stars, which got the most sh*t about it, is actually one of the most erotically-charged BLs out there because of it's restraint). Then, you have the finales where characters separate for periods of time, and while I don't see this as explicitly tied to HIV experiences (Aof is literally following the book of romcom beats there, even if everyone whines about it), I can't help but appreciate a tangential connection to loving beyond time and distance that was required for those who lived with or lost loved ones to HIV.

I would've loved to see a version of Last Twilight that didn't absolutely bungle its metaphor, because it had every element to be something great (except, I'm sorry to the fans, lead actors with the necessary queer romantic chemistry). Watching the last episode, when the show seemed to finally rediscover plot and pacing, all the other pieces that had been drowned out by the disability conversation peeked their heads out, and I saw what the show wanted to be. The topics related to living with HIV of stigma, survivor's guilt, and assistive technologies: they were all right there, not just for Day but for everyone, if only they had been given the proper time to marinate to develop more complexity. It's the rare instance of a show where I'll choose to spend time imagining what could have been rather than obsessing over what was or just moving on. Even a misstep from Aof, like this, is overflowing with so many more layers than most series. The failures of Last Twilight, in relationship to his other works, even let you see how much food for thought he's providing.

[bengiyo]

Wandee Goodday Ep 5 Stray Thoughts

Last week, they executed their Business Gay Performance Plan and Ter was pressed. Wandee found himself jealous of Taem, and Kao almost choked Dee out for complicating his arrangement for no reason. Dee spent the night at the gym, and everyone there knows what's up. We got insights into Yak's relationship with his mom, and how his desire to graduate may be related to her.

I guess it's time for Dee's trauma. Are we gonna open the next episode with Kao's or Cher's?

Cheering up this kid is very sweet.

The fact that these two are actually fucking is such a relief. Most of the time it's just not believable that these guys haven't been doing it.

I had a student once who remembers everyone's birthdays. Can't believe Dee walked into this trap.

Let's talk about Yoryak knowing the exact length of time they've been together.

Golf is having fun with these cameos.

Kao! The first thing he asked about was the sex gear!

Once again this show comes through for me I'm so glad boys who read kinda femme are allowed to demand a stern dicking. Pete in LBC was the first I remember, but this is so satisfying. Cher is allowed to want sex, too. I love it because Oyei has been so down for Cher this whole time that there's no way I believed he's cheating, but I do think he has something on his mind.

I love the grandma. She said, "These annoying youths are at the home and I had to get the fuck out of there." She knew what was up and was teasing the whole time.

I really love how chill the grandmother is about Dee's sex and romantic life. She teases mildly and checks on him to make sure he's okay.

That visual effect with the line was cute.

What in the 2gether is this?

I know she not playing that guitar at 3:30 in the morning!

Why would we put the sex bunny ears on his grandma??? What in the Peter Cottontail nonsense is this???

Why are his parents buried next to a British naval officer????

Genuinely love Yoryak changing up his look. The vibe between Yoryak and Taem is so compelling.

I refuse to believe that Oyei is possibly lying.

Now why are they doing their sex personas in public like this? Is Kao taking notes?

I'm so glad that Dee and Taem don't have beef.

Okay, I suspect Inn can actually cook.

No. Flour everywhere is not sexy. This is not an easy mess to clean.

It's so gross Ter taking Kwan to the same place as Dee like this. I don't like it.

Nope, that's flour in his eye. It's over. Yeast infection ahoy.

I'm not in the mood for Ter nonsense next week.

This feels like a treading water episode. I hope we get payoff next week with both of our couples. I don't want this thing about Cher's worries to be nothing, when I suspect that Oyei is dealing with financial stress.

[absolutebl]

Hi! apologies if you've answered this before, but can you recommend some bls that deal with homophobia, be it internalised or external? or more generally, bls that are not set in the bl bubble where gayness is 100% accepted?

Thank you very much <3

Ooo, sure thing!

BL's Not Set in The Bubble

BLs that deal with homophobia (internal or external) and rough coming out sequences

Began Beginning from Myanmar is all about this. It's not a BL I would necessarily recommend but it is interesting for many reasons. Both leads are dealing with massive internalize homophobia, among other issues.

Similarly: Like in the Movies and Tie the Not from the Philippines.

And Goodbye Mother and Nation's Brother from Vietnam.

From Thailand

To Sir, With Love - witnessing his family's massive homophobia that results in major tragedy as a child is what drives our main character's whole personality and self hatred. Massive trigger warning.

Until We Meet Again - the pair in the past, of course, it's the driving trauma of the relationship reincarnated. Massive trigger warning.

I Feel You Linger In the Air - fear of being caught is a through line in this drama.

More modern set stuff:

City of Stars deals with having to leave the closet as a super star. So does Close Friend Season 2 a little. The OhmFluke pair also deals with coming out to parents. Love Stage!! (Thailands version) contains one couple that chooses to remain closeted for the good of a career and another that risks it.

Moonlight Chicken - mostly about self hatred and difficulty in being out, to the point where his young nephew challenges him on it and provides a foil.

Also, ya know, TharnType and Why R U. Both have self hated and challenging coming outs because of trauma and daddy issues.

Dark Blue Kiss - Kao is terrified of being outed and it's used to blackmail him.

Similarly although he is out of Ae, Pete is being abused and blackmailed because he is gay in Love By Chance. Also Ae doesn't manage to come out... yet.

I Told Sunset About You - of course.

My Gear and Your Gown final episodes contain homophobic (or are they?) parents.

Second Chance heavily implies that there is something going on with Paper's inability to accept Fah.

Similarly Gene accepting Sib in Lovely Writer.

I'm pretty sure there's a ton of homophobia at the back end of My Tee, but honestly it's been years sicne I watched that mess.

Charming little pulp 21 Day Theory deals with quite a bti of this, but our main character has a lovely gay uncle to guide the way.

"Punch the homophobe" my favorite trope of all time, happens in Oxygen. But otherwise they neatly circumvent the patriarchs objection by defacto adopting a child to inherit.

TonhonChonlatee is all about one characters inability to acept his own queerness as encouraged by his homophobic family and various other evil characters.

My Only 12% actively tackles and calls out cultural homophobia and damaging misrepresentations.

"Why does everyone think that both of them are strange? If it's not wrong, why does everyone hurt?"

The show he's talking about is Thailand's first proto-BL, love of Siam and it is about an inability to come out.

From Japan

Life: Love on the Line - it's parental disgust and personal self hatred and paranoia that breaks them up (they get back together but he as to get over it)

Similarly His - is a kind of reunion romance after self-homophobia drove one half of the pair to marry someone else.

Actually the original series with the same characters, His the series, also deals with self acceptance around gayness, and it's subtle (Japan) but it's pretty clear one of them was kicked out of/ or left his previous school because he got outed. (Light on Me references a similar situation, but it's ultra subtle.)

If It's With You also kinda falls into this category. Not sure these can be called "dealing with" it tho, more side stepping and alluding to it.

Tokyo in April is - yeah it's kinda the whole thing from one half of this pair

What Did You Eat Yesterday also has a coming out to the parents thread throughout, and a coming out at work thing, but it's not really the point of the show.

From Korea

Most Korean BL are gonna be out. The specialize in the bubble. Although a case could be made for Love For Love's Sake and Love Class. And, see comment, Jazz for Two.

One noted exception is Just Friends which is a short piece about coming out to mom while on leave from the military. This is one of Korea's earliest BL pieces and not strictly BL, but it's fascinating in that neither theme (military nor coming out) would reall be reused again.

From Taiwan

My Tooth Your Love - has a kinda different take and we aren't sure, as viewers whether it's because he's gay or because he's not doing what the Patriarch wishes. But trigger warning for [physical abuse.

DNA Says Love You deals with this and other forms of queerphobia during the later half. Slow start but I do love this show.

Faded is a propaganda piece (pro marriage equality) which is all about coming out to a parent.

In H4CTY Xing Si (of the side couple) is having a hard time coming out but that's complied by the fact that he's fucking his stepbrother, it's a mess, bit I enjoy them - v problematic couple tho.

Papa & Daddy actually has a coming out sequence (GASP!) where the parents don't take it well as does Love is Science? (sides) - but the later is mostly because disaster bi is also baby daddy.

Red Balloon, of course, and it's sibling movie Your Name Engraved Herein are kinda all about self loathing and suffering because of gayness and lack of acceptance.

Unknown is certainly tackling some of this.

In which I talk about some of my favorite coming out sequences:

He's Coming to Me has my favorite series of coming out sequences to both friends and mother.

A few more that I really don't like (Promise) and probably Together With Me should be here, but I willfully can't remember them.

(source)

[coffeebookslovegt]

Todos necesitan una segunda oportunidad para volver a empezar, no importa que tan grandes sean sus errores.

[mj-thrush-gxn]

INTRO!!!

I’ve had this account for a little while so I finally decided to do this!!

᪥ I am a minor!!!! 16. ADHD

⟢ You can call me Mo, Mj, Thrush, Bow, Kaos, or Gam. Mo is the most preferred one, but I’m truly fine with all of them!!

᪥ He/They. this has changed.

⟢ My interests are as follows: Dndads, Lotf, Snapcube fandubs, Gravity falls, the Joker, Lego Batman movie, Pete the Cat, They Might be Giants, Tawog, Geology, BBC Ghosts, Ride The Cyclone, Ska Music, and uhh Raccoons. little random Ik- PRIMARILY TF2 ATM!!!!!!

᪥ I draw and do music 😁 #drumsguitarviolinpiano4life anywayyy. gingers hmu. yeah.

⟢LASTLY- I LOVE TALKING TO PEOPLE BUT IM BAD AT STARTING CONVERSATIONS!! ONCE I GET USED TO TALKING TO PEOPLE IM P CHILL- so like if anyone wanna dm me that’s totally rad.

Other accounts and socials:

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Cern joke blog: @cernthelonely

Bull E. Wugs Ask Blog: @bull-e-wugs-waterdeep

[respectthepetty]

Well well well well!

I have seen you being asked about your fav TW BL dramas. but I’m here to ask about…… your top 10 (or however many you want tbh) BL thai dramas!

Teeheeheeee!!

Ps: can someone else pop up and then ask you too Korean BL dramas? *wink*

Anon, I think YOU will have to come back and ask about my top Korean dramas because after people see this list, they will realize how trashy I truly am and never seek a response from me again. I've already written about my Top GMMTV Actors, my Top GMMTV Pairs, and my Top Five Taiwanese BLs, but this requested list will really show people that I am a dumpster fire, so let me present my

Top Ten Thai BLs

Before I start, I need to list my personal preferences since I have watched over 150 Thai BLs (if not 200), with a third coming from within the past year and a half alone. A show must meet at least two:

Don't bury the gay (MANDATORY!)

Be gay. Do crime! aka "Eff the police" (literally or figuratively)

I'm a messy bi, and I'll cry if I want to

Adulting is hard like my sexual attraction for you

Vice Vers(a) - Flipping the norms and changing dynamics

Next, I need to establish some ground rules:

The series must have completed prior to June 1, so Step by Step, Be My Favorite, La Pluie and other running shows cannot be considered.

It had to be marketed as a BL, so 3 Will Be Free, The Warp Effect, and Great Men Academy cannot be considered.

I could only pick a pair once, so most of GMMTV shows couldn't be considered if I picked another show the pair was featured in.

It couldn't have hurt my queer feelings, so My Only 12%, Until We Meet Again, I Told Sunset about You, and 180 Degree Longitude Passes through Us were cut for rubbing salt in real-world wounds.

A third of the final list had to be BL shows that aired prior to 2022.

Narrowing it down with those two filters, here are a dozen shows that didn't make the cut with a brief reasoning:

The Eclipse - pair already picked

Triage - the gay died each time the clock reset

Ghost Host, Ghost House - not within my personal preferences

Never Let Me Go - aired in 2022. Sorry Jojo!

My School President - pair already picked

Secret Crush on You - aired in 2022

Bad Buddy - it knows what it did to me

Together with Me - pair already picked

Lovely Writer - not within my personal preferences

A Tale of Thousand Stars - pair already picked

Between Us - it knows what it did to me

My Ride - not within my personal preferences

One more thing before I give you the list -

Honorable Mentions

To Sir, With Love

I was raised on soap operas and telenovelas, so this lakorn was seventeen episodes of blissful drama, yet served one of the best pairings and family members of 2022. It was also a historical drama, so the ending being happy was unexpected, but much appreciated.

Destiny Seeker

All the shows on my list have color coding, but this show wins every color-coding award I can give. As a self-proclaimed color demon, this show fed my soul and my heart with its color exchange between two great characters who were just trying to unify the Pretty Boys and the Jocks in a tale as old as time, yet more colorful than ever.

Now, the actual list

Top Ten Thai BLs

#10 - Dark Blue Kiss

Pete and Kao went from a bit toxic in This Kiss series, to a solid couple trying to navigate the difficult situation of having one person in a relationship still in the closet. The reason was realistic as well - career. Kao coming out could have not only hurt his future, but his mother's job as well, and the socioeconomic difference between Pete and Kao was front and center during these discussions. Mix all of that with the addition of Sun and Mork and their dynamic of light enemies to lovers, and this ended up being a surprise favorite. It also had beautiful cinematography at a period when the production value of BLs was being elevated which is greatly due to director/screenwriter Aof and cinematographer Rath.

#9 - Big Dragon

If someone would have told me during the first episode that I would like love this show as much as I did by the end, I would not have believed it, but here I am, in love with this show. It started off with two idiots being at their peak toxic level, yet ended with the softest men in love. The cinematography was beautiful, Mangkorn and Yai had a natural chemistry when teasing each other, and the music was good, so good that I actually listened to the lead sing his love confession…twice! Mos and ISBANKY made me excited to see what else Star Hunter has in store, and that was a door I had closed long ago. Big Dragon 2 when?

#8 - Bed Friend

Much like Big Dragon, I showed up for a raunchy series about fuck buddies, but ended up witnessing two men work through trauma and showed that with support, healing is possible. King was the biggest green flag that has ever graced my screen, and the way Net's big brown eyes portray lust, love, and devotion is a skill that only matches James' embodiment of a sex kitten. I watched them in Catch Me Baby, but Bed Friend brought an entire new level of chemistry from them that balanced the heavier aspects of the show in a way that any other pair would have squandered. Because of NetJames, this show will remain in my tops for years to come, and makes me even more excited for Love Upon a Time.

#7 - You're My Sky

We, collectively, did this show dirty. As BL fans, we did not appreciate it enough, and still don't. Because it came out in 2022, a year stacked with excellent BLs, it was pushed to the sidelines when it should have been at everyone's top for any number of reasons like the pairings were solid (childhood friends, senior/freshman, pseudo-enemies to lovers), the plot was consistent, and the cinematography was beautiful. We have a few sports-related BLs which do a great job of discussing the connection between toxic masculinity and male-dominated sports, and although this series didn't lean all the way in, it gave us a glimpse of what men must sacrifice in order to be considered the best in such an environment, especially when it comes to love.

#6 - Not Me

Every character is shippable with every other character. That is the power of this series. Yet, because I’m petty, I’m still holding a grudge not about GramBlack (Eugene/Gene, really?!) BUT that ToddBlack did not happen! In a show that was queer in several aspects (marriage equality, society’s disapproval, found family, etc.), it was strange that it didn’t deliver on the Black front examining how power dynamics, socioeconomic inequality in regards to privilege, and performance of masculinity affect queer experiences (all possessed by the ToddBlack pairing), but what it did deliver was a great premise about fighting back against oppression (labor discrimination, educational gaps, monopolies), which is why even though the ending was shaky, it still deserves a top spot for existing.

#5 - KinnPorsche

As much as I wrote about this show, I’m shocked it isn’t #1, but sitting through the final episode’s credits believing what I believed about Vegas left me feeling a certain type of way that I’m still not over. It had all the elements I love: Be gay, do crime, messy tears, vice vers(a), and the cinematography was perfection. Symbolism and foreshadowing were intertwined into every scene, so watching each episode was an experience and the aftermath was devouring hours of meta analysis. This was the first series I was excited to watch live unmuted and at normal speed, and I liked each pairing, plus rooted for others who were never going to happen (Big & Chan, Khun & everyone), which made this a fun journey even after the final credits finished (World Tour, anyone?!).

#4 - Love Mechanics

I LOVE MESS, and this show gave me ten glorious messy episodes of the messiest mess. Much like the chokeholds VeeMark excelled out, this show had me by the throat (implication intended). I was shocked when it was announced En of Love: Love Mechanics would be remade and extended from four episodes into ten. I liked the original, but the basic plot (drunkenly having sex right at the beginning – how very Together with Me of them) did not sit well with me the first time around, yet once I saw the remake’s trailer, I WAS SOLD! Look at the angst! Look at the pining! Look at the chemistry! Look at the same steps and dorm from Together with Me! I could write forever about this show because it is better than the original, it was so similar to Together with Me that I had to squint to make sure it wasn’t, and the happy ending with Mark’s tears, although never doubted, feels like a personal win, which is why it was my number one of 2022.

#3 - Manner of Death

MaxTul own me. Every couple I watch gets compared to MaxTul and the chemistry they bring. Together With Me is a favorite, but when Manner of Death aired, it spotlighted the evolution of MaxTul in the most beautiful way imaginable. The dark plot of drug and sex trafficking was difficult for most, but both of these characters' commitment to finding the truth in their own way while taking on the ACAB attitude even towards the one police officer they did like was a buffet that just kept serving me. I was truly worried because of the nature of the show that a happy ending wouldn't be possible, but not only did the show end with vows being exchanged, but the promise of another season as well. TRANSPLANT WHEN?!

#2 - Moonlight Chicken

This was an adult show and toes the line of being truly queer media rather than a standard BL. I felt seen every time Jim sat silently examining his life and his choices. His hesitation to open his heart again to another person after being hurt in such a realistically queer way in a country that doesn't have marriage equality almost made me cut this show due to hurting my queer feelings. However, if I was willing to give up three pairs (FirstKhao -The Eclipse, GeminiFourth - My School President, and EarthMix - A Tale of Thousand Stars) for this one show, I knew it had to included. Aof working around the grief of losing a parent while examining gentrification and generational trauma all through a queer lens is a feat most would fail at, but this show shines, literally and figuratively thanks once again to cinematographer Rath.

#1 - He's Coming to Me

I must end where I began - Aof, the director and screenwriter, changed the Thai BL game with this one, and hasn't slowed down since, which is why two of his other pieces are in my top ten, and several others are featured in my short list. Cinematographer Rath has also made his mark on this list, and it all started with this one for me. No other BL series has stuck with me the way He's Coming to Me has. Not one element of this show doesn't work. It's cohesive. It's emotional. It's everything to me. I cannot give this show enough praise. It created a unique magic in eight episodes that hasn't left my heart for four years.

And probably never will.

Now, who wants to ask about Korea?

[waitmyturtles]

I was supposed to finally have a quiet moment this week, my first of 2024, to catch up on all the dramas I’m behind on, but alas — real life has gotten in the way, and it’ll still be a little bit before I have time to write big meta again. I’m way behind on thoughts for last week’s episodes of Playboyy, Last Twilight, and Cherry Magic Thailand, but I do very much want to write about them, so some quick notes on these three as follows:

1) I owe @poetry-protest-pornography and @chaos0pikachu my thoughts on camp and Playboyy. I intended to pen this post last week after last week’s episode, but said life (ha) has gotten in the way. Friends, please note that I still SO want to write this, because I think deconstructing why camp as a style works in art will be a wonderful conversation, regardless of the narrative success (or not) of Playboyy.

So, speaking of the narrative success of Playboyy — and the upcoming debate (maybe?) about a balance of style and storytelling in dramas, I watched last week’s episode of Playboyy with this post about The Sign in mind, because I think this post gets at a thing that I want to write more about re: Playboyy, which is, like — what makes a story/narrative contextually coherent, and what responsibilities do the artists behind a show have to viewers to make a story coherent?

I think one thing we were coming to in the conversation on camp at the end of last year was whether or not Playboyy could be considered a good, a successful, or maybe even a complete story by way of its various elements. At least for now, leaving camp aside, I still don’t think this show is working narratively at all. That Captain/Keen storyline had my head spinning — uh, your coach gave you one difficult practice, and you revenge on him by filming a sex tape without consent? How…..did we get there? Porsche now has feelings for Jump? I’m still not grabbing the whole Aob/Puen feelings debacle? The Nant/Nuth storyline has gotten momentum, but not enough to fill the majority of an episode, which is a shame, because it’s the only storyline element giving this show any context at the moment. And as @lurkingshan noted, the only real compelling moment in this episode was between Teena and Zouey about how they’d transcend reality to love better versions of each other. It was lovely to watch! But I’m still not sure why we’re watching all of these storylines and if, ever, they’ll come together in a coherent arc.

So, yeah man. I was so intrigued by the premise of this show. It ain’t workin’. I’ll have more to think on this regarding style. But the stories aren’t coming together — and I TRULY think that’s a shame, considering the important themes of the show.

2) From the little ability I had to poke around Tumblr last week after the last Last Twilight episode, I think (I think!) a general feeling was that the episode wasn’t as depth-y as it could have been for the MANY heavy moments of parental interventions that took place. I believe that’s right. I think there were too many gaps in the contextual flow of the show that left Day’s mom looking more like an enemy (like, even on Pran’s mom’s level) that could have been addressed with a touch more context coming from her.

Let me explain. When I see single moms in Aof Noppharnach shows, I first go to He’s Coming To Me. HCTM has the best BL mom ever — a single mom absolutely ready to embrace her son as he’s coming out.

We know Aof loves depicting moms; he wrote as much about it last year after Moonlight Chicken aired. He’s got some legendary moms — of course, Pran’s mom; Tian’s controlling mom (who I posit is actually a front for patriarchy in A Tale of Thousand Stars); Pat’s passive mom, who is actually way more down with reality than Pat’s dad; Kao’s mom that Kao is so fearful of by way of disappointment. (Special shout-out to Pete’s dad in Dark Blue Kiss as the best BL dad.)

In other words, we know Aof has the goods when it comes to commentary on parenting. We know from episode 9 that Day’s mom (Mhon) went through tremendous hardship to raise her boys, including begging for food. She’s a famous and successful chef by the time we meet her, a workaholic. She’s a single mom, a working single mom, and Porjai is about to be on the same cusp. Night happens to be the bridge to those two.

Mhon’s willingness to keep Day in his room….her ignoring Night to start the Christmas dinner. The taking away of Day’s phone, oof. Saying that Mhok crossed a line — all while she was aware that Day previously had a crush on August. These small points create quite the enemy storyline on Mhon.

This is unfortunate, because I actually felt, watching the episode, that there was a lot about Asian parenting that was being left on the table. Valuing work and the safety of one’s kids OVER their happiness is quite the social phenomenon in Asian parenting. A good bit of Day’s mom’s actions could actually be seen as appropriate by certain-minded parents in Asia.

Yet, to have Day’s mom then ignore Night during the dinner, to have Day’s mom take Day’s phone away without explaining why he can’t be in a relationship — even for an Asian viewer like myself, well used to a particular amount of conditional brutality in Asian parenting — those storytelling decisions seemed a little harsh without more context as to how Day’s mom was driven to be the way she is now.

We had plenty of context into Dissaya in episode 10 of Bad Buddy. That moment opened doors for us to get what the hell was going on. I would love to have a similar contextual moment for Mhon, words by her about her story, that tell us how she got to where she is by way of raising her boys and becoming successful. Despite her behavior to her sons — we know she worked damn hard to provide for them. A badass lies within, and I know a successful Aof show would show us that. I hope we get it.

3) Cherry Magic Thailand, episode 5! I LOVE what’s happening with Rock/Min against the Rokkaku/Minato storyline — I love this expansion, and how Rock is less clueless and much more emotionally vulnerable than Rokkaku. I love feisty Pai. I LOVE Junior’s Jinta! I have to continue covering my mouth as I cackle.

As compared to Adachi at this point in the storyline — I wonder if CMT is offering Achi a bit more of the clueless hand than he deserves. I love the embellishments to the jealousy storyline between Karan and Kurosawa — Achi and Rock pushing off in the boat alone was particularly poignant — but Achi is well aware of Karan’s heart now, and I’m a little surprised that he seems a dash clueless that his interactions with others would make Karan jealous.

This is a minor quibble, though. Achi and Adachi are two dudes unfamiliar with love. But I wonder slightly if this vibe I’m feeling is perhaps a result of the original Cherry Magic Japan story being literally doubled in time in Thailand.

Again — MINOR quibble. This show is a refreshing delight. And I LOVE LOVE LOVE the next part of the storyline. I love that they found a similar place in Thailand to shoot Karan’s drunk flashback scene as Kurosawa’s in Japan. Will Achi offer us Thailand’s version of a classic JBL run? I sure damn hope so!

That’s it! I think I’ll be able to catch up on all of this week’s shows in real time, bless up!

[katemagic]

also while I’m on the topic of dark blue kiss- I was devastated to learn that petekao are apparently very polarizing bc of pete’s whole djjdjdjdjdjdjd toxic jealousy thing

bc ok yes fine ymmv everyone’s opinions are #valid blah blah blah but when I see people say this and then say kao deserves better I just like… you do realize kao is horny about it right?? like why do you hate kao. kao does not WANT anyone other than pete’s possessive insanity bc he finds it hot. kao EXPLICITLY finds pete’s possessiveness hot you CANNOT take this away from him it is 100% textual he literally tells pete to his face he’s afraid of pete one day NOT being a deranged jealous possessive lunatic about him bc he loves it THAT much and then pete says he’s going to bite his neck and they have a nice horny time about it

like kao had a chance to go out with a nice normal polite man in kiss me again and he was COMPLETELY turned off like it was NOT hot to him…. let him have his insane husband it’s what he WANTS

(also they’re perfect which should also be taken into account tyfyt)

(I love petekao)

[bl-bracket]

Most Unhinged Round 1: Non (Dark Blue Kiss) vs Chun Sangwon (Love for Love's Sake)

[Submitted Reasons Under Cut]

Non: "He wanted to date Kao so he created a wedge between Pete and Kao AND he told his dad that Kao sexually harassed him (wtf?), causing Kao to lose his tutoring job"

Chun Sangwon: "Meets Myungha. Speedruns his bisexual awakening. Myungha kisses homophobic bully to make a point. Homophobic bully tells Sangwon Myungha kissed him (disgust). Sangwon: wow you must have loved it you’re so lucky. Bully: wtf are you saying you’re not gay. Sangwon: I literally am tho. And then he fights like ten people at once over it."