#Lost and Found Marathi Movie

[ranveer--singh]

The nights are tasteless without you ~ Ari Levinson Fic

A/N - This is my first proper multiple chapter story which came to me while watching a Bollywood movie. It is set in Mumbai India where Ari is a professor at a university meets a person of colour - Marathi girl at the train station. There will be other Chris Evans characters as professors and Henry Cavill characters as professors

Warning: Please read this before reading the story. 18+, smut, sex… etc

I want to thank the amazing @madbaddic7ed2pointoh​ for encouraging me to write this fic, helping me with few plot lines and making it progress. So far I have written 14 parts and see where the story takes me. Hope you all enjoy this, make sure to like, comment and reblog.

Ari rushed onto the platform, pushing the strap of his dark brown satchel back onto his shoulder. He found it hard to sleep last night; with all the traveling, checking his bags in, and trying to find his apartment, he only managed to get 4 hours of sleep. Ari cursed under his breath, seeing the time on his apple watch, and knew he would be late for his first day as Professor teaching Hebrew at the International University in Mumbai.

He squeezed his eyes shut, cursing once again as he heard the announcer say the train was delayed by 25 minutes. Ari wished he had gone with the first option of renting a car so he would get around Mumbai quickly. Now he had time to kill; he saw a bench near him and sat down, opening his satchel to grab his flask of coffee and notebook to read his notes for the day.

Ari took a few gulps of the hot coffee, looking at the university map, hoping not to get lost on his first day. It was such a large university, like in the Bollywood movie Mohabbatein he watched with his Indian friend back in Israel. After familiarising himself with the map, he folded it back into his notebook and went over his notes for the day. Ari had only four classes today, and each class had 15/20 students, which wasn't as daunting as he thought.

The silence got disturbed by a lady wearing a small jhanjhar on her feet which chimed while she walked. She looked confused, expecting the train to arrive. Ari just watched; a small smile appeared on his lips, looking at her outfit. She was wearing black trousers, a mock neck keyhole green blouse, and of course, green and white vans as she was a physiotherapist who was on the way to meet a few patients. Her hair was long and braided with a few flowers in between the braids; she had a black backpack on her shoulder with her water bottle sticking out.

The lady looked around, trying to find someone to ask about the train; most were watching videos on their phone or scrolling through social media. She looked across from her, Ari sitting on the bench reading his book. She walked over to him, clearing her throat to see him look up from his book and give her a big smile. Her body tingled, and she moved slightly away from him; the aftershave he was wearing lingered over her making her swallow hard.

“Sorry to disturb you while you're reading. I wanted to know if the train has left already,” she asked, biting her lip and looking at Ari with long brown hair. The look he spotted was dark brown linen trousers, a blue mustard short-sleeved checked shirt, and white Adidas original trainers.

“That’s ok, ma'am, I arrived at the platform 10 minutes ago, and the announcer said the train is delayed by 25 minutes,” he said, making her moan and curse in Marathi, having to grab her phone and text her patient that she will be late. Ari could see she was stressed, so he grabbed his flask of coffee and poured some in the lid, and handed it to her. “Drink this; it will keep you warm as you wait for the train,” he said, giving her the cup.

“No, no, it’s ok. I'll get one from the vendor outside,” she said, looking at Ari stretching his hand out, the vein popping on his arm as he offered the coffee cup.

“Please, I insist. It is a little chilly here; why don’t you sit next to me,” Ari says, moving his back to the other side of the bench. She takes the coffee cup and has a few sips, feeling the hot liquid go down her body.

She sat down on the space on the bench and looked at him with a smile, “Thank you for this; I was in such a rush and didn’t have time to make coffee or eat,” she said, looking at him grab his bag and rummage through it and gets out nutrition bar and hands it over to her to eat.

“We can’t have a pretty girl like yourself not to eat or have coffee in the morning,” Ari says, concerned; she frowns at him, looking very suspicious. Never has she had a man offer her food and drink and not want anything else?

“I’m fine,” she said, handing him the coffee cup and standing up, and grabbing her phone and headphones to play some music. Ari was bewildered; what just happened? All he was doing was helping her out in the most innocent way. He was about to walk over to her when the train had just arrived, and Ari saw her step into the fourth carriage from him and sit down.

He shook his head, not wanting to think about it right now as he had to meet the headmaster of the university. She was sitting on the seat, listening to music, when a Bollywood song - Muskurane, played, and she sighed, seeing Ari’s head pop in her mind, the wind blowing his hair. She was feeling guilty; it wasn’t intentional to give him the cold shoulder.

[deepakverma123]

Famous Actor In India Raja Kapse

The birth of famous actor in India Raja Kapse was in a humble Marathi family living in Uttar Pradesh. His supportive father is a motivating teacher, and his loving mother is an empathetic staff nurse. The boy was fond of reading and so was always surrounded by bundles of books. It even reflected in his studies, and the student studied well and always stood first in the class till 8th standard. With time, education interested him more than anything else, and the most fascinating subject for the pupil was mathematics. His love for maths made him admire the engineering course, and thus, the teenager began to dream of becoming an engineer in future. The aspirant moved from his city to Gwalior to join a coaching centre for preparing for an engineering program. While tutoring, Raja Kapse got a chance to meet the honourable former Prime Ministers of India, Shri Atal Bihari Vajpayee and Shri Rajib Gandhi. The to-be a famous actor in India admired these personalities.

After completing the classes at coaching, Raja Kapse returned to his mother in Guna district in Madhya Pradesh and then attended an engineering college for pursuing studies. But the student did not go to the campus for a period of six months. Finally, the student visited a class, but a frustrated professor in a lecture punished him and made the boy stand on the podium and asked the entire class to clap for him. Instead of being embarrassed about the situation, the pupil felt special, and he enjoyed the moment with a smile. The incident made him realize that he wanted to be a well-known personality of the country. Raja Kapse was still about the path to take for success and to be glorious and began to think of different career options that could fulfil his desire.

One day, in Shivpuri, an enormous hoarding was being painted regarding an audition for playing the character of a police inspector for a Tv serial. It came to the notice of the young boy, and he decided to grab the opportunity as it might help him in becoming one of the popular Indian actors and solve all his queries of choosing a career. The youngster controlled his excitement, and gathered all the courage and went to try his luck for the role. At the audition round, Raja Kapse thoroughly prepared the dialogue given to him and executed his part with all his effort and emotion. The director was impressed with the performance of the young one and praised him for his outstanding acting. Moreover, he got the chance to play the part, and it filled his heart with confidence, belief and courage to take the first step toward his dream.

Raja Kapse was aware that his inbuilt talent needed to be polished, and he needed to learn every emotion of a person to be a good actor. With the blessing of his parents, the boy joined the National School of Drama in Delhi. The budding star tried to learn everything that was taught to him at the institute. A motivating professor figured out the quick learning ability and skill performing art of the student, and he found out that the loving tutee was very naive in acting. So, the tutor suggested the pupil attend the Little Group of Theatre first for mastering the basic lessons. The advice helped him to be a better actor, yet he had to do minor roles for several projects. But the optimistic guy took it as an opportunity to overcome his weakness in performing an act and enjoyed the work he had with a smile.

With the wish of being the most famous actor in India, Raja Kapse shifted to Mumbai. In the new city, the performer started performing in different plays in Hindi and Marathi languages. The audience began to notice and appreciate his work. In 2002, the talented actor received a chance to act in the blockbuster movie Devdas, along with Shahrukh Khan, Madhuri Dixit, Aishwarya Rai, Jacky Shroff, and several other well-known artists. Later, he worked as a supporting actor in various films such as Zameen, Karma: Crime. Passion. Reincarnation, 99, Sau Jhooth Ek Sach, Lagan The Dedication and Baby Sellers. In 2010, his stunning cinema, Lahore, was facilitated with two national awards. The viewers started to observe the performance of the emerging entertainer. Moreover, the performer acted in several Television shows, which include Kulvaddhu, Devi Adi Parashakti and Aek Chabhi Hai Padoss Mein. His outstanding work has made him a respectable actor in the film and tv industry.

Raja Kapse has made a beautiful path of success by overcoming difficulties, polishing his skill and being positive. The inspiring artist never lost hope and worked hard for his dream. He grabbed every opportunity of acting and performed the role with dedication.

[like2in]

Ishaan Khatter’s Boney-to-Beefy Transformation Ahead of Khaali Peeli Will Make Your Jaws Drop in Awe!

Ishaan Khatter’s Boney-to-Beefy Transformation Ahead of Khaali Peeli Will Make Your Jaws Drop in Awe! - Ishaan Khatter's weightloss-to-muscular transformation for upcoming movie Khaali Peeli is 'Beyond The Clouds' or so THESE pictures suggest Giving fitness enthusiasts and bodybuilders a run for their money, Bollywood hunk Ishaan Khatter made everyone’s jaws drop in awe as he shared pictures of his transformation going back to his Beyond The Clouds days and as he preps up now for his upcoming movie Khaali Peeli. The transformation of a lanky, boney lad to now beefy chap not only left Gully Boy star, Siddhant Chaturvedi awestruck but also Ishaan’s actor-father Rajesh Khatter. Taking to his Instagram handle, Ishaan shared a series of shirtless pictures which instantly set fans drooling over his six-pack abs. The pictures were captioned, “Found these old log photos of the weight loss for my first character in Beyond the Clouds flash forward now to film 3. New guy coming up soon swipe #KhaaliPeeli loading (sic)”. While Siddhant commented, “Bhai! Next level (sic)”, Rajesh praised his son saying, “Patience Perseverance Persistence . You embody all 3 perfectly . Super Proud (sic)”. https://www.instagram.com/p/B28OkiSD7xX/ On the professional front, Ishaan made his Bollywood debut in 2018 with Dhadak where he starred opposite Janhvi Kapoor. The movie was a remake of Marathi hit, Sairat and managed to cross Rs 100 crore mark in just 10 days of its release. Ishaan Khatter and Ananya Panday starrer Khaali Peeli recently went on floors. Their first look from the upcoming movie looked sizzling hot and featured the lead pair lost in each other’s eyes as they posed before a yellow and black taxi. While Ishaan sported a moustache and flaunted his abs donning an open-buttoned cut-sleeves denim shirt paired with jeans, Ananya was dressed in a white crop top knotted at the waist, teamed with a pair of denim shorts. Expected to be set in Mumbai where the taxis are called “kaali peeli”, the movie is touted to be a love story between a boy and a girl who meet each other in the middle of a night and narrates how things unfold on their journey henceforth. The movie is co-produced by Zee Studios, Ali Abbas Zafar and Himanshu Mehra. Ali and Maqbool had reportedly been working on the script since the past one year which is finalised now. Khaali Peeli is scheduled to hit the theatre on June 12, 2020. Ishaan Khatter’s Boney-to-Beefy Transformation Ahead of Khaali Peeli Will Make Your Jaws Drop in Awe! Read the full article

[veeritesblog]

Pu La ’s transformational stories: Cultural Symbiosis in his story Pestonji or Peston Kaka: When I shared my earlier blog on Pu La (Acharya P K Atre’s article on him in Maratha 1965) with one of my creative writer Marathi Playwright friend he didn’t seem to be pleased on my choice of writers : Prahlad Keshav Atre and Purushottam Lakshman Deshpande. The possible reason could be that these writers being pro establishment or that they were not vociferously supporting the class and caste annihilation through their writing. Their sensibilities were probably close to the middle class. My friend and host of others are surely still under the spell of Marx and his ideas of social transformation. Therefore, I have deliberately given the title to this blog as ‘Transformational Stories of Pu La’ However, in today’s post modern world in which we believe that technology is a great leveller it will be wrong to straight jacket writers in certain categories or classify them among the various sections in the society. Atre was the first playwright after Deval’s Sharada and Gadkari’s Sindhu who made the woman to leave the family in his play Gharabaher (घराबाहेर) Later M G Rangnekar adapted Ibsen’s Doll’s House in his Kulvadhu (कुलवधू) In our blindly following western critics and their theories we throw all old writers in the category of pro-establishment writers. This has two serious bad effects. The literature in which today’s young generation might take keen interest .. we are deliberately drawing them away from those classics. In our attempt to force them to toe our intellectual line we give them exposure only to so called anti establishment literature which is not read out of literature classes in which there is a miniscule minority of young reading public and they too read it for the sake of examinations. My friend’s anger on Pu La seems to be in this line. However, how can we forget his Phulrani? (ती फुलराणी) , the beautiful adaptation of My Fair Lady, which was an adaptation of Shaw’s Pygmalion. In the original play Shaw has shown the transformation of a slum girl who sells flowers into a princess by the means of her refined language and polished manners which she displays in a public gathering. Mastery on language transforms our personality. Our status in society changes irrespective of our family background. I as a student and teacher of English have experienced this in my career of 33 years. Students who took hard efforts at their B A English in a college in whatever small village in India in last few decades have been extremely successful in their career in big metros as teachers of English, advocates , corporate persons , bank officers etc. Now, when I see actual message of Shaw’s play transformed in reality like this how can I term him as old fashioned pro establishment writer, pro empire writer and how can I force my students to uphold only modern playwrights because we have given them the label of anti establishment? Does the so called modern sensibility mean to throw all that’s old into a dustbin? There is indeed a sound alternative to that. We must Re introduce our students and reading public to old classics but in a different transformational perspective. Well , the whole discussion is diverted to the importance of these old writers and searching a new insight in their works. The work under discussion here is a story by Pu La called Peston Kaka ( the English version would be Pestonji ) in which an Asst Foreman, who worked earlier under the British officers , is now retired from Railway and he is shown as having extremely high knowledge and taste in classical music (Abdul Karim Khan), religious compositions (Gopala karuna kyon nahi ave of Khansaheb , Tukaram’s abhangas of Vishnupant Pagnis) , Hindu spirituality (Vivekananda, Siddharur Swami in Hubli … by the way this Siddharur Swami is referred by Ashok Ranade in his interview of Pt Mallikarjun Mansur… taken in 1960-70s for Doordarshan but available on You Tube …I don’t know how the name is spelt or pronounced .. Siddharur or Siddharood, another point I want to make here is that Pt Mansur ran away from home two times and his father anxiously brought him to this Swamy .. obviously a Lingayat Mathpati Swamy .. and Ranade tells us that this Swamy was a great supporter of music. He had blessed Pt Keshavrao Bhosale who is considered as a better natyageet exponent than Balgandharva or Master Dinanath Mangeshkar .. reference Vidyadhar Gokhale .. well my point is that can someone give me one name and of a Hindu Swami or a spiritual leader who blessed art and music and gave to the listening public such diamonds like Keshavrao and Mansur ? Now , the Karveer Peeth Shankaracharya Vidyanand Bharati was a Keertankar and is the son of a great Gwalior Gharana singer Keertankar Karhadkar Buva but his gayaki is lost in the heavily ritualistic nature of Hindu religion .. I’m sorry to say this but it’s a fact. I have heard this Karveer Shankaracharya ’s Keertan in my childhood and have been fortunate to chew the first ever areca nut .. or arica nut .. सुपारी to put it in simple terms from his nut cracker अडकित्ता sitting on his laps, so my observation is based on my own experience) , … Well, coming back to Peston Kaka .. He displays this knowledge in informal talk to the writer in a train journey. He is such a romantic and loving husband that he is still sensually tickled at the age of 78 when his wife pinches him. I think Pu La attacks the very pro-establishment middle class sensibility by portraying this character. Music, Literature , Spirituality is not the ‘jagir’ or monopoly of a certain caste or class. Whoever is exposed to good music, effective communication skills at an early age can easily share the elitist sensibility or can move with confidence among intellectuals, corporate persons and scholars. Pu La gets down at the next station and he shows the stark contrast between his own seemingly hypocrite ideas of being famous, having high taste and a scholar and Peston Kaka (actually under You Tube the pronunciation is written in Marathi as पेस्तन काका so I spelled it as Pestan earlier but my Parsee friend corrected it as Peston and I wrote this blog with corrections and additions) who has entered into the core of music and literature. The thing to be noted is that he is not a teacher , artiste or a professional… these type of middle class persons are popularly portrayed by writers or are popularly considered by general public as the owners of good taste in music , stage and literature. (Read this as : Marathi middle class , Puneites , Mumbaikars or all such people living in other towns but who take pride in displaying a lineage to these towns) … Peston Kaka was born in Mumbai but he has settled in Hubli (actually Hubli , Dharwad are the towns which are again described by Punekars as small Punes but these towns gave great artistes like Pt Bhimsen Joshi , Vidushi Gangubai Hangal to Hindustani Classical Music and since Bhimsen chose Pune for certain autobiographical concerns in his life Punekars got the advantage to associate them to great Marathi middle class taste. Pt Kumar Gandharva from Athni and Pt Mallikarjun Mansur from the village with his surname .. these artistes hail from Karnataka) Peston Kaka is from Mumbai and is settled in Hubli .. he refers to Ustad Abdul Karim Khan Saheb singing his famous bhajan in Bhairavi “ Gopala karuna kyon nahi aave .. गोपाला करूणा कयों नही आवे। .. in a concert in Hubli. Karim Khan Saheb lived in Miraj. He founded the Kirana Gharana. His disciple Rambhau Kundgolkar alias Pt Sawai Gandharva lived in Kundgol near Jamkhindi . Bhimsen , Firoze Dastur lived at Kundgol and learnt music from him. Gangubai used to travel from Dharvad to Kundgol and learnt from him. Though Bhimsen earned great status to Kirana Gharana by his extremely hard efforts , strong voice and terrific strength of his lungs (he was a wrestler earlier in his childhood) other two artistes were also of immense capacities. The referred composition गोपाला was sustained in the memory of the listening public primarily by another Parsee (like Peston Kaka , the topic of this blog) Pt Firoze Dastur. I will share another video of Pt Dastur on You Tube .. a DD Bangla program .. where he is seen presenting गोपाला and you can see Bhimsen and Pt Kanan on the first row among the audience. The point was that Pu La has deliberately portrayed this character of Peston Kaka who is beyond all popular criteria of music and culture loving middle class in Maharashtra. He is a Parser, a foreman, eats mutton openly , says ‘sala, sala ’ which is otherwise an abusive term but talks about Vivekanand , Siddharur Swamy, Shivanand as great divine souls. He considers Vishnupant Pagnis as the very Tukaram who lived among us. He insists Pu La to sing ‘Aadhi beej ekale , beej ankurale roap wadhle आधी बीज एकले , बीज अंकूरले , रोप वाढले .. the seed comes first , then the sapling grows from it .. the Abhang of Tukaram made famous by Vishnupant in the movie. Peston Kaka becomes the very Tukaram in that railway compartment itself imagining Vishnupant who has entered in his mind and body at that moment. Such oneness with the divine through art and music is more valuable according to Pu La than all middle class hypocrite babble of how they love music and literature. This also applies to the whole class of people who talk of Pu La as their favourite writer. They have indeed not still understood the real message in Pu La ’s writings and his personality. Pu La’s great admiration for Peston Kaka is the indication of his strong belief in equality in society through art , music and literature. Therefore , I’m surprised by my friend Marathi playwright’s sarcastic question to me about the significance of Pu La as the choice of the writer in my blog. What happens after these Abhangas rendered by Pu La exclusively for Peston Kaka in that train journey is also important. Pu La tells us that organisers of his speech , people who have come to greet him on the station greet him with 'crest fallen stale flowered bouquet … what Pu La actually indicates here is the deep down hypocrisy and double standards of the middle class. They do everything just for its display value. Peston Kaka , however, openly orders non veg food in the compartment while Pu La eats home made tiffin …. there is fantastic ability of self ridicule in this writer. ( I had stopped this discussion at 5.46 pm on 14-5-2017 and completed it in this Re-blog at 1.14 am 15-5-2017. )

[tetbekat]

تحميل تطبيق SonyLIV - TV Shows, Movies & Live Sports Online v5.7.2 (Premium) Apk

SonyLIV - العروض التلفزيونية والأفلام والرياضات المباشرة على الإنترنت هو تطبيق ترفيهي من Android تم إنشاؤه بواسطة Sony Pictures Networks India Pvt. Ltd التي يمكنك تثبيتها على أجهزة Android الخاصة بك الاستمتاع! مرحبا بكم في عالم الترفيه. نحن في SonyLIV فنانون في القلب ونحترم اسمنا لأننا 'LIV' للترفيه. SonyLIV هو نظام ترفيهي عام للفيديو عند الطلب في الهند يوفر وصولاً غير محدود إلى آلاف الساعات من الترفيه ومباريات الكريكيت الحية وأحدث مسلسلات تلفزيونية هندية وأفلام بوليوود وأفلام هوليوود ومسلسل ويب أصلي ومحتوى خاص للأطفال وأفلام قصيرة و LIV FIT و LIVE TV Channels and Music بأفضل جودة بث مباشر وتجربة متميزة. شاهد The Kapil Sharma Show Season 2 ، My Name Ijj Lakhan ، Band Baja Bandh Darwaja ، Super Dance Chapter 3 ، Handmaid's Tale Season 2 حصريًا على SonyLIV ، واستمتع بأفضل البرامج التلفزيونية الكوميدية عبر الإنترنت. استمتع بالبث المباشر لـ Ten 1 HD و Ten 2 HD و Ten 3 HD و Ten Golf HD. • شاهد مباريات الكريكيت المباشرة مثل جولة إنجلترا في جزر الهند الغربية • مشاهدة المباريات الحية لدوري أبطال أوروبا UEFA والتقاط أحدث أهداف كرة القدم وأبرزها. • شاهد مباريات الدوري الإسباني مباشرة وألق القبض على أحدث الأهداف والتمييزات • مباريات الكريكيت: تغطية كاملة لجميع مباريات الكريكيت ، ومشاهدة أبرز أحداث الكريكيت وأفضل اللحظات هنا • بطولات كرة القدم: بث مباشر لدوري أبطال أوروبا ، كأس الاتحاد الأوروبي ، كأس الاتحاد الإنجليزي ، الدوري الأسباني ، المباريات هنا • مباريات الكرة الطائرة: شاهد مباراة برو للكرة الطائرة مباشرة. • بطولات ATP ، اتحاد لاعبات التنس ، دوري أبطال التنس ، قطر المفتوحة • مشاهدة المصارعة ، TNA ، Pro Wrestling League ، TNA Xplosion ، WWE ، إلخ. • مشاهدة MotoGP لايف استمتع بالدفق المباشر لـ SET HD و SAB HD و Sony WAH و Sony ROX و SET MAX HD و Sony YAY شاهد أحدث حلقات المسلسلات التلفزيونية الهندية والبرامج التلفزيونية القادمة في الكوميديا ​​والدراما والجريمة والحركة والمزيد بما في ذلك: •مسلسل Kapil Sharma Show الموسم الثاني • اسمي Ijj Lakhan - بطولة Shreyas Talpade • Band Baja Bandh Darwaja - بطولة Mukesh Tiwari • Super Dance Chapter 3 • Handmaid's Tale Season 2 • Comedy Circus • Taarak Mehta Ka Ooltah Chashma • Aladdin • Prithvi Vallabh • Porus • Dus (10) Ka Dum • الهند kast Mast Kalandar • Bhakharwadi • Yeh Un Dinon Ki Baat Hai

SonyLIV هي الوجهة الوحيدة للمحتوى الشائع من قنوات شبكة سوني للترفيه:

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التحميل من هنا

source https://www.tetbekat.com/2020/03/sonyliv-tv-shows-movies-live-sports.html

[marathistars]

Makers of 'Gulabjaam' & 'Lost & Found' Bring You 'Manmauji'!

Makers of ‘Gulabjaam’ & ‘Lost & Found’ Bring You ‘Manmauji’!

Golden Gate Motion Pictures has given us two hit Marathi films of recent times; Gulabjaam starring the likes of Sonali Kulkarni & Siddharth Chandekar and ‘Lost & Found’ starring Spruha Joshi & again Siddharth Chandekar! Now the same production house has commenced the shooting of new entertainer titled ‘Manmauji‘!

Manmauji’s shooting commenced recently and the film is being directed by a young…

[allsaintsbanquethallrental]

8 Bollywood Actresses Who Made Us Believe That Age Is No Bar For Marriage

India is sure progressing and so are we. But one thing that will remain a bone of contention is a woman’s marriageable age. Because, despite breathing in the 21st century, the most criminal thing an Indian woman in her late 20s or 30s and single can declare to her folks is – “I have no idea when I want to get married!” 

Try saying this once and you will hear all sorts of ridiculous as well as lame things like, ‘having babies will be a problem’, ‘people will think you can’t adjust’ or even worse, ‘society will think you are a divorcee or something’.  

This, by far has all the ingredients to become the most alarming thing for your parents as well as relatives (whom you barely meet once in a blue moon) to worry about. But the point is who decides a woman’s ideal age of getting married or who decides how late is okay? Well, neither do women have an answer to this nor their parents.  

If you are touching 30 or have already crossed 30, and still waiting for your Mr Right or busy shaping your career (while hell is almost breaking loose at home), here are 6 charming Bollywood ladies who broke every bit of stereotype and got married, ‘late’. We mean the ‘late age’ set by the society!

#1. Suhasini Mulay found love at 60

She is one actress who is equally famous in the Indian tele world, Bollywood as well as Marathi film fraternity. Though she is always known for playing strong characters, but one thing that got her all the possible attention is, when she got married at the age of 60. She tied the knot to Atul Gurtu, a doctor on January 16, 2011. While Suhasini has never been married before but for Atul, this was his second marriage. He lost his first wife to cancer. Suhasini met her future husband on Facebook.

Yes, people did judge her (including the panditji) but, she chose to stick to her decision of marrying Atul. She fondly recalls this incident from her wedding in an interview with Brunch: 

When we told the pandit that we were the “to-be-married bride and groom”, he was stunned and stammered, ‘Ji, aap dono? Very good, very good’. We cracked up laughing? We got a similar reaction at the court too. But who cared… We were happy!

#2. Farah Khan said ‘qubool hai’ when she was 39

Image Courtesy: Facebook 

This extremely witty director, choreographer and producer made a few heads turn when she got married to editor-turned-director, Shirish Kunder, who is also 8 years her junior. The couple tied the knot on December 9, 2004, and became proud parents to two beautiful daughters and a little prince in 2008.  

Image Courtesy: Facebook 

The immediate thing everyone associates with late marriages is age gap (if any) and trouble having babies. But Farah brilliantly breaks both the myths here. It’s been 11 and half years, and Farah and Shirish just make us believe that there’s no ‘right’ age of getting married. And looking at them, we agree that there’s nothing like marrying late, what’s important is what you do to stay happily ever after.

#3. Urmila Matondkar said ‘I do’ at the age of 42

Out of all the people, we have mentioned till now, Urmila Matondkar stands out for a lot of reasons. Firstly, she was not in news for anything in particular. Neither was she seeing someone nor was she intending to do any more movies. But as they say, good things happen when you least expect them. And one fine morning, everyone woke up to this sweet yet astounding discovery that Urmila Matondkar gets married in a private ceremony at the age of 42. Mir Mohsin Akhtar, her husband who is a model by profession is believed to be younger to this Rangeela girl. With Urmila, we can totally say that you are never too old for love. And looking at her wedding pictures, we sure can say that she looks like the happiest bride. 

#4. Preity Zinta walked down the aisle with Gene Goodenough when she was 41 

When Preity was in a steady relationship with Ness Wadia, we all thought they will eventually get married. But then, the couple fell apart and marriage didn’t happen. But Bollywood’s bubbly ‘Liril’ girl found love in Gene Goodenough and the couple got married on February 29, 2016 in Los Angeles. Looking at her reception photographs, we might toil with the idea of a late marriage if this is how confident and happy a bride can be of her choice! What we can learn from this dimpled beauty is even if you have been through a failed relationship; never lose faith in the institution of marriage. And, also at the same time, do not rush into another hasty relationship, take your time, take the plunge only when you feel ready. 

#5. Lisa Ray married at 40 

Lisa Ray who impressed everyone in Bollywood with her fabulous acting in the movie Kasoor, walked down the aisle with ex-management consultant Jason Dehni when she was 40. Lisa mentioned how happy she was that she didn’t get married at 20.

In an interview, she said:

In your 20s, you want someone who’ll do everything for you; you want that person to solve all your problems, which I don’t think should be expected. 

And looking at her, we totally believe it was a wise thing on her part to wait for some time, mature a bit before deciding to share her life with someone. And we guess it works that way.

#6. Rani Mukerji got married when she was 36

Everyone knew Rani was dating Aditya Chopra, but neither Rani nor Aditya ever acknowledged it openly. But this overtly written-about couple surprised everyone with a hush-hush wedding on April 21, 2014, in Italy. The couple even welcomed their first daughter in December 2015. Looking at them, all we can say is, when you are sure about something, the age factor should not come into the picture. You should take the next steps whenever you both feel comfortable.  

#7. The most beautiful woman, Aishwarya Rai made it official with Abhishek Bachchan when she was 34

While everyone was busy speculating about this light-eyed beauty’s personal life, Aishwarya Rai Bachchan announced her wedding to Junior Bachchan in 2007. Despite the barely 3 year age difference and disparity in their respective career growth, their marriage is one of the strongest in Bollywood.

In fact, when the stunning couple was invited to the Oprah Winfrey Show in September 2009, Oprah quipped that Aishwarya and Abhishek were perhaps more powerful than Hollywood’s Brad Pitt and Angelina Jolie. And, now with the little princess Aaradhya’s arrival, this family looks gorgeously complete. 

#8. And last but not the least, Neena Gupta found love at the age of 42

After having twists and turn in her love life, Neena Gupta is an inspiration for every woman with a liberal mind. After her short-lived affair with Alok Nath, after getting engaged to Shaarangdev to get married, things didn’t work and Shaarangdev called off their wedding. Later, she was blessed with a daughter, Masaba Gupta after being in a relationship with West Indian Caption Richard. After her daughter grew up, Neena started feeling lonely and gave a thought again about marrying.

It was then in 2002 when 43-year-old Neena met a Delhi-based Chartered Accountant, Vivek Mishra. The two met on a flight and clicked instantly. While Vivek was also separated from his wife, the two were in a relationship for over 6 years before they tied the knot. In July 2008, the duo left for the US to attend one of Vivek’s relatives wedding and he proposed to her in the US and instantly, married then and there. He already planned everything on his own in the states and just needed a ‘yes’ from his lady-love. 

Most of these actresses have had their share of relationships, but none of them ever felt or gave into the pressure of getting married. And, looking at them, we are assured that age has got nothing to do with a happy married life. 

from banquet hall rental https://www.allsaintsbanquethallrental.com/8-bollywood-actresses-who-made-us-believe-that-age-is-no-bar-for-marriage/

[wetinashah-blog]

Superhit Tera Ghata Video Song - Gajendra Verma New Album Song 2018

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Tera Ghata Song is of Lost and Found Album. Tera Ghata Song Sung by Gajendra Verma. Tera Ghata Song is directed by Vikram Singh. Music by Gajendra Verma and Karishma Sharma Feat. Trending Gajendra Verma Tera Ghata Video Song on Youtube and Social Media.

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vashikaran upay in marathi

https://vashikaran.mobi/vashikaran-upay-marathi/

vashikaran upay in marathi

vashikaran mantra in marathi language, A perfect idea who can help you in your trouble. vashikaran mantra in marathi language is a perfect magic spells expert. Astrologer knows all Kala-Jadoo Remedies. vashikaran mantra in marathi language is very famous in all over world. Many people knows about it. In western countries, It is known as a spells casting. Our vashikaran mantra in marathi language is famous for both Vashikaran and black magic. All world is well know what is vashikaran mantra in marathi language. Because there are many vashikaran mantra in marathi language related true stories famous in world. Every country believes in religion and religion always supports God and evils. Many vashikaran mantra in marathi language related stories are true and some are fake. But People believe on it. There are many movies also that are based on supernatural powers. These horror movies shows the power of evils. These ghost stories and movies shows how a vashikaran mantra in marathi language specialist uses the power of evils. Many people do not believe on it but these are true. Science also accept this truth. And has no answer of many events.

Dosto pyar ek bahut he sundar ehsaas hai agar vo ek limit me ho. Aaj ke time me apne pyar ko wapis pana  muskil nahi hota, bina soche samjhe he log relationship me aa jate hai yhi karan hai ki aajkl ke relationship jayda der tk nahi chalte hai. Pyar aaj ke time just apne body need puri karna reh gea hai. Aapka iss article ko padna ke darsata hai ki aap apne khoye boyfriend / pyar ki talash me ho. Dosto aapko khoya pyar pane ke liye kuch baato par gaur karna hoga, aur saath hi humare pandit ji dwara btaye gaye upaye se aap apne khoye boyfriend/pyar bo wapis pa skte ho aaiye jante hai ki aap apne khoye hue Boyfriend ko wapis kaise paye.

vashikaran for love back

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Vashikaran Mantra For Lover , ” Are you looking for to get your love back by vashikaran mantra ? Love is blind and we may end up loving a person who may not be able to become a part of our life. In such a condition we feel cheated and want to end our life. However this is when Vashikaran can help you get your love back. Vashikaran is a method used by gurus and rishis since a long time to influence someone or to get them under over control to get love back by vashikaran in Chicago , Washington and other cities in USA.

vashikaran upay in marathi for love

What is Vashikaran Vashikaran is the solution of problems, but what does this word mean? The term vashikaran is a Sanskrit word. It is a combination of two words; One is Vashi and the second is Karan. Vashi means controlling and Karan means the method or the way to do something. So the combination of these two indicates that vashikaran means that it is a method or technology to control someone. Finding the actual meaning of vashikaran and various methods to attract a person Vashikaran is literally a whole word is the general benefit of astrology. Astrological Remedies to get my love back is a kind of hypnosis that really made him defiant as the victim lives. Vashikaran process subjected to control the mind of a person. Life is bitter with numerous effects of frustration and tension.

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Positive vashikaran mantra is undertaken by occult astrology to help the person by doing vashikaran on his or her brain concerned as a distant or local remedy, we do vashikaran mantra only in rare cases where we are convinced that some grave injustice has been done to some innocent person or spouse. It is further ensured that other side is abusing the relationship under some negative vashikaran and someone used negative vashikaran mantras to spoil the relationship using tele-transfer thoughts or negative influence of a ghost or spirit thrust upon by opponent side to wash his or her brain to their advantage. We can help your relative to get rid of those negative vashikaran mantra by doing positive vashikaran mantra on them and we will remove all remaining bad impact of negative vashikaran from that person.

vashikaran upay in marathi for love marriage

Vashikaran is an Occult Science of Attraction which drives up immense powers with the combination on Mantra and Yantra. It’s a Science which is used to Control the Minds, Thoughts, Feelings, Speech, Action and Behavior of the person.Vashikaran is a Mystical gift bestowed by our Rishis and Sages. It was devised with one Aim i.e. To Attract the one you Desire or to bring your beloved under your control. This Mystical Eastern Art is been used since ages.

We don’t use ordinary mantras, we use really ancient mantras that are really rare mantras and these mantras can only be used with specialization and no ordinary person can use these mantras, we are specialized in using technique of these mantras. we are placing some of the easy level mantra that can be tried by individual but still you need to get some expertise before these mantras will start working by you.

Vashikaran mantra to control wife in hindi, Vashikaran has been creating a lot of buzz for quite a long time and there is no point in denying that people are intimidated by it. Although there is a lot of negative opinion about vashikaran but after a time people has realized that vashikaran is not something that should be hated. Vashikaran is a kind of power which is utilized in controlling the mind of people and making them to do things which they would not have done otherwise. This mind controlling or compelling power is derived from mystical tantras and mantras and then utilized for controlling various people’s mind. Controlling people is like one of the biggest fantasies of human mind and it can solve all the major problems in your life as well. Along with all other kinds of issues that people has to face in each aspect of their life, love problems are the worst ans mo body knows how to get rid of love problems. We are here to talk about vashikaran to control wife.

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Literally vashikaran is made up of two Sanskrit words, vashi and karan which when combined means to control someone and win love back by attraction mantra in Chicago. These mantras help you to control a person’s feelings and emotions and to influence them into doing something that you wish. The use of get girlfriend Back by vashikaran also helps you deal with difficulties in your professional life to achieve success and applauds.

We are meeting here for problems related to the wife so here, we will discuss the problems related to the wife and we will know about their solutions that how we can solve these kind of problems. If your wife is not giving you importance or your wife is not interested in you or your relationship is going to be very bad with your wife or wife have to leave it or your wife is not meet with you or many more issues comes in the Vashikaran Mantra for Wife.

If you are one of them who has problems like this then you are in the right place because here we will give you Vashikaran tips for wife in Hindi, English, Marathi, Telugu urdu so you can solve your problem and get happiness in His life again. You just get in touch with us, give your personal details, and describe your problem against our love vashikaran Specialist Astrologer | pandit ji. We analyze your marriage life report and give you Vashikaran remedies or mantra for you. You will follow our steps and begin the process of the Vashikaran mantra in the guide of our specialist.

घर में खुशहाली तथा दुकान की उन्नति हेतु वशीकरण

धन लाभ के लिए वशीकरण

शादी विवाह में विघ्न न पडने देने के लिये वशीकरण टोटका

Vashikaran is a Sanskrit expression composed of two Words Vashi and Karan and combining these words we make it vashikaran. It means, Vashi means to Attract, Influence, Excite or Entice the Desired Person. In other words it refers to bringing a particular person under your Complete Control. The term Karan indicates The Method or Technique of performing it as laid down in Ancient Scriptures.

vashikaran upay in marathi for husband

  Our Ancient Scriptures are proof that these esoteric enchantments were used by the Kings and Imperial, Rich and Royal and anyone who desired someone at sometime in their life. In our quest to learn more we found that this occult science was not only restricted to the East, but it also had concrete usage in the West as well.

You are struggling to gain attention of that “Particular Person” but just can’t seem to impress. in this case you can use mantras of vashikaran to get her attention and make them do whatever you wish.

If love of your life seems disinterested in you then also you can use these mantras of vashikaran to get there interest back.

If you want to get your lost love back then you can use these mantras to get your love back in just a week or too weeks of using these vashikaran mantra.

No matter what you say or do, you can’t change their attitude toward you but using these mantra will definitely change there attitude towards you.

If somebody wants to be harmful to you then also you can make use of these manta to do vashikaran on them and to make them stop harming you.

You know if you can only soften their heart for a moment or two, you can achieve the breakthrough you’ve been seeking.

shabar mantra for love

mohini mantra for love in hindi

black magic for love marriage

Vashikaran mantra is a recite technique that creates a spiritual environment or needs a peaceful atmosphere to get beneficial results. Sanskrit language has been very powerful and influence technique. Recite of each word in this subject emerges miraculous results. Vashikaran mantra is one of the specialty of Sanskrit world and it has become a more advanced and skilled technique by the help of vashikaran specialists. Each word of a mantra has meaningful meaning that can make your life fetter free and seems you a positive life.

Two things those are most important to consider when working with is meaning of each word. Each word of a mantra should say something meaningful with a proper significance. Each word of the mantra is acoustic in which each word is repeated with same sound to create a consequential feeling.

vashikaran upay in marathi for get love

Agar aapka boyfriend aap se door chala gaya ho aur vo aapko sampark na karein to aap yah saral prabhaavkaari totka , upay , Mantra kar sakte hai.  Khoye hue boyfriend ko wapis kaise paye or Aapka Boyfriend aapse khush nahi rahata ya aap ki taraf dhyan nahi deta to bhi aap yah kar sakte hai upay Mantra, Totke Kar skte hai Apne Boyfriend Ko wapis pa skte hai humare pandit ji ke vashikaran Mantra upay  aur totko ki madad se Jisme Humare Guru ji ek Ache Jyotish Sabit hue hai wo aapki madad jarur karenge aapke khoye hue boyfriend ko kaise wapis paye me wo aapke khoye hue boyfriend ko wapis la skte hai wo bhi vashikaran ke madad se.

[wionews]

The love and war over one's language

Language is proving to be a rather contentious issue in India. From the hills of Darjeeling district in West Bengal to the IT hub of Bengaluru in South India, Indians are fighting over their native language. While the feud over language is taking a violent turns in Darjeeling, Bengaluru is facing its own cold war over Kanada. While the debate between Kannada versus Hindi, may seem exclusively about languages, in reality, it is far more complex. Everyday conversation with ordinary citizens reveal an undeniable prejudice against North Indians, Africans, North-easterners and, sometimes, even Tamilians that extends beyond languages.

I have spoken to cab drivers who do the night shifts on weekends and many of them are convinced that Kannadiga women are the paragon of virtues as they wear attire prescribed by patriarchy and remain indoors. On the other hand, the short-dress wearing and alcohol-drinking “characterless” lady with easy virtues speaks a tongue that are either native to the Hindi-speaking hinterlands or are from the North East. Ironically, while speaking to a Haryanvi taxi driver in Delhi not too long back, I heard him describe women from the south as being “characterless” and “out of control”. 

Why have these fault lines emerged? Recently, the situation worsened as protestesters gathered at Bangalore metro stations against display boards containing directions in Hindi. Undoubtedly, behind every big rift and conflict, there is politics. But politics, in its nefarious sense, is premised upon exploiting a vulnerability. Indians, are in that sense, the stereotypical (and patriarchal) damsel in distress, ever so vulnerable to exploitation. 

So allow me to throw light on Kannada. One of the oldest Indian languages, Kannada is not just poetic and beautiful; it has been the catalyst for some of the greatest philosophy, literature, poetry and cinema written and produced in the subcontinent. The works of Basavanna and Sarvagna enshrined values and principles that the western world later called “Human Rights”. Puttanna Kanagal was a director whose works were no less impressive than the great Satyajit Ray. In Dr Rajkumar, Vishnuvardhan and Anant Nag, we produced actors of incredible stature and calibre. The characters they essayed often proved to be role models for society and contributed to the positive social change. 

The fact that the people in the city of Bangalore spoke at least two or three languages with ease only made this easier. I say all this with pride and not regret.

  ×

Yet for all that Kannada is and will be, it is also remarkably humble and unassuming. It looked the other way and did not raise a quarrel when south Indians became synonymous with “Madrasis” (who represent, contrary to popular belief, the people of a region of Tamil Nadu, now called Chennai, and not the whole of south of India). The people of Karnataka learnt many other languages, instead of refusing to go beyond their own, because we are both capable and sensitive. In the north of Karnataka, Marathi and Hindi is spoken with ease. In my city, even before the IT boom occurred, Tamil and Telugu was prevalent. With the IT boom, large waves of people from the west, north and east of India called Bangalore their home, thereby, enriching our city. Many expats soon found the weather and the cosmopolitan culture here quite pleasant and further contributed to the city’s diversity. The fact that the people in the city of Bangalore spoke at least two or three languages with ease only made this easier. I say all this with pride and not regret.

Yet somewhere this humility became insecurity and this became apparent through the world of cinema. “Paru, I love you”, “Dil Rangeela”, “Paru, Wife of Devdas”, “Johnny Mera Naam”, are just some of the examples of Kannada films having English and Hindi titles. Where South Indian stalwarts like P.B. Srinivas and S.P. Balsubramaniam along with S. Janaki ruled South Indian music, they were replaced not by south Indians or Kannadigas, but by the likes of Sonu Nigam, Shaan, Kumar Sanu and Shreya Ghoshal who sang many hit Kannada songs. Why did we abandon our own talent who could pronounce Kannada better, in favour of those singers and artists who barely knew the meaning of the songs they sang?

Our own heroines were substituted by heroines from Punjab, Mumbai and other parts of India. Wouldn’t actors from other parts of India find it difficult to mouth dialogues in Kannada?

  ×

Karnataka's own heroines were substituted by heroines from Punjab, Mumbai and other parts of India. Wouldn’t actors from other parts of India find it difficult to mouth dialogues in Kannada? Never mind that Indian cinema, in general, has few character roles for women, preferring instead to make them look fair in skimpy clothes. Heck, Sudeep, one of Karnataka very talented actors, starred in a movie called “Bachan”, named after the legend himself. In yet another movie, “Maanikya”, he grooves to a song titled, “Aasman se khoodle, tu naachle tu naachle” and the Kannada in that line is clearly invisible. 

It is not all bad. Films like “Urgram”, “Shuddhi” and “Urvi” signal the revival of Kannada films towards the story driven narrative that we were once famous for. We have talented new film makers like Rakshit Shetty, Pawan Kumar, Raj B. Shetty and Prakash Raj who are delivering excellent movies. While I am yet to come across the quality of lyrics that some of the Black and White Kannada movies would have, there are talented lyricists, such as Jayanth Kaikini who have expressed romance through incredible lyrics. Yet these aforesaid movies are still not mainstream enough. On the other hand, Kannada films with Hindi and English titles have not failed to be popular so far.

Kannadigas must find their lost pride for their language and represent themselves with confidence instead of insecurity.

  ×

With the issue around language being what it is today in Bengaluru- we have two parallel fault lines to correct. On one hand, you obviously have a culture that operates on the ignorance that Hindi is our national language and, therefore, Hindi speakers need not speak Kannada. This hegemony, premised on ignorance, is not only self-depreciating but offensive. The tragedy is, there are discourses on social media and elsewhere which mock Kannada and Kannadigas. An absence of the ability to speak a language is excused, but the absence of effort and inclination needs correction, of both attitude and approach. On the other hand, Kannadigas must find their lost pride for their language and represent themselves with confidence instead of insecurity. That, we are home to multiple languages and remain inclusive as a culture, is our strength and not our weakness. 

My first words were in Kannada. I think in Kannada and what I write in this article is translated from my Kannada thoughts to English sentences. In times of intense emotional crises and personal setbacks, solutions come in Kannada and not English. I wear this language with pride. When there is a child born in the family, I have no means to interact with him or her except in Kannada. My native vernacular, after all, is not just a language, it is part of my identity. I am sure other languages mean the same to their speakers. Why should that stop us from learning other identities? 

Back in 1947, the idea of India was born in the hope that we will shed the baggage of our many socio-economic problems, prejudices and biases. India’s growth story is founded upon the spirit of co-operation which was necessary to heal the wounds of colonial rule that exploited these prejudices. Yet, when once livelihood and poverty drove us to understand and speak with each other better, today our abundance is making us wonder why we should make that effort in the first place. Such a thought process is the beginning of a decline. It is about time we make an effort to talk to each other instead of trying to talk at each other, that too, in a dialect that is seemingly foreign yet perfectly native. 

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[veeritesblog]

Pu La Transformational Stories, Peston Kaka reposted blog to further refer to Siddharud Swamy referred by Peston Kaka .. Ashok Ranade interview of Pt Mansur .. 12 minutes play and you hear about the Swamy … Pu La ’s transformational stories: Cultural Symbiosis in his story Pestonji or Peston Kaka: When I shared my earlier blog on Pu La (Acharya P K Atre’s article on him in Maratha 1965) with one of my creative writer Marathi Playwright friend he didn’t seem to be pleased on my choice of writers : Prahlad Keshav Atre and Purushottam Lakshman Deshpande. The possible reason could be that these writers being pro establishment or that they were not vociferously supporting the class and caste annihilation through their writing. Their sensibilities were probably close to the middle class. My friend and host of others are surely still under the spell of Marx and his ideas of social transformation. Therefore, I have deliberately given the title to this blog as ‘Transformational Stories of Pu La’ However, in today’s post modern world in which we believe that technology is a great leveller it will be wrong to straight jacket writers in certain categories or classify them among the various sections in the society. Atre was the first playwright after Deval’s Sharada and Gadkari’s Sindhu who made the woman to leave the family in his play Gharabaher (घराबाहेर) Later M G Rangnekar adapted Ibsen’s Doll’s House in his Kulvadhu (कुलवधू) In our blindly following western critics and their theories we throw all old writers in the category of pro-establishment writers. This has two serious bad effects. The literature in which today’s young generation might take keen interest .. we are deliberately drawing them away from those classics. In our attempt to force them to toe our intellectual line we give them exposure only to so called anti establishment literature which is not read out of literature classes in which there is a miniscule minority of young reading public and they too read it for the sake of examinations. My friend’s anger on Pu La seems to be in this line. However, how can we forget his Phulrani? (ती फुलराणी) , the beautiful adaptation of My Fair Lady, which was an adaptation of Shaw’s Pygmalion. In the original play Shaw has shown the transformation of a slum girl who sells flowers into a princess by the means of her refined language and polished manners which she displays in a public gathering. Mastery on language transforms our personality. Our status in society changes irrespective of our family background. I as a student and teacher of English have experienced this in my career of 33 years. Students who took hard efforts at their B A English in a college in whatever small village in India in last few decades have been extremely successful in their career in big metros as teachers of English, advocates , corporate persons , bank officers etc. Now, when I see actual message of Shaw’s play transformed in reality like this how can I term him as old fashioned pro establishment writer, pro empire writer and how can I force my students to uphold only modern playwrights because we have given them the label of anti-establishment? Does the so called modern sensibility mean that we should throw all that’s old into a dustbin? There is indeed a sound alternative to that. We must Re introduce our students and reading public to old classics but in a different transformational perspective. Well , the whole discussion is diverted to the importance of these old writers and searching a new insight in their works. The work under discussion here is a story by Pu La called Peston Kaka ( the English version would be Pestonji ) in which an Asst Foreman, who worked earlier under the British officers , is now retired from Railway and he is shown as having extremely high knowledge and taste in classical music (Abdul Karim Khan), religious compositions (Gopala karuna kyon nahi ave of Khansaheb , Tukaram’s abhangas of Vishnupant Pagnis) , Hindu spirituality (Vivekananda, Siddharur Swami in Hubli … …….. ……….. by the way this Siddharur Swami is referred by Ashok Ranade in his interview of Pt Mallikarjun Mansur… taken in 1960-70s for Doordarshan but available on You Tube …I don’t know how the name is spelt or pronounced .. Siddharur or Siddharood, another point I want to make here is that Pt Mansur ran away from home two times and his father anxiously brought him to this Swamy .. obviously a Lingayat Mathpati Swamy .. and Ranade tells us that this Swamy was a great supporter of music. He had blessed Pt Keshavrao Bhosale who is considered as a better natyageet exponent than Balgandharva or Master Dinanath Mangeshkar .. reference Vidyadhar Gokhale .. well my point is that can someone give me one name and of a Hindu Swami or a spiritual leader who blessed art and music and gave to the listening public such diamonds like Keshavrao and Mansur ? Now , the Karveer Peeth Shankaracharya Vidyanand Bharati was a Keertankar and is the son of a great Gwalior Gharana singer Keertankar Karhadkar Buva but his gayaki is lost in the heavily ritualistic nature of Hindu religion .. I’m sorry to say this but it’s a fact. I have heard this Karveer Shankaracharya ’s Keertan in my childhood and have been fortunate to chew the first ever areca nut .. or arica nut .. सुपारी to put it in simple terms from his nut cracker अडकित्ता sitting on his laps, so my observation is based on my own experience) , … Well, coming back to Peston Kaka .. He displays this knowledge in informal talk to the writer in a train journey. He is such a romantic and loving husband that he is still sensually tickled at the age of 78 when his wife pinches him. I think Pu La attacks the very pro-establishment middle class sensibility by portraying this character. Music, Literature , Spirituality is not the ‘jagir’ or monopoly of a certain caste or class. Whoever is exposed to good music, effective communication skills at an early age can easily share the elitist sensibility or can move with confidence among intellectuals, corporate persons and scholars. Pu La gets down at the next station and he shows the stark contrast between his own seemingly hypocrite ideas of being famous, having high taste and a scholar and Peston Kaka (actually under You Tube the pronunciation is written in Marathi as पेस्तन काका so I spelled it as Pestan earlier but my Parsee friend corrected it as Peston and I wrote this blog with corrections and additions) who has entered into the core of music and literature. The thing to be noted is that he is not a teacher , artiste or a professional… these type of middle class persons are popularly portrayed by writers or are popularly considered by general public as the owners of good taste in music , stage and literature. (Read this as : Marathi middle class , Puneites , Mumbaikars or all such people living in other towns but who take pride in displaying a lineage to these towns) … Peston Kaka was born in Mumbai but he has settled in Hubli (actually Hubli , Dharwad are the towns which are again described by Punekars as small Punes but these towns gave great artistes like Pt Bhimsen Joshi , Vidushi Gangubai Hangal to Hindustani Classical Music and since Bhimsen chose Pune for certain autobiographical concerns in his life Punekars got the advantage to associate them to great Marathi middle class taste. Pt Kumar Gandharva from Athni and Pt Mallikarjun Mansur from the village with his surname .. these artistes hail from Karnataka) Peston Kaka is from Mumbai and is settled in Hubli .. he refers to Ustad Abdul Karim Khan Saheb singing his famous bhajan in Bhairavi “ Gopala karuna kyon nahi aave .. गोपाला करूणा कयों नही आवे। .. in a concert in Hubli. Karim Khan Saheb lived in Miraj. He founded the Kirana Gharana. His disciple Rambhau Kundgolkar alias Pt Sawai Gandharva lived in Kundgol near Jamkhindi . Bhimsen , Firoze Dastur lived at Kundgol and learnt music from him. Gangubai used to travel from Dharvad to Kundgol and learnt from him. Though Bhimsen earned great status to Kirana Gharana by his extremely hard efforts , strong voice and terrific strength of his lungs (he was a wrestler earlier in his childhood) other two artistes were also of immense capacities. The referred composition गोपाला was sustained in the memory of the listening public primarily by another Parsee (like Peston Kaka , the topic of this blog) Pt Firoze Dastur. I will share another video of Pt Dastur on You Tube .. a DD Bangla program .. where he is seen presenting गोपाला and you can see Bhimsen and Pt Kanan on the first row among the audience. The point was that Pu La has deliberately portrayed this character of Peston Kaka who is beyond all popular criteria of music and culture loving middle class in Maharashtra. He is a Parser, a foreman, eats mutton openly , says ‘sala, sala ’ which is otherwise an abusive term but talks about Vivekanand , Siddharur Swamy, Shivanand as great divine souls. He considers Vishnupant Pagnis as the very Tukaram who lived among us. He insists Pu La to sing ‘Aadhi beej ekale , beej ankurale roap wadhle आधी बीज एकले , बीज अंकूरले , रोप वाढले .. the seed comes first , then the sapling grows from it .. the Abhang of Tukaram made famous by Vishnupant in the movie. Peston Kaka becomes the very Tukaram in that railway compartment itself imagining Vishnupant who has entered in his mind and body at that moment. Such oneness with the divine through art and music is more valuable according to Pu La than all middle class hypocrite babble of how they love music and literature. This also applies to the whole class of people who talk of Pu La as their favourite writer. They have indeed not still understood the real message in Pu La ’s writings and his personality. Pu La’s great admiration for Peston Kaka is the indication of his strong belief in equality in society through art , music and literature. Therefore , I’m surprised by my friend Marathi playwright’s sarcastic question to me about the significance of Pu La as the choice of the writer in my blog. What happens after these Abhangas rendered by Pu La exclusively for Peston Kaka in that train journey is also important. Pu La tells us that organisers of his speech , people who have come to greet him on the station greet him with ‘crest fallen stale flowered bouquet … what Pu La actually indicates here is the deep down hypocrisy and double standards of the middle class. They do everything just for its display value. Peston Kaka , however, openly orders non veg food in the compartment while Pu La eats home made tiffin …. there is fantastic ability of self ridicule in this writer. (I had stopped this discussion at 5.46 pm on 14-5-2017 and completed it in this Re-blog at 1.14 am 15-5-2017, posted edited blog under Pt Firoz Dastur Gopala, reposted now for reference to Siddharud Swamy blessing Keshavrao Bhosale and Pt Mallikarjun Mansur at 2.38 pm 15-5-2017 )

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vashikaran upay in marathi

https://vashikaran.mobi/vashikaran-upay-marathi/

vashikaran upay in marathi

vashikaran mantra in marathi language, A perfect idea who can help you in your trouble. vashikaran mantra in marathi language is a perfect magic spells expert. Astrologer knows all Kala-Jadoo Remedies. vashikaran mantra in marathi language is very famous in all over world. Many people knows about it. In western countries, It is known as a spells casting. Our vashikaran mantra in marathi language is famous for both Vashikaran and black magic. All world is well know what is vashikaran mantra in marathi language. Because there are many vashikaran mantra in marathi language related true stories famous in world. Every country believes in religion and religion always supports God and evils. Many vashikaran mantra in marathi language related stories are true and some are fake. But People believe on it. There are many movies also that are based on supernatural powers. These horror movies shows the power of evils. These ghost stories and movies shows how a vashikaran mantra in marathi language specialist uses the power of evils. Many people do not believe on it but these are true. Science also accept this truth. And has no answer of many events.

Dosto pyar ek bahut he sundar ehsaas hai agar vo ek limit me ho. Aaj ke time me apne pyar ko wapis pana  muskil nahi hota, bina soche samjhe he log relationship me aa jate hai yhi karan hai ki aajkl ke relationship jayda der tk nahi chalte hai. Pyar aaj ke time just apne body need puri karna reh gea hai. Aapka iss article ko padna ke darsata hai ki aap apne khoye boyfriend / pyar ki talash me ho. Dosto aapko khoya pyar pane ke liye kuch baato par gaur karna hoga, aur saath hi humare pandit ji dwara btaye gaye upaye se aap apne khoye boyfriend/pyar bo wapis pa skte ho aaiye jante hai ki aap apne khoye hue Boyfriend ko wapis kaise paye.

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Vashikaran Mantra For Lover , ” Are you looking for to get your love back by vashikaran mantra ? Love is blind and we may end up loving a person who may not be able to become a part of our life. In such a condition we feel cheated and want to end our life. However this is when Vashikaran can help you get your love back. Vashikaran is a method used by gurus and rishis since a long time to influence someone or to get them under over control to get love back by vashikaran in Chicago , Washington and other cities in USA.

vashikaran upay in marathi for love

What is Vashikaran Vashikaran is the solution of problems, but what does this word mean? The term vashikaran is a Sanskrit word. It is a combination of two words; One is Vashi and the second is Karan. Vashi means controlling and Karan means the method or the way to do something. So the combination of these two indicates that vashikaran means that it is a method or technology to control someone. Finding the actual meaning of vashikaran and various methods to attract a person Vashikaran is literally a whole word is the general benefit of astrology. Astrological Remedies to get my love back is a kind of hypnosis that really made him defiant as the victim lives. Vashikaran process subjected to control the mind of a person. Life is bitter with numerous effects of frustration and tension.

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Positive vashikaran mantra is undertaken by occult astrology to help the person by doing vashikaran on his or her brain concerned as a distant or local remedy, we do vashikaran mantra only in rare cases where we are convinced that some grave injustice has been done to some innocent person or spouse. It is further ensured that other side is abusing the relationship under some negative vashikaran and someone used negative vashikaran mantras to spoil the relationship using tele-transfer thoughts or negative influence of a ghost or spirit thrust upon by opponent side to wash his or her brain to their advantage. We can help your relative to get rid of those negative vashikaran mantra by doing positive vashikaran mantra on them and we will remove all remaining bad impact of negative vashikaran from that person.

vashikaran upay in marathi for love marriage

Vashikaran is an Occult Science of Attraction which drives up immense powers with the combination on Mantra and Yantra. It’s a Science which is used to Control the Minds, Thoughts, Feelings, Speech, Action and Behavior of the person.Vashikaran is a Mystical gift bestowed by our Rishis and Sages. It was devised with one Aim i.e. To Attract the one you Desire or to bring your beloved under your control. This Mystical Eastern Art is been used since ages.

We don’t use ordinary mantras, we use really ancient mantras that are really rare mantras and these mantras can only be used with specialization and no ordinary person can use these mantras, we are specialized in using technique of these mantras. we are placing some of the easy level mantra that can be tried by individual but still you need to get some expertise before these mantras will start working by you.

Vashikaran mantra to control wife in hindi, Vashikaran has been creating a lot of buzz for quite a long time and there is no point in denying that people are intimidated by it. Although there is a lot of negative opinion about vashikaran but after a time people has realized that vashikaran is not something that should be hated. Vashikaran is a kind of power which is utilized in controlling the mind of people and making them to do things which they would not have done otherwise. This mind controlling or compelling power is derived from mystical tantras and mantras and then utilized for controlling various people’s mind. Controlling people is like one of the biggest fantasies of human mind and it can solve all the major problems in your life as well. Along with all other kinds of issues that people has to face in each aspect of their life, love problems are the worst ans mo body knows how to get rid of love problems. We are here to talk about vashikaran to control wife.

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Literally vashikaran is made up of two Sanskrit words, vashi and karan which when combined means to control someone and win love back by attraction mantra in Chicago. These mantras help you to control a person’s feelings and emotions and to influence them into doing something that you wish. The use of get girlfriend Back by vashikaran also helps you deal with difficulties in your professional life to achieve success and applauds.

We are meeting here for problems related to the wife so here, we will discuss the problems related to the wife and we will know about their solutions that how we can solve these kind of problems. If your wife is not giving you importance or your wife is not interested in you or your relationship is going to be very bad with your wife or wife have to leave it or your wife is not meet with you or many more issues comes in the Vashikaran Mantra for Wife.

If you are one of them who has problems like this then you are in the right place because here we will give you Vashikaran tips for wife in Hindi, English, Marathi, Telugu urdu so you can solve your problem and get happiness in His life again. You just get in touch with us, give your personal details, and describe your problem against our love vashikaran Specialist Astrologer | pandit ji. We analyze your marriage life report and give you Vashikaran remedies or mantra for you. You will follow our steps and begin the process of the Vashikaran mantra in the guide of our specialist.

घर में खुशहाली तथा दुकान की उन्नति हेतु वशीकरण

धन लाभ के लिए वशीकरण

शादी विवाह में विघ्न न पडने देने के लिये वशीकरण टोटका

Vashikaran is a Sanskrit expression composed of two Words Vashi and Karan and combining these words we make it vashikaran. It means, Vashi means to Attract, Influence, Excite or Entice the Desired Person. In other words it refers to bringing a particular person under your Complete Control. The term Karan indicates The Method or Technique of performing it as laid down in Ancient Scriptures.

vashikaran upay in marathi for husband

  Our Ancient Scriptures are proof that these esoteric enchantments were used by the Kings and Imperial, Rich and Royal and anyone who desired someone at sometime in their life. In our quest to learn more we found that this occult science was not only restricted to the East, but it also had concrete usage in the West as well.

You are struggling to gain attention of that “Particular Person” but just can’t seem to impress. in this case you can use mantras of vashikaran to get her attention and make them do whatever you wish.

If love of your life seems disinterested in you then also you can use these mantras of vashikaran to get there interest back.

If you want to get your lost love back then you can use these mantras to get your love back in just a week or too weeks of using these vashikaran mantra.

No matter what you say or do, you can’t change their attitude toward you but using these mantra will definitely change there attitude towards you.

If somebody wants to be harmful to you then also you can make use of these manta to do vashikaran on them and to make them stop harming you.

You know if you can only soften their heart for a moment or two, you can achieve the breakthrough you’ve been seeking.

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Vashikaran mantra is a recite technique that creates a spiritual environment or needs a peaceful atmosphere to get beneficial results. Sanskrit language has been very powerful and influence technique. Recite of each word in this subject emerges miraculous results. Vashikaran mantra is one of the specialty of Sanskrit world and it has become a more advanced and skilled technique by the help of vashikaran specialists. Each word of a mantra has meaningful meaning that can make your life fetter free and seems you a positive life.

Two things those are most important to consider when working with is meaning of each word. Each word of a mantra should say something meaningful with a proper significance. Each word of the mantra is acoustic in which each word is repeated with same sound to create a consequential feeling.

vashikaran upay in marathi for get love

Agar aapka boyfriend aap se door chala gaya ho aur vo aapko sampark na karein to aap yah saral prabhaavkaari totka , upay , Mantra kar sakte hai.  Khoye hue boyfriend ko wapis kaise paye or Aapka Boyfriend aapse khush nahi rahata ya aap ki taraf dhyan nahi deta to bhi aap yah kar sakte hai upay Mantra, Totke Kar skte hai Apne Boyfriend Ko wapis pa skte hai humare pandit ji ke vashikaran Mantra upay  aur totko ki madad se Jisme Humare Guru ji ek Ache Jyotish Sabit hue hai wo aapki madad jarur karenge aapke khoye hue boyfriend ko kaise wapis paye me wo aapke khoye hue boyfriend ko wapis la skte hai wo bhi vashikaran ke madad se.

[veeritesblog]

Pu La Transformational Stories, Peston Kaka edited blog, Pt Dastur Singing Gopala, Pt Bhimsen in audience Pu La ’s transformational stories: Cultural Symbiosis in his story Pestonji or Peston Kaka: When I shared my earlier blog on Pu La (Acharya P K Atre’s article on him in Maratha 1965) with one of my creative writer Marathi Playwright friend he didn’t seem to be pleased on my choice of writers : Prahlad Keshav Atre and Purushottam Lakshman Deshpande. The possible reason could be that these writers being pro establishment or that they were not vociferously supporting the class and caste annihilation through their writing. Their sensibilities were probably close to the middle class. My friend and host of others are surely still under the spell of Marx and his ideas of social transformation. Therefore, I have deliberately given the title to this blog as ‘Transformational Stories of Pu La’ However, in today’s post modern world in which we believe that technology is a great leveller it will be wrong to straight jacket writers in certain categories or classify them among the various sections in the society. Atre was the first playwright after Deval’s Sharada and Gadkari’s Sindhu who made the woman to leave the family in his play Gharabaher (घराबाहेर) Later M G Rangnekar adapted Ibsen’s Doll’s House in his Kulvadhu (कुलवधू) In our blindly following western critics and their theories we throw all old writers in the category of pro-establishment writers. This has two serious bad effects. The literature in which today’s young generation might take keen interest .. we are deliberately drawing them away from those classics. In our attempt to force them to toe our intellectual line we give them exposure only to so called anti establishment literature which is not read out of literature classes in which there is a miniscule minority of young reading public and they too read it for the sake of examinations. My friend’s anger on Pu La seems to be in this line. However, how can we forget his Phulrani? (ती फुलराणी) , the beautiful adaptation of My Fair Lady, which was an adaptation of Shaw’s Pygmalion. In the original play Shaw has shown the transformation of a slum girl who sells flowers into a princess by the means of her refined language and polished manners which she displays in a public gathering. Mastery on language transforms our personality. Our status in society changes irrespective of our family background. I as a student and teacher of English have experienced this in my career of 33 years. Students who took hard efforts at their B A English in a college in whatever small village in India in last few decades have been extremely successful in their career in big metros as teachers of English, advocates , corporate persons , bank officers etc. Now, when I see actual message of Shaw’s play transformed in reality like this how can I term him as old fashioned pro establishment writer, pro empire writer and how can I force my students to uphold only modern playwrights because we have given them the label of anti-establishment? Does the so called modern sensibility mean that we should throw all that’s old into a dustbin? There is indeed a sound alternative to that. We must Re introduce our students and reading public to old classics but in a different transformational perspective. Well , the whole discussion is diverted to the importance of these old writers and searching a new insight in their works. The work under discussion here is a story by Pu La called Peston Kaka ( the English version would be Pestonji ) in which an Asst Foreman, who worked earlier under the British officers , is now retired from Railway and he is shown as having extremely high knowledge and taste in classical music (Abdul Karim Khan), religious compositions (Gopala karuna kyon nahi ave of Khansaheb , Tukaram’s abhangas of Vishnupant Pagnis) , Hindu spirituality (Vivekananda, Siddharur Swami in Hubli … ........ ........... by the way this Siddharur Swami is referred by Ashok Ranade in his interview of Pt Mallikarjun Mansur… taken in 1960-70s for Doordarshan but available on You Tube …I don’t know how the name is spelt or pronounced .. Siddharur or Siddharood, another point I want to make here is that Pt Mansur ran away from home two times and his father anxiously brought him to this Swamy .. obviously a Lingayat Mathpati Swamy .. and Ranade tells us that this Swamy was a great supporter of music. He had blessed Pt Keshavrao Bhosale who is considered as a better natyageet exponent than Balgandharva or Master Dinanath Mangeshkar .. reference Vidyadhar Gokhale .. well my point is that can someone give me one name and of a Hindu Swami or a spiritual leader who blessed art and music and gave to the listening public such diamonds like Keshavrao and Mansur ? Now , the Karveer Peeth Shankaracharya Vidyanand Bharati was a Keertankar and is the son of a great Gwalior Gharana singer Keertankar Karhadkar Buva but his gayaki is lost in the heavily ritualistic nature of Hindu religion .. I’m sorry to say this but it’s a fact. I have heard this Karveer Shankaracharya ’s Keertan in my childhood and have been fortunate to chew the first ever areca nut .. or arica nut .. सुपारी to put it in simple terms from his nut cracker अडकित्ता sitting on his laps, so my observation is based on my own experience) , … Well, coming back to Peston Kaka .. He displays this knowledge in informal talk to the writer in a train journey. He is such a romantic and loving husband that he is still sensually tickled at the age of 78 when his wife pinches him. I think Pu La attacks the very pro-establishment middle class sensibility by portraying this character. Music, Literature , Spirituality is not the ‘jagir’ or monopoly of a certain caste or class. Whoever is exposed to good music, effective communication skills at an early age can easily share the elitist sensibility or can move with confidence among intellectuals, corporate persons and scholars. Pu La gets down at the next station and he shows the stark contrast between his own seemingly hypocrite ideas of being famous, having high taste and a scholar and Peston Kaka (actually under You Tube the pronunciation is written in Marathi as पेस्तन काका so I spelled it as Pestan earlier but my Parsee friend corrected it as Peston and I wrote this blog with corrections and additions) who has entered into the core of music and literature. The thing to be noted is that he is not a teacher , artiste or a professional… these type of middle class persons are popularly portrayed by writers or are popularly considered by general public as the owners of good taste in music , stage and literature. (Read this as : Marathi middle class , Puneites , Mumbaikars or all such people living in other towns but who take pride in displaying a lineage to these towns) … Peston Kaka was born in Mumbai but he has settled in Hubli (actually Hubli , Dharwad are the towns which are again described by Punekars as small Punes but these towns gave great artistes like Pt Bhimsen Joshi , Vidushi Gangubai Hangal to Hindustani Classical Music and since Bhimsen chose Pune for certain autobiographical concerns in his life Punekars got the advantage to associate them to great Marathi middle class taste. Pt Kumar Gandharva from Athni and Pt Mallikarjun Mansur from the village with his surname .. these artistes hail from Karnataka) Peston Kaka is from Mumbai and is settled in Hubli .. he refers to Ustad Abdul Karim Khan Saheb singing his famous bhajan in Bhairavi “ Gopala karuna kyon nahi aave .. गोपाला करूणा कयों नही आवे। .. in a concert in Hubli. Karim Khan Saheb lived in Miraj. He founded the Kirana Gharana. His disciple Rambhau Kundgolkar alias Pt Sawai Gandharva lived in Kundgol near Jamkhindi . Bhimsen , Firoze Dastur lived at Kundgol and learnt music from him. Gangubai used to travel from Dharvad to Kundgol and learnt from him. Though Bhimsen earned great status to Kirana Gharana by his extremely hard efforts , strong voice and terrific strength of his lungs (he was a wrestler earlier in his childhood) other two artistes were also of immense capacities. The referred composition गोपाला was sustained in the memory of the listening public primarily by another Parsee (like Peston Kaka , the topic of this blog) Pt Firoze Dastur. I will share another video of Pt Dastur on You Tube .. a DD Bangla program .. where he is seen presenting गोपाला and you can see Bhimsen and Pt Kanan on the first row among the audience. The point was that Pu La has deliberately portrayed this character of Peston Kaka who is beyond all popular criteria of music and culture loving middle class in Maharashtra. He is a Parser, a foreman, eats mutton openly , says ‘sala, sala ’ which is otherwise an abusive term but talks about Vivekanand , Siddharur Swamy, Shivanand as great divine souls. He considers Vishnupant Pagnis as the very Tukaram who lived among us. He insists Pu La to sing ‘Aadhi beej ekale , beej ankurale roap wadhle आधी बीज एकले , बीज अंकूरले , रोप वाढले .. the seed comes first , then the sapling grows from it .. the Abhang of Tukaram made famous by Vishnupant in the movie. Peston Kaka becomes the very Tukaram in that railway compartment itself imagining Vishnupant who has entered in his mind and body at that moment. Such oneness with the divine through art and music is more valuable according to Pu La than all middle class hypocrite babble of how they love music and literature. This also applies to the whole class of people who talk of Pu La as their favourite writer. They have indeed not still understood the real message in Pu La ’s writings and his personality. Pu La’s great admiration for Peston Kaka is the indication of his strong belief in equality in society through art , music and literature. Therefore , I’m surprised by my friend Marathi playwright’s sarcastic question to me about the significance of Pu La as the choice of the writer in my blog. What happens after these Abhangas rendered by Pu La exclusively for Peston Kaka in that train journey is also important. Pu La tells us that organisers of his speech , people who have come to greet him on the station greet him with 'crest fallen stale flowered bouquet … what Pu La actually indicates here is the deep down hypocrisy and double standards of the middle class. They do everything just for its display value. Peston Kaka , however, openly orders non veg food in the compartment while Pu La eats home made tiffin …. there is fantastic ability of self ridicule in this writer. (I had stopped this discussion at 5.46 pm on 14-5-2017 and completed it in this Re-blog at 1.14 am 15-5-2017, posted edited blog under Pt Firoz Dastur Gopala at 2.21 pm 15-5-2017 )

[marathistars]

Lost and Found Review: Mangesh Desai shines Again!

Lost and Found Review: Mangesh Desai shines Again!

Review :  Lost and Found (2016) | लॉस्ट अॅन्ड फाऊंड Producer : Vinod Malgewar Directer : Ruturaj Dhalgade StarCast :  Siddharth Chandekar, Spruha Joshi , Mohan Agashe, Mangesh Desai Writer : Ruturaj Dhalgade Music : Shubhankar Genre : Drama Review By : Rasik Tirodkar Rating : 2/5 Lost and Found Marathi Movie Review : There is a scene in the later parts of the film, when a couple are having a…

[marathistars]

Ye Na Zara: A new song from Lost and Found

Ye Na Zara: A new song from Lost and Found

Spruha and Siddharth’s next release “Lost & Found” is gearing up for the release on 29th July. The makers of the movie have released first official video of the Marathi song for this film “Ye Na Zara”. The song is an ultra romantic and melodious track sung by Sonia Mundhe and Subhankar. The track has been picturized on Spruha Joshi and Siddharth Chandekar. The lyrics have been penned by Dr. Rahul…