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Lady Liberty and The Captain / Part One

Pairing: Steve Rogers x Reader, Bucky Barnes x Reader (1940′s Brooklyn AU)

Summary: You are a rising young star and the newest breakout actress in Hollywood’s Golden Age! When war finally descends on the west, your reputation as America’s Sweetheart finds you cast in a promotional picture alongside Captain America himself.

Yet, he looks eerily familiar, like your Stevie from childhood…

Word count: 4.7k+

Warnings: fluff!!

A/N: hello, everyone!!!! I hope you’re staying home, warm, and safe during these crazy times. I’ve been snuggling with my doggie and continuing with my university’s online classes in my final semester..absolutely crazy how things are rn. I hope this new story can help brighten up your day just a little bit.

First of all, I just want to say thank you💖💛for all the love that old and new readers alike have shown this blog recently. I’ve been writing on this platform for a little less than a year and I never thought l’incendie would blow up as much as it has. You guys are amazing. I’m really excited and eager to share new pieces and hope you enjoy the content I have coming! Please don’t hesitate to pop in and say hi, or shoot me a message. I’ve really enjoyed connecting with readers and would love to know your thoughts on my fics, or just to talk about fandom stuff! Timmy included! PAHAHA

So, this chapter is gonna be a part of a mini-series for a 1940′s writing challenge and I’m using the prompt of wartime romance! This will probably be split into two or three parts and I will tag the host as soon as the last chapter goes up, I’ll most likely make a masterlist in the end as well. Reader has a name in this fic, but hopefully the choice of name will make sense later on :D

As always, feel free to drop a ask/message if you’d like a tag in the next update.

ENJOY!

THE NEW YORK TIMES

Film: ‘Apple of Discord’, Lola Swanson’s Dazzling Debut!

By NICHOLAS WATTS September 1, 1943

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The film drama from the original screenplay written and directed by Andrew Campbell opened to a roar of applause and acclaim at the Radio City Music Hall yesterday evening. Apple of Discord is a reimagining of the myth and Plato’s allegory, focusing on the tumultuous, profoundly elegant life of a young noblewoman during the Trojan wars.

The film’s frontrunner and leading lady is Hollywood newcomer, young and fresh-faced Lola Swanson. Swanson’s performance is so thoughtful, so unfaltering, so intelligent and controlled that it is hard to believe this is little Lola’s long awaited motion picture debut. And what a debut this is!

Starring opposite Hollywood veterans Sean Schultz, Kash Dennis, and Gracie Smith, this star-studded cast packs punches and sizzling chemistry and yet, Swanson does not fizzle out but confidently holds her own, demanding your attention in every scene, and rightfully so. Watching Swanson in this picture is watching a major actress in the making.

Born and raised in the heart of Hell’s Kitchen before moving to Brooklyn to pursue acting, some may recognize Lola from her daytime television roles in Insanity and Passion, It’s a Date! and as Jessica in Jessica Davis Returns.

Now we know these roles were preparing Swanson for the debut of the decade.

“APPLE OF DISCORD” is now showing at the Radio City Music Hall and Cinema 2. Tickets at 25 cents. Running time: 139 minutes.

★★★★☆

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APPLE OF DISCORD, written and directed by Andrew Campbell; director of photography, Laszlo Kovacs; edited by John Wright; music by John Barry; released by Universal Pictures.

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The newspaper trembles hard between your fingers, threatening to tear its edges. Pulse pounding, ears ringing. You can’t stop smiling. You feel like crying.

You reread the words again and again, the words written by legendary film critic Nicholas Watts, the man you’ve only dreamed of making an impression on, that he’d someday see you in a picture. And here he’s written a glowing review of your major motion picture debut.

You erupt in a fit of giggles and screams, twirling around the small space of your apartment in a swirl of nightgown, pinned curls. A neighbor, Mr. Krisinski, you think, pounds on your wall to shut you up.

It’s still early morning and you had gone downstairs at first light to buy a paper from a newsboy. Outside your window, the streets of New York already yawn and bustle with morning commute. The movement of people, gleaming automobiles against the red brick buildings and muted gray of Manhattan. Warm sun washes over it all, your heart brimming and full, mirroring the glow of golden dawn.

You feel on top of the world. Maybe you’ll finally make it here.

Your phone rings. You rush over to the mint blue rotary telephone on your bedside table, snatch up the receiver before Mr. Krisinski can break down your door with all the racket you’re making.

“Hello?” You say into the mouthpiece, cradling it between your hands. You feel breathless, high strung and buzzing, like you’d just downed a whole case of Coca-Cola, whirring with the taste of sugar and success, bubbling with starpower. Maybe it’s Kash or Gracie calling to congratulate you. Hell, maybe even President Roosevelt.

“Lola! It’s me. Have you read the paper?” The cool voice of Peggy asks you through the receiver. You quietly laugh at your own fantastical expectations. Of course it’s Peggy. Punctual, collected Peggy.

Peggy Carter is your talent agent and manager at MGM. Peggy had snatched you up while you had been working as a background actress on Michael Curtiz’s Casablanca, so hopeful and beholden just to be in the presence of such respected artists, willing to stay the extra hours even after the other girls had gone home when realizing they wouldn’t be seen in the shot. It hadn’t been your first time on a hot set, you were used to the itchy costumes, long hours of endless waiting, and the empty stomachs, but no way you were going to miss a chance to see Ingrid Bergman and Madeleine LeBeau up close.

Back then, only a few years ago yet a lifetime away it seems, Peggy had been a casting assistant, seeing your dedication and marching right up to you between takes to hand you her card. On the back, written in smooth blue ink, a time the next morning for an audition at MGM Studios in downtown New York. Eight o'clock sharp.

You didn’t sleep at all that night after you wrapped.

She’s worked at getting you into audition rooms and meetings for years, pushing you onto writers, production assistants, riggers, directors. She had secured you an audition with Andrew Campbell after “accidentally” leaving your headshot in his mailroom and later calling his assistant with threats of stolen property. MGM’s new fresh face had been penciled in for a side read the following week.

Fierce, ingenious, and your own bright star, you’ve risen through the ranks and fought your way up with Peggy at your side.

“Yeah, Peg. I have it here in front of me. This is...absolutely nuts.”

“Not really, you were brilliant in the picture, darling. But it’s a comfort to know Watts has finally replaced that cotton in his brain with some sense.”

Another laugh from you, twirling the telephone cord around your finger.

“Let me have this one, Peg.”

“If you insist.”

You hear the rustling of newspaper from the other end. You can practically see Peggy sitting at her desk, perusing the paper over a morning cup of coffee, her hair curled, makeup and nails all scarlet red and perfect. The golden placard glittering on the frosted glass of the door.

Margaret Carter, Casting Director.

“I’m calling to tell you about an offer we received this morning from Paramount. I think you should take it.”

That rush of giddiness burns bright again in your veins, pulse skyrocketing.

“Paramount? Geez, what did they say?”

“They want you for a promotional picture that’s being produced by Senator Brandt. Brandt is hoping to boost the homefront’s war bond sales with a little starpower from you and from Captain America. You’ve seen his posters, haven’t you? That costumed bloke?”

You have. Plastered everywhere and looking like an absolute buffoon. Nice physique, though.

The disappointment that settles in your stomach is ugly and cold, like a fruitless pit, hard, rough, a sour taste in your mouth. It’s stupidly childish, yet your own expectations for your first movie, first box office hit, for that very first taste of the promised fame and fortune of success, begin to blink out. Expectations you’ve held on to since you were a little girl, since you realized this is the type of work you want to do for the rest of your life.

You’ve managed to impress Nicholas Watts, the most cynical film critic in all of Hollywood, and this is your big break? A Paramount picture featuring you and a tights-wearing mascot?

Peggy is practically asking you to star alongside Mickey Mouse.

“Is that all they offered?” You respond. You wince at the demanding, ungrateful tone. Afterall, showbiz has hardened you to go after what you want, to take and take because this lifestyle does not guarantee anything. You’re told no more than you are yes, the constant rejection having molded you into a diamond tough girl, glitzy and solid, unbreakable, beautiful.

But how many girls would kill to be in your place?

“The only sensible deal. They also offered you the role of Violet for It’s a Wonderful Life, and Ruthie in The Grapes of Wrath.”

“What?! Peggy, contract me for those instead!”

“Well, I’m not going to. And you listen well as to why.”

You twist your lips together. Peggy’s voice filters clipped and disapproving through the phone line, the way she always gets before she offers you damned good advice.

“Not just Watts is impressed with your work, Lola. You’re finally turning heads and for all good reasons. Anyone can get in front of a camera if they have the right look. But you’ve shown them that you have the look and the raw talent. Critics are saying you’re rivaling Judy Garland, darling. And you’re telling me you want the part of a lousy love interest? A secondary daughter? All because the pictures have big names behind them and people may go see it?

“No,” you mumble.

“No is right. You know better than anyone that people expect young stars to burn out fast so they can take their place. It’s all business. If I put you in for those roles, we’d be playing right into their hand. We’d use up all your potential in one summer. The public would get sick of seeing your face in every big picture. We have to earn their affection, darling. It’s slow and tame and not always glamorous, but this deal is smart.”

You listen, silently.

“Morale is low. War is when people turn to familiar pastimes and simple pleasures. To treat themselves, to take their minds off all the grizzly headlines. Captain America embodies all of that and more. If we take this, I promise you, Lola, that people will remember you as the girl who got them through the darkest times. This will do wonders for your career years down the line. And then, if you still want to play Violet, I’ll phone Frank Capra myself.”

You close your eyes and draw in a breath, a smile tugging at the corners of your mouth.

“Well, it looks like I don’t have much of a choice, do I?”

“Wonderful. I’ll phone Paramount now. We’ll be in touch.”

Growing up with poor Irish immigrants for parents, the rare moments you could afford to splurge on luxuries, you spent them at local cinemas and theaters with your brother. Any day was a good one when you and Samuel bought tickets for a noon screening, the cheapest showing of the day, scraping together pocket change to split a popcorn if you were feeling extra special.

And reclining in a nearly empty theater with refreshments and goodies between the two of you, you’d watch the silver screen with hope in your mouth and stars in your eyes. In here, it no longer mattered how little money you had, or the discrimination your family faced, or the war in Europe, or the meager apartment you’d go home to, lucky if the electricity and heating had been paid for. In here, nothing else mattered but the visual stories.

And you realized that you wanted to help tell them. You wanted to be in front of the cameras, to embody characters and personas and let audiences worldwide empathize and identify with your performances.

You’ve loved playing make-believe since you were a little girl, having never really grown out of it. You could do it, you think. Dangerous dreams, perhaps, but what child doesn’t hold this wish within them? To see their name in lights and to be admired and commended, but most of all, to provide for their family?

How hard could it be?

At sixteen, you land your first speaking role. It’s pathetic. You’re working on set as background, per usual, only this time, the director picks you out from the crowd and gives you the line of, “Good morning, sir.” You’re to look off camera as the actor playing Kent entered the scene and you would then say your line.

You’re stupidly excited. Three simple words. You’ll be uncredited, of course, but your face would finally be seen! With butterflies fluttering in your stomach, the scene resets, Kent takes his mark, the cameras roll, and you deliver.

The scene is cut from the final reel.

You pound the pavement. You scour newspapers and flyers for casting calls, you phone agencies and playhouses, you save up to get your picture taken on glossy photo paper. You keep looking. You keep working in background until you can land a steady role.

Then, you finally get one. A miniscule part of a friendly neighborhood girl on a TV drama for CBS. You only have mere minutes of screen time, but the checks that arrive in the mail from Columbia Broadcasting System after your first few episodes air say otherwise.

You open a savings account. You plant your paychecks and watch them grow into a comfortable sum of money. You land another guest starring role for a daytime soap, the secretary of the title character. Combined with your parents’ salaries from your mother’s sewing and your father’s work on the railroads, you become the main breadwinner.

You move your family out of Hell’s Kitchen, out of your cramped, dark apartment. You sign a new lease under your new stage name and move to Brooklyn together.

Brooklyn is slightly cleaner, but the familiar hustle and bustle, the noise of shopkeepers and dialects and children and cars is comforting, grounds you in your roots. When your CBS drama wraps months later with your last check in the mail and you’re looking for your next gig, your brother works odd jobs to help shoulder the burden. Brick laying, chimney sweeping, milk and mail delivering, Samuel becomes no stranger to any and all work, so long as it pays. You become a typist on the side as you wait for auditions and callbacks.

Samuel tells you his aspirations to be a poet, a writer. He hasn’t said a word to your parents, but he shows you the small bound notebook he carries with him, leafing through pages of prose and verse. You encourage him to submit his work to newspapers, publishers. He gives you a shy smile, says he’ll consider it as soon as you get your motion picture debut. You shake on it. Together, your already close bond of brother and sister grows stronger as you each work to support your art.

You’re waiting for Samuel to finish his shift so you can catch a late showing of His Girl Friday, a warm September day when you first meet Bucky Barnes down at the wharfs. He’s tall, lean, and glistening with sweat when he rounds out of the warehouse with an armful of crates and nearly knocks you off the pier.

“Hey, watch it!” he snaps. His eyes flash like the water around you, blue and cold and dangerous. Brown locks curl with perspiration against his forehead, the sleeves of his workshirt rolled up over his shoulders, the exposed skin of his throat and arms flushed and tan.

Embarrassed, you try to steady him, to which he growls in annoyance and spins out of your reach. He makes a great show of bearing the weight himself, grumbling as he sets down his load. You don’t miss the way the muscles in his back flex and dip. It isn’t until he slowly stands back up, wiping his palms on his khakis, that you get a good look at each other.

The hostility in his eyes softens ever so slightly, simmering into a look that cinches your chest tight when his gaze travels shamelessly up from your kitten heels to the curves of your lips and cheek. His breathing is still labored as he surveys you and you can feel heat and color blooming against your skin. When his eyes finally settle on your face, you can’t decide whether you want to slap or kiss him.

“You lost or something, honey?” He asks with a whisper of a smile. He strolls in a lazy half-circle in front of you and moves to go back up the ramp to the warehouse. Then, he pauses and turns back to you.

“Have we met before? I swear I recognize you from somewhere.”

This delights you deliciously, that a handsome young man you’ve met by chance has seen your work. Not glamorous, acclaimed roles by any means, but recognition nonetheless. You bite the inside of your lip to suppress your smile and give him a coy, bashful flutter of your eyelashes.

“If that were the case, I’m sure I’d remember you.”

He grins wolfishly, pleased, and takes a step closer. “Yeah? Think you’ll let me take you out for dinner tonight?”

“She’s got plans with me, Buck.” Samuel’s voice carries across the water. Your brother emerges with wooden boxes and sets them between you and Bucky in a huff, as if he’s implementing a physical barrier, both childish and endearing. Bucky glances at you and Samuel.

“Are you two..?”

“Steady? No. She’s my sister.”

Bucky snorts and his eyes find you again, glittering in the evening light. “You never told me you had a sister, Sammy. And such a looker too..”

“Makes you wonder why I never brought her up,” retorts Samuel and gives him a playful shove, traps him briefly in a headlock. “At least Steve wouldn’t ogle.”

“Stevie would get a nose bleed and pass out.” You hear Bucky grunt back. Samuel moves as if to dump him into the drink and Bucky pinwheels, scrambling. “I’m sorry! I didn’t mean it!”

Satisfied, Samuel releases him and socks him in the shoulder for good measure. Bucky stumbles, looking boyish and smooth despite his shirt and hair all disheveled.

You’ve seen his type in casting offices all across New York; bold, alluring, and charismatic. It’s a look and type you’ve longed to act opposite of someday, as all young starlets dream of, but a look that simultaneously sparks the feminine temptation that shivers between your breasts. You wonder if Bucky would look the same in a dark bedroom, with him on top of you and your fingers running over his back…

Bucky grins toothily when he catches you staring and shoots you a wink. None of those movie star hopefuls hold a candle now to his rugged, spirited charm.

Samuel guides you back up the pier so he can punch out his time card and the two of you can be on your way. And as you’re about to set foot on solid ground, you hear Bucky call out to you.

“What’s your name, honey?”

Samuel sighs and shakes his head. “Cripes.” He mutters to himself. Before Samuel can stop you, you laugh and turn back to the water with a fresh and girlish aire, warmth and excitement whispering through your veins, young and naive and sixteen.

“Dolores!” You give him your full name, your real name. For once, you don’t want to be Lola Sparks. You want to be your natural, honest self, the girl who deserves young love and joy and an untroubled adolescence. The sound of your voice rings clear and strong, the diva that you are, and Bucky’s mouth curves upwards.

“See you ‘round, Dot.”

Much to Samuel’s displeasure, you tail your big brother around the docks like a lost pup whenever you have time. And being a C-list actress and a part-time typist, you have plenty of it. You loiter with the excuse of bringing sack lunches, waiting on Samuel and Bucky at the edge of the warehouses. It’s lonesome and bores you to no end being all by yourself, until one afternoon when someone is already waiting at your spot by the pier.

Small, skinny as his own shadow with a fringe of blonde hair, he leans hunkered and folded within himself, timid and seemingly conscious of how he occupies space. His jacket droops over his shoulders, eyes downcast even as you approach. He has a sketchbook in his hands, concentrated as the pencil moves across the page in fast, gentle strokes. You see an impressive likeness of the piers and Bucky’s distant figure in charcoaled lines.

“That’s really something.” You say.

He jolts so hard the paper tears and he crumples it into his fist in a single motion. “Huh?” he answers. When he looks to you, you realize his eyes are a pretty shade of teal. He flushes, petrified, the tips of his ears coloring pink. You feel horrible when he goes to pocket the ball of paper.

“I’m so sorry for scaring you,” you breathe. Gently, you offer your palm to him. “If you’re not keeping it, do you mind if I have it?” You ask softly. A few seconds pass and he shakes his head before placing it in your hand. You unfurl the paper, carefully smooth it out as he watches you from the corner of his eye.

Shyness is a barrier of art you’ve known all too well, from your own experiences in audition rooms to your brother’s reluctance to find a publisher, you understand that sting of insecurity better than anyone. So, you let him watch you as you admire his work, let him know of his talent and let your actions speak for you. You smile and slip the drawing into your purse.

Then, his stomach grumbles audibly, almost comically loud. He folds his arms around his stomach, so tight you’re afraid he’ll snap in half. You quickly reach into one of your paper bags and hand him a sandwich wrapped in cellophane and a can of lemonade.

“Here, let’s trade.”

“That’s awfully kind of you, but I can’t accept..” he starts. The timbre of his voice is surprisingly gallant and sure, pleasant, sweet. You have a gut feeling that the world has been taking advantage of that kindness his whole life, scaring him away from genuine compassion, that everything must have a catch. It makes you press harder.

“I insist. Please. It’s the least I can do for sneaking up on you.” He eyes you warily and again that feeling of regret washes over you. “Consider it payment.” You smile.

Finally, he takes Samuel’s lunch from you and unwraps the sandwich. He eats quickly and quietly, draining the lemonade only minutes later. Perhaps it’s his bony statue, but you feel happy to see this stranger eat.

When he’s finished, he wipes his mouth and turns to you. His lips, pretty, pink, part as if about to speak, yet no words leave him. Instead, he stands frozen with that transfixing blue-green gaze keeping you still, lingering.

That is until a stream of brilliant scarlet red dribbles down his chin and splatters onto his dress shirt. He pinches his nose, doubling forward and his flustered complexion matching the blood spilling from his nostrils.

“You must be Steve,” You laugh lightly and quickly hand him your handkerchief of cream yellow lace and embroidered flowers. You help steady him as he keeps his head tilted down. “Bucky’s told me all about you.”

Steve groans and presses the handkerchief to his face, blushing all the way down to his neck.

Steve returns your handkerchief days later with an embarrassed hush, carefully cleaned and laundered. It smells of lavender and clean linen and the image of him working the fabric between his thin fingers with soap and suds warms your heart.

You tell him it’s his. He blooms and keeps it neatly folded in his breast pocket.

You and Steve quickly grow close in the hours you spend together waiting on Bucky and Samuel. You pack extra lunches for him and sit by the piers chatting, skipping stones as Steve sketches the Brooklyn skyline day in and day out.

“Draw me!” you tease. “Isn’t that the request that all artists want to hear?”

But surprisingly, he does. He always draws you and Bucky and Samuel with striking, intimate familiarity. His sketchbook gradually fills with portraits and pictures of you, sketches that could put your very headshot to shame.

After their usual shifts, the four of you head to the drugstore for your ritual of sodas and sundaes. Two pairs, brother and sister and brothers by blood enjoying a rare wartime treat. With the rations on sugar, it’s a special and memorable circumstance just to be together and sharing something sweet.

It’s there, at your corner booth in Wolfe’s Pharmacy over ice cream, that Bucky opens up a paper for that night’s television network schedule and sees your name.

His eyebrows shoot up. “Dot,” he says. “What do others call you?”

Defeated, you twist your lips, hesitant to break the short spell of normalcy you’ve had with your new friends. Samuel sips at his Coke with a silent grin.

Time for the truth to come out.

“Well, ‘doll’, by Stevie,” you giggle and toe Steve’s foot under the table. Steve shyly shrinks back into his seat. “But CBS calls me Lola.”

Bucky’s jaw drops.

“Get out of here. You’re pulling my leg..”

“I absolutely am not.”

“Sammy, tell me she’s pulling my leg.”

“She’s not.”

Two pairs of brilliant blue eyes dart between you and your brother. Bucky’s face breaks into an open smile, laughing. Steve lurches forward.

“Have you ever met anyone famous?” Steve prods with a hint of that honest, innocent charm.

You wrinkle your nose sheepishly. “Mason Cook?”

“Who?” Bucky asks around a mouthful of sundae.

“Exactly.” Samuel snorts.

“Well, I’m sure he’s very talented.” Says Steve.

You swipe his maraschino cherry and let the stem dangle between your lips. “At least Stevie believes in me.”

“Dot, honey. I saw your pilot episode. If anyone’s a fan, it’s me.” Bucky feigns hurt, hand to his chest.

You stick out your bottom lip before sucking in the stem, working it into a tight knot in your mouth. “Are you still gonna be when your girl is signing autographs with John Wayne?”

You place the knotted stem on your napkin. Bucky nearly chokes.

“I better be.”

Samuel coughs. Steve giggles.

You thank your stars that your secret doesn’t change anything between Steve and Bucky. They treat you just the same; as Samuel’s baby sister who tags along with the boys. The teasing, the fleeting looks all unchanging.

Girls, you’ve unfortunately realized, are catty and mean. You’re competing for roles, after all. But with Bucky and Steve, your first taste of homecoming since moving to Brooklyn, you don’t have to worry about silly competition, or fame, or being the best in the room. They keep you level-headed, reminding you of your girlhood and life’s simple pleasures.

Bucky drives you and Steve around town in the company truck on weekends. Hopscotch and jacks on brick roads and warm nights, watching sunsets until the sky blushes peach and mango yellow at Coney Island.

A Saturday afternoon on Rockaway Beach, a vacation for you all after a draining week of work and auditions when Bucky promises to win you a stuffed bear when he sees you eyeing the one on careful display.

“Buck..Bucky, give it a rest, we can try the next one.” Steve chides.

Another plastic ring pings off the neck of a glass bottle. Bucky curses, rings his hands together and slaps another dollar onto the counter.

You and Steve trade looks. Bucky’s been at it for ten minutes. At this rate, you know you’ll be walking on the train tracks home tonight.

So, you and Steve huddle close and cheer him on. Do it for our doll! says Steve. Finish it so you’ll stop wasting money, you dolt! you cry. Hell, even the vendor finds it humorous and joins in.

And when Bucky wins that grand prize and you’re handed a teddy bear as big as Stevie, you hoist it on your back, careful to not let it touch gravel or dust as the three of you walk in line with the train tracks later that evening.

Paradise, a sheltered haven from the broken landscapes and realities that the European newsreels broadcast home in grim black and white.

True to Bucky’s word, they become your biggest supporters, helping you run lines and monologues and accompanying you to auditions. Bucky’s not bad for a scene partner, and Steve’s awareness of emotion and character motivation is impressive.

The attention you receive from casting directors and auditionees doesn’t hurt your chances either, lanky Steve and smoldering Bucky wishing you luck before stepping into the green room.

You book a drama. Then, a short film. Then another. You call them your lucky charms.

And when your humble little short film “premiers” at the corner cinema, squeezed in between an empty noon showing of a cartoon rerun, Steve and Bucky whoop and holler when your character is shown on screen. They throw popcorn and gumdrops, jostle you by the shoulders. Bucky even runs down the aisle and mimes kissing the projector screen.

“That’s our girl! That’s our Dot!”

The usher threatens to throw you out. Steve tells him you’ve paid good money for your tickets and you’ll stay and watch as long as you please.

The following week, you’re scouted by Peggy Carter.

Your world, your career will never be the same.

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