#Literally a case of 'my characters are writing their own stories and I'm just as surprised as you'

[foxblaze]

Sorry it's been a while since I've posted any art, the heat has been killing my art drive, and I got busy with a convention. But here's what I have so far for Sandstorm! Out of all my characters I've drawn, she's definitely gone through the most significant design changes. I think the funniest part is before I got the idea of having cross breed pokemon show the father's traits, she was just a normal eevee. Then she ended up being a giant eevee. Then I decided to give a reason for that since she's literally double the size of a normal eevee and it's hard to chalk it up to 'normal size variations' and have it believable 🤣

For now her father is a secret, as it is a HUGE part of her backstory. And since Eevee are genetically unstable, i decided that would have an effect on how traits are passed down. I can't wait to see what people try to guess 👀

[sskk-manifesto]

Ep 5!!!

[irregularbillcipher]

going over old fic notes and outlines and character talks with friends and it's always really funny when i get to the stuff i was developing early-mid 2019 where bill just literally kept kryptos around to rag on, and he genuinely just. did not like the man. like was just completely annoyed with his general existence. boy have things changed

[gods-perfect-idiots]

Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)

Long rambly post below the cut fyi

Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imo given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.

Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief, trauma, and guilt over losing her due directly to his violent lifestyle. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, even excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family, and trying to reach across the boundaries of death to be with her.

Now, my first couple times watching dp3 I was frustrated by the trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled with a very light touch by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here), which for the record I am not against because I think it lends it an air of realism. This is Wade's story after all, Vanessa is a part of it but it is ultimately about him and his journey.

Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) led to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.

It's important to note that I don't think Vanessa has any recollection of her own death, given that Wade goes back and saves her before she can take the bullet, and so of course she can never fully fathom what Wade went through grieving her and their life together and their potential family, for however long he spent between her death and bringing her back with Cable's device. She can try (and she clearly does in the one scene I'll talk about next) but I fear she accepts, maybe even in that scene, that she can never succeed. He is beyond her reach by this point, and vice versa, his experiences having fundamentally changed him.

The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with (not even selfishly - to her nothing has changed really, because to her no time has passed). But not only does he not understand what she's really asking for but he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc. And he's not the Wade Wilson she met back in dp1 anymore. He watched her die and grieved her and brought her back, believing it would make everything go back to normal and they could resume their life together as if nothing had changed, but he has been fundamentally changed in a way that she can't grasp, even if he WAS good at externally processing his trauma openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before, but HE'S different now. Not wrong, per se. But changed.

It's an interesting scene because it's obviously a memory, and a crucial one at that, but you can see how Wade is misunderstanding what she's saying, viewing it through the prism of his own lack of self-worth and his own hopelessness - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down, hence why his fixation on mattering even though she never said those words exactly), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating as an audience member to witness as a pretty simple misunderstanding which could potentially be solved with one conversation, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma, and the on conversation they would need to have to rectify the misunderstanding is one that is impossible for Wade to verbalize and equally impossible for Vanessa to conceive of. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even, and that's not even factoring in the possible mental illnesses he now struggles with (I've seen folks suggest schizophrenia, DID, depression, etc. but I won't get into armchair diagnosing a fictional character here - suffice it to say he is canonically unwell as a result of what has happened to him, and yes it manifests as quirky fourth wall breaks and cheeky one-liners, but within the universe of the movies he is undeniably profoundly mentally ill, and that includes this humorous alter ego he created to cope with his trauma).

I think off-screen Vanessa probably really tried to reach him, maybe for years (the six year gap implies to me that they didn't break up immediately, that they tried for a while to stay together), trying to get her Wade back, but that Wade is gone. He struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed, because even he can't fully conceive of the gulf that has formed between them. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.

Anyway, all this is to say, I think Morena Baccarin WAS criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup regardless. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is mind-bogglingly enormous trauma. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them even if they managed to die natural deaths. The moment he gained his powers he was already destined to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.

I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends after mere days of knowing him, who comes home with him at the end of the story, who breaks his own centuries-old patterns, who has also experienced unimaginable grief and trauma, who has struggled with wanting to die and being unable to, who not only matches his crazy but matches his FREAK and also not only won't die on him but CAN'T die on him - and more importantly cannot be randomly killed by a stray bullet.

Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief, guilt and emotional damage at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.

You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his welcome home party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, she has let him go and accepted that the Wade she fell in love with is gone, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively). And she wants him to be happy which is why I fully believe she would immediately clock the Poolverine of it all and not-so-subtly encourage them to make it official.

Anyway. Poolverine forever. Nothing against Vanessa at all - I think she delivers a nuanced and beautiful performance, I think their relationship is sweet and heart-wrenching in large part due to her acting chops, especially given how little she is given to work with - but I think their relationship was sadly doomed from almost the very start, because Wade becomes this traumatized superhuman and Vanessa would always be at risk in his orbit, but also would always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.

Anyway... thoughts? Please DM me or write in the tags, I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!

[shera-dnd]

I have decided against my better judgement to be weird about the Dawntrail MSQ

and we can't talk about an expansion set in the fantasy americas without talking about

COLONIALISM

oh yeah, we're going there baby

So disclaimer that I may be brazilian, but my ass is white as hell, so take everything I say with a grain of salt. Also if any native americans have made posts on this please let me know so I can boost their analysis as well

Also also I'm more than happy to delete this post if I mess up. I'm genuinely trying to make a thoughtful analysis, so if I fuck up just say the word and this thing is gone from this website

Oh also also also, Dawntrail MSQ spoilers ahead!

So FFXIV has had a... messy relationship with colonialism over the years

The fact that the major antagonists for the first half of A Realm Reborn a literally called "beast man tribes" is absolutely not a good start to this story

Add to that the fact that The Twelve (Eorzea's gods) are shown to be kind all powerful deities, while the Primals (the tribal gods) are evil spirits summoned to bring destruction to the world

and yeah no ARR is not good with that shit. It's EXTREMELY not good. If I hadn't been told it got better later on I would have dropped this shit before I got to Titan

But they have been taking steps to unfuck things. First we're shown that even the "civilized societies" (in this case the catholic elves) can summon Primals, then that Primal summoning isn't an actual native custom but was introduced by foreigners with malicious intent, and that not all "beast man" practice that

Then they changed the names of the "Beast Man Tribe Quests" to "Tribal Quests" and then finally to "Allied Society Quest"

Which would have been an empty gesture had like half of the post-Shadowbringer patches, as well a lot of Endwalker, not been about forming alliances with those people and working together with them, recognizing that they have as much right to the land and to life as any Eorzean, this all culminating on the Primals being summoned with the express purpose of helping you protect the world you all share

I guess they realized that they couldn't have their big bad for most of the game be the evil expansionist empire, if they didn't like actually reflect in their own imperialist fantasies they were propagating

Then the teaser trailer for Dawntrail drops and everyone in the fandom is like "wait... are we gonna do a colonialism?"

And memes were abound of how all those lessons from before don't apply to the "New World" of Tural

THANKFULLY the actual questline leading to Dawntrail helped to settle some of those worries

We're not going to Tural to explore a new uncharted land, but are actually being invited over by the local royalty in order to aid them with their right of succession. We get introduced to the nation of Tuliyollal and how it's a thriving land with its own culture and not just a "terra nil" waiting to be colonized

Still there are some worries that this is gonna turn out poorly and that we're just gonna end up being white saviors

But I think they managed to avoid that pretty well

For starters neither the Scions nor the Warrior of Light are the protagonists of this story. You're all simply supporting character's in Wuk Lamat's story

A story that centers her people, her culture, and her family

And it's not even one culture. They don't portray Tuliyollal as this monolithic mish mash of every single native american culture

No, the lands of Tural are in fact comprised of multiple different people's and nations, each of them with their own customs and traditions which are informed by their history and the lands they live in

In fact learning about their cultures and partaking in their customs is the whole point of the Rite of Succession. It's all set up so that the next Dawnservant would be someone who understands and respects each of the peoples that comprise Tural

(I could, and probably will, write about what Dawntrail has to say about what makes a good ruler)

And our girl, Wuk Lamat, is shown to be the rightful heir because she really goes out of her way to understand each of the nations and show her appreciation for their customs

Putting her well above her Sharlyaboo brother Koana, The King of Unresolved Daddy Issues Zoral Ja, and whatever the fuck is going on with Bakool Ja Ja

(I joke, I love my two headed traumatized dumbass)

Tho I will admit that this does end up giving the tribes a somewhat "planet of the hats" vibe. Like their named NPCs are diverse and interesting, but you can just assume that most random NPCs of any given people are gonna act according to the stereotype

Which is unfortunate, but I have hopes that with the next few patches and the addition of Dawntrail's own Allied Society Quests, we'll get to see more to them

But that... is only up to lvl95 and the end of the Yok'Tural (southern Tural) segment

because then we get to Xak'Tural (northern Tural) and holy shit does it feel like they drop the ball there

Like they really COULDN'T keep themselves from making Shaaloani a fucking Wild West map

Instead of doing anything with the actual cultures and histories of Native North American people, they just do wild fucking west

Because there's ceruleum in them thar hills! And apparently Koana turned most of the region into Sharlyaboos too

So we get a bunch of Wild West frontier towns mixed with native american tribes and mud brick cities. We have trains and guns and a sheriff and a duel at high noon, but now everyone got native american names

At least there's one group off to the northern side of the map who seems to stick to tradition and live in harmony with nature, and that group is shown respect by the other people of the region

so we at the very least avoid the "cowboys vs indians" crap, but my god does that region just feel bad compared to everything else they had done so far

Then we get to the big twist: THE CYBERPUNK PORTION OF THE GAME

because yes, we go full fucking cyberpunk

so turns out that a whole segment of Xak'Tural got colonized by the kingdom of Alexandria, including the lands of the Shetona (Erenville's people)

And I feel like this is the most poignant section of the MSQ when it comes to colonialism

Because here we have Alexandria, an empire that has reached the limit of what it can do sustain itself on its own world, and so has decided to spread out and colonize others in order to gain resources

We see the Shetona and other natives of the region being separated from their families and kept in isolation from the rest of their people

And tho Queen Sphene is shown to be a kind and caring ruler who gives people a choice when it comes to joining the empire, WELL SHE'S STILL THE QUEEN OF A FUCKING EMPIRE

Like her form of kindness and just stagnant peace is put in stark contrast with Wuk Lamat's own love for her people and more proactive pursuit of happiness and harmony

(again with the "what makes a ruler theme")

Also the people that choose to be assimilated into the Alexandrian Empire? Yeah, they're doing so because Alexandria has advanced medical technology and you can only receive their aid if you're a citizen

Not only that, but you have to be a working citizen. We see later on a character being denied medical aid, because he lost his job, thanks to the King's decision and at no fault of his own

yeah this is cyberpunk, not just sci-fi

ALSO can we talk about how the technology used for that medical aid and the little gizmo they give you to signify you're now a citizen, will literally erase the memory of the people you lost

So the Turali who are assimilated into Alexandrian culture not only lose ties to their culture and their loved ones, but are not allowed to grieve their loss, because what they once had is slowly being erased

How their choices add up to survive on their own OR be assimilated

How this all takes place IN NORTH FUCKING AMERICA!

THE CYBERPUNK CITY IS LITERALLY SET IN THIS WORLD'S EQUIVALENT TO THE UNITED STATES

So yeah, I don't think is is accidental. I genuinely thing that they're making a point about the realities of imperialism and colonialism, as well as taking some shots at the US while they're at it

Of course this part is still centered around Wuk Lamat, and instead of having a moment of "the only ones who can stop the evil white europeans are the GOOD white europeans", we have Wuk Lamat be the one to save the day, defeat Sphene, and save her people from the colonizing empire

So I would like to argue that everything that happens from lvl97 onwards is them picking up the ball again and making a real point

buuuut that comes at the cost of us being unable to engage with the native peoples of Xak'Tural outside of the context of colonialism

Which genuinely fucking sucks, and I hope it will be remedied with the post-Dawntrail patches

As well as handling the whole shared land situation they ended up with and how this might end up in a Land Back sort of movement, and oh boy can they mess shit up royally there

So in conclusion FFXIV has had a messy relationship with colonialism and imperialist fantasies and tropes, but the devs seem to be making a concerted effort to undo their mistakes and show respect in their depictions of american natives

They still fuck up

boy do they

but they're at least trying, and I'd say Dawntrail so far has been quite well executed

so yeah, look forward to more insane rambles like this one I guess

[restlessmaknae]

crush into you // myung jaehyun

When you literally crush into Jaehyun on your way to an interview, the boy manages to spill iced coffee on your blouse. That's how you end up wearing his own blazer to the interview to cover up the spot, and the rest is history.

➳ Characters: uni student!Jaehyun x uni student!female reader/you

➳ Genre: meet cute, slice of life, uni au, fluff

➳ Words: 3k

➳ Warning: mentions of foods

➳ A/N: This story had the second most votes in my recent poll, so here it is. I'm really enjoying their comeback, so it was very easy to write a story about Jaehyun. I hope you enjoy it as much as I enjoyed writing it! ❤️

➳ Taglist: @s00buwu, @dat-town

Your days were carefully planned out with written to-do lists, calendar apps filling up your phone, and multiple scenarios made up with every plan that you might have. Just like today when you were about to go to an assessment centre as part of a job interview: a 3-hour selection process with an hour of group work, an hour of one-on-one interview with the hiring manager alongside an HR specialist and an hour for individual tests. You planned out when to leave the flat, when to get on the bus, which bus to take in case you didn’t manage to get on the exact bus you wanted and when you could possibly leave your neighbourhood the latest in order to still get to the company in time.

Myung Jaehyun’s days, on the other hand, were a hot mess. He was frequently running late from classes, group work meet-ups and dance practices, high on adrenaline and energy drinks. No one blamed him because the moment he flashed a smile, it was game over for them. Taesan might have given him a bombastic side eye for such a comment, but it was rare that anyone really reprimanded Jaehyun for being a bit too hyper, a bit too all over the place and a bit of a kid at times.

So when you literally crushed into him as you turned a corner towards the company and he was running around with his iced coffee in hand, trying not to be late from a class, on his part, the collision wasn’t that unexpected.

On your part though, it totally was.

“Oh my gosh, I’m so so sorry,” the boy exclaimed first things first just at the same time as you started apologising to him, but when you felt an odd cold sensation around your abdominal area, you immediately looked down at your white blouse, your lips parting in disbelief.

“Oh nooo,” you pouted, looking at the brownish spot on your white blouse caused by his coffee, multiple scenarios crossing your head as to how to fix this. You didn’t have enough time to go back to your flat to change, you weren’t familiar with the area, so you didn’t know whether they had a clothes shop around, and you didn’t know whether trying to get the stain out would only make it worse and the spot more noticeable or not.

“Oh. My. Gosh. I’m so… very… sorry,” the stranger reacted more dramatically than you would have thought so, all wide eyes and exasperated expression tinting his otherwise boyish features, messy jet-black locks falling into his eyes. As opposed to your business casual style - white blouse with black cotton pants and high-heeled sandals -, he looked more like a sophisticated yet fashionable guy around campus with his burgundy sports shoes, leather pants, a simple white tee, a black blazer and multiple accessories crowning the look from rings on his fingers to necklaces gracing his skin. You couldn’t have looked any different at that moment.

“I’ll make it up, I promise. Are you in a hurry, are you heading somewhere?” He asked nevertheless, his puppy eyes also in contrast to his whole appearance.

“Well, yeah, I’m going for a job interview. I’ll have to be there in 15 minutes, and it’s still like a 5-minute walk from here.”

“Oh no, that’s not good,” he shook his head, and with the hand that didn’t hold the half-empty cup of the rest of his coffee, he scratched the back of his neck. He bit down on his lower lip, clearly in deep contemplation, and you were about to end this whole conversation when his actions made you freeze on the spot. In a whirlwind moment of events, he threw his cup into a nearby trash can, got a tissue out of his pocket to clean his hand that the coffee also spilled onto and slid the blazer off himself to reach it out to you. “Here, take this. It might be a bit big on you, but it will cover up the spot nicely, and I think it will go well with your outfit.”

“But…”

“Please, take it. I don’t really know what else to do right now, and you have a job interview in 15 minutes, and I’m terribly sorry, and I don’t want you to mess it up because of me. So it might be worth a try? I don’t know, I just…” The boy kept talking on and on, his voice cheery yet also filled with guilt, and seeing his puppy eyes shining with genuine care, you didn’t have the heart to say no. What could possibly go wrong about trying it on either way?

“I was about to say that it’s actually a pretty smart idea,” you pointed out as you reached out for the blazer, and the boy’s face lit up fully when you complimented him. He flashed you a wide, toothy grin, his smile pushing his lips closer to his eyes, so much that his eyes almost disappeared while he was smiling at you.

The boy even offered to hold your bag while you put the blazer on, and since it had two buttons on the bottom, it allowed you to fully cover up the spot as if it had never been there. He was right though, it was big on you, but oversized was in fashion these days, right?

“Oh my gosh, it really does fit you,” he pointed it out in a similarly excited manner as before, and you smiled back at him, forgetting for a moment why you had even been wearing his clothes. Just for a moment though, you were back to your planning self within a second.

“Thanks for your help, but I really need to go now. Would you give me your number, so I can give it back to you later on?”

“Yeah, yeah, sure,” he said as he fished his phone out of his pocket to exchange contacts with you. As you locked your screen after saving his number, you looked up at him, into his shining jet-black orbs, and for a moment, you didn’t know what to say. Gosh, your days were always so planned out, plan Bs and Cs tucked into your mind with every scenario that you could imagine, yet this, this was exactly the kind of thing you could not prepare yourself for. No wonder you were awfully unprepared for what to say.

Luckily, he was the one who woke up from his stupor first as he announced:

“Let me know how the interview goes. Good luck! You’ve got this!” He cheered you on as he threw his balled fists into the air, and off he went, the picture of his wide, toothy smile and his shining eyes difficult to forget even if you had more important things to concentrate on.

You agreed on meeting at a café a few days later. Those few days were enough for you to wash and dry clean the blazer, and to get a gift bag, so you could give it back to the boy (Jaehyun based on his KKT ID) in a presentable manner. You were supposed to be early for your agreed meet-up as you made your way to the café 10 minutes earlier, but you already found Jaehyun sitting at a corner table, scrolling through his phone and occasionally laughing out loud at whatever he was watching.

Jaehyun was not supposed to be early for your agreed meet-up, but given your well-prepared state the last time you had met, he started wondering where you could be at 15:15 when he had thrown himself into the café, totally panicked that you must have already been sitting there. Only to realise upon checking your messages with you that you had actually agreed on meeting at 15:30, meaning that he was actually 15 minutes early, not 15 minutes late. Not too bad for someone like him though.

So when you walked up to him and your voice dragged him out of his mindless scrolling, he flashed a wide smile at you, the one that had been engraved into your memories since your first encounter.

“Hey! Have you been waiting for a long time?” You inquired curiously as you hopped down on the chair on the opposite side of the table. Jaehyun let out a semi-embarrassed chuckle, one that made you furrow your eyebrows in question, although the smile was still playing on your lips.

“Well, that’s a funny story,” he started with a scratch on his neck before he continued with the story. “I thought… no, I was convinced that we were supposed to meet at 15:00, and so, I was fashionably late as usual. You know how I said that I’m usually late, but I’ll try my best to come on time. When I didn’t see you here at 15:15 when I got here, I checked our conversation on KKT, and it turns out we were supposed to meet at 15:30, so I was 15 minutes early.”

“Oh my gosh,” you couldn’t hold back your laughter as you were listening to his explanation, and the way he told the story made everything ten times funnier. He used wide hand gestures while speaking, and he played with his tone to deliver the parts of the story even more clearly. The boy laughed at himself too, so it didn’t feel weird laughing at his antics, something so unlike yours.

After pulling yourself together, you gave him the bag with the clean blazer, yet, he insisted that you shouldn’t have cleaned it yourself and bought a gift bag for him in which you delivered it. Hearing that, you insisted that crushing into him was partly your fault, and he did save you from having to sit though the 3-hour selection process with a visible coffee-stain on your blouse, so this was the least you could do. Plus, even though you didn’t say it out loud, you found it cute how he had asked about your interview afterwards on KKT (what position it was for, what company it was and how it went), and how delighted he had been when you had told him that you think you had done well. He had sent some encouraging memes in return (like the kid with his balled fists and a determined face), and just the thought that pretty much a stranger like him could be so happy and cheer you on eased your frazzled nerves post-interview.

You ordered your drinks while he was asking about your days and how you had been since you had last met. That’s when your phone buzzed, and seeing the company’s name on the screen that you had interviewed for, you immediately reached for it. Swiftly, you unlocked your screen and opened the message, only to let out a little bit of a squeal when you saw that you had gotten in.

“Oh my god, what is it?” Jaehyun asked, and his confusion was written all over his features when you looked up from your phone.

“I’ve got the internship! I’ve got in!”

Immediately, the boy’s features softened, and his lips pulled into a genuine, wide smile that could outdo the sun, his jet-black orbs twinkling with joy.

“Wow, congrats! That’s so cool!” He beamed, practically as excited as you, and clapped his hands enthusiastically. You could see from the corner of your eyes that you got some stares from the people nearby, but you couldn’t care less in your state. Finally, you landed an internship offer! “It’s totally the blazer’s doing though,” Jaehyun added cheekily, his smile turning into a crooked, almost cocky one.

“Yeah, totally, me and your emotional support blazer against the world,” you replied in a similarly teasing tone, and let out a laugh at the same time as the boy did. Gosh, who would have thought that you would meet him for the first time on the day you interviewed for the company, and you would meet him again when you were notified of your result?

Maybe he was really your lucky charm.

“You gotta celebrate though. Let’s order cake! I think I saw some cakes on the menu, and before you object, it’s on me,” the boy announced matter-of-factly, and grabbed a menu from a nearby empty table. You shook your head, seeing his pumped up state, since you couldn’t believe that he was so supportive of you. After all, you had barely met a week ago, and still, he acted as if you had always known each other, and it warmed your heart.

In the end, you did order some cakes (and you let Jaehyun pay for them), and while you were munching on them, you talked… and talked… and talked some more since it seemed that you could never run out of things to share. First and foremost, Jaehyun always had a story to share - mostly chaotic, yet partly cute ones -, and even if he didn’t, he always asked about your side, and it was just so easy to talk to him. Usually, you needed some time to open up to people, but he made talking to him feel so easy, so light, so comfortable.

Your favourite was when he insisted that he looked like a wolf, and pouted when you agreed with all his friends who said that he looked more like a puppy. When you added that if not a puppy, you saw him as a bunny, he perked up because that was the first time he heard about it. Never have you ever thought that a boy like him could get so specific about the animal he resembled, but you let him talk about it all he wanted to see those eyes shining so bright, to see that smile stretching so wide.

You packed up only when the waitress came by to tell you that you were nearing closing hours, and if that wasn’t a sign that you did lose track of time beside him, you had no idea what could indicate it more that beside him, you wanted to stop time, not wait for it to go by faster.

You had one crush in your whole life, and that had been when you had been 12, and the new kid had entered your class, and he had sat beside you. Said kid had turned out to be a total nutcase when he had opened his mouth, and you had officially dropped your crush 3 weeks into the new school year, and ever since then, you had never felt butterflies in your stomach, let alone declare your love for someone.

Until him.

Jaehyun had too many crushes in his life to count. His heart was just as erratic as his life, and it’s not that he was playing with others’ feelings, it’s more like he had too much love and joy to give others, but they didn’t always appreciate it. He fell in love easily, only to have his heart broken even more easily because his crushes had never liked him back.

Until you.

At first, you didn’t know if he felt the same way because he seemed so casual, you found it hard to believe that he could see you as more than a friend.

At first, he didn’t know if you felt the same way because you seemed so cool, so put together, he found it hard to believe that you could see him as more than a friend with his very different (and very chaotic) self.

Then, you started picking up on the signs: the way he showed you his dance practice routines to ask for your opinion when it was just the two of you at the dance studio he attended; the way he was ever so oblivious to the barista girl at a café because he only had eyes for you; the way he always asked about your day on KKT and sent memes to match your mood; the way he remembered every little thing - the date of your first 1-on-1 with your manager during your internship or when you would go to the dentist - despite telling you that his memory was terrible, and when he sent you photos of clothes that he thought you would like when he was shopping.

Then, he started picking up on the signs: the way you always gave him a detailed feedback on his choreographies when he asked you to even though you said you didn’t know anything about dance; the way you totally didn’t want to acknowledge that a guy was trying to flirt with you when you went to the cinema together and said that you were with Jaehyun as if to signal that there was no room for anyone else (his heart did a thing there, he couldn’t lie); the way you always knew what to say when he doubted himself or he was under the weather and sent him songs to make him feel better; the way you remembered every little thing - his favourite colour, the brand of his favourite snack and the plushies he wanted to win in the arcade game -, and how you kept bringing up his emotional support blazer because this was your little joke, this was your little thing.

No wonder this was how he confessed: buying you the exact same blazer in your size, and saying that you could think of it as your own emotional support blazer from now on or a couple item, you could choose.

And you would be foolish not to choose the latter.

A/N: Hope you enjoyed this story of mine! Let me know what you think!

If you want to read more stories of mine, let it be for BOYNEXTDOOR or for other artists, consider signing up for my taglist here.

Hope you have a lovely day/night! Take care! ❤️

[ziorre]

✨Commission info✨

I'm ready, I'm rested, I'm refreshed! And I'm completely charged to take care of your new ideas and characters!! I truly believe that every character is awesome and original and deserves to be shown with their own story! And I'll try to help you with this in a way that is more convenient for you! You just pick one below ;)

✨ PRICES:

- SEMI-REALISTIC STYLE (for the cases, when you want it looks more real without much stylizing)

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* you can find more examples on my page by the commission tag ** a helpful post describing a right order for your refs

✨ DEADLINES: After you DM me with a brief description of your idea, I’ll tell you the approximate date when I’ll be able to proceed with your commission  !!!!Always warn me in advance if I need to draw art by a certain deadline!!!

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✨ OTHER: - I don’t correct the art after you approved the finished version. - I don’t copy other artist’s work. - I publish every commission on my social media, if you don’t want it to be published, just let me know. - If you’re not sure about the art idea, I can suggest you 4 sketches with different poses/concepts/angles for extra $20 and you pick the one you like the most. - For significant corrections or a lot of small ones at any stage of work, an additional fee may be charged (this doesn’t apply to some small adjustments or details witch I missed). There are 3 free changes at the each stages of the work (sketch, finished version), further - $2-$5.

___________________________________

And of course I can't skip to say a huge thank you to those who commissioned and continue commissioning art from me! It means a lot! For real! This is not only material support, but also moral one, saying that I’m not wasting my time and energy in vain, that I’m moving in the right direction, that people like what I do! I can't tell how inspiring it is!! 300 commissions! I’ve never imagined that one day I would draw so many art for others! Just.. wow!! Thank you again so much for trusting me bringing to life your ideas! I truly appreciate it!😌

____________________________________

I think this is it, right? If you have any questions, feel free to DM me ;)  

I’ll be VERY grateful for your reblogs!! ❤❤❤❤❤❤ (and thank you very much for this in advance, it helps me A LOOOOOOOOOT, you are the ones who keep me alive literally! I see each and every one of you doing that! You’re the best!!!) Thanks for your attention! Have a good day =)

[yumeka-sxf]

I try to stay away from negative topics, but after hearing talk on social media yesterday and seeing this post from @such-a-downer, I just had to give my two cents about the complaints regarding yesterday's chapter being "another short mission" and that Endo is somehow being "lazy" or whatever.

I honestly don't understand this mentality of criticizing manga-ka, or any artists really, because they aren't delivering by whatever standards you personally think are appropriate. To me, it just seems like entitlement because Endo has no obligation to cater to any specific fan's wants. This is his story to tell the way he wants, and his characters to develop at the pace he deems fit. This isn't a business contract where we're paying him to deliver content we want every two weeks without fail. If I'm consuming the fruits of someone's creative labor for free, I certainly feel no right to complain if sometimes their content isn't what I wanted or expected. I'm fine with that because 1) I know it's what they (the creator) wanted/needed at the time, and 2) even if a particular chapter wasn't my cup of tea, I know other fellow fans out there somewhere are enjoying the heck out of it, and that's cool!

We also have to remember that SxF is basically a one-man show. If Endo is busy or sick or whatever, it's not like he can have someone fill in for him to write and draw the series. That's what a hiatus is for, that's what making a short chapter instead of a longer one is for...that's how artists should be treated so they don't get burned out and stressed. Plus, art shouldn't be rushed. Any artist knows that there are times when you have trouble coming up with ideas and maybe need a little extra time to develop a more complex section of the story. To immediately jump to conclusions that he's lazy or doesn't know what he's doing is ridiculous. Maybe he didn't feel good for a few days, maybe he's been busy with other SxF events, maybe he just needed more time to get a particular future arc developed, or maybe he just has basic IRL obligations to take care of like we all do...you don't know what's going on in his life, so don't make assumptions.

Another thing to keep in mind is that it's literally impossible to please every fan. One of the comments I read for example, someone was ready to drop the series because we haven't seen much of Yor in "a while." All I could think of was "didn't she just have a pretty big role only four chapters ago when they went to the ski resort?" Plus she was the star of chapter 91, which was less than ten chapters ago. So according to this person's standards, four chapters without seeing a particular character is "too long"? What if it was only three chapters, would that be acceptable? It's not right to push our own personal standards of a series' pacing as the "correct" way: some people want to see more of character X while someone else wants to see more of subplot Y, so should both complain that the manga-ka isn't doing right whenever they focus on something else? I'm not saying you shouldn't make criticisms of a manga-ka's work, but the criticisms should come from within the narrative itself, not superficial things like chapters focusing on subplots/characters you don't want to see or not having enough "plot-advancing" content when it's not a plot-focused series.

People who have read SxF up to this point should know the general flow of the chapters: mostly slice-of-life episodic, with more plot-heavy, intense arcs once in a while, like the cruise arc and bus arc. It's an ensemble series that spends most of its chapters focused on at least one of the Forgers, but occasionally other characters here and there. That's how the series has been for years and will likely continue to be. So if you keep complaining because you only like the dramatic story arcs and not the "nothing happens" episodic chapters, then maybe the series just isn't for you. It's totally fine if that's the case, but don't act like Endo is doing something wrong because he's not providing the particular thing you want in his story.

To summarize, Endo has no obligation to cater to particular fans' standards, just as we have no obligation to keep reading his work if we don't like it. But being a fan to me means respecting the creator's pace and vision even if it's not always what I personally want. I can find something to enjoy in every chapter because I'm a fan of SxF, not a fan of one particular aspect of it. But I also will not complain every time my tastes aren't being catered to and will simply occupy myself with other things while I wait. What's the big hurry, after all? I'm in no rush for SxF to wrap up its plot and I'm glad Endo isn't rushing either.

And that's all I'm gonna say about this topic, lol. On a happier note, I'm going to finally see Code White on Thursday! 😁 More to come later~

[powdermelonkeg]

just saw ur gale/mystra analysis post. im new to the game and dnd lore and honestly… ur take on their relationship feels like the most natural/compelling one??? esp since its all too easy to simplify topics that have many facets and nuance….

thanks for sharing i love analysis and reading people’s takes on narratives : D

My pleasure! (Bee from the future here: congrats, you spawned another meta!)

I love complicated characters, WAY more than I like a clear cut-and-dry case. Flaws, to me, are what make a character compelling and lead to interesting stories about them with choices that can get them into situations. I'm both writing a fanfic and running a campaign where I'm playing as Gale, and in the interest of portraying him properly and in-character, I've gone into SUCH a deep dive into all the decisions and facts that make him him.

It helps to, y'know, also be in love with the fictional wizard, but I digress

The thing about Baldur's Gate 3 is that no character in there is perfect. I've seen a couple analyses about the theme of continuing cycles of abuse vs breaking out of them, but in my mind, in terms of the characters themselves, it goes like this:

The origin characters have just come out of the lowest situation of their lives (Lae'zel being the exception; being tadpoled is a gith's worst nightmare. You're seeing that lowest situation in real time).

Not the lowest point, mind. Gale's lowest was probably the day after he got the Orb. Wyll's was probably the day his father cast him out. Karlach's was the day she lost her heart. But the lowest, accepted normal for them is what they've just left.

They're then thrown out of their depth and forced to rely on you to live. That's #1 priority: living. We get the extremes of these characters before we get their nuances, because they're quite literally at their breaking points.

Then once we get to know them, we see their wants, their hopes, their fears, as they open up to us. Every companion's story is at their own pace, but they all have a moment where they ping-pong between despondency and desire. Sometimes that desire is what we know isn't good for them, like Shadowheart wanting to be a Dark Justiciar. Sometimes that despondency is only for a flicker, like Astarion's realization that he's condemned 7000 people to a half-life of tortured spawnhood for as long as he's been a vampire.

Romance lets us crack all that open more, because if you pursue a romantic partner, they see you as their closest confidant. They WANT to trust you, so they're more willing to explain how they see the world and what decisions they want to chase.

And then their endings. Those often get simplified as good/bad, continuing the cycle vs breaking away from it. But how is Duke Wyll on the same platform as Ascended Astarion? He's not evil, he's not even entirely unhappy. He might even have broken out of his abusive cycle with Mizora, if you played your cards right. And Ascended Astarion is overjoyed, even if he is remarkably more cold.

I think that the endings are less a dichotomy of "this is good for them" vs "this is bad for them," and more one of "bringing out their best traits" vs "bringing out their worst."

Wyll's worst trait is being willing to sacrifice his own wants for whatever people desire of him. His best is standing for what he believes in and ensuring people are safe. Duke Wyll leans into that necessity to turn the other cheek in the name of people who count on him, while the Blade of Avernus has seized that moral compass of his and forged it out of mithral.

Shadowheart's worst trait is blind obedience at the cost of her individuality, while her best is her desire to be kind to things that don't deserve to be hurt. Mother Superior Shadowheart's whole life is defined by Shar. Selûnite Shadowheart's life is defined by her hospitality, especially towards animals.

Karlach's worst trait is how willing she is to accept that things are (to quote her) fucked, letting despair override hope. Her best is her durability in the face of horror. Exploded Karlach would rather die than try to work out a solution in the Hells, because she's terrified of facing Zariel alone. Mindflayer Karlach has accepted her fate and decides to give up her heart and soul to go out a hero, losing who she is. Fury of Avernus Karlach is willing to keep fighting for a solution, and by the time the epilogue happens, she's got her sights set on one.

Astarion's worst trait is his desire for power over people. His best trait is using the tools he has to his advantage. Ascended Astarion has let his powerhungry nature and paranoia lead all of his decisions, with his sights set on dominating mankind. Spawn Astarion has embraced what he is, and carved out a life for himself where he can do as he pleases.

Lae'zel's worst trait is her blind fanaticism, while her best trait is her individual dedication, making her loyalty a marriage of the two. Ascended Lae'zel is a meal for the lich queen, turning a blind eye to all Vlaakith's tried to do to her and literally being consumed by her fervor. Champion of Orpheus Lae'zel has turned her loyalty into something productive for diplomacy. Faerûnian Lae'zel has seized her individuality by the throat and decided her own future.

And then Gale. Gale's worst traits are his hubris and, paradoxically, his low self worth. His best traits are his creativity and wonder for the world. God Gale is the embodiment of ambition, having burned away all but that in pursuit of perfection. Exploded Gale has let his remorse blot out all hope for a redemption in which he does not die, because he thinks he's earned it. Professor Gale leads his life by embracing the school of Illusion and letting his creativity thrive, teaching others to do the same. House Husband Gale has multiple creative projects he's working on, and Adventurer Gale is always finding new sights to see and wanting to share them with you.

There are arguments to be made on which ending the origins are happiest in, certainly, or which one benefits them the most, but each ending represents the extreme of a facet they possess.

So with all that, there's a sort of malleable method to figuring out the ins and outs of a character.

You take their endings—all of them, all variables they can have—and reverse-engineer the flaws and details they carry. Then you start to notice how those work into their approvals for minor things: Astarion approving of your taking of the Blood of Lathander, or Shadowheart approving of standing up for Arabella. Getting a list of approvals and disapprovals is helpful, but having those endings on hand tells you why they react like that to a majority of their decisions.

You take their romance-route explanations of how they act, and apply those to earlier decisions. Astarion's confession to manipulating you and Araj-prompted admittance to using himself as a tool brings to light how he reacts to your decisions, regardless of his actual opinions on them. Wyll's fairytale romance and love of poetic adages speaks to his idealistic nature, and why he takes a sometimes-blinded approach to decisions in which the "right" answer isn't always the smart one.

You take their beginning reactions to stress and use that to measure how future decisions impact them. Lae'zel locks down and gets snappy when she's scared, while Gale immediately turns to diplomacy. Shadowheart has gallows humor, while Wyll turns to quiet acceptance. If they break from these and seem even worse, you know the situation is more dire in their minds than having seven days to live.

And then you factor in all their fun facts and dialogue choices and backstories.

A wizard falls in love with a goddess and her magic, attempts to retrieve a piece of her power for her, is scorned for his attempt and is cursed to die.

Give that backstory to a Tav. Look at how it changes.

A chaotic good wizard fell in love with a goddess, thought retrieving a piece of power for her would be a showy bouquet of love, and was punished for not thinking things through.

A lawful evil wizard fell in love with a goddess's power, snatched the most precious thing she owned, tried to use it to barter his way through to the secrets she kept, and was given a swift retribution.

Same backstory. Same class, same act, same goddess. Wildly different connotations. Wildly different conclusions as to who is in the wrong.

If you take all there is to Gale, all that the game shows us makes up his character, and apply it to this backstory, you get what really happened:

A wizard, enamored with magic, fell in love with a goddess. His desires led him to want more than she was willing to give. In his well-buried fear of inadequacy, he concluded that the reason she wouldn't indulge his ambitions was because he just hadn't proven himself worthy enough. So he tried to prove himself, but he lacked the context for what he was proving himself with. And the goddess, seeing a weapon that had killed her predecessor, saw this ambitious wizard as losing his way and coming for her just like the weapon's creator had. She was angry, she withdrew his link to her, and he didn't know why. So he drew the conclusion that she took his powers to punish him, and let that encompass his fall from grace.

Was he wrong to reach for what was out there?

If you knew that the answers to everything you cared about were not only known, but kept by someone you loved—someone who adored you—what would you do to ask to see them? What if your curiosities were if there were other planets with life out there, or how dark matter worked, or whether or not we could one day travel in the stars? What if it was the potential cure to an illness that's little-understood, or the way to make a program you dreamt up, or the scope of the true limits of your artistic talents? Would your answer change?

Was she wrong to cut him off?

If you were once hurt, and the person you loved—the person who adored you—brought the thing that caused it to your door, believing you'd want it, how would you react to seeing it? What if that thing was someone you thought you'd broken contact with, like a friend or family member you'd been trying to avoid? Would your answer change?

That's the sort of scope that needs to be applied to this, on both sides. You have to take the perspectives of each party, and apply two analogies instead of one.

Gale saw the vastness of the universe, untold wonders, the solution to every question he could ever dream up, and saw Mystra as withholding this from him because she thought he just wasn't worthy enough. To claim Mystra knew his perspective does her a disservice.

Mystra saw a cruel weapon she thought long gone, in the hands of someone who could use it, brought right to her, and thought Gale was willingly following the path of Karsus. To claim Gale knew her perspective does him a disservice.

Should Gale have researched his prize more, so he knew just what he was obtaining? Should he have kept his hands off a cursed book that would devour him? Of course he should have.

Should he have given up on chasing his dreams?

Should Mystra have understood that Gale's pursuit of power was nothing like Karsus'? Should she have communicated when she was angry instead of giving the cold shoulder? Of course she should have.

Should she have given him the benefit of the doubt?

That's the root of their falling out. That's what leads to hurt being inflicted. Understandable, human reactions to the situations they perceive. Unhealthy, unwise choices made afterwards.

You work backwards from this to figure out their dynamic as Chosen and goddess. You work forward from this to understand more of where Gale and Mystra are during the events of Baldur's Gate 3. Gale reached too high, and understands this. His goddess hates him, and he regrets this. Mystra isolated Gale, and understands this. Her Chosen wants redemption, and she wants to make it happen.

Just like we took Gale's character into account, we also have to take Mystra's.

A goddess is faced with a problem. She uses someone who's desperate for approval to solve it, by telling him to kill himself.

An evil goddess is faced with a threat to her reign. She sees someone who's unfailingly loyal and hates himself, and elects to have him tear himself apart rather than do anything about it.

A good goddess is terrified of the future. She sees someone who tried to hurt her, who's going to die anyways, and tells him to use it to save the world.

Same story. Same act, same power, same pawn. Different character. Different perspective. Different outlook on whether or not this is the right thing to do.

Mystra has died, multiple times, to people trying to stake claim to her domain. Someone appears with the very thing that could do it again, right as she's regained her stability.

She does not see mortals the way mortals do. She is timeless. She is eternal. She has a duty to protect billions of people, and one person lost to protect that number is more than worth the sacrifice.

People like to bring up the Seven Sisters as proof of Mystra's cruelty. For those unaware, Mystra asked permission to, then possessed, a woman, used her to court a man (with dubious consent from the woman), and bore seven children, all of whom were capable of bearing Mystra's power as Chosen without dying. The woman she possessed was killed in the process (reduced to no more than a husk, then slain by her now-husband, hoping to end her suffering), and the husband was horrified by the whole story.

Mystra needed Chosen in order to restore herself in the event that she was killed again, to prevent magic as a whole from collapsing and wreaking havoc on the mortal realm, like it had in the few seconds Mystryl had been dead. Elminster, Khelben Blackstaff, and the Seven Sisters contributed to this. The more Chosen she has, the better; what happens if Elminster dies? She can't afford to have all her eggs in one basket.

Mystra has Volo (yeah, that Volo) as a Weave Anchor, imparted with a portion of her power to prevent the Weave from shredding itself to pieces in her absence. All Chosen of Mystra are Weave Anchors by nature. The creation of Weave Anchors was mandated by Ao, the Overgod, and Chosen are the best way to make sure those anchors aren't drained by ambitious people hoping for godlike power. Chosen can, and will, defend themselves, unlike static locations (which Mystra also has). The anchors are why the Weave wasn't completely obliterated during Mystra's last death, when the Spellplague rose up, because they stabilized the Weave around them.

Everything Mystra does is in the name of the big picture, to prevent a catastrophe like the fall of Netheril from happening again. Her restriction of magic, her numerous Chosen, her creation of Weave Anchors, her destruction of those who would claim her power, it's all in the name of the stability she's been charged with. Dornal Silverhand's grief and Elué Silverhand's death, while regrettable, were worth it to bring seven more anchors into existence to save all of the Material.

So someone appears with the Crown of Karsus, potentially powerful enough to try to kill the other gods in the name of the Dead Three. She can't risk being a target of them. She can't risk the destruction of magic again.

Gale is going to die. He lives in fear. He begs for forgiveness.

In Mystra's eyes, she's offering him the best outcome. She'll let him die in service to her, to save Faerûn, and she'll forgive him. He's going to die anyways, and if he does this, she'll give him everything (she thinks) he could ever want in her realm. She's asking him to do what (she thinks) is the right thing.

"She would consider what she considers to be forgiveness."

Notably, she leaves the decision in his hands. She doesn't have Elminster lead him to the Nether Brain. She doesn't activate him as soon as he's there. When he lives yet, she doesn't revoke the charm that keeps him stable. And when he declines, when he lets it go and starts pursuing Karsus' path, she doesn't smite him on the spot.

She is (she thinks) being incredibly patient. If Gale is going to try to be Karsus II, she's ready for him. If he decides to walk off and keep the Orb, he's dug his own grave in the Fugue Plane (those who don't have a god to claim them roam endlessly as husks and form a wall of bodies around the City of Judgement).

From her perspective, she's not being unreasonable. But from the perspective of a mortal, she absolutely is.

"Now, I have a question for thee: what is the worth of a single mortal's life?"

This is a question she cannot answer properly.

I think a lot of characterization is lost whenever someone paints one of them as being totally in the right. But I also think you have to be invested in them as characters to want to see that characterization. If you want to write about Mystra, you have to try to get into her head, analyze the decisions she made, figure out why she thinks she was right, and follow the pattern.

Gale's sacrifice is a very predictable thing for her to ask for.

[cbrownjc]

My thoughts about Devil's Minion right now after Rolin Jones' comments (spoilers):

A meta so thorough, that I first wrote in a post/reply elsewhere, I'm putting it into a separate post, (with some more added to it), just because. And especially since I know I've gotten a lot of followers over the course of Season 2 because of my Devil's Minion posts as well, and I want this all in a separate, individual post for quick reference, just in case.

Fair warning: if you are totally happy and fine about what happened -- i.e. how Armand turned Daniel -- then yeah, what I am going to say here isn't for you. I'm not trying to harsh anyone's vibe, especially if you are just happy that Daniel is a vampire now, okay? This is just about how I feel and see things about it at the moment (particularly regarding RJs comments about it). So if you're not up for criticism, critique, as well as speculation about Devil's Minion right now, then yeah. IMO, just skip this post, please.

Okay. So. Rolin Jones just gave an interview with The Hollywood Reporter and this is what he said about Daniel's turning by Armand:

Jones confirms that, just like in Rice’s books, Armand is the one who turns Daniel into a vampire. “Will we see that moment of turning? No, but Armand finally made a vampire and clearly made him out of spite,” he says with a laugh. “It looks like it was really not a great moment [between him and Daniel], but that connects those two characters. They will have scenes going forward, obviously.”

-- Rolin Jones, Hollywood Reporter, 06/30/24

Okay so, to start. For me, someone who has been waiting since 1995 (when I was 17) for Devil's Minion, for Armand and Daniel's relationship to finally be adapted in some way, I'll be honest. There are only two ways this can go now that I can see at the moment: either Rolin is lying/trolling to hide the truth about all of this, or he is telling the truth and this is truly the way they are going with this.

If Rolin is lying/trolling to hide something about all of this, then I'll forgive that lying/trolling instantly once it's revealed that he was. (Put a pin in this.) Having to flat-out lie or troll is sometimes par for the course when it comes to running a show and not wanting to spoil anything about what might be coming up in it. So honestly, if that's what's going on with what he said here? Meh. No skin off my nose.

If he is telling the truth, however? Then I'll have zero desire to watch the show anymore, once I see it 100% confirmed in some way with my own two eyes in some way on screen somehow. (Again, pin in this.) Because I have very much learned my lesson when it comes to TV shows and lazy writing/bad adaptations after Game of Thrones.

Because Armand turning Daniel out of spite is the antithesis of what Devil's Minion is supposed to be for both characters. It is an utter and complete misunderstanding of both characters and their relationship together. It's an utter downgrade of their relationship from the books, and I am not here for it. I literally do not care what "romance" they might later have planned for them if this is how Daniel was turned.

Look. If you are someone who only ever cared about Daniel just being a vampire, then this is all likely fine for you, and that's okay. But not me. Because Daniel being a vampire never was, or has been, the important part of Armand and Daniel's relationship. Not in my eyes and, frankly, not when it comes to the original story. Daniel becoming a vampire is not the important part of the Devil's Minion story. The actual love and romance before Daniel is turned is because it is during that part of it that the actual character development and growth both of them go through from it takes place. Especially for Armand's character.

And that only has any depth when Daniel is human and Armand is forever refusing to turn him because of his hangups about making another vampire.

And Armand finally turning Daniel out of love was a huge step that showed Armand beginning to move forward and heal -- from not only his time in the Children of Darkness cult, but begin his healing when it comes to his Marius issues as well.

Armand turning Daniel out of spite undercuts all of that. It undercuts the whole story. And flat-out guts some of the major depth of the relationship and Armand's character development overall.

Not to mention it makes Daniel no better than someone like Claudia wrt Armand turning him now. Maybe even less than her since at least Claudia got turned out of Lestat's love for someone else. Daniel doesn't even get that? The person who is supposed to be his eternal companion doesn't even get turned by him out of love, an important point to the bond between such Maker and Fledgling eternal companions, but out of hate and spite instead?

Yeah, no thank you.

This is not what I've waited since 1995 to see with these two and the fact their relationship may have gotten treated like this -- if this is true -- utterly astounds me how this show could get Loustat so right (and even upgrade them so beautifully in so many ways such as with Louis' turning) and utterly fail Devil's Minion so badly. Because yes, it's failing them. It's a terrible and, moreover, just a shallow adaptation of Devil's Minion if this is how it really all goes down.

Because there is way more to Armand and Daniel than them just Daniel being a vampire and them finally "getting together." Or at least there is supposed to be. And this ain't it.

(Pin!) Now, with that all said? The fact that Rolin flat out says that we'll never see Armand turning Daniel? Yeah okay, I'm sus on that one. Because really. The only reason not to show Armand turning Daniel next season -- and visually confirm that Armand did it -- is if because . . . Armand never actually turned Daniel in the first damn place.

Or, if he did, it maybe was not fully Daniel.

I mean, you're not going to ever actually show Armand turning his first-ever fledgling (who he's supposed to go on to have a romantic relationship with at some point) after making a big ass deal out of the fact that Armand has never turned anyone before? Ever?

See I know damn well that Armand is being framed as a villain right now. He very much has to be given how the end of the book IWTV and how the upcoming book The Vampire Lestat, goes. Armand is the main villain/antagonist in it. Even in the present day, it is clear Armand hasn't gone yet gone through all of the growth that he does from Queen of the Damned on. So he's still back in his villain-era mode right now. And his post-breakup with Louis mode in the present day. Which is fine, it's how his story -- and the story where it is right now -- goes. I am thoroughly okay with that.

And the very idea that Armand turned Daniel out of spite? Very much plays into that framing-him-as-a-villian state where Armand's character is right now. And will be for the majority of Season 3, which I've already before now suspected and said.

So here is where the speculation on my end of things comes in. Because yeah, not only can I not help myself but because -- until I see this play out with my own eyes -- I'm willing to be reasonable and look at the various ways this all could still play out that doesn't completely gut out the very heart of Armand and Daniel -- as characters and their relationship together. (Or at least not have it be so damn shallow by the end when they inevitably get and stay together.)

So as @nalyra-dreaming can confirm, I gave her a few scenarios that could be behind Daniel's turning weeks ago, when I first suspected it was going to happen (before the screener leaks about it started). In one of the scenarios, I said that if Daniel's vampire eyes are any color other than violet, then that is NOT Daniel's spirit/soul/consciousness in Daniel's body that has been made a vampire.

As the saying goes, "The eyes are the window into the soul." And am I really supposed to think this show got Lestat and Louis' eye color dead on correct but just missed Daniel's iconic eye color? Really? (Because no, I do not find it romantic that Daniel has his Maker's eye color, or whatever. Besides, vampire eye color doesn't even work like that -- the show didn't even do that with Louis and Lestat who are the main, grand romantic couple of the damn show.)

As I said here in this reblog, I stand by my opinion/theory that no way this show gets Daniel's iconic violet eye color wrong, even on accident. I said so weeks ago, before even seeing Daniel's eyes in that final shot in the season finale, and just predicting that he was going to get turned.

No way this show got Daniel's iconic eye color wrong when he became a vampire, not when they went to all the damn trouble creating those vampire contacts and gave Jacob's Louis green eyes to match book-Louis.

And yes I damn well know they could just have Daniel pop up with violet vampire eyes in the Season 3 premiere and there goes all of that, and it really was all just laziness, incompetence, and a mistake when it came to the color of Daniel's eyes in the finale. But right now? I'm treating Daniel's eye color as the equivalent of Rolin saying "Lelio is so boring!" as to the question of why Sam's Lestat was playing Harlequin and not Lelio in the Season 2 theater flashbacks. Something the show changed on purpose and for a reason.

Because we all damn well know that we are going to see Sam's Lestat as Lelio in Season 3, correct? Because we are.

And yes. I know some people really hate the idea of a body swap scenario regarding Daniel, but I'm sorry. At this point, it really is the only scenario out of this whole storyline that I can see right now, that will keep it anywhere close to retaining the heart of the Devil's Minion storyline, especially if Armand really did turn Daniel out of spite here (even though, again, we'll apparently never see that turning to confirm that in full. Uh-huh, okay.).

And two things that I think do set up the possibility are:

1.) Louis says Daniel was turned after he left Armand alone with him. But Louis actually wouldn't know something like that unless he was told since he wasn't there. All we can really assume at the moment is that Daniel told Louis what happened after Louis left the room. And as RJ and Assad said, we'll never see the actual turning. So who knows when the hell it happened.

2.) Raglan James, via those direct messages asking Daniel for "reciprocation" for getting him a copy of the script, with Armand's handwritten notes, of the trial-play. Between that request and the Talamasca publishing Daniel's book, that loops Daniel into the James orbit very much. And ties Daniel very close to any Talamasca going on even more.

And, quite frankly, I've thought since Season 1 that David Talbot's character was out and would be merged with both Louis and Daniel on the show. And Sam pretty much confirmed in his interview with Autumn Brown that some characters from the books will be merged together with others in the show. So, yeah. David's character is very much a character I always thought they were doing that with, and I know I'm not the only one who's thought it before now as well.

And honestly, I can much better deal with some type of scenario in which Armand maybe ends up turning two versions of "Daniel" -- and therefore technically having two fledglings, even though they are kind of the same person -- over what is being put forth about this right now. One turning -- in spite -- of Daniel's body without his true spirit/soul/consciousness in it, and the other turning -- out of love -- of Daniel's spirit/soul/consciousness inside a different body of some kind. (Which I won't go into now, as that is a whole separate long meta if I did.)

Because at least with that scenario then, in a weird way, Daniel being Armand's only fledgling would still hold. 🤷🏾‍♀️ Along with a few other things that can happen regarding Armand's character growth in between each turning.

But that is it. Because there is no way they can have Armand turn Daniel (as fully Daniel) out of spite -- as Rolin directly says he does in this interview -- and actually keep the heart of the Devil's Minion story and romance now. Not even if the Devil's Minion chase and parts of the relationship happened in the past IMO . . . another thing they are clearly avoiding talking about, btw. Which, at least right now, just tells me that, if we're lucky, we'll only -- once again -- get one episode that flashes back to that time in Season 3. Can't really be helped, since Season 3's primary focus will be regarding Lestat and Lestat's backstory. (As I've said before Daniel isn't even in that book. So whatever we get with him in Season 3 really will just be extra, added stuff.)

Oh, and something else I very much recognize is that Loustat shippers -- particularly book ones -- have gone through it these past two seasons, but now seem to be coming out of that darkness. Maybe now it's time for Devil's Minion shippers like me and others to face the same damn thing now. Because of something Assad let slip a few weeks ago about not getting Armand's full story until Season 4, I think that is how long we're going to have to wait to see the full of this play out.

But I advise right now that if some of you think you can't handle that and would just rather quit the show and binge things later, I totally get it. Waiting two seasons -- basically 4 years minimum -- is going to be a pain in the ass. I already know right now that there are some things I'm not going to have the patience for during the hiatus times in between, particularly this one. (One thing I can already say, at least right now, is that I'm not inspired to write any show-based Devil's Minion fanfic this hiatus like I did during the last hiatus).

But quitting the show altogether? No, I'm not there yet. Because yes Rolin does like to troll. Plus Hannah's tweet. Plus what was said about Devil's Minion at ATX Festival. Plus my thinking, long before now, that David Talbot was always out wrt the show, and the fact that Raglan James is here and Daniel's character has been heavily tied into The Talamasca plotline of the show.

And given everything I've seen this show do wrt it's writing up until now, I just can't fully believe they would really make Devil's Minion this damn shallow and devoid of its depth and heart. And just have Armand turn his one and only canon fledgling and immortal companion out of nothing but spite. When Armand loving Daniel and finally having to trust in Daniel's love for him, as well as his own love for Daniel over his own fear was a major point and culmination of the Devil's Minion storyline.

After everything I've seen these first two seasons wrt this show, I can't think these writers would miss such an important heart and point of the Devil's Minion storyline and romance so completely.

Not yet at any rate.

[starcurtain]

Your post about Alhaitham, Aranara lore, and the issue of fandoms confusing canon with social media promotion was so good!

I have some questions. I only entered the fandom a year ago, and I still haven't caught up on all the events I missed (though I am caught up on archon quests and most character quests). If you have time, could you please share any other examples you have of people popularizing a headcanon and pretending like it's canon?

I have a theory of one. I've noticed a lot of fics portraying Kaeya, Rosaria, and Venti are all drinking buddies at Angel's Share. And as much as I love the idea, I'm not sure I can find a canon source for this. I made a post asking about this once, and the only thing anyone gave me was that cutscene towards the end of the first Windblume. But that only shows Kaeya and Rosaria drinking together; Venti isn't there. Am I right that the three of them being drinking buddies is just fanon?

Thank you!!

I admittedly started playing Genshin a little later than some, so I missed out on many of the original Mondstadt events. Although I've tried to catch up on them via cutscenes and summaries, there are some nuances I'm surely missing, so it's a bit harder for me to judge based on earlier stuff. However, it seems fairly unlikely that Venti and Kaeya are actually good drinking buddies, for a couple reasons:

Even when they are in the same bar, they don't even speak directly to each other, let alone drink together. During Jean's birthday event, both Venti and Kaeya come to Jean's party at the Angel's Share, but once the alcohol starts flowing, Venti sits at the bar with Diluc, while Kaeya goes off to drink in the corner by himself.

Presumably, if they were actual drinking buddies, they would have sat together.

There's also the fact that Kaeya and Venti's relationship seems to be somewhat catty, especially earlier in Genshin's story.

In the 1.4 Windblume event, Paimon literally says that Venti and Kaeya's conversation has devolved into a "coercion contest" where they're both trying to get the better of each other. It's not aggressive and it's largely played for jokes, but it's also not Genshin's typical "I'll do anything for you because you're my friend" level of niceness.

Even way back in the 1.4 Windblume, there are some lines, especially from Kaeya, that are very loaded (and Venti gets his own digs in too lol):

I, for one, think it's pretty much impossible that Kaeya hasn't known Venti's identity all along; Kaeya's entire early character hinges around just knowing way the hell more than anyone else in Mondstadt (with little explanation for how, in some cases). With that in mind, Kaeya--a Khaenri'ahn--asking Venti--an archon--if he's willing to take Kaeya on as a student is a pretty heavy statement.

This scene leads into the one where Kaeya (supposedly) writes a poem in hilichurlian that could be read as a threat toward Venti. There's some debate whether that is actually true and whether Kaeya intended it that way, but the ambiguity still suggests Kaeya knows Venti's true identity and is, at the very least, testing the waters and pushing the envelop to see how far Barbatos will tolerate an "enemy" in his territory.

Even all the way to Kaeya's hangout, Venti and Kaeya's interactions are definitely sarcastic and a bit (humorously) snide, with Kaeya unsubtly using the fact that he knows Venti's secret identity to manipulate Venti into helping with the choir project. (Venti gets his digs here too though, reminding Kaeya about the hate poem he so "kindly" wrote back in 1.4 lol!)

Kaeya even goes out of his way to bring Diona to the song-writing efforts, specifically to trigger Venti's cat allergy and force Venti into having to deal with song lyrics about hating alcohol. 😂

So, up until at least this hangout, I'd say that Kaeya really didn't have too great of a relationship with Venti. He wasn't directly antagonistic to him or anything, but they definitely didn't come across as close friends, and there were enough blatant hints to suggest that Kaeya doesn't view himself as a follower of Mondstadt's archon.

It seems likely (to me at least) that Kaeya would have inherited a natural standoffishness toward archons in general alongside his father's huge expectations that Kaeya serve as Khaenri'ah's hope, a blend of "I'm supposed to hate you because I know what you did to my country" and "I'm uncomfortable that you know my true identity; you might take action against me like the archons took action against Khaenri'ahns in the past." I don't think Kaeya ever actually personally hated Venti, but there is a tension between himself and Venti that isn't necessarily present in Kaeya's other connections (Albedo, Klee, Jean, Lisa, etc.) throughout Mondstadt.

On Venti's side, I think that people forget that Venti is incredibly sensitive to the feelings of the people of Mondstadt and does literally everything in his power to ensure that his people live joyous, free, and happy lives. He clearly knows of Kaeya's background--and probably even his situation with still lingering connections to Khaenri'ah and the Abyss--so I find it extremely unlikely that Venti would have asserted himself in Kaeya's space and tried to force a friendship with someone who would have good reason to distrust archons. I think he would have respected Kaeya's need for distance and avoided trying to get too close.

However, being the incredible sweetheart that he is (the best archon of them all, FIGHT ME), Venti ends this branch of Kaeya's hangout with a truly heartwarming message:

This is Venti literally telling Kaeya "I know you're not a believer, and I know you're struggling with your loyalties between Khaenri'ah and Mondstadt. I know you're still not really sure what your destiny is and into what darkness it might lead you--but at the end of your journey, I will be here to welcome you home."

Venti tells Kaeya that Kaeya is a son of Mondstadt and that the Anemo Archon loves and will protect him just as he loves and protects every one of his true people.

So no, I don't think we have any reliable evidence in game that Kaeya and Venti are actually drinking buddies up to this point in the story--however, I think it's possible we could see this change in the future! Kaeya just needs to know (and accept!) that he is loved!

...As for other instances of fanon replacing canon, this post is already long enough, so I'll save them for another day. Someone ask me about what I think of the fanon surrounding Kaeya and Diluc's situation or something, I guess! 😆

[randomfoggytiger]

React: A Late-Canon Reviler Gives the Revival a Try (My Struggle I), Part I

For David Duchovny’s birthday, I put out a poll asking Tumblr which of his projects I should watch for the first time. 

The Revival won. Welp. 

I then, fool that I am, put up another poll wherein I doomed myself by including an option to watch the whole thing. 

And here we are. 

My Struggle I. 

Oh, boy. 

This post will be long because I'm laying the groundwork for the rest of the series.

MY MODUS OPERANDI

I don’t care how cute or cuddly or happy or heartfelt individual MSR moments are, popcorn will be thrown if those scenes are achieved through incomplete, inane, or nonsensical plot points. Give me 1+1=2 or give me death.

The Revival is part of a whole that includes all of Seasons 1-9 and Fight the Future and I Want to Believe. As much as I prefer to distance this series from canon, the reality that it functions as a direct follow-up remains; and it needs to be judged accordingly.

And, as always, I separate the art from the artist~.

...WELP. It’s time to face my doom. 

Let's go!

MY STRUGGLE IV

The intro’s… fine. Engaging, even. 

I did notice, though: the last series and Fight the Future and I Want to Believe began with the same formula: glimpses from what will be an x-files case, then straight to Scully’s perspective. Usually Mulder’s narration and POV didn’t feature until the tail-end of a two or three parter, i.e. Redux or Amor Fati or… well, even then, it was juxtaposed against Scully’s. 

Scully was the voice of The X-Files-- even Chris Carter noted that her report of each episode’s casefile became a motif of the show. Mulder’s narration was rare, very rare, even in episodes that were written to focus on him. 

A definite and purposed choice, to be sure. Mulder as an active agent in his own story. …OR a story that focuses on Mulder’s voice instead of Scully’s. 

We shall see. 

The intro continues; and it’s still engaging, possibly gripping (too bad I know where this leads)... but the music got a bit LOTR there. Is that just me? Seems… mellow, orchestral, a little more fantasy than sci-fi. Am I nitpicking? Maybe. 

The BIBLE references UFOs?? Lol, no. (Unless you count the objects described in Revelations-- the book, not the episode-- but even then, those are largely considered to be drones, not UFOs.)

Chris Carter, I see you. 

(Note from the future: NOW I see why the Bible bit was included-- lots of heavy-handed "God means this, Scully" in order to get her on-board to join the files. Ugh.)

…They’re really doubling down on the UFO lore, huh. All of which evaporated because of global warming, I guess. 

GUYS, why couldn’t this have been about life on Earth after Colonization?????

It fits with the disaster footage, it fits with Mulder’s voiceover, it fits with the character progression from Season 9 (I GUESS), it fits with a whooooooooooole ton of other factors. 

I’ve never been one for wanting Colonization in canon, but it literally would have worked for this series. There wouldn't need to be a complete wipeout of humanity, maybe just a “disaster happened, but the humans are fighting back” scenario. 

And that would fit with Mulder and Scully’s "breakup", PERHAPS-- they spent so much time working, trying to save the world (she in science, he on the ground or with untainted factions who coalitioned post-Colonization) that their relationship cracks would need to be actively worked through. Not broken up so much as together and repairing.

It would also help CC and co. to avoid the tempest of modern US politics and the more mainstream conspiracies that were taking hold at that time-- a broader reach to all audiences, a "bigger picture" for everyone to unite under.

(Guys, they should have let me write for this show. …I take it back, I’d have quit after three days.) 

Also: The show writers spent all their brain power on this sequence and this sequence alone, didn’t they? 

Obiwan Kenobi and Military Man are going on a bus somewhere.  

...On closer inspection, neither man looks like anything like Obiwan Kenobi, but the nickname is staying.

We’re back to Scully at a hospital-- not unlike I Want to Believe’s opening.

Skinner called? Oh. Didn’t know he was “here” this early. 

WAIT. 

Wait, wait, wait. 

Scully just called up Mulder like nothing’s a big deal? He answered like nothing’s a big deal? She’s smiling over his joke from the get-go?

…And we’re supposed to believe they’re seriously broken up. Which the show will insist is the case. 

David and Gillian really said, “Script? What script?” and did what they wanted. I salute them. 

Also, “What’s happening out there, Scully?” is a great line to point to Mulder’s continued isolation… which the series will IMMEDIATELY toss aside because he’s, apparently, not been as much of a hermit lately? (Granted, this could be a joke at his own expense because he’s no longer claimed by ~the darkness~, but…. I don’t think the writing’s gonna be that clever, I’ll be honest.)  

Siiiiiiiiiiiiiiiigh. 

Fine, I admit it. 

I’m loving this so far. 

And that’s gonna make me even angrier later on. 

“Why doesn’t he [Skinner] just call me?”

“He doesn’t know how to reach you, Mulder. I barely know myself.”

Mulder is baffled and a tinge annoyed, Scully is amused and straight shooting. 

THERE IS NO HINT, BEHAVIOR, OR MANNERISM SUGGESTING THEY’VE BROKEN UP. None. At all. He’s isn’t reluctant to answer her call, isn’t sad or withdrawn, isn’t affected by anything she’s saying other than to be teasy or poky. She isn’t hesitant to call, isn’t sad or depressed, isn’t anything other than a little pleased to dangle a juicy tidbit in front of Mulder’s face. 

This is gonna follow IWTB’s ping-pong writing-- they’re fun and in-character, they’re suddenly out-of-character, they’re fun and in-character, they’re suddenly out-of-character, etc. etc. etc.-- isn’t it?

(Mulder taping over his laptop’s webcam is a great touch and not something at all that I’ve done before. At all.) 

“I thought you were done with UFOs-- the ‘stranglehold they put on your very existence’, I believe you put it.” 

“I’m just the messenger, Mulder.”

That’s GOOD, that’s necessary writing. That’s planting the seeds of what happened between them, what led to a cooldown or a breakup or a whathaveyou. AND STILL neither character acts as if they’ve broken up: no melancholy, no sadness, no nothing. 

Mulder’s timbre became a little sardonic while quoting back her words, but that doesn’t mean they’ve broken up. If anything, that points to a bicker and line-in-the-sand between them-- him bringing up UFOs at the dinner table and her reminding him to talk to someone else about it before turning the topic to how the lettuce is growing or something.

Neither actor is performing like one would if pain and trauma and heartbreak and distance were placed between them; and that really complicates things because the breakup is built on top of the aforementioned list of struggles. 

Would Mulder have dug his heels in post 2012, seeing it as a sign that “the aliens” just changed their plans? Yes. 

Would Scully have seen a pursuit down that rabbit hole as a waste of time? Debatable. The Truth S9 Scully wouldn’t have-- the aliens are still out there; and they cost her months of her life, months of Mulder’s abduction, months of Mulder’s death, months of Mulder’s separation, and the ultimate cost: William’s adoption and their life on the run. Post The Truth Scully would have seen this as her quest, too: she won’t give up, she says in the finale, because he won’t. 

IWTB Scully, however, would- and that's a problem. 

I’ve already discussed, at length, how out-of-character Scully was in I Want to Believe (posts here.) Although Mulder doesn’t escape from the same writing blunders, she is really, really scalped: of her courage, of her will, of her determination. 

Whenever Scully gave up, in canon, it was only because she thought she was holding Mulder back, or when she felt Mulder had lost his faith and trust in her. That held true in Season 9-- despite the appalling writing choices there, too-- but didn’t in IWTB. 

The Revival had the perfect opportunity to factory reset the writers' mistakes: portray a wiser duo who continue to fight the fight according to their strengths, like they always have before Mulder ever met Scully. (When Mulder tells Scully to set up a meeting with Skinner, he adds, “Don’t pretend I’m going alone”-- which reinforces my point.) 

But I know that's not going to happen.  

Scully goes without argument-- THAT’S GOOD, THAT’S GOOD CHARACTER WRITING. At this point in the game, of course she would-- they trust each other, they have for years, they’d have reached even deeper levels after going on the run for [insert math] years. All good things! 

The problem: this will create a huge conflict with her actions later.

(I’m already so disappointed.) 

“Uber?”/”Hitchhiking. Relax, Scully, I’m kidding” was a fun modernization of their humor, I’ll take it. 

This scene is starting to highlight the distance between them, which is all well-and-good, but feels tonally different from the previous scene. As in, their two scenes were definitely filmed on different days, in different moods, and with different intents. 

She’s worried about him, with tears in her eyes; he has his walls up; there’s distance, as previously noted. 

“Good for you to get out of that little house every once in a while”/”Certainly was good for you” is followed up with knowing, indulgent, pleased smiles and you expect me to believe these two are seriously broken up. Nope. I’ve seen Scully sad but amused, I’ve seen Scully too sad to be amused, but these two? This moment? Nah.

Tonally dissonant-- the IWTB problem: at-ease and close one minute, at-odds and distant the next. Hoorayyyyyy....

None of this makes sense for a long-term, permanent (as Scully infers later to someone else) breakup. Nor for a short-term, semi-permanent one. Math doesn’t math. 

“I’m always happy to see you,” she says, implying he's the one who permanently pulled away… which will be contradicted later this very episode. 

“I’m always happy to find a reason [to leave the house],” he says, somberly. 

Both of which are odd lines. 

If he’s happy to leave the house to see her… why hasn’t he? 

If she’s happy to see him, always, but says a relationship between them was "impossible" (which she will later), why is Scully staring at him with heart eyes, hoping he gets better so they can continue their relationship? (And mark my words, this tone underscores her interactions with him the rest of this series.) 

Tad’s here. He’s... fine. He represents the overly cautious very well. At least he hasn’t gone full Alex Jones mockumentary (...yet.) 

I’ve heard criticisms that Mulder and Scully don’t act like themselves in this series, but based off the few minutes I’ve seen here… I don’t agree. 

The essence is the same. Truly. Scully’s got the same face that lights up the same way, Mulder’s got the same expressions and young-at-heart humor. Neither are really melancholic. Neither are David or Gillian esque. 

Perhaps that will change. 

(Note from the future: OH BOY. Which Mulder and Scully are we talking here-- OG Mulder and Scully? Nope. IWTB Mulder and Scully? Yep. David and Gillian? Once or twice.)

But, again, their interactions feel… wasted. Hollow. They’re supposed to be broken up, but their breakup doesn’t contribute to their interactions or the plot. They’re supposed to have suffered and are working back to each other… but they aren’t really separated, haven’t seemed to suffer (note from future: except for one scene which comes outta nowhere), and won’t collapse back together on-screen.

They’re supposed to be wiser and more mature, but they’ll still engage in a silly will-they-won’t-they while Mulder eats up the latest UFO or conspiracy slop he’s either already engaged in or debunked [insert math] years ago and Scully clings to her cowardice like a leech. 

First nagging problem: Scully smiling at Tad, Scully excusing Mulder’s mannerisms when he becomes briefly jealous, Scully making nice with a conspiracy nut. 

…Isn’t that Mulder’s job? Didn't she leave because conspiracies were consuming her life? Does this mean she actually does want this life back but is she playing coy or elusive because...?

Furthermore, when Mulder popped a comment off to a witness or informant in the past, Scully never excused him-- just breezed over it professionally with another question. She’s only saying “excuse him” here because she’s taken a shine to Tad. WHY, on this post-2012 global warming green Earth, WOULD SHE?

Tad says Mulder is the X-Files, Mulder says that “book is closed”... WAIT. Wait, hold up--

Pause. Stop. Rewind. 

Mulder wants to believe. Actual proof is hard to come by. 

Tad thinks Mulder is the X-Files. 

MULDER SAYS… *ahem*... Mulder says, “I’m afraid that book is closed.” …Which means he’s no longer into UFOs or aliens, too. SO. why did Scully LEAVE.

If that’s behind him, why aren’t they together again???? Mulder didn’t know who Tad O’Malley was a minute or so ago, meaning he’s been outta the conspiracy scene for a bit. That MEANS his departure from Conspiracyville's been long enough to patch-up his obsession and ensuing depression, I guess.

But then... what about Scully??

Because Mulder wants her to come back (already subtly established in each scene), and Scully is concerned for his welfare; but Scully thinks he’s still into UFO conspiracy and hasn’t come back because of it? BUT SHE ISN’T SHOCKED WHEN HE SAYS “I’m afraid that book is closed” MEANING SHE KNOWS HE’S PUT THAT BEHIND HIM... BUT STILL HASN’T RETURNED?

And both of them aren’t acting as if they’ve broken up, anyway, except for a pointed line of dialogue here and a brief reaction there before they yeet back to the status quo.

They’ve left that behind them, Scully says, for better or worse. And Mulder latches onto that better or worse, making a pointed barb at their breakup, but…. There’s no writing glue, just suggestion and inference; and the suggestions themselves don’t add up. 

Here come the bullet points. 

Season 10 posits Mulder became depressed after the aliens didn’t invade in 2012-- that’s reasonable and logical, his nature is depressive when his expectations are subverted or smashed or etc. 

Season 10 also posits Scully left because Mulder became too much to deal with. That’s… not logical, since her nature is to rescue and nurture, even when Mulder’s being an actual boil on her sittin’ cheeks (ala Demons, etc., etc.) 

Season 10 posits Mulder’s hard to get a hold of-- despite being in the same house the FBI helicoptered to in IWTB-- and posits it might be hard for Scully to get a hold of him-- despite the fact both characters easily got in contact, knew it was each other, and even joked about the fact it’s hard to get in contact with Mulder… which means it really isn't. (The script doesn’t catch these discrepancies, of course, pretending Mulder is very hidden away at the same ol' house he'd been discovered at in 2008.) 

Season 10 says Scully doesn’t want UFOs to be part of her life anymore, that it was a stranglehold… yet she came along on a conspiracy gig without question to… what? Be around Mulder? But then, why warm up to the conspiracy guy-- an embodiment of what drove her and her partner apart?

Season 10 posits Mulder chased Scully off with his conspiracy spiraling YET ALSO states he’s put that part of his life-- conspiracies, UFOs, the X-Files-- behind him. Which implies: A. Mulder’s aaaaaaall better now and B. he put that all behind him but Scully never came home and C. Scully shouldn’t know he put that all behind him if that’s what’s keeping her away; but she does know because his declaration doesn’t take her by surprise, which means she’s still driven away and concerned for him for no discernable reason.  

Season 11 posits Scully didn’t leave because Mulder became too much to deal with but because she, too, had issues to deal with. This point wasn't mentioned or hinted at in the episode that introduces their breakup, which makes that line of reasoning a complete rewrite. (Whatever. I’ll judge how well that’s executed when I get there.)

It doesn’t add up. 

Are we surprised. 

Five seconds after this, I had to listen to a back-and-forth between Tad O’Malley and Mulder on conspiracies and Conservatives and alien beliefs and the O’Reilly Factor and….

This seems out of touch, I’m not sorry. 

When this show aired, Conservatives already had their miles-long conspiracy theories. For Mulder to be ignorant of that fact while allegedly knowing exactly who and what Tad believes while also alleging….

More bullet points!

Fox “I’m afraid that book is closed” Mulder has, supposedly, been out of the conspiracy scene. 

Fox “I’m afraid that book is closed” Mulder isn’t aware that not only did 2015 Conservatives believe in aliens-- despite the fact Tad is a watered-down copy-paste of Alex Jones-- but that there were also Conservative believers in the 90s (who were a fringe in their own group, but.) This was Mulder’s expertise; and his eidetic memory isn’t likely to have tossed that info because it was no longer relevant to his life. 

Fox “I’m afraid that book is closed” Mulder has supposedly not been out of the conspiracy scene-- despite saying he is-- because he does know who Tad O’Malley is-- despite not knowing who he was two minutes ago. 

Mulder is assuming that Conservatives “of your credentials” don’t believe in UFOs or “9/11 false-flag conspiracies” despite people from the Left, Center, and Right publicly believing those conspiracies in 2015. 

Fox “I’m afraid that book is closed” Mulder is supposed to be dismantling Tad’s grift; but he (and the writers) sound uneducated and incredibly out-of-touch during this dialogue-- as if all Conservatives were still Bush-era believers. Most were suspicious of the government by this time (they helped elect a man who ran on a “drain the swamp” campaign, after all.) Mulder’s bewilderment here is old and tired, even by 2015 standards. 

This writing is flashy-- long sentences, quick back-and-forths-- but poorly constructed and badly executed. 

This is also the first segment where David Duchovny is peeking through Fox Mulder; where Scully is swinging wildly between absolutely-fine-with-Mulder and we’re-no-longer-together; and where we, the audience, are being force-fed that only one side of the political aisle believes in aliens-- or the Bigger Question or whatever-- on a show that wants to poke at unfounded conspiracy beliefs.

Oh, look! Scully made a Scully-face, so everything’s good now! 

(UuuuuuuuUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUGH--)

Sveta. Aww, I like her--

“You don’t remember me.”

“No, I think I’d remember.”

WHAT WAS THAT. 

Show writers, STOP with the romantic triangulation, it’s NOT. GONNA. HAPPEN. David doesn’t even TRY to make that romantic-ish. Yet you angle on Scully’s face as if she’s supposed to be out-of-the-loop and a tinge jealous. 

WAIT, WAIT, WAIT, hoooooooooooooooooooold up. 

Svetta was a dark-haired little girl Mulder interviewed after her first abduction, meaning she’s set up to be another Samantha. 

So…………………. What’s with the murky jealousy issue, CHRIS. You wedged it in solely so Scully would feel jealous over Mulder? Y��know. Like I Want to Believe? 

And I say Chris Carter because he wanted to play the breakup angle:

"We do it in an interesting way," Carter told The Hollywood Reporter. "We put some of the tension back in that was relieved by them being together. It added to the storytelling opportunities. It's something that I came up with; I had been thinking about it. There was always talk of [breaking them up] if we did another movie."

The first shot canon takes right between the eyes:

Scully being “familiar” with the “screen memories” abductees are given was a cool touch… except she’s never been given “screen memories.” The abductees in Jose Chung’s From Outer Space were given screen memories-- she was returned a blank slate. (Even Mulder didn’t have “screen memories” after his abduction.) 

Scully poking Sveta about aliens taking her unborn fetuses seems a tad (heh) strong except all the alien-related pregnancies have been the result of government testing, not alien probes. So. If this scene followed canon's rules, her skepticism would be warranted.

But this skepticism is still odd. 

Two seconds ago, she was making nice to Tad O’Malley in the car, and now she’s leading the questioning for Sveta. The odd icing on top of this odd cake is that Scully left because she didn’t want UFOs to have a stranglehold on her life, yet here she is leading an interview with an abductee.

Sveta: “I have alien DNA, for sure.”

Scully: “Have you had a doctor confirm that?”

Sveta: “No.”

Me, too, Mulder. Me, too. 

Scully doesn’t question the alien DNA bit, so that’s good. 

…I’ll bet everyone forgets she and Mulder have a bit lingering in their systems from the black oil and his brain thingy and residue from when she touched the ship and and and. 

“Something you can test. Dana.” 

What… what was that. 

Honestly, what was that. Whatever mood David was conveying through Mulder, it didn’t match anything from any previous scenes, let alone this one.

Is he poking at Scully? Why? He’s not jealous anymore (if he even was.) The way he says it and her expression in response implies they have a tense back-and-forth going on, but they don’t. THEY DON’T. 

We’re 13 minutes in and I could make another numerical list. But I won’t. Yet.  

Back to not-Obiwan Kenobi and Military Man. 

That alien’s stupid bad-looking. 

Wait. 

That’s not how canon said Roswell unfolded. 

And the first alien shot on Earth was by Deep Throat’s hands-- that was his whole turning-point backstory. 

CURSE YOU, LACK OF A SHOW BIBLEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!

(Note from the future: All of that past canon? Fake. Faked. All lies. None of that happened.)

“What have you done??” Not-Obiwan Kenobi yells… and what have they done? 

Back to Scully and Sveta. 

Sveta can move things with her mind-- not all the time-- but at least Scully is listening to her claims without automatically shutting them down. 

But also…

“I can move things. With my mind,” should have IMMEDIATELY had a greater impact on Scully, up-close-and-personal as she was to her son’s abilities. But nope! No reaction! Of course! 

Sveta “You were together but now you’re not” is asking the right questions. I don’t even mind Sveta. I’ll bet this episode’s the last time we see her, though. 

Does she contribute to anything? No. But she’s nice, so. 

WAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAIT, WAIT, WAIT. 

Scully diagnosed-- wait, hold up, list time. 

Scully diagnosed Mulder with depression. 

That killed their relationship. 

…THAT killed their relationship? After everything? 

The writers are going to have to explain, in detail, why that killed it. 

Why does canon need to explain? Because we have a history of Scully sticking by Mulder during the worst periods of both their lives-- leaving him would have to require a very, very good reason.

And there is no indication, thus far, that Mulder’s depression drove a humungous wedge between them, forcing her to walk away. In fact, there is no indication a wedge exists between them, AT ALL-- only the odd, inconsistent word or phrase here or there that bears no weight on the plot or their ultimate decisions.

Whenever Scully left in canon, it was because she could no longer help Mulder. Season 11 will rewrite Season 10’s initial explanation but setting that aside: we’re not given any indication that she did try to help him; or that his depression was so deep and so dangerous that it drove her away.

And if it were that deep or that dangerous enough to drive her away, Scully leaving would have been the last and worst possible action she could have taken. If Mulder's mental state was in such a massive nose-dive that she couldn’t handle what he was going through, Scully-- a medical professional-- would have had him hospitalized, even temporarily against his will, because she would know (per Demons or Gethsemane or Amor Fati) that this level of depression always manifested in suicidal tendencies for her partner.

But Mulder, as per the rules laid out in this episode, never went that far in his deterioration. (Note from the future: We'll get to that.)

If he had, Skinner would have been aware of his hospitalization and wouldn’t have asked for his help; Scully would have been aware and wouldn’t have passed on the information; and Scully wouldn’t have called from the hospital with a degree of buoyancy when relaying Skinner's request to Mulder. 

In short: Scully leaving = very big, very drastic measure. Mulder suffering from depression = very big, very bad consequences. Scully's nature and past actions = getting Mulder help, even if he resists at first (i.e. shooting him in the shoulder to save his life.) Mulder and Scully's partnership = unbroken, except through distrust or botched writing.

“And you have a child together.”

Wow, that wasn’t clunky at all. 

SCULLY STICKS SVETA HARD WITH A NEEDLE BECAUSE SVETA MENTIONS WILLIAM, darkly saying "That's enough", SO SVETA WOULD KNOW SHE DID IT ON PURPOSE.

I’m… so disgusted. Like, eck. Urk. Awful. 

Telling Sveta to back off, strongly, would be in-character; USING PAIN TO DO SO is…. So wrong on so many levels. Scully never utilized medicine to inflict pain or injury on her enemies.

Wow, this grossed me out. You know why?

Scully diagnosed Mulder with depression and left. At first glance, that seem like an out-of-character action that the writing can salvage later by this or that means.

BUT THEN, Scully inflicts pain on Sveta for mentioning William, leaving the audience with the impression that she’s vindictive. 

Which then connects the dots between “vindictive” and “left Mulder when he was diagnosed with depression.”

And since we, the audience, haven’t been given a stronger reason for how Mulder’s depression got that bad or why she didn’t help him through it, we’re then left with a sour impression of Scully’s character. 

The writers then try to imply Sveta was spilling out Scully’s personal secrets to prove that her powers were real, but that still doesn’t give Scully the right to abuse her power. Especially because a traumatized woman was trying any method possible to be believed.

And the fact that Sveta is also victim of the government weaponizing science and medicine makes me even angrier at Scully.

Ohhhhhhhhhhhh, BOY, another helicopter outside the Unremarkable House, my favorite part of IWTB....

Mulder’s never seen… an alien replica vehicle. 

Oh, my mistake: “No. Never. Not like that.” Covering all the bases, I see. Y’know, in case the writers FORGOT MULDER SAW ONE in SEASON 1, EPISODE 2. 

OH, LOOK, he’s got his wonder face back, everything’s aaaaaaaaaaaaall better now!

Running on free energy they’ve had since the 40s, sure Jan. Whatever you say. 

This just feels so old. Like. Tech we haven’t had since the 40S, GUYS, GET IT, BIG MONEY CORPOS KEPT IT FROM US. Yeah, we got it. 

And the flashbacks to Not-Obiwan Kenobi just walking off with an alien corpse because Military Man didn’t… see… value in studying… it. I guess. 

Scully doing “God’s work” giving kids ears because their biology neglected it.

I admit, that’s an intriguing window into her perspective of God vs. science, and how she sees a person’s biology separate from God messing them over or messing them up just because. I dig it.

(Note from the future: This will be used as a plotline club rather than a nuanced discussion of her faith.)

Mulder being the most challenging relationship she’s ever had-- “and the most impossible”-- is a weird line. Because yes, it’s true that their relationship is challenging; but her fervor at impossible is the only time in this episode we see an adversarial tendency, DESPITE My Struggle I trying to drum up moments to prove TENSIONS still LINGER (they don't.) 

It’s IWTB all over again. Siiiiiiiiiiiiiiiiiiiiiiiiiiiiiiigh. 

“Yeah. I got that impression.” Tad says, and Scully’s hurt because she thinks Mulder gave Tad that impression of her. 

So. So. Wait. 

Scully lied when she stated “It’s impossible” because she didn't like Tad poking into her private affairs?

But she sounded truly convinced their relationship was "impossible" while saying it.

So, she was either angry or still confused about her emotions-- which is fine, Scully's not always in-tune with her inner workings-- when Tad replied, "I got that impression."

Which explains why she was so hurt at Mulder's seeming rejection.

Because she thinks Mulder’s behavior led Tad to that conviction.

Which means CC just wants Mulder and Scully to be caught in a miscommunication fic.

Also, why is Tad so sad about this? Were they his OTP, or is he pretending to sympathize to get in Scully’s pants? Because that’d be crummy, Chris, to have her be overly nice to Tad only for him to try to twist that into an opening as the new conspiracy guy on the block. 

On a lighter note, Chris Carter said Mulder and Scully could still get it in their 50s, so there’s that.

HE DID, HE DID SET SCULLY UP TO BE PURSUED BY TAD--

WHAT. WHAT. WHAT WHAT WHAT--

KNOCK IT OFF, CHRIS. 

Poor Sveta. She’s gonna be butchered in this script, isn’t she?

The series is EATING up vast amounts of time with very little scale or grounding. For all I know, a day or a week could have passed. 

It’s so, so badly paced. 

Mulder’s investigating now, without Scully, because he noticed Sveta had a tell during the interview. 

Um. 

Sure, that’s a Mulder thing to do.

Oh, wait. This is the “work of men” realization.   

The dialogue between Mulder’s questions and Sveta’s answers are really disjointed, as if they’re mildly talking past each other-- another aspect of IWTB I couldn’t stand. 

Welp, at least it’s easy to prove they were both written by the same people. 

The second shot-in-the-head for canon: 

“Sveta, who took your babies?” 

“Men.”

“Men? Humans? You saw their faces.” 

Also, Sveta’s babies are referred to as her babies, but William-Jackson isn’t Scully’s baby despite sharing half her DNA but Emily Sim was Scully’s baby despite also only sharing half her DNA.

It’s a mess. 

Well… Mulder doesn’t seem too surprised here that men were involved in her abductions (I mean, he's long since been aware the government was involved from day one, so.) It’d be really stupid if the writing made him surprised about this later, wouldn’t it?

…Wouldn’t it?

Another poorly constructed set of lines:

“I haven’t worked for them [the government] in years.” 

“But you always wondered… if they were lying to you, too.” 

No, he didn’t wonder-- he believed it.

A wonky way to address his old skepticisms, for sure. 

JUST AFTER I NOTED THAT MULDER DIDN’T LOOK SURPRISED AT SVETA'S REVELATION, HE CALLS UP SCULLY AND MAKES A BIG DEAL ABOUT IT BEING A CONSPIRACY OF MEN. 

I knew this was coming, but maaaaaaaaaaaaaaaaaaaaaaaaaaan that was so, so poorly handled.

SCULLY WAS GETTING (sort of) WINED AND DINED BY TAD O’MALLEY??????????????

I HATE IT HERE, WHAT ARE YOU DOING, WHAT IS HAPPENING, WHAT IN THE WORLD AND WHY, HOW COULD YOU BE SO EASILY FLEECED, DANA, THIS ISN’T AN ED JERSE PARALLEL BECAUSE YOU THINK MULDER DOESN’T WANT YOU, THIS IS STUPID, THIS IS THIS IS THIS IS

WHAT. 

I thought Scully had dated Tad O’Malley in the past (sometime after the breakup) but this is worsefarworse. 

SVETA IS THE KEY TO EVERYTHING, I’M SO TIRED. 

“Mulder, where are you going?” sounds exactly like Scully, and now I’m mad Gillian didn’t use that voice for the rest of the show (voice recovery aside....)

I KNEW SKINNER WAS BEHIND GETTING THEM BACK. He just calls up Scully to call Mulder up, then just unlocks the old office when Mulder wants to get back in. 110% Skinner thought this would help his buddy Mulder. And he’s not wrong. 

Wait. 

Did Skinner put in more effort to save Mulder from his mental health struggles (per this My Struggle I episode) than Scully??????

Iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii-- my brain is broken. 

The hold on Skinner’s face while he says “Can you tell me what this is about” was way too long. 

Also, don’t try to play coy with me, Skinman. 

Now the camera’s zooming around and losing its “X-Files” feel by being too… modern. 

Skinner telling Mulder to calm down is the only time in canon where I agree with him. Mulder’s just spouting and demanding and not really making clear sense and this is why you don't let Mulder back into his basement without Scully by his side, Skinner-- don’t you remember that lesson?

Skinner telling Mulder to calm down then saying he doesn’t take orders from him only for Mulder to say “Who do you take orders from?”, ugh.

GUYS, THIS WAS RESOLVED IN SEASON. 2. BECAUSE MULDER KNEW MEN WERE BEHIND THE CONSPIRACY SINCE SEASON 1, EPISODE 2; AND SKINNER SINCE SEASON 2, EPISODE ASCENSION.

BECAUSE SKINNER’S ALREADY HAD HIS LOYALTY TESTED AND THIS IS HURTING MY BRAIN MAKE IT END.

I’m not even 25 minutes into this, help. 

“Why do you think I called you? Because I was looking out for you, because I’ve always looked out for you.” Is… is Skinner the only character who’s progressed? That’s exactly what he would do-- he’s acting sensibly, rationally, and in-character... and more mature, more veteran, than his agents.

I know the Revival is supposed to be “Mulder and Scully all grown-up” but none of their actions have been intelligent, measured, or informed by their age or life experience. It’s a farce that I hope future episodes will rectify. 

“A decade of my life--” Mulder rants and kicks his poster like a toddler AND YOU KNEW ALL THIS INFORMATION FROM SEASON 1, MULDER. NONE OF THIS IS NEW. WWWWWWWWWWWWWWHAT IS THIS. 

I can’t imagine how disappointed philes were when they tuned into this episode. Well... I can because of how I feel; but at least I knew, roughly, how bad it would be going in. 

This is worse. 

Skinner: “You’re blaming me for that?”

Mulder: “No, I’m blaming myself. I’m sure they lied to you, too.” 

This isn’t a revelation, chump. 

At least Skinner confirms my theory: “There hasn’t been a day since you’ve left that I haven’t reached for my phone to call you, Mulder, wishing you were still down here.” 

Feral Mulder is touched. 

“Since 9/11--” OH NO, WHY ARE WE GOING THERE “--this country’s taken a big turn and in a very strange direction.”

Guys. Guys. This isn’t… this… what. 

“Now they police us, spy on us, and tell us that makes it safer--” CAN THE WRITERS GET OFF A SOAP BOX FOR FIVE SECONDS. Of course it isn’t safer to be unnecessarily policed or spied on, but the answer isn't just "boo, the government!" What… why… my brain’s melting, I feel it deteriorating. 

This, again, feels so Bush-era. Like, whoever wrote this didn’t update their mentality. 

Also, the camera shots and cuts are weird. Holding too long, zooming out at “pause and take THAT in” moments, focusing on Mulder’s phone while he silently calls up Skinner to prove a point… it’s supremely unsubtle.

Back to Tad, I don’t care. You did this to yourself, Scully, cozying up only to be used as a name drop on his show. Stupid. 

Is Scully gonna be shocked she has alien DNA? She shouldn’t be. 

But then again, Mulder shouldn’t be shocked this has all been a work of men, so. 

She’s expecting-- no, hoping-- for a call from somebody named Mulder. 

Sure, they’re broken up with hard feelings. Sure. Absolutely. 

Is this old man Not-Obiwan Kenobi?  

Of course.

At least Mulder seems old hat at this informant business. 

But of course, he’s “not even close” to putting it all together. 

Stupid. 

WAIT.

The countdown was WRONG-- Mulder states it began, not ended in 2012, meaning he's believed this theory for some time. Meaning... why was he so depressed after 2012? Why are there still depression concerns in 2015?? Seriously, what's with his depression if the 2012 Colonization was allegedly the cause of it but there is no Colonization and the clock's simply been reset????

WHY WAS HE DEPRESSED IF HE RECONFIGURED THE COUNTDOWN. WHAT.

Mulder: "Not by aliens, not with aliens, but by a conspiracy of men--"

“You’re wasting my time.” Tell him, old man Not-Obiwan Kenobi!

“Ten years ago, you came to me--”

Wait, ten years ago? What, 2005? The guy showed up while Mulder was on the run? And Scully never… knew about this?

There were no aliens lighting each other on fire??????????????????? WAIT, I NEVER HEARD THIS INFORMATION. 

THERE WERE NEVER ALIENS, AT ALL???????????????????? Like, AT ALL????? 

The writers are saying that Scully's experience on Ruskin Dam in Season 5 was not two warring alien factions BUT TWO GROUPS OF MEN LIGHTING EACH OTHER ON FIRE, OR GIVING EVERYONE FALSE MEMORIES OF ALIENS LIGHTING EACH OTHER ON FIRE, OR...??????

hONESTLY. 

Let's be real specific for a second: Chris Carter expects us to believe that the ENTIRE mytharc from the original show was ALL faked; that there were no aliens, ZERO, ZILCH; and that CSM and Deep Throat and all the others created elaborate schemes JUST to manipulate MULDER because the aliens weren't a threat from the start????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? DON’T BELIEVE YOUR LYING EYES. THEY WERE ALL MEN IN SUITS.

Like… do you realize how stupid that is? How actually, unfathomably stupid that is? It’s not just “the aliens didn’t invade because of global warming,” no, it’s “they were never a problem to begin with, we just manipulated Mulder into believing they were because… because he’s so important, I GUESS.”

Roswell’s also a smokescreen, of course. 

Y’know how, during the 90s, DD thought The X-Files was a stupid sci-fi show? If he thought each mytharc plot was as bad as this one, no wonder he wanted to bail. 

Oh, by the way, the global warming explanation is part of a theory: the fascist elites will dominate the world and escape from consequences into space, leading the rest of humanity to die by a globally warmed planet. The aliens weren't chased off by global warming because they were never a factor to begin with.

Wow.

I CAUGHT A CONTINUITY ERROR!

Scully shows up at his place in her uniform from yesterday, panicked, like she’d just run from Tad’s side to see what happened despite her saying over a day has passed.

Going to ignore his “What are you doing here, Scully?” because we’ve ping-ponged back to the out-of-character Mulder that the writers use when it’s time to remind everyone he and Scully are broken up. 

It’s IWTB all over again, I’m so tired. 

They’re talking past each other and he’s touching her shoulders now because he needs her to trust him and yadda yadda yadda. 

It’s soooo, sooooo, soooooooooooooooooooooooooooooooooooooooooo highschool, I’m sorry. This is Riverdale. This is [insert whatever teen series you want to watch.] These are teenagers masquerading as adults, for the angst.

None of this holds up, their emotions shift left and right without provocation, things just happen, and there is no strand of continuity stringing anything together.

Scully trying to talk Mulder down from further pursuit doesn’t make sense because, AGAIN, she’s the one who's always gone back to the files even when he walks away; and every time he’s given up, or wanted to, SHE'S called him back and held him accountable and kept him going. 

This is the Scully from IWTB with no gumption of her own, who denies her leaps forward because of plot, plot, plot. 

Guys, I’ve been religiously dosing myself with caffeine (via chocolate), but my body keeps trying to make me go to sleep because it’s so uninvested. I don't even need sleep.

“This is my life, this is, this is everything I believe in--” HOW. MANY. TIMES. Has he said this before. WHEN HAS THAT LINE EVER WORKED ON SCULLY.

But that's beside the point: "this" was no longer his life after Amor Fati, by his own choice. Closure brought him closure, but he was already spittin' walk-away talk by Requiem, chose to leave in Vienen, and insisted Scully stay gone in Alone. In Season 9, it was Scully who had to beg him into hiding to pursue the Truth or whatever; and it was Scully who brought him the case in IWTB and Scully who relayed Skinner's request and tagged along both times until she got uncomfy and decided never mind, too hard.

Y’know? This claim gets to me because it’s a lie. A lie so blatant that 90s Mulder would have thrown hands over it, a lie so baseless that it erases his declaration in the hallway:

“I don’t know if I want to do this alone. I don’t even know if I can.” And every time Mulder yells his “THIS IS MY LIFE”, he erases that part of his past, the part that willingly left the files or the big Truth or the next chase to save Scully’s life or to keep her by his side. 

Chris Carter said Mulder and Scully were The X-Files post The Truth… but I guess he keeps conveniently forgetting that. More accurately, he keeps making MULDER forget that, in spite of all evidence in Mulder’s history and personality to the contrary. 

It infuriates me. 

“Tad O’Malley is a charming man--” get outta here. 

Now Scully’s been played the fool so she’s going to think Mulder’s being toyed around with by a social media sociopath. You’re an idiot, Scully. 

You’re an idiot, Mulder. 

You expect us to be idiots, writers. 

Here’s some ham-fisted “Fate” dialogue for you, *ahem*:

Scully: “How do you know he’s not playing you, he’s a player!” (You would know, Scully.) 

Mulder: “He’s a Godsend!”

Mulder’s not a believer in God, BUT this is also supposed to refer to the God conversation Scully and Tad had in the hospital, which will inadvertently make Scully ~believe~ again.

“What are you talking about?” I’m with ya there, Scully. I’m with ya, there. 

Scully’s trying to insist Mulder's on a verge of a breakdown, which… UGH. 

This scene implies Mulder hasn’t had a breakdown or a break from reality YET-- Scully spends the episode constantly concerned for his health and begging him, here, to watch what where he's stepping because he’s on the verge of spiraling. 

Which means he hasn't spiraled, because she's afraid of what would happen to him IF he did.

MEANING that there wasn’t an inciting factor that made her leave: no alcoholism, no outbursts, no nothing. He just became depressed, probably withdrawn, and wouldn’t change; so, she left. 

Do you realize what that means, per this episode? It means Scully ANTICIPATED a breakdown and left BEFORE it happened. Then hoped he’d get better before it did. 

Which breaks the established morals of her character. If she had been able to help, she would have stayed. If she hadn’t been able to help, she would have found another way to help him, even if it involved calling in a third party against his will. Instead, she withdrew and hoped he would get better BEFORE he reached a breaking point-- essentially, leaving him to an impending breakdown while hoping and praying against it.

This makes her decision to leave a mark of weak character-- not because she was a woman who left her depressed husband, but because Dana Scully, whose character we amply know, left. It checks none of the boxes she'd have to clear first before choosing to take one step out the door.

All the fic I’ve read to justify their breakup-- and make no mistake, CC wrote her to say “as your friend” intentionally--  or time apart or whathaveyou had Scully reach a breaking point. Because, of course! That's logical. But here, in canon-- in black and white-- that didn’t happen. 

We, the audience, have to create a plausible scenario in our minds to justify the steps she took. Because. it. Is. not. In. canon (as per this episode.) 

Now Scully’s gonna get jealous of Sveta, I’m so done. Riverdale, uuuuuuuuugh. 

Mulder just lets Scully walk away because Scully thinks he wants Sveta but “Sveta is the key to everything” and if Scully wants to misunderstand that she should have more trust in him, I guess, and I NEED A RESPIRATOR.

He just says “Scully” once  and lets her huff off.  

TAD’S BACK, GO AWAY. 

WAIT, TAD STOPS HER BEFORE SHE LEAVES. 

Mulder: “I would have invited you, Scully, but I didn’t think you would come.” 

That’s…

That’s….

Let’s break down this stupidity: 

Scully shows up. 

Mulder had Sveta in the house because he was calling her and O'Malley for a group meeting. 

When Scully becomes nearly hysterical over his safety, he doesn’t reason with her, just spouts like a lunatic. 

When she misreads the Sveta situation and stomps off, he lets her go with a weak, “Scully"--

--because he knew Tad was right behind her and was pulling in to stop her from leaving. 

Because Tad and Sveta were invited but Scully was not. 

And Scully was not invited because.  

Because she might not show up. 

I’m just preaching to the choir at this point, continuing on. 

Scully gave in, just like that. Guess she’s not leaving, anymore. 

She’s so, so… spineless. Has been since Season 9, has been a BIT since Season 8 (though that was at least justified and kept to a bare minimum.) 

I’m just. So sick of passive Scully. 

I HATE THOSE STINGER NOISES NOW. 

It’s always, “You can't let this information out because these men work in secrecy”/”What is it?”/”You’ll see”; then stinger; then we, the audience, are immediately shown what it is.

No suspenseful build-up.

Tad: “Then why are you [Scully] here?”/”Scully: “Mulder, what are you up to?”/Mulder: *knowing look*/stinger/next scene.

KNOCK IT OFF ALREADY.

“Implanting of alien embryos”-- so Sveta’s babies weren’t her babies. 

So Scully’s baby wasn’t her baby. 

But Emily was her baby but William isn’t. 

Sure, Jan. 

In spite of this information, the Revival will paint William as their son until it doesn’t; despite, again, stating from day one that the alien babies are implanted embryos and not biological babies.

So, these two boneheads should have suspected that William wasn’t theirs, anyway. 

Even though William is theirs because the CSM timeline doesn’t add up, which they would have mathed in their heads by the time little William was snuggled in their arms. 

It’s all so stupid. 

Why does this feel so fearmongery about the government? And I’m not going to sit here and say the government should be trusted-- it has a VERY bad history, I'm aware. But this is “my first conspiracy” level of worldbuilding.  

Did the writers think it was clever to set O’Malley up as a bad actor then reveal he was a good actor, modeling him after the notorious Alex Jones only to point and jeer, “HAH, you assumed! He’s actually on Mulder’s side!” 

Because that’s not genius, that’s laziness. 

Scully only now decides to inform everyone Sveta has no evidence of alien DNA? So, what, she was never going to tell them unless Mulder kept being, what, crazy? 

“They got to her” says Mulder about Sveta, but Scully LITERALLY SAID she had no alien DNA, so what was Sveta supposed to believe???????? That Tad O'Malley wasn't using her for as a hoax???

Mulder ran all the way to her house, or ubered then ran, or whatever… and she’s gone, of course. 

Poor Sveta. 

Tad O’Malley’s Truth Site is gone, oh, noooooo. 

Look, I’ll always be against censorship. But this is sending so many odd and mixed signals that it’s creating craaaaaaaaaaaaazy levels of dissonance. 

Mulder wrote “Don’t Give Up” in Scully's car dust…. 

Riverdale. 

Mulder presents the global warming = no aliens theory? 

I’m so tired. 

WAIT, SCULLY BELIEVES MULDER'S THEORY NOW THAT HER BOY TAD’S BEEN PULLED OFF THE NETWORK. 

“We need to find her [Sveta], Mulder,” Scully insists. 

Hold on, prediction time: Scully only changed her mind because this case now involves her-- i.e. only extending empathy to Christian (a boy that reminded her of William) and not to the string of missing, possibly murdered, women in IWTB.

OF COURSE. Her results for Sveta ended up being wrong AND HER OWN GENOME HAS ALIEN DNA IN IT, TOO. 

You selfish, self-centered clone of Dana Scully. 

Scully truly hasn’t recovered since… Season 9, let’s be real, where she told Mulder to leave then spent the whole year crying over his absence. In IWTB, she brought Mulder a case then left him when he wouldn’t stop his pursuit (to SAVE. LIVES.) And in the Revival, she called Mulder and the gang crazy until her own genome showed alien DNA. 

Hate this, hate this, HATE this. 

Also, yeah, she already knew she had alien DNA in the OG series, moving on.

Oh, and now they get a call from Skinner just when Scully says someone has to stop the bad guys. 

OF COURSE. 

Remember the God convo from earlier, guys???? GOD. FATE. SOMETHINGSOMETHINGSOMETHING. 

You had ONE good idea to explore-- how Scully views God vs. the aberrations of biology-- and then just... used it as a convenient club to beat in the “God/Fate means for us to do this” instead. 

“Scully, are you ready for this?”

“I don’t know there’s a choice.” 

Can’t someone PLEASE just explore her faith with nuance? PLEASE? 

Sveta's DEAD???????? I’M SO MAD, I liked her!

YOU FAILED HER, SCULLY. 

YOU FAILED MULDER, SCULLY. 

WHY DOES SCULLY HAVE TO KEEP FAILING PEOPLE???????????? 

Skipping the CSM scene because I don’t care, the END. 

CONCLUSION

How does Scully’s mischaracterization keep reaching new lows? 

How does Mulder become less wise with age? 

How is Skinner the only mentally mature character here?

I’m so tired.

[very-straight-blog]

Making Aegon a r*pist was lazy writing, and it only further demonstrate how the screenwriters aren't able to understand the concept of "grey character".

Do I think it should be completely overlooked? No. Because even if he didn't hurt Helaena he did r*pe Dyana (it was completely useless to his character and it only served the purpose of making him appear more irredeemable, but that's beside the point), and he should be held accountable for it by the viewers at the very least.

Do I also think Aegon's sexual trauma — that would be having to sire children at FUCKING FOURTEEN — was grossly overlooked and glazed over not only by the viewers but also by the screenwriters, and that it could have been represented in a vast variety of more poignant ways (for example, instead of making Aemond an SA victim because yes, they could have given Aegon that kind of relationship with the madame and dive deeper on how he seeks the love he doesn't receive from his family elsewhere)? Do I also think the screenwriters treated Aegon unjustly just because they are not capable of handling a male character with such deep, complex scars that cannot be fully explained in an eight-episodes-long series, and have therefore decided to butcher him because they prioritized hype instead of delivering an actual good product to the public?

Yes. Yes to all of that. As a mainly TB fan I felt myself being forced into my faction, because "who would support a r*pist?", and I came to find unjust how unreasonable this argument is: Daemon and Viserys are r*pists too, with the former literally asking young virgins be set aside for him in brothels and the latter being seen forcing himself on Alicent. Neither of them is held nearly as accountable for their misdeeds as Aegon, and to this day I don't understand why.

I agree with everything here in general and will talk a bit about this topic (I like to talk about Aegon, in case someone suddenly didn't notice).

Yes, the show certainly manipulates facts to endear viewers to one character and make them hate another. Almost everyone in this story has done terrible things, but a lot of fans behave as if the incident with Dyana was the worst of them. Well, I don't know, what about those women Daemon slept with in the brothels? Who often didn't want to be there, who were very young, because he preferred virgins. What about that servant who was killed to hide Laenor's escape? What about Rhea, whom Daemon killed in cold blood to marry Rhaenyra? And so on and so forth. And believe me, such planned crimes shock me much more than what the drunken idiot Aegon did without even remembering it later. Once again, did he do a bad thing? Yes. Is he a good person (character)? No. But at least I'm not trying to make him into someone he's not. And yes - Aegon is still an interesting and complex character that I adore. Not a villain and not just a "drunk and r*pist."

The problem is how his actions are presented to the viewer. Our acquaintance with adult Aegon literally begins with this rape scene, this is our first impression of the character. Aegon has eight minutes of screen time in the first season, and three of them are devoted to the discussion of this incident. Plus, they don't give him anything that could justify it. Did Daemon kill his wife? Well, he did it for love. And this is deeply explored, we're forced to sympathize with the character and then we easily forgive him for such an act. Aegon is shown simply as an asshole without any redeeming traits.

Time skips cleverly mask the fact that Aegon and Helaena were teenagers at best when the twins were born. Helaena gave birth to TWO children at such an early age, they became parents against their own will, not being ready for it. It's interesting, it adds depth to the characters, it might explain why Aegon drinks so much - but of course the screenwriters won't show us that.

Again, Aegon's hypersexuality isn't something funny, it's not what makes him an asshole, it's a sign of trauma. He uses it to numb his loneliness. I believe that Aegon literally didn't have the opportunity to feel what love is in any form. His father disliked him and showed it openly. His mother loved him, but she never knew how to express it the way he needed to. He was married to his sister (the tragedy for both of them) and it was a matter of duty, not feelings. At the time of the first season, Aegon is deeply unhappy and this is obvious. I have every reason to believe that his need for physical intimacy is based on the fact that this is the only form of love he can receive. Considering that Aegon is quite smart, I even think that he himself understands how ugly this form is, but there's nothing he can do. During the act, I guess in some unhealthy way it really saves him from loneliness, longing and the need to be loved, but in the end it makes him even more unhappy.

My thought turned out to be a bit messy and it's time for me to shut up, otherwise I'll never finish, but the point is that the show manipulates the audience to create "the right" point of view for them and it's very annoying. And they also don't know how to create deep, controversial characters at all.

[mochiajclayne]

Hi there,

I hope you're doing well.

i read your post regarding SasuSaku and Sarada as a family and you stole the words right off my mouth.

I'd like to know your thoughts and opinions on Sasuke Retsiden because from what I can see, its only Jun Esaka (a mere light novel writer that writes non canon stuff) all over the internet being equally all over about her Sasuke Retsuden. I haven't seen any other light novel writer being more active about something non canon. Even kishimoto himself doesnt behave like this regarding his own work.

I'd like to also know about your opinions regarding Jun Esaka ATTEMPTING to remove or metaphorically kill Karin Uzumaki by making the main villain a Karin look alike and giving her sensory abilities to Sakura, which again, makes no sense. Does that woman hate Karin and SK so much? Is that woman so threatened by the very thought of SK as a couple that she had to incorporate a villain that looks like Karin Uzumaki down to a tee?

These are just my thoughts and speculations but I'm also really interested in knowing your side of the story.

Thanks for reading my long comment and i wish you a wonder day/afternoon/evening/night

Hi, @theuntamedangel! I appreciate the long comment! I hope you have a wonderful day/afternoon/evening/night, too!

Before I share my thoughts about Sasuke Retsuden, let me share that I did, unfortunately, have a sasusaku phase. I know. Shocker. The entire lore is here in case you're interested (promise it's relevant to my explanation).

I did hear about Sasuke Retsuden when I was still in college. Bits of information, specifically, about the chakra ring and from a perspective of someone who used to ship sasusaku casually, my initial reaction was okay good for them and I went on with my day. Note that I wasn't as heavily engaged in the Naruto fandom like I do now so for me to isn't active back then, hearing about Sasuke Retsuden, speaks volume on how it is over the internet that it even reached me.

I hate Sasuke Retsuden. It's badly written, it's OOC especially for OG Naruto characters, and the canon inaccuracies are more than enough to drive me into aneurysm.

Below this cut is my detailed thoughts about Sasuke Retsuden.

The villain looking like the male version of Karin caught me off guard. I don't know what the intentions behind the character design but I think they aimed for association as Jiji, one of the characters from this godforsaken novel, reminded me of Juugo.

I am not a sasukarin shipper but I do understand where the shippers are speaking from. I think they'll make a cool couple because Karin actually freaking cares about Sasuke when shit gets serious and outside of her "gag", she respects Sasuke's boundaries. Might be speaking out of the box but this novel in its existence was meant to be sasusaku-centric so the possibility of being threatened by all Sasuke-related ships, especially those making far more sense than SS, is high. I don't think Jun Esaka hates Karin. I would dare say that she picked a random character that could work as a direct contender to Sakura and unfortunately, she decided to scapegoat Karin. Moreover, the entire sensory ability shtick added to Sakura was uncalled for. I would go even further and say that Esaka's version of Sakura is what her stans hailed her to be--a superior version of [insert any Naruto's female character]. Even their pink haired kunoichi is incredibly OOC here and you expect me to take her seriously?

The funniest thing about Sasuke Retsuden is the way that they had to use SNS at first, specifically, Sasuke's mission is to find a cure for that chakra illness that Naruto alone suffers. Sure, this is SS centric but it all comes down to Sasuke and Sakura working together to find a cure for Naruto. Now, she could just write a novel about SS without using Naruto's "sickness" as some kind of a plot device, right? But no, she had to convince us somehow and an effective way to do that is literally Naruto and Sasuke.

The dinosaur. Don't even get me started. Even tailed beasts cannot fight against Sharingan to the point that canon graciously provided us evidence of both Madara and Obito controlling the Nine Tailed Beast. The very same Sharingan that made the higher ups of Konoha suspect the Uchiha clan as mastermind for that same incident. We're talking about the same dojutsu that manipulated the Fourth Mizukage. The canon inaccuracy throws me off the loop.

More inaccuracies. Suddenly Sasuke is an Earth and Ice Style user. Wow. Conveniently forgetting about Kakashi mentioning in Part 1 how Ice Style is a Kekkei Genkai that even Sharingan can't copy. As far as Naruto canon goes, Sasuke is a Fire and Lightning Style user. I don't consider Boruto as canon but even that animanga doesn't show any moment of Sasuke using Earth Style. It's insane that people claimed this as canon.

THIS DISTURBING INTERACTION. I did say that the OG Naruto characters are OOC in this shitshow novel and yes, unfortunately that includes Sakura. We've seen the way she react around Naruto's sexy ninjutsu antics. Unless objectification of women or the mere implication of it doesn't perturb her, then it says more about how Esaka portrayed her. I'd personally file a restraining order when a guy says he'd settle for my old, half smoked cigarette butts. I'm surprised that she didn't throw any snide remarks here.

WHO IS THIS SASUKE AND WHAT DID YOU DO TO HIM. This panel made me laugh so hard because I feel like Esaka straight up ignored that Sasuke canonically spent years with his family before the Uchiha downfall happened. I don't think he'd be this clueless about how a married couple acts. Even in flashbacks, Sasuke was shown around his parents or Itachi, literally with his family. I think he knows well enough about married couples.

The ring part as well makes me cackle because Kurenai literally wears a ring in Shippuden. Trust me, Juugo-look-a-like, rings are used in Konoha by couples.

The Uchiha clan symbol takes me out because AREN'T YOU GOING UNDERCOVER IN THIS PRISON? WHY ARE YOU SHOWING THAT OFF?

The Chakra ring in question. Finding out the lore behind this further upset me and I am thankful that I no longer ship sasusaku. Show these panels out of context to someone with little to no exposure to canon and it would be romantic but if you know Narutoverse like the back of your hand, this novel served nothing. Seriously, the fact that Sasuke is incredibly OOC on this novel speak volumes. Imagine annihilating Sasuke's character to make SS work? Insanity.

Writing Edo Tensei with rose tinted glasses disgust me. That jutsu is straight up manipulating a dead body at your bidding. Tobirama shouldn't have invented that jutsu. Hinting that jutsu to be used to revive a loved one that passed away is vile and disgusting. The lack of attention to canon isn't a new thing for Esaka at this point.

Even this novel can't cover up the fact that Sakura doesn't know Sasuke well. If there's one thing that's consistent in the prequel, it was Naruto that gets into trouble. Sasuke doesn't use honorifics and he got away with it. His bluntness doesn't get him and everyone around him in trouble. Sasuke only began resorted to extremes when he was batshit blind and sinking into the unhinged depths of his hatred. Probably the only things that Sakura got correctly was Sasuke's kindness and his nonchalance about his looks but that's it. So the claim of knowing Sasuke inside and out is preposterous. The one who can say that is, guess who? Naruto.

Ending this long analysis with this panel because honestly, Ino is asking the questions for me. Unfortunately, despite being "married", their dynamic stayed the same. Sakura is still that same girl that has a crush on Sasuke, except she's in her 30s and Sasuke is still the same boy that rejected her date offers and the idea of being together with her, even reaching the point that he's away from her a lot.

I do apologize for going off to the point that I decided to pull a meta post about this. I do hope you're doing well and I appreciate the ask!

[die-mitri]

idk you have to consider that kabru is 5'6 and underweight. if anything, people who give him abs and muscles are wrong about him lol he canonically starves himself and he's too lazy to work out. from what i've noticed labru fans draw kabru with body hair and nice shoulders, and a couple of them make him trans. i really hope you're not talking about the people who give him a pre-op chest when you talk about those who "feminize" him lol...

No need to be condescending brother, we all love the same guy here!!! I just get annoyed that people seem to mess around with Kabru's masculinity all willy nilly so they can fit whatever ship they like into heteronormative roles.

My point was mostly that people seem to miss the mark and either hyper masculinize him or forcibly feminize him and it's a super weird way to interact with the character.

Idk if ur the person in my comments or someone else, but in case y'all are different ppl, I do wanna make it clear. I am literally a 5'6 poc trans man, who starves himself out of laziness/tunnel vision, is hyper-aware of the people around me, leading to me masking ALL of the time (partially to lead people towards my personal goals). He and I are pretty much the same dude. I'm not talking out of my ass or anything, I'm just projecting(?) my reality onto a character that resembles me in almost every way.

The truth is that Kabru is rather androgynous in both presentation and personality. And that switching it up for the convenience of a ship is strange.

He's not an accessory for the white men of the story. He shouldn't only be relegated to Mithrun's caretaker OR Laios's biggest fan/hater. He's very clearly his own character, with a complex and interesting past and motivations. And if he was with either of them, it would be for a good reason. (I'd like to write a meta on the context of his relationship with the both of them and how it changes throughout the story but that's for another day)

I'm just sick of people taking him (and me) at face value or making up some idea in their head of how he (and I) should be, while ignoring the parts that break the illusion.

We don't have to agree, but I'm definitely not incorrect.

[heartofhubris]

nah i'm in a bitchy mood

i literally risked being grounded - that is, wake up at 730, walk to school with no breakfast, get lunch if we were deemed good enough to get lunch money, get home, and get a portion of dinner and get sent to bed by 8 pm - to enjoy harry potter. I risked getting in severe trouble, physical abuse, to enjoy Harry potter. And you, random fandom blogger who thinks Snape's hot, do not get to tell me that you're just attached to it. It directly is related to why I even started getting into writing. Ms Nazi over there is why I got interested in creating my own fictional world, why I got attached to so many different characters who simply would whisk me away into a world where my issues could be solved by a flick of a wand and I could enjoy having friends with the same inherent interests s i have. I understand the power and the allure of Harry Potter.

And then I grew up.

And I realized this woman who I had looked up to for getting out of the poverty house and taking care of her children, who i saw as a role model and a fantastic woman, named a black character Kingsley Shacklebolt. I realized that this amazing woman had named an asian woman Cho Chang. The fourth book, where she barely changed the letters of two indian twin girls names from their last names, are you kidding me?

I understand the allure and the escapism. The first movie I ever, and actually the only movie premiere I have ever seen, was Harry Potter 8. It remains so to this day.

She might've won the cases against plagerism, but that makes it even worse that she made such a white hetrocentric story where anyone outside of the norm was treated worse than nothing. Even on a bare basic line, the names itself were boring and contrived.

But what's worse is that the older you get and the more critical thinking you can develop, the more clear it gets what your priorities are outside of whatever values you may claim to espouse. If you dare to have HP and BLM in your bio, the idiocy level matches the movie from 2006 with a plot line that most likely rhymes with your life.

You can enjoy whatever the fuck you want to. I don't care. That is your human right, to do what you want when you want But if you come up to me with Alan Rickman's best role defaulted to Wizard Nazi, you are weak. You are ridiculous, and I'd put down money you're actually a full adult and that's worse. If you dare to say that You ~loved~ Gary Oldman's best role of Sirius Black, you better be able to back your shit up with prison abolitionism and prisoner reform, and you better have fucking contacted whoever is your minister, rep, senator, whatever the name may be in your country (and yes, UK citizens, you are not exempt from prison reform. No, you are not exempt European citizens, from prison reform and rehabilitation) to do better for those incarcerated.

And god rest her recently departed soul, if you dare to tell me Maggie Smith's best role was McGonagal, you are an embarrassment. I swear to god I have met children who could insult you and you'd get mad or embarrassed, because your maturity level is on that same level as that child.

Enjoy what you want. But if a child who risked abuse can get over their escapism, maybe it's a little embarrassing for you to still be here.