#Lise Leplat Prudhomme

[week-of-wonders]

Jeannette: The Childhood of Joan of Arc (2017) / Jeannette, l'enfance de Jeanne d'Arc

[speakingparts]

JEANNETTE, L’ENFANCE DE JEANNE D’ARC BRUNO DUMONT, 2017

Jeannette, l'enfance de Jeanne d'Arc | Bruno Dumont | 2017

[batterknowsbetter]

Joan of Arc

Ingrid Bergman Joan of Arc (1948)

Florence DelayThe Trial of Joan of Arc (1962)

Milla Jovovich The Messenger: The Story of Joan of Arc (1999)

Renée Jeanne Falconetti The Passion of Joan of Arc (1928)

Lise Leplat Prudhomme Joan of Arc (2019)

[where-our-stories-start]

[genevieveetguy]

Jeannette: The Childhood of Joan of Arc (Jeannette, l'enfance de Jeanne d'Arc), Bruno Dumont (2017)

[frankenpagie]

10.4.21

[olvaheiner]

Jeanne (2019) Dir. : Bruno Dumont

[junghwwwa]

Deux ans après Jeannette, l’enfance de Jeanne d’Arc, comédie musicale décalée et déjantée, où Bruno Dumont adaptait déjà le texte de Charles Péguy à sa façon, le réalisateur présentait cette année à Cannes la “suite” dont le titre est simplement “Jeanne”. Dans ce second opus, il se consacre essentiellement au procès de Jeanne d’Arc même si le film commence au lendemain des premières victoires guerrières de celle-ci, au sommet de sa gloire et de sa renommée. Il fait le choix culotté de confier le rôle à la jeune Lise Leplat Prudhomme âgée de seulement dix ans lors du tournage et qui avait déjà joué deux ans auparavant Jeannette. Le choix de celle-ci plutôt que celui de Jeanne Voisin qui jouait dans Jeannette le rôle de Jeanne adulte n’est pas innocent; il renforce la pureté de la foi de Jeanne. “Jeanne” est aux antipodes de “Jeannette”; plus âpre, plus solennel, plus grave. Jeanne ne chante plus mais son regard direct et franc nous fixe avec une telle conviction qu’il nous transperce et qu’on ne peut que la croire en dépit de ses juges et détracteurs. La musique est pourtant toujours présente, confiée aux bons soins de Christophe dont le chant particulier colle bien au film, touchant tant à la grâce qu’au grotesque. Dans un registre différent, le film est tout aussi radical que le premier, gardant ses acteurs amateurs au phrasé parfois particulier, presque risible (à l’exception de Fabrice Luchini dans le rôle de Charles VII) et le texte de Charles Péguy. Le procès est long, pénible, mais la jeune actrice a une telle aura que cela passe. La mise en scène est intelligente, contournant les difficultés d’un manque de budget. La fin notamment est très belle, bellement tragique. Par ses choix artistiques, Dumont actualise l’Histoire et l’histoire tragique de Jeanne, une femme jugée par un tribunal d’hommes, traitée d’hérétique par commodité parce qu’elle ne rentre pas dans le moule attendu pour elle, parce qu’elle n’est pas restée dans son rôle de femme. Le discours politique sous-jacent est pleinement actuel dans un monde où on ne permet pas toujours aux femmes de porter des habits d’homme et par delà d’être l’égale de l’homme. 

[filmbook21]

[moviemosaics]

Jeannette: The Childhood of Joan of Arc

directed by Bruno Dumont, 2017

[erstwhile-punk-guerito]

[speakingparts]

JEANNETTE, L’ENFANCE DE JEANNE D’ARC BRUNO DUMONT, 2017

[ozu-teapot]

Jeanne (AKA Joan of Arc) | Bruno Dumont | 2019

Lise Leplat Prudhomme

[king-galaxius]

New 2019 French Film Release

New 2019 French Film Release

Movie: Joan of Arc(sequel to Jeanette: The Childhood of Joan of Arc[2017])

Director: Bruno Dumont Category: Drama 137 minutes Released: 5/18/2019 To be Released: 9/11/2019 Starring: Lise Leplat Prudhomme

Reference: https://en.m.wikipedia.org/w/index.php?title=special:search&limit=500&offset=0&profile=default+&search=2019+french+films&ns0=1

[where-our-stories-start]

Tortall Fancast Series - Keladry of Mindelan

So I’ve had a lot of folks ask about various fancasts I’ve used in gifsets and photosets of Tortall characters. I thought I’d start a series of favorite fancasts, both as a resource for folks looking to create content and as a way to keep track of sources myself.

Kel’s my girl, so I’m starting with her.

Kel was always big for a girl, having inherited her mother's height. By the age of 18, she was 5'10" tall. She was stocky, broad-shouldered, and solid waisted, having her father's body style. It was suggested that she and Cleon (another squire, also tall like her) should marry and raise young giants. She kept her light brown hair cut short, at her ear lobes. Her eyes were a dreamy hazel-green framed with long lashes. She had a delicate nose over full lips. She was very muscular, every bit as much as a man with her title. She had scars, especially fine and deep ones on her hands after caring for a baby griffin in her squire years. (x)

Kel is 10 in First Test, 11-13 in Page, 14-17 in Squire, and 18 in Lady Knight.

TL;DR: look to Joan of Arc material for Kel.

LISE LEPLAT PRUDHOMME - JEANNE D’ARC (JEANNETTE, JOAN OF ARC)

Lise Leplat Prudhomme is my favorite fancast for Page Kel. Most of her useful material comes from her second Joan of Arc film (titled Joan of Arc), which she was 10 while filming. She wears armor and other “boy’s” clothing in all the footage I’ve found, and her hair is either very short or tied back. She also starred in the film’s prequel, Jeannette, during which she was 8. Kel canonically has long hair before starting page training, so Jeannette can be useful for pre-series material.

KATE MABERLY - ASSORTED FILMS

It’s unfortunately that Kate Maberly never did medieval period films as a kid, because she’s pretty much exactly what I picture for Kel as a page. She was 10 while filming The Secret Garden (good for pre-series content; set at the turn of the 20th century), and 12 while filming both Friendship’s Field and The Langoliers (both modern fashion).

SAM TAYLOR BUCK - YOUNG LORENZO (MEDICI: THE MAGNIFICENT)

Normally I wouldn’t use a male fancast for Kel, who’s so adamant about being a girl, but I like using Sam Taylor Buck specifically for the scene pictured above, in which he’s jousting against a target like the ones described in Page. Sam was 14 when filming Season 2 of Medici.

MAISIE WILLIAMS -  ARYA STARK (GAME OF THRONES SEASONS 2-4)

Maisie Williams (and Arya) is definitely smaller than Kel, but she otherwise fits the image I always had when reading the books. She was 14-16 when filming Seasons 2-4 of Game of Thrones, and exclusively wears the outfit pictured above for the duration of that time. There is a lot of footage of her working with both sword and bow, as well as riding horses of various colors.

LEELEE SOBIESKI - JOAN OF ARC (JOAN OF ARC)

Leelee Sobieski is another favorite fancast of mine, for Kel as a squire rather than as a page. She was roughly 16 when filming the 1999 Joan of Arc. She wears armor and other masculine clothing, including a cloak that looks similar to the Bazhir burnooses the Own wears.

KEIRA KNIGHTLEY - GWYN (PRINCESS OF THIEVES)

Keira Knightley was 15/16 when filming Princess of Thieves, a Wonderful World of Disney film (that’s how it’s billed on her IMDb page if you’re looking for it). She’s much slighter in build than Kel, and she wields a bow more than anything else, but she’s got the appropriate hair and facial features, so I’ve used her particularly for content with mostly closeups.

MILLA JOVOVICH - JOAN OF ARC (THE MESSENGER: THE STORY OF JOAN OF ARC)

Hey look, Joan of Arc again! Big women in armor are a bit hard to come by in medieval fantasy, and Milla Jovovich is my favorite for Lady Knight Kel. She was 23/24 while filming The Messenger, and like the other Joan of Arc actresses has great clothing for Kel. She’s a bit too blonde for Kel, but we can’t have everything.

If you’ve got favorite fancasts for Kel, feel free to add them! The full series (you  know, once I make it) can be found here.

[genevieveetguy]

Joan of Arc (Jeanne), Bruno Dumont (2019)