#Like I deleted it and redid it the EXACT SAME and I worked when I tried

[aachria]

Hey! Just want to let you know your kofi link in bio is broken, theres a quote hanging on the end of the link that makes you redirect to the normal kofi page instead of your page

I thiiiiiiinnnnnk I fixed it???? Lmk if it's still not working xoxo

[markresonates]

I had that issue with my links in my bio a whoooole while ago and for me, it fixed itself when I just redid it once.

Like I just deleted it, saved, put in the exact same thing and suddenly, it was fixed again ✨

bro okay so i did it and idk if it worked or not bc i don't have an android so !!!!!

someone with an android please let me know if the link in my bio actually works !!!!

[madokasoratsugu]

therefore you and me post-production notes (or: murphy’s law as a project that has been two years in the making)

ive had this idea for ‘therefore you and me’ and Fritz ever since i first played CindPhenon. nothing ever fell into place until i played Evermore though, so here we are!

drafting this project was pretty easy tbh (see: hubris). the parallel imagery and everything about the lyrics was right up my alley aha.

fun thing with the lyrics: TadanoCo uses ‘要る (iru)’ in the line ‘Which do you want (iru)? Or do you want neither (iranai; aka negative form of ‘iru’)?’

‘ 要る ‘ as a verb can mean ‘to be wanted’ or ‘to be needed’. 

hence, the line can also be read: ‘Which do you need? Or do you need neither?” or any other variation of the verb’s usage. 

it’s halfway through drawing the lineart that murphy’s law began. 1) i drew ~15 panels on the wrong dimensions, and had to redraw them all (lol), re-grey tone (LOL), and re-ink (LOLOL). it was not a fun three days.

then i lost momentum because of lunar new year (happy late lunar new year btw! happy year of the ox :”) )

anyway: the moment i regained momentum for the project again, i hit a roadblock in the form of overconfident, sloppy drafting (see: hubris is my downfall). 

because of the lack of clear drafting for certain panels (and changes to previous panels), i had to redraft two different sections of the PV while keeping in mind that there was the bridge still to be drafted. fun ! 

i decided to simplify the bridge. can you believe it was supposed to be another animation. i can’t. so i scrapped it.

(slight tangent. Evermore’s release honestly cleared up a lot of uncertainty regarding the direction of the PV and whether or not to include Fritz’s mother (who I still fondly call Beatrice). im really happy the PV never came to fruition before Evermore’s release, as im not sure i would have done half as good a job without Evermore’s content.)

back to the hubris of proceeding with a messy draft - there was a lot of push and pull internally for me as to how much i should keep to the original PV and how much i should just put my spin on things. i ended up doing a bit of half-and-half, i think. 

but really, it only delayed things as i ended up redrafting and having multiple drafts of certain panels haha//

the last two choruses were honestly my favourite parts to draw. the shift from Varg’s clothes and colours to Fritz, Fritz’s acceptance of Varg and the soft way Varg looks at Fritz (and no one else). there’s something cathartic about acceptance and acknowledgement. i think that’s what i aimed to really capture.

also: in between drawing all the panels, murphy’s law 2) my Evermore itchio game file ? got deleted off my computer ? 

it’s a very old, barely functional brick so im lowkey unsurprised but at the same time it was a crazy experience and setback when i needed to reference certain scenes. oh, and Steam decided to not download Evermore too. i still haven’t fixed that one. haha. ha.

i have screenshot posters to thank for uploads of certain CGs, although im still pretty sure its best not to post a ton of those publicly at one shot?

also, i had to scrap the recreation of the famous ‘did you love Varg’ scene because of this aha. looking back now, i think it worked out. 

(another tangent: using referencing as an excuse, i actually took the opportunity to replay Fritz’s route for the third time. i ended up checking nothing at all and falling in love with the masquerade scene again.) 

up till the very end, im still not sure if everyone got that the line “You are love itself.” was meant to be said by Lucette to Fritz. i colour-coded Lucette with her own unique blue for the PV, which was the same hue as the line. i hope that it got across, aha.

with that said, video production was a whole entanglement in and of itself. i think murphy’s law really took up a hammer and swung hard at this stage.

timing was actual hell. im usually not this bad at it, but this project in particular was tricky bc TadanoCo uses a lot of background beats that aren’t overt, which his PV also matches - i think? or maybe im just not good at recognising beats from lack of video/music production haha//

hence there were certain scenes i was stuck at and kept revising because i wasnt clear where the beat was meant to be, what transitions i should use, and when the transitions should be.

subtitling was actually really fun! until i rendered my first version and realised all the subtitles were completely off and blurry.

turns out my project properties were different from my video properties, hence the off-alignment. huh. didnt know those were Actual Things(tm). 

also, quick tip to all vid-making amateurs like me out there: you may have to double the dimensions of the font’s media properties if you dont want them to come out fuzzy. another thing i didnt know lol. 

anyway all this lead to: me needing to spend another evening to redo subtitles. haha. it was not a fun two back-to-back 3am nights + extra evening afterward.

in between all this was countless rendering tests to guess-and-check what’s causing numerous errors in the video btw.

and with those rendering tests came: glaring mistakes in the panel art that i only now spotted and had to fix, and refix, and refix again. then reimport into sony vegas, put it into the video, render and double check if it’s alright. rinse and repeat countless times ! haha ! PV making is fun !

i think i nearly redid a certain scene with the exact same panels once. like i said: not a fun two 3am nights.

that said: i dont know how all this technical issues (and more) popped up and were resolved over two 3am nights and one evening. im not about to question it either. 

at this point: panel art - fixed ! subtitling all redone ! render works fine, everything checks out.

i make the mistake of uploading it directly to yt instead of leaving it unlisted first.

murphy’s law 3) when im watching the vid on yt, the yellow parts in the second verse were completely unable to be seen. 

panic put it on unlisted. people are already watching it and leaving (very sweet) comments. panic delete it.

btw if you’re one of the first three commenters reading this: thank you for the quick response !! it means a lot and made me really flustered in a good way :”))

cue me re-colouring those scenes, redo-ing the section and oops, is that a panel in the masquerade scene where Fritz literally is missing his mask ??? 

i think i lost my mind entirely at this point. from then on i was fueled by spite to complete this cursed project.

at thereforeFINAL.mp4, (version five of the full PV, version maybe 10-11 of all the rendered videos, including tests) finally. finally it is done. 

i upload it.

the end !

(except, not really. because here you are at post-production notes detailing the worst luck i’ve ever had with PV making. 

i learnt a lot from this though, and honestly on hindsight i should have learnt all these from my first PV but nothing went wrong at this magnitude so i kinda just...shelved it aha//

but really, im relieved it turned out well, and that i took the time to redo scenes until i was satisfied. for a PV that’s been waiting in the background for two years now, i think this is the least it deserves. 

if the comic about Fritz and Varg (which i referenced in one of the last choruses, i wonder if anyone caught that?) was meant to be a love letter to Fritz’s route, i think this PV ought to be a tribute to the character himself. 

although - hm, this isn’t quite as good a tribute to Fritz as it is to his route, maybe? i don’t know, haha ! maybe it’s just myself wanting to make excuses to create more for him//

i was thinking of continuing on about the PV and it’s significance to Fritz and Varg, but hm. maybe not on this post. maybe some other one, some other time.

but at it’s core, at it’s simplest, most raw - i think i just wanted to explore what it means to Fritz to ‘want’ and to ‘need’ with this PV.

thank you for watching the PV, and thank you for reading this.

- blu.)

[arecibomanual]

It seemed like the transcripts of some of Chronos' videos were lost, so I went ahead and redid them myself.

I strongly believe that my mom was being monitored and harrassed by Youtube, Universal Pictures, and their affiliates, due to a secret, of sorts, she had uncovered within the original trilogy of Jurassic Park films Let me start by saying as early on as I can that I am not crazy - never been diagnosed with schizophrenia, [????] disorder, or any other mental illness. I'm just good at noticing patterns I've always been a big Jurassic Park fan. [near illegible, but I tried my best] I saw the first[firat?] film in the [??] when I was five years old, [etc] It's possible that Youtube's part in the harrassment campaign may have started with the removal of her various tribute videos to Jurassic Park after her passing but those may also merely be the result of the vast machine that is the automated copyright-takedown system. As big of a JP fan as I am though... [yes, just one word gets its own entire block.] [The next two slides are both on screen for like a second or less each, and both very hard to read.] I was never as [Jebus??] into the franchise as my mom was. She would watch the entire trilogy [something something] weekend [something] month She would buy JP-branded oatmeals and sugary cereals, long after her doctor advised her to steer clear of these for [sdffghjh] tribute videos [sasfsds] like those Linkin Park anime music videos, [there seems to be another line below this in smaller text, but all that can be seen due to the "Lost World" logo is an 'n'] I started noticing their absences toward the end of 2015 Without access to her Youtube password [again, the logo obscures a second line of smaller text] videos s[asdf] eate[n???] on her old laptop I contacted Youtube many times regarding the videos, but have only recieved canned auto-responses and unhelpful, yes sympathetic responses from actual employees after pressing the matter

Sudden huge increase in views... I hope anyone reading this is good with computers. Can you help a dude out? Anyone with experience in the "Eratas" or "Erratas" system, if you could send me a message I'd be extremely grateful. I realise reaching out to my Youtube viewers is a stretch, but hey I guess it's worth a shot, right?

This is the current automatic transcript of the song lyrics- note the address is gone.

0:00 yummy with our bodies we go double take 0:16 when double towel and down because you 0:18 will obey yep at the moment a swing 0:24 according and what if they were moving 0:26 out of people put this flag again me and 0:30 where we get the Kyrian's logbook that 0:32 much will be here with norma j whatever 0:35 same time of shipment be ready rings I 0:39 got the swagger bomb dinner she gotta be 0:41 the banker getting hungry mi made it was 0:46 a motherfucker I get the most which is 0:49 one of those bad Mama's lawmakers face 0:54 big to wait before the game silly 0:56 mistakes by me for the legality long 1:00 incremented plan to participate there 1:03 are few things that remain partly in 1:05 fact women brown one jet respect for 1:08 just a sec all want to hear that amana 1:12 fellas 1:14 where's little water water some people 1:20 talk to prepare a while did you dress 1:22 this is probably one night shift with a 1:25 flower wanna sesh with the left yeah I 1:28 came with the girl boy more than I can 1:32 make you feel a bit of summer fun dirty 1:34 hands off what you got this one is 1:37 different cuz of giving up their friend 1:40 not expedia we go up as much me what is 1:44 now for miracles that reason who I saved 1:49 it up for going my life we thought okay 1:52 II didn't see results el Muppet is 1:55 liking the brand back when we flew with 1:58 the what the fucking bag guys what dear 2:01 what I do like her to the finish my blog 2:05 or give it give you burn the neck yet 2:08 before pop pop pop you're already 2:10 because up just a touch the phone fucker 2:14 hit e'rybody chose to be seven dollars 2:18 oof amazing makers Allah fuckin ear for 2:21 my age / or two big horses doing his way 2:26 where we're going 2:28 we're breaking any / you an exact 2:32 digital model for the problems of 2:34 opinion i wanna do you live with my 2:37 first build up an American town to fit 2:42 terrasse de multiple more Chicago's 2:45 that's what we not all results too 2:48 powerful for design code changes

And here's the transcript for the QnA video, copy-pasted from KYM because it's under a spoiler tag on that page and thus won't archive. I don't know why KYM thinks this video was deleted, as it's very much still available.

TRANSCRIPT: [start of video] I’ve been fairly reluctant to really ask anyone for help since the nature of ] like pre[ classic paranoid nutjob ramblings - algorithms controlling things behind the scenes, weird stuff in that vein. But I would never waste anyone’s time with stuff like that. In the past couple of years I’ve asked for help from friends in programming and business circles. but over time, friendships fade, people move, people stop talking to you. You know the drill. As such, I’m very grateful for the help people are giving and I’ll try and answer as many questions as I can here. Cork Top writes: Q: "So with this video, are you essentially trying to see if this system called “Erratas” or “Eratas” will attempt to take down the video because it’s some system/algorithm that takes down videos that�� I don’t know, include the term “Eratas”/“Erratas” in them? Which is why you used asterisks for letters in the word in the description, to see if the system could detect text on videos?" [Cont…]

A: Thanks for writing, Cork. Yes. I don’t know much about programming or computer systems, so I’m not too savvy about how to trick them. All I really know about Erratas is that it’s used by dozens of companies. (“recent”, as in, within the last 5 or 6 years) they seem to use it as a copyright-enforcement tool which works as an excellent [?] if you want to take down other things as well. But it has its limitations, and I’m fairly sure that my “test video” helped ferret those out. Maybe. The original Jurassic Park trilogy is excellent, by the way, I highly recommend it. The second film is my favorite, in spite of its flaws. Frank Horrigan writes “what is the erratas system? any documentation?” A: Thanks ]ing, Frank. “Erratas”[?] is something I [?(I’m not sure if there’s a word here or not)] crossed paths with over the years, and in[scope[?] disturb[??(this word MIGHT be “disturbance,” or it might be “disturbs me”)] … The fact that it went after my mom in her twilight years is either evidence of its enormous and uncaring[?] reach in other words, a coincidence, or it means it’s specifically still coming after me after all these years, and to be frank, both options freak me out equally. 3M and Unilever were early adopters, which shows the versatility of the system. Too much faith is put into computers in general, and WAY too much faith was put in Erratas. Lots of people lost their jobs. And Aaron4420 [referring to a YouTuber who posted on one of his videos], it’s easy to talk shit from behind a computer screen but takes a real man to back it up so suck my dick through a straw [end]

rip aaron4420