#Let's Call This Destiny

[otaku-republic]

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【This Week's New BL Manga】 Painter of the Night, Cuddle Jujin Omegaverse, Shota Oni and MORE!

[alfheimr]

erosion

[zebaji]

au where I mix up all of the Ninja's powers and backstories into a slushie mess and see what happens.

So far I have:

Wu gets bitten by the Great Devourer and becomes super manipulative and toxic, as he tries to make Ninjago perfect, neat, and orderly with the Golden weapons. (Think lord business from the lego movie) Too bad he refuses to use his Oni side to obtain four arms to use them together.

Garmadon still trains under Chen and practices the Dark arts, but understands the balance of good and evil, and is filled with guilt over the fact that Wu got bitten when it should have been him. Wu, who doesn't like that Garmadon leans into "evil" practices and banishes him to the underworld.

The Green Ninja is Morro, who is biologically Wu’s son. (yeah, you thought canon morro was bad, this morro is so much worse since he's literally the weapon in making Ninjago in Wu's image) His personality is pretty much the same as canon (perfectionist, obsessive, crazy) it's just that he is in fact the Green Ninja and Wu enables him a lot.

Before everyone figures out that Morro is the Green Ninja, they think it might be Kai, who is the brother of Maya and has the power of Wind. He's Morro's replacement in this au, in the sense that he is also desperate to become the Green Ninja by whatever means necessary, and Wu pits Morro and Kai in a rivalry to see who becomes the Green Ninja. And Morro, who cannot fail his father, becomes violent and kills Kai. Kai isn't great in this au either and ends up in the cursed realm and later becomes a ghost.

Misako sees how problematic Wu is and after Garmadon gets banished, she runs away with baby Lloyd and tries to take Morro too, but Wu freaks out and thinks she tried to kidnap Morro so that she could use the Green Ninja's power for her own gain and he kills her to "save Morro," and thinks he kills Lloyd too.

Lloyd's actually fine, and just grows up at Darkley's until he gets adopted by the Royal Family, much to his dismay, and becomes the Quiet One who is willing to punch a dude to get his dad back. Because he doesn't have his powers, he relies a lot on his dragon and Oni heritage.

Nya is the only child of Ray and Maya, and when they disappear, Chen finds and adopts her, and she becomes the sister of Skylor. Despite having the element of fire, she relies heavily on mechs, and loves to invent, letting her sister use her powers while she designs Chen’s button chair.

Pixal is Ninja of Ice and still was created by Cyrus Borg, so Zane is still in the Birchwood Forest, forgotten and stuck there until Lloyd finds him and offers him a place in the cult group he’s starting.

Cole's dad dies, and while he tries to honor his dad's dancing legacy, he still inherits his powers and is forced to become a ninja. He's still a popular entertainer and pretty well known in Ninjago as such, and he really doesn't want to be a Ninja full-time and is only doing it because he's scared of what Wu will do to his loved ones. I do not know what power he should get and I am open to ideas.

Jay was raised as Cliff Gordon's son and so he's wealthy but he is also extremely talented in robotics. He and Cyrus Borg collaborate a lot and is best friends with Pixal. He does not have powers and tries to help Cole get out of the team. Honestly, I have no idea about Jay either.

Harumi releases the Serpentine after her parent sends her to a boarding school and forget about her. She does not want to be forgotten, and in a rage over it, discovers she can control Lightning.

Morro finds her and takes her in, reassuring her that there is a place for her on his team.

The team consists of Morro, Ash, Cole, Pixal, and now Harumi, all trained under Wu.

And then Lord Garmadon crawls out of the Underworld, eyes glowing purple and with four arms, demanding to see his son, and everyone starts to panic because they are pretty sure Lloyd is dead.

[rare-prism-s]

hmm

[woodland-laume]

Can I just say that I adore this piece of Witness concept art specifically??? I adore all of it honestly for the cosmic horror that it is. But this specifically.

It's like a chonky big cat, like a black panther with that long and thick tail. The image of this behemoth just pouncing on people to death is so fun. Playing with it's prey even. Or maybe just a ball of string. It sprinting down places in seconds, it being both so heavy but also as graceful as a cat, running and jumping over obstacles with coordinated ease, using it's tail for balance and steering. It looking down at it's prey as it holds it down in it's paws, relishing in it's despair.

And just look at it laying down there, just vibing like a lazy cat, resting a paw on it's limb. I adore it.

[the-darkness-does-not-bargain]

It's not that I think King's Landing shouldn't get destroyed by the end of the series. Nor am I saying that Daenerys can't be involved in some capacity.

But blowing up that city is Cersei's right. That's her party, her grand hurrah, her crowning achievement. You can't take that away from her after all the work she's put in. Be respectful.

[fandom-geek]

vaguely fascinated by osana sov's naming choices. she chose for her daughter a name that can mean "bitter (strength)" or "lady" in two ancient languages (hebrew and aramaic) and for her son a name that means "old friend" in another ancient language (old english)

like every other golden age character has a name that's pretty normal by our standards, which tbh includes mara, then osana just names her other kid uldwyn. then again, even osana's name is either a variant of the hebrew hosanna or after an obscure and possibly fictitious old english princess-saint whose name means something along the lines of "godly solitude", so i suppose mara might be considered the odd one out

[thefirstknife]

Hi Bel,

I keep seeing comments about people complaining about the quality of destiny’s writing and story in the last few weeks. I haven’t really engaged with destiny since season of defiance, what’s currently gotten everyone so riled up? I thought that people were enjoying Season of the Deep/Witch in terms of narrative, why is Season of the Wish causing people to deride the destiny writing staff again?

I don't know!

Deep and Witch have been absolute bangers in every aspect to me. I've been enjoying all interactions and lore tabs we've received. A lot of them are stuff that we've never had before, a lot of reunions and closures, a lot of development and interactions between characters who you wouldn't really think would have much in common.

Sloane's return and healing from what she's been through has been fantastic, Drifter opening up with her to help her because he also got help from others was fantastic, Sloane reuniting with Aisha and Shayura brought me to tears (Shayura's descent into madness was triggered by immense trauma of Sloane staying on Titan and Titan disappearing), everything with Sloane and Zavala...

Witch was just incredible in every single way; the focus on Eris, the amount of Eris and Ikora content!!!!! Everything about Xivu and Savathun and their interactions together!! Eris finally fulfilling her goal she promised Savathun YEARS ago, getting that closure.

Wish so far has been equally great to me. All the new stuff about Ahamkara is amazing, finally giving us proof for long-standing speculation about Ahamkara and how they aren't universally evil creatures and expanding on them as a species. I love all interactions we've had so far; finally we have Petra back, Mara's singleminded focus on figuring out how to defeat the Witness and her continuous work to improve as a person, ALL SJUR MENTIONS!!!!! I won't talk about the "leak" because we have no context for it so I will wait for the full story to be revealed before I can pass judgment; something that I think should be a lesson to learn from this entire year. Maybe wait for the story to finish before judging the story.

Literally everything this past year that involves Osiris, but especially this season now that he's back in his element with the Vex. And of course every little detail we get of him and Saint. Osiris honestly shaped this year for me with everything that he's done to uncover the biggest mysteries. I think a big reason is that a lot of people just don't like Osiris, which I consider a massive skill issue.

Other than that, I don't know what are the issues people have besides just not being interested in any of these storylines and attributing it to a nebulous "bad writing" claim. I also genuinely believe that way too many people get wrapped up too much in fandom, imagine storylines they want to see and then get disappointed when the actual story doesn't go there. Almost like people forget that this isn't their story and these aren't their characters. A lot of it is also fandom completely warping characters into not what they actually are and then feeling like the canon story is the one that's wrong.

Whatever is the reason, I guess everyone is entitled to their perspective of the story and everyone is free to explore the story in different ways through fanfics and AUs and whatever. I do that too!

But I would definitely ask people to be normal with how they engage in criticism, especially in the current state of affairs. Writers are developers; they experience a ton of harassment and negativity from the community and also from inside the company. And they are online: they can see what we're saying. It's been documented that community commentary has been used to harass writers:

Imprint this into your brain and never forget what these people had to go through. Let's not forget also the way people treated Seth Dickinson on social media when he was active with Destiny fans. "Fans" were actively arguing with him about his own work (telling him that HE is wrong) and were utterly disgusting towards him when he tried explaining what he wrote. His works are now hailed as the best writing in Destiny and people want him back. If I were him, I wouldn't want to come back ngl, not with how he was treated and not with how fans are still treating writers (and hey, Seth wrote LF Collector's Edition! So he was back, technically, this year!). Let's not forget that a lot of writers are members of various marginalised groups. And I'd definitely not want to go back with zero support from leadership.

Which is also an important aspect for all developers, including writers: sometimes they have orders they may not like, but can't argue against. They do the best they can with what they're given, the time they have and directions they receive. And with that in mind, I am enjoying everything we've gotten this year, obviously with some specific complaints about things I didn't particularly enjoy (like the universally mid reception of Defiance; I've spoken about my gripes with it before, a big one being the shafting of Suraya who should've at least been mentioned in a lore tab).

I can tell that there is passion in their work, even if maybe they would prefer to do more with it, but can't. Maybe even if they want to take different routes, but can't. But from what we got, I can feel that they care about this world and these characters. I can tell that someone lovingly wrote about Sloane and her friendships with two grieving women. I can tell that they deeply cared about Sloane's friendship with Zavala and that they loved showing us Saint and Drifter caring about a fellow trauma survivor.

I can tell that the writers are immensely careful and loving towards Eris; everything she went through was crafted with love and passion from both writers and her VA. Eris' story is such a fundamental aspect of Destiny and I can tell that this was important to the writing team and that they gave her everything they could to do justice to her character and her arc and her healing and her release from the cycle she was trapped in for so long.

I can tell that there are writers who care a lot about Osiris and Saint and their relationship. I can tell that someone cared a lot about expanding on Ahamkara and giving them more personalities. I can tell that someone cared DEEPLY about Sjur and Mara and that her repeated mentions are the passionate work of writers who want us to remember her.

I could go on. And I know that not everyone sees it this way, which is fine; we all have different ways of perceiving stories. I enjoy discussing things we in the fandom disagree on and I enjoy hearing different perspectives! Unfortunately, this has recently become rarer and rarer. And for the love of god, please try and treat writers with some respect, especially now, especially those who are still working and doing their best with the shitty situation they're in. None of the cries of "poor devs" ring true to me unless the same is given to writers, instead of treating them like punching bags.

[ash-and-starlight]

.

[jazzy-a]

Endless siblings: Destiny, please tell me what is says in your book!

Destiny: No, I already told you it doesn't say anything about this event.

Siblings: Can't you check again?

Destiny: Fine.

Destiny, stands there for 2 seconds with the book clearly closed before looking back at them: Yep, nothing in there.

[ixesese]

Today is a good day

Saturday Will be every sci simp lifes hell

/silly obviously but

Uhh

Since its the birthday from one of my mutuals that day and all and they also like sci

Everyone has sci art!

And whoever likes Orion that way too

[aceofcaydes01]

I love that Bungie did this. Happy Pride month! 🌈🏳️‍🌈

The emote is in the TWID: TK7-D3P-FDF

Bungie.net/redeem to claim it. :)

[carnelianwings]

I watched the entire AsuCaga Archangel med bay scene again in Seed Destiny, and I'm just gonna break it down because quite honestly, I actually think there's a lot of explicit understanding between Athrun and Cagalli on everything that happened before this moment in Seed Destiny, and an equal amount of implicit forgiveness on both sides to reconcile, take a step back (and let other things take priority over their relationship), and start over (where we ultimately end up with the Archangel departure hug and Athrun saying there's no need for them to rush). This feels especially true when you take Seed Freedom into account as well.

(This is, in fact, very much brought on by the recent drama on AsuCaga twitter over how Fukuda said Athrun never said he forgave Cagalli and still hasn't, and me sitting there going "... okay Mr. Director let me just go watch that again, in the HD remaster edition, because that scene sure as hell didn't read that way to me in both versions of that scene.)

TL;DR - Fukuda might be the director, but I think in this case, he might want to refresh his own memory because the dialogue and the way everything happens between them from that moment sure doesn't feel like there's any true grudges/lack of forgiveness on either side.

Long version behind the cut.

Scene opens, Cagalli and Athrun talk about Meyrin, Cagalli assures Athrun she'll see to it Meyrin's well taken care of, alongside Cagalli (correctly) guessing that Meyrin liked Athrun all along despite him never having said more than 2 words to her (on screen) before he runs into her room to hide at Gibraltar.

This is then followed by Cagalli hesitantly asking if Athrun will forgive her, to which he says, and I quote, "That's what I should be asking you. I should be apologizing." And it's said in this soft and regretful tone of voice on his part (thank you Ishida-san). When Cagalli then very specifically brings up the fact she tried to get married (to someone else), Athrun doesn't even sound angry over it like he did at Crete - he just responds with "You wanted to protect Orb", because in the time in-between, he finally understood why she did it. And he then explains himself, that essentially he couldn't stand being the "powerless" Alex Dino any longer, that he wanted (needed) power as Athrun Zala to help the people he cares most about, especially when Cagalli's the one shouldering everything herself. He then further explains after the Break the World incident he really just wanted to stop the war from happening and that's why he did what he did and Cagalli agrees, adding "But it's hard. Everyone wants to stop it, and everyone says so. So why won't it happen? ... Is there really nothing we can do about it?" And Athrun disagrees, convinced they can stop the war (and they eventually do), before the scene changes to Lacus on the Eternal.

Everything in this scene between them is spoken very calmly and warmly - there's no anger coming from either of them, there's a sense of helplessness on Cagalli's part when the conversation shifts towards what can be done to stop the war, but it's otherwise a conversation where they're both reaching an understanding with each other for why each of them did what they did that ended up hurting the other. And in that sense, there's a feeling of reconciliation here, that they've both matured from the previous (checks notes) 38 episodes of events and Athrun, in particular, understands now what she was trying to do, and has had enough time to process all of that to be able to talk to her about it, without any anger (that burned itself out, in my opinion, after Crete - but the conversation at Crete was also muddied by what happened during the Battle of Dardanelles). There's no lingering resentment from either side with how the conversation flows and how they talk to each other either - had Athrun truly not forgiven Cagalli, he wouldn't be able to meet her in the middle like this and respond to her request for forgiveness with what's essentially a "That's my line, I messed up too".

Is it a direct apology? No. That said, it's not like Cagalli outright said she's forgiven Athrun either, but the way they both talk and relate to each other in that moment in Archangel's med bay definitely feels like they've mutually forgiven each other implicitly and reconciled with each other for what happened during their time apart. Followed by Cagalli taking his ring off (to focus on being Orb's head of state), Athrun recognizing that Cagalli's top priority isn't "being his girlfriend" when this is her chance to reclaim the power she should've had all along, and Athrun (to a degree) recognizing he can be patient and wait for her (while working on himself and have power of his own - which he does by the end, when he chooses to live as Athrun Zala again instead of incognito as Alex Dino).

And by Seed Freedom, they've both gotten themselves into positions where they won't make those same mistakes again - in my opinion Cagalli was working with better intel than Lacus was during the entire Foundation Conflict thanks to Athrun (the only reason Cagalli wasn't able to get ahead of Foundation more is because Aura and Orphee kept just enough under wraps to get the jump on them, but once Requiem entered the picture Cagalli was ready), and Cagalli gave Athrun the Infinite Justice Type II complete with a new flight pack (based on Strike Rouge's Ootori Striker pack no less) disguised as a Z'Gok so he'd have the power to follow through with his decisions in the field.

(As for the Cavalier Aifrid units - I'm of the mindset it's Athrun who came up with them. The design looks like it has more in common with ZAFT-based tech like the Guul and both Fatum sub-lifters used by the previous two incarnations of the Justice, plus the remote control system feels like something Athrun would come up just for Cagalli so she could fight without ever having to leave Orb. I guess we'll see what official supplemental materials say on that, if they ever decide to say one way or the other.)

[catsafari25]

A/N: Hello again, and with this I think (?) I may have succeeded in writing enough bionicle fic to get it out of my system (unless another plot bunny hits me like a cannonball, but... eh, we'll see) and thus, here is the companion piece to the Vakama & Roodaka oneshot.

This time, exploring the scene where Vakama entered the Great Temple, from his side of things! This was also partially inspired by the scene in Challenge of the Hordika where Nokama is almost physically repulsed in trying to enter the Great Temple :)

x

In the tunnels beneath the temple, Vakama must stoop.

At first he shuffles, mutated arm tucked against him and his sole hand brushing only briefly along the floor to steady himself, but the passages are dark and deep and lined with creatures which seek out the weak. The eyes that watch him are not hungry. They keep their bellies too full for that.

In the end, it is easier quicker to drop to all fours, to share the weight between claw and tool that feet alone cannot. His altered form folds into the new stance with frightening familiarity. It's comfortable.

Natural.

The crown of his mask grazes the tunnel's ceiling, but only in passing. His gait is sure. Well. Surer than the ungainly slouch it had been before.

It was said – back when Matoran were awake to say such things – that even the strongest swimmers of Ga-Metru would hesitate before plunging into the depths of the protodermis sea. Not because the creatures there had any fondness for the taste of Matoran. In truth, it was thought that the rahi actively disliked the flavour. No, it was because the way Matoran swam was indistinguishable from the rahi's usual prey. Only when they had sunk tooth and jaw into their meal would they realise their mistake.

It was an annoying, if harmless mistake for the rahi.

Matoran couldn't say the same.

Vakama's early crawl through the passage had been like that of a Matoran swimmer: functional, but slow and indiscernible from wounded prey. Creatures drag themselves down into these depths to die, in hopes that they will be devoured only when they are too far gone to feel it. The eyes are patient. They will wait to see if this newcomer is similarly inclined.

And so when Vakama drops to his haunches, the eyes blink. Reassess. He moves less like the hunted and more like the hunter now, more predator than prey, and the eyes – and teeth – keep their distance after that.

The path Vakama stalks through was once a protodermis pipe, made obsolete even before the cataclysm. Newer conduits had been built, more efficient, more resilient, and this one had been disconnected but never dismantled. When he reaches its origin, it takes some effort – and his blazer claw – to break the seal across the hatchway, but when he does, one of the temple's protodermis purification chambers looms above him.

The room beyond is quiet.

Unmarked.

He doesn't realise he's stopped until the chittering of his audience draws closer. The snarl he throws back echoes off the pipe's walls, and the eyes retreat, but do not leave.

Vakama curls his hand around the lip of the hatch, and then falters.

Something is wrong.

It's not a pain, because the feeling does not hurt as it ought, but something is undeniably, fundamentally wrong. It causes his breath to catch, his hand to flinch, and it would be so easy, so easy, to turn and walk away, only...

Only he came here for a reason.

The wrongness flares, amplified for a moment, and then he pulls himself up. The eyes watch, but do not follow. Do they feel it too? Can even such base creatures sense the innate malice the temple exudes?

He clambers out of the purification chamber – empty and abandoned now – and stumbles upon his landing. He catches himself, but does not rise back to his feet.

Wrong.

This is wrong.

And at the edge of the wrongness there is a strange sort of terror. It dreads the same way the fire fears the sea, the same way the prey fears the predator; it is the meeting of two primally antithetical forces where only one can survive. It whispers turn back through his mind.

He moves into the next room.

It's one he knows well. Light filters down from the rot-stained windows, centering – as it had the day he'd first seen it – on the suva, and casting long sentinel shadows of the columns standing to attention around it. A crack mars the suva, its stone dome now split cleanly in two from the quakes, and – drawn by some desire he cannot identify (instinct, curiosity... nostalgia?) – he approaches.

It seems so small now. Even bowed and altered in his Hordika form, he looms over the Ta-Metru symbol he'd once had to stretch to reach.

Unbidden, his hand moves to the niche where once he'd placed a Toa Stone – where once he had though himself chosen, duty-bound, destiny-gifted – and falters a breath from the stone.

The wrongness spikes.

Screams.

And with a twist of something he will not call horror, he understands it is not originating from himself.

But from the temple.

It is repulsion. It's alienation. It's recognising him, but as other, as rahi.

It's disgust that a monster would dare enter its sanctuary.

In the Ta-Metru carving, stone once polished to the point of fragmented reflection, he sees a glimmer of his own face. Neither Toa nor Matoran. Nothing blessed by Mata Nui.

Vakama recoils.

And then a wave of his own disgust, propelled by that fury that runs so close to the surface now, rolls through him. If you didn't want us as the Toa, you should've stopped Makuta from choosing us, he thinks, and digs his claws into the stonework.

The wrongness sings.

But he knows it for what it is now, and his morphed, clawed hand gorges scars through the carving. The stone is soft. Its makers had never imagined someone would take a blade to it.

There comes a tapping from across the room, echoing brazenly off the ancient stone walls, and Vakama retreats instinctively into the shadows. A Rahaga enters.

Norik?

No, this Rahaga's armour is more akin to a Po-Matoran than a Ta-Matoran's, the colour of dust and stone. Vakama tries to recall the Rahaga's name – and then dismisses the attempt.

It won't matter, in the end.

The Rahaga walks as he always has, stooped and slow, but clearly unhindered by the temple. He passes by the suva and runs one gnarled hand across the stonework, his movements marred by curiosity rather than reverence.

The rage arrives a fully-formed creation. It drowns out the wrongness, floods the apprehension, and he is moving before he's decided that this is the path he wants.

It is not pain, for it does not hurt as it ought.

But it does still hurt.

x

Whatever the Rahaga might once have been, they are old and weak now. Four are captured before Vakama's rage has a chance to cool, but the ire is no less dangerous when it does.

(That's the thing about Ta-Metru; it's not a place of fire so much as it is of magma. And magma doesn't extinguish with the cold; it sets. It moors itself into place, an unmovable, burning force.)

The rage settles, solidifies around his heart and lungs and carves a home between his breaths.

(Magma is not fire. It does not leap blindly from one source to the next. Instead it advances. Slowly. Steadily. It finds a channel, a destination, and it engulfs all in its path until it reaches it.)

He finds the last two remaining Rahaga, pathetically ignorant to their brothers' fates and still scavenging the temple for answers. He hears the way Norik appraises his sister's translation, relief clear in his voice that they are one step further on this wild rahi chase. Relief, surely, that the Rahaga are one step closer to regaining their Toa form.

(And Vakama's anger has found its destination.)

He does not descend on the Rahaga's leader the way he has the others. No. Norik will know what's coming for him first. He gets to fear. Vakama waits until Gaaki has gone, until Norik is alone, and then he circles. The wrongness thrums in his veins, weighing him down and labouring his breaths. It doesn't matter. Let Norik hear his approach.

Norik doesn't try to run. Vakama will give him that much. (A wise choice. Vakama intends for this encounter to last, but if Norik runs, Vakama cannot be sure he won't chase.) Instead, the malformed once-Toa calls out and actually tries to approach him. Stupid. Doesn't he know that he won't win any fight, transformed as he is? As both of them are? No, instead, he tries to talk. As if they are equals, as if Norik has done anything to deserve his respect rather than his scorn. As if he has earned the temple's forgiveness for his trespassing.

Even when Vakama raises the fate of Norik's fellow Rahaga, Norik attempts to sway him with the illusion of reason, talking of duty and unity, as if he's not using the other Toa Hordika to chase after a rahi myth for his own desires. As if their roles are in any way comparable, both Toa of Fire once, both leaders, it's true, but Vakama hasn't forgone his duty to chase after selfish needs.

And it stops now.

Vakama circles closer, and Norik is still talking, unease in his voice, but not fear. Still searching for the right words to turn Vakama to his bidding as he has the other Toa Hordika. Ever the voice of two-faced logic.

Why won't he just shut up?

Does Norik think him to be as gullible as the others? As quick to desert his duty as them?

And Vakama knows he wants – needs – to shake that assurance, that arrogance out of Norik. Needs to see that facade of self-righteous wisdom crumble into the terror of his situation.

The growl begins deep in his chest and, unleashed, it becomes a roar. He rears out of the darkness, into the weak sphere of light surrounding Norik – and there, there he finally sees true fear fill the old fool's eyes.

Something slams into Vakama and he reels, his roar cut short. His hand reaches automatically, defensively, to his mask. He finds only water there. It clings to him, imbued with some sort of power – he can feel something other in it – but otherwise impotent.

"Leave my brother alone," Gaaki snarls. She stands in the doorway, small and hopelessly overpowered, but her shoulders are tensed with a stubborness Vakama recognises. Already, her spinner is powering up for another shot.

Well. Two can play at that game.

Vakama's rhotuka fires into motion, but the water has seeped into the mechanism, and dowses the fire before it has a chance to catch. He gives it a withering look, before turning the expression onto Gaaki. "Very clever."

Another water spinner hits him, but this time he is braced for it and all it does is wash harmlessly off him.

"Is that all you have?" he asks. His blazer claw splutters, but the claws on his hand flex. After all, there's more than one way to defang a muaka...

Gaaki steps back. Good. She knows she's outmatched. "It's a devastating attack underwater," she offers, and her words are strong but there is a cracked edge to them.

"Then you'd better start finding a puddle," Vakama growls, "before my claws find you," and he drops into a run, feet pounding and fangs bared and that ever-present wrongness humming about him.

She doesn't flee. Just like Norik, she stands her ground, gnarled fingers wrapped tight around her staff. Her eyes are hard, but he sees the way her hands shake.

How long will her resolve last, Vakama wonders. Before or after the claws find their mark?

He never finds out.

He's knocked off his feet before he reaches her, and when he hits the ground, ropes of energy pin him to the earth, like a water-bound rahi caught in a net.

What–

Norik.

He'd forgotten Norik.

He thrashes against the restraints, but they hold strong – for now. His blazer claw splutters again, but it does nothing to the energy that binds him.

He stills as he hears footsteps approach.

The two Rahaga hobble into his line of sight. Gaaki is breathing hard, as if only now is she allowing herself to feel the fear. "You left that late, Norik," she says, and even the breath that follows sounds more like a shaken wheeze than a nervous laugh. "Almost too late."

"I only had the one shot. I couldn't afford to miss," Norik replies. "He's got our brothers. Gaaki, go find–"

"I'm not leaving you alone with him," she retorts. "I only went for a moment before, and look what would have happened if I hadn't returned."

Vakama tilts his head as well as the energy net will allow. He grins at the Rahaga, anger curdling it into a sneer. "Yes, Gaaki, you're very good bait, congratulations." He shifts his gaze to Norik. "But you've always been so good at getting others to do your dirty work, haven't you, Norik?"

Norik doesn't even have the decency of guilt. Instead, he simply looks tired. "Whatever you think you know–"

"I know the truth! You don't care about the Matoran, you only care about yourselves!" He strains against the ropes, and although they do not break, there's a little more give in them than before. He slumps back to the ground, breathing hard. "You might have the other Toa fooled. You might even have the temple fooled, but not me," he growls, and the temple's hatred presses down on him, straining his last words.

Gaaki places a frail hand on her brother's arm. "Norik," she says, and there is such unbearable sorrow in her voice. "He looks in pain."

"It's not my doing," Norik assures her softly. "My snare spinner only binds."

Vakama snarls. "I don't need pity from the likes of you. I know what you are."

"We're allies, Vakama," Norik says, in that insufferably reasonable way of his. "Friends."

"You're frauds," Vakama snaps. He twists against his restraints. They slacken, just a touch. "Liars. You don't deserve to walk these floors."

And the Rahaga stand there, unburdened by the temple's hate, strangers to this land, to Metru Nui, and yet it is Vakama the temple repulses? After everything he has forgone, the life he's abandoned, the friendships he's lost, Mata Nui punishes him?

His rhotuka fires off a fire spinner, and it goes wide, cracks a wall. Norik and Gaaki stumble back, Norik preparing another snare shot, but the energy net holding Vakama snaps. Vakama lurches forward, suddenly free, and slams into Norik.

The snare spinner wraps itself around a column. It lights up the room with crackling energy.

A blast of water grazes past his shoulder, too shy of hitting Norik to commit to taking the easy shot, and Vakama reels towards Gaaki. He fires with a snarl, but hears the snare spinner coming again and ducks at the last moment.

Again his own attack misses and the shot cleaves clean through a wall. Something on the other side begins to smoulder.

Then it begins to rumble.

It's a low sound at first, as deep as the earth and just as vast. Almost like a distant growl. But then the cracks begin to spiral out across the roof, along the columns, and the room buckles.

The light flickers. The frames of the high windows above collapse.

The world becomes fragmented, filled with flickering images. Falling masonry and toppling pillars and dust – but the sounds never relent. Even in the depths of the passing darkness, the thunder continues.

And when the dust settles, so does an awful silence.

Vakama straightens, or does his best approximation of it. Fragments of cracked protodermis fall from his shoulders, his head, his back. He withdraws the hand which has somehow found itself raised above Gaaki, knocking aside the stone slab caught against his arm.

Where's Norik?

Both Hordika and Rahaga stand side by side, that quietness disturbed only by the skittering of stone shards settling. There is wrongness in his breath, his head, and it's impossible to separate where the temple's ends and his begins. But any moment now, Norik will reappear from the wreckage, bearing that ever-same holier-than-thou look, and the anger will rise anew in Vakama.

Any.

Moment.

Now.

"You've killed him," Gaaki says, and her voice breaks that terrible stillness. She draws in a half-breath that cracks into a sob. "You've... oh, Norik..."

No.

No, it was an accident. He hadn't meant to– Norik had simply been in the wrong place. It wasn't as if he'd taken a blazer claw to Norik, or hit him directly with a fire spinner. He'd only meant to... what? What had he only meant to do?

Something swings towards him and he grabs the staff before he even registers what it is.

"He's not dead," Vakama says, and maybe if he says it, he might even believe it. He snaps his gaze to Gaaki, as if her grief is bringing it to pass. "He's not. He's not as easy to kill as that. When the others– when the Toa find him, he'll be fine. Fools like him always find a way to survive."

Gaaki attempts to pull her staff free, but her strength is no match for Vakama's. He wretches it out of her grasp and tosses it aside.

"Stop that."

She doesn't listen to him, only steps back and charges up her rhotuka. The grief in her eyes fogs into hatred.

The water spinner hits him but does little more than rock him.

"Stop."

Gaaki screams, a sound of rage and anguish, and releases a volley of spinners as ineffectual as the first.

Vakama's patience – or whatever had held him in place until now – snaps. He lunges forward. His claws close around the joints of Gaaki's rhotuka and pins the mechanisms harmlessly into place, in the same manner one might pick up a baby ussal crab by the widest edge of its shell. She thrashes, but Vakama's grip holds.

"I said, stop," he snarls.

She's breathing hard, her gasps sharp-edged with agony. "You killed him," she says, voice hoarse and hateful.

His insides twist, and – Gaaki hauled by his side – he starts the ascent to where the rest of the Rahaga are trapped. He doesn't look back to the rubble. Doesn't glance for one last glimpse of Norik's resting place.

He's not dead. He's not dead he's not dead he's not

The wrongness, the hatred, has woven so deep into him, it's almost a part of him now.

Toa don't kill. Vakama can't remember who taught him that (he recalls, briefly, the flash of a gold mask, but it comes with pain – grief – and he pushes it aside before it can take root) but it gnaws at him like a trapped stone rat. Toa don't kill.

But he was never meant to be one.

And if the Great Temple – if Mata Nui – thinks a mistake was made in Vakama's destiny....

Well. That's somebody else's problem.

x

The Hordika that returns to Roodaka is different from the one she sent out. There's something new in his eyes... or perhaps something lost.

"How was the temple, Vakama?" she asks when it's just the two of them.

He looks to her. Beneath the anger, beneath the rahi, there's almost a haunted look to those eyes. It vanishes a moment later, but Roodaka never doubts her own eyes.

"Unwelcoming," he replies, and Roodaka smiles. She could have suggested Vakama pick the Rahaga off one by one in the chaos of Metru Nui, outside where her Visorak could have been an aid... but the temple had been too good an opportunity to miss.

"Good." She sets a hand on his shoulder. "You owe no loyalty to Mata Nui, Vakama. Not anymore."

He rolls his shoulder, but not sharp enough to dislodge Roodaka's hand.

"One thing I do not understand," she says. "What happened to the sixth Rahaga?"

The Toa growls. It is a gutteral sound, rooted deep in the chest and at home in a way it wasn't before. "You wanted a message left for the other Toa. I needed a messenger."

"Alive?"

Vakama shrugs his shoulder again, and this time she lets him roll her hand loose. "Does it matter, so long as they understand?" he growls.

No, Roodaka concedes as she surveys the remains of the Toa before her. She supposes not.

[kittychicha]

FAVORITE MEDIA | THAILAND | LAKORNS

TO THE MOON AND BACK (2023) LOVE FOREVER AFTER (2022) WIWA FAH LAEP (2022) DARE TO LOVE (2022) MY LOVELY BODYGUARD (2022) REVENGE FROM THE PAST (2022) SWITCH ON (2021) VOICE IN THE RAIN (2020) LOVE DESTINY (2018) LHONG FAI (2017)

[reneesbooks]

wip intro/masterpost - the raedoran cycle

hi hello here it is. my baby.

genre: fantasy

pov: third person limited, with various narrators throughout

status: a series of 4 novels/stories, in various states of drafting

summary: in one night, Raedora is thrown into chaos. the royal librarian murders the queen and her youngest daughter with magic and flees, leaving behind the king and the crown princess to pick up the pieces. the princess spirals slowly into madness as her sworn shield tries to save her, terrified of her dead sister's prophecy.

two thieves in the capital set their sights on the crown jewels after attending the queen's coronation. but when one gets a little too reckless and catches the attention of the Mad Dog of Morbhard, their plans quickly go off the rails.

when their parents are killed in the Dragon Purges, two shapeshifters must hide amongst their killers to survive. one, a talented healer, tries to build a life that will be safe for them, but her little brother has his sights set on avenging their parents by murdering the queen that ordered their deaths.

a young witch is raised alone by her father, always in hiding, with strange dreams and visions of the future. when he dies of an illness even her magic can't heal, she must strike out on her own, searching for answers to the prophecy that has followed her for her whole life.

tag: the raedoran cycle

so originally this was one novel following multiple characters, but thanks to a minor plot bunny that greatly spiraled out of control (lacuna) it has become something much more. many of the four novels' events occur simultaneously, with their stories overlapping and intertwining as the character's lives do the same.

the knight of lacuna lake

Keelan: baby boy war criminal. he narrates the story as he tries to save Maura from herself.

Maura: the golden queen of Raedora. she lost half her family in 1 night and handed it incredibly well all things considered (no she didn't)

status: first draft finished(!!), shelved while it marinates and i work on the rest of the cycle. likely going to come back and edit it at some point but for now it is what it is

tag: lacuna

the thieves of morbhard

Arthur: master lockpick and ball of anxiety. he narrates his attempts to get Jack to notice him while also trying to steal the crown jewels.

Jack: cursed damned street rat. born on the night of the triple new moon and condemned to a life on the streets, he's got his sights set on stealing enough to get both him and Arthur out of Morbhard for good.

status: just barely starting to draft. fully outlined.

tag: thieves

the dragons of kiltide

Emilia: the only voice of reason around here. a talented healer fighting to protect her baby brother from both the persecution they face in their homeland and the Purges that killed their parents.

Fabin: teenage ball of rage. his parents died in front of him when he was 13 and he has been supremely chill about it since then and doesn't everybody sleep with their sword under their bed?

status: outlining with the occasional scene.

tag: dragons

the witch of the west

Birdie: a talented witch born under and blessed by the full silver moon. raised by her father in the woods after fleeing the witch trials, she is determined to understand and fulfill her prophecy. her strange dreams of dragons, thieves, and knights lead her to a search for the people who she believes will help her in her journey.

status: it's complicated. this where all the original material lives for the most part so it's outlined(sort of??) and i've been writing scenes for it but idk what the actual timeline of events is and i've changed a LOT since i started. so it's a frankendraft mess. we'll get there eventually.

tag: the witch

and that's it! that's my baby! i think about Them a lot these days.

taglist: ask to be added <3 @k--havok @theharpywrites

links:

lacuna wip intro/masterpost

salt and brine (in the same world but not necessarily relevant)

i will add more as things get posted but for now you can find everything for each story/character through the linked tags up above. i am always available to scream about my children :)