#Lenny Montana

[melis-writes]

THE GODFATHER (1972) dir. Francis Ford Coppola.

[filmesbrazil]

[hedleylamarr]

Defiance (1980).

[principiumindividuationis777]

[scholarofgloom]

[ekirina]

Hace poco hice "maratón" de las tres películas de El Padrino, donde Al Pacino cogió la fama que merece. Es una película sobre la mafia italiana y su aposento en Estados Unidos. La evolución de los personajes es notorio y se te pasa volando el tiempo cuando empiezas a verla.

La recomiendo totalmente este cine clásico, todo un éxito en sus tiempos. Hubiese estado muy bien hacer una serie, porque me dejó la parte tres con falta de desarrollo de algún que otro personaje. Pero las tres películas no defraudan. Quizás habría que leer también el libro.

Podréis verlas (por ahora) tanto en la plataforma de Netflix como en HBO.

The Godfather (USA, 1972)

[cinemaquiles]

Bullying e vingança satânica nesse filme de terror da década de 80 disponível de graça no youtube!

[ringthedamnbell]

Top Five Favorite Movies That Had Pro Wrestlers involved

Top Five Favorite Movies That Had Pro Wrestlers involved

Brian Damage Pro Wrestlers have been involved with Hollywood, almost as long as movies were being made. Many times they would film a quick cameo appearance or be an extra as a “heavy” without many even realizing they were professional grapplers. Nowadays, wrestlers have become more leading men and women, starring and headlining feature films. Today’s top five looks at my personal favorite movies…

[thegirlfromblackwater]

If the Van der Linde Gang lived in Modern Times (Modern Au)

Life gives you funny ideas...and I'm going to write them down

Arthur

Would live on a ranch in Montana or Wyoming as a rancher

Offers services like trail rides, lessons, and boarding

Has a herd of cattle

Spends every Sunday watching Rodeos on TV

Watches while sitting in his favorite worn-out armchair

Always has a cold beer and a snack or his dinner while watching

Has a pickup truck that's a bit filthy on the inside. Addresses his car as a "she."

Treats it like a horse: calls it a "good gurl."

Has a mounted Trout and some taxidermy on the walls

The Wifi at the ranch is spotty..doesnt understand why guests need it when they're surrounded by nature

Network Name: MorganRanch Password: Ynnel123

Tried to fix the router once but not exactly tech savvy. Ended up punching it

Texts Albert Mason sometimes

Dutch

Definitely lives in a city either Los Angeles or New York City

Lives in a Snazzy Penthouse in the clouds with a skyline

Works as a motivational speaker

Wears a lot of bling

Has a bar in at his place

Molly always tries to find a way in

Calls Hosea a lot

Has a weird fetish for black, red and white furniture.

Still loves reading books by Evelyn Miller despite that the writer is a nobody living in Idaho

John, Abigail & Jack

They probably live out west on a farm (very much like Beechers Hope)

John works on the ranch and also has side multiple side jobs (thanks to Abigail)

Jack spends his time in the school library

Abigail is obsessed with this one bakery

Molly

Lives in whatever city Dutch lives in

Tries to make herself at home in the penthouse

Famous on social media for her makeup tutorials

The neighbors can usually hear Molly & Dutch fighting

Dutch: "Not now Miss O'shea" Molly: "Pig!"

Bill

Lives somewhere in the Midwest

Works as a truck driver for Walmart

spends a lot of his life on the road

Has a bit of road rage

likes rest stops

when he's not working, he is a part of a biker gang

has a tattoo sleeve and wears a white wife beater

one of those bikers that wears a bandana with the American flag on it

Marybeth

Probably lives in a quaint town on the east coast

Works in a bookstore during the day and is a freelance writer in her free time

Lives in a cute townhouse with a small garden in the front full of flowers.

Her house is cozy

has a seating area with big windows that look out over the street

spends her time writing and reading there

likes to sit at cafes and drink coffee

Lenny

Is a full-time university student by day and bartender by night

Lives in Chicago or Atlanta

Probably double majoring in Business and literature (if that combination even exists)

Lives his single life to the fullest

Mostly an A student who goes full ham on the weekends when partying

Micah

Lives in Las Vegas

Sells illegal drugs

Has no money because he gambled too much

Stays in different hotels

Owns a pawn shop

Everything for sale there was smuggled across the border

Has dealings with the cartels & other shady characters

Hosea

Lives a quiet life out west

Goes to his lake house on the weekends to go fly fishing

Reads a lot of books

Also likes to go hunting

Is a part time English teacher who teaches children to read

Talks to Dutch by phone

Sometimes visits Arthur and stays at his Ranch

Uncle

Lives in a trailer park in Florida where the weather is always warm and the cold won't bother his illness

Sits on a folding chair outside his mobile home

Plays the Banjo

Drinks a beer

Is a complete mess inside

Doesn't own much furniture

Can't work because of the Lumbago

Sweats a lot

Naps and snores too loud

Lives next to a swamp

Javier

Lives in Arizona

Lives in the desert

Grows cactuses

Owns a Music shop

Travels around playing at local bars

Works part time as a music teacher at the local high school

Has a YouTube where he shows off his music

Sadie

Probably lives in a city like Dallas or Denver

Works as a cop

Likes to catch people for speeding and sits on the side of the highway

eats Chick-fil-A while waiting

Watches Dateline

Carries a Taser

Always looks sexy in her uniform

Charles

Definitely lives in a cabin out west

works as a conservationist

Likes National Parks

Goes fishing with Arthur

supports and donates to the Bison Sanctuary (if one even exists)

Likes Camping

Trelawny

Lives a wealthy life in Charleston, South Carolina

Lives in a large southern mansion

Wears a robe to sleep

Has a whole walk-in closet full of clothes and accessories

Has a sauna in the basement where he relaxes

Owns a bunch of fancy cars: He loves his Bentley

Reverend Swanson

Probably lives in Philadelphia

Still works part-time at the church

Mostly spends his time helping people with addictions

Hosts an AA meeting three times a week

Rescues crackheads from the street

Mostly sober

Wrote a memoir on his journey to recovery

Sean

Lives in Boston

Likes the university/young people vibe

works at a pub

Everyone's favorite Bartender

Makes customers laugh

goes back to Ireland once a year

Takes Karen with him sometimes

Karen

Lives in Portland, Oregon

Works at a bar as a bartender and a stripper

Good Pole Dancer

Her large tits are popular amongst the men

Puts on shows in the evening

Talks to Sean a lot

Gets Hammered

Strauss

Works in Finance in New York City

Is a Workaholic

Has no friends

Goes back to Austria every few years

Boring to talk to

Always on a work call

Listens to Classical Music

Tilly

Lives in Nashville, Tennessee

Visits Marybeth a lot

Wants to be a Nurse

Likes taking care of people

Wants to travel around the world

Pearson

Lives somewhere in New England

Owns a restaurant and catering business

The restaurant is interestingly enough called "Pearsons"

Probably has a wife and some kids

Loves Maine Lobster one of those people that wears a bib when eating it because he's messy

Is a good Butcher

Susan Grimshaw

Lives in Florida

Is a housekeeper

Cleans uncles' mobile home once a week

Tries to control Tilly and Marybeth from miles away

disgruntled

[say-hwaet]

That's the Way it Is

Chapter: Lovers of Fire and Moonshine, Part II Previous Chapter: Nine Next Chapter: Eleven Summary: Arthur deals with the aftermath of your surprising kiss, remembering the "quiet time" he had with Lenny, and getting an earful of advice from Hosea… Warnings: Language, Violence, Drinking Word Count: ~8,100

Now that your back is turned, Arthur lets himself lift his eyes and watch you go. Your skirt is muddied and wet from traipsing in the water, your hair a mess from being unconscious on the ground. For a moment, he had thought that was it. Your headache so great, you died. He finished off the remaining raiders to hurry to your side, patting your face and calling your name, until you woke up.

And boy, what a surprise it was, when you slipped your hand behind his neck and pulled him in for a kiss.

He had thought that you had come to your senses. That the light went on in your mind and you were finally remembering. Why else would you kiss him after a battle? It had to be that you recognized him. Remember him as your husband.

But then you had to go on and mention it was because of the memory you woke up from. The kiss you gave him on that cliff after he saved you from a near-death experience.

He lied to you when you asked if he remembered what it was, what he was going to say all those years ago.

But what was he to do? Just come out and say, “I was gonna tell you that I had a woman and kid waitin’ for me. It weren’t right to kiss you back.” Hm? Was he?

No. No, he was not about to do that.

And here he is again, back to where he started. Caught in between truth and lie. And letting you go when he wants you to stay.

He feels a hand on his shoulder. “C’mon, Arthur! You ride with me.”

Arthur doesn’t feel like riding with Dutch. He would much rather be by himself right now. Just find a secluded spot, take out his journal, and write the things that he wishes he should have done or said in real life before the moment expired.

The taste of you still lingers on his lips. Mint leaves and canned strawberries. Two things that you’ve always preferred over anything else, but you are oblivious. He knows you more than you know yourself.

And that’s his trouble.

He whistles for Montana, who comes trotting over as Dutch mounts The Count. And they ride off, going off the road.

“Have a bit of trouble back there, Arthur?”

This is quite the shift from singing praises just a moment ago. Arthur watches Dutch as he rides beside him with a suspicious gaze. “What you mean?”

Dutch wears a soft grin, his eyelids soft as he lifts his chin. “It just seemed like you took your time taking care of those men.”

“We handled it just fine, Dutch. Just some raiders.”

“Oh? Not Braithewaites?”

“No, looks like the raiders were buyin’ it from ‘em.”

Dutch rolls his shoulders as they cross a small body of water. “Well, I guess if Archibald didn’t ask too many questions about it, neither should we. These folks are just backward hicks from the middle of nowhere, they’re fools to deputize us.”

“You seem to be enjoyin’ it.”

Dutch senses the dig and scoffs. “Well, Arthur, I ain’t the one that’s really enjoyin’ themselves, am I? Seems like you’ve been gettin’ a bit too comfortable around these parts.”

Arthur's jaw tightens, his grip on the reins growing firmer. Dutch always had a way with words, poking where it hurt the most. But if he isn’t about to let him have his way this time. “I don’t like bein’ here any more than you do.”

“That isn’t what I mean. Ain’t nobody like it here.”

Arthur’s eyes narrow. “What’re you talkin’ about, then?”

“Kit.”

Arthur sighs, rolling his eyes. “I already told you, Dutch, I ain’t—”

Dutch cuts him off, speaking in an accusatory tone. “I see you watchin’ her, followin’ her, you sure she isn’t distractin’ you? Maybe if she wasn’t over there, you would have handled the raiders much more easily.”

Arthur doesn’t acknowledge that accusation. “You just said she did a good job. You asked her to come along.”

“Yes, I did. Might as well use her while she’s here, right?”

Arthur doesn’t appreciate that word. Use. Like as if you were disposable, but he doesn’t acknowledge that, either. “She needs to recover, she—she ain’t ready.”

“And you get to make that call? Do you own her or somethin’, Arthur?”

Arthur furrows his brow. “Of course not.”

“Good. ‘Cause these two families, I think we can play both sides, and we are going to need everyone to do their part. Kitka, especially.”

But we can’t forget the favorite. “Micah, too?”

Dutch gives Arthur a sideways glance. “Yes, including Micah. You know as well as I do, that he ain’t the last to step up.”

He ain’t the first, neither , Arthur thinks. But he isn’t about to say that out loud.

***

“They got Micah!”

“Who’s got him?!”

“The Sheriff in Strawberry…!”

Arthur stands by Dutch. He was just in the middle of receiving another lecture about bucking up and having the leader’s back when the young man came riding up into camp. They had just found Horseshoe Overlook, and these past several days have been sluggish. Quiet, yes, but also sluggish.

“There’s talkin’ of hangin’ him!” Lenny adds, his eyes white with fear and worry.

Arthur can’t hide the smile on his face. “Here’s hopin’.”

And Dutch doesn’t hesitate to reprove him. “Arthur! If you were in the same situation, he’d go rescue you.”

“I doubt that.”

For the last six months, Micah has been all talk and flattery. Sure, he knows how to use a gun and can be a great ally when it suits him, but everything else about him just spews sick and twisted. Maybe he stumbled upon the gang too early, and bypassed the O’Driscolls, as they seem to be a better match made in hell.

“Arthur,” Dutch says, gesturing to Montana. “Go take Lenny into town, get him a drink, and then go get Micah.” And after a moment, Dutch rests a hand on his shoulder. “You could probably use one too, for…you know…”

Yes, he does know, every day without your presence is a reminder of what he failed to do.

He doesn’t say anything more, but motions for Lenny to follow. He hoists himself upon Montana and they both ride towards Valentine.

Lenny watches Arthur closely, everyone has been careful around him since the events in Blackwater. The cold from Colter didn’t help things either, and Arthur doesn’t doubt that everyone would rather soon forget about all of it.

But he can’t.

“You doin’ okay, Arthur?”

Him? Arthur isn’t blind to the fact that Lenny was sweet on Jenny. Sure, they never went beyond the small flirtation, but it really could have been something. You kept telling Arthur that you wanted to help them get together.

“I want them to have what we have,” you said, your whispered breath tickling his skin.

Arthur’s grip tightens on the reins, his chin tucked into his jacket.

“Arthur?” Lenny asks.

“I’m fine, Lenny.” He looks ahead as they reach the main road. “Let’s just…get you a drink. You can calm your nerves a bit, don’t think about Micah right now.”

Lenny shakes his head. “Micah, I swear, he was lookin’ for trouble.”

As they trot into the muddy streets of Valentine, the town buzzes with the usual chatter and clatter. The sky, a palette of dusky pinks and deep blues, stretches overhead, giving off a sense of tranquility that seems almost contradictory to Arthur’s stormy heart. He hitches Montana outside Smithfield's Saloon and waits for Lenny to follow.

They both walk up the steps and Arthur swings the saloon doors open, taking in the smell of cigar smoke and whiskey, and hearing the piano play a bouncy tune. Some working women look him up and down, nearly licking their lips, but he doesn’t even glance their way. His heart's too wrapped up in thoughts of you, as if you were a ghost haunting every corner of his vision. After all, you’d been haunting him in the winds of Colter for the past couple of weeks. 

Inside, the wooden floor creaks under their heavy boots, and the barkeeper, a middle-aged man with a thick mustache and a gruff voice, nods at them. “What can I get you, folks?”

Arthur leans on the counter and Lenny mirrors his movements. “A couple of beers, please.”

The bartender nods and gets right to it.

“Just one drink, right, Arthur?”

Arthur nods absentmindedly, his mind going elsewhere. Everything still feels fresh in his mind and he worries that he will never be free of it. Free from loving only long enough to feel pain.

Mary.

Eliza.

Now you.

And each time, aside from Mary, it was kept a secret. He felt that maybe, if no one knew about it, it couldn’t be used against you both. No one could threaten to destroy it, or harm you. It was the mere association with Arthur that got Eliza killed, even in her cabin in the middle of nowhere. And his distance couldn’t protect her. Or his son. 

And his closeness couldn’t protect you.

But then he saw you. Right there in the open street, just after scratching his face.

And you couldn’t recognize him.

Was it some kind of sick joke? Just someone pretending to be you? No, not when you sounded like that, looked like that, felt like that. He’d know you like he’d know his own heartbeat, irregular as it sometimes is. It felt like the world slipped sideways, like one of those dreams where you can’t quite grasp what’s real and what’s not. But the pain in his chest was real enough, sharp and piercing. And it tore him in pieces when he had to bring himself to walk away.

The large glass of beer slides into Arthur’s arm as it rests on the counter, startling him from his thoughts.

Lenny has already picked up his and lifts it towards Arthur. “Cheers, Arthur!”

Arthur forces a smile and they clink glasses before he brings it to his lips and drinks.

And drinks.

And drinks.

***

“LENNNNAYYYYY!!!!”

Arthur struggles to find his footing as he wanders through the saloon. For some damned reason, he has lost track of his pal, his comrade, and no matter how many times he calls his name, that damned boy won’t answer.

Hell.

The world seems to spin a little, his vision distorted by colors of gold and purple, he feels warm and fuzzy, like a peach.

Arthur likes peaches. They kinda remind him of—

He hears an odd sound as he walks up the stairs, his large hand trying to grip onto the railing. Reaching the top and walking the balcony, he sees a crazy young man trying to balance a glass on his head.

Ynnel?? Wait, no. Lenny! It’s Lenny!

“Lenny, mah boah…!!!”

Arthur tries to quicken his steps, nearly shoving a woman who gasps at his forwardness, though it almost appears like it isn’t unwarranted.

But, of course, Arthur could care less.

He reaches the boy and takes hold of the railing. “What. Are. You. Doin’?”

Lenny’s cheeks are ruddy, a grin on his face. “I don’t—” He fumbles with the glass and it falls off of his head onto any innocent folks down below. Lenny lets out a hiccupped chortle, looking at Arthur with the goofiest face he has ever seen.

Somehow, there is another beer in Arthur’s hand. Well, he isn’t about to complain. He brings it to his lips and lets the liquid sour down his throat, it filling his belly with a sloshing sound that is almost as sickening as it is satisfying. He smacks his lips, lets out a deep sigh, and leans over the railing.

Lenny leans as well, swaying from side to side as though he were dancing. This is hilarious, and Arthur cackles loudly.

“Well, why ain’t you never married?” Lenny asks suddenly.

And Arthur, drunken Arthur, is quickly reminded of his failed attempts at marriage and the one success he managed. He isn’t about to tell Lenny that he is, in fact, married. The memory has begun to be buried. Buried deep, too deep, and tangled up in a mess of sorrow and lost dreams. He shakes his head instead, taking another swig from the bottle that warms his insides but does little to chase away the chill of his truths. “I reckon marriage ain’t for everyone,” he slurs.

“Just say no one would have ya, Arthur! Be honest with yourself…!” Lenny laughs and takes another drink.

Arthur finds it comical. Hysterical. If only he could have been as successful as an outlaw just as successful he was in keeping his marriage a secret, he’d be better off. He wouldn’t be here, drunk as a skunk, pining for a woman who acts like he is a complete stranger.

Well, If you can’t beat ‘em, join ‘em.

So he picks up another bottle and drinks.

And drinks.

And drinks.

***

“Eugh…” Arthur feels as though his head is going to explode. Every heartbeat sends a throbbing pulse through his skull, his stomach twisting and turning. He brings a hand to rub the ache behind his eyes, the dull throbbing piercing through his irises. 

He did it. He got drunk. Severely drunk.

He rolls onto his side, opening his eyes to the brightness of day. “You moron, Morgan,” he groans. And he struggles to get up. If he thought lying down was awful, standing up is worse. He feels it in his stomach and before he can get the chance, he keels over and vomits.

And as he bends over, he sees a fleck of gold come out from under his shirt and it hangs in front of him.

He wipes his mouth, wishing he had some water to wash it down with, but his eyes are drawn to the gold chain…and what it holds. 

His heart sinks and he takes between his fingers the ring that he had put on that chain just weeks ago.

He didn’t want it to be on his finger. Not when it was too risky. People wouldn’t pay any mind to you if you were wearing one, it’s your mother’s, but him? Dutch and the rest of them would surely figure it out.

He was planning on putting it on, as soon as he met up with you again. With only your few possessions and love for each other, that was going to be your lives from then on.

He looks at the ring for a bit longer, then slips the chain back under his shirt, hiding it close to his heart where it belongs. The weight of the gold feels heavy against his chest, a constant reminder of what he’s lost—and what secrets he must keep even from those closest to him.

Arthur staggers to his feet, steadying himself against the rough bark of a nearby tree, and looks out onto the horizon.

That was you. He knows it deep in his soul, and far be it from him to let you be lost to him ever again.

Turning, carefully, he makes his way back to Valentine, where Montana waits for him.

He’s got a lot of ground to cover.

***

“Arthur!” Hosea sees him coming and waves him over as he stands by the wagon full of moonshine. It has been a couple of days since the destruction of the stills, and there’s no doubt in Arthur’s mind that Hosea has an idea.

Arthur salutes the man, speaking in a low tone. “Hosea…”

Hosea��s smile doesn’t falter and he turns to gesture to the wagon behind him. The bottles glisten as they catch the light that peaks through the trees, giving off the illusion that the cargo is more precious than it ought to be. “What do you think?”

Arthur manages a smirk and chuckles softly at his surrogate father’s excitement. “I think you got a lotta moonshine on your hands.”

“Oh yes, we do. And I’ve been coming up with something. A plan!” Hosea then rests a hand on the side of the wagon and looks back at Arthur, a certain gleam in his eye.  “For both of you.”

“Both of who?” Arthur blinks. 

And Hosea, good ol’ cunning Hosea, casually shrugs and lifts his eyes upward. “Oh, I don’t know, someone with a knack for performances.”

And then Arthur understands. He means you. Of course, it would be you. But Arthur has yet to tell him about what happened back at the still. Against the wall of a shanty. He takes a deep breath and exhales, speaking quieter and taking another step toward him. “Hosea…”

He must see it in Arthur’s face, for he lowers his hand and raises his brow in concern. “What’s it, Arthur?”

“Somethin’ happened…”

Hosea searches his son’s face. “What? What’s wrong?”

Arthur rubs the back of his neck, recalling the feeling of your hand there, and the pressure you applied to bring him close. “She kissed me, Hosea.”

It takes but only a moment for it to register, for his eyes brighten and his smile returns. “Does that mean she…?”

Arthur shakes his head, quickly dispelling any hope that Hosea just had. “No. She doesn’t know.”

But this will not do. Hosea’s brow lowers and his gaze intensifies as he crosses his arms. “Arthur, you need to tell her.”

“I can’t.”

“Why not?”

“You know why I can’t.”

Hosea clicks his tongue, shaking his head. “No, I really don’t. It seems that you are making something out of nothing.”

But he does have cause. He knows he does. Hosea hasn’t seen it happen. He doesn’t see how the light goes out of your eyes, how your face contorts in pain. How tense you become. He takes another step toward Hosea. “This last spell she had, this last one knocked her out for a few minutes.”

“Okay? Was she in any danger?” Hosea’s tone indicates he’s hardly bothered by it, as though Arthur is just making up another excuse. Maybe he overestimates your resiliency. Maybe Hosea has too high of expectations for you. Or maybe he’s questioning Arthur’s own capabilities? 

Well, he wants to reassure Hosea that he protected her this time. “I kept her safe.”

Hosea swings an arm in Arthur’s direction. “Well, there you go, then.”

He baited him, and he felt for it. Hosea has always been like that. A sly fox, leading the conversation even when you might think it was your idea and by your lead all along. “Hosea—”

Hosea cuts him off, pointing a finger in his direction. “Maybe if you tell her, you can save her from any pain. If only you’d just spare her the trouble of figuring it out on her own!”

Arthur shakes his head. “It ain’t that simple.”

But Hosea is persistent, nodding his head and being more assertive in his tone. “It is. Tell her.”

Arthur feels the tightness in his chest, an aching weight on his shoulders that makes them droop. He lowers his head, most of his face being shielded by his hat. “I can’t.”

There is a pause, with nothing but the sound of birds warbling their afternoon songs. The high-pitched sound of bugs could almost make the earth vibrate. But Arthur wouldn’t notice. He feels like he is already sinking. Hosea exhales and runs a hand over his face. “Arthur, you’re just as stubborn as they come.” He clicks his tongue and rests his hand on his hip. “Why won’t you tell her?”

Arthur speaks it so softly, Hosea can barely hear it. “I can’t lose her again.”

But it reaches his ears and, dissatisfied, he shakes his head, looking down at the ground. “That doesn’t make any sense.”

“Hosea, imagine if she did know. If she did remember that somethin’ happened between us.” He watches for Hosea’s reaction to those words. They both know the truth, and share suspicions of what happened in Blackwater. So much has happened, and things are far from over. You are still in danger, regardless of what you know and don’t know. Arthur stands beside Hosea now at the wagon and leans his body into it. He looks around them, letting his eyes follow the dirt path that leads to the camp. He thinks about everyone there. The lives that rely on him. The people he cares about.  “Things are changin’, times are changin’. Our lives ain’t the same since Blackwater. Anythin’ could happen. Pinkertons. The law. Even whatever this...” He gestures to himself, indicating his own giants he wrestles with. “…this thing is. If I just let things go, if I just let things be, then—”

Hosea places a hand on Arthur’s shoulder, trying to speak the truth in a way so Arthur can hear him. “This isn’t about being some martyr to lost love, Arthur. You won’t be the only one suffering.”

But Arthur doesn’t care about himself. He has a purpose for burying his pain. “You’re wrong. She won’t be sufferin’.”

Hosea removes his hand, briefly throwing it in the air before clapping his leg in frustration. “She already is suffering! You don’t see the agony in her face? She knows! Deep down she knows, and wants to remember! She knows something is going on and we’re not telling her!” He points at Arthur again. “You’re not telling her!” His raised voice echoes into the trees and they both breathe sharply. If they can manage anything right now, it is to be discreet. Hosea lowers his head, letting out a sigh slowly. “What would you rather have? You tell her now and get it out in the open, or she finds out after months of headaches to only wonder why you never told her?”

That is an interesting question. What would he rather have? If he could tell her now, how would he do it? What would he say? Whatever he chooses, it can’t be like this. “Times not right, we’re still settlin’ into camp—”

Hosea interjects with a harsh truth, his voice calm, but sharp. “Arthur, there comes a time when you stop making excuses and just do it.”

And suddenly, Arthur hears a soft voice, pouring out like honey, making his hairs stand on end. “Do what?”

Arthur and Hosea quickly turn to see you, in your dark pants and oriole-feathered hat, watching them curiously. Arthur had forgotten that Hosea called you here and he feels the color run from his face. Did you hear all of that? You don’t look like you have, but stealth and masking are your strong suits. You could have been right behind him and he wouldn’t have noticed. 

Hosea grins a toothy smile and claps Arthur’s shoulder. “Just—playing dress up!” He gestures to the stunned outlaw, giving him a gentle shake.  “Arthur, here, see, doesn’t like to pretend…” There is a subtle dig with the word pretend , but Arthur pretends to not notice.

You arch your perfectly shaped brow and give them both a playful smirk. “He doesn’t?” You can't help but tease, almost as if you know exactly what Arthur's response will be.

And Arthur answers flatly. “No, I don’t.”

You continue to walk over to them, smiling and still barefooted. “What are we dressing up for?”

Hosea lets out a warm chuckle and spreads his arms wide in a welcoming gesture. “I love your attitude, young lady! I knew that I felt the ache of your absence for a lot of reasons!”

You slow your pace and come to a halt beside Hosea, placing a hand on your hip in a gesture of casual confidence. Arthur's eyes immediately drift towards the curve of your body, tracing the alluring silhouette created by your tight-fitting jeans. The cotton hugs your curves in all the right places, accentuating your feminine figure and drawing his attention. A faint smile plays at the corners of his mouth as he takes in the sight before him, though it quickly disappears when your hazel eyes glance in his direction before addressing Hosea. “What, you had no one else to be the entertainment around here?”

“Of course not, but you could barely juggle to save your life.”

You laugh. “I know.” And you switch to a calm demeanor, speaking almost in a strictly business sort of way. “What are we doing?”

And so, without no further delay, Hosea begins to debrief you both on his plan. “Advertising, my dear! Advertising!” He gestures to the wagon of moonshine. “We’re going to waltz right up to the Braithewaites and see if we can’t be rewarded for doing the neighborly thing of returning it to them. What do you say?”

You lift a brow and suppress a chortle. “We’re dressing up for that?”

“Maybe not this, necessarily, but we are coming before southern aristocracy!”

You look down at your pants, a pensive look on your face. “Well, I suppose I can change into a nice skirt…”

“That’s my girl! Go on and change, and meet us back here.”

“Alright.” And with that, you turn to walk away. 

Once you’re out of earshot, Hosea speaks, but still with his voice lowered. “You owe me for this, Arthur.”

“Thank you, Hosea,” Arthur exhales. 

But his gratitude nearly diminishes when he feels Hosea’s index finger in his chest, it almost feeling like a tip of a blade. “And you will tell her.”

Arthur swallows. “Once I—once I can figure out what to say.”

Hosea looks almost irritated, like a parent too tired to continue disciplining his delinquent child. “I know words don’t always come naturally for you, Arthur, but with her, it never was difficult.”

Arthur lowers his head. Hosea is right. You and him used to talk often and willingly, but you weren’t under such strain. He wasn’t fighting his own fears and reservations in an effort to protect you. He speaks quietly, his eyes not lifting once to look up. “Not anymore.”

“And who’s fault is that?” Hosea’s question nearly catches Arthur off guard. He was expecting some empathy, but it is clear that Hosea isn’t having it this time. ”Remember what I told you.”

Arthur remembers, it’s been playing in the back of his mind since their conversation at Emerald Ranch. To leave; to build a life for himself and get you out. “I know.”

“I meant it! And you’re right, things are changing; things are taking a turn for the worse. I’ve been telling Abigail the same thing—”

This is surprising. “Abigail?”

“Yes! You think I want to see her and her son killed? For some dreams that don’t ever seem to be realized? She needs to think about her son. Whether or not John decides to join them is his choice. Maybe…maybe if they leave that might motivate him as well. For now, my concern is for them.”

“What about everyone else?”

“They are old enough to make their own choices. But Abigail is scared. Aside from you, and Kit, she’s got no one really to help her. I know how you feel about John, I know you have some anger towards him. You were young once. You didn’t always make the right choices.” And after a moment of thought, Hosea decides to add, “Mary was one of those choices.”

Arthur feels himself bristle at this. He knows he’s made mistakes, but it doesn’t help any to bring them up. “What, you think I should have stayed with her?”

“Of course not! I just wish you didn’t have to go through that in the first place.”

There is a brief pause, filled with unspoken thoughts. “Did you always think that Kit and I would end up together?”

Hosea tilts his head and shakes it slowly. “Didn’t expect it at all, doesn’t mean that I never hoped for it. It’s just that you were the loner type for quite a while.”

He was. But he had a reason. When he found the two crosses that marked the graves of his woman and child, he didn’t really feel like living. “I guess…things don’t always happen as you predicted them to.”

“No, they certainly don’t,” Hosea responds with conviction, his sharp tone chastising Arthur once again. “You hit the nail on the head, Arthur,” he continues, driving his point home. "Which is why you need to gather the courage you're always using in those gunfights." There is a brief pause as Hosea studies Arthur's face, searching for any sign of understanding or compliance. "I mean it," he adds firmly.

Finally, after a moment of hesitation, Arthur nods in agreement. “Alright.”

There is movement at the corner of Arthur’s eye and he turns to see you return. You are wearing a blue pinstripe skirt that goes nicely with the white button-up and dark vest you were already wearing. And it doesn’t hurt your figure, either. Anything you wear, even the simplest of garbs, makes Arthur feel weak in the knees.

Hosea resumes his energetic persona, greeting you with great elation. “Ah, look! Perfect!”

You bashfully lower your gaze, brushing off invisible dirt from your skirt. “I know it’s not that…fancy, Hosea…”

But Hosea just shakes his head dismissively. “We’re not looking for fancy, we’re looking for clean and neat! And maybe then they won’t think we’re the scum at the bottom of their shoe.” He lets out a short laugh and turns to face the wagon. “Alright, let’s get on this wagon. Arthur, you drive.”

“You Shoah?” Arthur asks.

“Of course! And the lady can sit up there with you. I’ll sit in the back.” Hosea replies, a warm smile spreading across his wrinkled face.

You come closer, your brow lifted in concern and empathy as your voice conveys great selflessness. “Oh, Hosea, the back can be so uncomfortable. Please, let me—”

But Hosea interrupts with a dismissive wave of his hand before lifting himself to the back of the wagon with a grunt. “No, don’t you worry about me,” he insists. “I’m going to go ahead and sit back here and regale you all with what I've learned about these Braithewaites…” He lets out a mischievous chuckle, his eyes sparkling with ideas not fully spun yet.

Arthur, after hesitating, goes over to help you up onto the wagon. Offering a hand, you look into his eyes and take it. A sense of relief washes over him, glad that you aren’t rejecting his aid. He feels the softness of your hand in his, and resists the temptation to hold onto it just a little while longer. 

Climbing onto the seat, you settle next to Arthur, the wood and leather creaking under your combined weight. With a gentle flick of the reins, the wagon begins to roll forward, the wheels carving tracks into the soft mud of the trail. You pull your skirt neatly around your knees and look ahead, not starting any conversation. He decides to focus on the road, listening to the gentle clicking of the moonshine bottles, careful not to drive too fast, or too slow.

You speak suddenly, almost making Arthur jump in his seat. “So, Hosea, you were saying?”

Hosea clears his throat. “Well, I mentioned the horses to Dutch, and he is going to send John to look into it…In the meantime, we will make a formal introduction and get into their good graces so we can play both sides…All I keep hearing is that they hate each other so much they can’t see past it.”

Arthur nods. The past three days he’s been busy keeping up with two of them in particular, a Braithewaite girl and a Gray boy. Two young lovers, forbidden from one another, like a watered-down version of Romeo and Juliet. He can empathize with their plight, to a degree, given the secrecy and keeping their heads down, which is probably why he’s been willing to help them. The fools.

It seems that fate always has a stick where the sun doesn’t shine, for it always finds a way to prick at Arthur where it hurts the most.

Hosea continues on thoughtfully. “I’m sure there’s money in all this somewhere, if we can only get in the middle of it.”

***

Well, Master Braithewaite turned out to be Mrs. Catherine Braithewaite. A crotchety old woman with a southern drawl that exudes bitter molasses. With your sweet-appearing demeanor and Hosea’s quick tongue, you all managed to drive away with some cash and the moonshine. Upon her order, Arthur is to drive the wagon to Rhodes, to deliver the moonshine to the saloon and give it away. That’s right, for free.

Arthur sees Rhodes in the distance, and his thoughts are interrupted by Hosea’s mischievous chuckle. Arthur looks briefly over his shoulder, to see Hosea pulling something out of a canvas sack.

It is an old hat.

“Well, my dear, this is where we put those skills of yours to use.” And he holds the hat out to you. “You are going to be my poor stepchild, who owes me a great debt after gambling our family fortune.”

Arthur looks over at you to see your eyes sparkle, taking the hat and replacing the one on your head with it.

“And Arthur—”

Arthur shakes his head quickly. “No, not me.”

“You are just going to be the mute driver. Killed your mother for making you angry. You aren’t good for much else but driving the wagon.”

Arthur hears you chuckle and just as he looks back at you, you straighten up and bite your lower lip. The corners of your mouth turn up ever so slightly, betraying the hint of a smile as you adjust the hat on your head. The ruse is simple, pitiable yet convincing. Arthur can see by the look in your eyes that you already know how to play the part; life itself being an extended performance.

You look down at your hands, your voice soft but full of energy. “I can already imagine them being stained with cards. Chips flying everywhere as I flip a table in anguish.”

Arthur snorts, shaking his head. “You sure do have a wild imagination, Kit." His voice carries a mix of amusement and admiration, the roughness softened momentarily by the gentle tease. "Just make sure you don't actually start throwin' things around in there."

And you reply with a little quip of your own. “Just don’t give me any dynamite, and we will be just fine.”

As the wagon rolls down the dusty road to Rhodes, the tension in the air shifts subtly. And Arthur knows that he will have to remain silent until they are out of town again. He’s nearly forgotten about the badge on his shirt, and quickly takes it off and tucks it in his satchel before they pass the first building that leads into town.

Turning down the street, he pulls up behind the saloon.

“Show time,” Hosea whispers, and gets off the wagon. “Why, Fatima! You best put your back into it today and bring that case with you!” he barks at you, already playing the evil stepfather role quite well.

Arthur watches you, as you step down from the wagon with a practiced slump, your shoulders rounded and head bowed, embodying the downtrodden, penniless stepdaughter to perfection. Arthur’s eyes scan the bustling streets of Rhodes, taking in the townsfolk who pause to watch the new arrivals with a mix of curiosity and suspicion.

You lift the heavy crate with a surprising ease, and Arthur lifts his brow. Your eyes lift to meet his and you put on a grin before switching it to a sour expression as she speaks noticeably slower to him. “Now, you stay there, Fenton! Don’t you leave this here spot until we come right back!”

He merely grumbles. And you continue with your task of lifting the crate and following Hosea.

Arthur continues to watch you two as you approach the saloon from the back. Two men stand outside, looking bored out of their minds.

Hosea waves over to them. “Gentlemen, gentlemen! Quite the town you got here, we just moved in from up north!”

The men just stare and as their eyes move to you, they seem to appear more interested. Arthur feels himself tense up, watching their gazes linger just a little too long for his liking.

One of the men replies, his eyes not leaving you. “Hey…”

Hosea continues. “Hello…! My name is Melvin, and this is my stepdaughter Fatima. Don’t pay her no mind, she’s quite worthless, bled my family dry. But if it weren’t for her mother, I’d have cast her out ages ago.” He barely pauses for breath, his fast tongue almost throwing the men off guard. “How’d you boys like a couple of bucks?” He pulls out some money from his pocket and holds out the cash to them. “We are into advertising, which is to ensure that people buy the correct things. And we would like to advertise to the good patrons in there.”

The men cast glances at each other, shifting on their feet with unease. “I don’t know…”

But then you step forward, putting on a pathetic expression, your words coming out soft and juvenile. “Please, sirs, we don’t mean no trouble. Just need to get this crate inside and talk to those fine folks in there. Mother’s been ailing something fierce and we need every penny we can scrape together.” You lower your face and even from where Arthur sits, he can se a solitary tear stream down your cheek. “It’s my fault we have no money.”

Your plea, layered with a thick layer of innocence and desperation, seems to soften one of the men. One scratches his head, looking from Hosea to you, his expression wavering. "Well, alright then.” And taking the money from Hosea, they both begin to walk away, eager to spend their new dollar. “Just quick-like, ya hear?"

Hosea nods enthusiastically, clapping the man on the shoulder. "You have my word, sir. Quick as a wink," he promises, ushering you forward with the crate.

Once the door closes behind you, the air is left with silence. Arthur shifts in the wagon seat, carefully watching for anything that might seem odd or unnerving. He may be playing as the dumb idiot, but he isn’t going to act like one, especially if the situation demands something strong and quick on the draw.

Several minutes go by before the sound of music erupts from within the saloon.

He looks up and through the window, he can see you behind the bar, pouring drinks for men that begin to surround you. You perform little tricks as you do so, from bending backward to pour into a glass, to flipping a bottle elegantly from hand to hand. Your movements are fluid, mesmerizing the crowd with every delicate yet confident motion. Amidst the chaos of laughter and drunken banter, Arthur can't help but marvel at how you can make even the mundane act of serving drinks look like a dance.

All he cares about is that you are safe, managing deftly within the lion’s den. The crowd’s attention clings to you, their eyes caught up in the contortion of your arms, the swift flick of your wrists. Even from a distance, Arthur watches anxiously, noting every man who steps too close or looks too long at you.

It seems as though time passes by quickly, for it is already dark and the noise inside turns into a raucous. He hears glasses break, whoops and hollers, but he still finds you behind the bar, serving drinks like there is no tomorrow.

That’s when he hears another wagon pull up.

Turning, he sees several men, in old army hats and getup, leap off the wagon and hurry into the saloon. He instantly recognizes them.

Lemoyne Raiders. And they are not happy.

He has to get you and Hosea out of there before everything goes to hell. Leaping down from the wagon, he reaches for his rifle. Already armed with his volcanic pistols, he makes quick steps as he enters the saloon from the back.

He hears a deep voice call out from within the saloon. “You!”

And Hosea’s meek reply. “Me?”

“You’re the bastards who stole the liquor we was gonna buy…!”

Hosea quickly tries to settle the situation. “Gentlemen, we are merely in advertising. Have a drink!”

But it doesn’t work. Just as Arthur reaches the back opening to the bar, he hears the first gunshot.

He sees you duck, a quick scream escaping your lips and he crouches down right beside you. “Kit…!” You look up to find him and he hands you one of his pistols. “I saw them ride up. They ain’t too happy with us.”

You almost chuckle at that, checking the ammo in his gun. “You think?”

A gunfight ensues, patrons and cowards alike trying to flee the drunken bash while the Lemoyne raiders try to act on their revenge. Arthur gets up long enough to take down several of them in a matter of seconds, a skill that he is known for.

Despite the ringing in his ears, Arthur moves like a shadow, his figure etched against the dim lantern lights that start to swing overhead.

He turns to see you take a shot, your hand, though unfamiliar with his weapon, aims with dead accuracy. Even so, he knows your movements by heart—every duck, weave, and shot feels like a dance you’ve both rehearsed for years.

“Sure wish I had my sawed off,” you grumble. “Would be nice to see this place burn a little.”

Your brazenness is coming out in bursts. Arthur always knew you to have a playful obsession with fire, you pyromaniac, but it seems to become more prominent as you are placed in more dangerous situations.

“There’ll be time for that,” Arthur comments, and he finds an opening to get out of cover. He leaps over the counter and turns back to you. “We gotta get out of here!”

You nod and reach for him. Taking your arms, he helps you over the counter. Then suddenly, your eyes look up behind him and you point. “Arthur…!”

Turning, he sees a Lemoyne raider descending down the stairs, taking aim at him. He quickly draws, shooting the man down and he falls over the banister.

Arthur’s relief is momentary before he shifts his focus back to you, scanning your body for any injuries with a furrowed brow. “You still alright, Kit?”

You nod, brushing off dust and debris from your clothes, an attempt to regain some composure. “Never better,” you declare, though your voice trembles with an excitement. “We need to find Hosea.”

Right. It’s best that you don’t leave him behind. Instinctively taking your hand, Arthur leads you up the stairs, looking frantically for the onery man.

And just as he reaches the top of the stairs, he spots him, struggling in the grip of another raider.

Arthur doesn't hesitate. He pulls you along, his grip on your hand firm as his other hand reaches for his gun once more. As you approach, he lets go of your hand and moves with that same predatory grace that always seems to surge forth in these moments of dire need.

The raider holding Hosea is laughing, his teeth yellowed and nearly rotten. “I’ll show you for stealin’ our liquor!!!”

And with a simple click, Arthur pulls the trigger. The raider's laughter abruptly ends as he crumples to the ground, a dark stain spreading across his shirt. Hosea gasps for air, pushing the lifeless body off him with a shake of his head.

Arthur rushes over, extending a hand to help Hosea up. "You alright, old man?" he teases, pulling him to his feet and patting him on the back.

“It’s never the wrong time for jokes with you, is it, Arthur?” he gasps, rubbing his neck for a moment before continuing the escape.

You three hurry out through the french doors to the balcony. The air is nice and cool compared to the stuffiness inside the saloon. Rushing over eaning against the railing, you spot the wagon below.

“I love heights, don’t you?” you murmur enthusiastically, a wry smile tugging at the corner of your mouth despite the adrenaline coursing through your veins.

Arthur glances at you with a smirk, the kind that softens his rugged features momentarily. "Yeah, just as much as I love getting shot at," he retorts. His eyes scan down the street and he spots more raiders coming. He turns to Hosea. “You first, old man!”

And Hosea, not waiting for another prompting, takes the leap of faith and lands in the wagon.

Arthur then turns to you. “Ladies, first!”

And the look you give him nearly sends his heart to his throat. A flirtatious glance with half-lidded eyes as you lift your chin. “Such a gentleman…” You then climb over the railing, taking a deep breath to steady yourself. You glance back at Arthur whose eyes are fixed on you, filled with a fierce protectiveness, despite his knowledge that you could do this in your sleep if you wanted.

“Could we speed this up?” Hosea calls worriedly. “We’ve got company!”

You let go and fall gracefully to the ground, rolling to break your fall. You rise quickly to your feet and you climb up the wagon and take the reins. “C’mon, Fenton! Don’t want to keep Mama waiting!”

Arthur chuckles to himself, admiring your audacity even in the face of danger. He climbs down with a practiced ease, landing next to the wagon with a thud that sends a cloud of dust swirling around his boots. He leaps up beside you, grabbing the seat just as you crack the reins. The horses quickly turn around and gallop down the street, nearly missing a man walking along the fence line.

But of course, this commences the chase, as some mounted Lemoyne Raiders ride after you.

Arthur curses under his breath. Readying his rifle as you continue to drive. “Can we go one day without someone trying to shoot us?” he grumbles, squinting against the dust your wagon kicks up.

You shrug, eyes on the road, the reins tight in your grip. “Wouldn’t be much of a life if it were quiet, that would be bezvýznamný,” you reply, a hint of your native tongue coloring the edges of your words.

“Say what’chu want, but I’d rather not die.”

“What happened to your confidence, Arthur?” Hosea teases, as he holds onto the sides of the wagon for dear life. The remaining bottles of moonshine click and clack loudly as you make another turn.

Arthur takes another shot and downs a raider. “How’s that for confidence?”

You laugh loudly, a thunderous laugh, and Arthur didn’t realize how much he missed it until now.

After some more turns, shots, and dodges, you three manage to eliminate and escape the raiders. You pull the wagon into a secluded spot and let the reins drop with a long exhale.

“We made it…!” you cheer. “That was some fun!”

Arthur rolls his shoulders, letting some of the tension go. “Shoah…”

Hosea lets himself off of the wagon, stretching his legs a little, his muscles aching after that ride. “That was some good driving, Kitka! Remind me to bring you along for the next getaway chase.”

Arthur swings his leg over the edge of the wagon and hops down to stand beside Hosea, a wry smile playing at his lips. "Well, if it ain't for Kit's drivin', we'd probably be riddled with bullets by now."

You walk by Arthur, a soft smile on your face. “I’d say it was your confident shooting. Couldn’t have done it without you, King Arthur.”

Arthur’s heart nearly stops. King…?

He turns and meets your eyes. In them, he sees a mixture of admiration and something deeper, something that he doesn’t want to misinterpret. He takes a step closer, his large hands lingering by his sides, holding back from drawing you into an embrace.

He swallows. “Why did you call me that?”

You shrug and look down at your feet. “I’m not sure. It seems fitting, doesn’t it?”

Of course, what was he thinking? “I guess so.”

Arthur looks over at Hosea, who has been watching you both with a gleam in his eye. “Well, I guess we can figure out what to do with the rest of this shine tomorrow. For now, I think I have a bedroll calling my name.”

You nod. “I agree.” And you turn to look up at Arthur. “Ready to go back to your kingdom, Arthur?”

He squints slightly, a ghost of a smirk tugging at his lips. "I reckon that kingdom's nowhere nearly as grand as the one you're imaginin’."

You chuckle softly, your eyes catching the moon’s light as it rises into the night sky. For all he can imagine, you could be his Guinevere, his queen. “I guess you’re right,” you sigh, and you turn to get back on the wagon. 

But in this moment, he realizes that it only matters if you know it, too.

Thank you for reading!

Tag Requests:

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[docrotten]

EVILSPEAK (1981) – Episode 263 – Decades Of Horror 1980s

“By the four beasts before the throne. By the fire which is about the throne. By the most holy and glorious name, Satan. I, Stanley Coopersmith will return. I WILL RETURN!” Well, he’s Clint Howard. Of course, he will return! Join your faithful Grue Crew – Crystal Cleveland, Chad Hunt, Bill Mulligan, and Jeff Mohr – as they hang out in the church basement with young Cadet Coopersmith in Evilspeak (1981).

Decades of Horror 1980s Episode 263 – Evilspeak (1981)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! Click the alert to get notified of new content! https://youtube.com/gruesomemagazine

An outcast military cadet taps into a way to summon demons and cast spells on his tormentors through his computer.

  Directed by: Eric Weston

Writing Credits: Joseph Garofalo, Eric Weston

Cinematography by: Irv Goodnoff

Selected Cast:

Clint Howard as Stanley Coopersmith

R.G. Armstrong as Sarge

Joe Cortese as Reverend Jameson (as Joseph Cortese)

Claude Earl Jones as Coach

Haywood Nelson as Kowalski

Don Stark as Bubba Caldwell

Charles Tyner as Colonel Kincaid

Hamilton Camp as Hauptman

Louie Gravance as Jo Jo

Jim Greenleaf as Ox

Lynn Hancock as Miss Friedemeyer

Loren Lester as Charlie Boy

Kathy McCullen as Kelly

Lenny Montana as Jake

Leonard D’John as Tony

Bennett James as Captain Merrill (credited as Bennett Liss)

Katherine Kelly Lang as Susie Baker

Richard Moll as Father Esteban

Robert Tafur as Old Priest

Sue Casey as Mrs. Caldwell

Evilspeak answers the question, “What happens when a bullied, military school cadet finds a Satanic tome written in Latin in the basement of the academy chapel?” Of course — with a helping hand from an early Apple PC — shenanigans ensue! Heads are lost, hearts are ripped out, and worst of all… the hogs are released! Yikes! Clint Howard, as Stanley Coopersmith, plays the bullied cadet transformed into a possessed Satanic priest with gusto and is expertly supported by a cast of experienced character actors. The story starts a bit slow, but the Grue-Crew promises you will be rewarded during the final act of Evilspeak. And never fear. The bullies get their just deserts.

At the time of this writing, Evilspeak is available to stream from Shudder, AMC+, and Plex. 

Every two weeks, Gruesome Magazine’s Decades of Horror 1980s podcast will cover another horror film from the 1980s. The next episode’s film, chosen by Crystal, will be Parents (1989), a horror comedy featuring Randy Quaid, Mary Beth Hurt, and young Bryan Madorsky as the Laemles. The question is, what do Mr. And Mrs. Laemle serve for dinner?

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans – so leave them a message or comment on the Gruesome Magazine Youtube channel, on the Gruesome Magazine website, or email the Decades of Horror 1980s podcast hosts at feedback@gruesomemagazine.com.

Check out this episode!

[ursaspecter]

Some Charles headcanons because I feel like giving him some love :]

His father escaped the south and met his mother somewhere around Montana. His mother was from the Blackfoot tribe. When Charles was around 4 or 5, he and his parents moved to Canada to get out of a dangerous situation with the US Army.

Everything he knows about hunting was taught to him from his father, and he was around 8 when he started going with him on hunting trips.

His mother taught him more about which plants are okay to eat and which are good for medicines and how to make his own materials instead of paying someone else to. Teaching how to darn holes in his clothes and sew seams back together.

He was 10 when his mother was taken away, and both he and his father took it hard. His father used alcohol to cope with depression and was a sad drunk. By 13, Charles couldn't take it anymore and left in search of his mother. His line of thinking being that his mother being gone was what made his father an alcoholic, so if he gets his mother back, everything will be okay again.

He drifts from place to place, staying out of major towns unless absolutely necessary. Runs with a few smaller gangs but only for a few days or a week at a time. Just to have someone to watch his back. He's just a kid, he's not gonna rat on anyone.

He meets the Van Der Linde gang November of 1898 after saving Lenny from a snake bite. He sticks around because they seem like an alright group, and Dutch's belief in his own cause is admirable (though I think at this point Micah is already here as one of the newer members, so this really is the beginning of the beginning of the end oof)

After the epilogue, he's back to drifting from place to place again, but eventually does meet someone to settle down with. Not a romantic relationship but a queerplatonic one :) They get a little plot of land together somewhere in Canada and live a simple quiet life

And now for some little headcanons that are more for extra flavor :]

His birthday is February 10, 1867 making him 32 for the events of Red Dead 2 (honestly I think it's a crime that r* didn't give us specific birth dates for everyone. smh)

He is 5'9"

He has thick curly hair. About a 3B or 3C texture. I know his in game model has smooth wavy hair, but sometimes the game is wrong. Hope this helps!

I know this is a popular one, but autistic Charles is so real to me

Uhh he's also gay and demisexual sorry for making all my blorbos aspec in some way (I'm not sorry. These are my headcanons I make the rules)

He is deceptively ticklish, but anyone who tries to test that is in for a broken wrist.

He's a cat person big time. Post-epilogue he gets a little tortoise shell cat he rescued as a kitten.

He's a baritone but can hit the tenor range if he really tries. His singing is smooth as river rocks.

Spending a lot of time alone with his thoughts, he's bound to come up some pretty out-there ideas. He would very much ask Arthur if he would still love him if he were a worm.

He's an amazing cook, but cannot follow a recipe for shit. He just does what feels right. Do NOT ask him to bake.

He doesn't really laugh much. Most of the time he just exhales through his nose. Unless he finds something REALLY funny, then he laughs so hard he's in tears and can't catch his breath. There is no in between.

I think for my modern au I'm gonna make him a hockey player. Just cuz.

[starspanner]

Pretty sweet playlist!

Alabama: “Sweet Home Alabama” by Lynyrd Skynyrd Alaska: “Feel It Still” by Portugal. The Man American Samoa: “Edge of Glory” by Lady Gaga Arizona: “Edge of Seventeen” by Stevie Nicks Arkansas: “Don’t Stop” by Fleetwood Mac California: “California Love” by Tupac and “Not Like Us” by Kendrick Lamar Colorado: “September” by Earth, Wind Fire Connecticut: “Signed Sealed, Delivered” by Stevie Wonder Delaware: “Higher Love” by Whitney Houston and Kygo Democrats Abroad: “Love Train” by The O’Jays District of Columbia: “Let Me Clear My Throat” by DJ Kool Florida: “Won’t Back Down” by Tom Petty Georgia: “Turn Down for What” by Lil John Guam: “Espresso” by Sabrina Carpenter Hawaii: “24K Magic” by Bruno Mars Idaho: “Private Idaho” by The B-52s Illinois: “Sirius” by The Alan Parsons Project Indiana: “Don’t Stop Til You Get Enough” by Michael Jackson Iowa: “Celebrate” by Kool & the Gang Kansas: “Carry on Wayward Son” by Kansas Kentucky: “First Class” by Jack Harlow Louisiana: “All I Do Is Win” by DJ Khaled Maine: “Shut Up and Dance” by Walk the Moon Maryland: “Respect” by Aretha Franklin Massachusetts: “I’m Shipping up to Boston” by Dropkick Murphys Michigan: “Lose Yourself” by Eminem Minnesota: “Kiss” and “1999” by Prince Mississippi: “Twisting the Night Away” by Sam Cooke Missouri: “Good Luck, Babe” by Chappell Roan Montana: “American Woman” by Lenny Kravitz Nebraska: “Firework” by Katy Perry Nevada: “Mr. Brightside” by The Killers New Hampshire: “Don’t Stop Believin’” by Journey New Jersey: “Born in the USA” by Bruce Springsteen New Mexico: “Confident” by Demi Lovato New York: “Empire State of Mind” by Jay Z and Alicia Keys North Carolina: “Raise Up” by Petey Pablo North Dakota: “Girl on Fire” by Alicia Keys Ohio: “Green Light” by John Legend Oklahoma: “Ain’t Goin Down” by Garth Brooks Oregon: “Float On” by Modest Mouse Pennsylvania: “Black and Yellow” by Wiz Khalifa and “Motownphilly” by Boyz II Men Puerto Rico: “Despacito” by Luis Fonsi and Daddy Yankee Rhode Island: “Shake It Off” by Taylor Swift South Carolina: “Get Up (I Feel Like Being a) Sex Machine” by James Brown South Dakota: “What I Like About You” by The Romantics Tennessee: “9 To 5” by Dolly Parton Texas: “Texas Hold ‘Em” by Beyoncé Utah: “Animal” by Neon Trees Vermont: “Stick Season” by Noah Kahan Virginia: “The Way I Are” by Timbaland Washington: “Can’t Hold Us” by Macklemore West Virginia: “Take Me Home, Country Roads” by John Denver Wisconsin: “Jump Around” by House of Pain Wyoming: “I Gotta Feeling” by Black Eyed Peas Virgin Islands: “VI to the Bone” by Mic Love

[shefanispeculator]

10 Children of Famous Musicians Who Became Famous Musicians (americansongwriter.com)

10 Children of Famous Musicians Who Became Famous Musicians

By

Cillea Houghton

Updated: May 16, 2023 1:00 pm

Though not scientifically proven, it’s possible that music is passed down through generations, as evidenced by these famous musicians whose children also became artists.

For decades, icons like Elvis Presley, Lenny Kravitz and Eddie Van Halen have had children who followed in their footsteps to make a name for themselves in music. You’ll see two descendants of the Beatles on this list, along with a duo related to Motown Records’ Berry Gordy. Check out 10 children of famous musicians.

1. Miley Cyrus – Daughter of Billy Ray Cyrus

It’s all in the family when it comes to the Cyruses. Billy Ray Cyrus was a country superstar throughout the 1990s with hits like “Achy Breaky Heart” and “Could’ve Been Me.” This paved the way for his eldest daughter, Miley Cyrus, to become one of the biggest names in pop music. The father and daughter co-starred together in the hit Disney show, Hannah Montana before the younger Cyrus became a pop megastar who’s known to blend genres. Her hits range from “Party in the U.S.A.” and “The Climb” to “Wrecking Ball” and her most recent smash, “Flowers.”

2. Lisa Marie Presley – Daughter of Elvis Presley

As the only child of Elvis Presley, Lisa Marie Presley was born into stardom. She took her time going into the music industry though. Presley released her debut album, To Whom It May Concern, in 2003 at the age of 35. It debuted at No. 5 on the all-genre Billboard 200 and produced the single “Lights Out,” which made mention of her family, including her famous father. Presley released three studio albums before her untimely death in 2023 at the age of 54 from a heart attack.

3. Zoe Kravitz – Daughter of Lenny Kravitz

Zoe Kravitz is a descendant of Hollywood royalty as the daughter of rock star Lenny Kravitz and The Cosby Show star Lisa Bonet. The young Kravitz adopted both of her parents’ talents and blended them into a successful career as both a musician and actress. On the music side, Kravitz has released two studio albums and two EPs. She’s also been a guest vocalist on Drake’s song “Passionfruit” and co-writer and background singer on Taylor Swift’s hit, “Lavender Haze,” off Midnights.

4. Julian Lennon – Son of John Lennon

You know you come from music royalty when Paul McCartney writes you a song. This is true for John Lennon’s son, Julian Lennon, who was the subject of a comfort song called “Hey Jules” that McCartney wrote for him when his parents were going through a divorce. The song evolved into one of the Beatles’ biggest hits, “Hey Jude.”

Lennon later followed in the musical footsteps of his famous father, beginning with his debut studio album, Valotte, in 1984, four years after his father’s tragic murder. He’s since released seven total studio albums, the most recent being Jude in 2022. Over the years, he’s had a string of hits on the Billboard Mainstream Rock chart including “Valoette,” “Stick Around” and “Now You’re in Heaven.”

5. Natalie Cole – Daughter of Nat King Cole

When you’re the daughter of one of the most poignant vocalists of all time, it’s nearly impossible not to carry on the tradition. With a voice as crisp as her father’s, Natalie Cole carved a career path of her own with hits including “This Will Be (An Everlasting Love)” and “Inseparable.” She made Grammy Award history by being the first Black artist to win Best New Artist in 1976 and the first Black woman to win Album of the Year for her tribute album to her father, Unforgettable… with Love, in 1992.

6. Lukas & Micah Nelson – Sons of Willie Nelson

Music is in the bloodline of the Nelson family. Country giant Willie Nelson passed his songwriting prowess on to his sons Lukas and Micah Nelson, both of whom are musicians. Lukas is the frontman of Lukas Nelson & Promise of the Real that’s released eight studio albums. The band also stars as the backing band for Bradley Cooper’s character in the 2018 edition of A Star is Born, with Lukas also co-writing and co-producing songs for the film. Meanwhile, brother Micah goes by the stage name Particle Kid with the goal of presenting “music, visual art and curious quantum creations.”

7. Ziggy Marley – Son of Bob Marley

Bob Marley introduced reggae music to mainstream audiences, a tradition his son Ziggy Marley is carrying on. Marley’s son spent more than a decade as frontman of Ziggy Marley and the Melody Makers, which included the Grammy-winning album, Conscious Party, one of three times the band won a Grammy. Marley departed the Melody Makers in 2002 and launched a solo career in 2003 with his debut solo album, Dragonfly. Marley has been a mainstay in the Best Reggae Album category at the Grammys, having won it a total of five times thus far.

8. LMFAO – Son and Grandson of Motown Records’ Founder Berry Gordy

Though Berry Gordy wasn’t a musician, he was a rock star in his own right. As founder of Motown Records, Gordy is responsible for introducing Stevie Wonder, Marvin Gaye, Gladys Knight and more to mass audiences. He passed this musical gene onto his youngest son, Stefan Kendal Gordy. Operating under the stage name Redfoo, he’s one half of the duo LMFAO alongside his nephew and Gordy’s grandson, Skyler Austen Gordy (aka Sky Blu). The duo rose to the top of the charts in the mid-2000s with hits like “Party Rock Anthem” and “Shots.” LMFAO went on an indefinite hiatus in 2012.

9. Wolfgang Van Halen – Son of Eddie Van Halen

Eddie Van Halen’s son Wolfgang Van Halen got his start in the way any aspiring rock star would dream: by being a guitarist for Van Halen. He spent four years as bassist for the legendary band before his father’s passing in 2020, which led to the band’s demise. Over the years, Wolfgang has played guitar for other artists including Tremonti and Clint Lowery. He released his solo debut album, Mammoth WVH, in 2021.

10. Zak Starkey – Son of Ringo Starr

Since the day he was born, Zak Starkey has been surrounded by rock and roll royalty. As the son of the Beatles’ drummer Ringo Starr, Starkey followed in his dad’s footsteps and became a drummer himself. He’s performed with The Who, Oasis and spent part of the 1990s touring in his father’s band. He’s also played on albums by The Who, Oasis, The Semantics, Broken English and many others.

Photo by Jaime Nogales/Medios y Media/Getty Images

[brookstonalmanac]

Holidays 11.18

Holidays

Antibiotic Day (EU)

Army Day (Haiti)

Battle of Vertieres Day (Haiti)

Botox Cosmetic Day

Cabaret Day

Calvin & Hobbes Day

Chinita's Fair (Maracaibo, Venezuela)

Constitution Day (South Africa)

Day of Army and Victory (Haiti)

Day of Sergeants & Warrant Officers of the Armed Forces (Ukraine)

Did Moroz Day (Russia)

European Antibiotic Awareness Day

European Day on the Protection of Children Against Sexual Abuse & Sexual Exploitation

Family and Community Day (Australia)

Fish on Fridays OK Day

Flag Day (Solomon Islands; Uzbekistan)

Have Sex With A Guy With A Mustache Day [ website ]

Hel Anseilak (Elder Scrolls)

High Five a Librarian Day

Homeland War Victims Remembrance Day (Croatia)

International Cult Awareness Day

International Day for Child Sexual Abuse & Exploitation Prevention, Healing & Justice

International Day for the Elimination of Violence Against Men

International Day of Islamic Art

International Day of LGBTQ+ People in Science, Technology, Engineering & Maths

International Survivors of Suicide Loss Day

Lenny Face Day (a.k.a. ( ͡° ͜ʖ ͡°); Abeldane Empire)

Married To A Scorpio Support Day

Mickey Mouse Day

National Adoption Day

National Cash Back Day

National Day (Oman)

National Feline Infectious Peritonitis (FIP) Awareness, Research & Education Day

National Goodness Pays Day

National Injury Prevention Day

National Princess Day

Ned Ludd Memorial Machine-Smashing Day

Occult Day

Push-Button Phone Day

Quince Day (French Republic)

Rehang La Day (India)

Remembrance Day of the Sacrifice of Vukovar (Croatia)

Sergeant Day (Ukraine)

Sonic R Day

Standard Time Day (US)

Teddy Bear Day

Time Zones Day

Total Disregard for Taste Day

Vertieres Day (Haiti)

Virtual Reality Day

William Tell Day

World Adult Day (India)

World Day of the Anticoagulated Patent

World Day of Remembrance for Road Traffic Victims

World Day of Research for Health

World Fellowship Day

Food & Drink Celebrations

International Poitín Day

National Apple Cider Day

National I Can’t Believe It’s Not Butter Day

National Vichyssoise Day

Independence & Related Days

Belcity (Declared; 2019) [unrecognized]

Lanevinia (Declared; 2018) [unrecognized]

Latvia (from Russia, 1918)

Morocco (from France & Spain, 1956)

Western Sahara (from Morocco, 1976)

3rd Monday in November

American Education Day [3rd Monday]

Manic Monday [3rd Monday of Each Month]

Meatball Monday [3rd Monday of Each Month]

Meditation Monday [Every Monday]

Monday Musings [Every Monday]

Motivation Monday [Every Monday]

Odd Socks Day [3rd Monday]

Revolution Day (Mexico) [3rd Monday]

Weekly Holidays beginning November 18 (3rd Full Week of November)

American Education Week (thru 11.22) [M-F before Thanksgiving Week]

GERD Awareness Week [3rd Week]

National Bible Week [3rd Week]

National Family Week [3rd Week]

National Game & Puzzle Week [3rd Week]

National Global Entrepreneurship Week (thru 11.24)

National Hunger & Homeless Awareness Week [3rd Week]

World Antibiotic Awareness Week [3rd Week]

World Antimicobial Awareness Week (thru 11.24)

World Nursery Rhyme Week [3rd Week]

Festivals Beginning November 18, 2024

Cologne Christmas Market (Cologne, Germany) [thru 12.23]

MFBF [Montana Farm Bureau Federation] Convention (Billings, Montana) [thru 11.21]

Middle East Organic & Natural Products Expo (Dubai, UAE) [thru 11.20]

Feast Days

Abhai of Hach (Syriac Orthodox Church)

Alan Dean Foster (Writerism)

Aleister Crowley Day (Church of the SubGenius; Saint)

Alphaeus and Zacchaeus (Christian; Saint)

Angrboda’s Blot (Pagan)

Ardvi Suva (Mother of Stars; Ancient Persia)

Barulas (Christian; Saint)

Bon Om Touk begins (Water Festival; Cambodia)

Charles Fort Day (Church of the SubGenius; Saint)

Constant (Christian; Saint)

Cornelis Ruhtenberg (Artology)

David Wilkie (Artology)

Dedication of Saints Peter and Paul (Christian; Saints)

Dios (Festival to the Sun God; Ancient Rome)

Discussion Day (Starza Pagan Book of Days)

Dolores (Muppetism)

Elizabeth of Hungary (Church of England)

Embrace Chaos Day (Pastafarian)

Endre Rozsda (Artology)

Feast of the Dedication of the Basilica of St. Peter and of St. Paul (Roman Catholic)

Feast of the Virgen de Chiquinquirá or Chinita's Fair (Maracaibo, Venezuela)

Gabrielle (Muppetism)

Gaspar de Crayer (Artology)

Hap-Dancing and Tiger-Turning (Shamanism)

Hilda (a.k.a. Hild; Christian; Saint)

Jean Paul Lemieux (Artology)

Juthwara (Christian; Saint)

Lhabab Duechen (Descending Day of Buddha; Buddhism)

Louis Daguerre (Artology)

Mabyn (Roman Catholic Church and Anglicanism)

Margaret Atwood (Writerism)

Maudez (a.k.a. Mawes; Christian; Saint)

Nazarius (a.k.a. Nazaire; Christian; Saint)

Odo of Cluny (Christian; Saint)

Romanus of Caesarea (a.k.a. of Antioch; Christian; Saint)

Rose Philippine Duchesne (Christian; Saint)

Talk Like Donald Duck Day (Pastafarian)

William the Silent (Positivist; Saint)

Wyndham Lewis (Artology)

Lucky & Unlucky Days

Lucky Day (Philippines) [63 of 71]

Sakimake (先負 Japan) [Bad luck in the morning, good luck in the afternoon.]

Premieres

Achtung Baby, by U2 (Album; 1991)

Adam’s Rib (Film; 1949)

And to Think That I Saw It on Mulberry Street, by Dr. Seuss (Children’s Book; 1937)

Ben-Hur (Film; 1959)

Blink-182, by Blink-182 (Album; 2003)

Brainwashed, by George Harrison (Album; 2002)

Britney, by Britney Spears (Album; 2001)

BURN-E (Pixar Cartoon; 2008)

Bushy Hare (WB LT Cartoon; 1950)

Calvin and Hobbes, by Bill Watterson (Comic Strip; 1985)

Cat and the Pinkstalk (Pink Panther Cartoon; 1978)

The Celebrated Jumping Frog of Calaveras County, by Mark Twain (Short Story; 1865)

A Christmas Story (Film; 1983)

A Date to Skate (Fleischer Popeye Cartoon; 1938)

Disenchanted (Film; 2022)

Dr. Schpritzer, I Presume? (George of the Jungle Cartoon; 1967) [#11]

The Edge of Seventeen (Film; 2016)

Fagin’s Freshman (WB MM Cartoon; 1939)

Fair Weather Fiends (Woody Woodpecker Cartoon; 1946)

Fantastic Beasts and Where to Find Them (Film; 2016)

The Fat Man (Super Chicken Cartoon; 1967) [#11]

The Froze Nose Knows (And and the Aardvark Cartoon; 1970)

Gidget Makes the Wrong Connection (Hanna-Barbera Animated TV Movie; 1972)

Gulliver’s Travels (Hanna-Barbera Animated TV Special; 1979)

Housewife Herman (Terrytoons Cartoon; 1938)

I Know What You Did Last Summer (2015)

Interplanet Janet (Science Rock Cartoon; Schoolhouse Rock; 1978)

It (TV Mini-Series; 1990)

I Tawt I Taw a Buddy Tat (WB LT Cartoon; 2011)

The Lamb Lies Down On Broadway, by Genesis (Album; 1974)

The Land Before Time (Animated Film; 1988)

Léon: The Professional (Film; 1994)

Made in Heaven, by Queen (Album; 1995)

Malcolm X (Film; 1992)

The Menu (Film; 2022)

Merlin the Magic Mouse (WB MM Cartoon; 1967)

Monkey Wretches (Oswald the Lucky Rabbit Cartoon; 1935)

MTV Unplugged in New York, by Nirvana recorded (Album; 1994)

Oedipus, by Voltaire (Play; 1718)

Oliver & Company (Animated Disney Film; 1988)

One Day in the Life of Ivan Denisovich, by Aleksandr Solzhenitsyn (Novella; 1962)

Pink Daddy (Pink Panther Cartoon; 1978)

Porky the Giant Killer (WB LT Cartoon; 1939)

Powderpuff Girls (Animated TV Series; 1998)

Radio, by LL Cool J (Album; 1985)

ReLoad, by Metallica (Album; 1997)

Star Trek: Generations (Film; 1994)

Steamboat Willie, featuring Mickey Mouse (Ub Iwerks Disney Cartoon; 1928) [1st Sound Cartoon]

The Swan Princess (Animated Film; 1994)

Unplugged in New York, recorded by Nirvana (Musical Concert; 1993)

Up All Night, by One Direction (Album; 2011)

Walk the Line (Film; 2005)

The Wall, by Jean-Paul Sartre (Short Stories; 1939)

The Winter of Our Discontent, by John Steinbeck (Novel; 1961)

Today’s Name Days

Odo, Philippine (Austria)

Leonard, Odo, Pavao, Petar, Roman (Croatia)

Romana (Czech Republic)

Hesychius (Denmark)

Ilo, Ilu (Estonia)

Jousia, Max, Tenho (Finland)

Aude (France)

Alda, Bettina, Odo, Roman (Germany)

Plato, Platonas (Greece)

Jenő (Hungary)

Aida, Oddone (Italy)

Aleksandrs, Brive, Doloresa (Latvia)

Ginvydas, Ginvydė, Otonas, Romanas, Salomėja (Lithuania)

Magne, Magny (Norway)

Aniela, Cieszymysł, Filipina, Galezy, Klaudyna, Odo, Otto, Roman, Tomasz (Poland)

Platon (Romania)

Eugen (Slovakia)

Odón, Román (Spain)

Lillemor, Moa (Sweden)

Roma, Roman, Romanna, Romona (Ukraine)

Odelia, Odell, Odo, Sutherland, Sutton (USA)

Today is Also…

Day of Year: Day 323 of 2024; 43 days remaining in the year

ISO: Day 1 of Week 47 of 2024

Celtic Tree Calendar: Hagal (Hailstone) [Day 23 of 28]

Chinese: Month 10 (Yi-Hai), Day 18 (Bing-Xu)

Chinese Year of the: Dragon 4722 (until January 29, 2025) [Wu-Chen]

Hebrew: 17 Heshvan 5785

Islamic: 16 Jumada I 1446

J Cal: 23 Wood; Twosday [23 of 30]

Julian: 5 November 2024

Moon: 89%: Waning Gibbous

Positivist: 15 Frederic (12th Month) Ximenes]

Runic Half Month: Nyd (Necessity) [Day 12 of 15]

Season: Autumn or Fall (Day 57 of 90)

Week: 3rd Full Week of November

Zodiac: Scorpio (Day 26 of 30)

[scholarofgloom]