#Lee!Giulio

[ghostlee]

I just cutley dropped this into @rachi-roo’s dms since I know they are weak for this man rn and I think it’s funny to bombard my friends with tkl art of their hyperfixation character hehehe

It always somehow backfires on me since now I’m getting a hyper fixation on this character. You guys may get some more Lee!giulio soon.

[rachi-roo]

Please do not the cat. ✋️

[almeriamovies]

“Death Rides a Horse“ AKA Da uomo a uomo by Giulio Petroni (1967) Lee Van Cleef in movie set El Viento aka New Charcos, Las Salinillas, Tabernas desert.

[perfettamentechic]

1 novembre … ricordiamo …

1 novembre … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2022: George Spell, attore statunitense, uno dei primi attori bambini afroamericani cui siano stati affidati ruoli drammatici non-stereotipati al cinema e alla televisione americani tra gli anni ’60 e ’70. Comincia la sua esperienza di attore bambino nel 1968, a 10 anni. Per tutta la sua carriera Spell continuerà a partecipare a numerosi episodi delle più svariate serie televisive, laddove la…

[emiliosandozsequence]

the borgias 2.03 / the crown of love by john everett millais / autobiography of a yogi, paramahansa yogananda / the borgias 3.04 / pine to sound, nancy kuhl / the lovers, giulio romano / half-light: collected poems, 'elegy, frank bidart / the borgias 3.09 / aucassin and nicolette by marianne stokes / penelope’s song, louise glück / the borgias 3.03 / civil service, claire schwartz / power politics, 'he shifts from east to west', margaret atwood / the borgias 3.02 / illustration from the mabinogion by alan lee / the selected plays of hélène cixous, 'the perjured city', hélène cixous / the borgias 3.10 / bone, yrsa daley-ward

[ozu-teapot]

Films Watched in the Interim (August - October 2023)

Memento | Christopher Nolan | 2000

Whip It | Drew Barrymore | 2009

Go West | Buster Keaton | 1925

Dungeons & Dragons: Honor Among Thieves | John Francis Daley / Jonathan Goldstein | 2023

Turning Red | Domee Shi | 2022

Barbie | Greta Gerwig | 2023

Gothic | Ken Russell | 1986

The Fall of the Louse of Usher: A Gothic Tale for the 21st Century| Ken Russell | 2002

Bottoms | Emma Seligman | 2023

Pink Hill | Robert Flanagan | 2019

4 O'Clock | Robert Flanagan | 2021

Amelia and the Angel (Short) | Ken Russell | 1959

The Black Cat | Edgar G. Ulmer | 1934

The Black Cat | Harold Hoffman | 1966

The Owl Service | Peter Plummer | 1969

Seddok, l'erede di Satana (AKA Atom Age Vampire) | Anton Giulio Majano | 1960

Saint Maud | Rose Glass | 2019

The Babadook | Jennifer Kent | 2014

The Maze | William Cameron Menzies | 1953

Blood Bath | Jack Hill / Stephanie Rothman | 1966

Les yeux sans visage (Eyes Without a Face) | Georges Franju | 1960

Mumsy, Nanny, Sonny and Girly (AKA Girly) | Freddie Francis | 1970

The Velvet Vampire | Stephanie Rothman | 1971

Coco | Lee Unkrich / Adrian Molina | 2017

Blue Sunshine | Jeff Lieberman | 1977

A Candle for the Devil | Eugenio Martín | 1973

Lost Hearts | Lawrence Gordon Clark | 1973

Guest House Paradiso | Adrian Edmondson | 1999

Flesh and Fantasy | Julien Duvivier | 1943

The Ghost Train | Walter Forde | 1941

BOLD = Top Ten

Some notes: So at the end of July I was off film and off tumblr and not sure if I'd be back but I guess now I am, to some extent at least. The very start of this list is a bit innacurate. I probably watched a few more films than I've listed and maybe in a different order but from Gothic onwards it's correct - not that it really matters! I really must try to get back into having a themed Halloween watch list, which I haven't done since the japanese one in 2019, it's more fun. Am I doing Noirvember? I don't know.

[soylazaro]

Dear Travelers from Spencer MacDonald on Vimeo.

Hello, world.

Director: Spencer MacDonald DOP: Fabian Kimoto Producer: Pascal Duschletta 1. AC: Gabriel Koller Gaffer/Grip: Tom Brunner Location Sound: Martin Scheuter Executive Producer: Lea Fee Production: Tasty Pictures Rental: Octamas Editor: Spencer MacDonald SFX & Mix: Matteo Di Giulio Colorist: Fabian Kimoto Music: Vivaldi & Lee Rosevere Activist: Rosmarie Wydler-Wälti Violinist: Sonja Jungblut

[atomheartmagazine]

Nuovo post su Atom Heart Magazine

Nuovo post pubblicato su https://www.atomheartmagazine.com/i-grandi-festival-venezia-roma-lazio/

I GRANDI FESTIVAL - Da Venezia a Roma e nel Lazio

I Grandi Festival – 87 proiezioni nelle sale cinematografiche della capitale e in regione per le anteprime di 50 film presentati all’ultima Mostra d’Arte Cinematografica della Biennale di Venezia

I GRANDI FESTIVAL – Dal 21 al 29 settembre

Direttamente dall’ultima edizione della Mostra d’Arte Cinematografica della Biennale di Venezia arriva, nelle sale cinematografiche di Roma e del Lazio, una significativa selezione dei film che hanno contrassegnato la storica kermesse al suo ottuagenario.

“I GRANDI FESTIVAL Da Venezia a Roma e nel Lazio”, realizzata dall’Associazione Nazionale Esercenti Cinematografici (ANEC) del Lazio, quest’anno si terrà dal 21 al 29 settembre in numerosi cinema della capitale e della regione, per offrire l’opportunità al vasto pubblico di confrontarsi con film di grande valore artistico presentati a Venezia in lingua originale con i sottotitoli in italiano.

L’iniziativa gode del patrocinio della Regione Lazio, ed è in collaborazione con la Mostra d’Arte Cinematografica della Biennale di Venezia, Fondazione Cinema per Roma, Sindacato Nazionale Critici Cinematografici Italiani (SNCCI, gruppo Regione Lazio), Settimana Internazionale della Critica, Giornate degli Autori. Media partner dell’iniziativa sono Dimensione Suono Soft, Metro, Mymovies.it e Rete Oro. 

Le proiezioni

Con l’obiettivo di valorizzare l’importanza dell’esperienza cinematografica in sala in un territorio geografico esteso anche oltre la Capitale, la rassegna presenterà 50 film per un totale di 87 proiezioni con opere provenienti dalle sezioni “Concorso” (14), “Fuori Concorso” (2), “Orizzonti” (6), “Giornate degli Autori” (16), “Notti Veneziane” (8), “Settimana Internazionale della Critica” (4). Tra i film premiati si segnalano IO CAPITANO di Matteo Garrone (Leone d’Argento – Migliore Regia; Premio Marcello Mastroianni – Giovane Attore Emergente); AKU WA SONZAI SHINAI – IL MALE NON ESISTE di Ryusuke Hamaguchi (Leone d’Argento – Gran Premio della Giuria); ZIELONA GRANICA – IL CONFINE VERDE di Agnieszka Holland (Premio Speciale della Giuria); MEMORY di Michel Franco (Coppa Volpi Migliore Interpretazione Maschile); LOVE IS A GUN di Lee Hong-Chi (Leone del Futuro – Premio Venezia Opera Prima “Luigi De Laurentiis”); VAMPIRE HUMANISTE CHERCHE SUICIDAIRE CONSENTANT di Ariane Louis-Seize (Vincitore del GDA Director’s Award 2023), QUITTER LA NUIT di Delphine Girard (Premio del pubblico GDA 2023); MAGYARÁZAT MINDENRE – UNA SPIEGAZIONE PER TUTTO di Gábor Reisz (Premio Orizzonti per il Miglior Film); EL PARAÍSO di Enrico Maria Artale (Premio Orizzonti per la Migliore Interpretazione Femminile; Premio Orizzonti per la Migliore Sceneggiatura); FELICITÀ di Micaela Ramazzotti (Premio degli Spettatori – Armani Beauty); LOS OCÉANOS SON LOS VERDADEROS CONTINENTES di Tommaso Santambrogio (Premio Bisato d’oro 2023 per la migliore regia); PHOTOPHOBIA di Ivan Ostrochovský, Pavol Pekarčík (Premio Label Europa Cinemas 2023).

Le sale di Roma coinvolte nella manifestazione saranno i cinema Adriano, Barberini, Farnese, Giulio Cesare, Greenwich, Intrastevere, Lux, Mignon, Nuovo Sacher, Quattro Fontane e Savoy; sul territorio regionale del Lazio, invece, le proiezioni saranno ospitate da Multisala Moderno di Bolsena, Dream Cinema di Frosinone, Multisala Cynthianum di Genzano di Roma, Multisala Oxer di Latina, Multisala Moderno di Rieti e Cinema Palma di Trevignano Romano.

Tutti i principali film saranno introdotti da critici ed esperti cinematografici e alcune proiezioni saranno anticipate da eventi speciali con alcuni dei registi e protagonisti dei film: tra i nomi di rilievo Micaela Ramazzotti e Matteo Garrone, entrambi con cast al seguito, le francesi Chloé Barreau e Céline Sciamma, la macedone Teona Strugar Mitevskam, l’iraniano Ayat Najafi. Nell’elenco degli italiani provenienti dalle Giornate degli Autori e dalla Settimana Internazionale della Critica che presenzieranno alle proprie opere ci sono invece Marco Amenta, Yuri Ancarani, Alessandra Cataleta, Irene Dorigotti, Simone Isola, Dunja Lavecchia, Gianluca Matarrese, Edoardo Morabito, Patrizia Pistagnesi, Alessandro Roia, Fabio Mollo, Vittorio Moroni, Morena Terranova Pedroni, Tommaso Santambrogio, Beatrice Surano.

I GRANDI FESTIVAL – I biglietti

Il costo del biglietto è di € 7,00 (intero), € 6,00 (ridotto), con la possibilità di richiedere una Fidelity Card che consentirà ogni 5 ingressi 1 omaggio. L’orario della prima proiezione sarà alle ore 16:30, l’ultima alle ore 21:30. I biglietti sono acquistabili ai botteghini dei singoli cinema e in prevendita online sui siti delle singole sale.

Si ringraziano: Academy Two, Barz and Hippo, Bim, I Wonder, Lucky Red, Minerva Pictures, Movies Inspired, Teodora, Tucker; le case di produzione che hanno concesso i film e gli esercenti che mettono a disposizione le sale.

Un ringraziamento speciale a Fabio Fefé che ha curato la programmazione della Rassegna; Gaia Furrer Direttrice delle “Giornate degli Autori a Roma”; Cristiana Paternó Presidente SNCCI con la Squadra del Gruppo Regione Lazio per la disponibilità dei film della “Settimana Internazionale della Critica” e il coordinamento degli incontri introduttivi alla proiezione di alcuni dei film in programma.

Visita il sito ufficiale a questo link.

Cerca altri Concerti ed Eventi.

[ghostlee]

Oops my hand slipped I guess 🫣

[rachi-roo]

Just curious, what're your toughts on giulio getting gang tickled by deku, shoto, and bakugou? That scenario suddenly pops up from my mind lol

Oh, yes we'll actually I'm glad you asked because- 💥💥💥 YES!? That'd be the cutest thing ever!

Me and a friend were discussing how touch starved he is and how tickling would be a foreign concept to him. He'd be so confused 😭

I believe Deku would be the first to make a move, spotting Giulio pouting or something and just poking at him to try cheer him up. Once he starts squirming, Shoto realises what Deku is up to and offers a helping hand.

Their tickling would be light poking and scribbling at whatever they can reach as they just let Giulio wriggle freely on the ground. He's in denial about how much he enjoys it for sure. Hiding his face from them, trying to stifle his giggling and, of course, telling them he's bot ticklish 🤭

It's not until Shoto shoots a comment Bakugos way about how 'extras are not supposed to join in anyway' that gets him joining in. That's when Giulio breaks. With Bakugo not being as gentle and playful, Giulio is soon a bubbly, tickle drunk mess. His hair falls from its bun as he writhes and bucks underneath the three tickling pairs of hands. His hands can't decide what to do! Cover his face? Protect his ticklish spots? Get away from the attackers??

After he's had enough, he regains composure rather quickly, forcing down the remnants of giggling as he smoothes out his frantically messed hair. Red ears. Definitely gets red ears. On my life. He pouts too, he tries to glare, he really does, but it just comes across as a flustered pout.

He's very tummy ticklish. Curling up like a woodlouse. And his thighs too, they have to be, I need an excuse to squeeze em 🤤... I MEAN WHAT!?

Big laugh. Once he's broken. Laugh is big and hearty. Head thrown back, mouth agape, no restraint 🥰

So, in conclusion to your question, dear dust bunny, um- AAAAAAAÀAAAAAAAAAÀAAAAAAAAÀAAAÀAAAAAAAAAAAAAÀAAAAAAAAH!!!!! 😇❤️💕❤️💕❤️💕

Might make a lee/ler hc post about him!!! Lemme cook for a lil bit 🤩✨️ Have a great day, dust bunny!!! Love you!!!

[almeriamovies]

“Death Rides a Horse“ AKA Da uomo a uomo by Giulio Petroni (1967) Lee Van Cleef in front of Castillo San Felipe, Los Escullos (Cabo de Gata) #Western

[designclever]

Tombini d’Italia. Dal progetto grafico al design del prodotto. 

Alfonso Morone. LetteraVentidue, Siracusa, 2022

Introduction by Giulio Iacchetti and Matteo Ragni.

Layout and graphic design by Marco Sorrentino 

Photographic research by Enzo Papa.

This publication aims at bridging an important shortcoming regarding one of the most popular, but also one of the most overlooked products in design studies, i.e. manhole covers. These artefacts constitute a unique case in industrial manufacturing, in that they constitute a timeless product, an untouched ‘sine die’, for they have never undergone any substantial innovation or functional evolution. All is expected from them is that they merely provide a cast iron cover so as to prevent the risk of slipping or damage when travelling on roads. On the other hand, they do present a certain degree of variation in terms of their embossed graphics and contour patterns. 

While their apparent timelessness enables manhole covers to symbolise some of the principles of the future ecological transition, as they are built to comply with a very long service life, they can also be recycled an unlimited number of times, thereby saving energy, and reducing the use of raw materials.

One of the fathers of modern design historiography, Sigfried Giedion, stated in his introduction to ‘Mechanization takes command: a contribution to anonymous history’   that “The sun is mirrored even in a coffee spoon”. Therefore, also the object of our focus will feature traces of great technological breakthroughs in urban areas.

  The earliest documented specimens of cast-iron manholes in London, the capital of the industrial revolution, were used to access domestic coal warehouses from the street during the early 19th century, whereas in recent years, fibre-optic cable networks have an indelible trace in our manholes, thus reflecting every technological development in urban infrastructure.  Besides the contour patterns and shapes, manholes carry stories of firms, service systems, not to mention specific historical periods, such as Fascism. Indeed,  cast covers embossed with the iconic Fasces have survived, unchanged, all the way to blend into the contemporary urban scene.

The text is divided into two parts.

The first part aims to explore the role of manhole covers as part of the dynamics of urban transformations in the wake of the industrial revolution. Moreover, from a communication design standpoint, they will be treated as part of one of the most widespread and enduring productions of graphic symbols on an urban scale.

The second part provides a graphic reproduction and photographic documentation of manholes and covers from each region in Italy. This work results from a research project that lasted about four years, based on a photographic documentation of about 500 pieces collected across all Italian regions.

Subsequently, there is a ‘numismatic’ catalogue of 248 pieces that have been painstakingly redesigned. This constitutes an unprecedented collection of graphic signs and trademarks, which have been classified under what can be identified as some of the most important graphic families.

Furthermore, the book features an in-depth iconographic overview, based on archive research primarily carried out at research centres such as the Museo Italiano della Ghisa (Italian Museum of Cast Iron) - Neri Foundation Archive and the Pirelli Foundation. Thanks to this work, some of the earliest steel company catalogues with examples of manholes, manhole covers and cast-iron grates as well as communication and advertising materials were collected.

Another important contribution to the cultural contextualisation of manhole covers is provided by a number of important photographers and photojournalists, such as Dora Maar, Lee Lockwood, Louis Stettner and Thurston Hopkins, who used this object to interpret contemporary modernity in metropolitan areas during the 20th century.   Additionally, the volume features quotations and references in architecture, film and art.

The introduction to the text is given by Giulio Iacchetti and Matteo Ragni, two of Italy’s most important designers, who were awarded the 2014 Compasso d’Oro for their work on a series of cast-iron manhole covers manufactured by the Italian company Montini.

[perfettamentechic]

24 luglio … ricordiamo …

24 luglio … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2022: Franco Zucca, doppiatore, voce di molti attori di fama mondiale, e attore teatrale italiano. La sua voce profonda ed espressiva lo ha subito portato a coltivare, in giovane età, la passione per la recitazione. Esordì sui palcoscenici di Trieste, per poi approdare nei teatri catanesi e romani. Nel corso della sua carriera Franco Zucca ha doppiato numerosi film e serie televisive, ma si è…

[teenmanhua]

The Dilettante

Stay until you’re drunk on me. One day, top counterterrorism agent Hana Lee receives news of her twin brother’s passing. Unable to accept the death of her only living relative, she sets out to uncover the truth. Along the way, she gets tangled up with the mysterious Eunseong Yoo and the cold-blooded mafia boss, Giulio Parenti. 딜레탕트 Read the full article

[goonsinging]

Hi I've been summoned by my good friend and paisano @jar-jar-ate :)

I'm not reaaally an expert in explicitly queer films but there's homoeroticism EVERYWHERE in classic westerns and spaguetti westerns (the italian 60's version of what a western should be) and I happen to be a huge classic cinema nerd so here you have it.

So, my recs in this matter:

Homoeroticism and queer coding in Hollywood westerns:

Red River (Howard Hawks, 1948)

It's a well-known fact that Montgomery Clift was queer; his character and the relationship between him and John Ireland's character in this movie is considered very much queer-coded.

The Ox-Bow Incident (William A. Wellman, 1942)

In this one there's a interesting subtext about what is to be considered "weak" and queer in a toxic masculine culture (and viewers are put in the queer POV, so sided with the queer people).

Johnny Guitar (Nicholas Ray, 1954)

This one is weird, it's not about gay or lesbian relationships BUT there's plenty of queer and gender-non-conforming themes (i wouldn't call them "subtle" as well) because it's about two woman in the prototypical masc roles in the classic western and a man being merely a love interest. It's a freaking GOOD movie. One of my favs.

Calamity Jane (David Butler 1953) is also very gender-non conforming and lesbian coded (and a musical...!) but i've heard (this one is still on my watchlist) that is a little bit bended into appear heteronormative in the end.

Homoeroticism and gay representation in spaguetti westerns:

Well, many people think that italian cinema in the 60s and 70s is pretty homoerotic by hollywood standards. People nowadays ship Clint Eastwood's Man with no Name character with almost every masc character in the Dollars Trilogy. But, if I may, the best example is:

Quien sabe? (AKA A bullet for the general, Damiano Damiani, 1966)

Oh boy this isn't just vibes. Niño and Chuncho have really SOMETHING between them. And I have a huuge crush in Gian María Volonté who portrays Chuncho so I'm not completely neutral about this movie but I'm pretty sure you're gonna love it.

Also I've not seen this one but I've been told that in Django Kill… If You Live, Shoot! (Giulio Questi, 1967) there's plenty of (unhinged i think? Not really sure but that's what they say) gay rep. It's also in my watchlist! (Tomas Milián portrayed a lot of queer coded characters in his career much like Montgomery Clift)

More modern westerns:

I'm sure somebody have already told you about Brokeback Mountain (Ang Lee, 2005 )and about Strange way of Life (2023), a short by Pedro Almodovar with Ethan Hawke and Pedro Pascal. It's nice, not my favourite but well made.

More in the not-explicit-but-queer-coded side of the scale there's this 90s flick, Ravenous (Antonia Bird, 1999). If you enjoy (or tolerate) gore and canibalism metaphors you're gonna love this one. If you liked Hannibal I would give this a chance rn.

I also enjoyed The Power of the Dog (Jane Campion, 2022) and the complex power dinamics between queer characters in a more late western age.

I hope you find something you like in this list! Enjoy!

does anyone have any queer western recs? I'm having very specific media cravings lately and I need this.