#Leather Dyes Market

[cherry-pop-elf]

Farmers Market

Bill Weasley x Reader

((Can be read as platonic because there needs to be more platonic fics :>))

Summary: You wanted to go to your local farmers market. Get some fresh foods, see interesting things, just have a nice day. That’s when you see a new stand pop up. How could you resist? Not every day you see a gaggle of red heads

You just LOVED visiting the farmers market. Once a week, you would visit. Given it was in such a close walking distance, it made life easier. Fresh food for good prices. How could anyone refuse such a thing? A favorite routine to enjoy.

With your basket on your arm, and outfit dusted off, you were off to the little slice of heaven. Just walking down the street. Giving a wave hello to your neighbors, and having pep. Was always so nice to just get some fresh air. Was a perfect day. Just the right amount of sun, and just enough breeze to keep the heat low. You just adored it.

When you arrived you visited your favorite farmers. Saying hi to them, and picking out your favorites. With how often you visited, they always made sure to set aside the best for you. Supporting local farmers is the best, and it’s appreciated after all.

As you did your routine, you noticed a new stand. The little pop up was quite eye catching. Bright colors that catch attention easy. Said bright colors being brilliant red hair on each person there. You had never seen hair of such a shade like that, unless dye counts. Can’t be dye, since the smallest of the children had that same wild shade. Had you invested quickly, and you were soon walking over.

“Well hey there-!” You assumed the oldest said, as he was having a little girl on his hip. Cute little pig tails, and snuggling her tightly. Protective of him, and clearly defensive of anyone who got too close. Must be the youngest, and the baby girl.

“Hey. I haven’t seen this little stand before. You knew here?” You asked, as you looked around. It just had so many things. Hand made paper, soaps, fruits and veggies, meats, and many different types of hand made things. Plenty being sweets.

“Yep. Names Bill. Bill Weasley. That guy over there is Charlie, that guy with the book is Percy, those two trouble makers are Fred and George, the one talking to mum is Ron, and this little girl is Ginny. Yeah uh. Mum has a lot of kids.” He chuckled, as the baby sister kept playing with his ponytail. Had you giggle, as she yanked on it. Making him squeak, and her giggle.

“What can we do ya for?” He asked, as he tickled his baby sister’s tummy. Made her squeal in delight, as she kicked her little bare feet. You adored how sweet he was to the little girl. So full of love.

“I was actually interested in those tins. With the sweets-“ You asked. That seemed to catch the twins attention, and they weee quick to be side by side with their eldest brother. Big, proud, smiles on their freckled cheeks.

“Those sweets were hand made by these two. Don’t worry, I made sure none of them will turn you into a newt.” He teases, as the twins have a pout. Regardless, they were quick to pick the tins up. Excited to share.

“This one tastes like grape! Grapes my favorite-!” “And this one tastes like oranges! Oranges are MY favorite-!” The twins would echo each other, as they explained what those candy’s were. The hard candy, the chewy kind, just such confidence.

“Percy is the one to make the hand made paper. He’s pretty proud of that. Ron and Ginny help with the soaps. That leather-? Me and Charlie. Charlie and I would hunt for a bit, and turn the leftovers into soaps and leather. No waste in this family.” Bill would explain, as he would hand Ginny off to Charlie. She gave a huff, but that second sibling was quick to entertain her.

“You are all quite talented. It’s admirable.” You would admit, as you were in awe that people so young were able to create candy. GOOD candy no less, as you were offered a sample. It was like heaven. You couldn’t compare it to any other candy you’ve had before. It was beyond words.

“We all have a talent for something in this family.” Bill would shrug, as if it wasn’t a big deal. You thought it was. You found your new favorite table now. You just had to. These kids deserved to know their hard work wasn’t for nothing.

“I’ll have this, and that, and that-“ You would pick out. Sure it was going to be a bit pricey, but this was your spending money for a reason. Besides, it went to a clearly well deserving family. The way those twins were beaming was just to much to handle.

“MUM MUM-! WE SOLD OUR CANDY-!” They were cheering, as Bill would chuckle. Hardly could count the change, as the twins were jumping for joy to their mother. The woman giving them a tired, but proud, smile.

“Means more than you know. Mum is uh….Complicated about the twins wanting to grow up to be inventors. Like I get it, but exactly a job that can be successful.” Bill would whisper to you, as he would place the items in your bag. You gave a nod, as you watched them bounce in pure joy. So proud, and happy. They deserved the support.

“Will you be here next week?” You asked, as he smirked. With a nod. “Yeah, for sure.” He winked, as you chuckled at the banter you shared.

“Hypothetically-“ “That’s a really bug word-“ “Yeah. Anyway, what would happen to be your favorite flavor?” The twins would ask you, with those big doe eyes. How could you resist? You told them, and they were quick to huddle to a corner to brain storm.

“Be careful. If they like you too much, you’ll be pranked to hell and back.” He warned you, as you brushed it off. What’s the worse they could do?

“Can’t wait to see you again. Those two are going to never shut up about you now. Their ‘first customer ever-!’ They’ll cheer.” He was sounding more proud than the twins were. You admired that greatly. He clearly wanted the twins to succeed at their dreams. Made your heart warm.

“See you soon-!” Ginny would wave, as Charlie would mimic her tiny wave. You would return the gesture, before taking your leave. Still able to hear those twins cheering and bragging to their siblings.

When you finally returned home, and unloaded your things, you noticed something odd with your items. Made you think.

For starters, you swore the candy you had bought had changed color. Somehow brighter than it originally was. The paper you got as well was off. You swore the black specks on it were moving. Made you worry they were bugs, but you touched it to feel nothing. Another odd trait was there was a little note.

“Come to Ottery St. Catchpole sometime. You can’t miss us. Hope to see you sometime. William.”

Suppose you made a bigger impression than you thought. Had you giggling with excitement, that you completely missed the fact that a runt of a gnome had climbed out of your still packed bag. Quick to make itself cozy in your backyard.

Guess that’s what you get for talking to strangers.

[solarpunkbusiness]

Mycotech: The Indonesian Startup Biofabricating novel materials from mushrooms

Called Mycotech Lab, the company was inspired by tempeh, the traditional Indonesian food made from fermented soybeans, and came up with its own technology to grow its ethical and carbon-friendly mycelium-based materials. 

Mycotech Lab decided to experiment with the fermentation process used to make tempeh to make a new fabric out of the complex root structure of mushrooms, otherwise known as mycelium. It was a lengthy trial-and-error process that kicked off in 2016, but “finally, we found one mushroom with a mycelium that can be made into binding material,” said Erlambang Ajidarma, head of research at the startup, in conversation with Reuters. 

The final product, developed with fungus grown on sawdust that then gets scraped off and dried and cut into different sizes, is Mylea, a fibrous but tough material that acts just like the real thing. It’s waterproof, pliable, durable, and most importantly, is far more sustainable than existing plastic-based synthetic leathers or carbon-intensive real leather made from hide. 

Mycotech also uses natural dye extracted from roots, leaves and food waste in the region to colour their leather alternative, which again is a process that is far less polluting than traditional tanning processes used for real cowhide that leaves behind solid and liquid waste that contains chromium and other hazardous compounds.

Since its inception, Mycotech has managed to grow its client base with no marketing budget because the demand for sustainable alternatives has grown alongside awareness of the damaging effects of animal-based materials in the fashion industry. 

We the Fungi

Bio Binderless Board | Sustainable non-adhesive binder board from Mylea™ byproduct to meet modern architectural and design standards

Biodegradable Solid-Composite | Utilizing mushroom mycelium that grows and is shaped into desired form and utilities.   

[acti-veg]

I know you have talked a lot about leather. But what’s about wool and fur like are those materials really that lang lasting and sustainable?

Long lasting? Sure, but that doesn’t mean sustainable. ‘Long-lasting’ and ‘biodegradable’ have been seized on as marketing for what are about the only corporate green buzzwords you can legally apply to these wildly unsustainable products that make them sound vaguely sustainable. Anti-vegan tumblr of course, does their advertising for free.

The massive environmental harm caused by grazing sheep, who have converted vast swathes of formerly forested land into ecologically dead wastelands, is difficult to overstate. Grazing animals are widely acknowledged as one of the most significant barriers to forest restoration and re-wilding.

Sheep are called ‘the white plague’ by some ecologists for good reason. Just take a look at what has happened to most of England and Wales. That isn’t even factoring in the methane emissions of the sheep themselves, their resource requirements, or the fact that farmers routinely kill predators to protect their herds. Not to mention the fact that modern production and dyeing processes make much of the wool we buy not actually even biodegradable.

The vast majority of fur is farmed, and farmed fur is no more sustainable than plastic is by just about any available metric. From getting the animals to slaughter size in the first place to the production processes, toxic run off, preservatives, it is nonsense to call fur sustainable. So much so that a campaign from the European Fur Breeders' Association which claimed that it is ‘eco-friendly to wear fur’ was banned by the Advertising Standards Authority, as the group could not provide adequate evidence that this was true.

It is just utterly depressing how much corporate propaganda that otherwise intelligent people are willing to swallow just because it confirms their existing bias and supports the choices they already want to make. Let’s be honest, nobody is buying a fur coat, a leather jacket or choosing wool over cotton because they did the research and decided it was more sustainable.

People buy animal fabrics because they like the way they look and feel, then find ways to justify it according to their existing values after the fact. Hell, they barely even talk about the sustainability of fabrics outside wanting to criticise vegans for being somehow solely responsible for the existence of plastic clothing.

[katy-books]

I'm having one of those moments when I don't care if no one else likes my writing. I think this novella might be one of the coolest things I've ever written 😆. Here are the first few paragraphs and a footnote (it's a third of the way finished and I love it so much I can't wait to publish it 🥰) -

The cancelled train had put Marianna in a very difficult position, walking through the cobbled streets of Thornedale[1] from street light to street light, in the drizzle, completely unprepared. An oversized dark purple tie dye t-shirt instead of padded fake leather body armour, black Converse instead of steel-toe-capped boots and no weapons at all. No stakes, no dagger, no holy water. The earrings are made of silver I suppose, Marianna thought to herself, touching one of her jet studs and wondering if the backing was worth trying to stab something with. She got to a dark section. The street lights seemed to be broken but it was the quickest way home and she couldn’t sense anything dangerous, so she rushed on. Until she got to the ancient bridge. Marianna stopped in front of the hazard tape, in shock at the missing piece of a bridge which had stood strong for over six hundred years. She’d heard the flooding was bad last year. Half a dozen people were killed. She’d even called her granddad and hung up when he answered, just to make sure he was alive, but seeing the ancient bridge partially wrecked was sobering. Pieces of stonework were crumbling around a little missing chunk in the middle, old iron was sticking out at odd angles and one of the pillars at the other side was gone too. Why it hadn’t been fixed in 7 months was anybody’s guess, probably corruption like everywhere else. Thornedale was an odd small town. It was sort of split in half. What the locals called new town was made up of houses built in the 30s and 60s with one or two corner shops. Old town on the other side was mostly Georgian houses, with a smattering of Tudor houses and the odd medieval dwelling. It also had a church which seemed too big for the town, a beautiful market square and, before the flood, a quaint looking medieval bridge. Marianna couldn’t stay shocked for long. The broken bridge meant it would take her another quarter of an hour to get to her childhood home. She’d turned her back on her flat the moment she’d realised her landlord was a piece of shit. The whole thing had been so impulsive that she’d thrown her phone, her purse, a change of underwear and her two most valuable books into her red cross-body bag and left, calling from the train station to arrange a storage company to pick up the rest of her things. She wasn’t even wearing her Celtic cross. Of course the one day she forgot to wear it would be the day she was wandering through old town in the dark. [1] Fictional Yorkshire town between York and Hedon - pronounced thorn-ee-dale - the town size is similar to Hedon, maybe a little smaller, but the name pronunciation is based on a nearby place called Stone Creek

Is it possible to fangirl about your own story? 🤔 😅

[15-lizards]

Hi!! First i one to say that i absolutely adore your HC's for westeros and essos fashion. They are incredibly spot on *Chef's kiss*. I was wondering if you had any ideas for the free cities like Pentos, Braavos, Tyrosh, Lys, Myr, etc. Certainly i am more interested in Braavos and its courtesans, since in the book is implied that the nobles use more dark colors and the commoners more colorful clothes (unlike westeros, that is the contrary).

Let’s go 🫡🫡 (I think I’ll focus on Braavos here but if you want more of the others just let me know!)

I think besides the classic dark dyes of Braavos, another tell on whether a person is Braavosi is the amount of detailing on their clothing. Ruffles, gilding, lace, patterns etc on a persons clothing are all a staple of a fashionable Braavosi who can afford to buy things from foreign ships at the ports. The shape of the clothing itself can be described as flowing and practical. Skirts usually stop at the ankle due to the water, and can be layered during the cold months. Jackets have detachable sleeves for optimal water dancing movement. Loose veils are worn to either keep out sun or a winter chills.

The rich obviously have more embellished, expensive clothing, but also have noticeably longer clothing. Your skirt can’t trail in the canals and your veil can’t get caught on something in the market if you’re riding through the streets on a covered palanquin. They have the luxury of clothing that is harder to move in, because they don’t really need to move around much. Also they may buy bright foreign dyes as a status symbol, but there’s some controversy over whether or not it makes a Braavosi noblewoman look like a whore

As for the courtesans themselves, they can usually be spotted by wearing bright foreign dyes as an attempt to be eye catching or “exotic” or by wearing the classic dark Braavosi colors in an effort to seem more upper class. However, courtesans can almost always be spotted due to the tighter silhouette they prefer to wear over the flat, rather shapeless lines of the upper classes. They tightly belt their waists and wear slashed sleeves and skirts to give the illusion of a longer, more willowy figure

The bravos and swords of the city definitely dress…eccentrically. High leather boots, puffed pants that stop at the knee, loose shirts and jackets that are easy to move in and can be thrown off at a moments notice. All perfect for an impromptu sword fight on the narrow streets and long canals. Men’s clothing is just as elaborately decorated, if not sometimes more so, than the women’s. For anyone living in the wealthiest of the free cities, status symbols are as important to them as breathing

[orlissa]

How Not to Commit a Crime Against Historical Fashion–A Basic Guide for Writers

I have been reading a lot (mostly YA) (pseudo)historical (fantasy) novels (and let’s not even get started on what’s going on TV), and I’m stunned and horrified by the complete lack of basic understanding of historical fashion most authors display (not you, Rebecca Ross, darling, you didn’t do anything wrong). So here is a little guide from a miffed little gremlin who knows just a tad bit more about what people wore in the ye olden days than the average person (really, I’m no expert), so YOU don’t commit these heinous crimes:

First and foremost, and I cannot stress this enough: clothing and fashion don’t exist in vacuum. They are intrinsically tied to culture, climate, and, maybe most importantly, technology.

For the most of history (and I’m primarily talking about Western history here, sorry), people wore a simple base layer under their clothing: chemises, shifts, undershirts, underpants, drawers, combinations. Women and men! These had a very important function: they protected the actual outer layers from sweat, and protected the skin from chafing (e.g. from a corset). In the time and day when you didn’t have sewing and washing machines, outer clothes were relatively super expensive, while doing laundry was an actual nightmare. You didn’t want to wash you gowns much, because it was hard on your hands and on the fabric as well. So instead you wore a chemise–made of, most likely, some inexpensive, white material, in an easy-to-sew shape–, and changed and washed that chemise frequently. So as long as your worldbuilding doesn’t include (basically) fast fashion and washing machines (washing spells?), you really, really wanna have your characters to wear an undershirt/chemise.

You also have to think about colors. Chemical dying had a great advancement in the 1860s, which brought on a plethora of new and bright shades that actually lasted. Women’s clothing thus became extra and blindingly colorful, while men’s clothing went… black. As before these chemical dies black dye was hard to make and it also faded fast. (So yeah, your medieval bad guy is actually not that likely to wear black.) Purple is extra tricky, as it was traditionally made from a little creature called the purple dye murex, and making such dye was a lot of work and thus super expensive–so for the longest time only the wealthiest wore purple: senators, cardinals, kings…

(I just read a scene today where in the late 1800s Sicily a male character exchanged a leather shirt for a black (linen?) one at the town market, which he put right on the skin. I was understandably upset and manifested the author stepping on a piece of Lego.)

Climate really determines what people wear: think not only about the temperatures, but what raw materials are available at the climate. (Like, can they wear silk? Are there silk worms in this world? If yes, where? How can the characters have access to it?) Also, do not be daunted by the layers and think that your characters would be sweating buckets in the summer: we are talking about natural materials here which breathe.

Also, I’m not happy to rain on your parade, but generally speaking your (pseudo)historical character wouldn’t be showing too much skin in public. They don’t have sun screen, so they’d be protecting their skin from the sun by covering up–no short sleeves and super low necklines for you! However, evening attire can be more daring (short sleeves! Uncovered shoulders! Décolletage!)

I’ve said this before, but it bears repeating: before the… say second third of the 19th century, you don’t have corsets. You have stays, that give the body a conical shape. Then at the turn of the 18th-19th centuries you have transitional stays, which might be closer to modern bras/bralettes than you’d think. The point of these is to push the boobs up (since the gown is loose around the stomach, there is no point in trying to shape the silhouette there). Then you have corsets. You cannot tightlace (drastically shrink the waist) until the mid-19th century, when metal eyelets in corsets are introduced (and so they can take more tension). Still, it was more like an exception than a rule.

“Whalebone” is not actual bone. It’s baleen, those thingies in the whales’ mouth they use to filter their food from the water. Baleen is made of keratin, the same substance that makes up your fingernails, making them flexible.

Also, it’s just my general advice: try not to conceptualize corsets as bras, but as shoes: they need to be broken in, but once they are molded to your body, they are rather comfortable.

Clothes also play a cultural function–they have a meaning, a function. E.g. the point of panniers (those wide hip-thingies in 18th century gowns) and crinolines was that the women who wore them took up a lot of physical space. Women might not really had much say in everyday life, but they used fashion to show that they are there (men hated it, btw).

General silhouette guide to the 19th century, very roughly:

1800-1820s: Regency (brr, I’m gonna say it… Bridgerton). Boobs up, waistline right under the boobs, skirt is light and loose, with not much volume (will end up looking like a nightgown if the costume designer is not careful enough)

1820s-1830s: waistlines are going down (but still kinda up), skirts are getting fuller, sleeves puffier

1840s-1860s: waistline down to the natural waist, skirts are getting really full with huge crinolines, sleeves slim down, pagoda sleeves (getting wider down from the elbow) later down the road

1870s: First bustle period. Skirts get flat in the front and the sides, stick out in the back.

Turn of the 1870s-1880s: Natural form era. The bustle shrinks.

1880s: Second bustle period. The bustle comes back, gets even bigger.

1890s: Skirts become more A-lined, sleeves get puffed up (till they are ridiculous), chest shaped like a dove’s

[audi0visual]

This post is long! Everything under the cut!

Overall Information

The two subclasses Beta and Netherant are remnants of the Enderians who escaped the End before the dragon came to power, with them evolving to fit their environment after centuries

eye contact is seen as a challenge to combat, but Endbornes are the only ones who become instantly enraged

the subclasses Netherant and Beta have been known to crossbreed, though this is not without chances for defects

Beta / Cavedweller

Shortest of the Enderian Subspecies, around 5'11, so they can traverse caves better

Lives mostly in caves, mostly in Lush biomes or close to the Deep Dark, in small communities.

thick fur on feet to muffle noises

excellent hearing

green and blue parts glow in the dark

Short blunt horns, mostly used for sparring or light mining

slightly resistant to water

piebaldism is more common than other subspecies

has cool blues and cool purples in their palettes

extremely skittish

no back spines

splotch-like patterns

Netherant Enderians

Midsize, average height 6'5" to traverse the nether's lower roofs and foliage

live all over the Nether, mostly in the crimson and warped forests

warmer colored to match the Nether palette

orange/yellow parts can be bioluminescent

excellent heat resistance

large bulky horns built for defense and sparring -lives mostly in small villages on cliffs or near the Nether roof

most disagreements are solved through regulated fighting

prone to exploration

patterns are striped, like a tiger

True / Endborne Enderians

Tallest of the subclasses, average around 7'4"

all Endborne are influenced by the Ender Dragon, making them drones for Her.

some travel to the Overworld, but most stay to the end

highly aggressive towards other subclasses

nomadic

long, thin horns, mostly decorative

colored only in shades of purple and purple-blacks

patterns are dotted or circular

(Remember: You can mix spike colors and pattern placement to your discretion. Everything in these documents is a BASELINE for your creative designs!)

Trading between Beta and Netherants

Trading between the subclasses is common, and even encouraged! due to the Nether being full of potion ingredients, quartz, gold, and other things that are hard for Betas to get, and the Overworld having resources like vegetables, fruits, colorful dyes, and ores like diamonds and iron that are hard for Netherants to get.

Normally, in Netherant and Beta villages, there will be portals leading to the other side, where these villages will develop around trading goods back and forth, allowing for both sides to thrive, relationships to form, and holidays and traditions to be recognized and proformed.

Basically, a giant, enderman themed Farmer's Market

Clothing

Enderborne Enderians, due to becoming drones for The Ender Dragon, normally do not wear ornate clothing with patterns like their subspecies counterparts. This isn't seen as a issue, due to Enderians naturally not having any secondary sex characteristics, due to their way of reproduction not involving sexual activity

Netherant Enders normally wear clothing that is warm toned, with breathable fabric, with little layering, with patterns that are angular or boxy

Golden jewelry and leather bracelets and chokers and similar items are worn commonly.

Colors like brown, orange, red, and white, warm purples and shades between are the standard

Beta Enders have slightly more baggy and thick clothing, with colors more on the cooler side, ranging in blues and green and cooler purples are common. their patterns are swirly and wave-like

Iron jewelry is common, with dangly piercings and necklaces

Elytra?

Elytra are a common clothing/mobility aid among Enderians, which are craftable through rituals.

It's a very expensive ritual, and it's normally preformed by village elders, giving each Enderian a elytra when they come of age.

Elytra are seen as the most important garment a Enderian has, and they care for them almost religiously

Mending and Unbreaking III are commonly put on Elytra to make them highly durable

Body Painting

Body painting is common, normally done for formal events, parties and celebrations, but there are Enderians who paint their bodies casually as well, and this is accepted. There are sections of enderian bodies made on or off limits depending on the event, but as the formality of the event increases, so does the amount of patterning on the body.

Holidays

Lots of Player holidays have been adopted by Enderian cultures, especially as cultures mix and grow with time, but there is one Enderian holiday, basically the mother of all parties…

the Longest Night Festival!

This festival takes place on the Winter Solstice, which is the longest night of the year. Enderians will gather in their villages and around portals linking Beta and Netherant villages, where Enderians will host large parties full of food, drinking, dancing, and gift giving.

Enderians will wear ornate costumes (similar to masquerade balls), and bring out their finest paints and jewels.

Enderians will sell/trade moon themed gifts and foods, and tell stories passed down from generations ago about the moon, stars, and the Home Dimension…the End.

Expect tons of fireworks and bonfires!

It's said to be bad luck to wear anything sun-related on Longest Night. It's almost a insult!

Reproduction

Enderians have no real sexual organs, so their reproduction takes a odd turn…through their mouth!

Ender pearls, the core of a Enderian's teleporting, also acts as eggs. Once a month, similar as human ovulation cycles, Enderians will develop a second ender pearl, which they will regurgitate. Enderian mouths open that wide for that reason. (even though it does work as intimidation!)

Enderians will bring up the pearl, holding it in their jaws, before giving the baseball-sized pearl to their partner, who will pierce it with their hollow canine teeth, and fill it with their blood (not painful). This creates the two halves required to make a whole. The pearl will grow in size to accommodate the growing hatchling

Sadly, this means enderians with WPS are infertile when it comes to pearls…

There is a growing number of Enderians who will give their pearls up for donation (similar to sperm banks? Egg donors? Think that)

It's seen as lewd for a Enderian to drop their jaws fully in public

Endborne Genetics

Due to Endbornes being inherently hostile towards the other subspecies of Enderians, it is common for Endborne deaths from other Enderians

What's been happening as of late, Enderians from the two subspecies will draw blood from the dead Endborne and take the blood and inject it into a donor pearl, creating Endborne hybrids!

Disorders and Defects

Warped Pearl Syndrome (WPS) is a defect where the ender pearl develops incorrectly, normally causing a ender pearl to look warped or twisted

This disorder causes teleporting to be extremely difficult or unstable, normally causing what would be a stable, normal teleport to become erratic, making the affected Enderian warp in short, fast, uncontrollable spurts, which causes pearl pains, and short fainting spells due to the stress put on the enderian.

Causes

-Family History -Severe injury to the pearl early in life -Farlander Syndrome

Piebaldism / White Spotting

This is mostly a cosmetic defect that causes irregular white patches of skin on a enderian. This shows no internal harm or side effects, but it makes them easier to spot, and they are sometimes seen as more "exotic"

Causes -Family History -Being a Beta (it's more common in Beta and Beta hybrids) -Farlander Syndrome

Early Hatchling / Premature Hatching

Sometimes, a enderian will hatch from their egg early, which can cause defects and irregular development. Normally it causes Enderians to develop slower in their early years, but they catch up as they grow. They are also normally shorter than normal

Farlander Syndrome

It's said that if one travels too far from home, they will encounter someplace called the Farlands, a land of warped terrain and strange creatures…

It was said to be false, but then Enderians came from these "Farlands" changed. Their normally dark coats turn white, and their eyes turn different colors and shades. In some cases, their pearls will warp and twist into unusablity. If they stay there too long, it seems their minds corrupt as well.

Mild cases of Farlander Syndrome will cause changes in eye color, and will cause post-birth piebaldism. There is no known cure

...phew, that's all I have for now, If you have any ideas for my version of Enderman/Enderians, please comment!

[cherrygirlystuff]

Grunge Glamour: Your Guide to Indie Sleaze Fashion Staples

Hey babe! 🌸 Ready to dive into the world of grunge glamour? We’re talking about the fashion staples that defined the indie sleaze era—skinny jeans, band tees, vintage leather jackets, and all the effortlessly cool vibes that come with them. Whether you’re a longtime fan of the look or just getting into it, I’ve got all the tips and tricks you need to rock that indie sleaze style like the icon you are. So grab your shopping list, put on your favorite playlist, and let’s get into it! 🎧✨

Grunge Glamour: The Essentials of Indie Sleaze Style 🌟

If you were around during the mid-2000s, you know that the indie sleaze era was all about a perfect mix of grunge and glamour. It was messy, it was edgy, and it was oh-so-stylish. The key to nailing this look is all about balancing those rough-around-the-edges vibes with just the right amount of chic. Think Kate Moss meets Karen O with a little bit of early 2000s Alexa Chung thrown in for good measure.

Ready to recreate that effortlessly cool, don’t-care-but-still-look-amazing vibe? Let’s break down the must-have pieces that every indie sleaze lover needs in their wardrobe.

1. Skinny Jeans: The Ultimate Indie Sleaze Staple 👖

Skinny jeans were the thing back in the day, and for good reason. They’re versatile, flattering, and the perfect base for any grunge-inspired outfit. Whether you’re going for a classic black pair or something a bit more distressed, skinny jeans are an absolute must in your indie sleaze wardrobe.

Classic Black Skinnies: You can never go wrong with a pair of classic black skinny jeans. They go with everything and can easily be dressed up or down. Pair them with a band tee and a leather jacket for a quintessential indie look, or throw on a blazer and some ankle boots for a night out.

Distressed Denim: If you’re looking to add some edge to your outfit, distressed skinny jeans are the way to go. The more rips and tears, the better! These jeans add a little bit of rock ‘n’ roll to your look and are perfect for those days when you want to channel your inner rockstar.

High-Waisted Styles: For a more modern take on the indie sleaze look, go for high-waisted skinny jeans. They’re super flattering and give off that cool, retro vibe. Tuck in your favorite band tee, throw on a belt, and you’re good to go.

Shopping Tip: When shopping for skinny jeans, make sure they have a bit of stretch so they’re comfortable enough to wear all day (and night!). Don’t be afraid to hit up thrift stores for some amazing vintage finds or look for brands known for their quality denim.

2. Band Tees: Show Your Love for Music 🎤

No indie sleaze wardrobe is complete without a collection of band tees. These aren’t just shirts; they’re statements. Wearing a band tee is all about showing off your love for music, whether it’s an indie darling or a rock legend.

Vintage Finds: There’s something so special about a vintage band tee that’s been worn and loved over the years. It’s like wearing a piece of music history. Scour thrift stores, flea markets, and online vintage shops for tees that have that perfectly worn-in feel.

DIY and Customized Tees: Can’t find the exact band tee you’re looking for? Get creative! DIY your own by cutting, distressing, or tie-dyeing a plain tee. You can even add patches, pins, or screen print your favorite band’s logo onto a plain shirt for a custom look.

Oversized vs. Fitted: Both oversized and fitted band tees have their place in the indie sleaze aesthetic. An oversized tee with skinny jeans gives off that effortlessly cool, borrowed-from-your-boyfriend vibe, while a fitted tee tucked into high-waisted jeans is more polished but still edgy.

Shopping Tip: When hunting for band tees, don’t just stick to the women’s section—check out the men’s section for oversized fits or hit up the kids’ section for cropped tees. And remember, the more worn-in, the better!

3. Vintage Leather Jackets: The Cool Girl’s Armor 🧥

A vintage leather jacket is the ultimate indie sleaze statement piece. It’s tough, it’s timeless, and it instantly adds that rockstar edge to any outfit. Whether you’re throwing it on over a dress or pairing it with jeans and a tee, a leather jacket is a wardrobe essential.

Classic Black Leather: A black leather jacket is a no-brainer. It’s versatile and goes with literally everything. Look for one with a slightly oversized fit, so you can layer it over chunky sweaters in the winter or just a tee in the summer.

Distressed and Worn-In: The best leather jackets are the ones that have seen some life. Look for jackets that have a bit of wear and tear—scuffs, scratches, and even a little fading give the jacket character and make it feel lived-in.

Moto Style: If you want to add some extra edge to your look, go for a moto-style leather jacket with zippers, studs, and all the bells and whistles. It’s a bit more daring but oh-so-cool.

Shopping Tip: Vintage stores are your best bet for finding a quality leather jacket that won’t break the bank. If you’re buying new, invest in a piece that will last you for years to come—real leather only gets better with age!

4. Mixing and Matching: The Indie Sleaze Way 🎨

The magic of indie sleaze style is all about mixing and matching. Don’t be afraid to pair something ultra-glam with something super grungy—like a sequined top with ripped jeans or a floral dress with combat boots. The key is to look like you just threw it all together but somehow ended up looking amazing.

Accessories: Add some personality to your look with accessories like beanies, oversized sunglasses, and chunky jewelry. Don’t forget a scarf for that effortlessly chic touch.

Layers, Layers, Layers: Layering is your best friend when it comes to indie sleaze. Think flannels over tees, jackets over dresses, and scarves over everything. It’s all about creating a look that feels a little messy but totally put together.

Shopping Tip: When mixing and matching, think outside the box! Pair unexpected items together and see what works. Indie sleaze is all about breaking the fashion rules, so have fun with it!

Final Thoughts, Gorgeous: Embrace Your Inner Indie Sleaze Queen 🌟

There you have it, babe—your ultimate guide to rocking grunge glamour like a true indie sleaze icon. With the right mix of skinny jeans, band tees, and vintage leather jackets, you’ll be turning heads wherever you go. Remember, this style is all about confidence, attitude, and a little bit of chaos. So go ahead, mix, match, and create outfits that make you feel like the rockstar you are.

What’s your go-to indie sleaze outfit? Let’s chat in the comments and share all our fashion secrets! 💕

[santi-u]

[ bie thassapak hsu, demi-man, he/they ] Look who just landed! SANTI AMARIN-ZHAO, I sure hope you packed all you need. Perhaps you’re not worried as the CEO of X ACADEMY. The city has plenty of spots for a 29 year old SIGHIR like you. You’ll be known in the city soon enough as THE PEACEMAKER, being CHARISMATIC and INSTIGNANT. 

❯ tags — interview — bio — headcanons — wanted connections & plots

OOC Information

Fayn / PST (Vancouver, Seattle, Los Angeles) /  They/Them 

Muse: Santi Amarin-Zhao 

Tagging System: here

Interview: here

Muse’s Statistics

Full Name: Santi Amarin-Zhao | สันติ อมรินทร์ | 兆三緹

Nickname: Silk / Xiao Ti (小緹) / Titty (lmao)

Date of Birth: 28 May 2376

Gender: Demi-Man

Pronouns: He/They

Sexual Orientation: Queer

Romantic Orientation: …Ask him when he’s drunk. (Queer)

Current Age: 29

Modification: Sighir (Classified) Human :)

Affiliation: X Academy

Birthplace: New Jakarta

Current Neighbourhood: Sora

Occupation: CEO of X Academy, Philanthropist, Insider Threat, Dog Papa :)

Known Languages: English, Thai, Mandarin Chinese, Japanese, Bahasa

Appearance

Faceclaim: Bie Thassapak Hsu

Height: 6'0"

Eye Colour: Dark brown, almost black

Hair Colour: Naturally black, tends to dye it dark, reddish brown 

Clothing Style: Has an extensive suit collection, surprisingly only a fraction of which are custom tailored. Wears more eccentric and femme-leaning blazer choices when feeling up to it. Tends to wear layers and long sleeves even during warm weather. Wears a hat to disguise himself in the Slums. Occasionally wears glasses.

Jewelry:  Watch he inherited from a mentor. Occasionally wears a bracelet and necklace with no real sentimental meaning, just only for the vibe. 

Tattoos: N/A

Marks/Scars: An innumerable amount of scars all over his body, even his face, as a result of testing done on him. They’ve all healed nearly perfectly thanks to his Sighir powers, and as a result, they’re nearly imperceptible / basically invisible unless you know what you’re looking for and are literally up in his business. He doesn't usually let anyone get that close, physically or emotionally.

Modifications: N/A

Scent/Fragrance: Tom Ford Ébène Fumé — overall woody and smoky; has notes of incense, palo santo, black pepper, violet leaf, leather, and labdanum

Personality

Positive Traits: Charismatic, compassionate, loyal

Neutral Traits: Guarded, resourceful, analytical

Negative Traits: Hyperindependent, manipulative, self-destructive

Peeves: His lunch getting double booked, expense reports, interviews, people who pet Khoi without asking Khoi if he’d like to be pet, people who don’t respect nature

Fears: A particular part of the city he now avoids going to at all costs; locked, windowless rooms; his parents; vulnerability

Skills: Partnership management, B2B commerce, research design, organizational management, public speaking, tying the perfect tie in one shot, being able to tell what kind of spices were used in a dish, inhuman-like terrifyingly high pain tolerance

Goals: Autonomy and control over his own fate

Favourites

Likes: His black golden retriever (Khoi), a tasteful accent pocket square, street food, boba, bugs (butterflies in particular), a certain Overseer :)

Dislikes: The smell of antiseptic, stainless steel furniture and decor, loss of control 

Hobbies: Cooking, going out to Bartori or the Marwar Market in disguise to eat street food

Habits: Sleep talking, overworking, checking the app on his phone to make sure Khoi is okay at home

One Cherished Item: The chrysalis of a butterfly he helped raise in secret from a caterpillar when he was a child

Biography

UNN's Class of 2405: 30 Under 30 Interview with Santi Amarin-Zhao, CEO of X Academy

Date: September 12, 2404 Time: 13:57 PM NJT Location: X HQ, Santi’s Office

The interview takes place in the sleek, ultra-modern headquarters of X Academy, a towering structure that dominates the skyline of New Jakarta. The office is a blend of glass and metal, with a panoramic view of the sprawling city below. Santi sits behind a minimalist desk, his posture relaxed but his eyes sharp, betraying the meticulous mind behind the polished exterior. The interviewer, an experienced journalist from the United News Network, is acutely aware that this is more than just a profile piece—it’s an opportunity to peel back the layers of one of Mars' most enigmatic young leaders.

Interviewer: "Santi Amarin-Zhao, thank you for joining us today. It's not every day that we get to sit down with one of the youngest CEOs in New Jakarta's history. Let's start from the beginning—being born and raised on Mars is still not an everyday occurrence, and especially not nearly three decades ago. How has your upbringing shaped the leader you are today?"

Santi offers a warm smile, the kind that has won him the admiration from many of the million citizens of New Jakarta, but behind that smile is a carefully crafted persona. He knows exactly how to play this role, the heir to a legacy of power and innovation.

Santi: "Thank you for having me. My upbringing was nothing short of a privilege, and I recognize that every day. My mother's side was instrumental in the initial colonization efforts, and my father's side were some of the original Braax mine owners. Their combined legacy is something I take very seriously. Growing up, I was always taught that with great power comes great responsibility—not just to my family, but to the people of New Jakarta."

As he speaks, Santi’s thoughts drift momentarily to his childhood, where lessons were taught not in classrooms, but in boardrooms. His mother, a brilliant scientist, would often take him to meetings where breakthroughs in Martian terraforming and mineral research were discussed, while his father, a shrewd businessman, exposed him to the intricacies of corporate strategy. From a young age, Santi learned that every action, every word, was a move in a larger game—a game he was expected to win.

Interviewer: "That's a powerful ethos to live by. Many would say that you were born into success, but you've clearly worked hard to maintain and build upon that legacy. What drives you to keep pushing forward, especially in such a high-stakes environment?"

As the interviewer asks this, Santi leans back slightly, as if contemplating the question. The truth is, the drive to push forward comes not from ambition alone, but from a deeper, almost primal need to assert control over a life that has always been orchestrated by others. But that’s not something he can admit out loud.

Santi: "You know, it's easy for people to assume that everything was handed to me on a silver platter, but the reality is far more complex. Yes, I had opportunities that others might not, but I was also held to incredibly high standards. From a young age, I was taught the importance of hard work, and that success is not just about what you achieve, but how you achieve it. I’ve always believed in leading by example, which is why I make it a point to be in the trenches with my team, whether it's working late nights on a project or navigating the complexities of our latest research initiatives."

He recalls the countless nights spent in the labs of X Academy, not because he needed to be there, but because he wanted to understand every aspect of the institution he would one day lead. He wasn’t just a figurehead—he was determined to know the ins and outs of every department, every project. The long hours weren’t just about work; they were about proving, perhaps to himself more than anyone else, that he was worthy of the legacy he was born into.

Interviewer: "It's clear that your work ethic is something you take pride in. Let's talk about X Academy. Under your leadership, it's become a beacon of hope for many in New Jakarta, especially with the rising tensions in the city. How do you balance the pressures of being a public figure with the responsibilities of running such a pivotal institution?"

Santi’s expression shifts subtly—a flicker of something deeper, darker. He knows that the public sees him as a beacon of hope, a leader who can unite the fractured city. But the truth is, the very tensions they hope he will resolve are often of his own making. He is both the architect of chaos and the one who brings order, a duality that he keeps hidden beneath layers of charm and calculated sincerity.

Santi: "Balancing those pressures is definitely a challenge, but it's one I embrace. X Academy was founded with the goal of advancing scientific research for the betterment of all Martian citizens, and that mission is something I take to heart. At the same time, I understand the power of public perception. People are looking for someone to believe in, especially now, and I’m grateful that they see me as that figure. However, it’s not just about what I can do as a leader, but what we can achieve together as a community. Creating opportunities for all, committing to public good—these are not just slogans, but guiding principles in everything I do."

He remembers the latest crisis he orchestrated in the Akumu Slums—a small piece of information, leaked at just the right time, setting off a chain of events that sent shockwaves through the city. It was a dangerous game, one that could easily spiral out of control, but Santi thrives on the thrill of it. The chaos serves a purpose; it keeps people looking to him for solutions, reinforcing his role as the indispensable leader.

Interviewer: "You've been dubbed 'The Peacemaker' by some, yet New Jakarta is far from peaceful, if we must be honest. How do you reconcile this title with the realities of the city?"

Santi knows this question is coming, and he’s prepared. The irony of the title isn’t lost on him—it’s part of the persona he’s carefully cultivated. He is the Peacemaker, but peace, as he defines it, is a tool, a means to an end. True peace would leave him with nothing to control, nothing to fix, and that’s a reality he’s not ready to face.

Santi: "The title 'Peacemaker' is both a compliment and a burden. Peace is not just the absence of conflict but the presence of justice and opportunity. It’s no secret that New Jakarta faces many challenges, from economic disparities to social unrest. But these challenges also present opportunities for growth and innovation. My job is to navigate these complexities and find solutions that benefit the city as a whole. Sometimes, that means making difficult decisions that aren't immediately popular, but I always have the long-term prosperity of New Jakarta in mind."

As he speaks, his mind wanders to the many nights he spent alone in his office, staring out over the city. From this vantage point, he could see everything—the glittering towers of the elite, the sprawling slums below. It was all part of a grand design, one he was orchestrating from behind the scenes. Every conflict, every resolution, was a step towards a future only he could envision.

Interviewer: "There's a lot of talk about the criminal underworld in New Jakarta, particularly in the Akumu Slums. How does X Academy fit into this picture, and what steps are you taking to ensure that your initiatives aren't just a band-aid on a larger issue?"

Santi’s smile doesn’t falter, but inside, he feels a spark of satisfaction. The criminal underworld is a complex web, one that he’s intimately familiar with. He’s not just aware of it—he’s a part of it, a shadowy figure pulling strings from the comfort of his high-rise office. But that’s a truth he’ll take to his grave.

Santi: "The situation in the Akumu Slums is one of the most pressing issues we face, and it’s something I’m deeply concerned about. X Academy's role is to provide education and resources that empower people to create better lives for themselves, but we can’t do it alone. That’s why I’ve been working closely with the Overseers and other city leaders to address the root causes of these problems. It’s not just about education; it’s about creating a sustainable ecosystem where everyone has the opportunity to thrive. As for the criminal circuit—let's just say, we're keeping a close eye on things and doing everything we can to ensure that X Academy’s work is part of the solution, not part of the problem."

He remembers the recent heist at one of X Academy’s facilities, a heist that the public believed was a tragedy. What they didn’t know was that Santi had orchestrated the entire event, leaking the location of the facility to a rival faction in the slums. It was all part of a larger plan, one that would ultimately strengthen his grip on the city. The stolen research was never meant to be used—it was a decoy, a test of loyalty and competence for those who would carry out his orders.

Interviewer: "Lastly, with everything you've accomplished so far, what does the future hold for you and X Academy? How do you plan to continue your family's legacy while also making your own mark?"

Santi pauses, considering his response carefully. The future is something he thinks about often, but not in the way most people do. For him, the future is a canvas, one that he can shape and mold to his liking. His family’s legacy is the foundation, but the empire he’s building will be his own.

Santi: "The future is bright, but it’s also uncertain—and that’s what makes it exciting. My family’s legacy is something I’m incredibly proud of, but I’m also focused on carving out my own path. For X Academy, that means continuing to push the boundaries of scientific research and making sure that our work has a real, tangible impact on the lives of the people of New Jakarta. Personally, I’m committed to staying grounded, to listening to the needs of the community, and to never losing sight of the values that brought me here. My goal is to make sure that when people think of X Academy, they don’t just think of a name—they think of a force for good that is changing the world for the better."

As he finishes, Santi glances out the window, his mind already racing with the next steps in his plan. The interviewer thanks him for his time, and Santi responds graciously, but his thoughts are elsewhere. The interview is just another move in the game, another step in a carefully plotted journey that only he knows the destination of.

Interviewer: "Thank you, Santi. It’s been a pleasure speaking with you, and we’re all looking forward to seeing what you accomplish next."

Santi: "The pleasure’s all mine. Thank you for the opportunity to share my story."

As the interviewer leaves, Santi sits back in his chair, allowing himself a rare moment of introspection. He’s come so far, but there’s still so much to do. The city of New Jakarta is a complex machine, and he’s the one turning the gears. The future he envisions is one of power, control, and legacy—his legacy, not just his family’s. And he won’t stop until every piece of the puzzle falls into place.

End of interview.

[like-a-masquerade]

Coord Breakdown: January 30th, 2024

A rather fancy look to go shopping today. It's my first time wearing this blouse and I'm sooooo happy with it! Full coord comments under the cut.

Blouse + jabot: Lilizi

Skirt: Fanplusfriend

Bracelets: Offbrand (Rainbow)

Boots: Offbrand (Betsey Johnson)

Earrings: Offbrand (Spirit Halloween)

Hairbow that you can't see from the front but I swear it's real: Offbrand (???)

I love this coord, and especially the blouse, so much!! Purple is my favorite color and I am quite the fancy goth, so when I saw this blouse on Lolibrary I absolutely fell in love with it. When I got some Christmas money, I splurged and bought it through 42Lolita's Buy For Me service. It was my first time using 42Lolita and it was pretty nice tbh! Very easy, lovely customer service, shipping was relatively fast. Of course the shipping cost wasn't exactly the cheapest in the world, but... well... you know how it is with shipping as an overseas lolita lmao. Anyway, the blouse itself is comfortable and very well made, and seems surprisingly durable. Absolutely gorgeous, 10/10.

The skirt's been a favorite of mine for a long time now, after buying it off Lace Market a few years ago. It's a beautiful black satin damask with tiny black rhinestones on the lace trim, and I'm nothing if not a lover of glam, so of course I'm all about that shit. The skirt definitely pairs really well with the blouse!

The boots I found at a thrift store a few months ago for about $13, iirc. They're nubuck leather. They're kind of hard to see here, but here's a picture of another pair in their original form from a Depop listing:

Now, I thought that they were simply very worn and dirty, and with a little TLC would be revived to a vibrant purple with uncrushed pleats. No. No, apparently these are simply "distressed". As a punk I think the concept of making expensive items and faking them to look worn out is fucking stupid (at least distress them yourself, goddamn it! Don't do it in the factory!), so I took it upon myself to un-distress them using some Angelus leather dye. This was my first time dyeing shoes, and the color came out gorgeous! Unfortunately I put on way the hell too much, so between that and all the work and rubbing alcohol it took to get rid of the excess dye, I... think they dried up and shrunk a bit... But wearing them a few times softened them up. I'll probably look into treating them with some leather conditioner when I get the chance.

As for the eyeshadow, it's all Juvia's Place as usual, a combination of the Violets palette and the black from the Saharan palette. Typically I put the darkest shade on the inside corner of my eye and give it a sharp unblended edge in a vaguely tradgoth look, but I wanted my makeup to be a bit less harsh for this coord, so I instead put the darkest color on the outside and blended it all like a normal person. I think it looks cute!

I'm also wearing a nice black satin hairbow my best friend gave me for my birthday. It has a nice delicate, old-timey look. She's made a tradition of giving me a black hair bow every year, because one time she gave me one and I accidentally lost it and she refuses to let me live it down and keeps jokingly buying me more black bows "to replace the one you left on the goddamn train". Love her!!

[arthropod-concoctions]

(AO3 - ch 2)

Scott and Jimmy didn't care much about politics. They knew that their house was located in disputed territory, but they also knew the dyed leather they bartered would be in high demand no matter who the land belonged to, and the rumors of warfare in the distance never bothered them. They were fine staying where they were.

They were fine, until Jimmy went on a trip to the market and came back Red.

- - - - -

Jimmy arrived at the village right before sunrise. He'd set out early, wheeling his cart over the roads by the moonlight, to prevent the fresh beef he was bringing from being spoiled by the sun. People would always trade more for fresh meat; and he was hoping to barter for enough supplies today to last him and Scott another few weeks at their hillside farm. The residents of the village were happy to see Jimmy and gladly traded and chatted with him; the last couple times it had been Scott that went out to trade, so Jimmy hadn't spoken with many of the villagers in a little while.

Near the end of the morning, Jimmy had traded all of the beef and most of the dyed leather for various foods, clothing, and a few other things. While packing up, he noticed some commotion on the other end of the market square. He realised it was an argument between the old pottery saleswoman Efe and another woman he didn't reccognise. He'd never seen anyone pick a fight with Efe; he decided to go over and investigate.

“...tell you right now, these pots really aren't worth as much as you seem to think!” the unknown woman, who was wearing a yellow shirt-- faded yellow, not as high-quality as Scott's dye-- was yelling at Efe. She was holding a clay pot in her hands.

“What's going on here?” Jimmy asked as he jogged up to the pair. He nodded at Efe, who smiled at him.

“This woman is refusing my very sensible offer of ten coins for this pot,” the stranger said, looking at Jimmy. She had yellow eyes, he noticed-- matching with her shirt.

Efe just shrugged. “The coins aren't worth anything. They look nice, but they're not going keep me alive.”

“They're currency, don't you understand that? You, other guy.” she faced Jimmy again. “What would you pay for this pot?”

Jimmy looked at the pot. It was well-made, but nothing too special. “One, two steaks maybe?”

“And how many loaves of bread would you trade one steak for?”

What did bread have to do with any of this? “Look, if Efe doesn't accept the barter, just back off, okay?”

The argument was drawing a crowd now- most of the villagers seemed to be on their neighbor Efe's side. One other villager, Sunny, stepped forwards and put their hands on the stranger's shoulders. “I think you should leave.”

“Don't touch me.” she shrugged their hands off. “You're green. I'm yellow. You're not allowed to attack me.”

“...yes? No one's 'allowed' to attack anyone,” Sunny responded. No one had allowed the red-lifed to be killers either- they just couldn't be reasoned with. “I'm not attacking you. I'm just asking you to leave.”

The stranger closed her eyes and sighed. “Fine,” she said. She turned around to leave, but didn't return the pot she was still holding- in fact, she raised it high, then dropped it to the ground. Efe gasped as it hit the ground and shattered into a dozen pieces.

Then chaos broke loose. Several villagers rushed at the stranger when the pot shattered-- Jimmy joined them. She responded by picking up shards of the pot and throwing them around. Some people grabbed their tools to use as weapons, and the peaceful market square very quickly exploded into a messy brawl.

Somehow, a shard of hardened clay ended up in Jimmy's chest.

- - -

Jimmy woke up lying on a bed inside a house, Efe and Sunny looking down at him, concern visible on their faces. He got up and looked down at his chest. There was a hole in his shirt, and a massive stain of blood around it. His actual skin only showed a small scar, as if nothing much had happened at all.

“The fight dissipated after you fell down,” Efe said. “We figured we should clean the wound, get you somewhere covered to wake up again.”

“Wow. Efe, I'm so sorry this happened.”

“Hey, if you're gonna feel sorry for anyone, it should be yourself. I mean, you died!” Sunny responded. “That other woman left town though, luckily.”

“Oh my gosh. I did die, didn't I?” Jimmy touched the scar on his chest. He could still remember the sharp pain of getting impaled by the shard, but he felt no discomfort now. “I'm yellow now.”

Sunny nodded grimly. “I kept your cart of stuff here as well. Didn't want people looting it after that ordeal.”

“Oh, right, thanks,” Jimmy said, and he got up and followed Sunny to the door, where his cart was parked. “I think I'm headed home now. Thanks for having me.”

“I appreciate you trying to help me, Jimmy,” Efe said. “Travel safely.”

It was now afternoon, and Jimmy was walking back home, lost in thought. He was yellow-lifed now. He'd always figured that, given his luck, he might get killed and become yellow one day, but that didn't make it any less of a shock when it happened. How was he going to explain this to Scott? Would he want to dig a grave for the chance that Jimmy turned red? And if so, should Jimmy help with that? The answer was yes, obviously, but Jimmy found the thought of preemptively digging his own grave to be a bit grim.

“Hello there!” Jimmy was shaken from his thoughts by someone calling out to him. Two men were sitting in a booth by the side of the road, waving at him.

“Hello hello! Seems you're walking quite a long way with that big cart, would you like to buy some boots to make the walk more comfortable?” one of the two asked, a big smile plastered on his face. “It's just twenty-five coins.” the other man's eyes went to the hole in Jimmy's shirt, but he didn't say anything.

“I don't have any coins, sorry,” Jimmy responded, smiling back.

“Well, that's fine, we can barter. You've got a lot of good stuff with you, I see,” the first man responded, nodding to Jimmy's cart loaded with various essentials.

“No thanks. My own boots are fine.”

“You sure? Impulse, show him the boots. Here, just look at these beauties.” the second salesman now pulled a pair of blue boots out from under the counter of the booth. “Surely those are better than... whatever it is you're wearing now.”

Jimmy was getting annoyed now, but he had to admit, they looked like good boots. They seemed sturdy, set with pieces of metal, and the coloring of the leather was done cleanly, about as good as Scott could do it.

In fact, they looked exactly like boots Scott would make. Like the boots that had mysteriously vanished from their supplies some weeks back, that Scott lamented for days afterwards.

“Uh,” Jimmy said, “these are my boots.”

“That's the spirit! Now, looking at your stuff, I think that bottle of-”

“No.” Jimmy stepped forwards, laying a hand on one of the boots. “I'm saying these are my boots. These are boots that my husband made, that were stolen a few weeks back. And now you're trying to sell them to me.”

The smiles vanished from the two men's faces as they shot glances toward each other. Then the second one- Impulse, apparently-- said: “Iiii don't know what you mean by-”

“You're a terrible liar,” Jimmy cut him off. “I'll be taking these, thank you very much.”

“NO YOU WON'T!” the first man suddenly yanked the boots from underneath Jimmy's hand and took off running.

“HEY!” Jimmy shouted, then pursued. Chasing the man was probably not the smartest thing to do, he realized, but after the day he'd had, he would not let these thieves get away with Scott's boots on top of it. He was a faster runner than the thief, and closed the gap rapidly. “GET BACK HERE!” he shouted, as he was almost close enough to grab the man by the collar-

When he suddenly turned around and swung the boots hard at Jimmy's head. The toes of the boots, tipped with metal, slammed into his cheek, and Jimmy heard something crack as pain flashed across his entire head.

Stars covered Jimmy's vision as he heard the thief laughing. “Woo, these boots are great! They function as melee weapons too!”

Jimmy felt something dripping down to his neck. “Uh, that hit harder than I expected...”

Jimmy felt himself falling backwards. Distantly, he heard the second thief yelling: “Tango, you idiot, didn't you see his eyes were-”

Then Jimmy's head hit the floor, and everything went black.

- - -

He was on fire.

Jimmy opened his eyes to see flames coming off of his hair, his clothes, his skin. He yelped, jumped up, and immediately dropped back to the floor as he remembered the instructions his parents had drilled him with as a child. He rolled across the ground a few times until the fire was out, then realizing he didn't actually feel the flames at all.

Now slightly calmed down, he looked around to get his bearings. Scott's boots, now stained with blood at the toetips, were lying on the ground a few feet away, near the scorched grass where Jimmy must've been laying earlier. His cart of traded goods was on the road a bit further away. Nothing else was on fire, and the two bandits were nowhere to be seen. They must've set Jimmy's body on fire and ran, trying to prevent him from respawing-

Again. He'd died twice now, and respawned both times.

He was Red now.

Jimmy suddenly felt chilled down to his spine, and he looked down at himself again. His skin was ashen gray, flaking off in places. His clothes were a ragged mess, and though there weren't any mirroring surfaces nearby, Jimmy knew exactly what his eyes would look like.

He felt lost. If explaining his first death to Scott would have been difficult, this would be impossible. Should he even come back? He didn't want to kill Scott. Going home would just endanger him. Should he leave and go live in the forest, like the wolf-man? That thought sent a shiver down his spine again. He'd encountered the man once, and didn't want to do so ever again, even if they were theoretically equals now.

Jimmy picked up the boots from the ground, and walked to his cart. Fortunately, one of the things he'd obtained today was a cloak, which he took and draped over himself, to cover his burnt clothing and red eyes. As he pulled the hood over his head, he noticed footprints in the dirt, leading away into the distance; probably belonging to the thieves, who had fled the scene. Numbly Jimmy wondered if he should chase them and get revenge. It'd make sense for him to do, as a red-lifed.

But he didn't want to do that. He just wanted to go home.

So he took his cart and continued along the road.

[lees-chaotic-brain]

hooray!! congrats on the good news, i hope the streak continues!

okay i'm glad you won't be uncomfortable with the stuff i interact with. i didn't bother with any warnings on my blog bc i'm mostly here to consume things and don't expect too many people to wander by lol. but! since i have been coming out of my lil lurker basement lately i finally at least added a color scheme to it so i look less like a bot.

oh man oh man where to start on tea and jackets? what are your go-to's for either? i'm kind of a tea purist-i prefer tea the east asian (chinese/japanese/korean) way, just pure tea leaves and occasional aromatics with no additional sugar or cream unless i'm specifically making a milk tea. i don't really like herbal teas. i want that camellia sinensis in my shit. my default tea rn is probably hojicha. i made a sunrise burnt basque hojicha cheesecake and though the layers didn't come out as cleanly as i wanted it tasted lovely. a tumblr friend on here inspired me to try out the burnt basque with a FANTASTIC green thai tea i have next! (if you're in the market for the green thai tea and are usa-based i cannot recommend it enough. it's so unique bc green thai is uncommon in the states already, and most of it comes from the powder packets but the one i have is all whole ingredients, no extracts or dye or flavor enhancements and it is DIVINE. sooo fragrant with pandan and vanilla and mint. i will scarf down anything with pandan in it but this is especially lovely)

i basically only own leather jackets or blazers, i have an embarassing amount of both. i did just do a closet purge with a friend's help though and i am proud of say i got rid of like, 16 college-era (p)leather jackets and blazers that had seen better days/are no longer in style

ty for sticking around for my D1 yapping!

dw abt it LMAO. it's not super apparent, but if you look close enough you can see my inner hoe poking through in my tags, so yes. i definitely consume smut and dark content and am looking forward to seeing your stuff on my dash 🤭

omg and for tea? i literally drink any and all kinds of tea. so again, if you've been on my blog long enough/look closely i'm pretty sure i've mentioned it before but i'm half korean, and i while i love all kinds of tea, the tea my mom made for me are nostalgic and bring me comfort. i almost always drink my teas plain (chai being the only exception) or with a little bit of honey.

i LOVE herbal teas. i can't really drink a ton of caffeine with my adhd meds or i genuinely start tweaking. like twitching and all that shit, so i normally drink other teas even though i really enjoy green and black teas :')

THAT TEA AND CHEESECAKE BOTH SOUND SO GOOD OMG

i'm a sucker for jackets and boots, and while i don't have too many, i definitely own a few, but i'll probably reblog this post and rant about them later lmao

if you're interested, here is a comprehensive list of my top ten favorite teas (in no particular order), how i drink them, and why. thank you for attending my lecture.

1. you are so right about hojicha. i love green tea, but my absolute favorite variation of green tea is nokcha. i love the extra flavor the brown rice brings to it. i normally drink it plain, but if i'm feeling fancy i'll steam a little milk and add a drizzle of honey

2. this definitely isn't korean, but when i was little my mom would make me this tea and it was so, so, so, good. it's basically just a stick of cinnamon, some apples slices up, orange and lemon peel, and a little bit of honey boiled together for like an hour. it's literally my favorite thing to drink in the fall bc it just warms me up from the inside

3. oksusu-cha. it's basically a korean tea made from roasted corn kernels and i really, really, like it. it's different from a lot of teas in the sense that it's almost savory, but its taste is very unique and almost earthy? idk how to describe it but i highly recommend trying it. i always drink it plain, but pouring it over heukmi bap (korean purple rice) and eating is also amazing

4. earl gray. i know this one is very british and different from the rest of the teas i drink, but i love having a cup of it once in a while! i drink it black sometimes, but i'll also drink it with either lemon and honey, or a little milk and honey

5. chamomile my love. i love love love a nice cup of chamomile before bed while i'm reading a book! i almost always drink it plain, but if i'm on my period i add a spoonful of honey

6. hibiscus tea. while this isn't necessarily my favorite taste wise, it brings back a lot of memories from when i was little and would go to a cafe with my mom. not to say i don't enjoy the flavor, it's just a little too sweet and a little too tart for me to drink a lot of

7. gyulpi cha. it's a korean citrus peel tea (not unlike #2) and it's really, really, good. i always drink it plain.

8. chai. this is the only type of tea i drink with a ton of stuff in it. i'm currently boycotting starbucks, but i love their iced chai latte with sweet cream foam. during fall i normally get it with some pumpkin flavoring lol. however i barely consider the drink tea at this point lmao

9. lavender tea. i absolutely love a cup of lavender tea before bed. i always drink it plain, and think the scent is so calming!

10. and finally lilac tea. i love lilacs. growing up we had a massive lilac bush and the smell always brings me back. i really enjoy its subtly sweet and floral flavor, and always drink it plain.

anyways, that's it for the tea lmao.

[solarpunkbusiness]

Very interesting new and different business models and business ideas for rural markets in global North.

Millennial Farmers: The New Fashion Pioneers

One of the most exciting aspects of this movement is the connection between millennial farmers and the fashion industry. Here are some real-life examples.

• Regenerative agriculture for textiles in which millennial farmers are increasingly adopting practices focused on improving soil health, conserving water and sequestering carbon. Some farms are now growing cotton, flax and other fibers using regenerative techniques. These materials are used in fashion and represent a significant shift away from traditional, resource-intensive farming.

• The use of organic and eco-friendly dyes in textile production is on the rise. Many millennial farmers are experimenting with plant-based dyes — such as indigo — and incorporating them into fashion. These natural dyes not only reduce the environmental impact but also create unique, earthy colors.

• Farms that raise animals for wool, leather and other textiles are taking a more ethical approach. By ensuring the welfare of the animals, these farmers are producing high-quality, sustainable materials for fashion brands that prioritize animal welfare.

• Millennial farmers are embracing the direct-to-consumer model, much like they do with farm produce. They sell fibers and materials directly to fashion brands, cutting out intermediaries and ensuring transparency in the supply chain. This connection appeals to fashion brands that want to know where their materials come from.

• Millennial farmers are also choosing to wear and support sustainable fashion brands that align with their values. It’s a way of living the principles of slow living not just in farming but in every aspect of their lives.

[scientia-rex]

I need someone to write in detail about how the current flex culture is both similar to and different from the culture of, say, Victorian England. I understand, from reading many, many Victorian stories over the years, by which I mean stories written during the Victorian era, why displaying wealth was so critical. If you didn't display wealth, the general assumption would be that you didn't have it. You'd be less likely to get business or loans, less likely for family members to contract advantageous marriages, etc. So you paid for your daughter to wear a different gown every time she went out, and you paid for a fancy carriage, and you hosted dinners for people you didn't enjoy, and so on, because you quite literally had to. Sure, you could choose to retire to a country estate, but everyone would assume it was because you were broke. Right? Or am I SUPER wrong? I don't know! I'm not a historian!

But these days--like, look at the luxury jewelry market. There are so many options out there to spend 20 grand on a necklace, you could drown in them. Many of them are not branded, and many are also just not that interesting or distinctive. You cannot expect someone to read your wealth instantly the way they could when someone would assess in one glance: velvet? silk? or cotton? The color of dye is no longer legally regulated. I can wear Tyrian purple if I'm broke as shit. Gold-plated jewelry is visually indistinguishable from solid gold jewelry at a fraction of the cost. Good fakes of any imaginable high-end bag or shoe exist. Items, themselves, are no long inherently signifiers of wealth the way they were pre-industrialization, because we have reached a point where it is comparatively very easy to acquire things.

So what purpose is the designer jewelry serving now? And designer clothes? When I'm sure there are many, many items that rich men and women could not tell apart at a glance, and there is not (I'm sorry) some kind of magical quality differential that makes them recognizably high-end. (Watch the Tanner Leatherstein channel on YouTube to have your ideas about high-end leather products deconstructed before your eyes.)

Like, I'm sure some things operate exactly the same. I'm sure there's a narrow elite in Silicon Valley and I'm sure they recognize each other's wealth signifiers effortlessly. The same super-expensive "casual" sneakers and t-shirts. But what happens when those people end up at a party with Bostonian old money??? And that's just two of the ultra-rich possibilities out there! There are different signifiers for Indian families, and for Chinese families, and for Dubai oil money vs Brazilian vs English--like, any culture has their ultra-wealthy and the signifiers they use can be wildly different!

YouTube has a lot of videos about flex culture, but these all seem to focus on how detrimental it is. Which it is! It's terrible! Don't spend your money on a designer thing for being designer as if that's going to GET you something. It's not. Especially if you are not in the kind of circles where that type of wealth signifier is useful.

Anyway, if you know of any good explorations of this, let me know, because it has REALLY been on my mind lately. And with the COVID, I have nothing but time.*

*and body aches

[24marketresearch]

Latin America Leather Tanning Market Outlook and Forecast 2025-2032

The Latin America Leather Tanning market refers to the industry processes and technologies used to convert raw hides and skins into finished leather products. This conversion involves various tanning methods that transform animal hides into durable, flexible, and high-quality leather suitable for various applications. These methods include chrome tanning, vegetable tanning, and synthetic tanning, which are selected based on the desired characteristics of the final product, environmental considerations, and cost efficiency.

Leather tanning requires strict adherence to environmental regulations and quality standards to produce leather with specific attributes like strength, flexibility, and color consistency. It also involves finishing processes such as dyeing, coating, and embossing, which enhance the appearance and functionality of the leather. The end-products of the tanning process are used in several industries such as footwear, automotive, furniture, and apparel.

Download a free Sample Report PDF - https://www.24chemicalresearch.com/download-sample/286445/latin-america-leather-tanning-market-2025-2032-593

Market Size

The Latin America Leather Tanning market was valued at approximately US$ 748 million in 2024. The market is expected to grow at a compound annual growth rate (CAGR) of 4.2% during the forecast period from 2024 to 2030, reaching an estimated value of US$ 957 million by 2030. This growth is driven by rising demand for leather products in key industries such as footwear, automotive, and furniture, coupled with innovations in sustainable tanning practices.

Brazil, as the dominant player in the market, accounts for a significant share of production and consumption, followed by Argentina and Mexico. The increasing trend toward luxury leather goods, combined with the expansion of the automotive and footwear industries, is further fueling market growth in the region.

Market Dynamics 

Drivers:

Growing Demand for Leather Products: As economies in Latin America continue to develop, there is an increasing demand for high-quality leather products, particularly in the footwear, automotive, and furniture sectors. The Latin America shift toward luxury leather goods also contributes to this demand.

Sustainability Trends: There is a rising focus on sustainable and eco-friendly tanning processes, especially among consumers and companies seeking to reduce the environmental footprint of their production. The adoption of vegetable tanning and chrome-free processes is expected to grow.

Rising Automotive Production: Leather is widely used in the production of automotive interiors, including seats, upholstery, and trim. As automotive production increases, particularly in countries like Brazil and Mexico, the demand for leather products will grow correspondingly.

Restraints:

Environmental Concerns: The tanning industry faces significant scrutiny due to the environmental impact of certain tanning processes, especially chrome tanning. The discharge of toxic chemicals and waste from tanning operations can harm ecosystems and public health. Regulatory measures and a shift to more sustainable methods are required to address these concerns.

High Cost of Sustainable Tanning Methods: Sustainable methods such as vegetable tanning are more expensive than traditional chrome tanning, which could be a barrier for smaller manufacturers or those in cost-sensitive markets.

Fluctuating Raw Material Prices: The cost of hides and skins, the primary raw materials for leather tanning, can fluctuate due to factors like livestock production rates and Latin America supply chain disruptions, which could affect the profitability of tanning companies.

Opportunities:

Innovation in Tanning Technologies: The development of new, more sustainable tanning technologies presents opportunities for market players to meet environmental demands while improving product quality. Companies that invest in green technologies such as water-based and chrome-free tanning are likely to capture a larger market share.

Expanding Automotive and Furniture Sectors: As Latin America’s automotive and furniture industries grow, there will be a concurrent increase in demand for leather materials for car interiors and furniture upholstery, presenting new opportunities for tanneries.

Rising Exports: Latin America has a strong position in the Latin America leather market, with significant leather exports to regions like Europe, the U.S., and Asia. As demand for premium leather continues to grow worldwide, there are significant opportunities for Latin American tanneries to expand their export capacity.

Challenges:

Regulatory Pressure: Governments in Latin American countries are increasing environmental regulations related to waste disposal, chemical use, and water consumption in tanning processes. Meeting these stringent standards requires substantial investment in waste treatment and cleaner technologies.

Competition from Synthetic Alternatives: The growth of synthetic leathers and alternatives such as polyurethane-based products presents a challenge to the traditional leather tanning industry. Consumers seeking cheaper or more animal-friendly products may choose synthetic materials over genuine leather.

Labor and Supply Chain Issues: Labor shortages and disruptions in the leather supply chain, exacerbated by Latin America trade issues or pandemics, could lead to delays and increased production costs for leather tanneries.

Regional Analysis

Brazil:

Brazil holds the largest share of the Latin America Leather Tanning market, accounting for 42% of production. The country’s significant cattle industry and established leather export market, particularly in footwear and automotive sectors, drive its dominance. Brazil is known for producing high-quality leather, which is in high demand both domestically and Latin Americaly.

Argentina:

Argentina follows Brazil with a 28% market share. As one of the top leather-producing countries in Latin America, Argentina has a long-standing history of leather tanning. The country’s leather products are highly valued in both domestic and international markets, particularly in footwear and fashion sectors.

Mexico:

Mexico, with 18% of the market, is another important player in the Latin America Leather Tanning market. The automotive sector in Mexico is rapidly expanding, leading to increased demand for leather products in car interiors. Mexico also has a robust footwear industry, further driving the demand for leather.

Other Countries:

Countries like Chile, Colombia, Peru, and Venezuela contribute to the market, with demand primarily driven by local footwear, automotive, and furniture industries.

Competitor Analysis

Key players in the Latin America Leather Tanning market include:

JBS Couros: One of the largest and most established leather producers in Latin America, JBS Couros has a strong presence across all major leather applications, including footwear and automotive.

Curtiembre Arlei S.A.: A prominent Brazilian tannery, Curtiembre Arlei specializes in producing high-quality leather for the automotive and footwear industries.

Curtume CBR: Another significant player in the Brazilian market, Curtume CBR offers a variety of leather products, including those used for fashion and furniture applications.

Renato Curto S.A.: Known for its high-end leather products, Renato Curto focuses on luxury and fashion leather goods.

Piemont Leather S.A.: Based in Argentina, Piemont Leather specializes in leather for automotive and furniture industries.

Latin America Leather Tanning: Market Segmentation Analysis

This report provides a deep insight into the Latin America Leather Tanning market, covering all its essential aspects. This ranges from a macro overview of the market to micro details of the market size, competitive landscape, development trend, niche market, key market drivers and challenges, SWOT analysis, value chain analysis, etc.

The analysis helps the reader to shape the competition within the industries and strategies for the competitive environment to enhance the potential profit. Furthermore, it provides a simple framework for evaluating and assessing the position of the business organization. The report structure also focuses on the competitive landscape of the Leather Tanning market. This report introduces in detail the market share, market performance, product situation, operation situation, etc., of the main players, which helps the readers in the industry to identify the main competitors and deeply understand the competition pattern of the market.

In a word, this report is a must-read for industry players, investors, researchers, consultants, business strategists, and all those who have any kind of stake or are planning to foray into the Leather Tanning market in any manner.

Market Segmentation (by Application)

Footwear: 45%

Automotive: 25%

Furniture: 18%

Others: 12%

Market Segmentation (by Type)

Vegetable Tanning

Chrome Tanning

Key Company

JBS Couros

Curtiembre Arlei S.A.

Curtume CBR

Renato Curto S.A.

Piemont Leather S.A.

Curtiembre Fonseca S.A.

Couros Bom Retiro S.A.

Industrias del Cuero S.A.

Leather S.R.L.

Curtiembre Zenda

Geographic Segmentation

Brazil

Argentina

Mexico

Others

FAQ 

What is the current market size of the Latin America Leather Tanning Market?

➣ The Latin America Leather Tanning market was valued at approximately US$ 748 million in 2024, with expectations to reach US$ 957 million by 2030, growing at a CAGR of 4.2%.

Which are the key companies operating in the Latin America Leather Tanning Market?

➣ Key companies include JBS Couros, Curtiembre Arlei S.A., Curtume CBR, Renato Curto S.A., Piemont Leather S.A., Curtiembre Fonseca S.A., Couros Bom Retiro S.A., and several others.

What are the key growth drivers in the Latin America Leather Tanning Market?

➣ The primary drivers include increasing demand for leather products in footwear, automotive, and furniture sectors, the shift toward sustainable tanning practices, and expanding export opportunities.

Which regions dominate the Latin America Leather Tanning Market?

➣ Brazil leads the market with a share of 42%, followed by Argentina at 28% and Mexico at 18%.

What are the emerging trends in the Latin America Leather Tanning Market?

➣ Key trends include a focus on sustainable and eco-friendly tanning processes, innovations in tanning technologies, and the growth of the automotive sector driving demand for leather products.

Competitor Analysis

The report also provides analysis of leading market participants including:

Key companies Leather Tanning revenues in Latin America market, 2019-2024 (Estimated), ($ millions)

Key companies Leather Tanning revenues share in Latin America market, 2023 (%)

Key companies Leather Tanning sales in Latin America market, 2019-2024 (Estimated),

Key companies Leather Tanning sales share in Latin America market, 2023 (%)

Key Points of this Report:

The depth industry chain includes analysis value chain analysis, porter five forces model analysis and cost structure analysis

The report covers Latin America and country-wise market of Leather Tanning

It describes present situation, historical background and future forecast

Comprehensive data showing Leather Tanning capacities, production, consumption, trade statistics, and prices in the recent years are provided

The report indicates a wealth of information on Leather Tanning manufacturers

Leather Tanning forecast for next five years, including market volumes and prices is also provided

Raw Material Supply and Downstream Consumer Information is also included

Any other user's requirements which is feasible for us

Reasons to Purchase this Report:

Analyzing the outlook of the market with the recent trends and SWOT analysis

Market dynamics scenario, along with growth opportunities of the market in the years to come

Market segmentation analysis including qualitative and quantitative research incorporating the impact of economic and non-economic aspects

Regional and country level analysis integrating the demand and supply forces that are influencing the growth of the market.

Market value (USD Million) and volume (Units Million) data for each segment and sub-segment

Distribution Channel sales Analysis by Value

Competitive landscape involving the market share of major players, along with the new projects and strategies adopted by players in the past five years

Comprehensive company profiles covering the product offerings, key financial information, recent developments, SWOT analysis, and strategies employed by the major market players

1-year analyst support, along with the data support in excel format.

Download a free Sample Report PDF - https://www.24chemicalresearch.com/download-sample/286445/latin-america-leather-tanning-market-2025-2032-593

[chemanalystdata]

Nitro-O-Xylene Prices, News, Trend, Graph, Chart, Monitor and Forecast 

The Nitro-O-Xylene market has been experiencing significant changes in pricing trends, driven by factors such as supply-demand dynamics, production costs, raw material availability, and regional economic conditions. Nitro-O-Xylene, a chemical compound primarily used in the manufacture of dyes, pharmaceuticals, and agrochemicals, has seen a fluctuating price trajectory over the past few years. This volatility can be attributed to both external and internal market influences that have reshaped its pricing structure. In recent years, the global chemical industry has been adapting to market shifts, with Nitro-O-Xylene being no exception.

One of the significant drivers affecting Nitro-O-Xylene prices is the ongoing fluctuations in the raw material costs, particularly xylene, from which Nitro-O-Xylene is derived. Xylene itself is a byproduct of petrochemical production, and its price is closely tied to global oil prices, which are subject to substantial volatility. This correlation means that when crude oil prices rise, the cost of producing xylene also tends to increase, subsequently raising the cost of Nitro-O-Xylene production. Additionally, the price of nitric acid, another key input in Nitro-O-Xylene production, also plays a critical role in determining the overall cost structure. Any disruption in the supply of either of these materials can lead to spikes in Nitro-O-Xylene prices, impacting manufacturers and end users alike.

Get Real time Prices for Nitro-O-Xylene: https://www.chemanalyst.com/Pricing-data/nitro-o-xylene-1626

The global demand for Nitro-O-Xylene has been steadily growing, particularly in emerging markets where industrialization and urbanization have been accelerating. As countries like China, India, and Brazil expand their manufacturing sectors, the demand for Nitro-O-Xylene, as a key ingredient in the production of various industrial chemicals and products, is expected to increase. In these regions, Nitro-O-Xylene is predominantly used in the production of dyes for textiles and leather, pharmaceuticals, and agrochemical formulations, all of which are witnessing robust growth. The rising demand from these end-user industries has put upward pressure on prices, especially as production capacities in certain regions struggle to keep pace with the growing consumption.

On the other hand, economic downturns or slowdowns can have a deflationary effect on Nitro-O-Xylene prices. When global economic conditions weaken, particularly in key markets such as Europe and North America, the demand for non-essential chemicals tends to decrease. This reduction in demand leads to a price adjustment as suppliers attempt to maintain profitability in a less competitive environment. This was observed during the COVID-19 pandemic, which caused severe disruptions in manufacturing, logistics, and supply chains across various industries. The resulting lower demand for Nitro-O-Xylene, combined with production halts and trade restrictions, caused a temporary drop in prices. However, as economies began to recover, the prices of Nitro-O-Xylene began to rise once more in response to improving demand.

Moreover, the pricing of Nitro-O-Xylene is also impacted by regional production and export capabilities. Countries with large-scale petrochemical industries, such as the United States, China, and some Middle Eastern nations, play a crucial role in setting global price trends. The ability of these countries to export Nitro-O-Xylene to international markets significantly influences supply and demand dynamics. In times of political instability, such as trade disputes or sanctions, disruptions to the flow of Nitro-O-Xylene from major producers can lead to shortages, further driving up prices. Similarly, increased production capacities in specific regions can lead to price reductions as the market becomes flooded with supply, benefiting buyers in those areas.

Environmental regulations are also an important factor influencing Nitro-O-Xylene pricing. As governments around the world tighten regulations concerning the production and use of chemicals, manufacturers face increased compliance costs. These costs are often passed down the supply chain, ultimately affecting the final price of Nitro-O-Xylene. In many countries, environmental policies designed to limit emissions from industrial activities can lead to higher production costs for Nitro-O-Xylene manufacturers, prompting them to adjust their pricing accordingly. Furthermore, the rising demand for more sustainable and environmentally friendly production methods can push prices higher as companies invest in cleaner, more efficient technologies.

Looking ahead, the future of Nitro-O-Xylene prices will likely be shaped by ongoing trends in the global economy, technological innovations in chemical manufacturing, and the development of alternative materials that could replace Nitro-O-Xylene in certain applications. Additionally, factors such as climate change, regulatory shifts, and the ongoing push for green chemistry will continue to influence the cost structure of Nitro-O-Xylene production. The demand for more sustainable products, as well as increasing consumer awareness regarding the environmental impact of chemicals, could drive demand for alternatives, potentially affecting Nitro-O-Xylene prices in the long term.

In conclusion, Nitro-O-Xylene prices are subject to a wide range of factors, including raw material costs, production capacity, global economic conditions, geopolitical influences, and environmental regulations. As industries worldwide continue to expand and evolve, the pricing of Nitro-O-Xylene will remain highly dynamic. Manufacturers, suppliers, and consumers will need to stay informed about market developments and adjust their strategies accordingly to navigate the complexities of the Nitro-O-Xylene market. Given the key role this chemical plays in various industrial applications, understanding the nuances of its price movements is essential for anyone involved in its production or utilization.

Get Real time Prices for Nitro-O-Xylene: https://www.chemanalyst.com/Pricing-data/nitro-o-xylene-1626

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