#Leandro Firmino

[haveyouseenthismovie-poll]

[closetofcuriosities]

City of God (Cidade de Deus) - 2002 - Dir. Fernando Meirelles and Kátia Lund

"15 miles from paradise... one man will do anything to tell the world everything."

[i4brience]

cidade de deus (2002) headers !

⠀ like or reblog if you save.

@ ifscline on twt.

[itsmyfriendisaac]

City Of God: my favorite scenes in this Brazilian masterpiece focus on the dynamic drug-dealing duo of Benny & Lil Ze. Despite their distinctly different personalities, the playboy & the maniac successfully take control of Rio de Janeiro's roughest favela!

[addictivecontradiction]

Cidade de Deus, 2002

[brun00u11]

[tochis-world-cinema-class-25]

City of God Review

By Ignatius Nwankwo

City of God really explores the brutal nature of gang violence and the harsh reality of those trapped within it.

The movie was set with the backdrop of poverty, which I felt was the principal catalyst of the crime and violence prevalent in the movie. The presence of dilapidated living arrangements and dirt roads in the City of God slums really created the feeling of scarcity. There are times when the cinematography is very fast-paced, as seen in the beginning scene as Lil Z chases a chicken through the favelas, which I felt reflected the vibrant exotic lifestyle of Brazil, particularly its black residents, and gives a nostalgic homage to the turbulent period of the 1970s.

I appreciated the exploration of racial diversity in Brazil by featuring black leads such as Rocket (Alexandre Rodrigues), Lil Z (Leandro Firmino/Douglas Silva), This is a stark contrast to the media portrayal of Brazil as a country of White Latin Americans. I furthermore liked the character Rocket who was chosen as the protagonist and narrator. He’s a bystander, someone who wants to survive, and his love of photography helped document the horrors of the gang wars in the slums. He struck me as timid but simultaneously sharp and avoidant. 

Lil Z’s character is very tragic. At first glance, he comes across as a sociopath with an insatiable thirst for murder and power. However, his relationship with Benny reveals subtle glimpses of a humanity that could have been salvaged. This is evident in moments where Benny tells him to “get a girlfriend” and encourages him to loosen up at his send-off party. Despite Z’s commanding nature and street cred, we see him struggle to flirt with a girl, exposing his insecurity. I find it interesting how his criminal history has rendered him unable to form normal, healthy relationships and express himself in a constructive manner, with the only way he knows how being through violence and coercion, as seen in the farewell scene where he forces a boy to strip in public, or when he later raped the girl he had tried to flirt with. The absence of Benny later on in the movie sends him in a downward spiral of continuous violence and aggression, leading to his demise by the Runts.

One unsettling aspect of the film is the premature psychological development of children in the City of God. From their first appearance, the child gang known as the “Runts”, despite their young age and perceived innocence, are shown to be capable of violence and intimidating those years older than them, as shown in the scenes where they ransack shops and coerce Rocket to give them a blunt. However, the scene where Lil Z forces one of the runts to shoot another reminds us of the fact that they’re still children. The fact that they are tasked with such dilemmas at such a young age is very disturbing. Later in the movie, one of the young children says that he’s “killed and robbed” and that therefore he’s a man!”, which really demonstrates how violent environments force young kids to grow up and adapt quickly, and develop a sense of maturity defined by violence. 

The death of Lil Z by the runts not only serves as an act of retribution, but the end scene where they discuss how they’re going to take over Lil Z’s empire really foreshadows the perpetual cycle of violence.

[tobechi99]

City of God Review

By Ignatius Nwankwo

City of God really explores the brutal nature of gang violence and the harsh reality of those trapped within it.

The movie was set with the backdrop of poverty, which I felt was the principal catalyst of the crime and violence prevalent in the movie. The presence of dilapidated living arrangements and dirt roads in the City of God slums really created the feeling of scarcity. There are times when the cinematography is very fast-paced, as seen in the beginning scene as Lil Z chases a chicken through the favelas, which I felt reflected the vibrant exotic lifestyle of Brazil, particularly its black residents, and gives a nostalgic homage to the turbulent period of the 1970s.

I appreciated the exploration of racial diversity in Brazil by featuring black leads such as Rocket (Alexandre Rodrigues), Lil Z (Leandro Firmino/Douglas Silva), This is a stark contrast to the media portrayal of Brazil as a country of White Latin Americans. I furthermore liked the character Rocket who was chosen as the protagonist and narrator. He’s a bystander, someone who wants to survive, and his love of photography helped document the horrors of the gang wars in the slums. He struck me as timid but simultaneously sharp and avoidant. 

Lil Z’s character is very tragic. At first glance, he comes across as a sociopath with an insatiable thirst for murder and power. However, his relationship with Benny reveals subtle glimpses of a humanity that could have been salvaged. This is evident in moments where Benny tells him to “get a girlfriend” and encourages him to loosen up at his send-off party. Despite Z’s commanding nature and street cred, we see him struggle to flirt with a girl, exposing his insecurity. I find it interesting how his criminal history has rendered him unable to form normal, healthy relationships and express himself in a constructive manner, with the only way he knows how being through violence and coercion, as seen in the farewell scene where he forces a boy to strip in public, or when he later raped the girl he had tried to flirt with. The absence of Benny later on in the movie sends him in a downward spiral of continuous violence and aggression, leading to his demise by the Runts.

One unsettling aspect of the film is the premature psychological development of children in the City of God. From their first appearance, the child gang known as the “Runts”, despite their young age and perceived innocence, are shown to be capable of violence and intimidating those years older than them, as shown in the scenes where they ransack shops and coerce Rocket to give them a blunt. However, the scene where Lil Z forces one of the runts to shoot another reminds us of the fact that they’re still children. The fact that they are tasked with such dilemmas at such a young age is very disturbing. Later in the movie, one of the young children says that he’s “killed and robbed” and that therefore he’s a man!”, which really demonstrates how violent environments force young kids to grow up and adapt quickly, and develop a sense of maturity defined by violence. 

The death of Lil Z by the runts not only serves as an act of retribution, but the end scene where they discuss how they’re going to take over Lil Z’s empire really foreshadows the perpetual cycle of violence.

[agendaculturaldelima]

#ProyeccionDeVida

🎬 “CIUDAD DE DIOS” [Cidade de Deus]

🔎 Género: Drama / Pobreza / Basado en hechos reales / Crimen / Película de culto.

⌛️ Duración: 130 minutos

✍️ Guión: Braulio Mantovani

📕 Novela: Paulo Lins

🎼 Música: Antonio Pinto y Ed Cortes

📷 Fotografía: César Charlone

🗯 Argumento: Basada en hechos reales, describe el mundo del crimen organizado en Cidade de Deus, un suburbio de Río de Janeiro, desde finales de los sesenta hasta principios de los ochenta, época durante la cual el tráfico de drogas y la violencia impusieron su ley en las favelas. A finales de los sesenta, Buscapé, un niño de once años tímido y sensible, observa a los niños duros de su barrio, sus robos, sus peleas, sus enfrentamientos diarios con la policía. Pero él sabe muy bien lo que quiere ser si consigue sobrevivir: fotógrafo. Dadinho, un niño de su edad que se traslada al barrio, sueña con ser el criminal más peligroso de Río de Janeiro y empieza su aprendizaje haciendo recados para los delincuentes locales. Admira a Cabeleira y su pandilla, que se dedican a atracar los camiones del gas. Un día Cabeleira le da a Dadinho la oportunidad de cometer su primer asesinato.

👥 Reparto: Alexandre Rodrigues, Leandro Firmino, Phellipe Haagensen, Douglas Silva, Seu Jorge, Jonathan Haagensen, Matheus Nachtergaele, Jefechander Suplino, Alice Braga, Emerson Gomes, Luis Otávio, Babu Santana y Gero Camilo.

📢 Dirección: Fernando Meirelles y Kátia Lund

© Productoras: O2 Filmes, VideoFilmes, Globo Filmes, Wild Bunch, Lumière, Studiocanal, Hank Levine Film & Lereby Produções.

🌎 País: Brasil

📅 Año: 2002

▶️ Video promocional: https://www.youtube.com/watch?v=JYKs35P2fZw

📽 Proyección:

📆 Jueves 23 de Mayo

🕗 8:00pm.

🏟️ Cine Caleta (calle Aurelio de Souza 225 - Barranco)

🚶‍♀️🚶‍♂️ Ingreso libre

🙂 A tener en cuenta: Prohibido el ingreso de bebidas y comidas.

[sandrazayres]

Credito Foto

Proibida a reprodução das imagens sem autorização expressa do autor. Lei 9610 de Direito Autora

Enildo Do Rosário Viola

@liesa

@gabrieldavi

#carnaval2024

#culturabrasileira

[fals-worldcenima]

CITY OF GODS

The 2002 film "City of God," is a Brazilian film directed by Fernando Meirelles that takes us on a gripping journey through the violent and chaotic project housing of Rio de Janeiro. It's a raw and intense portrayal of the harsh realities of life in the city's slums.

"City of God" is based on true events and is set in the 1960s and 1970s. The story revolves around a young boy named Rocket who grows up in the crime-ridden neighborhood of Cidade de Deus (City of God). The film explores themes of poverty, violence, and the cycle of crime that overrun the lives of its characters.

One of the most noticeable  perspectives of the film is its gritty and realistic portrayal of the slum life. The director, Fernando Meirelles, and co-director Kátia Lund, create an enveloping and genuine atmosphere that pulls the audience into the heart of the action. The use of handheld cameras and fast-paced editing adds to the frenetic energy of the film, capturing the chaos and tension of the favelas (working-class neighborhoods).

The performances in "City of God" are outstanding, particularly from the young cast members who bring a raw and naturalistic quality to their roles. The film features a mix of professional and non-professional actors, which adds to the authenticity of the storytelling. Standout performances include Alexandre Rodrigues as Rocket and Leandro Firmino as Li'l Zé, a ruthless and charismatic gang leader.

The narrative structure of the film is non-linear, jumping back and forth in time to provide a comprehensive view of the neighborhood and its inhabitants. This storytelling technique adds depth and complexity to the narrative, allowing us to understand the motivations and actions of the characters. It also highlights the cyclical nature of violence and poverty in the favelas.

One of the film's major themes is the influence of the environment on individual choices and destiny. "City of God" explores how the harsh realities of poverty and violence shape the lives of its characters, often trapping them in a cycle of crime and despair. At the same time, the film also offers glimpses of hope and resilience, showing that even in the darkest of circumstances, there is room for redemption and change.

The cinematography in "City of God" is visually stunning. The vibrant colors and dynamic camera movements capture the energy and vibrancy of the favela, creating a vivid and immersive

Some interesting facts about the film is,

1. It received critical acclaim and was nominated for four Academy Awards.

2. Many of the actors in the film were actually residents of the favelas, giving the movie an authentic feel.

3. "City of God" is known for its fast-paced editing style and intense storytelling.

overall 8/10.

[closetofcuriosities]

City of God (Cidade de Deus) - 2002 - Dir. Fernando Meirelles and Kátia Lund

"Gangsters never stop. They just take a break."

[portalfunk]

Baixar Música Oruam – Para de Mentir

Baixar Música Oruam – Para de Mentir

Composição: Oruam

Produção Musical: Portugal no Beat, Galdino

Mix: Alwin Monteiro

Master: Alwin Monteiro

Direção: Pedro DaRua | @pedrodarua

Produção: Mari Campitelli | @maricampitelli

Ass. de produção: Luiza Monte | @lviz4

Operador de câmera: Diogo Oliveira | @thagodmakerr

AD: Maurício Barboza | @mauriicnhobarboza

Operador de steadicam: Leandro Brigido | @leandrobrigido_

Foquista: Renan Herison | @renanherison

2° assistente de câmera: Vitor Garcia | @garciaprod

Assistente de de set: Bruno Correia | @bruninbc7

Operação de cammate: Paulo Roberto de Moura Rego

Assistente de cammate: Jocimar de Oliveira da Silva

Gaffer: Luã Pereira | @luapereiraphoto

Eletricista: Guilherme Raimundo | @gui_eletric

Assistente de elétrica: Gabriel Souza | @gabrielrsmiranda

Projeto de arte: Addedo.art

Direção de arte : Bárbara Donatello | @barbaradonatello.art

Produção de arte e assistência de arte: Isabelle Nunes | @isabellenun_s

Contraregragem: Daniel Firmino e Amon Dangelis

Ajudante de contraregragem: Gabriel Nolasco e Luan Monteiro

Styling: Leonardo Fernandes, Tom Simoez e Rafael Ferrero | @copboyzrj @rafaelferrero

Beauty: Andressa Xavier | @andressaxavierbeauty

Maquiagem de efeito: Eduardo de Castro | @edu333

Fotógrafo still e piloto de drone: João Maia | @asfotosdejoao_

Mk of: Natalia Elmor | @_nataliaelmor

Modelos: Evelyn Estrela, Raquel Possu e Maria Sandy

Montagem: Pedro DaRua

CRT e finalização: Cand

Vfx: Tulio Barros

Transporte: Ygor Maia e Marcio Andrade

Download “Oruam-ft.-PARA-DE-MENTIR.mp3”

Oruam-ft.-PARA-DE-MENTIR.mp3 – Baixado uma vez – 7,06 MB

-->https://portalfunk.com.br/baixar-funk/baixar-musica-oruam-para-de-mentir/

[oxford-garments]

City of God (2002) - IMDb

Greetings Ines Chaieb,

My passion for Street Photography is why I am sharing this film. It may seem counterintuitive but it is safer than Musician.

Regards,

Adrian Blake-Trotman

[addictivecontradiction]

Cidade de Deus, 2002

[cantcatchmeee]

City of God - Cidade de Deus • 2002 •