#Leah Rasmussen

[naturecoaster]

Live Oak Theatre Announces the Cast of Singin’ In the Rain, Jr.

Below is the cast of Live Oak Théâtre’s production of Singin’ in the Rain, Jr. Many of the roles are shared. Live Oak Theatre Announces the Cast of Singin’ In the Rain, Jr. Here is the cast list and when they are performing. - Purple Cast                                              Blue Cast - Sunday 5/7 2:30pm                                    Friday 5/5 7:30pm - Friday 5/12 7:30pm,                                    Saturday 5/13 2:30pm - Saturday 5/13 7:30pm                                Sunday 5/14 2:30pm - Saturday 5/20 2:30pm                                Friday 5/19 7:30pm - Sunday 5/21 2:30pm                                   Saturday 5/20 7:30pm - Elijah Torres…………….Don Lockwood………..Micah Rossiter - Rachel George…………..Kathy Seldon……..….Alannah Allocco - Titus Richards…………...Cosmo Brown………..Zeke Richards - Amber Marino…………….Lina Lamont………....Reese Monroe - Kaylee Umstead………….Dora Bailey…………..Abby DePriest - Micah Rossiter…….Broadway Melody Host…….Elijah Torres TAP dance ensemble - Micah Rossiter                                                        Elijah Torres - Alannah Allocco                                                      Rachel George - Zeke Richards                                                        Titus Richards - Reese Monroe                                                        Amber Marino - Madison Frassrand                                                 Madison Frassrand - Evelyn Mitten                                                          Evelyn Mitten - Leah Robitaille                                                        Leah Robitaille - Caitee Grace Gunn                                                Caitee Grace Gunn Both Casts - R.F Simpson- Leif Rasmussen - Dexter- Truman Rossiter - Roz- Noah King - Zelda- Natasha Berard - Ensemble- Cadence Dumala, Giada Falato, Leila Guerrios, Caitee Grace Gunn, - Helen Hernandez, Katie Johnson, Addie Ladoucer, Ava McKissock, Cecilia McKissock, - Nina McKissock, Evelyn Mitten, Maisie Munroe, Amelia Olejniczak, Tatiana Peach, - Laurel Rasmussen, Nick Ritenis, Leah Robitaille, Juliet Solecki, Adah Stephens, Chiara Partain, Nehemiah Torres, Aaron Trombley, Rowan Wilson For more information about the Live Oak Theatre Company, or to reserve seating or Flex passes, visit www.LiveOakTheatre.org,  or  email  boxoffice@liveoaktheatre.org , or call 352-593-0027. Visit us on Facebook at https://www.facebook.com/LiveOakTheatre. About Singin’ in the Rain Jr. The "Greatest Movie Musical of All Time" is faithfully and lovingly adapted by Broadway legends Betty Comden and Adolph Green, from their original award-winning screenplay in Singin' in the Rain JR. Hilarious situations, snappy dialogue and a hit-parade score of Hollywood standards make Singin' in the Rain JR. a guaranteed good time for performers and audience members alike. Singin' in the Rain JR. has all the makings of a Tinseltown tabloid headline — the starlet, the leading man and a love affair that could change lives and make or break careers! In silent movies, Don Lockwood and Lina Lamont are a hot item, but behind the scenes, things aren't always as they appear on the big screen! Meanwhile, Lina's squeaky voice might be the end of her career in "talking pictures" without the help of a talented young actress to do the talking and singing for her. About the Acorn Theatre Acorn Theatre is Live Oak’s Youth Theatre program for students ages 8-18.   This performance class meets to rehearse on Tuesdays and Thursdays from 4:00- 6:30. The class will run in 8-week periods with 6 performances at the end of each term.  The Acorn Theatre works together to produce and perform 3 shows each year as well as participate in Brooksville’s annual Tree Lighting.  The Acorn Theatre production team consists of rotating Directors/Instructors who are assisted by a team of apprentices in the areas of Stage Manager, Assistant Director, costumes, choreography, lighting, sound, music and set design.  Parent volunteers are always welcomed in these areas as well.  Acorn Theatre apprentices are chosen from regular performers of Live Oak who have “grown up” on our stage.  They assume leadership roles in the production and mentor the students of the Youth Theatre.   About Live Oak Theatre Company (LOT), Live Oak Theatre Company (LOT) is a not-for-profit 501 (C) (3) repertory company of local artists, located at the Carol and Frank Morsani Center for the Arts, 21030 Cortez Boulevard, Brooksville, FL 34601.  The Live Oak Theatre Company exists to enrich families, individuals, and the community by providing positive artistic experiences in the Performing Arts - including excellent, affordable, and edifying family friendly entertainment, performance, and educational opportunities for Theatre patrons and participants of all ages.  For more information about the Live Oak Theatre Company, including sponsorship and audition opportunities, go to www.LiveOakTheatre.org, email boxoffice@liveoaktheatre.org , or call 352-593-0027.   Visit us on Facebook at https://www.facebook.com/LiveOakTheatre. Read the full article

[rawrampmag]

GOLDRAY @Goldrayband — Announce #NewAlbum #FeelTheChange + UK #LiveDates

GOLDRAY @Goldrayband — Announce #NewAlbum #FeelTheChange + UK #LiveDates

This April the psych-rock band GOLDRAY will make a long-awaited return to the fray with a string of UK dates [shared below] that will preview their upcoming album.

a “bluesy maelstrom of psychedelia and an Art Deco elegance…”        Photo Credit: @neilmach ©

REEF guitarist Kenwyn House’s project with the captivating vocalist Leah Rasmussen(Hydrogen, Renaissance) will be hitting the road to unveil…

[perennialessays]

Week 2

From Origins to the Future: The Hero and the Epic Quest.

This week and the next we shall engage in one of the traditional approaches to comparative practice, following various re-appearances of a myth / hero / genre through successive literary periods and in different countries. The example we shall use is the figure of Odysseus / Ulysses in epic writing and film from Homer to the turn of the 21st century. We shall consider how this figure has changed, and focus on specific episodes of Homer’s original epic poem.

Homer, The Odyssey (read in particular Book 1 and the episode of the Cyclops (in Book 9);

Dante, Inferno (read canto 26, Ulysses);

James Joyce, Ulysses (read the ‘Cyclops’ episode (the 12th, pp. 280-330 in Johnson))

Stanley Kubrick, 2001: A Space Odyssey (1968) (Film: Please watch this in advance of the seminar)

Some secondary reading on Homer’s Odyssey & the figure of Odysseus/Ulysses

Boitani, Piero, The Shadow of Ulysses: Figures of a Myth, tr. Anita West (Oxford: Clarendon Press, 1994). [Has an excellent chapter on Dante's Ulysses]

Doherty, Lillian E., "The Snares of the Odyssey: A Feminist Narratological Reading", in Texts, Ideas, and the Classics: Scholarship, Theory, and Classical Literature, ed. by S. J. Harrison (Oxford: Oxford University Press, 2001), pp. 117-133. Foley, John M. (ed.), A Companion to Ancient Epic (Oxford: Blackwell, 2005)

Fowler, Robert (ed.), The Cambridge Companion to Homer (Cambridge: Cambridge UP, 2004).

Graziosi, Barbara, end Emily Greenwood (eds.), Homer in the Twentieth-Century: Between World Literature and the Western Canon (Oxford: Oxford University Press, 2007).

Jong, Irene de,  A Narratological Commentary on the Odyssey (Cambridge: Cambridge University Press 2001)

Hall, Edith, The Return of Ulysses: A Cultural History of Homer’s Odyssey (London and New York: I.B. Tauris, 2008).

Lane Fox, Robin, Travelling Heroes: Greeks and their Myths in the Epic Age of Homer (London: Allen Lane, 2008)

Manguel, Alberto, Homer’s The Iliad and The Odyssey A Biography (London: Atlantic Books, 2007).

Murnaghan, Sheila, Disguise and Recognition in the Odyssey (Princeton: Princeton University Press, 1987).

Stanford, W. B. The Ulysses Theme: A Study in the Adaptability of a Traditional Hero (Ann Arbor: University of Michigan Press, 1963).

Some secondary reading on Kubrick

Bizony, Piers,  2001: Filming the Future  (London: Aurum, 1994)

Chion, Michel, Kubrick's Cinema Odyssey. Trans. Claudia Gorbman (London: BFI, 2001)

Ciment, Michel, Kubrick. Trans. Gilbert Adair (New York: Holt, Rinehart, and Winston, 1983)

Cocks, Geoffrey, James Diedrick, and Glenn Perusek (eds.), Depth of Field: Stanley Kubrick, Film and the Uses of History (Madison, WI: University of Wisconsin Press, 2006)

Falsetto, Mario, Stanley Kubrick: A Narrative and Stylistic Analysis (Westport, Conn; London: Praeger, 1994)

Falsetto, Mario (ed.), Perspectives on Stanley Kubrick (New York: G.K. Hall; London: Prentice Hall, 1996)

Herr, Michael, Kubrick (New York: Grove Press, 2000)

Kolker, Robert (ed.), Stanley Kubrick's 2001: A Space Odyssey: New Essays (Oxford: Oxford University Press, 2006)

Nelson, Thomas Allen, Kubrick: Inside a Film Artist's Maze (Bloomington: Indiana University Press, 1982)

Naremore, James, On Kubrick (London: British Film Institute, 2007)

Rasmussen, Randy, Stanley Kubrick: Seven Films Analyzed (London: McFarland, 2001)

Wheat, Leonard F., Kubrick's 2001: A Triple Allegory (Lanham, MD, and London: Scarecrow Press, 2000)

Some secondary reading on the epic

Bates, Catherine (ed.), The Cambridge Companion to the Epic (Cambridge: Cambridge University Press, 2010)

Beissinger, Margaret, Jane Tylus, and Susanne Wofford (eds.) Epic Traditions in the Contemporary World: The Poetics of Community (Berkeley: University of California Press, 1999)

Clarke, M. J., B. G. F. Currie, and R. O. A. M. Lyne (eds.), Epic Interactions: Perspectives on Homer, Virgil, and the Epic Tradition (Oxford: Oxford University Press, 2006)

Danow, David K., Transformation as the Principle of Literary Creation from the Homeric Epic to the Joycean Novel (Lewiston, NY: Edwin Mellen Press, 2004)

Elley, Derek, The Epic Film: Myth and History (London: Routledge & Kegan Paul, 1984)

Foley, John Miles (ed.), A Companion to Ancient Epic (Oxford: Wiley-Blackwell, 2009)

Hardie, Philip, The Epic Successors of Virgil: A Study in the Dynamics of a Tradition (Cambridge: Cambridge University Press, 1993)

Hainsworth, J. B., The Idea of Epic (Berkeley: University of California Press, 1991)

Hurst, Isobel, Victorian Women Writers and the Classics: The Feminine of Homer (Oxford and New York: Oxford University Press, 2006)

King, Katherine Callen, Ancient Epic (Chichester: John Wiley & Sons, 2009)

Konstan, David and Kurt A. Raaflaub, eds., Epic and History (Chichester: Wiley-Blackwell, 2010)

Merchant, Paul: The Epic (London: Methuen, 1971)

Miller, Dean A., The Epic Hero (Baltimore and London: Johns Hopkins University Press, 2000)

Johns-Putta, Adeline, The History of the Epic (Basingstoke and New York: Palgrave Macmillan, 2006)

Newman, John Kevin, The Classical Epic Tradition (Madison: University of Wisconsin Press, 1986)

Quint, David, Epic and Empire: Politics and Generic Form from Virgil to Milton (Princeton, N.J: Princeton University Press, 1993).

Roisman, Hanna M., and Joseph Roisman (eds.), Essays on Homeric Epic (Waterville, ME: Colby College, 2002)

Toohey, Peter, Reading Epic: An Introduction to the Ancient Narratives (London : Routledge, 1992)

Tucker, Herbert F., Epic: Britain's Heroic Muse 1790-1910 (Oxford and New York: Oxford University Press, 2008)

Winnifrith, Tom, Penelope Murray and K.W. Gransden, eds., Aspects of the Epic (London: Macmillan, 1983)

Some secondary reading on Ulysses

Guidebooks: (These classic ‘guidebooks’ can supplement the annotations in your edition of Ulysses.) 

Don Gifford, Ulysses Annotated (Berkeley: University of California Press, 1988) Weldon Thornton, Allusions in Ulysses: An Annotated List (Chapel Hill: University of North Carolina Press, 1968) Harry Blamires, The New Bloomsday Book (London: Routledge, 1996) 

Some suggested criticism on Ulysses 

(This is a small selection of Joycean criticism, from useful collections of essays (Attridge, Latham, Hart and Hayman), to critics who read language and narrative very closely (Kenner, Senn), to works on the Homeric in Ulysses (Flack, Kenner, Seidel), to a few examples of studies which read Joyce through theoretical, historical, comparative, and postcolonial approaches.)

Derek Attridge, ed., The Cambridge Companion to James Joyce (Cambridge: Cambridge University Press, 1990) — ed., James Joyce’s ‘Ulysses’: A Casebook (Oxford: Oxford University Press, 2004) Scarlett Baron, ‘Strandentwining Cable’: Joyce, Flaubert, and Intertextuality (Oxford: Oxford University Press, 2012) Frank Budgen, James Joyce and The Making of ‘Ulysses’ (Bloomington: Indiana University Press, 1961) Vincent J. Cheng, Joyce, Race and Empire (Cambridge: Cambridge University Press, 1995) Leah Culligan Flack, Modernism and Homer: The Odysseys of H.D., James Joyce, Osip Mandelstam, and Ezra Pound (Cambridge: Cambridge University Press, 2015) Clive Hart and David Hayman, eds., James Joyce’s ‘Ulysses’: Critical Essays (Berkeley: University of California Press, 1974) Hugh Kenner, Joyce’s Voices (Berkeley, Los Angeles, and London: University of California Press, 1978) — ‘Ulysses’ (London: George Allen and Unwin, 1980) Sean Latham, ed., The Cambridge Companion to ‘Ulysses’ (New York: Cambridge University Press, 2014) Karen Lawrence, The Odyssey of Style in ‘Ulysses’ (Princeton: Princeton University Press, 1981) Andrew J. Mitchell and Sam Slote, eds., Derrida and Joyce: Texts and Contexts, ed. (Albany: State University of New York Press, 2013) Katherine Mullin, James Joyce, Sexuality and Social Purity (Cambridge: Cambridge University Press, 2003) Michael Seidel, Epic Geography: James Joyce’s ‘Ulysses’ (Princeton and Guilford: Princeton University Press, 1976) Fritz Senn, Inductive Scrutinies: Focus on Joyce, ed. Christine O’Neill (Dublin: Lilliput, 1995) — Joyce’s Dislocutions: Essays on Reading as Translation, ed. John Paul Riquelme (Baltimore and London: Johns Hopkins University Press, 1984) 

Online searchable concordance of Ulysses (e.g. if you can’t remember where the renowned Irish hero ‘Napoleon Bonaparte’ is mentioned, type it into a ‘string search’ and untick ‘whole word’) http://joyceconcordance.andreamoro.net/

Ulysses Synopsis

Ulysses: A Synopsis “Telemachia” 1 - “Telemachus” (Oxford World’s Classics, ed. J. Johnson, pp. 3-23 / Penguin, ed. D. Kiberd, pp. 1-28)- The chapter opens with Buck Mulligan celebrating a parodic mass in which Stephen Dedalus becomes an acolyte in spite of himself. Stephen is a melancholy artist obsessed with guilt since the death of his mother; his taciturn nature is contrasted with Mulligan’s clownish joviality. The Englishman Haines, their guest in the Martello Tower, combines seriousness with an enthusiasm for Gaelic culture; the three characters illustrate three possible positions in relation to Ireland, which is symbolised by the old peasant woman who brings in the milk: the dispossessed Son (Stephen), the treacherous usurper (Mulligan); the representant of English imperialism (Haines) who - through his dream of the panther, traditionally a symbol of Christ - is also associated by Stephen with the imperialism of the Roman Catholic Church. Stephen chooses errancy and exile: he gives over his key and will not come back. 2- “Nestor” (OWC 24-36 / Penguin 28-45)- Stephen teaches history and English Literature to a class of well-off schoolchildren who are disconcerted by his caustic humour and riddles. He confronts Mr Deasy (Nestor in Homer’s Odyssey) on Irish history and economics. The old headmaster cherishes his inaccurate reminiscences and promotes thrift, whereas Stephen squanders away the little money he has. Stephen views history as a nightmare. Despite the antagonism, Stephen agrees to help Mr Deasy is his fight against the foot and mouth disease which affects Irish cattle by helping him to publish a letter in the press. 3 - “Proteus” (37-50/45-64)- Stephen’s philosophical and aesthetic meditations lead him to question the reality of the outside world. Through a complex philosophical argument which hesitates between Aristotle and Berkeley, he redefines for himself the nature of visual and auditory perception. His literary recollections blend with the painful evocation of his past, especially the unsuccessful exile in Paris from which a telegram announcing his mother’s death recalled him. The sterility of Stephen’s “creations” in this chapter (which include urinating and depositing a snot on a ledge of rock [cf. Bloom’s own excremental “creation” in “Calypso”]) is pitted against the remarkable metamorphic poetic prose of the narrative and of Stephen’s stream of consciousness. Odyssey 4 - “Calypso” (53-67/64-85)- Leopold Bloom, who will increasingly become the major protagonist, is introduced in his home at 7 Eccles Street and is first seen preparing breakfast for himself and his wife Molly, who is still in bed. He goes out in search of a pork kidney at a Jewish butcher’s, where he picks up a leaflet advertising plantations in Palestine (inaugurating the theme of the lost, promised land, and of the “recall”). He brings Molly her mail, which includes a letter from Boylan, her future lover later in the day, announcing his visit. He explains to Molly the meaning of metempsychosis; the chapter ends with his defecation in the outhouse, mingled with his remarks on cheap literature. 5 - “The Lotus Eaters”(68-83/85-107) - Bloom has left his house for what will become the epic wanderings of an untypical literary hero, on an ordinary Dublin day - 16 June 1904. He first goes to fetch the reply, sent post restante, from his unknown penfriend Martha Clifford, to whom he sends amorous letters signed “Henry Flower”. He runs into several acquaintances on the way, unwittingly “throws away” a tip for the horse races (the source of a later misunderstanding), and eventually goes to the public baths. Throughout the chapter, drugs of all kinds (perfumes, tobacco, medicine, eroticism, religion, etc.) express a voluptuous narcissistic abandonment to the world of the senses. 6 - “Hades” (84-111/107-147)- Bloom goes to Paddy Dignam’s funeral together with Simon Dedalus (Stephen’s father) and other characters already seen in Dubliners. The conversation soon takes on a malevolent anti-Semitic tone which puts Bloom ill at ease. He thinks of death, remembering both his father’s suicide and the death of his son when he was only eleven days old. Bloom catches his first sign of Stephen (who does not see him). 7 - “Aeolus” (112-143/147-189)- Broken down into a series of newspaper articles complete with headings, this episode brings together, in different scenes and locations of the newspaper office, Bloom, Stephen, various “windbags” including Myles Crawford, the king of windy and hollow journalistic rhetoric. The orators outdo one another in eloquence and the parable of the captive Jews provides the Irish with a mythical model. Stephen narrates a story illustrative of the paralysis of his fellow Dubliners which nobody pays attention to, while Bloom the ad canvasser gets severely ticked off by Myles Crawford. 8 - “Lestrygonians” (144-175/190-234)- The “food chapter”: Bloom is obsessed with food (it is between 1pm and 2pm) and alimentary thoughts, and tastes and smells of all kinds percolate through into the language and style of the episode (the rhythm of the chapter is dictated by the “peristaltic” [digestive] movement of the organism). Put off by the monstrous devouring mouths in the restaurant and obsessed by the impending encounter between Molly and Boylan, he finally orders a Gorgonzola sandwich and a glass of Burgundy wine at Davy Byrne’s pub. 9 - “Scylla and Charybdis” (176-209/235-280)- In the National Library, Stephen spins out his Aristotelian theory of artistic creation which boils down to a sublimated autobiography; his paradoxes on Shakespeare’s life and works fail to convince his Platonist audience. In the complex reasoning of the young artist, Shakespeare becomes like a god who begets himself through his works. Bloom puts in an appearance; Mulligan meets up with Stephen and offers a more burlesque conclusion to the philological / theological debate. 10 - “Wandering Rocks” (210-244/280-328)- This chapter is a pause in the narrative of Stephen’s and Bloom’s day, and it has no precise correspondence in Homer’s Odyssey. This central and “pedestrian” chapter is made up of 19 episodes which offer vignettes and snapshots of the various characters and cross-sections of the Irish capital and society, including Church (Father Conmee) and State (the Viceroy’s cavalcade); the chapter breaks down the so far focalised point of view. Stephen and Bloom appear only briefly and are not mentioned among the witnesses of the Viceroy’s cavalcade through the city. 11 - “Sirens” (245-279/328-376)- The language of this chapter aspires to the condition of music and forges linguistic equivalents to trills, staccatos, counterpoints, etc. The venue is the Ormond Bar, run by two flashy barmaids or “sirens”; while the tenors are busy competing against each other in a virile singing contest, Bloom listens and replies to Martha. Having eluded the seductive snares of music, he exits, leaving behind an ironic fart. 12 - “Cyclops” (280-330/376-449)- A satire against the bellicose patriotism and anti-Semitism of the Citizen, the “Cyclops” who eventually attacks Bloom physically, the chapter oscillates between the Citizen’s rhetorical bombast and sarcastic deflations which leave unscathed neither the British Empire nor Irish nationalism, while the anonymous narrator - a sardonic barfly and debt collector - offers a brilliant instance of Dubliners’ garrulity. The narrative is periodically interrupted by parodic asides in other voices and styles. Bloom the wandering Jew, who had come to Barney Kiernan’s pub to arrange to offer some money to Paddy Dignam’s widow, finds himself involved in an argument about nationalism and attempts to expound his conception of humanity, love and homeland. At the end, his escape from the Citizen’s assault is turned into a grandiloquent apotheosis. 13 - “Nausicaa” (331-365/449-499)- Bloom rests on the Sandymount rocks (Stephen in “Proteus” had also walked along Sandymount beach) and gazes at young girls in their bloom. One of them, Gerty MacDowell, teases him into an erection by an increasingly daring exhibitionistic pose; the distant eroticism ends with Bloom’s masturbation, climaxing with fireworks. The narrating voice is that of a writer of the romantic pulp fiction then fed to women - the kind of books read by Gerty, who accordingly sees in Bloom a mysterious “dark stranger”. When the point of view shifts to Bloom, we see Gerty depart limping; Bloom dozes off in postmasturbatory gratitude. The accelerated crescendo of the first “tumescent” part is followed by the exhausted sobriety of the second, “detumescent” half. 14 - “Oxen of the Sun” (366-407/499-561)- Bloom’s and Stephen’s paths cross once more in the lying-in hospital, amidst roistering medics. The chapter takes us through a roughly chronologised pastiche of the different styles of the English language until the turn of the century, deceptively mimicking the evolution of the foetus until its birth. The painful delivery of Mina Purefoy takes on a universal value and, although the talk ominously focuses on sterility and contraception, a thunderclap and a rain shower at the moment of birth symbolise the triumph of fertility. 15 - “Circe” (408-565/561-703)- Blooms monitors from a distance Stephen’s drunken escapade to the red-light district, and follows him into the hallucinatory atmosphere of Bella Cohen’s brothel (Circe’s den in the Homeric parallel). The characters experience metamorphoses in a wild oneiric dramatisation of their fantasies, obsessions and senses of guilt. Stephen gets involved in a broil with two English soldiers and is knocked out cold; Bloom rescues him and transforms him into the ambiguous vision of his dead son Rudy. “Nostos” [=homecoming] 16 - “Eumaeus” (569-618/704-766)- Bloom leads Stephen to the cabman’s shelter, and the shared physical exhaustion (it is past midnight) and the unreliable narrator turn the chapter into an amusing, if often tedious, collection of deliberately jaded linguistic stereotypes, full of misunderstandings and approximations. 17 - “Ithaca” (619-689/766-871)- This impersonal catechism narrates the last actions of the novel: Bloom takes Stephen to 7 Eccles Street and offers him hot chocolate, they exchange views of Irish and Jewish culture, Stephen refuses Bloom’s offer of a bed for the night, they urinate together under the stars, and Stephen finally departs into the night. Bloom, back in the house, finds traces of Molly’s visitor earlier in the day, goes to bed, where he finds other traces of the visitor’s earlier presence, gives Molly an expurgated account of his day, and finally falls asleep, his head to her feet. The dialogic play between questions and answers universalises all the themes, sorts out human knowledge into vast catalogues, and finally transform the couple in bed into astral bodies. 18 - “Penelope” (690-732/871-933)- Molly’s thoughts flow freely along eight unpunctuated, meandering sentences. She begins with a reaction to Bloom’s request that she make breakfast in the morning, continuous with a celebration of her afternoon with Boylan, proceeds to review her marriage, her girlhood on Gibraltar, her infatuations and dreams of future romances, and finally returns to Bloom, seemingly reinstated into her imaginary life; this is one of the meanings of her numerous final “yesses”, also an affirmation of life itself.

Additional suggestions on Joyce's Ulysses/ Odysseus

Some of the texts through which Joyce reads and receives the figure of Odysseus/ Ulysses

Bérard, Victor, Les Phéniciens et l'Odyssée [originally published in 1902-03, there are no English translations that I know of; but you can find a lot about it, and Joyce's use of it in the book by Seidel, listed below; Bérard held the view that the Odyssey was "written" by a Greek poet, but recorded the travels of Phoenician sailors - the Phoenicians were a semitic people, which is relevant when you think that Leopold Bloom (Joyce's Ulysses figure) is a Jew]

Butler, Samuel, The Authoress of the Odyssey: Where and when she wrote, who she was, the use she made of the Iliad, and how the poem grew under her hands [originally published in 1897; Butler also transalted the Iliad and the Odyssey. There are various editions, including a cheap Kindle version; and it is in the library. Butler suggests that the Odyssey takes place in the island of Sicily, around the port city of Trapani, and that it is narrated by princess Nausicaa. The relevance to Joyce's book, which set on an island in and around the port city of Dublin, and whose final words are narrated by a woman, is evident.]

Lamb, Charles, The Adventures of Ulysses [originally published in 1808, there are various editions in print, and a free Kindle version. The book really is about the adventures and was meant as a book for boys, not as a full tranlation or account of the entire Odyssey. Joyce read this as child and wrote an essay at school about it!]

See also:

Seidel, Michael, Epic Geography: James Joyce's Ulysses (Princeton, N.J.: Princeton University Press, 1976) [not a book consulted by Joyce - of course! - but it looks at parallels between the geography of the Odyssey and of Ulysses and the movements of the characters, and relies extensively on Bérard's Les Phéniciens et l'Odyssée]

[pocinperioddramas]

Leah Angutimarik as Apak, in The Journals of Knud Rasmussen (2006)

[aautiemiller-rockcenter]

NUVO Minneapolis Nubie/Mini Solo Results 2020

Minis:

1. Kya Massimino (Stars Dance Studio), Morgan Johnson (Summit Dance Shoppe) DJP

2. Ava Rothmund (Larkin Dance Studio) DJP

3. Ashley Moyzis (Summit Dance Shoppe), Zoe Zielinski (Woodbury Dance Center) DJP

4. Kelsie Jacobson (Larkin Dance Studio)

5. Angelina Elliott (Summit Dance Shoppe)

6. Skylar Wong (Woodbury Dance Center)

7. Ingrid Wirtz (Larkin Dance Studio), Siena Paradeau (Dance Arts Centre)

8. Ava Munos (Larkin Dance Studio)

9. Emily Jungmann (Woodbury Dance Center), Kaia Landa (Summit Dance Shoppe), Brooklyn Mohs (Summit Dance Shoppe), Olivia Chiu (Summit Dance Shoppe)

10. Leah Huebner (Woodbury Dance Center), Natalie Cerepak (The Dance Complex)

Nubies:

1. Harper Anderson (Larkin Dance Studio) DJP

2. Neala Murphy (Larkin Dance Studio) DJP

3. Isabella Charnstrom (Larkin Dance Studio)

4. Lilly Anderson (Larkin Dance Studio)

5. Addison Sehnert (Woodbury Dance Center)

6. Taehgan Vue (Woodbury Dance Center)

7. Briana Black (Dance Arts Centre)

8. Malia Scott (Dance Arts Centre)

9. Paris Rasmussen (Balleraena Dance Studio)

[rhinocerosproject]

Sewing Circle Participants

Sewing Circle Participants

Thank you to everyone who participated in sewing the rhinoceros! We could never have finished it without you. You are forever in our hearts.

Deanna Cruise                   back

Juliana Pennington            shoulder

Yue Yang Caigla Zou          back

Yuen (Jessica) Chen           back

Kelly White                         shoulder

Athena Johns                     leg

Antoinette Barton               head

Erica Lipshultz                   rump

Marc Fletcher                    back left foot

Siobhan Cassidy               front right leg

Elisa Li                               head

Harry Yu                             head

Beth Thomas                     snout

Erica Barajas                     forehead

Vivian Romney                  shoulder

Zoe Walker                       head

Amy Khalmann                 rear flank

Alina Hayes                      feet

Janice Wood                    rear flank

Barb Bakun                      head

Andi Wong                       rear flank

Sarah Stein                      back, thigh

Chloe Marrinstein            head, foot, outline, da booty

Sadie Marrinstein            thigh

Amanda H. Johnson       head, foot, outline 

Kaila Wood                     head, foot, outline

Leah Johnson                 head, foot, outline

Ani Mukerji                      back leg

Inka Mukerji                    back leg

Winnie Ding                    rear flank

Jennifer White                back feet

August White                 back feet

Neve Schmitt                 head

Michelle Schmitt            head

Sigrid                             foot

Leah Anderson              foot

Mary Kenny                   rump

Isle Oritt                         rump

Olga                              back leg

Dustin                           rhinobum!

Linnea Furlog                head

Pam Deluco                  rear leg, haunch, elbow, letters

Jeff Thomas                  back

Bryan Barkley               rear

Mary Wheeler               back top flank

Teri Gardiner                tail hair, rump, belly, ridge of back

Robin Hill                     rump

Darcy Padilla                stomach

Emily Clark-Krasner     rear

Yuen Chen                   leg

Jodi Connelly                back

Noah Greene                belly

Ryan Meyer                  belly and back

Arielle Rebek                belly

Muzi LaRowe                eyes

T. Blackmon                  bottom

Bettina Pauley               tail

Allyson Feeney              rump

Mark Baugh-Sasaki      back foot

Dox Lorax                     haunch

Kelli Rae                        rump

Cesar Rubio                  unknown

Ho Yan Nip                   unknown

Frank Merritt                all over, circles, edges, hindquarters, shoulder, rump, dark purple bottom edge of shoulder armor, behind the ear

Kim Miskowicz            rump, right foot, rear/rump

Julia Langer                buttocks

Jonathan Coignard     buttocks

Suzanne Gore             haunch

Kelly Wang                  from hip to buttock

Steve Rasmussen       rear leg

Bob Rocco                  rump

Odysseus Wolken       upper rump

Juliette Langley           lower rump

Fehim Haelzic              crown/forehead

Leyla Haelzic               crown/forehead

Tanja Gels                   head

Lisa Ekstrom               from right leg, forehead

Eva Walker                  front leg

Sara Wright                 eye

Karrie Hovey               shoulder

M. Dym                       a wrinkle on the head

Amy M. Ho                  front foot, forehead

Dave Lyons                 just below eye

Mel Day                       forehead

Heather Peters            ear

Helen Hiebert              butt

Alyssa Casey              neck, horn

Vanessa Gingold         rump

Mary V. Marsh             front right toe, ear

Antonio Guerra            letra C

Jenny Phillips               hands

Ingrid Rojas Contreras hoof

Maia Wachtel                 lines on the back

Roli Douglas                  the top line

Noga Wizansky              rump

Suzanne Forester          border line

Cindy Steiler                 face

Alexa Boromo               behind

Amber Hoy                   back

Melody Dalton              back

Cheyenne Dalton          rear feet

Elizabeth Boyne            ear

Teddy Midler                front foot

Drew Cameron            face

Cathy DeForest            front left hoof

Leah Korican                face

Mayumi Hamanaka       r - text   

Dana Zed                      shoulder

Erin Sheanin                  knee

Alisha Funkhouser        front foot

Debbie Walker              unknown

Nancy Marriner            tail

Summer Om                face

Eraden Wordal Chesh  face

Isle Oritt                       knee

Mary Grace Tate          toe

Sophia Auen                face

April Marriner               tail

Charlotte Semmes       snout

Andre Chevonier          foot

Jane Cassidy               foot

Kellen Rhoda               foot

Meiasha Gray              border

Samantha Bankston    back foot

Winship Varnes            hindquarters

Miranda McFarland      belly

Susan Paigen               nose

Kevin Holmes               ear

Jackie Wallowheng       plants

Beta Heist Morello        edge

Elaine Todd                   nose and edge near nose

Lori Chambers              back foot

Mickie McCormic          foot scales

Jeremy Logan                ear hair

Brook Craddock            mythical horn!

Morning Hullinger          toe jam back foot, shoulder flank, final inner

C.C. Chaya                    scales

Lolli Jacobsen                back

Sarah Crews                  rump

Connie Burket                ears

Debbie Divine                rear leg

Martha Rhea                  hindquarters

Donna Sandberg            along the top of the back shoulder and letter H

Pam Morgan                  back

Ruth Cathcard Rake      front leg and letter R

Gretchen Boyum           front leg, front foot

Rachel Butler                 front leg

Lucy Butler                    front leg

Bill North                       butt, ground, back right foot

Caroline Stoll                 head

April Engstrom              back right leg/hip

Connie Wilson              close to face

Gloria Gonzalez            hind foot

Judy Nease                  chin

Alleigh Weems             horn

Lyndsi Weems             back foot

Karla Prickett               rump

Jennifer Baker             back

Kent Manske               spots

Susan Tuoley              back foot and butt

Susan Paigen             nose

Christina Steinbrecher       pfrandt (lower leg)

Yeqi Song                    legs

Yuan Luo                     legs

Jenny Chin (Kuan-Jen)    legs

Jingying Liang             back leg

Jianguyin Reng           back leg

Beth Abdallah             back flank

Rebecca Redman       back leg

Michael Seidel            kidney lining

Rita Hsing                   head

Sandy Lee                  back

Chelsea Herman        back

Marie Kidd                 right front foot

David Kidd                 right front foot

Amy Whitcomb          rump

Bob Carpenter           nose

Barbara Carpenter     nose

Cynthia Beecher        ear

Leteb Beecher           ear

Susan Sweet             ear

CK Itamura                hamhock

Dionne Thornton       front left foot, butt edge

Robert Wuilfe            da booty

Gina Ching                front foot

Jordan Juel               front foot

Anne Ingraham         front foot

Michelle Waters        butt

Elizabeth Addison     foot

Lydia Nakashima Dagarod        shoulder

Linda Joy Kettwinkel                 snout

Peggy George          butt

Maryly Snow            scales

Zelisa                       back end

Scott Partch            back end

Chin Cox                 head

Hada Marshall Booth            head

Eduardo Arenas       leg

Luna Gomez            head

Sauita Patel             gog (back)

Brian Lease             back leg

Islonia Hasbrim       frente

Guadalupe Portillo             espalda

Queen Krubally       back

Bridget McCraken             back

Margaret Coston     back

Kathleen Murphy     belly

Julie Grigoryan        ear

Joyce Subel            border

Yatit Maidorh          head

Omer                      head

Alon                        head

Rooek                     head

Eli                           head

Posja Mahushwai            neckline

Talia                        nose

Ella                          ear

Jonathan                nose

Nancy Brunn          back

Sabina Brunn         ears

Judith Fast            back

Lindsey Stoll          hoof

Emily Marks           head

Victor Vargas          chin

Britt-Marie Alon      horn

Al Bloch                  horn

Alyssa Flores          horn

John Hoffmeyer     border

Madison Cockrum             head

Anthony Murillo      border

Sheri Simons          front legs

Emily Matherson     face

Hana Jones             hoof (back foot)

Angela Kirchebel     bottom left corner border,

                                 small area of right foot, scales

Adele Etcheverry Sheets        upper border rear and rear of Rhino

Leslie Jurado            back leg, hoof scales

Jaime Muñoz            shoulder

Aiden Ginn                back leg

Sheecid Lopez          border and back leg

Sophy Hock              shoulder

Nancy Scott Patton            rump

Hana Beaty                  shoulder, back leg

Eric D’Alessandro        lower jaw

Betsy Copeland          leg and hoof

Kylie McCloskey         horn

Dellanira Carrillo          butt

Jose Llamos                hoof (back foot)

Timothy Clancy           forehead

Kobley Benjamin Mona        shoulder

Alicia Ramirez              foot

Kim Green                    upper thigh/butt

Francesca Figone        left back

Josette Stokes             shoulder

Mercedes Yatta            foot

Luis Medina                 booty

Shane Geoge               face (under eye)

Ellen Baird                    foot

Daria Booth                  shoulder

Adria Davis                   backside

Johnny Bruno               back foot

Brianna Warren             leg

Adrienne Glatz              forehead

Mallory Frucha              bum

Kelly Weber                  front and back legs

Carissa Duggan            booty

Jasmin Gonzalez          foot

Francis Newsom           rear end

Shari Maxson Hopper        shoulder

Veronica Brenck            butt

Marie Fox                     rump, front foot, back foot

Chloe Taylor                 root

Marissa Winslow         rump/tail

Shai Porath                 head

Linda Bea Miller          tummy

Tom Seoul                  rump

Kathleen Ritchie         unknown

Sue Bottom                front leg

Lisa Chu                     forehead

Anne Ingraham           hind foot

Chris Voisard              rump

Jane McLaughlin        front foot

Malinda Thompson    rear leg

Mallory Nomura Saul        tusk and back

Judy Shintani             tummy and rump

Kevin Austin               top of nose, bottom of horn

Claudia Molley           top of head, behind ear

Kate Oltmann             butt

Amanda Bosma         wrinkle on face

Xittaly Vasquez           back leg

Emily Murray               torso wrinkle

Julia Albo                    border

Miriam Hassman         neck/face

Ryan Patton                back left leg

Alexa Weber                chin and left front leg

Jiovanny Soto             forehead

Jenny Harp                 lower back

Steven Garen              nose/head

Tallulah Terryl              leg

Johanna Arnold          back

Sean Olson                 muzzle

Emma Spertus            back

Chris Challans            loin, belly

Susan Kanowith-Klein        rump

Christina Aumann       eyelashes and forehead

Ruth Souza                 misc dorsal area

Phuong Pham             booty

Laurie Crogan             shoulder-scales

Lorna Turner               armpit

Eva Hausam               chin wavy lines

David Reiman             shoulder

Lanqin Wang              forehead

Camryn Travis            belly

Jennifer Munnings     eye/cheek

Brooke Sommers       belly

Katie Gallagher          ribs

Sariah Gonzalez        forehead

Anthony Isenhour      shoulder

Berenika Boberska    the bottom!

Taylor Hoogsteden    hip

Carmina Ellison         sideburns

Nicole McHale           shoulder blade

Preeva Tramiel           back leg

Jessica Bernhardt     front leg

Milldrid Thompson    ear

Sharon Robinson       front leg

Timiza Wagner           back leg

Bobbie Jeffery            rear of body

Joanne Landers          ear

Sylvia Stanger            front leg

Paula Landers            back leg

Charlotte Jacobs        front leg

Mavis Brown               front shoulder

Cheryl Batrato            haunch

Kathy Goldmaker        shoulder

Liz Matthews              back leg above the foot

Sailee Pawar               back leg

Andrea Fleiner            belly

Marina Taniform         leg

Andres Taniform         leg

Rose Nguyen             ribs

Marco Chavez           ribs

Lily May Larson         cheek

Rachel Williamson    back leg

Cheryl Zuur               above the eye

Kathy Willis               hindquarters

Martha White            hindquarter

Artemis Koren          head

Anika Sykora            tummy

Irene Floyd                hindquarter

Ming Zhou                head

Max Koren                front leg

Dinah Irino                 ear

Maya                          leg

Morgan Carter            head

Ava Kasim                   the hinney

Isabella Anderson       back

Ian Kussi-Gillu            shoulder

Viyada Satyapan         upper front back

Mahvash Salehpour    back hip

Christina Bayley          back foot

Pam Schwartz             left leg

Lynn Koolish                back leg

Sandra Duncan            front hoof

Emily Rosenberg           right leg

Gina Dixon                    back leg

Tamara Sommerfield     neck

Diana R. Reton              rear leg

Candace Kling               shoulder

Cindy Jacomette            head

Nicki Hitz Edison            front leg

Toru Sueto                     front left leg

Jeanne Sueto                under eye, along lower jaw

Linda Goss                    rear hip

Kim Meuli Brown           back ribs

Michael Chin                 chin

Kasla Melton                 right back leg (pierna derecha)

Vanessa Herrera            right back thing

Wendy Brown                back leg

Jack Fleig                      front leg

Amanda Fleig                front leg

Shobitha                       belly

Sasha                           back

Marilyn                         rear haunch

Caden Jo Hartdegen            head/neck

Yolanda Araujo            unknown

Meredith Payn            unknown

Tiffany Hartdeger        unknown

Richard                       cheek

Hanna Peacock          shoulder

Juan Manuel Gutierrez        rear hip

Paola Valencia             head

Jesus Castillo              head

Diego Barregan            shoulder

Hernandez Irvin            belly

Cindy Simmons            cheek

Ginna Sierra                  upper leg 

Carole Walters-Cook     face

Angela Etsey                 back leg and thigh

Victor Navarro IV           V neck

Elizabeth Finkler           ear

Jennifer Lu                   lower tummy

Kylee Dougherty          neck

Jada Wong                  stomach

Kerwin Azores             back knee

Hugo Jimenez             head

Becca Wong                neck

Breanna Estrada          unknown

Candaces Perrault       shoulder

Kevin Liu                      belly and front of leg plates

Michael Huang Mil      back leg

Natalie Diazza             chin hairs

Eliza Villa                     dorsal neck

Steve Dellicalpini        in that neck tho!

Michelle van Eyken     right flank

Leslie McLaughlin       shoulder circles

Angela Acosta            front leg

Allison Acosta            front shoulder circle

Rebecca Bui              upper back leg

Barbara Post              back foot

Irene Caravajal           back leg

Gabrielle Koizumi       neck

Clayton Bavor            front leg

Ava Eui                      front leg

Judy Diamond           upper shoulder

Mhanna Kutras           front leg

Liam                           neck

Leona                         neck

Leana Olliffe                stomach

Patti Samuelson          right leg

A. Manley                     neck plates

Donna King                  right shoulder

Becky Leech                right hindquarters

Raymond Mueller         front left leg

Timmy                           shoulder

Asher Fleig                    front leg

Julia                               back leg

Nicole B                        chest

L. Hum                          hind leg

Alice Schwegman        shoulder

Gail Blackmarr             unknown

Christina Truong          neck

June Dao                     scale

Ellie Reese                   a rear leg

Susan L. Goranson     left rear leg

Marci Ariagno             breast shield

Maya                           unknown

Diane Mestu               head

Claudia Havah            back leg

Mickey Guffin              right upper hind leg

Annalise Sailen            unknown

Jennifer Schaeffer       front right leg

Mia                              rear leg

Joe Ranish                  right shoulder

Ann Ranish                 rear leg

Anthony                      left leg

Leslie Nobler               neck

Anne Trickey                back leg

Maris Kaplan               neck fold and front shoulder

Paula Bohan                neck fold

James Brooks              neck

Amanda Briggs            back right foot

Andrew Briggs             back right foot

Miriam Briggs              back right foot

Willow Yamaden          cheek

Sarah Bartman            neck

Bridget McMahon       flank

Amy Brown                jowl

Vanessa Dion Fletcher        jowl

Denera Gains             unknown

Justin Gains               unknown

Kurt Salinas                stomach/inner thigh

Randall Harrison         upper mid bicep

Ivy Moya                      back foot

Pam Lonero                 breast plate

Molly Olsen Roush      shoulder/neck area

Brook Olsen Roush     shoulder/neck area

Susie Miller Roush      shoulder/neck area

Reyhon Ertekin            unknown

Torres Leck                  shoulder

Anna Banancks           shoulder

Emily van Engel           front leg

Silvia Eckert                cheek

Davis Watson              breastplate

Debachree Ghosh       breastplate

Jessica Jane Jennings       cheek

Kimberly Ann Piper      shoulder

Alisa Murray                cheek

Jennifer Hill                 breastplate

Susan Ady                   cheek

Chris Washburn          neck

Janet Ady                    flank

Louise Horkey             border

Nupur Kamat              front shoulder

Tamela Holmes            ear

Tameyah Holmes         cheek

Ruth Tabancay            upper leg

Teddy Midler                shoulder

Jerry Majors Patterson        cheek area

Susan Afell                  eye area

Elaine Todd                 neck

Senator Jordan           cheek

Meadow                     unknown

Lori Chambers            neck

Josephine Tumova      neck

Fynn Tuma                   chest

Diana Dominguez        chest

Jason Godeke             neck

Cristina Mathews        belly and front right leg

Jody Alexander           neck, chest

Elaine Todd                 belly circles

Raquel Marquez          belly

Josslyn Robles            chest

Rhea Rynearson          shoulder

Valerie Frey                  shoulder

Aidan Parker                shoulder, right shoulder

A. Parker                      right shoulder

Seraphine Ries            belly

Lid. C.                          belly

Jamelie                        whiskers

Carolyn Schneider       upper shoulder

Josh Morsell                lower front shoulder

Lia V. Wilson                middle breast

[nsula]

40th Folk Festival spotlights rich, diverse culture of Louisiana

By Dr. Shane Rasmussen

Photos by Chris Reich, NSU Photo Services

 NATCHITOCHES – The audience at the 40th annual Natchitoches-Northwestern State University Folk Festival held on July 26-27 was entertained and educated about the rich and diverse cultural offerings of the state. The Festival featured traditional Louisiana foods, Kidfest activities, music, traditional crafts, narrative sessions, musical informances, and cultural exhibits. This year’s Festival theme “Vive la Louisiane!” was a great success, with a very happy audience.

 The Festival opened with a rousing dance, beginning with Cajun dance lessons, followed by Gal Holiday and the Honky Tonk Revue, and the night closed out with Bruce Daigrepont Cajun Band. Side stage performances included Natchitoches gospel group Joyful Sounds, 50 Man Machine, which includes NSU faculty Paul Forsyth, Collier Hyams, and Oliver Molina, and an open jam with Max & Marcy, Ed Huey, and Cane Mutiny.

 Saturday’s events included performances in Prather Coliseum by 50 Man Machine, Creole la la with Goldman Thibodeaux and the Lawtell Playboys, the Louisiane Vintage Dancers, Brandy Roberts, the Rayo Brothers, Tab Benoit, Jamie Berzas & the Cajun Tradition Band, the Stewart Family and Friends Bluegrass Band, line dance lessons by the Cajun French Music Association Dance Troupe, the Canneci N’de Band of Lipan Apache, zydeco dance lessons by Avila Kahey, Wayne & Same Ol’ 2 Step, Hardrick Rivers and the Rivers Revue Band, Celtic Music with the Kitchen Session of Baton Rouge and a jam session with Max and Marcy.

 In addition to stage performances there were narrative sessions and music informances, including conversations about American songwriting, culture & costumes of 19th century Louisiana, Tab Benoit’s The Voice of the Wetlands Fondoution, and the musical journey of Vanessa Niemann (aka Gal Holiday). Also featured was a music informance by Tab Benoit. Outdoor activities included demonstrations by the Central Louisiana Dutch Oven Cookers, the Red River Smiths, the Southern Stock Dog Association, and Wash Day, presented by the West Baton Rouge Museum. This year the Festival continued a series of free workshops for Festival attendees. Festival goers attended a Cajun accordion workshop by Jamie Berzas and Bruce Daigrepont.

 The annual Louisiana State Fiddle Championship was also held on Saturday in the Magale Recital Hall as part of the Festival. Fiddle Championship judges included Steve Birdwell, Steve Harper, Henry Hemple, and Clancey Stewart. The new Louisiana Grand Champion is Ron Yule of DeRidder. Second place winner was Joe Suchanek of Merryville, with Owen Meche of Arnauldville placing third. Meche also took first place in the 21 and under championship division.

Suchanek took first in the 60 and up championship division, with Yule coming in second, Birgit Murphy of Opelousas in third, Mark Young of Balise in fourth, Wilfred Luttrell of DeRidder in fifth, and Ron Pace of Alexandria in sixth. Luttrell and Yule also took first place in the twin fiddles competition.

 As the new Louisiana State Fiddle champion, Yule also performed on the main stage in Prather Coliseum. Dr. Lisa Abney managed the fiddle championship. Dr. Susan Roach from Louisiana Tech University emceed the championship.

 Four musicians and a renowned filé maker were inducted into the Louisiana Folklife Center’s Hall of Master Folk Artists. Inductees included Louisiana Music Hall of Famer Tab Benoit, who also served as honorary Festival Chair, Cajun musicians Jamie Berzas and Bruce Daigrepont, filé maker John Oswald Colson, and country singer Vanessa Niemann.

Dr. Shane Rasmussen, director of the Louisiana Folklife Center, led the induction ceremony, assisted by State Representative Kenny Cox and Dustin Fuqua, Chief of Resource Management at Cane River Creole National Historical Park. In addition, the honorary award of Folklife Angel was given to long-time Festival crew chief James Christopher Callahan, an NSU alumnus.

In addition to 4 book signings and 8 exhibits by such groups as state parks and archives, over 70 craftspeople displayed their traditional work on Saturday. These craftspeople demonstrated and discussed their work with the Festival patrons. Craftspeople displayed accordion making, beadwork, baskets, Czech Pysanky eggs, filé making, flintknapping, folk art, knives, music instruments, quilting, pottery, spinning & weaving, tatting, walking sticks, whittling and needlework, wood carving, and more. 8 food vendors provided a cornucopia of traditional Louisiana foods to the Festival audience.

 Support for the Louisiana State Fiddle Championship and the Natchitoches-NSU Folk Festival was provided by grants from the Cane River National Heritage Area, Inc., the Louisiana Division of the Arts Decentralized Arts Fund Program, the Louisiana Office of Tourism, the Natchitoches Historic District Development Commission, the National Endowment for the Arts, the New Orleans Jazz and Heritage Foundation, and the Shreveport Regional Arts Council.

Much needed support also came from generous sponsorships from Acme Refrigeration of Baton Rouge, C&H Precision Machining, Chili’s, City Bank & Trust, the City of Natchitoches, Cleco, John Clifton Conine, Atty; CP-Tel, Domino’s Pizza, the Donut Hole, El Patron, Family Medical Clinic, Grayson’s Barbecue, Hardee’s, the Harrington Law Firm, D. Michael Hayes, Atty; JB & M Enterprises, Jeanne’s Country Garden, La Capitol Federal Credit Union, McCain Auto Supply, Jason O. Methvin, Atty; Morning Star Donuts, the Natchitoches Area Convention & Visitors Bureau, Natchitoches Regional Medical Center, NSU Men’s Basketball, the Pioneer Pub, Pizza Hut, Raising Cane’s, Ronnie’s Auto Glass, Save A Lot, Sonny’s Donuts, Southern Classic Chicken, Natchitoches Super 1 Foods 604 and 613, TOTO, Inc; Trailboss, UniFirst, Walmart, Waste Connections, and Weaver Brothers Land & Timber. In addition, numerous newspapers, online venues, and radio and TV stations assisted the Festival by generously printing articles, airing interviews, free promotional PSAs, and/or participating in on-air ticket giveaways.

 The success of the Festival was made possible due to the many volunteers from NSU’s faculty and staff, who gave generously of their time and talents. The Louisiana Folklife Center is grateful to Phyllis Allison, David Antilley, Kay Cavanaugh, Corieana Ceasar, Jason Church, Sherrie Davis, Matt DeFord, Christine Dorribo, Michael Doty, Bruce Dyjack, Alexis Finnie, Ashlee Grayson, Charlotte Grayson, Dr. Hiram F. “Pete” Gregory, Dr. Greg Handel, Wesley Harrell, Jackie Hawkins, Diana Hill, Kristie Hilton, Carla Howell, Leah Jackson, Dr. J. Ereck Jarvis, Melissa Kelly, Suzanne Kucera, Dr. Chris Maggio, Barbara Marr, Terri Marshall, Coach Mike McConathy, Byron McKinney, Valerie Meadows, Gwendolyn Meshell, Dr. Jim Mischler, Melinda Parnell, Julie Powell, Kathy Pylant, Charles Rachal, Chris Reich, Stephanie Stanton, Bethany Straub, Anna Vaughn, Randi Washington, Mary Linn Wernet, David West, Taylor Whitehead, Emily Windham, Dale Wohletz, and Sharon Wolff. NSU students included Francisco Ballestas-Sayas, Caleb Callender, Makayla Fisher, Valentina Herazo-Alvarez, and Ina Sthapit. NSU alumni included Michael Cain, Michael Taylor Dick, Hammond Lake, Greg Lloid, De’Andrea Sanders, and Daniel Thiels. Many thanks are due to the Louisiana Folklife Center staff, including administrative coordinator Shelia Thompson, student workers Macey Boyd, Jalima Diaz, Heather Jones, Caitlin Martin, and Taylor Nichols, and graduate assistants James Harrison and Erica McGeisey.

 Thanks also go out to Andy Adkins, Myranda Adkins, Alexandria Arens, Robert D. Bennett, Jennae Biddiscombe, Rebecca Blankenbaker, Derek Boyt, Erin Boyt, Melanie Braquet, Sherry Byers, the Central Louisiana Dutch Oven Cookers, Don Choate, Jr., Catherine Cooper, Hailie Coutee, Helen Dalme, Cameron Davis, Eli Dyjack, Sheila Dyle, Adam Edwards, Justin French, Jennifer Gallien, Reagan Guillory, Grace Hardy, Dr. Don Hatley, Sue Hatley, Lani Hilton, Ed Huey, Peter Jones, Leonard King, Michael King, Abagael Kinney, Dan Martin, Deron McDaniel, Ivan McDaniel, Charity McKinney, Sheila Ogle, Sara Parnell, Kimberly Perry, Audrey Rasmussen, Gidget Rasmussen, Susan Rasmussen, Wyatt Rasmussen, the Red River Sanitors, Sukrit San, Rick Seale, Lorie Speer, Lori Tate, Margaret Thompson, Sara Vaughn, Emily Ware, Briton Welch, Justice Welch, Shirley Winslow, and the Natchitoches Parish Detention Center trustees and officers Derek Booker and Larry Willis.

 Natchitoches Area Convention and Visitors Bureau staff members included Arlene Gould, Kelli West, NSU students Anne Cummins and Megan Palmer, and NSU alumna Heather Dougan.

Special thanks go to Craig Routh for his generous permission to use his painting, Dixieland Jazz Fleur-de-Lis, for the Festival t-shirt.

[wiedzmina-blog]

Norwegian / old norse names and places

Every now and then I come across a book, movie, TV-series, fanfic, game or whatever, that mention a fictional "Norwegian" or "norse" place or person, and it just sounds so wrong it makes me either cringe or ROFL. Really. I still haven't recovered from the 1995 X-files episode, "Død Kalm", which took us to the port of "Tildeskan" where we met "Henry Trondheim", "Halverson" and "Olafsson".  Hopefully this list will keep others from being that “creative” with names. :)

Common names for places, towns and villages in Norway

These names are very generic and suitable for a place, village or town anywhere (and pretty much any time) in Norway. Mix and match prefixes with suffixes for diversity.  Bonus: All of these can also be used as surnames. Name (meaning) - usage

Nes (headland, cape, ness) - Standalone ​ Bø (fenced-in field on a farm) - Standalone Fjell (mountain) -  Standalone or prefix/suffix: Fjell- / -fjell Haug (small hill / large mound)  -  Standalone or prefix/suffix: Haug- / -haug Vik, Viken, Vika (inlet, the inlet, the inlet) -  Standalone or prefix/suffix: Vik- / -viken / -vika Ås, Åsen (hill, the hill (larger than "Bakken")) - Standalone or prefix/suffix: ​ Dal, Dalen (valley, the valley) - Standalone or prefix/suffix: ​ Berg (small mountain) - Standalone or prefix/suffix: Berg(s)- / -berg Sand (sand) - Standalone or prefix/suffix: Sand- / -sand Strand (beach) -  Standalone or prefix/suffix: Strand- / -strand Li (hill) -  Standalone or prefix/suffix: Li- / -li Gran (spruce) -  Standalone or prefix: Gran- Bratt (steep) - prefix only: Bratt- Myr (bog, mire) - prefix only: Myr- Neset, Nesset (the headland, the cape, the ness) - Standalone or suffix: ​-neset / -nesset Odden (foreland, headland) - Standalone or suffix: ​ -odden Våg (cove, bay) - Standalone or suffix: -våg Lund (grove) - Standalone or suffix: -lund Sund (sound, strait) -  Standalone or suffix:  -sund Skog (forest) prefix/suffix: Skog- / -skog Øy (island) prefix/suffix: Øy- / -øy øya (the island) - suffix only: ​ -øya bakken  (the hill) - suffix only: -bakken  gard / gård / gården (farm / farm / the farm) - suffix only: -gard / -gård / -gården elv, -elva (river, the river) suffix only: -elv / -elva stad (old word for town/place) suffix only: -stad vannet (the lake) - suffix only: -vannet

Common words that can be used as prefix to any of the suffixes above Svart- (black)  Lille- (little/small)  Sol- (sun)  Brei-/Bred- (wide)  Stor- (big) Lang- (long)

Common Norwegian surnames (contemporary)

Heredatory surnames didn't become mandatory in Norway until 1923. Many took the name from the farm or place they lived, or just changed their primary patronyms into hereditary patronyms. Example: Helgessønn/Helgesdatter (son of Helge / daughter of Helge) became Helgesen.

Alm Andersen Anderssen Antonsen Aspelund Bakke Bakken Bang Berg Bjerkan Bråthen Christensen Corneliussen Dahl Dahlberg Danielsen Dyrnes Dørum Eide Ellingsen Erdal Eriksen Falch Fredriksen Foss Fure Fylling Gabrielsen Gran Grønning Halvorsen Hansen Hanssen Hay Hoff Holm Holt Husby Isaksen Iversen Jacobsen Jensen Jenssen Johansen Karlsen Klausen Konradsen Kristensen Kristiansen Larsen Larssen Lie Lien Lund Løvold Magnussen Meyer Mikalsen Mo Moen Myhre Myklebust Mørk Ness Nilsen Olavsen Olsen Paulsen Pettersen Prestegård Rasmussen Riise Rogstad Ruud Simonsen Solbakken Solli Stokke Strøm Sund Svendsen Thorvaldsen Torp Thune Tønnesen Ueland Ulven Urdal Vik Vinje Wahl Wik Wilhelmsen Zakariassen Ødegård Årseth Årvik Ås, Aas Åsen, Aasen

Common Norwegian names -- 1980 - present

Men

Anders André Andreas Are Arne Atle Bjørn Cato Chris Christian, Kristian Christoffer, Kristoffer Daniel David Dennis Elias Emil Espen Erik, Eric Eirik Fredrik Filip Geir Harald Helge Hans Henning Håkon, Haakon Håvard Isak Jan Joachim Johan Johannes John, Jon Johnny Jonas Jonathan Kim Kristian, Christian Kristoffer, Christoffer Lars Lucas, Lukas Mads, Mats Magnus Martin Michael, Mikael Morten Niklas Nils Odin Ole Ove Paul Per Peter, Petter Preben Pål Richard, Rikard Roger Sebastian Simen Simon Sindre Sondre Stian Terje Thomas Thor, Tor Thore, Tore Vegard Werner William Øystein Åge Åsmund

Women

Andrea Ane, Anne Anette, Annette Annika, Anniken Astrid Bente Camilla Carina Cathrine Celine Charlotte Christin, Kristin Christina, Kristina Christine, Kristine Elin, Eline Elise Elisabeth Emilie Eva Frida Grete, Grethe Hanne Hege Heidi Helene Hilde Ida Ine Ingrid Ingvill, Ingvild Isabel, Isabell, Isabelle Iselin Jannicke Janine Jeanette Jennie, Jenny Julia, Julie Karoline (Kine) Katrin, Katrine Kristin, Christin Lea, Leah Lena, Lene Linda Line Linn Linnea Lise, Lisa Liv, Live Mai, May Maja Malin Margrete, Margrethe Mari, Maria, Marie Mariann, Marianne Marte, Marthe Mette Monica Nina Nora Oda Pia Ragnhild Randi Rikke Sara, Sarah Silje Siv Stina, Stine Susann, Susanne Tanja Tina, Tine Tiril Tone Trine Vilde Vera Veronica Wenche Åse Åshild

Common Norwegian names - 1800 - 1980

Men Aksel Albert Anders Andreas Anker Ansgar Arne Arnt Arve Asle Atle Birger Bård Charles Edmund Edvard Egon Erling Even Fred Fredrik Frode Geir Georg Gunnar Gunvald Gustav Harald Helge Hilmar Håkon, Haakon Ivar Ingvar Jens Jesper Jørgen Joakim Karl Karsten, Karstein Kjell Klaus Kolbein Kolbjørn Kristian Kåre Lars Lavrans Leif Lossius Ludvig Magne Magnus Nikolai Nils Odd Oddvar Odin Ola Olai Olaf Olav Ole Omar Oscar, Oskar Peder Per Petter Philip, Phillip Pål Ragnar Rikard Roald Roar (also Hroar) Rolf Rune Sigurd Sigvard, Sigvart Simon Svein Sverre Tarjei Terje Toralf, Thoralf Torbjørn, Thorbjørn Torleif, Thorleif Torstein, Thorstein Torvald, Thorvald Trond Ulf Ulrik Valdemar Wilhelm Willy Åge

Women

Albertine Alice, Alise Alma Anita Anna Annbjørg Asbjørg Astrid Aud Bente Berit Birgit Birgitte Bjørg Bjørgun Bodil Borghild Dagny Dagrun Edel Ella Ellen Elsa Fredrikke Frida Gerd Gjertrud Gunhild Gyda Hanna, Hannah Helga Henny Herdis Hilda Hilde Hjørdis Ingeborg Inger Irene Johanna, Johanne Jorun, Jorunn Josefine Judith Kari Karin Kirsten Kitty Kjersti Laila Lilli, Lilly Lisa, Lise Liv Lovise Mathilde Margaret Marit Martha Molly Nanna Oddrun Oddveig Olga Ragna Ragnhild Rigmor Sara Signe Sissel Solbjørg Solveig Solvår Svanhild Sylvi Sølvi Tora Torhild, Toril, Torill Torun, Torunn Tove Valborg Ylva Åse Åshild

Names usage Double names, like Ragnhild Johanne or Ole Martin are common in Norway. Just keep them as two names and don't use "-", and you'll be safe, even if it ends up a tongue twister. Using only one of two given names is also common practice.

In Norway everyone is on a first name basis. Students call teachers and other kids' parents by their first name, workers call their boss by their first name, we call our Prime Minister by her first name (journalists will use her title when speaking to her though). Some senior citizens still use surnames and titles when speaking of or to  people their own age.

There are some exceptions. For example, a doctor may be referred to as Dr. Lastname when we speak of them, but first name is used when speaking to them. A priest is "the priest" when speaking of him/her and their first name is used when spaking to them. In the millitary only surnames (and ranks) are used. If you meet Harald, the King of Norway, in an official setting you will refer to him as "Kongen" (the king). If you run into him at the gas station, or while hiking, he is "Harald".

If you don't know someone's name it is okay to use their title, or just say "you".

Names for pets (contemporary)

Dogs Laika (f) Bamse (m) (bear) Tinka (f) Loke/Loki (m) + characters from TV/film/books...

Cats Melis (m/f) (powdered sugar) Mango (m/f) (mango) Pus (f) (kitty) Mons (m) (tomcat) Nala (f) Pusur (m) (Garfield) Felix (m)  Simba (m) + characters from TV/film/books...

Horses Pajazz (m) Mulan (f) Balder (m) - cold blood Kompis (m) (pal) Freya (f) - cold blood + characters from TV/film/books...

Rabbits Trampe (m) (Thumper) Trulte (f) + characters from TV/film/books...

Cows (yes, I am serious) Dagros Rosa Mira Luna Sara + characters from TV/film - Disney is popular, as are the Kardashians :)

Road and street names

Storgata (usually the main street) Kongens gate (the king's street) Dronningens gate (the queen's street) Jernbanegata (railroad street) Jernbaneveien (railroad road) Sjøgata (ocean street) Sjøveien, Sjøvegen (ocean road) Skolegata (school street) Torvgata (plaza street) Industrigata (industrial street) Industriveien (industrial road)

Prefixes Blåbær- (blueberry) Bringebær- (raspberry) Bjørke- (birch) Aspe- (asp) Kastanje- (chestnut) Solsikke- (sun flower) Blåklokke- (blue bell) Nype- (rosehip) Kirke- (church) Park- (park)

Suffixes -veien, -vegen (the road)  -stien (the path)

Other Torvet (the plaza) - standalone or suffix: -torvet Havna (the port) - standalone or suffix: -havna Kaia (the port) - standalone or suffix: -kaia

Safe solution: use a first name or surname as prefix.

Old norse

Men’s names Agnarr (Agnar) Alfr (Alf) Ámundi (Amund) Ánarr Árngrimr (Arngrim) Askr (Ask) Auðun (Audun) Baldr (Balder) Beinir ​Bjørn Burr Borkr Dagfinnr (Dagfinn) Davið (David) Drengr Durinn Einarr (Einar) Eirikr (Eirik) Eivindr (Eivind) Erlingr (Erling) Fafnir Flóki Freyr (Frey) Fuldarr Galinn Gautarr (Gaute) Gegnir Geirr (Geir) Glóinn Grímarr (Grimar) Hafli Hakon Hallsteinn (Hallstein) Haraldr (Harald) Haukr (Hauk) Heðinn (Hedin, Hedinn) Helgi (Helge) Hrafn, Hrafni (Ravn) Hrafnkell (Ravnkjell) Iarl (Jarl) Ingolfr (Ingolf) Iuar (Ivar) Jafnhárr Jón Jóngeirr Kál Kiaran Klaus Knútr (Knut) Kolgrimr (Kolgrim) Kolr (Kol) Leifr (Leif) Loki Lyngvi Magnus Mikjáll (Mikal, Mikkel) Mór Morði Nesbjørn Nokkvi Oddr (Odd) Oddbjørn Oðin (Odin) Olafr (Olaf) Ormr (Orm) Otr Ouden Pálni Pedr Ragnarr (Ragnar) Ragnvaldr (Ragnvald) Randr (Rand) Róaldr (Roald) Rólfr (Rolf) Salvi Sigarr (Sigar) Sigbjørn Sigurðr (Sigurd) Skarpe Snorri (Snorre) Steinn (Stein) Sveinn (Svein) Teitr Þor (Thor/Tor) Þórbjørn (Thorbjørn/Torbjørn) Þorsteinn (Thorstein/Torstein) Tryggr (Trygg) Týr Ulfár Ulfheðinn (Ulvhedin) Ulfr (Ulf) Vakr Vani Veigr Viðarr (Vidar) Yngvarr (Yngvar) Æsi

Women's names

Anna Arnfriðr (Arnfrid) Ása Bera Bergdís (Bergdis) Biørg (Bjørg) Cecilia Cecilie Christina Dagný (Dagny) Dagrún (Dagrun) Dís Dísa Edda Elin Ellisif (Ellisiv) Freyja (Freya) Friða (Frida) Frigg Gerðr (Gerd) Gertrud Grima Gyða (Gyda) Hadda Hallbéra Hallkatla Herdís (Herdis) Hildigunnr (Hildegunn) Huld Hvít Ida Iðunn (Idun, Idunn) Ingríðr (Ingrid) Johanna Jórunn (Jorun, Jorunn) Juliana Katla Katrine Kristín (Kristin) Leikný (Leikny) Lif (Liv) Magnhildr (Magnhild) Mjøll Myrgiol Nál Nanna Nótt Oda Oddný (Oddny) Ólaug (Olaug) Rafnhildr (Ragnhild) Rán Rannveíg Ríkví (Rikvi, Rikke) Rúna (Runa) Roskva Sága (Saga) Sif (Siv) Sigriðr (Sigrid) Skaði (Skadi) Skuld Svana Sýn Solveig Tekla Tóra (Tora) Trana Ulfhildr (Ulfhild) Una Urðr (Urd) Valborg Vigdís (Viigdis) Vírún Yngvildr (Ingvill, Ingvild) Yrsa

Bynames Bynames, or nicknames, could be neutral, praising or condescending. Usually bynames described a person's

body, bodyparts, bodily features

age

kinship and descent

territorial origin

knowledge, belief, spirituality

clothing, armour

occupation, social position

nature

Examples: Eirik Blodøks (Eirik Blood-Axe), Gammel-Anna (old Anna), Halte-Ása (limping Ása). I suggest that you stick with English for bynames, or use (relatively) modern language if you are writing in Norwegian. 

Surnames

Surnames weren't really a thing until 1923 when they became mandatory. Before 1923 patronyms (son/daughter of) were used, and the name of the farm you lived on was often added as an address. 

For instance: Helgi Eiriksøn (Helgi, son of Eirik), who lived at the farm called Vollr (grass field), would be called Helgi Eiriksøn Vollr. If he moved to the farm called Haugr his name would change to Helgi Eiriksøn Haugr.

Patronyms

Men: Use father's first name and add -sen /-son /-sønn Women: Use father's first name and add -dotter / -dottir / -datter

Farm names

Farm names were usually relevant and derived from either the location, a nearby landmark, nature or from occupation.  I suggest you stick with the modern forms for farm names.

Old Norse (meaning) - modern Bekkr (stream) - Bekk, Bekken Dalr (valley) - Dal, Dahl Horn (horn) - Horn Vollr (field) - Vold, Volden Lundr (grove) - Lund

The list of common names for places/villages/towns is still valid, although the spelling is modern. Just keep it simple and make "clever" combos based on meaning. 

[theheadbangers]

GOLDRAY Reveal 'How Do You Know' Music Video

UK psycho rock-duo Goldray from Kenwyn House, guitarist of 90s rock giants REEF, who released their critically acclaimed debut album, ‘Rising’ in 2017, are back with a double a-side single release and music video for the epic ‘How do you know’ and the thunderous ‘Oz’.  ‘How do you know’, builds through the entirety of its four-minutes demonstrating Rasmussen huge range and power in her vocal ending with a huge crescendo. ‘Oz’, a monster seven-minute-plus track driven through House’s incredible guitar playing, the song is a journey of rock and psych, building with power to then dropping into a feeling of surreal psychedelia to then being slapped back in the face with the thunderous riff! Kenwyn House (Reef) and Leah Rasmussen (EMI, Bedrock, Renaissance) AKA Goldray, return with a psych-rock fuelled second album ‘Feel The Change’, which will be released on July 31.

www.Goldrayband.com Facebook: www.facebook.com/Goldrayband Instagram: @goldrayband Twitter: @Goldrayband Read the full article

[naturecoaster]

Announcing the Cast of Tuck Everlasting

Announcing the Cast of Tuck Everlasting Below is the cast of Tuck Everlasting: Cast of Characters Winnie Foster…………………..…..Evelyn Mitten Jesse Tuck…………………..………Truman Rossiter Mae Tuck..………..………………..Abigail DePriest Miles Tuck..………...….…………..Micah Rossiter Angus Tuck..………...……………..Leif Rasmussen Man in Yellow..………..…….……..Caleb Gunn Hugo..………..……………………..Cam Kennedy, Titus Richards Constable Joe..……..……….………Ross Copeland Winnie’s Mother..…………………..Ava McCoy, Kaylee Umstead Frog…………………………………Amber Marino Chorus Ensemble Leader………..…Quincee Willis Dance Ensemble Alannah Allocco, Amber Marino, Madison Frassrand, Reese Monroe, Rachel George, Adelle Richards, Caitee Grace Gunn, Titus Richards, Jase Ivie, Zeke Richards, Cam Kennedy, Leah Robitaille, Remi Lay, Bella Rossiter Chorus Ensemble Natasha Berard, Nina McKissock, Leah Bolster, Jasper Monroe, Elyssa DePriest, Sarah Nguyen, Emily Ginther, Elli Noll, Kealy Hunter, Tatiana Peach, Katie Johnson, Molly Pianin, Noah King,Mia Quillen, Addie Ladouceur, Laurel Rasmussen, Cappy Lay, Samantha Sanborn, Eleana Lipidarov,Adah Stephens, Ava McCoy, Kaylee Umstead, Ava McKissock, Rowan Wilson, Cecilia McKissock The Acorn Theatre production of Tuck Everlasting is sponsored by the Brooksville Kiwanis Foundation.. Music Sponsor is Redmile Appraisals. Tuck Everlasting will be performed November 4, 6, 11-13 and 18-20 at the Carol and Frank Morsani Center for the Arts, 21030 Cortez Boulevard, Brooksville, Florida 34601. ADVANCED seats are $20 for adults and $10 for children ages 13 and under, when accompanied by an adult. Friday and Saturday evening shows are at 7:30 PM; Saturday and Sunday matinees are at 2:30 PM. Advanced prices are available up to approximately 24 hours before each performance. 24 hours prior to showtime ticket prices increase to $25 for adults and $15 for children with an accompanying adult. To purchase tickets, go to https://liveoaktheatre.square.site/  or email boxoffice@liveoaktheatre.org or call 352-593-0027. Please Note: If you purchase tickets under different names and wish to be seated together, you must email the box office at boxoffice@liveoaktheatre.org or call 352-593-0027. About Tuck Everlasting  Tuck Everlasting is based on the popular novel of the same name by Natalie Babbitt. It tells the story of a family who drink water from a magical spring and become immortal. When they encounter a young girl who lives in their rural New England town, she becomes friends with one of the sons, who soon offers her the secret to everlasting life. She then must decide if she wants to join her new friends in immortality, or if she will live out her normal life. Tuck Everlasting premiered in Atlanta, Georgia, in 2015 and began playing on Broadway in 2016 where it received positive reviews. A timeless story of family, loss, friendship, and love, Tuck Everlasting is sure to become a classic favorite. Book is by Claudia Shear and Tim Federie. Music is by Chris Miller and Lyrics by Nathan Tysen. About the Acorn Theatre Acorn Theatre is Live Oak’s Youth Theatre program for students ages 8-18.   This performance class meets to rehearse on Tuesdays and Thursdays from 4:00- 6:30. The class will run in 8-week periods with 6 performances at the end of each term.  The Acorn Theatre works together to produce and perform 3 shows each year as well as participate in Brooksville’s annual Tree Lighting.  The Acorn Theatre production team consists of rotating Directors/Instructors who are assisted by a team of apprentices in the areas of Stage Manager, Assistant Director, costumes, choreography, lighting, sound, music and set design.  Parent volunteers are always welcomed in these areas as well.  Acorn Theatre apprentices are chosen from regular performers of Live Oak who have “grown up” on our stage.  They assume leadership roles in the production and mentor the students of the Youth Theatre.   About Live Oak Theatre Company (LOT), Live Oak Theatre Company (LOT) is a not-for-profit 501 (C) (3) repertory company of local artists, located at the Carol and Frank Morsani Center for the Arts, 21030 Cortez Boulevard, Brooksville, FL 34601.  The Live Oak Theatre Company exists to enrich families, individuals, and the community by providing positive artistic experiences in the Performing Arts - including excellent, affordable, and edifying family friendly entertainment, performance, and educational opportunities for Theatre patrons and participants of all ages.  For more information about the Live Oak Theatre Company, including sponsorship and audition opportunities, go to www.LiveOakTheatre.org, email boxoffice@liveoaktheatre.org , or call 352-593-0027.   Visit us on Facebook at https://www.facebook.com/LiveOakTheatre. Read the full article

[planetmosh]

Goldray release Double A Sided Single & Video

Goldray release Double A Sided Single & Video - By Sty for PlanetMosh

Goldray, fronted by Leah Rasmussen and ex-Reef guitarist Kenwyn House, have released a double A sided single and accompanying video, ‘How Do You Know ‘, in support of their long awaited new album ‘Feel the Change ‘.

The double A sided single contains two tracks, ‘Oz ‘ and ‘How Do You Know ‘, from the forthcoming and hugely anticipated second album from the band, set for release on 31st July.

Watc…

[rawrampmag]

Kenwyn House New Band Goldray

REEF guitarist Kenwyn House is set to launch his debut mini LP from his new band ‘Goldray’ with Ple…

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[planetmosh]

Goldray to release new album 'Feel The Change'

Goldray to release new album 'Feel The Change' - By Sty for PlanetMosh

Photo by Tina Korhonen, 2020. All rights reserved

Following the release of their critically acclaimed debut album, ‘Rising’ in 2017, Kenwyn House (Reef) and Leah Rasmussen (EMI, Bedrock, Renaissance) AKA Goldray, return with a psych-rock fuelled second album ‘Feel The Change’, released on July 3.

Written by House and Rasmussen and mixed by Pedro Ferreira (The Darkness, Therapy?, Enter Shikari,…

[nsula]

38th annual Folk Festival was another success

The audience at the 38th annual Natchitoches-NSU Folk Festival held on July 14-15 was entertained and educated about the rich and diverse cultural offerings of the state. The Festival featured traditional Louisiana foods, Kidfest activities, music, traditional crafts, narrative sessions, musical informances and cultural exhibits. This year’s festival theme “Keeping Tradition Alive!” was a great success, with a very happy audience.

 The festival opened with a rousing dance, beginning with Cajun dance lessons, followed by classic country by Gal Holiday and the Honky Tonk Revue, zydeco music by Gerard Delafose and the Zydeco Gators, and Texas swing by the Caddo Creek Band. Side stage performances included Natchitoches gospel group Joyful Sounds, Ed Huey and Natchitoches favorite Hardrick Rivers and the Rivers Revue Band, as well as an open bluegrass and country music jam led by Marcy Frantom and Max Turner.

 Saturday’s events included performances in Prather Coliseum by the Back Porch Band, Nathan and Eva, bluegrass by the Clancey Ferguson Band, Zydeco by Terrance Simien and the Zydeco Experience, Creole la la with Goldman Thibodeaux and the Lawtell Playboys, country by Gal Holiday and the Honky Tonk Revue, cigar box guitar music demonstrations by Mike Snowden, blues music by Cane Mutiny, Hezekiah Early and the Houserockers, the Wayne “Blue” Burns Band and the Snake Doctors, American roots music by the Hoodoo Papas and the Hoochie Digs, Cajun music by Ray Abshire and Friends and Steve Riley and the Mamou Playboys, Texas swing by the Caddo Creek Band, special appearances by Mariachi Jalisco US and the Winnsboro Easter Rock Ensemble, a jam session with Max and Marcy, as well as Cajun dance lessons.

 In addition to stage performances there were narrative sessions and music informances, including conversations about Delta bluegrass, preserving French culture, Choctaw wedding traditions, Choctaw-Apache foodways, country music history in the Delta, blues music in the Delta, preserving Delta material culture, St. Joseph’s altars and Zydeco traditions. Outdoor activities included cattle dog demonstrations, the Red River Smiths and a maypole for children.

 This year the Festival continued a series of free workshops for festival attendees. Festival goers attended a highly popular Cajun accordion workshop led by musicians Ray Abshire and Steve Riley.

 The annual Louisiana State Fiddle Championship was also held on Saturday in the Magale Recital Hall as part of the Festival. Fiddle Championship judges included fiddlers Joanna Calhoun, Steve Harper, Andrej Kurti and Leo “Buddy” Terzia. The new Louisiana Grand Champion is Joe R. Suchanek of Fields, with second place going to Mary Elizabeth Harris of Breaux Bridge, followed by Ronald Pace of Alexandria in third.

Harris won the 21 and under championship division and Suchanek took first in the 60 and up championship division, with Pace coming in second. As the new Louisiana State Fiddle champion, Suchanek also performed on the main stage in Prather Coliseum.

A noted Louisiana crafts person, two drummers, a blues musician and an eminent Cajun music artist were inducted into the Louisiana Folklife Center’s Hall of Master Folk Artists: Traditional doll maker Barbara Franklin, blues performer Ed Huey, who also served as Honorary festival chair, drummers Ganey “Pop” Hymes and Sammy Nix, and Cajun musician Steve Riley. NSU President Dr. Chris Maggio and Dr. Shane Rasmussen, director of the Louisiana Folklife Center, took part in the induction ceremony. Dignitaries also included Natchitoches City Council members Sylvia Morrow and Dale Nielsen, Kelvin Porter from the office of State Representative Kenny Cox, and Matt Howerton from the office of U.S. Representative Mike Johnson.

 Fifty-four craftspeople displayed their traditional work on Saturday. These craftspeople demonstrated and discussed their work with those attending the Festival. Craftspeople displayed accordion making, alligator and garfish jewelry, beadwork, baskets, bull whips, dolls, Creole furniture, Czech Pysanky eggs, filé making, flintknapping, folk art, knives, music instruments, quilling, quilting, pottery, saddle making, spinning & weaving, tatting, toys, walking sticks, whittling and needlework, wood carving, and more.

 Food vendors provided a cornucopia of traditional Louisiana foods to the Festival audience. Featured foods were alligator sausage, boiled peanuts, boudin link, fry bread and Indian tacos, chipped beef, cinnamon roasted pecans and almonds, fried cornbread, jambalaya, meat pies, turkey legs, hot wings, gumbo, red beans and sausage, barbecue chicken and ribs, mustard greens, crawfish pies, cracklins, hot tamales, peach cobbler, po-boys, and smoked sausage.

 Support for the Festival was provided by grants from the Cane River National Heritage Area, Inc., the Louisiana Division of the Arts Decentralized Arts Fund Program, the Lower Mississippi Delta Initiative of the National Park Service, the Natchitoches Historic District Development Commission, the National Endowment for the Arts, the New Orleans Jazz and Heritage Festival and Foundation, and the Shreveport Regional Arts Council. Much needed support also came from the City of Natchitoches and the Natchitoches Area Convention and Visitors Bureau.

 Support for the Festival was provided by generous sponsorships from many local and regional businesses, including Ackel Investments LLC, Acme Refrigeration of Baton Rouge, Bank of Montgomery, Brookshire’s #27, Brookshire’s #29, City Bank and Trust Company, Cleco, CP-Tel, Domino’s Pizza, Elite Broadcasting, El Nopal Mexican Grill, Family Medical Clinic, Georgia’s Gift Shop, Grayson’s Barbecue, the Harrington Law Firm, Jeanne’s Country Garden, Johnny’s Pizza, Little Caesar’s Pizza, Magee’s Patio Café, Morning Star Donuts, Patrick-Miller Tractor Co., Pioneer Pub, Pizza Hut, R.V. Byles Enterprises, Red River Midway Marina, Ronnie’s Auto Glass and Collision Center, Save-A-Lot, Sonny’s Doughnuts, Trail Boss, UniFirst, Walmart, Waste Connections, Weaver Brothers Land and Timber Company and Young Estate LLC.

 Numerous radio and TV stations sponsored the Festival by generously airing free promotional PSAs. Radio media groups include Baldridge Dumas Communications, Cenla Broadcasting, Delta Media Corporation, Elite Broadcasting, Red River Radio and TV stations KALB 5 Alexandria, KAQY 11 Monroe, KATC 3, KETK NBC EastTexasMatters.com, KNOE 8 Monroe, KSHV 45, KTAL NBC 6, KTBS 3 ABC, KTVE NBC 10, and WNTZ Fox 48. Print and online newspapers supporting the Festival included The Current Sauce, The Natchitoches Parish Journal, Shreveport-Bossier Fun Guide, and Shreveport Times.

 The success of the Festival was made possible due to the many volunteers from NSU’s faculty and staff, who gave generously of their time and talents. Thanks are due to Dr. Lisa Abney, Debbie Adair, David Antilley, Ashley Briggs, Dr. Patricia Brown, Kay Cavanaugh, Matt DeFord, Curtis Desselles, Mike Doty, Seth Douget, Heather Salter Dromm, Pam Dyes, Bruce Dyjack, Terry Fruge, Det. John Greely, Dr. Hiram “Pete” Gregory, Dr. Greg Handel, Det. Carey Hargrove, Hovey Harrell, Capt. Wesley Harrell, Blayne Henson, Kristie Hilton, Twana Hoover, Leah Jackson, Dr. J. Ereck Jarvis, Lt. Travis Johnston, Dr. Marcus Jones, Phyllis Lear, Lori LeBlanc, Charlene LeBrun, Dr. Chris Maggio, Coach Mike McConathy, Byron McKinney, Ashley Mitchell, Shadana Palmer, Erick Payton, Officer Terrance Petite, Bob Rachal, Charles Rachal, Kyle Rachal, Sheila Richmond, Leonard Sarpy, Christina Shields, Sgt. Bruce Speight, Stephanie Stanton, Officer Tim Swim, Charlotte Thomas, Emily Windham, Mary Linn Wernet, David West, Shirley Winslow, Dale Wohletz, Loletta Wynder, the Red River Sanitors, and Louisiana Folklife Center student worker Alexis Turner, and administrative coordinator Shelia Thompson.

 NSU students included Justin Burr, Brittny Jacob, Erica James, Katelyn Marchand, Ashley Ortego, Addison Pellegrino, Jasmine Poe, Steven Sheerin, Nicholas Small, Randi Sheppard and Gennadiy Vavrenyuk. NSU alumni included James Christopher Callahan, Angel Lewis, and Greg Lloid.

 Thanks also go out to Melanie Braquet, Sherry K. Byers, Don Choate, Jr., Helen Dalme, Dee Fowler, Ted Fowler, Lena Green, Diane Gunter, Dr. Don Hatley, Sue Hatley, Lani Hilton, Isabelle Jones, Peter Jones, Michael King, Henry V. and Nita Maggio and family, Charity McKinney, Jerry McWherter, Lana McWherter, Theresa Morgan, Sheila Ogle, Chris Presson, Jewel Presson, National Center for Preservation Technology and Training interns Richa Pandey and Alison Rohly, Audrey, Gidget, Susan, and Wyatt Rasmussen, Jeri Ray, Clettis Self, Dr. Susan Roach from Louisiana Tech University, Elvin and Betty Shields, Idell Snowden, Lorie T. Speer, Lori Tate, Leo “Buddy” Terzia, Floyd Turner, Mark Weinzettle, Krewe of Excellence member Ralph Wilson, and Angela Robinson with the LSMSA Foundation. Natchitoches Area Convention and Visitors Bureau staff members included Jean Carter, Arlene Gould, Anne Cummins, Katherine Johnson, Hammond Lake, and Madeline Matt. City Bank and Trust Company staff members included David Guillet, Emily Jordan, and Kenneth Thomas.

 Participants from Cane River National Historical Park included Dustin Fuqua and Rachel Thatcher. Participants from Fort St. Jean Baptiste State Historic Site included Tommy Adkins, Justin French, and Rhonda Gauthier. A special thanks goes to the Natchitoches Parish Detention Center trustees and Sgt. Fred Young for their help in setting up the Folk Festival.