#Laudanum

[fuckyeahgoodomens]

The laudanum in Season 2 Episode 3 has a Terry Pratchett easter egg on it! :)

It reads "Guaranteed by C.M.O.T Dibbler & Co. CHEMISTS". C.M.O.T Dibbler (Cut-Me-Own-Throat Dibbler) is a character from Terry's Discworld featuring in many books :).

"C.M.O.T. Dibbler liked to describe himself as a merchant adventurer; everyone else liked to describe him as an itinerant pedlar whose money-making schemes were always let down by some small but vital flaw, such as trying to sell things he didn’t own or which didn’t work or, sometimes, didn’t even exist." - Reaper Man

"‘Anti-dragon cream. Personal guarantee: if you’re incinerated you get your money back, no quibble.’ 'What you’re saying,’ said Vimes slowly, 'if I understand the wording correctly, is that if I am baked alive by the dragon you’ll return the money?’ 'Upon personal application,’ said Cut-Me-Own-Throat." - Guards! Guards!

“Angua picked out the bottle and looked at the label. "C.M.O.T. Dibbler's Genuine Authentic Soggy Mountain Dew," she read. "He's going to die! It says, 'One hundred and fifty per cent proof'!" "Nah, that's just old Dibbler's advertising," said Nobby. "It ain't got no proof. Just circumstantial evidence.” - Men at Arms

[itsscottiesstark]

Here's some of my favorite Crowley on laudanum moments, just because:

1. Death is "just wrONGGG", Crowley said so. No more dying.

2. Because if you don't get high and improvise the unofficial anthem of Scotland (it's canon, Crowley improvised it), what are you even doing with your overly long life?

3. This lil dance is the best, I swear.

4. Reminder, he's looking at a graveyard, at night.

5. Find me someone cuter, I'll wait.

6. It was dark, he was wearing sunglasses, and he was high. Leave him alone.

7. I am petrified.

And bonus points because I will never get over this:

No, don't be shy, get closer.

[daneecastle]

For those who need a little Crowley fluff.

I’m looking for daily ideas to practice my drawing while I work on NANOWRIMO. outside request are welcomed. Pm me or comment.

[justpretendygood]

not just pretendy boop,

but PROPERLY BOOP

I felt like i owe this to humanity, i made this on my phone in 20 mins please enjoy nonetheless

[burningvelvet]

my dealer: got some straight gas 🔥😛 this strain is called “laudanum-dosed wine at the villa diodati on lake geneva in 1816” 😳 you’ll be zonked out of your gourd 💯

me: yeah whatever i don’t feel shit

5 minutes later: dude i swear i just saw mary shelley and claire clairmont talking about reanimation and vampires with lord byron

my buddy percy pacing: dr. john polidori is plotting against us and my wifes nipples have been replaced by eyeballs

[rainbowpopeworld]

From Georgia Tennant’s instagram stories today. I had to add the Crowley on laudanum clip 😅😈🐐

[justaweirdonothingtoseehere]

This

Has the same energy as this

Like… “don’t kill yourself its bad my bro”

[sangitakoos]

Good Omens Dance series Version2

Laudanum

"BOOP!"

Version 2 Finished :D

[alphacentaurinebula]

I need to talk about the Edinburgh minisode, because I have SO. MANY. THOUGHTS.

It's sort of an afterthought minisode in some ways. Before the Beginning gives us so much giddy joy (despite the ominous foreshadowing). 1941 gives us all the giddy romance. Job gives us so much insight into both characters histories and how they came to be who they are and work together...

The Resurrectionists gives us a morality play, basically, but also gives us Crowley high (and HIGH) on laudanum and plenty of bright shiny bits...

...so the morality side maybe doesn't get as much focus.

Which is a shame. Because the Edinburgh episode demonstrates perfectly the flaw in Aziraphale's understanding of the world that leads to him going to heaven.

When we start out in 1827, we are introduced to grave robbing and Aziraphale immediately decides that it is Bad (a sin). He does all he can to prevent the young woman he meets and likes from doing Bad (sinning), assumably to try to pave her way into Heaven. And Crowley tries to help her with her grave robbing, much to Aziraphale's chagrin.

Grave Robbing = Bad; Crowley supports Grave Robbing; Crowley=Bad

When they meet Mr Surgeon, and Crowley starts to ask some pointed questions meant to poke holes in Aziraphale's certainty, he flips entirely the other way, without noticing any of the other moral greyness (like the fact that Mr Surgeon would never take the risks or do the dirty work himself. Which is pretty important, since we learn in Edinburgh in the present that Mr Surgeon was so convinced of his own superiority and importance later on in his life that he started murdering people (probably "unfortunates" like Elspeth) when he couldn't get corpses fast enough).

Grave Robbing = Good; Crowley supports Grave Robbing; Crowley = Good

When he is then confronted with the idea of selling Wee Morag's body, and Crowley points out it is different when it's someone you know, Aziraphale is basically frozen in indecision. He doesn't know what the good thing is anymore.

He spouts the party line about the fact that starting off poor somehow gives Elspeth an advantage when it comes to Heaven, but is unable to explain why or how, not even to himself. And when he's put on the spot as Elspeth tries to kill herself, he doesn't have any arguments to offer.

CROWLEY: Say something! That... convinces her that poverty is ineffably wonderful and that life is worth living. Go on!

But despite all the moral ambiguity present throughout the episode, Aziraphale still sees everything as black and white. First, grave robbing is bad, then it is good. First, Crowley is bad (when he has the opposite position to Aziraphale), then he is good (when he has the same position). Aziraphale never understands Crowley's constant questions are a challenge to the very idea that there IS a 'good' in this situation. He never examines or questions the complex systems of class and sexism and capitalism which force Elspeth to this desperate recourse, or the laws which prevent Mr Surgeon from accessing bodies for research via legal means.

He doesn't see the systemic injustic. He just sees individual moral actors making either good or bad choices.

(and just to deviate slightly from the Edinburgh minisode -- while he says he understands that sometimes things are not just black or white but also grey, in 1941 - I don't actually think his grey and Crowley's grey mean the same thing. The 'greyest' thing that Aziraphale does in 1941 is help a showgirls theatre and hide information from Hell - this is not the same thing as truly seeing that some situations simply don't have a Right Thing to do, or understanding that systems shape and control individuals' decisions, so the idea that humans all have the same ability to choose Right is an illusion.

AZIRAPHALE: You know, they cannot be truly holy unless they also get the opportunity to be wicked.

So it is no wonder at all that when the Metatron offers him the opportunity to run Heaven, he doesn't see a broken institution or systemic oppression/injustice, but rather a series of bad actors preventing Heaven from achieving the Goodness it is meant to represent.

[ola-na-tungee]

Desolation Island Cold turkey Stephen

[bystandrr]

I love this mf but those stupid buttons and that undershirt will be the end of me his clothes are SO COMPLEX

[leoreadss]

You ask, I draw (kinda)

I gave him boobies and a big fat ring! Oh and a dress. The black wings are there cause he missed so much Crowley that had to grow a pair.

@crowleysgirl56 and @xshimaeraxx hope you can sleep tonight lol

and like Crowley with the laudanum,

I'M NOT RESPONSIBLE FOR MY ACTIONS

(but Hell knows I'm having too much fun doing this)

[drconstellation]

The Altar of Eccles Cakes

(updated 21 Oct 2023, for Grain Offerings example) (updated 21 Nov 2023, for link to First Temptation)

The mysterious plate of Eccles cakes. Are they really to "calm people down?' And why do they just ...disappear? They must be there for a reason?

Yes, they certainly are. They are just the first course of a fascinating meal on offer in S2.

So far, most of the meta around the Eccles cakes has focused on the meaning of their name. Eccles is an old name for church. We could view it as Aziraphale trying to calm Crowley down. They are also known as "squashed fly cakes." The white outside and the black inside could be seen as a metaphor relating to Gabriel. Or it hints at the Roger the Stunt Fly, that contain Gabriel's memories, flying around the book shop, who's purpose we don't find out about until the end. There is even a link to the 1650 Sorry Dance that Aziraphale mentioned, in that were banned by Oliver Cromwell for being pagan! (Did I get that right? I've not kept the post link.)

[Edit: They also represent the First Temptation as Jesus fasts in the wilderness for 40 days before the Entry into Jerusalem at the start of the Passion narratives, where bread was made from stones.]

Take another look at the blocking in this shot. The dark horse statue, representing Crowley - even wearing his sunglasses! - has the placating plate of Eccles cakes placed before it, in supplication. Yeah, it didn't work this time, but it's the thought that counts. What we have here is Aziraphale making an Sin offering to the altar of Crowley, to ask for atonement in advance for what he has done (taking Gabriel in.)

Once you frame it in that reference, you realize its not the only altar offering made during S2. It also adds a bit more depth to some of the other scenes, where they have all been mentioned already in some way, but it certainly helps to explain the Eccles cakes!

Firstly, we need to mention the main types of altar offering that are made:

Burnt offerings - for general atonement of sins and for expression of devotion to God. It could be a bull, a ram, goat, or a bird in the form of a dove or pigeon. Such as this magnificent example in the Job minisode.

Aziraphale certainly devoted himself to the sin of gluttony on that occasion. (hang on, that didn't come out the right way, did it...?) But he was still devoted to God, despite his nocturnal conversation with Crowley while they waited out the storm in the cellar.

Grain offerings - a voluntary expression of devotion to God. This was grain prepared in different way, but always seasoned, unsweetened and unleavened. Recall at Gomorrah Lot offered to prepare the visiting angels unleavened bread as part of a meal.

Originally when I wrote this post I didn't think I had any Grain offering examples, but a few days later as I was writing my post on The Ineffable Ducks I realized where the missing S2 Grain offering was - in S2E1, when Crowley yells at the Azerbaijani spies in St James Park. The ducks are usually offered bread, which is leavened with yeast, so technically not quite correct, but when you review all the instances of feeding the ducks crumbs or bread crumbs it certainly fits. Unless you are Crowley, and you'd rather have the current state of quiet "frozen peas" between Heaven and Hell. See my Ineffable Ducks post for an elaboration.

Peace offering - This could be cattle, sheep or goat without defect, but the main purpose to was consecrate a meal between two or more parties before God and share that meal in a fellowship of peace and commitment to each other's future prosperity.

You know where we see one of these? At the eldritch ball!

I did see a nice meta about the vol-au-vents recently, mainly about their name, but I don't seem to have saved it, and can't find it again. They are usually filled with chicken (a bird) and the eldritch ball is ostensibly the shopkeepers monthly meeting, after all, where they are there to talk about their mutual prosperity in the future. Just so happens its also an opportunity for Aziraphale to talk to Crowley about their future...oh, and Nina and Maggie's, as well, of course!

Sin offering - atonement or unintentional sin. It would have the elements of a Burnt offering, as well as a Peace offering, but not be shared. These are what the plate of Eccles cakes are, so they were never meant to be eaten. They were an olive branch to Crowley regarding Gabriel, but he turned it down. So they softly and suddenly vanish away, never to be met with again.*

There is one more altar offering that needs to mentioned, another Sin offering. The one Crowley consumed in Elspeth's place in The Resurrectionists minisode in 1832 Edinburgh - the laudanum.

It pretty clear to most observers that Crowley did a good and "kind deed" for Elspeth here, which angered Hell in the process and then he was dragged forcibly downstairs to be duly punished for it. There is a post here from atlas-hope that suggests this is a parallel of Jesus in the Garden of Gethsemane, drinking the cup of God's wrath to absolve Christians of their sins. They point out the laudanum is even poured into a goblet. Crumbs, that's a hefty bit of spiritual lifting, dear demon. What were you thinking, Anthony J. Crowley? It might cast that conversation you had with the carpenter back on the mountain in a new light, or least make us look back twice at it. (Plenty of time for contemplation before S3 arrives...)

Remember, a Sin offering has elements of both a Burnt offering and a Peace offering: a giant Crowley gets Elspeth to promise to devote the rest of her life to being "properly good, not just pretendy good" and the money Aziraphale is forced to donate to her ensures her future prosperity. Sounds like a win-win situation there, Elspeth!

[*OK, if you don't get the ref, its from the Hunting of the Snark. The Snark represents happiness, a most elusive thing to find, and more often than not its a fruitless search, and you find the terrible Boojum instead. During the third verse the Baker recounts the lecture his uncle gives him about how to hunt the Snark, and to be aware of his fate if he is unlucky enough to encounter a Boojum. It kind of fits in with S2, I feel.]

[aduckwithears]

Let's Talk Laudanum - a GO meta

Hey all - I'm gonna preface this one with a tw/cw for opioids, death, suicide, and substance abuse ok? It shouldn't be too heavy (just canon typical), but I don't want anyone surprised.

Ok! I've been watching some of the Good Omens s2 behind the scenes specials, and in the "Grave Danger" clip it mentions that Laudanum is "...a very intense kind of alcohol, or like ethanol, that would kill somebody…" which is not actually true. In the show itself we see the bottle:

Which confirms that laudanum is a combo of Opium (45 and 1/2 grains per ounce) and Alcohol (40%).

It also says Poison and CMOT Dibbler... The poison angle (is it poison? well yes... if you take enough) has been covered in another post by @queerfables who talked about the make up of laudanum as well. CMOT Dibbler is a great nod to Sir Terry of course :)

What do I want to add? That yes, laudanum is in fact an opioid, and was actually an incredibly popular and over-used drug in the 18th and 19th centuries, both in real life and maybe more importantly in novels of the time. Proceed under the cut!

In my non-duck life I work in a field with some familiarity with opioids, so I also want to add that while yes, opioids can make you loopy, they are ultimately a soporific (meaning a sleep aid, a downer, a relaxant), a pain reducer, cough suppressant, and a respiratory depressant. That last bit is why they can be deadly in the case of an overdose.

So let's get back to laudanum. Yes, it was used post-surgically, but quite often would also be prescribed to (predominantly) women with various aches or pains that their doctors couldn't (or wouldn't bother) investigating. Subsequently women would become addicted to the opioid, needing more and more to achieve the desired effect, leading to eventual death or any of the other mental, emotional, or socioeconomic ills of addition.

Given the above and the era's fascination with the "sexiness" of wasting diseases such as consumption (hmmm, cough plus pain, perfect for treatment with laudanum!) laudanum was also a little bit of a romantic drug. It was also popular in novels of the era such as those in the Gothic Romance genre. (A quick peek at Wikipedia turns up lots of examples... though I'm sure a literature expert of the era would have lots more to add.)

All of which to say! The Resurrectionists as a minisode is channeling some pure Gothic Romance (think Mary Shelley's Frankenstein - pub 1818, etc) so laudanum is the PERFECT poison for Elspeth to pick. It dulls pain and at sufficient doses suppresses the respiratory system to the point of death. Without the modern miracle of Narcan or naloxone, death is all but assured. Of course, then, enter Crowley.

You know what laudanum doesn't do? Give you an Alice in Wonderland experience and make you specifically shouty about people not killing themselves. Now, this could be how opioids affect demons (it's possible), or the more entertaining option is that Crowley has no clue what laudanum is or isn't supposed to do, saw the poison and alcohol label, and decided to have a bit of fun while doing some deniable (the laudanum made me do it! honest!) good. It's also handy that he doesn't need to do mundane human things like breathing. So he gets to sing about Scotland, save the human, and get hugged by Aziraphale - pretty good day... until he gets Lightning Sanded to Hell.

I'll just add here that the laudanum plot line works well if we are taking the minisodes at face value... OR if we are reading them as Aziraphale's version of events of the past, especially with the literary aspect.

Bonus: If you've made it this far, maybe you'll come along with me on a little cross-fandom jaunt.

I'm also a massive fan of the Aubrey/Maturin series - Patrick O'Brian's books set in the early 1800s and starring Captain Jack Aubrey and Doctor Stephen Maturin. If you've read the series or even watched the Master and Commander movie you may know... those two characters have their own odd couple thing going on and quite a collection on AO3 :) . Anyhow. In the books Stephen is hooked on laudanum for a good while, mostly to dull the pain of a love that cannot be acted on. That's actually what got me started thinking about this post since there are certainly some parallels there.

Thanks for sticking with me on this ramble!

[lawsofchaos1]

WIP Wednesday

(on a Saturday because who cares)

I have been tagged by the ever lovely @foodsies4me! And, speaking of Foodsies, if you aren't reading their two most recent WIPS - omg you are missing out. Their Daemon AU (Apollo: Blood Wars) is so twisty and delightful and full of foreshadowing for something I still can't figure out just yet, and I love that I'm still on the edge of my seat every chapter trying to guess what's coming next. Their Arranged Marriage AU (Bridges over Lakes of Salt) basically just went down my list of favorite tropes to check all of them off (Misunderstandings! Good Parabatai Jace Wayland! HoTI Alec!) and is incredible.

Anyways, a bit of of angst has been requested, so please have a little snippet from the final chapter of Laudanum:

The loft is bright, the windows flung wide to let in in the late afternoon sun, and the living room looks so completely normal that it takes Catarina three full heartbeats to turn her head towards the flung open doors to Magnus’ apothecary and understand what she’s seeing.  His heavy oak worktable has been hastily cleared, the several sheets of parchments underfoot and a shielded light-crystal wedged partly underneath the central bookcase speaking to the urgency in which it was done. Magnus sits askew, cross-legged, at the head of the table cradling Alec’s head in his lap. Alec himself is on his stomach, clearly hovering somewhere beneath full consciousness, eyes clenched shut in agony, his struggles weak and uncoordinated as small wordless noises of pain and confusion escape his mouth. Catarina catches only the barest glimpse of liquid gold eyes as Magnus bends over nearly in half, frantically trying to soothe the wounded nephilim. "Alexander-" the desperation in her best friend’s voice pierces her heart, “all shall be well, my love, I promise, just hold on, my darling, Catarina is coming - help is coming and all shall be well, I swear it, just hold on, my love, please,-" And Catarina jolts into action, berating herself already for even the momentary unforgivable pause. A bare two steps forward and she’s in the apothecary, pulling magic to her hands and taking an assessment of her patient.  Magnus doesn’t so much as look up, acknowledging her presence only with a slight change in the distressed jumble of promises and pleas as he promises Alec that help is here, he’ll be alright now, help is here. At the other side of the table is a second Shadowhunter, older than Alec - maybe in her early forties - with her hair pulled back in a complicated plait and lips pressed in a tight, white slash across her face.  The woman glances up to assess the new arrival, her muscles tensing in preparation to act until the meaning of the change in Magnus’ rambling words sinks in and she realizes precisely who Cat must be.  Twin trails run down both pale cheeks as she holds her Head’s hands to to the table, keeping him from injuring himself further. "Please," the woman begs, but Catarina has yet to stop moving.

Tagging @arialerendeair, @spiritsflame, @alexanderlightweight, and @dr-lemurr (and yes I know you only do art, but art WIPs should totally be a thing too - it's so cool to see the process!)

[sonicmike7044]

theyre making a new laudanum. a second smaller one did you know this

Yes modern medicine is wonderful! ^_^