#Large country open concept living room idea with light wood flooring and white walls and a wood stove. modern farmhouse | Explore Tumblr Posts and Blogs

archeradts408 · 4 years

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5 Things Everyone Gets Wrong About simple apartment decorating ideas

apartments for sale north vancouver:

Modern Apartment or condo Layout suggestions: Sliding doors open from the home as well as close it when you're done using it. Due to the fact that there is a higher versatility, open-plan layout is suitable for apartment or condos. When picking colors for your designing, keep in mind that lighter shades look excellent in little rooms. Try a great deal of shades in one space each time so you will certainly understand what benefit you. Usage darker shades on the main living area and lighter colors on the visitor rooms.

If you are actually looking at developing your personal brand new flat, you could desire to start along with some easy apartment adorning ideas. Through concentrating on some crucial elements, you can improve your home right into a condo you can reside in for several years. Here are a few great as well as easy-to-use design ideas that will definitely aid you make your home definitely your own.

One of the most effective home enhancing tips you can utilize is to maintain your storage space as hidden as feasible. This means placing it concealed where it will certainly not be quickly accessed. A storage room complete of footwear can appear like a good idea but if you can't see them, then it won't do you a lot of excellent.

Some individuals like bright colors, which they can accent with https://urbantoronto.ca/news/2018/09/sponsored-post-5-most-expensive-homes-sale-vancouver strong shades on the furniture. If your furniture is black, you might such as to repaint the remainder of the room black, and also make use of a contrasting color on the tables, chairs, and other furniture pieces. The outcome is an area that has a more tidy as well as modern-day look.

24 Hours to Improving decorating ideas for condos

Color stopping: Use 2 or 3 colors to collaborate with other elements. For example, utilize different shades of environment-friendly in the kitchen to highlight the window as well as the counter top sills. If you select to have a wall surface shade with a great deal of white, make use of white for the furniture as well as wallpapers, then use black as accent colors for the wall surfaces and the ceiling.

You might even intend to think about enhancing your bedroom with a country-like design to create a more intimate as well as soothing feel to it. You can find a country-inspired bed frame to choose the colors utilized in your bedroom, such as brownish and wine red. You may wish to think about a comforter and cover with a similar shade.

Big or even little bed rooms can also be actually enhanced in a selection of techniques, relying on the area you must function with. As an example, large bedrooms may be switched into study areas by making use of a desk, seat, and little night table to develop an added seats location. A coffee desk may be actually incorporated to the bedroom to permit you to utilize it for your pc and also a place for analysis.

If you truly want to impress your close friends as well as next-door neighbors, you can make your own custom-made curtains. Even if you do not feel comfy making your own drapes, you can constantly rent a curtain rod from your neighborhood equipment shop. This will certainly permit you to do a custom task by yourself apartment embellishing ideas.

What Hollywood Can Teach Us About efficiency apartment ideas

By doing so, you can really feel a lot more at house and also have a sense of liberty in recognizing that you have your own exclusive room. You can decorate the space, exactly how you wish to as long as you do not breach the enhancing ideas for apartment or condos.

Your artist may begin to administer them as soon as you have actually resolved on some brand new colours. You can easily have a look at pictures of your room before the coating has actually dried, to make sure that you understand what shades will certainly match your furniture. Ask your artist for suggestions if you are not pleased along with the shades that are actually administered. Some people like darker different colors, while others choose light or even light-toned tones. Just don't forget that the brighter shades will demonstrate light and may induce the paint to chip or peel if they are actually being administered on huge areas.

You may also wish to consider including accessories to each area. Things like attractive pillows and also accent pillows can easily add a pleasant touch to any kind of area.

Among the very most well-liked contemporary decorating ideas is actually to create an apartment or condo believe that a house far from home. This could be accomplished along with flooring, curtains, and also furnishings. Right here are a handful of suggestions on decorating a brand-new or refurbished house:

It must go without pointing out, of course, that it is considerably less complicated to find smaller residence interior decorating ideas for studio apartments than for bigger living spaces. Yet even extra surprising are the amount of individuals who really consider their residing area as their "home workplace" where they maintain vital paperwork and focus on crucial ventures. Certainly, interior designers commonly locate it shocking to observe just how couple of additional decor items these customers consider they might handle in a little space.

Floor covering For an apartment or condo, hard wood floors are actually the greatest possibility for the kitchen, residing or even eating area. Lumber is actually quick and easy to preserve and lasts for several years. If you wish to pick hardwood over carpeting, deal with utilizing laminate floor instead of carpeting. Laminate floor has the appearance as well as durability of hard wood without needing to fret about gunk buildup. Since it is simple to tidy, Laminate floor is actually also a great choice for houses along with dogs or little ones.

Furnishings If you reside in an apartment, you'll likely discover it difficult to find furnishings that will accommodate with your adorning concept. A single thing that is common in many flats is actually small dining tables as well as chairs. This makes it easy to generate an intimate setting in a home. An antique table as well as office chair set would operate well if your home has a much more traditional appeal. If your house is even more of a contemporary, eclectic kind of design, at that point a matching collection of home furniture will look fantastic.

If you possess an older structure that has numerous home windows, it is an excellent concept to transform the look of the inner parts of the condo each time you adorn the exterior. You will certainly find that the majority of much older homes are a little bit of boring as well as you can give all of them a little bit of personality by transforming the design as well as colour of the areas. It will definitely make the apartment or condo look considerably various as well as create it look brand-new. On top of that, the more recent, fresher insides will certainly attract new tenants.

A third form of putting up shelves racks that are actually set up on the roof. These possess "bob" type add the wall. If a person wishes to hang factors like art work, books, or just about anything else, they are actually able to make use of these shelves.

Furnishings and Add-on As formerly said, incorporate a living-room like sense to a house is actually one means to improve the design. One suggestion would certainly be to use household furniture that matches the different colors and also concept of the floorings and wall structures. If you have a wood pub set, you can conveniently change it to add a present-day feeling to the room. Furniture and also add-ons should not https://en.search.wordpress.com/?src=organic&q=realtor only look really good with your wall structures however match the decoration of the space.

Choose furnishings parts that are actually simple to get around. Due to the fact that you will not always have adequate room to stash furnishings in your flat, this is. As well as if you desire additional area, take into consideration obtaining a much bigger spot.

Do not put home furniture products in drawers and cabinets. If they are actually too significant for the drawers, they will definitely occupy way too much space, which are going to just create your area appearance crowded. Furthermore, it will certainly create it tough for you to acquire the products you need to have, especially if they are actually massive.

Room The absolute most vital element of embellishing an apartment is the placement of home furniture. Spot traits in the appropriate locations to make harmony and make the apartment or condo experience total. Putting things in the inappropriate spots are going to produce chaos.

Always bear in mind to evaluate your walls just before you start organizing furnishings. to make certain that the products you get will certainly fit in the wall room and also concurrently do not take up much room.

Opt for colours that match along with the wall surface and household furniture. You do not need to be also artistic with color choice. Just always remember that a ton of dark different colors will produce your living-room appear smaller than it definitely is. If you are utilizing additional all-natural products like wood, you could additionally want to stay clear of painting the wall structures a lighter color.

Light-toned shades are actually consistently far better than dark different colors. This implies that the shades need to be lighter than the wall different colors to give a feeling of height. Additionally, decide on colors that are actually neutral-tones.

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architectnews · 3 years

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Skigard Hytte, Kvitfjell, Lillehammer

Skigard Hytte, Norwegian Cabin Architecture, Scandinavian Holiday Home Building, Lillehammer Images

Skigard Hytte in Lillehammer, Norway

12 September 2021

Mies van der Rohe Award 2022 Nomination

This Norwegian cabin building is one of 85 new works to have been added to the list of the projects nominated to the EU Mies Award 2022.

29 Sep 2020

Skigard Hytte

Design: Mork-Ulnes Architects

Location: Kvitfjell, Lillehammer, Norway

Casper and Lexie Mork-Ulnes (Mork-Ulnes Architects) have recently completed Skigard Hytte, a mountain cabin for themselves and their children in Kvitfjell, a ski resort in Norway that was developed for the 1994 Winter Olympics in Lillehammer.

Perched upon the ledge of a steep mountain and framing panoramic views of the valley and river below, the cabin connects to the ground lightly, protecting both the natural terrain and the occasional sheep taking refuge from the weather underneath the house. Its architecture references elements of the local vernacular tradition, reinterpreting them in a rational and inventive project

Skigard Hytte is the first ground-up project that Casper and Lexie Mork-Ulnes have built for their own family. They met 20 years ago on a ski trip and have always shared a love for the mountains, snow, and skiing. They lived in San Francisco and relocated to Oslo in 2011, where they converted a former billiards room in a castle into their residence. With two kids, Lucia (13) and Finn (11), and dog Lupo, they decided to build themselves a cabin in the mountains where they can fully embrace the outdoors-lifestyle of Norway.

After securing a 2,000-square meter site in Kvitfjell ski resort, with sweeping views of the valley, Casper and Lexie began to give shape to the retreat they had always wanted for themselves: the main dwelling with a guest annex, and giving every room a view out. Familiarizing themselves with the unique qualities of the site while camping and being awoken by cows and sheep at their tent’s door, the architects decided to give the house an unusual but straightforward configuration; by lifting it on thin CLT legs and allowing the grass and sheep to remain below, they also created a raised viewing platform above the nature. The location of the cabin gives the family the opportunity to leave directly on skis to reach for the slopes or the shops and restaurants.

An architect’s house can afford to be a laboratory for ideas, a crucible of invention. Casper and Lexie allowed themselves to push the boundaries and experiment with design and material strategies that clients might not have the appetite to test.

In the midst of the ski slopes Located on the west side of Kvitfjell, 45 minutes north of Lillehammer, the cabin designed by Mork-Ulnes Architects is situated 943 meters above sea level, nearly at the top of the mountain (1.039 meters). Its high altitude means the cabin is exposed to severe winter weather, at times being socked in and at times floating peacefully above the clouds in the valley below.

From November until April, one can put on downhill skis and reach the local market to go grocery shopping, returning home using the lifts. On cross country skis one can connect to hundreds of kilometers of trails, reaching country lodges to rest and warm up. In the summer time it’s possible to hike from the cabin to the top of Kvitfjell (which means White Mountain in Norwegian) in about 20 minutes, or reach one of the many streams and lakes for swimming and fishing.

Reinventing the vernacular The project is a site specific response to the context and the cultural landscape. It stands as an example of how architecture can convey past knowledge into the present, creating an affective link with the built landscape.

“We took great care in studying the rural vernacular and analyzing local building typologies as we wanted to fully understand what their forms accomplished functionally and how they shaped the local architectural culture.” Casper Mork-Ulnes

The exterior cladding of the cabin is made of skigard, a 3 meter long quarter cut log that is traditionally laid out diagonally by Norwegian farmers as fencing. While referencing rural architecture, the rough facade makes the cabin fit in within the rugged landscape and forested vegetation. In the winter when the gaps in the skigard siding fill with snow, the house is given a new and softer expression.

The grass top of the cabin also recalls the traditional sod roofs, common on rural log houses in Scandinavia until the late 19th century. Listed by the local planning regulations as one of the few materials allowed for roofs (in addition to slate or wood), the fuzzy top, moving with the wind, helps soften the otherwise rigid rectilinear geometry of the cabin.

The cabin has a regular plan – an enfilade sequence of rooms in a row, following a central corridor – called Trønderlån in the Trøndelag region of Norway where Casper’s mother was born

Life within, life underneath Mork-Ulnes Architects wanted a house that connected to the ground lightly and allowed natural terrain to remain underneath. “The land had a pathway that the animals used to cross and access the steep hillside below, which is still the path to the house. Now the sheep stand under the house in the summer months to protect themselves from the weather.” Lexie Mork-Ulnes

The architects have designed several other buildings on piers or raised foundations, like Moose Road (constructed on steel stilts to avoid severing tree roots) and Trollhus (lifted on concrete legs to protect it from snow), where they learned that it was an effective way of dealing with high snowdrifts and not needing to shovel the house out when the snow accumulates around doors and windows.

Here, they decided to raise the cabin not just to have some protection from the elements while maximizing natural light and views, but also because they didn’t want to ruin the terrain with the earthwork required for a conventional foundation.

A notable feature of the house is that every surface is clad in wood. The unconventional roughness of the exterior log Skigard siding is matched by an almost wholly homogenous interior space where light and smooth solid pine paneling creates an intimate and cosy feel, offering few distractions to take the eyes away from nature outside. All of the cabinetry and custom furniture is made of three-layer cross-laminated pine sheets. The all-wood materiality also creates a unique wooden olfactory quality to the house.

“We were hesitant to have any non-wood materials exposed, so the shower walls and floors, toilet flush plates, ventilation plates, and even the refrigerator handles were crafted of wood (Furu or Norwegian Pine). The sauna is clad in Osp (Aspen wood).” Lexie Mork-Ulnes

The program. The program was to have a three-bedroom cabin plus sauna and an annex that gave guests private space to retreat. Deferring to the natural landscape all around, Skigard Cabin engages the outdoors in a spectacular fashion. Two facing 6 meter-long floor-to-ceiling walls of glass provide the open-plan living, kitchen and dining area with a grand vista, creating the experience of being outside, exposed to the ever-changing scenery. The large southoriented glass wall allows low winter sun to illuminate the house during the day. In addition to the glass walls, a skylight at the apex of the frustum ceiling channels natural light into the living areas.

The first approach to the house is walking up the stairs to the veranda, where one first experiences the spectacular view through a portal clad in heart pine.

There are two doors on either side of the portal which open to the main house (left) or guest annex (right). Upon entry to the main house, one finds a hallway with direct access to a mud room where one can remove outer layers of clothing and shoes and enter the house. Under the first frustum skylight, the entry hallway also accesses the childrens’ two compact bedrooms and bath.

After walking through the compression of the hallway space, one walks back into nature finding a room composed of two long walls of glass – with views of the valley and ski slopes on one side and woods and meadow on the other. The great room houses the main communal space containing kitchen, lounge and dining area. At the end of the great room one finds the master suite – with bathroom and sauna.

MUA’s designs testify to the office’s strong bicultural mentalities: a blend of Scandinavian straightforward practicality and Californian openness to innovation. Casper and Lexie Mork-Ulnes prove once again their ability to design projects where the ideas of the architect and the interior designer are distilled and refined in perfect balance. The Skigard Hytte project witnesses this quality where a careful attention to the interiors becomes one with the general architectural composition.

Mork-Ulnes Architects

With offices in San Francisco and Oslo, Mork-Ulnes Architects is the recipient of Architectural Record’s 2015 Design Vanguard Award and was named by the Norwegian National Museum as one of “the most noteworthy young architects in Norway” (Under 40. Exhibition, 2013). Mylla Cabin, a retreat they completed in the Norwegian forest, was nominated in November 2018 for The European Union Prize for Contemporary Architecture – Mies van der Rohe Award.

Rigorous and concept-driven, the practice is based on built work that is both playful and restrained, and informed by economies of means and materials. Since its founding by Casper Mork-Ulnes in 2005, Mork-Ulnes Architects have worked on a large range of projects including master plans, mixed-use buildings, ground up residences and 100 square foot cabins, and have built on 3 continents. Current projects include: a master plan for a new community in the California Sierras; a mixed-use, waterfront community in the Bay Area; a cross- laminated timber home in Oregon; a surf cabin in Brazil; and a 90,000 sf mixed-use building in Norway.

Design: Mork-Ulnes Architects

Photography: Bruce Damonte

Art Museum and Cinema in Lillehammer images / information received 290920

Location: Lillehammer, Norway, northern Europe

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The Plus Furniture Factory, Magnor Architects: BIG image © Lucian R The Plus Furniture Factory, Magnor

The Twist at Kistefos, Jevnaker Museum Architects: BIG-Bjarke Ingels Group photo : Laurian Ghinitoiu The Twist at Kistefos, Jevnaker Museum

Hillside Home, Oslo, southern Norway Design: Derlick Architects photo © Melissa Hegge Hillside Home near Oslo

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Comments / photos for the Skigard Hytte, Kvitfjell, Lillehammer design by Mork-Ulnes Architects page welcome

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homedecor2106 · 4 years

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5 tips and 20 ideas open concept kitchen living room

Open thinking is an excellent plan for making a small home experience larger, and for a close-knit family that loves to entertain. If you revel in preparing foods without being separated from household or guests, an open concept is the best choice for your home. No count how much you love an open layout, be organized for some tricky décor challenges! Choosing the proper furniture, colors, and patterns can be a little complex.

open concept kitchen living room

1. Choose wall colors carefully:

Different colorations can help outline separate areas, so select colors in the same tone household to create a seamless flow from one area to another.

2. Furniture:

If you have a country-style oak eating table, try to pick out the same fashion furniture in your dwelling room. Avoid anything that is too opposite, like the latest minimalism in the living room and a united states of America theme in the kitchen. Try choosing the identical wood, material, and style for every section of your open thinking room.

3. Window treatments:

Make positive you use the same theme throughout, and that all of your home windows look identical. Different shades, blinds, and curtains can create a big, massive decorating mess.

4. Accessorize:

Tie in the add-ons from your kitchen into your living room. If you have brown-hued granite countertops, pop a fuzzy throw in the identical color household onto your couch. If you have a set of red-hot KitchenAid appliances on your counters, use the equal red pillows on your couches. You can even join your guest tub decor with a red towel or rug, or even a bouquet of purple flowers to tie the appearance together. Throw in some wooden image frames with photos of the household to personalize your spaces!

5.Lighting:

The right lighting can outline each area of your open-concept layout and assist in visually separate them. Floor lamps in the living room work well, whilst a pendant lamp in the kitchen blends in effortlessly.

Get now perfect open concept kitchen living room

open concept kitchen living room

Large Living room with vaulted ceiling, open to the dual-tone white kitchen cupboards with dark lowers. Black and White make a daring decorating statement!

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4-Beautiful open floorplan with white kitchen cabinets, contemporary dwelling fixtures, and pink decor.

5-Such unique ceiling designs in every

6-Large Living room with vaulted ceiling, open to the dual-tone white kitchen cupboards with darkish lower. Black and White make a daring redecorating statement!

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9-Open concept living, dining, and kitchen.

10-Open floorplan Living Room, Dining room with Gray chairs, and Kitchen with Gray cabinets. Multi-lantern light, double-sided stroll via pantry, beverage bar, more butlers kitchen. A chef’s dream!

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12-Open thinking living, dining, and kitchen with the blue, white, and black color scheme.

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14-Gorgeous vaulted beam ceilings in this open floorplan dwelling room, kitchen & eating nook. A huge furnace with a present-day mantle in the household room, and tall white kitchen cupboards on the different side.

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Builder: Khovanian

Minimalist modern Open concept design with Dark Kitchen Cabinetry.

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18-Design open concept kitchen living room

19-Some different thoughts for Open Concept Living Room Ideas – Looking for open-plan dwelling rooms ideas? Open-plan residing has slowly emerged as a section of our daily lives and a fashion in the world of indoors design, from a domestic workplace inside a dwelling room to a kitchens-diner. These areas must be properly designed and in a position to make use of the first-rate of the common room in their function. Here are some pointers for making the most of your open-plan space!

20-To make open ground plans work, every vicinity of your domestic ought to lift one or greater fashion factors over into the subsequent room. For a dwelling room, take your cue from the kitchen’s costly-to-change fittings and reproduction their colorings in softer textures in an adjoining sitting area.

open concept kitchen living room | Lighting

Make your kitchen shine vivid with elegant lighting.

Your kitchen is the vicinity the place all of us comes together. Make it extra inviting with fashionable kitchen lighting. With so many choices to pick out from, you’re certain to locate the proper suit for your decor. For rustic and farm-style kitchens, appear for chandeliers with timber detailing to carry the area together. If your decide on a greater current look, take a look at out pendant lights with glossy chrome finishes. Not simply for fashion purposes, your kitchen lighting fixtures must additionally assist preserve the area quality and bright.

To virtually set the tone, appear for kitchen lights that is like minded with a dimmer switch. This is best for shared areas that encompass your kitchen and eating vicinity in one room. When it is time to cook, maintain your lights shiny so you can see what you are doing. Set the tone for dinner with dimmed lights it really is tender and romantic. The proper kitchen lighting fixtures can additionally make your area seem to be bigger. Choose single pendant lighting fixtures for a present day seem that will maximize your space.

The residing room is typically the greatest room in the house, a hub of exercise the place a range of things to do take region day and night. Making certain that your residing room is desirable and fantastically lit for gathering with family, entertaining, relaxing, reading, staring at TV or films and all the different things to do that take area in this central section of your domestic is greater complex than inserting a dimmer on an overhead mild and calling it a day.

A nicely lit residing room ideally have to have layered lighting fixtures that illuminates all 4 corners to create stability and a quality atmosphere. It can consist of a combine of ambient, accent and project lighting—chandeliers, wall sconces, desk lamps, ground lamps, recessed lights and even candlelight—to illuminate the room for differing atmospheres and purposes. Here are some brilliant thoughts to assist encourage your dwelling room lighting.

What is the best month to renew your home And why

1. January – Jan. 2. February – Feb.

3. March – Mar. 4. April – Apr.

5. May – May 6. June – Jun.

7. July – Jul. 8. August – Aug.

9. September – Sep. or Sept. 10. October – Oct.

11. November – Nov. 12. December – Dec.

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minneapolisminnesotakqqc547 · 4 years

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10 Factors To Explore Msp Flight Terminal.

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As soon as you have actually authorized up, you get a vital or passcode, which you after that.

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Escanaba.

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Points To Do In Minneapolis.

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. Pop right into in your area started Aveda to example some items, get a pre-flight.

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10 Reasons To Check Out Msp Flight Terminal.

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regional craft beer from Stone Arc or a Tattersall craft cocktail from the.

Alcoholic Drink Area at 18th & & Central.

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Minneapolis Minnesota.

Initially run by General Mills, the mill exploded as well as captured fire.

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Annual Events In Minneapolis.

youtube

From hip children to rich professionals, the cool stores in Uptown.

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St Paul Minnesota.

Izzy's Ice Lotion is a gelato establishment, with stores in Minneapolis.

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favorite gelato spot.

10 Reasons To Check Out Msp Airport Terminal.

"" New amazing stuff to do in Minneapolis, Minnesota"" Back to Leading or Enchanting.

Getaways,

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arplis · 5 years

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Arplis - News: Exciting Rustic Hallway Lights

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The Rochester- hallway – modern – hall – los angeles – Design West. Raumspartreppe Bielefeld mit geringer Ausladung Größe 2 eBay. 9 Simple and Modern Tips Can Change Your Life: Attic Storage Rafters attic remodel interiors . See 80 photos and 5 tips from 2927 visitors to Bielefeld. All green. Mary Taylor . See more. The historical City Hall Mainz, Germany, Bielefeld, Places, Deutsch. Book Arcadia Hotel Bielefeld, Bielefeld on TripAdvisor: See 45 traveler reviews, 34 candid photos, and great deals for Arcadia Hotel Bielefeld, . 11Room tips A little bit outdated and the hallway on the 1st floor smells a little funny (not nice). Aside from dark corners, one part of the house that may not be given much attention is the hallways. The hallway is the path that leads to other parts of. Displaying photos and pictures is a great way to decorate your hallway, whether . a small letterpress workshop in Brighton that produces hand-printed limited . Hallway design ideas for whatever space you have to play with. . with feature wall Easy hallway transformations Hallway Decorating PHOTO GALLERY . Explore Annika Persson’s board “Hallway” on Pinterest. See more ideas about Bed room, Entrance hall and Entry hall. We think it’s about time your hallway decor made a comeback and joined the stylish . A carefully constructed gallery wall puts family photos on display, and a Closet space is limited and it’s easier if coats/boots are right there in the winter. Browse hallway ideas and landing photos to find hallway storage, furniture, wallpaper and other . 1 – 18 of 202,200 photos By CUBIC Studios Limited. How about muted white or pastel colours? You can still put accents, for example, on the front sides of the hallway, or in spatially limited areas, such as between . 2 thg 3, 2018 – Family photos aren’t limited to living rooms. . of family pictures is the focal point of this minimalist hallway in the Manhattan home of Michael J. 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Arplis - News source https://arplis.com/blogs/news/exciting-rustic-hallway-lights-2

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samuelmmarcus · 5 years

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Florida Beach Cottage

This is a post you want to save and come back to anytime when things are feeling a little blue, because I can almost guarantee that this home will leave you feeling a little lighter and much happier.

To say that I love this designer’s work is an understatement. She design homes that are tailored without losing their soul. In another words, she design interiors that are meant to be lived in and not just looked at.

Lisa Peterson, interior designer and co-owner of Pineapples, Palms, Etc. has always dreamed of living in a comfortable, relaxed, Florida Cracker style cottage, with views and breezes from the water that create her “Barefoot Dream” lifestyle. Peterson and her husband were fascinated by the “Old Florida” appeal of Hobe Sound. The unincorporated village, adjacent to Jupiter Island, is a little slice of heaven. Covered with Banyan trees, the neighborhood they chose to build their home was laden with history. The lot next door housed an Ice House in the late 1800’s and the stretch of Intracoastal waterway in front of the home was once the site of a ferry landing for boats to carry perspective land buyers to Jupiter Island.

“Cottage on Cabot” was built with the true Florida Cracker architecture of the past, and blends perfectly with its historic surroundings. Cracker architecture was used widely in the 19th century in Florida. Florida cracker homes are characterized by metal roofs, wrap around porches, long and straight central hallways from the front to the back of the home. Peterson loved this concept so she incorporated many windows and doors that open onto the large deck, allowing the constant ocean breeze to fill the house.

Pineapples, Palms, Etc., is a popular retail and interior design store in Jupiter, just 15 minutes away from the home, and is known for its crisp, modern coastal style, with a unique brand of casual elegance. The sisters opened the store in 2001, and it remains in the same location today, providing interior design services to locals, as well as many professional athletes and celebrities that reside in the area. Peterson took the vibe from the store, which is loaded with one-of-a-kind pieces and comfortable, slipcovered furniture and infused Cottage on Cabot with a similar energy. The result is open, airy and inviting.

All furniture and decor are available through the designer.

Interior Design Ideas: Florida Beach Cottage

You start falling in love with this beach cottage the moment you see this custom-crafted white gate and arbor with a circular design. How enchanting!

A New Path

The stone pathway is Key West Coral stone.

Home-Sweet-Home

Lisa’s main goal of this home was to achieve a home that fit the Old Florida neighborhood it sits in. She wanted it to look as though it could have been built 60+ years ago. As for the interior, she wanted something relaxing and tranquil that felt fresh and clean.

Architectural Style: Low Country, Florida Cracker.

Square Footage: 2900 (inside) 3700 (outside).

Adirondack Chairs:here & here– similar

Year Built: 2017

Timeless Details

Large wraparound porches, metal roof, lap siding, louvered and Bahamas shutters adds to the curb-appeal of this beach house. The exterior paint colors are custom.

Front Door: Custom.

Bedrooms: 3

Bathrooms: 4

Lanterns: here & here – similar.

Front Porch

The front porch offers a breathtaking ocean view.

Lighting: Bevolo Lantern (similar here) and Visual Comfort.

Daydream

The porch flooring was handcraft from old dock wood.

Vacay

I really hope this home is bringing a hint of magic and happiness to your day!

Foyer

Welcome home! The front door opens to a bright foyer with shiplap walls and wood shiplap ceilings. The large Pecky Cypress custom mirror complements the custom console table.

Entrance Table: Custom Made – Others: here, here, here, here & here.

Rattan Chairs: Ralph Lauren – Others: here & here.

Pillow: Hila Pillow by John Robshaw – similar here.

Rug: Dash & Albert – Other Beautiful Entry Rugs: here, here, here, here & here.

Kitchen

Design elements such as French wide plank white oak flooring, white marble countertops, white cabinets, shiplap walls, open shelving and an oversized kitchen island, truly make this kitchen feel timeless and current at the same time.

Kitchen Island: Oversized 9′ x 12′.

Counterstools: LEE Industries- C-5203 – Available through the designer – Others: here, here, here, here & here.

Kitchen Countertop & Lighting

Countertops are Extra White Calacatta Marble.

Lighting: Visual Comfort (available through the designer) Other Beautiful Lighting: here, here, here, here, here & here.

Faucets: Dornbracht – similar here.

Sink: here – similar.

Cabinetry & Backsplash

Kitchen Cabinet Details: Custom-wood shaker cabinets in Super White by Benjamin Moore.

Backsplash: Walker Zanger subway – similar here & here.

Cabinet Hardware: Mix of RH and Armac – similar: pulls, knobs & latches.

White Pitchers: Homeowner’s collection – similar here, here, here, here & here.

Sconces: Visual Comfort.

Floating Shelves: Custom.

Paint Color

This cozy nook is the perfect place for morning coffee. Wall and trim paint color is “Benjamin Moore Super White”.

Pillow fabric is China Seas, Quadrille, and John Robshaw – Available through the designer.

Ceiling Treatment: Shiplap in satin “BM Super White”.

Small table was custom made.

Dining Room

This stunning dining room features a one-of-a-kind dining table. The antique 1800’s farmhouse table was originally from Belgium.

Other Beautiful Dining Tables: here, here, here, here, here & here.

Host Chairs: Lee Industries – Available through the designer – Others: here & here.

Side Dining Chairs: Rattan side chairs from Arcadia Design Group – Similar: here, here & here.

Chandelier: Visual Comfort Linear Darlana Polished Nickel – Affordable Option: here & here.

Flooring: The flooring throughout the home is French wide plank White Oak – similar here, here & here.

Family Room

This open-concept Family Room features the same stunning shiplap walls and pitched ceiling. Floor-to-ceiling windows and French doors open to a waterfront porch.

Sectional: Lee Industries – Available through the designer – Others: here, here, here, here, here & here.

Swivel Chairs: Lee Industries – Available through the designer – Others: here, here & here.

Coffee Table

Coffee Table: Custom made – Available through the designer – Other Beautiful Coffee Tables: here, here, here & here.

Candles: Feathers Touareg Scented Candle.

Pillows are China Seas & Quadrille.

Fiddle Leaf Tree: here – similar

Rug: Stark – Similar: here, here & here.

Powder Room

This powder bathroom is filled with great ideas! The designer used an antique table as vanity and added a vessel sink. Mosaic marble floors, board and batten wainscoting and a Phillip Jeffries wallpaper complete the space.

Wallpaper – Phillip Jeffries Aux Abris in Reed Pattern – Other Beautiful Wallpaper Ideas: here & here.

Sconces are Visual Comfort.

Mirror is by Abner Henry Bittner Circular Mirror – Available through the designer – similar here & here.

Flooring: Blue Celeste and White Thassos Marble – similar here.

Faucets: Newport Brass.

Sink: here – similar.

Guest Bedroom

Crisp white elements are beautifully contrasted with navy blue decor. Wall, trim and ceiling are Super White by Benjamin Moore.

Bed: Lee Industries, Tufted with rails – similar here.

Chair: Lee Industries with Quadrille fabric.

Pillows on bed – Quadrille

Lighting: Oly Meri Bowl.

Nightstands

Nightstands are Worlds Away Pagoda Nightstand – similar here.

Rug: Dash & Albert.

Classic with a Twist

This bedroom feels serene and classic. I love the blue and white motif!

Bed: Lee Industries – available through the designer – similar here & here.

Artwork: Gyotaku Fish Print on Cobalt Linen – available through the designer.

Framed Dalai Lama Quote Art: Sugarboo Designs – available through the designer.

Nightstands: Bungalow 5 Valentina – Others: here, here, here & here.

Mirrors: Mirror Image Home.

Lighting: Arteriors

Bedding: here & here – similar.

Master Bedroom

How dreamy is this master bedroom, right?! The stunning decor is complemented by vaulted ceilings clad in shiplap. Paint color is Benjamin Moore “Paper White”.

Bed: Vanguard Cleo bed in Aztec White linen – available through the designer – Others: here (similar), here, here, here, here & here.

Bench: Lee Industries – available through the designer – Others: here, here, here, here & here.

Chairs: Lee Industries.

Lighting: “Ro Sham Beaux Malibu”.

Bedding is Matouk.

Rug is Dash & Albert.

Nightstands

Nightstands: Vanguard Pebble Hill Three Drawer Chest in white finish (Available through the designer) – Others: here, here, here & here.

Lamps are Global Views.

Pillow fabric is Kravet.

Window Treatment: Plantation Shutters.

Barn Doors

Painted in Benjamin Moore “Super White” these custom double barn doors lead into a serene master bathroom.

Accent Table: Worlds Away.

Tub: here & here – similar.

Master Bathroom

The master bathroom features custom framed mirrors and a custom double vanity with shaker cabinets painted in Benjamin Moore Super White.

Coral Sculpture is from Pineapples, Palms, Etc and done custom by a local artist. – similar: here.

Cabinet Hardware: RH Lucite pulls – similar here.

Countertop: Calcutta marble.

Faucets: Newport Brass.

Chandelier: Robert Abbey Bling – I love this chandelier!

Sconces are Visual Comfort.

Flooring

Bathroom Flooring: White Thassos hand laid herringbone floors.

Wall Paint Color: Benjamin Moore Paper White.

Vanity Chair: Worlds Away Klismos Chair.

Window Treatment: Plantation Shutters.

Shower Tiles: White Thassos Subway.

Mudroom

The mudroom features plenty of shiplap and an inviting work station.

Chair: Bungalow 5 Jardin Faux Bamboo Chinoiserie Lattice Side Chair – Others: here, here, here & here (in turquoise).

Runner: Available through the designer – Other Hallway Runners: here & here.

Lighting: Sconces & Pendants.

Back Porch

Outdoor slipcovered dining chairs make this back porch feel inviting and comfortable.

The outdoor furniture is Summer Classics & Lee Industries.

Porch Swing

This dreamy porch overlooks the Intracoastal Waterway and it features a white porch swing. How perfect is that?!

Porch Swing: Custom – similar here, here, here & here.

Pillows: Available through the designer.

Chair: Summer Classics.

Many thanks to the interior designer for sharing the details above!

Interior Design: Pineapples, Palms, Etc. (Instagram & Facebook).

Photography: Jessica Glynn Photography.

Cabinetry: Leeds Custom Design.

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Nordstrom: Anniversary Sale!!!!

Posts of the Week:

Beautiful Homes of Instagram: Coastal Farmhouse Design.

Florida Beach House Interior Design.

White Kitchen Renovation.

Beautiful Homes of Instagram: Modern Farmhouse.

Coastal Shingle Home.

Neutral Home Design Ideas.

Top 5 Timeless Coastal Design Trends.

Coastal-inspired Home Renovation.

Southern-inspired Modern Farmhouse.

Coastal Farmhouse Home Decor.

New Desert Home Design.

Beautiful Homes of Instagram: British Columbia.

Reinvented Classic Kitchen Design.

New England Home.

Beautiful Homes of Instagram: How to Build your own Home.

Interior Design Ideas: Home Renovation.

2019 New Year Home Tour.

Beautiful Homes of Instagram: Urban Farmhouse.

Beautiful Homes of Instagram: Fixer Upper.

Small Lot Modern Farmhouse.Beach House Interior Design Ideas.

Tailored Interiors.

Modern Farmhouse with Front Porch.

Dark Cedar Shaker Exterior.

Classic Colonial Home Design.Grey Kitchen Paint Colors.

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Lead me in Light and Love”.

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lukin08 · 7 years

Text

The Ice Master

Yay! It’s Kristoff weekend!

Rating: K

The sign above was freshly painted and affixed to the wall and overhead from the second story with a rather large piece of metal and ornate finial jutting out. It was a sturdy fixture and would take some effort to remove. But that was not the plan. It hung there solid and strong; a silent declaration of permanence.

He could make out the words a few blocks back. Exactly the point, but he had hoped perhaps it would have been a little more inconspicuous. But he should have known with who held helped design it. Embossed over the ice blue background were the words as prominent as could be- “OFFICIAL ICE MASTER & DELIVERER of ARENDELLE”. They were a bright white with two exceptions. Both the snowflake emblem and word “official” were shining against the morning light in gold-leaf of the highest quality.

“Anna,” Kristoff said shaking his head a few times with a small smile on his face, before reluctantly reaching for the door.

Kristoff never thought he’d end up here even after they’d spoken about it on numerous occasions. This thing that had started out as definitely not a thing had taken on a life of its own.

Elsa had asked him casually about it one fall evening. They were all relaxing in the study after a dinner he was invited to. Anna sat next to him, a respectable distance away, but she was still right there and he found himself lost in her as she recounted something that had gone on in town that day.

He finally came back to the moment when he heard his name. He turned to see Elsa looking at him with a knowing smile. It was clear that was not the first time she had tried to get his attention. His cheeks flamed red when he had to ask what she had said.

It was a simple question and Elsa had asked it so casually about what he planned on doing first as Arendelle’s official Ice Master.

And he laughed! He tried to strangle it before it left his mouth, but it still came out sharp with a high pitch. He felt the heat rise up again from his neck to his cheeks. Anna turned and placed her hand on his knee and despite her reassurance that definitely did not help matters. He was mortified. His reaction to that ridiculous question was involuntary and completely inappropriate. But Elsa had smiled and tried to cover up her own giggle at him. It was Elsa, as she kept telling him to call her. She was Anna’s sister in that moment of privacy for the three of them.

I’m friends with the queen, Kristoff thought, almost laughing out loud now, turning the handle of the door. The entire notion was ridiculous. But there was a small piece of him who would love it, maybe, just maybe once, to be able to lean back and cross his arms at some snooty merchant who always had a way of looking down at him. “I am friends with the queen, you know,” he’d say and it would almost be worth it to knock them down a peg or two. He’d never do it. He couldn’t drag Elsa’s name down in public with the likes of him.

Kristoff stepped into the building and was brought back to those first conversations with Elsa. She told him to think about it and they should talk soon. Anna’s sister may have spoke to him that night, encouraging him to think about what could be, but it was his queen who requested an audience with the Ice Master two weeks later.

He thought them both mad after meeting with her. They talked for hours about ice and how the harvesting trade worked and what could be done to improve it. Trade out of Arendelle was still small and Elsa wanted to change that. Still caught up in the excitement of the conversation, Kristoff agreed to form Arendelle’s Royal Harvesting team. Before he could change his mind, Elsa had a decree written up and there was no backing out.

It started off small that fall. Kristoff managed to scrounge up a group of men to form a small team. It had taken some convincing on his part to get them to even believe that Arendelle now had a royal harvesting team, led by him of all people. But the offer of a fair and steady wage throughout the winter was enough to lure them in. Arendelle would fund the excursions the first season with the hopes it would be enough to kick start a flourishing trade. They were a ragtag but strong group, all of whom Kristoff knew to be honest and hard workers. None of them could be considered his friend, but each of the men had at least treated him fairly in the past.

The winter harvesting season had gone surprisingly well. Besides a few minor incidents, everyone returned unscathed with more ice stored in the ice houses up in the mountains than Kristoff had calculated they’d be able to pull from the frozen lakes. Kristoff had started the season with great trepidation and questioning his ability to lead anyone. Before he left on the first trip, Anna had said to just be himself and as long as he treated the men how he would want to be lead, it would all be fine. It was simple, straightforward and brilliant, and he took her advice to heart. She always knew what to say to calm him. Anna had a way of looking at the world that tilted his entire perception of it. Her optimism was infectious and it made him fall in love with her a little more each day.

Those cold winter months had gone by in a blur. He spent his time between harvesting trips and with Anna. There were sled rides and lying curled up together next to the fire and whatever little adventures Anna would come up for them. When he wasn’t with her, Kristoff’s thoughts constantly drifted to Anna. He could actually feel how happy he was and as much as he loved his work, there was a pull now bringing him back down from the mountains.

Winter had been magical. Winter was his element. He could make a difference in winter.

Spring made Kristoff nervous. It was when all the work from winter had to start paying off. Orders needed to be scheduled and deliveries planned out. Ships needed to be booked to meet trade agreements with countries. New ice houses had to be built the second the ground thawed enough to put shovels to earth. It all left a pit in Kristoff’s stomach at his ability to live up to all that was being asked of him.

He was always good with his ledgers, that wasn’t the problem. It was keeping track of where everything was and laying his work out in some order that made sense. Kristoff found himself often in the library at the castle with his papers scattered about only to have to pack everything up when he was done and find some place to store it all without losing account of what he did. But he was making it work. It was all fine until the night Elsa found him hunched over a desk asleep with several ledger books and papers strewn across the floor.

That’s what did him in. It was the reason he was standing in front of a door under the large blue sign, hesitating to enter.

Elsa insisted an office be made for him in town. He tried to protest, but she didn’t seem interested in having that discussion with him. It would take a few weeks to be ready, was all she said and then he could have a proper place to organize and conduct his business.

Might as well get it over with, Kristoff thought opening the door and entered his new proper work area. The room was large with a window along the back wall that overlooked the docks. To the left was a desk for a clerk that was starting tomorrow. Be nice, Anna told him when he complained about it. He didn’t want any help at first but the more he thought about it, the more he realized he needed it desperately. He made a mental note to go over one more time what they would discuss tomorrow.

Kristoff walked slowly to the other side of the room where his desk was. He ran his hand along the wood as he walked around the side. It was big and sturdy and someone had gone to painstaking efforts to make sure it would fit him perfectly. Kristoff pulled out the chair, sitting slowly down. He took a second to scan the contents of the desk. Everything was laid out meticulously. Anything he could possibly think of needing was already there for him. Kristoff knew instantly that Anna had done all this.

A grin plastered his face and he leaned back, closing his eyes and thinking of Anna. Kristoff’s thoughts drifted to last week when they had gone for a ride away from town and stopped in a clearing. As they laid on a blanket, Anna chatted away about his upcoming move. She had been so excited to show him what she was working on for the new office but was determined to keep the details as much of a secret as possible. They somehow started talking about his title and he kidded her about it being made up again. Anna laughed and pushed right back. Then she lifted her head up from his chest with a glint in her eye and asked if he was aware the title could be passed down.

At first he didn’t understand. It took a few moments to realize she was talking about passing the title to his child if he was to ever have one. His arm tightened around her, but he wasn’t able to speak. He never considered the possibility of having children before meeting Anna. He was resigned to a life of solitude. He admittedly had caught himself thinking about it recently, but it was more of a vague concept. Anna bringing up the title was the first time they had even remotely said anything to each other on the topic and the idea both terrified him and left him with a warm feeling he never experienced before. Kristoff held back telling her what he wanted to say. There would be a time for that later. Instead he looked into her expectant eyes and pulled her into a kiss.

The bell on the top of the door broke him from his train of thought. It swung open and Kristoff looked up to see Anna entering with a basket hanging from her arm that was no doubt a lunch offering. She scanned the room quickly and when their eyes met, her face lit up. He couldn’t say for certain if this crazy idea was all going to work or if he would be able to live up to all the expectations he’d put on himself. But Anna was looking at him with such pride that he knew one way or the other they would be fine. Was it all worth it? Definitely, he thought standing up to meet Anna as she came up to him, wrapping her arms around his neck and standing on tip toes to kiss him.

#kristoffweekend2017 #Kristoff #the ice master #edin what did you write #I've used this title before not on tumblr #but I couldn't think of anything else decent #so I'm sticking with it

56 notes · View notes

bifacialler · 7 years

Text

jesus Ler posted a fic-something somebody call the police

So it’s been 9 months - I looked it up, that’s how long it has been - when @jupiter235 left me a prompt that was... “royal/peasant AU”, I think?

And so I immediately had this idea, which was that stupid cliche fantasy stuff we all love to hate and hate to love, and also in some smaller part of my brain I remember some fine humorous Russian fantasy I grew up with.

Then, I listened to some good old Russian fold rock - followed by the ethnic explosion in my brain, and the concept of THIS was born.

And so “The Forge-Sister and the Silver Heart” was born, which sturdily became technically less about Bog and Marianne Mar’yanna, and more about... women? Mothers, daughters, lovers. Witches, born and becoming. Fate, calling, and destiny. Love, in variations. I’m personally a big fan of Plum in this, like she is half of the reason this piece is becoming what it is.

Be warned: this is a) like a prologue since Bog is not even a part of the story (yet, depends, I kinda want to see how this launches off), and b) it’s different from my usual writing style? Like I’m using actual badly formed sentences, and like descriptions, to set the mood and stuff, and not suffering a sever case of post-poetic verbal constipation. You should be all proud of my attempts. I’m growing as a writer.

Please let me know what you think (I’m not posting it on AO3 just yet, let’s see how it goes).

The First Song: On rising winds

The fire kindled quietly in the small iron stove. The dancing orange glow behind the ornate iron grate send long and dusky shadows to run over the walls, painted with colourful pictures of exotic birds, the carved filigree of the windowsill in flowers and vines, bouquets of dried herbs adorning the curved ceiling in lavish garlands, and the Gypsy, a shawl of green and blue, tall hair in hues and curls, tied with a glimmering scarf, her skirt swapping the floor. She stepped as if in a dance, cast bracelets ringing when she wrapped herself tighter, a glance of mock fury thrown over her shoulder, and the children, brown bear fur coats up to the red frosty buttons of their noses, dropped snow in melting blobs on the clean wooden floor before the closed door and shuffled on their feet.

They were not scared - fine, maybe a bit - and she was not angry. See, it was a game, the one they played quite often. The gypsy would turn, in a dewdrop patter of coins on her clothes, and pull her painted bright lips into a thin line, hands hard and demanding on her hips, everything about her a-clatter.

«What do you want?» she would ask, their barbaric language becoming poetry in her mouth, knowing full well the answer, and the children would mutter between themselves, until the smallest, with red knitted fur-trimmed gloves and golden messy curls falling over her face, would step forward, flap eyelashes over her huge green eyes and a smile with a single missing front tooth.

«A stowy, Pl’uma!»

And the others would nod and call in agreement. «Yes, Pl’uma, tell us a story!»

«Fine!» Pluma the Gypsy would smirk at a way their tongues struggled with her foreign name, raising a finger to her lips, and tapping pensively. «But what do you have for me in return?»

This part changed: sometimes there were coins, small coppers found or received for sweets, or honeyed nuts, or, sometimes, a doll, dry straw and colourful yarn and shiny black button eyes, and in autumn, there were apples, red like a maiden’s blush and sweet like her kisses. New songs, fresh gossip, little secrets from these little people. They brought her flower crowns in spring, and handfuls of berries in summer, but as time would have it, the cold swept the land, smell of winter cutting sharply into lungs with a gust of frost through the mountain pass and the price had to be payed, because nothing was free. They should have known, they should have started to learn, even at their age, that nothing was free.

Her hand stretched forward expectantly.

«Well, off with it.»

The small girl looked back, her friends nudging forward, and signed in an unabridged dismay, tugging on her coat, under the thick scarf with dripping tassels, and pulling out a small ball of white fur and life that crooned softly, disturbed from his sleep.

«We found it in a bawn,» she said and passed it, a tiny creature with wide scared dark eyes, to be placed onto a surface of flat open palms with long dark painted claw-nails. «Mama is not letting me keep it.»

A small nose sniffed, a wet mitten swiped over puffed cheeks. Other petted between a pair of perky white ears. The girl’s sigh was nothing but wistful.

Pluma pondered, while the cat-creature’s pink nose poked against her thumb and a scrawny head, barely a few weeks old, the last batch of autumn, perhaps, looked around with curiosity, inherent to his kind. It would not have survived a winter, not alone, but there were things that had to be said. The beast opened its maw and let out a loud hungry call.

Pluma nodded. «I accept this trade. A cat will do this house good.»

She glanced around her wagon, before going to the cupboard above the stove. Cat placed on her shoulder, she retrieved a wooden bowl and filled it with thick white liquid. «But this is a serious gift, children.» Her look was pointed and sharp, even as she set her new pet on the floor together with the bowl, softly touching its short ruffled fur. «A gift of life is not the one to be given lightly.»

The children, all five of them, all different ages and faces and families, the baker twins, the innkeeper’s son, and, of course, the Elderman’s youngest, huddled like sparrows at her door in a mess of grey and brown and wool. Just children.

The kitten drank loudly, in large hungry gulps. «I think I have a story I can tell you,» Pluma stood up and motioned towards the bench before the stove, before busying herself with the pot starting to boil over. They didn’t wait - coats pulled off and tossed on the floor, legs untangled from heavy boots, they rushed to the seat, climbing on with their feet, few leaning on the table.

«Is it about a pwince?» The young one hopped excitedly, and Nad’ya, the farmer’s girl, large and soft-spoken, tried to make her sit still, like a frustrated mother, redoing her messy braids. «I want one with a pwince in it.»

«Oh, it has a prince alright,» the gypsy hummed, pulling out sugared dry-breads and jug of freshly brewed herbal tea. «But more importantly, this is a story about giving a life.» Nails scratched against wood. “And taking one.”

The cat, satiated, warm and more comfortable, parted from his food, rubbing itself against her boot.

The fire crinkled, shooting sparks, and the wind started to howl outside, slowly rising. Tea steaming from crude clay mugs - sage and thyme and just a bit of fire root against the colds of coming days - she settled on the stool, lighting the stick of essence behind her back, filling the room with memories of faraway lands she remembered as if she had been there the day before.

«Once upon a time, away from the borders of our Svetovir, beyond the sea in a Kingdom of Storms lived a King and a Queen. The King was tall and proud,” she sat up, chin raised high, her voice dropping, and the children sniggered. “With a strong jaw and wide shoulders, and the eyes of brightest sky-blue. He ruled his land from the Eye of Storms, a tall tower-like fortress on the edge of the ever-tempest seas, and his rule was harsh yet just, and he was equally feared and respected. The King loved his people, but even more than that, the King-” and she paused, picking up the cat and setting it on her lap. “The King loved his Queen.”

“Was she pretty?” That was Elza, the less bearable one of the ginger duplets, face in a polka dot pattern of freckles that danced cheekily whenever she grinned and she grinned a lot. “The Queen usually is pretty. Or kind. Except in our country.”

The gypsy’s fluttering hands stopped.

“Well, someone has been listening to conversations that there were not old enough for,” the girl bowed her head, freckled face going aflame, but Pluma just smiled. “Don’t know if she was pretty, and I can’t quite call her kind. But they said that the Queen was like the thunderstorm itself, her hair glowing like a fire catching a branch after a lightning had struck it, and in her was the warmth of a fireplace and a joy of battle. She was the home where the King was the country. And most importantly, the Queen loved her King.”

She took a sip, and listened to the wind. It hummed in low baritone, gently starting to rock her humble abode, much alike last year, and the year before that, but this time, there was something in its song, a worried note that she couldn’t quite put a finger on. If Pluma could tell any better, it sounded slightly… distressed, if a wind could.

“They lived in peace and harmony, as much of harmony and peace the people of the Storm could have, for their nation is one of vigor and glory, joyous bubbling chaos and united community, but the years went on, and sadness creeped into the tall walls of the Storm’s capital. For as much as the King and the Queen loved each other, they couldn’t have a child.”

“They should have buried a coin,” Kaleb grunted, and the rest picked up approvingly.

The cup made it halfway to the gypsy’s lips before going back down. “Excuse me?”

“Everyone knows that if you want a child, you have to bury a coin in the cabbage patch. In return you get a baby,” Nad’ya, tying a bow in wavy blond curls, examining it, undid it into two dangling ribbons, her thick fingers dancing with easy practiced grace.

“Aren’t you well educated, children,” snigger stuffed into her cup. “Your parents told you that?”

“Our parents buried two,” Elza nudged her brother with her elbow, with an evil kind of smirk only children were capable of. “His was rusted.” Pyotr, bird-boned, white-skinned, rubbed his arm with a frown.

“This is fascinating, but on to the story.” Back straight, cat purring on her lap as it pawed the string of beads, Pluma turned her head so that her profile would glow in the light of the stove and throw a shadow on the wall above them. “The King and the Queen prayed for a child, to their God and ones beyond, but no one answered. They called to all the healers and whisperers, but none could give them a solution. And then, one day, a ship arrived in the capital’s harbor, carrying traders and their goods, just like it does in our land, except that on that ship arrived an old man with skin as dark as coal, his hair gray like ash. He came to the King and said:

“I know of your troubles and I give you solution. Take a ship and go south-west, straight to the edge of the earth. There you will find a land unlike yours, verdant and full of life, yet hot like the sun itself. Walk it like a common man would, till you sweat nine sweats and wear off nine pairs of boots, and then you will find the one, who sings the birdsongs and wears the feathers, who can brew love into a potion, who knows the secrets of life and can cheat death itself-”

Mouth agape, crumbs sticking to her face and in her golden hair, Sophia gasped. “A biwd-witch!” The others hushed at her like she just cursed.

“Father said there are no such things as bird-witches,” sitting straight and proper, Nad’ya curled her hands around the cup. “They are made to scare children into doing their chores.” She rolled her eyes at such ‘childish’ idea. “Do your housework or the bird-witch will come at night and steal you away.”

Little rose lips plumped, the smallest girl huffed. “Na-ah! Bwother said he saw a biwd-witch once. She was an old hag with a cwooked nose and wotten teeth and-”

Elbow perched on her crossed knees, Pluma rubbed her temples with a cringe. “Yes, whatever would we do without Rolànd and his sure mastery of all things. Now, do you want to listen to the story or not?”

A choir of little voices rose in agreement. Still flustered, yet appeased by another sugared bread, the girl tugged down her skirt - and not just a skirt, but a little masterpiece with red flowers in red wool blooming along the dirty rim, surrounded by green leaves and even a few colored glass beads, not unheard off in Prval, but not common either - something a few would actually wear in their day to day life. Like the Elderman’s favorite little girl, for example. Or Pluma herself.

“But you were right. The old man talked about a bird-witch from a far away land, and the very next day the King kissed his Lady Queen goodbye and set away to find her, with a fleet of his finest ships, their bellies full of greatest treasures. He travelled for months and month, through storms that sunk ships and still waters that drove men mad. And only when he barely had any hope left, the land appeared before him, with tall sand walls of cities, temple pyramid roofs rising over them, and further, where dry earth turned into a deep forest, above which mountains tore the sky with their white fang-peaks...”

The wagon filled with eerie silence, interrupted with quiet munching, crackling fire and the old boards of the wagon creaking. The cat purred, gnawing her fingers, and further into the depth of her home, colorful curtains fell over her pillow-covered bed in a feeble attempt at seaming comfort. They sat, unmoving, mystified, with that glimmer in their eyes that one day may have grown into something that would have set them on a road away from this town on a road through a mountain pass. There are men and women who did this every year, young people who thought that there was more to life than stories Pluma told them. Oh, the parents should have run her off from this spot years ago -

- and she would have left, but all the places started to be the same a long time ago, they were the same and not home, they were the same and different, not where she wanted to be, not where she belonged.

Pluma swallowed as her mouth ran dry.

“It was glorious, children. Blindingly bright, loud with music and voices, it was a land of scholars and tradesmen, of rulers and reverent beggars. But all of that didn’t matter to the King. He searched the land - dressed in black and leather, as it was the custom of his people, sweating the nine sweats and wearing off nine pairs of fine high boots - up the mountains and down the valleys, along rivers and in the deepest of forests. Slowly, his people left him, taken by disease and vices, and all his treasures disappeared, exchanged for goods and favours, but he found her. A handful of men by his side, he found her…”

Trembling feet tucked under the stool, she breathed, and fingers flying to her aching chest.

“The air was hot and arid, in spice and cinder, oils, cedar and saffron seed, and the sun was a fiery lover, filling the wings with shine as they flirted with the winds. Her clothes were silks, and trinkets were gold, her winds, long and colorful, handing down back, and hundreds of flowers adorned her home as she herself was adorned, loved and cherished. The daughters of the richest men came to her doorstep and asked for beauty and love, for health and long life, and paid with jewels and cloth and exotic foods. He too came to her, tall and proud and hopeful, and asked her to make a life where there was none. He told her of a love and of a country and of a family, and she listened. And when he was done, she said that he was asking for something that she was not able to give.

‘How?’ said the King, his proud wide shoulders falling. ‘I travelled across the seas and sweated nine sweats and wore off nine pairs of boots but you turn me away?!’

The bird-witch in blues and emeralds and sparkling pinks just shook her head. ‘If you asked for health, I would have given you elixirs. If you asked for strength, my answer would have been a brew. But you ask for a new life to be created, and for a life to be given one has to be taken. This is not the magic of my kind.’

“But I was told!.. shouted the King stomping his foot,” - Pluma’s fist hit the table and the cups clattered. “I was promised!”

“Well, not by me! The bird-witch was having none of it. So fool on you!”

“So the old man lied to him?” Pyotr’s delicate hands drummed on the shawl covering the table. “But shouldn’t the King have figured it out? You said he was smart.”

“My dear child,” Pluma’s tone, turning soft with a kindness that came from pain too personal for them to understand. “The King was smart. He was wiser than most, and kinder than some, and he was righteous in his own right. But this world is made of powers beyond us, powers we can’t control. And to some those powers do good, and to other they do bad.” She glided her hands over the cloth, straightening an invisible wrinkle. “Do you know, children, what is the greatest power of them all? I already gave you the-”

“It’s love, isn’t it?” Nadya’s stern gaze was directed to the window, but she clearly addressed herself towards the gypsy. “It’s always love in these sort of stories. Love conquers all.”

Nadya’s, the farmer’s daugher from the home unfull, always had plump red cheeks and a stern voice, too… tired for her age. “It doesn’t, though. Right?”

“Love conquers some. And some,” Pluma bowed her head, and the smell of sandalwood filled her nostril. “Some, it ruins.”

“And what ruined the King is that he loved so very deeply. So what he did next, he did out of a great fear, that his heart and the heart of his Queen would never be complete. And so he left, in the day, but came back in the night, with the ropes and the gags, and he bound her all up, and he gazed upon the bird-witch and said: You are lying to me. You can bottle love and you can return youth, you can give strength to the feeble and make any girl more beautiful than the next. You say a life should be given for a life to be made? Well, how about I give you yours.”

The wagon rocked with a sudden strong gust of the wind. The wooden walls, curving in an arch above her head creaked, and the children squeezed from the sudden movement, mimicked by something awaked under another shawl in the back of the wagon. A couple of confused little tweets - and it went silent again.

The gypsy stood up to check upon it, and then returned, patting the walls on her way. “Don’t worry, this old thing can stand through a dozen more winters harsher than this.”

“Pl’uma, what did the King do?”

Heart heavy, she sighed. “The King stole her away. He stole her away, her feathers ripped off her back so she won’t escape, using her own belongings to pay his way. He traveled with her back to the sea, and whenever he went the birds stopped singing and the flowers dropped their bloom. He bought himself a ship with the jewels the Sultans of White Mountains once threw at her feet for a single smile. And with a sail raised, the King set himself back to the high cliffs of his home.”

“Sail ripped and tattered, and the King himself battered, he returned home, where storms themselves turned against him. He kneeled before his Queen, and weeped. Bird-witch locked away in chains down below, he weeped: I have failed you, my love. She will not give us what we seek-”

“Maybe he should not have taken her away from her home, if he wanted for her be nice.” Piotr noted, carefully examining the bottom of his mug.

“Oh, this is where it gets interesting, children. For while the Queen brought the King to her heart, drowning his sorrow, the bird-witch, a child of skies and magic, heart-sister, who could make women beautiful and men young, who sang heart-songs of that made love bloom, scrathed her claws against the walls of her prison, and tugged the remaining feathers off her back-”

- in her mouth they went, feather and nail and bone, and blood and pain, and the foreign skies frowned and weeped at her song, and ripped at themselves in thunder and lightning as she ripped at her bare skin -

“- and cursed him, the King, and all his kin, and sang the rights that were not hers to sing but she sang them anyway, that deep went her hate and fury, such foreign feelings for someone once bathed only in adoration.

“A life for a life, she wailed, a Princeling for a King. For where one life will begin the other will end. For every strenght - a weakness, for every truth - a lie. And love itself - just loss. Loss and heartache.”

Sophia meeped, tucking herself under Nad’ya arm. “Bird-witches are scawy.”

“Oh, child. Bird-witches are daughters of Earth and Sky, their craft as old as the time itself. But they are also, most importantly, women. And there is nothing more dangerous as a woman scorned.”

“So like our mom,” Elza chewed, and swallowed, whipping her mouth with the back of her hand. “She has this look when Papa comes from the market a bit… you know…” She leaned forward, as if sharing a secret. “Drunk.”

“So she did give them a child, just as the King wanted? And he let her go?”

“She did, telling him just that, and well, the King, regretful, brought her back her feathers, but she didn’t leave. The bird-witch stayed right there, in her dungeon, waiting: through summer winds that carried the scent of wild-flowers, and their brothers, the autumn ones, cold and fresh, to the very snow of winter, in the midst of which, in the darkest of night, rose a Great Wind, the likes of which was never seen even in the Kingdom of Storms. It rolled clouds into cyclones, roared with thunder, and flashed with lightning, and in the witching hour, just before the walls of the castle erupted with the voice of a new heir, one of the tongues struck the Grand Tower, setting it on fire. It burned so bright, it turned the sky aflame. That very fire took the life of the proud King of Storms. And left the Queen with a child, that turned quieter by the minute. Because if the King’s heart was his strongest, for the Princeling’s small heart was his weakest.”

“So the Queen, proud as she was, fire-hair falling down her back, went to the witch, and begged her-”

Blood down her gown, sweat still to her brow, babe to her chest - ‘A life for a life, and this one’s life is not yours to take.’

‘This life was not yours to have from the start, Storm-sister. This is not our fate. ’

‘A life for a life and my child has done nothing to you! But you took from me, so give back. Know your prices, Heart-sister.’

“-and the Bird-witch gave up. Of her neck, she took a small silver bell, that ran like dewdrops falling on the edge of a sword, like tears on the strings of a lute, a gift from the lover long gone, and pulled it over the Princes’ head. And just as she did, ringing it, the child started to cry, and the small hairs of raven wing on his head turned stark silvery white.

‘From now on, this is your son’s heart,’ said the Bird-witch to the Queen. ‘And as long as he lives, it must be with him. Keep a good eye on him. For if he loses it, there would be nothing you could do.’

“And then the Bird-witch, her curse fulfilled, wrapped herself into her wings, turned into the Great bird of Heaven, and flew out of the window. The Queen never saw her again.”

Stretching her back, the Gypsy, let out a moan. “And that’s the end of the story, children, and about what one asks for, and the prices one must pay.”

They stared.

“But the Pwince, what about the Pwince?!”

“Well, I have a few ideas, but they are for some other time, and some other story-”

Something slammed against the door, followed by a row of hard knocks.

“Pl’uma! Open up!” The voice belonged to a woman, and ran as loud as the wind, or maybe even louder, a hammer of a hand unstoppable in its insistent knocking. “I really hope all those kids you have there are in one piece and preferably not in a cooked state!”

Their distress forgotten, the mentioned children giggled as Pluma turned their way with a mock gasp. “Oh no, children, the evil blacksmith has come to take you away! Run, children, quickly, before she gets you and makes you work at her forge! Run!”

Rolling out to the door, cat petted on the way out, they dressed, quickly and messily, Elza waving her hands around like ‘the Bird-Witch’, and Sophia tugged on Pluma’s colorful skirt.

“Can I come and play with the kitty tomowow?” she asked, scarf askew, her coat closed on all the wrong buttons, which they immediately rectified together.

“Yes, of course, dear, if the weather’s good.” The gypsy tapped the button of her nose, and the child laughed. “Now quickly, get dressed, your momma will be worried if you don’t get home before the storm hits.”

The door opened and they poured out, loud and fast, and a person calling them pushed herself flush against the side of the gypsy’s home.

“Come on, quickly,” a woman, short and sturdy - no, a girl, her age betrayed by the still soft oval of her face, yet already touched by the prices one must pay - clapped her hands, as the children hurried scurried pass her - except for the Soph, of course, who stopped by her side and did a little curtsy.

“Thank you, Tet’a Maw’yanna.” She paused, her lips pursed, and then smacked her own forehead. “Daddy weally likes the swowd you made him.”

“Well, I hope he does. He paid good money for it.” The blacksmith raised her hand out of the large gorge of a pocket, huge in comparison to her narrow and long palm and fingers, in stars of red and white burn scars, and slowly, with hesitation, descended it upon the child’s head, patting it, first uncertainly, but then with almost wistful warmth as golden curls tangled under her touch. “Run along to your mother, little bird.”

The girl started after her friends south, where the outskirt road pulled into the main one, better, and a small hike to the gates of the Prval - the Golden tooth of the Svetovir mountain range, the one and only way to the North Kingdoms for miles to go, and it could have been a major trade hub. Could have, if not for the Storm.

The wind played with the stray hairs, sticking out of the blacksmith’s messy obruch - not a young girl’s hairstyle, even by a long shot, but at least she did that. At least she didn’t cut her hair at all.

Head still turned in the children’s wake, the craftswoman hummed. “She will grow up… so pretty.”

“Ain’t everyone in that family just that?”

“Pluma, don’t.”

“I heard the strangest thing, Mar’yanna.”

“Don’t,” the blacksmith snapped her head and cringed with a heavy stare. Six years, and it only got better - her winded lip twisting with a sharp angle exposing gritted teeth, and the smash of raw emotion cutting through her yellow eyes that still made the gypsy catch her breath. What gifts this girl had, some gave up everything for less. If only that what was given was taken - then even Pluma herself would have thought twice to poke at her. But the blacksmith was as stubborn as she was talented, and the gypsy, well, she had a habit of been bored a lot.

“Apparently children think they were found in the cabbage, Mar’yanna. Did your father find you in the cabbage as well?”

“No, I was found amidst horseradish - what do you think?”

“That would explain your bitter attitude, dear.” Lock of hair tucked under her gold-thread headscarf, Pluma wrapped herself tighter into her shawl against the crashing wind that shook her home. “Do you think this is the one?”

The girl shrugged, the mass of bear fur rising and falling, eyes trailed towards the far-off edge of the sky, where clouds gathered into a large wall of grey. Her thin lips pursed in disapproval. “Looks like it. It’s late this year, though.”

The Gypsy stepped down the small wooden stairs, boots immediately sinking into the snow, skirts billowing by her feet. She stood still, breathing, icy air filling her lungs, and listened to the voice of the skies, its concerned song, as if it was a song for her, yet so foreign that she couldn’t quite get the words.

It sounded like a warning.

“Maybe it was waiting for someone?”

Mar’yanna groaned. “Well, I don’t know about someone, but it was probably waiting for your koftan to be done?”

Weather forgotten, Gypsy almost jumped in excitement.

“She finished it? Show me, show me!”

Burlap sack almost ripped out of worm hands, she dug in, pulling out a thick heavy coat, tailored, with dark fur trim, and a wide embroidered pattern all the way around the edges, and blooming flowers on silky material. Pressing her face into a large fur collar, Pluma smelled lavender and sage, the tale of mountains and forests, so common to this particular place. All things considered, Prval had its charms.

“Your father should count himself a lucky man, having daughters like you two.” Shawl shrugged off right there on the snow, she pulled the coat on, and gave a sigh of relief from the immediate prickling of hard fur through all the layers of her clothes, and the steadily growing inkling of warmth. Latches closed with deft fingers, hands patted down the narrow fitted waist, and Pluma the Gypsy nodded, turning back and forth. “By the sky, he’d better.”

Mar’yanna leaned against the painted wood, her thumbs hooked over the rope of her belt.

“You should worry less about my father, and more about how you will pay. This is a lot of a material, expensive material, those clips alone took me time-”

One half-turn, collar raised, and Pluma poised at her with something of a long forgotten wicked charm. “I know my prices, dear. When did Pluma ever do you wrong?”

The blacksmith just rolled her eyes.

“Just what did you promise my sister?”

With a wink and a wave of a hand, Pluma disappeared into her wagon, shuffling through her cupboards, pulling out bottles and jars of colorful glass, tugging a few bands of herbs off the ceiling, and a final step, opening a large trunk, which served as one of the benches, and taking out a small pouch of dark velvet.

The craftswoman stepped in, knocking snow off her boots. “If you really think that a few salves would be enough-”

“For your hands,” the gypsy moved one of the jars her way, and smirked at how the girl’s lips curled. “Bothering you again, I see.”

“What else?”

Another bottle. “For your sister’s sunlight of hair. The braid is turning heads already but-”

“Oh, please don’t.” Landing herself on the bench, the girl turned the bottle in her hands. “If I hear another wailing off-tune love song under my window, I’m going to start pouring molten iron over them. And that would be a waste of damn good iron.” The bottom of the bottle placed back on the shawl. “Maybe you can give her something that will stop her from falling for every boy she meets.”

Pluma just laughed, setting herbs on the table. “Impossible. That girl’s heart is a spring song, and we need a bit of spring, now that the storm is here.”

Mar’yanna rubbed the crease of her forehead. “It gets worse every year.”

“Or: you can get married, so she could have her turn. The older sister, then the younger, as it is a custom.”

If looks could create flame, Pluma’s house would have been on fire already.

“No.”

“Just a suggestion, sister.” Older fingers caressed the webbing of burns on the younger ones. “Don’t worry, price will be paid. The crows will have his lying tongue in due time.”

Hand pulled away, the girl bared her teeth. “Can we wrap this up? The storm is coming. I have to get the house ready.”

Yet, still, her eyes blinked once too often. Poor child.

“Here,” the gypsy placed the pouch last. “I think you’ll find this more than enough.”

The girl tugged the binding with suspicion, one, another, and pushed the finger inside, sharp eyes looking down the length of delicate pointy nose - and then clavicles sharpened surprise, lashes flying.

“Is this-?”

“Yes,” Pluma nodded, setting herself on the edge of the table.

The pouch opened even wider, and the girl hooked her finger, raising her arm, and a thread of beads, round and even, every single one - a perfect star ripped from the sky. They gleamed in her hands, and something so innocently joyous flashed over the girl’s face, before being replaced with indignation.

“Pluma, this is a fortune!”

“So is that coat.”

“This is an arm-length of pearl, Pluma! We can’t take this, it’s worth five of my swords!”

“Or one really good one if you put your mind to it. Or a wedding dress of Prval lace, which would take your sister three months to make? As I said, your father was blessed with trully gifted daughters.” She looked down one of the mugs left on the floor. “But those will be worthless in comparison if you ever decide to wear what you keep hidden even from your sister-”

The table erupted, mugs turning. The blacksmith rose, and it was as if the lighted of stove fire itself dimmed before her.

“SHUT YOUR MOUTH.”

“You are burying you gifts, featherling.”

“Shut. Your. Mouth.” She leaned forward, and shadows ran over her face, where eyes burned with molten gold. “If you speak of this to anyone, I will cut your tongue out with your own herb knife.”

Oh, what does she know. What does she know, bird unhatched. Angry little thing.

“Don’t threaten me, sister.” Pluma curled. Her claws, barely growing, pulled back. “Yours is not the only secret I keep. And that knife actually needs a sharpening.”

The Blacksmith breathed, letting out discontented huffs, then, finally groaning, she picked up her sack, starting to toss her payment into it. “Fine. Bring it when the winds let down.”

“Or you could come by again. I do enjoy our talks.”

“Unlike you, some of us have work, a lot of work to do.”

“So do I! You think those salves make themselves? Honestly, by now they pretty much do, but even I am not that good.”

“Pride is a sin, Pl’uma.”

“Now, don’t go offending me with just one, dear. I’m sure I can find myself a couple more. Lust, for example.”

Mar’yanna chuckled. “Oh yes, Tan’ya still tells everyone about that miracle cure you gave her husband for his… problem.”

“Problem? Please. Having five daughters - now that’s a problem.” The wind wailed with new force, and the wagon shook again. Pluma raised her head to the ceiling and the swinging herbs. “I hate to throw you out, but it is high time for you to go. Can’t risk this town losing its one good shear sharpener.”

The blacksmith nodded, stomping to the door, and the gypsy followed. The outside greeted them with thick chunks of snow falling, slamming against the patched ground, and clamping in piles.

“Looks like you were right,” Mar’yanna jumped to the ground and tucked herself tighter. Her face barely rose from the thickness of her coat’s collar, but it still frowned up in concern. “You’ll be fine, right?”

“It’s just a storm, little bird,” Pluma caught a piece of falling snow on the palm of her ringed hand, and squeezed it tight, melting water between her fingers. “I’ve lived through worse.”

Non-believer, the girl eyed the melting water dripping. “Take care then.”

She set off down the trail, away from the cliff the gypsy chose at her home, slowing down for one last mirthful goodbye thrown over her shoulder. “I’d hate to lose one good herb-gatherer this town has.”

Pluma the Gypsy watched her as she disappeared behind the turn, a mass of dirty brown fur with a sack over her shoulder, and sighed to herself and the sky.

“You are late,” she said, reproachingly.

The wind howled in response and threw snow in her face.

“Oh, cut it.” She turned to hide in her home. With her last step, Pluma turned, shaking her finger at the heavy dark cloud. “And don’t you dare blow me off this mountain.”

The sky didn’t reply, but she still would swear its color grew softer.

And then, just as she was about to close the door behind her back, the wind suddenly stilled, and all grew silent, so that the air itself froze around her. The fire stopped crackling, and the branches seized their urgent waving, and in that silence, like an arrow shot, like a fall of melting drops in the birth of spring on the clear steal of a sword -

- ran a bell.

And Pluma, for the first time in years, froze, breathing shakily, her unbearably wide painted eyes pulled towards the white curtain of the horizon.

Oh, she spoke in a tongue that was only hers in this land of mountains and snow, her jaw clenching, claws stabbing hard into the wood of her doorframe. Really?

The wind, the snow, the rustling forest and the panicked creaking of her home came back, yet she stood, trying it hear it again.

It didn’t return. It didn’t have to.

Feathers at the back of her neck bristling, Pluma pulled herself into the darkness of her home. When the only thing left was the shining bright of her eyes, the door of the wagon slammed shut.

Come then, the feather-thief’s son. I’m waiting.

#strange magic #forge-sister and a silver heart #i wrote this shit #suzie be proud i'm learning description from the best and failing miserably #the story about metric ton of snow and solving all your problems with manual labour and drinking #unless you are Plum #then you are just salty af

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homerenovationmadisonwi · 5 years

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The Many Faces Of Farmhouse Design

Farmhouse design has swept the nation from coast to coast. You can find people in high-rise apartments and the outskirts of suburbs near Madison WI surrounded by “country living” décor. When it comes to the farmhouse decorating trend there is more than one definition. And, it doesn’t work with every lifestyle.

Elegance meets farmhouse design in this master bedroom.

Begin with an accepted definition: Farmhouse decorating is warm, cozy, relaxing and full of charm and character. It shifts the home back to a simpler time. Unpretentious is another word often associated with it. As is “all-American.”

The basic elements of the farmhouse theme trend include:

Sturdy furnishings – often hand-crafted (or created to look that way). Heavy emphasis on rich wood and metal.

Family-style – large, inviting family-friendly furniture and accessories.

Openness – from the open concept blending spaces to open shelves in the kitchen.

Classic color palette – bold colors give way to white, gray, sage and cream. Often accented with dark green, blue or black.

Features wood – from unfinished woods like birch, oak and pine to distressed, reclaimed wooden features.

Welcomes nature – displays of cut flower and houseplants link the home to the outdoor world.

While style and appearances count, the farmhouse style puts function ahead of everything else. Small touches lie deep apron sinks and overhead task lighting with large kitchen island work spaces set the stage. Convenient seating and open space in the kitchen create a functioning gathering space. A no-nonsense country kitchen lends itself to modern hectic lifestyles.

Selecting A Farmhouse Design Approach

This farmhouse kitchen blends modern convenience with the look and feel of another era.

In Madison the range of home styles spans ultra-modern reflections of Frank Lloyd Wright’s Prairies style, Tudor period architecture, 1960s ranch homes and everything in between. Only your personal taste dictates whether or not your home is ready for a country-look renovation.

When you decide a farmhouse look is what you want, there are at least 5 different styles considered to be “farmhouse.” They include:

Traditional Farmhouse

Modern Farmhouse

Rustic, Western Farmhouse

Vintage, Cottage Farmhouse

European Farmhouse

These different variations on the same theme reflect designer’s desire to create a farmhouse theme for almost any architectural concept.

The Traditional Farmhouse

The design and décor of what has come to be called the “traditional farmhouse” is the most sought after concept for kitchen and whole home remodels. For many, this is THE farmhouse. It is popularized in agazines, videos and TV programming. This version of the farmhouse includes design features like:

Comfortable furniture with plenty of cushions and accent pillows.

Heavy emphasis on natural materials

Heavy, functional furnishings

Using unusual accent elements like tools, Mason jars and baskets

Weathered wood and wood-look flooring

Aprons sinks

“Shiplap” walls – note, shiplap has become a misused generic term for any time narrow boards are fastened to the wall and it is going out of fashion.

A More Modern Approach

One New York interior designer says the modern farmhouse style takes the traditional version and “shines it up.” It’s refined. The hallmark of a more modern farmhouse is using fewer furnishings and less all-white décor. In the modern approach you’ll see more dark blue, dark green and even black. The modern look includes:

Using more metal – lighting fixtures, larger faucets, range hoods.

An industrial vibe – using more metal for shelving, heavy-duty pendant lights, etc.

Subway tile – more common in a modern approach, especially when accented with dark colors.

Refined finishes – more polished wood and stone.

Hammered metal sinks

Out To The Ranch

There’s a rustic, western farmhouse theme, too. It allows you to bring in a western flare – including more southwestern colors and designs. The western farmhouse or ranch style includes:

Heavy beamed ceilings and reclaimed barn wood.

Open, slab-sided wooden shelves

Differs from traditional farmhouse by using more weathered, raw natural elements

Colors are usually darker

Because its definition easily blurs between traditional and modern this is the “anything goes” form.

Country Cottage Meets Farmhouse

A rustic, cottage style is another variation on the farmhouse theme. While it leans toward traditional there is more room for frills and personal touches. Ruffled curtains, tea towel accents and decorative dishware are common. Feature setting the cottage style apart include:

Fabric skirts beneath white cast-iron sinks.

Architectural trim like chair rails and dish rails to spotlight collectables.

Lighter colors but not all white.

Open and glass-front cabinets.

There Are Farmhouses In Europe, Too

Popular design trends brought many European styles to the United States. The French country house is one of them. A French or European design might include:

Cool colors – grays, pastels, whitewash.

Warm woods – scrolled edges, lightly painted.

Verdigris metal and distressed gold fixtures.

Casual, comfortable natural furnishings and finishes.

Let Your Imagination Guide You

There is no one absolute Farmhouse decorating or design style. The concept is many things to many people. That’s one reason it is so popular – your imagination and personal lifestyle dictates what it does and does not include. The farmhouse recreated in your home need not fit into any preconceived mold.

Whatever your personal preference may be, bringing your dreams to life is a challenge. Interior designers keep tabs on the latest style trends and resources. In addition, A professional Design-Build team working hand-in-hand with skilled craftsmen insures your ideas translate to a perfect result.

Elegant, functional spaces do not materialize without teamwork. DC Interiors & Renovation brings its award-winning dedication and skill to every project. Call, email or visit our Madison showroom and see for yourself what we have to offer. Team with our design professionals for a farmhouse design customized to fit your Madison WI home.

Project Portfolios

Interior Design

https://dcinteriorsllc.com/the-many-faces-of-farmhouse-design/

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garagedoorshampshire · 6 years

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Quirky Colourful Interior With Unique Lighting Schemes

Belonging to a proud pair of grandparents, the interior of this townhouse may be considered a little out of the ordinary for the more mature mindset that comes at this stage of life. The first concept from the designers at Art Group was for a strict classical interior, but the modern thinking clients immediately rejected the notion. Instead the homeowners suggested that the team not restrain their imagination: “Guys, do not perceive us as conservatives, do not look at age and social status! We want a modern, bright, even brutal interior.” The team came back with this bustling carnival of quirky colour, pattern and accents, where unique contemporary lighting design contributes in unexpected ways.

To meet the multi-generational needs associated with housing an extended family, the open plan townhouse required some creative zoning. A ‘territory’ was allocated for each generation of the family, and the large living room was defined as a common space for family meet ups.

This is an occasional residence for the owners, as they spend the majority of their time in Almaty, Kazakhstan. The couple acquired the townhouse with the intent of using it as a country recreation place, where all generations of the family could gather and reconnect.

The fireplace is often the focal point of a family room but this one simply can’t be missed, tiled over in bright green and white pattern. A vertical box shelf is mounted to its left to hold cut logs ready to fuel the wood burning stove. A flat screen tv is mounted on the adjacent wall, framed out in white to blend with the wall and art gallery.

The decor may be a little jarring, but the living room furniture is soft and welcoming in taupe coloured cushioned upholstery.

A small divide sections off another sitting place.

Copper cabinets make wow factor in the kitchen. A run of mirrored wall cabinets reflect the lounge area opposite. The copper kitchen also has a central island where family members can pull up a gold stool and chat to the cook.

To the right of the one wall kitchen with island, there is a family dining area next to the window.

Multi-coloured legs twist at the base of the table. Mix and match dining chairs pick out a couple of the hues.

Blown glass light shades dangle like festive ornaments from the ceiling.

Colourful kitsch accessories adorn the dining table and bright artwork creates movement over the wall.

Bar stools perch at the divide between the casual sitting area and the main lounge.

A pink accent chair and matching stools create a crash of colour with a red and blue tribal rug, and red decorative birdcages.

Wavy shelving units interlock to create a unique display point for interesting art and keepsakes.

Mismatched glassware brings colour to the bar that divides the room.

Blue and orange decor fills a third sitting room. Despite the zany character of the room, the furniture is functional and comfortable. The rustic raw brick walls work as a neutraliser of the vivid colour.

There is a symbiosis of paintings by Russian artists, joyous African fabrics and Uzbek ikats, and flea market finds from Spain and Italy.

Layer upon layer goes into the room, with the base layer revealed at the flick of a light switch. Strips of LEDs cut up the wall and across the ceiling at various lengths and intervals.

The striped LED light effect is repeated in various widths behind a double workspace, poking out from behind a gallery of paintings. A trio of pendant lights offer alternative illumination.

In the master bedroom suite, the LED stripes slot inside the gaps of a white slatted wall. If the feature wall wasn’t busy enough, clashing bedclothes and a multitude of home accessories saturate the room decor with colour.

A small white bedside unit stands by a single mirrored closet.

White plaster from the ceiling descends down over the upper part of exposed brickwork walls in a freestyle undulating effect.

A freestanding shelving unit displays colourful accessories, next to unusual wall art.

The slatted feature panel with LED lighting runs the length of the ceiling over the bed, and descends behind a mirrored console table opposite its foot.

Luxurious ensuite bathroom facilities are framed in a picture window.

There is a citrus theme at play inside the ensuite, where lemons are bunched on branches around a freestanding bathtub.

Green and yellow pattern dances merrily across the tile floor and over the walls. A green vanity unit matches the theme, topped by a live edge wood countertop.

Gold faucets match the yellow tones.

Stone basins bring weight and substance to the light scheme.

Another double bedroom is a wild magenta and electric blue concoction.

Pink artwork decorates brickwork walls.

Glass blocks build a headboard feature wall.

Blue floor tiles colour a small WC.

A horizontal mirror helps the room appear wider.

The third double bedroom carries an earthy palette, enlivened by a tribal rug.

A rustic chest serves as a bedside table.

By the window, a comfortable bedroom chair has been paired with a coffee table.

A shelving unit divides the bedroom sitting area from the rest of the space.

The ensuite shower room has a riot of colour across the floor.

A rustic vanity unit fits into a niche.

Despite the overall fun factor, the finishing materials in this home are respectable high quality.

Recommended Reading: Colourful Interiors With Connection: Green, Coral, Blue And Yellow Decor

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from Interior Design Ideas http://www.home-designing.com/quirky-colourful-interior-with-unique-lighting-schemes

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architectnews · 4 years

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Skigard Hytte, Kvitfjell, Lillehammer

Skigard Hytte, Norwegian Cabin Architecture, Scandinavian Holiday Home Building, Lillehammer Images

Skigard Hytte in Lillehammer, Norway

29 Sep 2020

Skigard Hytte

Design: Mork-Ulnes Architects

Location: Kvitfjell, Lillehammer, Norway

The cabin has a regular plan – an enfilade sequence of rooms in a row, following a central corridor – called Trønderlån in the Trøndelag region of Norway where Casper’s mother was born

The first approach to the house is walking up the stairs to the veranda, where one first experiences the spectacular view through a portal clad in heart pine.

On the other side of the veranda, the guest annex contains a bedroom, bathroom, spacious lounge area, and sleeping loft. This cabin in Norway, with its extraordinary rationality and its ability to redefine the relationship with the snowy fields and with nature, represents yet another opus in Mork-Ulnes Architects’ coherent portfolio of works. MUA’s designs testify to the office’s strong bicultural mentalities: a blend of Scandinavian straightforward practicality and Californian openness to innovation. Casper and Lexie Mork-Ulnes prove once again their ability to design projects where the ideas of the architect and the interior designer are distilled and refined in perfect balance. The Skigard Hytte project witnesses this quality where a careful attention to the interiors becomes one with the general architectural composition.

About Mork-Ulnes Architects With offices in San Francisco and Oslo, Mork-Ulnes Architects is the recipient of Architectural Record’s 2015 Design Vanguard Award and was named by the Norwegian National Museum as one of “the most noteworthy young architects in Norway” (Under 40. Exhibition, 2013). Mylla Cabin, a retreat they completed in the Norwegian forest, was nominated in November 2018 for The European Union Prize for Contemporary Architecture – Mies van der Rohe Award.

Design: Mork-Ulnes Architects

Photography: Bruce Damonte

Art Museum and Cinema in Lillehammer images / information received 290920

Location: Lillehammer, Norway, northern Europe

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Juvet Landscape Hotel, Gudbrandsjuvet Design: Jensen & Skodvin Arkitektkontor Juvet Landscape Hotel

Comments / photos for the Art Museum and Cinema in Lillehammer page welcome

Website: Snøhetta

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