#Laetitia bresson

[peggydoodles]

so many therealsamalkhatib audios remind me of the Lupin gang but this one is a personal favorite <3

[undercoveralienx3]

LAETITIA SKYWING DRAGON?

(BRO I FORGOT TO DRAW OTHER EYEBROW WHAT IS WRONG WITH ME OMFG)

(Just a sketch so far :3)

Uh this was my inspiration cause uhhh yeah. :3

(art is made by 👇💖)

THEY ARE SUCH A GOOD ARTIST GO CHECK THEM OUT OR YOU SHALL SUFFER THE CONSEQUENCES.⛓️😰💖

★

[sabindark]

Siblings Lupin Au

Jigen : Leatitia , can i have my hat back ?

Leatitia : I don't know ~ can i have my virginity back ?

Lupin III : *PFFF* You What -!?

*The sound of a gun being unlocked *

Laetitia : lupin ! I was only joking- ! Don't you dare fire your gun at Jigen

[junichan]

A plot idea for the Lupin x Laetitia shippers out there. (I can’t be the only one, right?) 

Augustus Bradford is an archaeologist, philanthropist, and a minor celebrity thanks to countless TV appearances. He has a reputation for finding long lost ruins and artifacts in remote regions all over the world, and has published several books and articles about his adventures. 

Laetitia always had a minor crush on the man. Lupin would have spotted all of Bradford’s books on her shelves, and a couple of magazine articles featuring him pinned up on the walls of her little Paris apartment. 

However Lupin also knows Bradford’s public persona is just a facade. The man is notorious on the blackmarket for collecting and auctioning off historic treasures. His personal collection is filled with stolen artifacts. 

Lupin sets his sights on Bradford’s vault, where an atlas said to record the location of three lost cities filled with treasure awaits. Sadly Jigen and Goemon refuse to participate in ‘chasing fairytales’ so Lupin is on his own. Undeterred, he gets the perfect opportunity when Bradford decides to host a party celebrating his recent TV show deal. The guest list included a noted but reclusive historian whom Lupin decides to impersonate. Since no one knew what the historian really looked like, none of the other guests or the host was any wiser when Lupin showed up. 

Surprisingly one person did end up recognizing the thief; Bradford’s newest intern - Laetitia! The young woman is shocked to discover Lupin there and suspects foul play immediately. She’s unwilling to alert security, but insists on trying to stop Lupin.

Maybe it’s a little cruel, and maybe Lupin’s a little jealous, but he decides to shatter Laetita’s infatuation with her idol. He pulls her into the vault, revealing a horde of stolen relics. The young woman is at first shocked and dismayed before becoming furious at Bradford for his deception. 

Laetitia realizes Lupin might have been a thief, but at least he never tried to trick anyone into thinking he wasn’t. (The use of disguises notwithstanding of course.) 

Just then Bradford discovers the break in and seeing Laetitia there with Lupin assumes she’s been working with him the whole time. He has his goons attempt to kill them both, fortunately Lupin gets her and the atlas out of there. 

As it turns out, the atlas has held its secrets for so long because it’s written in a lost language that no one can decipher. However years ago Lupin I and Professor Bresson found the key to translating the language - a silver tablet with writing from both the lost language of the atlas and another dead language. And Lupin inherited it. He can’t read either language of course, but Laetitia can read the dead one! Which means she can translate the tablet and the atlas. 

It doesn’t take much to convince Laetitia to join him in searching for the lost cities in the atlas. But with Bradford chasing them - and before long Zenigata too! - can Lupin teach the young archaeologist what it takes to be a thief? And what happens when Laetitia’s crush on Lupin grows into a full blown romance? 

[aarontrustthevillagewarrior]

Storyboard? Hell yeah!

Flipping through the little art book for The First and I just really love this bit of storyboarding.

[onenakedfarmer]

Currently Watching

THE DEVIL, PROBABLY [LE DIABLE PROBABLEMENT] Robert Bresson France, 1977

[bestoflupiniiipoll]

Lupin III NPC Girl Tournament

That’s right folks! It is officially confirmed! The Lupin III NPC girl tournament is on its way! All female characters (excluding Fujiko) from movies, TV specials, and TV series are having a tournament all on their own to determine who’s the best female character in the Lupin III franchise!

And here are the your participants!

Clarisse de Cagliostro (Castle of Cagliostro)

Rosetta (Legend of the Gold of Babylon)

Murasaki Suminawa (The Fuma Conspiracy)

Isabel (Bye Bye Lady Liberty)

Maria (Hemingway Papers)

Chieko Kido (Napoleon’s Dictionary)

Judy Scott (From Siberia With Love)

Karen Korinsky (Voyage to Danger)

Kikyo (Dragon of Doom)

Diana (Pursuit of Harimao’s Treasure)

Lara (Secret of the Twilight Gemini)

Julia (Farewell to Nostradamus)

Ole (Dead or Alive)

Ellen (Island of Assassins)

Mariya Isshiki (Tokyo Crisis)

Rosaria (The Columbus Files)

Cynthia Fullerton (Missed by a Dollar)

Misha (Operation Return the Treasure)

Becky Lambert (Swallowtail Tattoo)

Poison Sophie (Angel Tactics)

Michelle (Seven Days Rhapsody)

Ofumi (Elusiveness of the Fog)

Drew (Sweet Lost Night)

Asuka Kagurazaka (The Last Job)

Maki (Blood Seal of the Eternal Mermaid)

Lisa Argento (Another Page)

Yutika (Princess of the Breeze)

Rebecca Rossellini (Part IV)

Ami Enan (Part V)

Lorenza (Prison of the Past)

Laetitia Bresson (The First)

Yoko (Lupin ZERO)

(Please note that “all female characters” is just an exaggeration. Obviously I’m missing some characters but if I were to add all from its going to be a really long tournament…)

With that all set, the matchups will be posted on Wednesday! So stay tuned folks!

[screenviolense]

underused starter call. but specifically for my least used muses who i think deserve more attention. those who specify muses or fandoms get priority. list of applicable muses under the cut

all fandomless ocs (there's too many to type here, just check the muse list.)

all animal crossing muses (fauna, isabelle, lucky, merry, skye)

aya drevis (mad father)

melody valentine (archie comics)

libby rhodes (the atlas six)

all ninth house muses (alex, dawes)

taylor gentry (behind the mask)

all halloween muses (laurie, vicky)

isobel martin (the night circus)

all the outer worlds muses (parvati, valerie)

all percy jackson muses (emmaline, jade, jessie, katie, mary lou)

dana polk (cabin in the woods)

all pokemon muses (cynthia, rosa, lucy, irida, luna, marie, melanie, monica, sonia, summer)

ginger branch (the quarry)

all stranger things muses (joyce, chrissy, rachel)

all days gone muses (sarah, rikki)

farrah (descendants)

all stardew valley muses (emily, penny, ola, violetta, shane, jodi, rosemary)

all harvest moon muses (kathy, molly, pepper, elyse)

all dragon age muses (hawke, arri, atlas, anais, millie, elian, rowena)

aahana (dnd)

all sims muses (ara, violet, kayleigh)

yor briar (spy x family)

lupe madrigal (encanto)

all star wars muses (leia, keeta)

all fallout muses (cressida, dahlia, lidia, sarah, victor)

nana (ffxiv)

all fire emblem muses (anya, celine, alcryst, ivy, kagero, orochi, hana, selkie, setsuna, robin, panne, say'ri, cherche, dorothea, byleth)

all the wolf among us muses (snow, bloody mary, nerissa)

laetitia bresson (lupin the III)

lucie tedbury (league of extraordinary women)

[experthiese]

PUBLIC VS. PRIVATE INFORMATION.

Feel free to refer to this when deciding how much your character should know about Lupin, especially if they're from outside his canon and have no pre-established basis on if/how well they know of each other.

PUBLIC. Accessible to everyone.

He is the grandson of Arsène Lupin, notorious French gentleman thief, and the third generation to continue in this line of work. No treasure is said to be outside of his reach once he's set his sights on it, and as a result he's been granted the title of the world's most wanted thief.

He's a master of disguise, and (much like his predecessors) is able to perfectly mimic another's appearance, voice and mannerisms with minimal observation needed beforehand. Only tiny details, such as his mask not showing sweat where real skin would, are able to give him away.

He is affiliated with Daisuke Jigen, Ishikawa Goemon XIII, Fujiko Mine, Laetitia Bresson, and more (verse/relationship dependent).

His 'eternal rival' is Zenigata Koichi of Interpol, the only man able to consistently capture Lupin, even if it's only for short bursts of time.

Zenigata has arrested and successfully imprisoned him on multiple occasions. However, Lupin has managed to find a way to escape from every single prison he's been put in, often relying on the assistance of his gang.

He's said to be in love with every woman in the world, though his prized paramour is Fujiko. He will never stop trying to win her affections, no matter how often he's betrayed or rejected.

His preferred weapon is a Walther P38 and it's kept on his person at all times.

A calling card is always sent to his chosen target pre-heist, detailing the item to be stolen, and the time/date of his appearance. It's signed with his name and peanut caricature.

He was once married to Rebecca Rossellini, well-known heiress and secret thrill-seeker. When he left Italy to continues his crimes travels, she didn't follow him.

SEMI-PUBLIC. Still accessible, but lesser known.

He's bisexual. His attraction to men is just greatly overshadowed by his womanising.

He's a mostly self-taught polyglot and remains at least conversational no matter where in the world he travels. He's also fluent in some dead and computer languages.

The details sent on his calling card are specific, and he sticks to them rigidly. Lupin will leave the premises once the window has passed, regardless of if he managed to snatch the treasure or not.

He's an art connoisseur and can tell a real piece from a forgery with a single glance.

All car maintenance is done by him. He's very proud of all three of his vehicles, and does his best to keep them in top condition for as long as possible. A lot of his wealth gets re-invested into fixing them up after a heist.

Lupin doesn't kill. That's one of the rules of his game, and it's one that he's unlikely to try and bend. He has people to kill for him, if necessary, but he himself refuses to take a life until it's the only option left.

This no-killing rule is one of the biggest copycat downfalls, and often the thing that gets them discovered. Thief he may be, but Lupin has a strict code of ethics he's set for himself.

He's intelligent. Many underestimate him because of the silly, childish persona he performs, failing to realise that this is not only a deliberate part of his plan, but necessary for his success. Any foe becomes easier to beat when they forget just who they're going up against.

He's a capable scientist, and uses this knowledge for his heists. All of his gadgets, smoke bombs, and knock-out gases are handmade and often re-evaluated to ensure they have maximum efficiency.

He can work any vehicle, be it designed for the land, skies, or water. He's an especially good stunt driver, so naturally prefers to use motorcycles or cars whenever possible.

PRIVATE. Available only to Lupin's closest.

Lupin doesn't dream, nor does he get nightmares. His REM sleep, or if he's even capable of achieving it, remains a mystery to everyone.

He is the legal wife of Onabes, an art collector. Despite his best efforts, the divorce papers were never completed, and thus their marriage remains binding.

The addresses of all his safehouses. In order to remain untraceable, Lupin's constantly selling off property and purchasing new ones, and rarely bothers to inform anyone about these developments unless necessary. His chosen locations range from penthouse city apartments, to countryside mansions the size of a small village, to cozy coastal bungalows. He has hideouts in every conceivable corner of the earth.

He's afraid of octopi, squid, and similar cephalopods. They freak him out big time.

Lupin will, on occasion, allow Zenigata's men to "recover" the occasional stolen artefact. Usually these are ones of historical/cultural significance or gems that he just can't sell for a good price. He has no interest in keeping these items; they've already served their purpose and gone to show that he can take them.

He sneaks into Interpol a lot. He's always disguised as different people of varying levels of importance, and loves to catch up on the latest water cooler gossip (and start some of his own). As a result, he's gotten a pretty good understanding of a lot of Interpol officers and knows more than they'd probably want him to.

All of Lupin's heists and their accompanying details (such as maps, blueprints, security routes, required technology and disguises) are all written down on paper and kept on Lupin's person. He's done far too much hacking to trust any sort of digital security system.

[woodcries]

permanent starter call. for laetitia bresson / lupin the III. liking this means you're interested in interacting with this muse and are willing to receive starters and asks from them. knowledge of the source material is never necessary but always appreciated.

[detournementsmineurs]

Béatrice Facquet, Laetitia Vercken, Anouk Feral et Clément Bresson dans "Désordres" mini-série de et avec Florence Foresti (2022), janvier 2023.

[byneddiedingo]

Antoine Monnier in The Devil, Probably (Robert Bresson, 1977)

Cast: Antoine Monnier, Tina Irrisari, Henri de Maublanc, Laetitia Carcano, Nicolas Deguy, Régis Hanrion, Geoffroy Gaussen, Roger Honorat. Screenplay: Robert Bresson. Cinematography: Pasqualino De Santis. Production design: Eric Simon. Film editing: Germaine Artus. Music: Philippe Sarde. 

I admire Robert Bresson's films. How can one not? But his next-to-last, The Devil, Probably, tried my patience. The unrelieved inexpressiveness of his characters becomes monotonous to the verge of seeming like a parody of a film about people suffering from existential depression. We are shown the causes of their malaise in footage of environmental devastation ranging from images of the victims of mercury poisoning in Minimata, Japan, to the clubbing of baby seals, to tests of nuclear bombs. But we have all seen and reacted to those images ourselves, and somehow manage not to walk around without at least the occasional smile or laugh. Does Bresson mean to suggest that we are somehow at fault in not becoming suicidal, like his protagonist, Charles (Antoine Monnier)? The film is an implied response to the familiar statement by Camus: "There is only one really serious philosophical problem, and that is suicide." Charles can find no reason to continue living in a world that disgusts him. Intellectually, the film is a work of real brilliance, but it fails to communicate its ideas in a way that engages me dramatically and emotionally. We suspect from the beginning, when we see newspaper headlines about a young man who is first thought to have committed suicide but later to have been murdered, that they're about one of the characters in the film, and we soon realize that it's Charles. So the only dramatic tension in the film centers on the specific way in which this foreknowledge will manifest itself. And so I'm torn. The Devil, Probably is a work I can admire on an intellectual level, but despite some remarkable sections, like Charles's visit to a psychoanalyst, or a scene on a bus that not only tantalizes by what happens in it but also provides the title of the film, it seems to me to fall short as a work of cinematic art. That said, just thinking about it makes me eager to see it again.    

[creaturefeaturecommando]

Was watching WCI with my brother and we both agreed to y'know, ignore Sanji thirsting over girls way younger than him like Shirahoshi, Pudding and Vivi and instead re character-ized him as a Lupin the Third type character in our minds

When Lupin is faced with a way younger girl like Ami, Clarisse or Leatitia, he'll still put on a prince charming/gentlemanly persona and will still be like "Oh I'm just a prince rescuing a beautiful princess !" But when said girl actually starts showing romantic interest or falls in love with him, he reels back 99% and gets serious like "Hey, kiddo, you're beautiful, smart and talented and I'm going to need you to go out in the world and live your life, and fall in love with a man who will love and cherish you. I will always care for you but you have to know, I'm not the man for you."

It would have been so better if Sanji matured like this and was this way with Pudding and they had a Lupin/Clarisse or a Lupin/Laetitia type involvement where he rescues a young girl from a terrible situation where she's being exploited and even though said vulnerable young girl falls for him seriously, he can't take advantage of that, so he reels them back into reality.

It's obvious that Sanji does really care for Pudding, even in ways where it is kinda like Lupin and how he deals with young girls but it's kind of erased when you still pull the "(HEART EYES) PRETTY GIRL, I MUST THIRST !" joke

[sabindark]

Siblings Lupin Au

[shy-marker-pliers]

play by play of a scene from The First because my hyperfixation is in maximum overdrive

*achievement unlocked! (JIGEN) will now die for you.

(btw Jigen canonically did say 'you're welcome, miss' in the movie after Laetitia thanked him lol)

oh also you can see goemon doing a lil smile in pics 4-6 and i think that's great :3

[peggydoodles]

Lupin & Laetitia + looking at each other like that ;u;