#Kurc

[not-so-mundane-after-all]

They got me, y'all. New rot activated. Two youngest siblings being the closest out of the whole family??? You and me against the world vibes??? Lucy and Edmund Pevensie coded??? I am WEAK

Halina and Addy Kurc. They will break my heart and stitch it back together, I can feel it.

[sensitivethugsneedhugs]

Emily Kurc is one of my favorite poets. I can feel this in my core

[photo-dujenoir]

John Kurc

[dailyflicks]

LOGAN LERMAN as Addy Kurc in WE WERE THE LUCKY ONES (2024)

[midostree-art]

Your stardew valley sketch of Harvey looks like the tall actor that is married to the character Halina Kurc from the tv series We were the lucky ones

Wait, you're not wrong 👁️👁️

[overlookedwwiimedia]

We Were the Lucky Ones (2024)

Basic Story: A Jewish family in Poland is separated and must survive on nearly every front of the war.

Fan Thoughts: When this series was released in March there was very little fanfare, so I was not expecting much when I started watching. However, before the end of the first episode it was clear this was a very well-done series based on the true story of the Kurc family living in Radom, Poland starting in 1937. By putting this story into a series rather than a film, there is plenty of time to not only follow the many family members as they scatter to nearly every corner of the European theater, but it allows the slow building of tension as the politics in Poland shift and the Kurcs begin to see the signs but like most do not assume the worst until it is too late. Halina (Joey King) is a compelling lead, helping the Resistance while protecting her family by consistently helping them escape danger, find jobs, and find places to live. While Halina gets a large portion of the screen time, every member of the family gets their story told and with each person having vastly different experiences every episode is engaging and interesting. Every actor brings nuance and conviction to their roles; with the performances, the attention to detail, and direction that brings emotional impact without being heavy handed, this series is a genuine success. Engaging and at times heartbreaking, this is easily one of the top series reviewed by this blog this year!

Warnings: executions, torture

Available On: Hulu

[neverlostmycrown]

Evanescence in Poland 2023, photo by Alan Kurc

[skinnyasnatsuki]

Wogule mjalam dzis binge ale jebac hce zronic 48-72h fasta teras i musze zaczac szybciej hozic spac dzis n szlam do szkoły ale jutro ide i co prawda na polskim będę spać ale kurce 6:30 musze wstac no zesramesie ja nje hce 😭

[rockislandadultreads]

Fiction Recommendations: Jewish American Heritage Month

The Matchmaker’s Gift by Lynda Cohen Loigman

Even as a child in 1910, Sara Glikman knows her gift: she is a maker of matches and a seeker of soulmates. But among the pushcart-crowded streets of New York’s Lower East Side, Sara’s vocation is dominated by devout older men—men who see a talented female matchmaker as a dangerous threat to their traditions and livelihood. After making matches in secret for more than a decade, Sara must fight to take her rightful place among her peers, and to demand the recognition she deserves.

Two generations later, Sara’s granddaughter, Abby, is a successful Manhattan divorce attorney, representing the city’s wealthiest clients. When her beloved Grandma Sara dies, Abby inherits her collection of handwritten journals recording the details of Sara’s matches. But among the faded volumes, Abby finds more questions than answers. Why did Abby’s grandmother leave this library to her and what did she hope Abby would discover within its pages? Why does the work Abby once found so compelling suddenly feel inconsequential and flawed? Is Abby willing to sacrifice the career she’s worked so hard for in order to keep her grandmother’s mysterious promise to a stranger? And is there really such a thing as love at first sight?

We Were the Lucky Ones by Georgia Hunter 

It is the spring of 1939 and three generations of the Kurc family are doing their best to live normal lives, even as the shadow of war grows closer. The talk around the family Seder table is of new babies and budding romance, not of the increasing hardships threatening Jews in their hometown of Radom, Poland. But soon the horrors overtaking Europe will become inescapable and the Kurcs will be flung to the far corners of the world, each desperately trying to navigate his or her own path to safety.

As one sibling is forced into exile, another attempts to flee the continent, while others struggle to escape certain death, either by working grueling hours on empty stomachs in the factories of the ghetto or by hiding as gentiles in plain sight. Driven by an unwavering will to survive and by the fear that they may never see one another again, the Kurcs must rely on hope, ingenuity, and inner strength to persevere.

An extraordinary, propulsive novel, We Were the Lucky Ones demonstrates how in the face of the twentieth century’s darkest moment, the human spirit can endure and even thrive.

Eternal by Lisa Scottoline

Elisabetta, Marco, and Sandro grow up as the best of friends despite their differences. Elisabetta is a feisty beauty who dreams of becoming a novelist; Marco the brash and athletic son in a family of professional cyclists; and Sandro a Jewish mathematics prodigy, kind-hearted and thoughtful, the son of a lawyer and a doctor. Their friendship blossoms to love, with both Sandro and Marco hoping to win Elisabetta's heart. But in the autumn of 1937, all of that begins to change as Mussolini asserts his power, aligning Italy's Fascists with Hitler's Nazis and altering the very laws that govern Rome. In time, everything that the three hold dear--their families, their homes, and their connection to one another--is tested in ways they never could have imagined.

As anti-Semitism takes legal root and World War II erupts, the threesome realizes that Mussolini was only the beginning. The Nazis invade Rome, and with their occupation come new atrocities against the city's Jews, culminating in a final, horrific betrayal. Against this backdrop, the intertwined fates of Elisabetta, Marco, Sandro, and their families will be decided, in a heartbreaking story of both the best and the worst that the world has to offer.

Unfolding over decades, Eternal is a tale of loyalty and loss, family and food, love and war--all set in one of the world's most beautiful cities at its darkest moment.

Weather Girl by Rachel Lynn Solomon

Ari Abrams has always been fascinated by the weather, and she loves almost everything about her job as a TV meteorologist. Her boss, legendary Seattle weatherwoman Torrance Hale, is too distracted by her tempestuous relationship with her ex-husband, the station’s news director, to give Ari the mentorship she wants. Ari, who runs on sunshine and optimism, is at her wits’ end. The only person who seems to understand how she feels is sweet but reserved sports reporter Russell Barringer.

In the aftermath of a disastrous holiday party, Ari and Russell decide to team up to solve their bosses’ relationship issues. Between secret gifts and double dates, they start nudging their bosses back together. But their well-meaning meddling backfires when the real chemistry builds between Ari and Russell.

Working closely with Russell means allowing him to get to know parts of herself that Ari keeps hidden from everyone. Will he be able to embrace her dark clouds as well as her clear skies?

[lorddeathofmurdermountain]

I know there's a couple but they never come to me like. Raw. I need an applicable situation. Currently I can only think of pretty understandable ones.

"Puno babic, kilavo dete"

"Dok bedaki imaju peneze kramari tržiju"

Etc

Only weird one I can think of, and which is only difficult bc I don't think it can reliably be translated, is "No juc, brezov kurc, grabrova pizdica" which is both fairly vulgar and almost entirely nonsensical even in my language

"My first language has a perfect saying for this, but it doesn't make sense in english :("

Say it anyway! You don't owe them perfect clarity. Be profoundly cryptic, speak in riddles, make them ponder what the fuck you meant by that. The anglos, like porridge, must sometimes be stirred, so they don't burn stuck on the bottom of the pot.

[cheddaver]

da bude zvanicno

official jelte... dakle otprilike sam skapirala kako da sredim blog za pisanje. ovaj mi je sad za pisanje. to jest, sad za sad. jer kad se zna ono sto se nikad ne zna? lonikita ima taj neki dojajni templejt ali on vise nije u upotrebi. oni to izgleda menjaju. takav bi bio idealan samo da je crna pozadina beli font. da li bih na blogu kacila... ma ne. njet, madafaka. ona sranja sto sam pisala nisu ni za fet. ali moooozda cu naci slican tom koji je free, da mogu tako. za pisanje je to idealno. mada ni za sta ne volim svetlu pozadinu. jednostavno, dark vino, dark oci, dark dusa, dark najke... no fora je u tome sto mi treba za dodatne te kurce palce fotke linkove... ili da otvorim novi ig ala neki photo dump? ili da se udam za nekog mastera pa da on sve to odredjuje? da, da... sta li radi onaj panda? jer ja sam - nesposobna za zivot, ali volim teeeee!! nesposobna PO zivot, ali da li te volim? i wanna alla, nutin u can do aboutitta...

7 i nesto in da mourning, pijem real kafu dis time, cekam danijelu oko 11, bice haos, predosecam. realnost sprema samar i love bites. dragani sam obecala ove nedelje, odjebace me i ona!!! to mi je mnogo bitno. dakle odspavala sam od kad sam poslednji put pisala par sati, zaista kratko ali nekako ok. i opet se osecam slabo. jazz mi cak ne smeta ni dok kucam, sto je neobicno jer nema sanse zika i jos nesto. oborila sam rekord ne-selfijanja, iliti tacnije, od prosle godine sam opalila sam0 par fotki (i selfija i tajmera), isti stil, isti ambijent. hodnik, heart shaped glasses, itd. i sad su mi slike sa ovim cvikama na sve strane kao profilne, itd. i to pre neko vece samo dve. pitam se kako? recimo planirala sam taj LoNi fazon unazad mesecima, pre no sto su mi dosli pajtosi na zurku. danas ce ponovo, ili mozda sutra jer je danas nedelja. kao da sam se u tome skrasila... kakva je to vrsta skrasavanja? dakle pazi, samo dve odevne kombinacije, a sve ostalo isto. jer hodnik je jednostavan i svetao (?), kombina crvenih cvidza, kape i karmina je do jaja, a dal jakna ili majica, isti je bar fazon, slicna paleta boja.

usidravanje, skrasavanje i orgazam digitalno identifikacioni. hologram oformljen. moje digitalno ja kompletirano. bilo je mnogo pokusaja. dobro imam dobrih fotki i izdanja. ali jebote cvike kupljene na pijaci za 200 kinti kao da su mi promenile zivot ahahaha. e da i u junu prosle godine isto dve tri. kod kapije. isto neka... jednostavnost. malo drugacija paleta. pocela sam da volim zelenu. kombinaciju zelene i crvene, crna se naravno podrazumeva. ali ta zelena... armi i ta neka deep royal... ne znam zasto. zbog jedne jakne. a pazi, sve je kupljeno na pijaci!!! jasha, cvike, majica!!! ejjjjjjjjjjjj! mozda mogu to da dopunim sa isto crvenim srce mindjusama, imam i onaj lanac moze oko vrata silver... i armi lone... dobro one nisu na pijaci. dakle osim full black, sad smo u zeleno crvenom... uz dodatak te bez/krem/braon... ocito tu nema plave, roze, ljubicaste, kajsija... sto mu dodje steta jer to mi se apsolutno oduvek vise dopadalo. lividity. i sve sam uvek gledala da vuce na to. zapravo, taj hladan i mracan spektar oko crne/plave. jedan vuce na ocean zelenu, drugi na ljubicastu. e sad recimo uz ljubicastu ne ide crveni karmin. zato je zelena tako idealna. da li meni zelena stoji mnogo bolje nego sto sam ikad imala pojam? onda sam proverila gdjicu xy, i uvidela koliko joj dobro stoji neka ta kremasto braon... koja bi na meni izgledala kao govno na govnetu. kao zatvor na prolivu kombina. a gdjica je uvek gotivila zelenu i bla bla... doduse na njoj crvena, kao i isti karmin deluju ciganjski jer jbg realno jeste ganci aahhaha... jaoooo imam onu crvenu majicu kao cipkasta!!! ali brate ako jos jednom stavim ove cvike, e vala too much je... ili nije? izvini, ali ko kaze da je too much??? a sta da npr izvucem pramenove, izblajham i ofarbam u zeleno? kao ludo nesto. haljinu tu jednu prelepu zelenu sam izgubila to jest nekom poklonila. svakako su mi trenutne profilne hit... ali ne znam koje bih jos soc mreze mogla da bombardujem tim slikama... evo blogove sve jesam, ali ko vidi i gleda blogove, ne moze daa se razvuce fotka. mozda da instaliram tiktok ili onaj threads ili sta jos ima? na skajpu mi je isto LoNi. LoNee... da smislim novi nick. pa nesto mozda karirano... jebote kako sam mogla da bacim onu zelenu haljinu???

[polishwomenartists-sztukakobiet]

Fotografia Krystyny Chaplin (Kurc) przy pracy w Holonie

[pagebypagereviews]

In a world where tales of survival often dwindle into mere statistics, "We Were the Lucky Ones: A Novel" thrusts readers into the visceral reality of human endurance, intertwining the harrowing experiences of the Kurc family with the broader canvas of World War II's devastation. Boldly penned by Georgia Hunter, this debut novel sheds a poignant light on the fragmentary lives of displaced Jews, transcending mere historical recounting to deliver an emotionally charged narrative. The novel's meticulous blend of real-life events and fictional storytelling powerfully resurrects a era marked by profound loss and staggering resilience, capturing the reader's empathy from the first page to the last. Hunter's book stands as a significant literary work, not just for its masterful prose but for its deeper contribution to historical understanding and empathy. At a time when the specifics of Holocaust survivors' stories risk being overshadowed by the sheer enormity of the tragedy, "We Were the Lucky Ones" personalizes the statistics, solving the issue of emotional disconnection from history. By charting the individual and collective struggles of the Kurcs, the novel offers a profound meditation on faith, family, and the sheer will to survive against all odds. It’s a resolute reminder that history is composed of countless personal stories, each with its unique voice and indomitable spirit. ## Plot "We Were the Lucky Ones: A Novel" centers around the Kurc family, a Jewish family from Radom, Poland, as they navigate the devastating impacts of World War II. The narrative spans several years and continents, following the fates of various family members as they are scattered across ghettos, work camps, and nations. One of the most compelling aspects of the plot is its basis in true events; author Georgia Hunter's meticulous research into her own family history lends authenticity and emotional weight to the story. For example, the family's harrowing experiences during the September 1939 German invasion of Poland are rendered with vivid, heart-wrenching detail, showcasing both the immediate and long-term impacts of war and displacement on individual lives. ## Characters The novel's strength lies in its rich, multi-dimensional characters. Each member of the Kurc family is well-developed, with their own unique perspectives and challenges. Addy, for instance, is a musician trying to find a safe haven in Brazil, while Mila is a new mother fighting to protect her infant daughter in a war-torn Europe. The bravery and resilience they exhibit are extraordinary, making the reader deeply invested in their fates. Through in-depth character development, Hunter allows readers to feel the full emotional spectrum, from fear and desperation to hope and triumph. It is through these characters that the novel explores universal themes of family, survival, and the human spirit's indomitable will to endure. ## Writing Style Georgia Hunter's writing style is both evocative and accessible, making the complex and often heart-wrenching experiences of the Kurc family relatable to readers. Hunter uses a third-person omniscient narrative, allowing for an expansive view of the events and emotional states of multiple characters. Her prose is laced with vivid imagery and meticulous detail, bringing historical settings and events to life. For example, scenes describing the Warsaw Ghetto are crafted with such precision that readers can almost feel the claustrophobia and tension in the air. Furthermore, Hunter’s use of alternating perspectives maintains a brisk narrative pace while keeping the reader intimately connected to each family member's journey. ## Setting The settings in "We Were the Lucky Ones" are diverse and meticulously researched, ranging from the snowy streets of Radom to the steamy jungles of Brazil. Each locale is described with such specificity that it transports the reader directly into the historical time period. The war-torn landscapes of Europe, with their bombed-out

buildings and covert gathering spots, contrast sharply with the foreign, yet relatively peaceful, environments outside of Europe. The juxtaposition of these settings not only illustrates the global reach of World War II but also emphasizes the stark differences in the Kurc family's experiences depending on their location. Hunter's attention to environmental details gives readers an immersive experience, making the novel a rich tapestry of human history and geography. ## Unique Aspects What sets "We Were the Lucky Ones" apart from other World War II literature is its foundation in real-life events. Georgia Hunter embarked on a decade-long journey to uncover her family’s history, resulting in a narrative that is as informative as it is moving. The novel is punctuated by historical facts and family anecdotes, seamlessly woven into the storyline. This blend of biography and fiction provides an engrossing reading experience, offering both educational value and narrative satisfaction. Another unique aspect is the book's focus on the broader diaspora of Jewish refugees during the war, giving voice to those who fled to less commonly documented destinations such as South America and North Africa. This lesser-explored angle offers a fresh perspective on the worldwide impact of the Holocaust. Similar to We Were the Lucky Ones: A Novel Book Review Aspect Pros Cons Writing Style Engaging and immersive Vivid descriptions that bring scenes to life Fluid narrative that maintains reader's interest Occasional complex sentences that may confuse some readers Heavy use of historical context may alienate readers looking for light reading Character Development Deeply developed characters with complex backgrounds Strong emotional connections with readers Realistic and relatable character arcs Large number of characters may overwhelm some readers Some secondary characters lack depth Plot Intricate and well-structured storyline Historical accuracy enhances the plot Suspenseful moments keep readers engaged Pacing can be slow at times Complex plot may be difficult to follow for some readers Emotional Impact Heart-wrenching and emotionally charged Evokes empathy and deep emotional response Powerful exploration of human resilience Intense emotions may be overwhelming for some readers Potential for emotional exhaustion by the end Historical Context Rich in historical detail Educational and informative Authentic representation of the time period Heavy reliance on historical facts may slow down the narrative Historical context may be confusing without prior knowledge Evaluating the Author First and foremost, consider the background and qualifications of the author, Georgia Hunter. Look into her previous works and research her background to understand her expertise in historical novels. Verify if the author has personal ties or extensive research backing her storytelling, adding authenticity and depth. Understanding the Genre We Were the Lucky Ones is a historical fiction novel, which means readers should have an interest in historical narratives. Assess if the book aligns with your interests in World War II, Jewish family survival stories, and emotionally compelling dramas. If these elements appeal to you, this book might be a fitting choice. Book Reviews and Recommendations Read through reviews from trusted sources such as literary critics, established book bloggers, or verified customer reviews. Pay attention to consistent patterns in the reviews—praise for storytelling, character development, and historical accuracy can be key indicators of the book’s quality. Also, consider recommendations from friends or book clubs. Narrative Style and Structure Consider whether the narrative style and structure of We Were the Lucky Ones align with your reading preferences. The book's writing style, pacing, and chapter organization can significantly affect your reading experience. Sample a few pages if possible to gauge the author's voice and see if it resonates with you.

Themes and Emotional Impact Identify the themes explored in the book such as resilience, family bonds, and survival. Think about whether you are interested in exploring these themes through historical contexts. Be prepared for an emotionally charged experience, as books set during the Holocaust often delve into deep and sometimes challenging emotional landscapes. Publisher Credibility Check the credibility of the publisher, Penguin Books, known for their rigorous editorial standards and quality publications. A reputable publisher often ensures that the book has undergone thorough editing and vetting processes, giving you an assurance of quality and accuracy. Pricing and Format Options Consider the book's format—hardcover, paperback, e-book, or audiobook. Decide which format suits your reading habits and budget. Compare prices across different retailers for the best deal, and check for any discounts or bundled offers. Also, consider the length of the book and if it fits into your reading schedule. Supplementary Materials Look for any supplementary materials such as author interviews, book club guides, or additional resources that can enhance your understanding and appreciation of the book. These can provide deeper insights and a more enriching reading experience. Availability and Shipping Evaluate the availability of the book in your region and check the delivery options. Ensure that the retailer you choose offers a reliable shipping service and allows for easy returns or exchanges should there be any issues with the purchase. Personal Preferences and Reading Goals Finally, reflect on your personal preferences and reading goals for the year. If you aim to read more historical fiction or stories of resilience and family, We Were the Lucky Ones can fit well into your reading list. Assess your current book collection and see how this book complements it. ```html FAQ What is "We Were the Lucky Ones" about? "We Were the Lucky Ones" is a novel by Georgia Hunter that tells the true story of a Jewish family separated during World War II, and their extraordinary struggle to survive and reunite. It is based on the author's own family history and spans several locations and events of the war. Is "We Were the Lucky Ones" a true story? Yes, "We Were the Lucky Ones" is based on the real-life experiences of Georgia Hunter’s family during World War II. The novel, however, is a fictionalized account, meaning some aspects were dramatized for storytelling purposes. What themes are explored in "We Were the Lucky Ones"? The novel explores several profound themes, including family, survival, resilience, hope, and the impact of war. It also delves into the importance of love and connection in the face of unimaginable hardship. Who would enjoy reading "We Were the Lucky Ones"? This novel would appeal to readers who enjoy historical fiction, particularly those interested in World War II stories. It is also suited for readers who appreciate family sagas and stories of survival against all odds. How historically accurate is "We Were the Lucky Ones"? While "We Were the Lucky Ones" is based on true events and real family members, it is a work of historical fiction. This means that while the core of the story is accurate, certain elements have been enhanced or altered for narrative cohesion and emotional impact. Can I learn about real historical events by reading this book? Yes, you can gain insight into various historical events of World War II as experienced by those in Eastern Europe, particularly Poland. The novel incorporates real events such as the Nazi invasion, the Jewish ghettos, and the Holocaust. However, for a precise historical account, it is recommended to supplement your reading with historical texts. Is the novel written in a single narrative style? No, "We Were the Lucky Ones" employs multiple perspectives, providing different viewpoints from various family members. This multi-narrative style allows readers to experience various facets of the war through the eyes of different characters.

How long is "We Were the Lucky Ones"? "We Were the Lucky Ones" is approximately 416 pages long. The length can vary slightly depending on the edition and formatting of the book. Is "We Were the Lucky Ones" appropriate for young readers? The novel contains themes of war, violence, and the Holocaust, which might be disturbing for younger readers. It is best suited for mature teens and adults who can handle intense and emotional content. ``` In conclusion, "We Were the Lucky Ones: A Novel" by Georgia Hunter stands out as a profoundly moving and meticulously researched work of historical fiction. This gripping family saga not only captivates readers with its riveting storytelling but also provides invaluable insights into the resilience and endurance of the human spirit during one of history's darkest periods. Its richly drawn characters and poignant narrative ensure that readers are emotionally invested from start to finish, making it a must-read for anyone interested in World War II history or compelling family dramas. By choosing "We Were the Lucky Ones," you will gain a deeper appreciation for the remarkable courage and unwavering hope that can arise even in the face of unimaginable adversity. Other We Were the Lucky Ones: A Novel Book Review buying options

[jacket-coats]

Jakob Kurc We Were the Lucky Ones S01 Black Coat

$169.00

Product Specification:

Inspired By: Amit Rahav

External Material: Fabric

Inner: Viscose Lining

Front: Double Breasted Buttoned Closure

Collar: Lapel Collar

Color: Black

Pockets: Two at Front and Two Inward

Sleeves: Full-Length Sleeves

Shop Now

[toutmontbeliard-com]

Les événements culturels de mars 2024 à Montbéliard

Le Pôle culturel de la Ville de Montbéliard, regroupant Musées, Médiathèque, Archives, CCSV (Centre Culturel Simone Veil), vous présente les événements culturels de mars 2024 à Montbéliard : Exposition « Couleurs, graphismes, mouvements » JUSQU’AU 15 MARS 2024 – DU LUNDI AU VENDREDI DE 14H A 18H. Les ateliers d’Arts plastiques permettent de découvrir de nouvelles manières d’expérimenter, de s’exprimer en une multitude de techniques. Une initiation à l’illustration, à la peinture, à la sculpture pour créer autrement. Entrée libre. Plus d’informations au 03 81 99 20 19. Centre Culturel Simone Veil Exposition « Jardins, parterres et labyrinthes » DU 9 MARS AU 27 AVRIL 2024 Présentation de l’ouvrage acquis par la Médiathèque et la Société d’Emulation de Montbéliard " Le Thrésor des parterres de l’univers " de Daniel Loris publié en 1629. Un choix de photographies et d’archives municipales illustreront l’histoire et l’évolution des jardins de Montbéliard. Bibliophilie, livres anciens, documents d'archives et herbiers sur le thème des jardins complèteront la présentation. Entrée libre. Plus d’informations au 03 81 99 24 24 Médiathèque Conférence "Le Thrésor des parterres de l'univers (1629) : un florilège de compartiments" Samedi 9 mars à 10h30 A travers son ouvrage, Daniel Loris, médecin et botaniste des ducs de Wurtemberg, témoigne du développement des demeures et jardins de plaisirs extra muros, sur le modèle du Grand Jardin. Par Laurent Paya, Ingénieur paysagiste et Docteur en Histoire de l’ArtGratuit. Réservation au 03 81 99 24 24 Médiathèque Midi des musées "Vous avez dit florissant ?" JEUDI 14 MARS DE 12H30 À 13H30 Gratuit. Réservation au 03 81 99 22 57 Musée d’Art et d’Histoire, Hôtel Beurnier-Rossel Conférence "Daniel Loris et l’art de composer des jardins ("Le Thrésor des parterres de l’univers, 1629)" SAMEDI 16 MARS À 10H30 L’��uvre monumentale de Daniel Loris offre la particularité d’exposer assez précisément les principes de géométrie qui permettent de restituer l’intégralité des 195 parterres « de carreaux rompus » ou d’entrelacs. Seront présentés en détail quelques-uns des tracés les plus complexes. Par Gilles Barot, enseignant, spécialiste de la Géométrie Pratique, créateur du site www.geometriesensible.com Réservation conseillée au 03 81 99 24 24 Médiathèque Ronde des histoires MERCREDI 16 MARS À 10H30 Plus de 7 ans Gratuit. Réservation au 03 81 99 24 24 Médiathèque Atelier "Dessiner un parterre de la Renaissance" SAMEDI 16 MARS DE 14H30 À 16H Avec Gilles Barot A partir de 10 ans Gratuit. Réservation au 03 81 99 24 24 Médiathèque Stage de peinture à l’aiguille SAMEDI 16 ET DIMANCHE 17 MARS Deux jours d’atelier avec Jocelyne Kurc, brodeuse d’art Public adulte. Réservation et tarif au 03 81 99 22 57 Au musée d’Art et d’Histoire, Hôtel Beurnier-Rossel Club lecture LUNDI 18 MARS 2024 À 18H « Automobile Club d’Egypte », d’Alaa El Aswany. Fin des années 40, au Caire. L’Automobile Club est un cercle très fermé, théâtre de relations complexes entre dominants et dominés. Animé par Anne RATTI, Professeure de Lettres classiques. Gratuit. Réservation au 03 81 99 24 15 Centre culturel Simone Veil Une heure, une œuvre "La marqueterie dans tous ses états" MERCREDI 20 MARS 2024 A 18H Un élégant bureau de pente ou un étui minutieux arborent de remarquables décors marquetés. Subtiles compositions géométriques ou végétales, de bois ou de paille, elles présentent d’étonnantes déclinaisons de teintes et d’essences -amarante, palissandre, noyer. Virtuosité technique et inventivité, explicitons l’art de la marqueterie à travers quelques témoins des collections. Gratuit. Réservation au 03 81 31 87 80 Au musée d’Art et d’Histoire, Hôtel Beurnier-Rossel. Festival Les Quatre saisons DU 21 MARS AU 24 MARS Rendez-vous pour quatre jours de rires et d’émotions ! Jeudi 21 mars, Marc Tourneboeuf, «l’Impatient», embarquera les spectateurs dans la vie d’un jeune comédien passionné qui rêve de réussite. Vendredi 22 mars, Pierre Emonot, originaire du pays de Montbéliard, se mettra face au peuple pour défendre ses convictions avec un petit goût de sarcasme jubilatoire. Puis, samedi 23 mars, place à Gil Alma et Benoit Joubert qui, (ré)unis pour le jour « J », vont se lancer dans des péripéties folles pour que ce moment partagé avec le public soit et inoubliable ! Enfin, rendez-vous est donné aux familles, le dimanche 24 mars, pour « L’Être recommandé », un beau spectacle à travers la vie contée d’un artiste feutriste qui s’est donné pour mission d’embellir tous les visages ternis par le gris de la morosité. Jeudi 21, vendredi 22 mars et samedi 23 mars à 20h30 (16h le dimanche) Les Bains Douches – La Scène et Le Théâtre Tarif : 12 € par spectacle Renseignements au 03 81 99 20 19 Réservations : Info Jeunes Montbéliard au 03 81 99 24 15 ou sur www.montbeliard.fr/quatresaisons / www.ticketmaster.fr / www.francebillet.com Midi des Archives JEUDI 28 MARS DE 12H30 À 13H30 Présentation d’une sélection de documents sur l’histoire de la Résistance et de la déportation dans le Pays de Montbéliard pendant la Seconde Guerre mondiale. Gratuit. Réservation au 03 81 99 22 49 Archives municipales infos > www.montbeliard.fr Read the full article