#Kunsthalle Lissabon
Explore tagged Tumblr posts
Text
Laure Prouvost
Melting into one another ho hot chaud it heating dip
Kunsthalle Lissabon
February 21 – May 16, 2020
8 notes
·
View notes
Text
Lissabon: Street-Art - die Stadt als Kunstmuseum - Fotogalerie
Wer in der Stadt am Tejo auf der Suche nach moderner Kunst ist, für den gibt es neben zahlreichen Museen auch in den Straßen und Metrostationen der portugiesischen Hauptstadt viele Kunstwerke zu entdecken. Ob bemalte Schiffsanleger, Hausfassaden oder Müllcontainer – die Street Art-Künstler verwandeln die Stadt in ein abwechslungsreiches Open-Air-Museum. So zählt die Tejo-Metropole durch den Kontrast zwischen historischen Fassaden und moderner Kunst mittlerweile europaweit zu einem der wichtigsten Orte der Street Art und zieht damit zahlreiche Touristen an. Die außergewöhnlichen und farbenfrohen Illustrationen, die teilweise ganze Geschichten erzählen, entdecken aufmerksame Beobachter nicht nur an Mauern und Hauswänden der Metropole, sondern auch in den Lissaboner Metro-Stationen. Viele namenhafte Künstler haben sich an der Gestaltung beteiligt: Die Station „Oriente“ ist dabei ein ganz besonderes Beispiel der Lissaboner Street Art. Im Rahmen der Weltausstellung 1998 wurde die U-Bahn-Haltestelle von elf internationalen Künstlern in eine Kunsthalle verwandelt, in der sich das Thema „Ozeane“ mit großen Wandmalereien widerspiegelt – mit dabei Friedensreich Hundertwassers „Unterwassersetzung von Atlantis“. Es sind vor allem die kleinen Details, die dem Lissaboner Untergrund die besondere Atmosphäre verleihen. So zieren zum Beispiel Märchenfiguren oder auch kleine Tierzeichnungen die verschiedenen Stationen, auch die landestypischen Kacheln „Azulejos“ sind an fast jeder Ecke zu finden. Interessierte können gesammelte Street Art-Werke in Galerien des Lissaboner Stadtviertels Amoreiras bestaunen. Diese bieten Künstlern einen Raum für ihre fantasievollen Werke und tragen dabei maßgeblich zur Popularität der Straßenkunst bei. Auch die Stadt unterstützt mittlerweile viele Projekte, mit dem Ziel, den Vandalismus in der Hauptstadt Portugals zu reduzieren und gleichzeitig die Straßenkunst zu fördern.
Ergreifende Wandbemalung in der Alameda de Santo Antonio dos Capuchos. / Foto: Ingo Paszkowsky
Street-Art in Lissabon / Foto: Stefanie Gendera
Lissabon. Streetart in Alameda de Santo Antonio dos Capuchos / Foto: Ingo Paszkowsky
Viele U-Bahnstationen in Lissabon sind Kustobjekte. U-Bahnstation Oriente am Expo98-Gelände. Foto: Ingo Paszkowsky
Die Station „Oriente“ ist ein ganz besonderes Beispiel der Lissaboner Street-Art. Foto: Ingo Paszkowsky
Es sind vor allem die kleinen Details, die dem Lissaboner Untergrund die besondere Atmosphäre verleihen. Foto: Ingo Paszkowsky
Im Bahnhof Oriente. Foto: Ingo Paszkowsky
Im Rahmen der Weltausstellung 1998 wurde die U-Bahn-Haltestelle Oriente von elf internationalen Künstlern in eine Kunsthalle verwandelt, in der sich das Thema „Ozeane“ mit großen Wandmalereien widerspiegelt. Foto: Ingo Paszkowsky
Kachelmotiv im Bahnhof Oriente. Foto: Ingo Paszkowsky
Ob bemalte Schiffsanleger, Hausfassaden oder Müllcontainer – die Street-Art-Künstler verwandeln die Stadt in ein abwechslungsreiches Open-Air-Museum. Foto: Ingo Paszkowsky
Dieser Parkplatz und ehemalige Theaterhof hat es in sich: Die Wände sind Street Art verschönt. Foto: Ingo Paszkowsky
Street-Art in Lissabon. Foto: Ingo Paszkowsky
Lissabon verfügte über eine rege Theater-Szene. Foto: Ingo Paszkowsky
Street-Art in Lissabon. John Wayne inspirierte auch diesen Künstler / Foto: Ingo Paszkowsky
Street-Art in Lissabon. Foto: Ingo Paszkowsky
Dieser Hund genießt die Sonne im Künstlerviertel in Lissabon. Foto: Ingo Paszkowsky
Street-Art in Lissabon. Foto: Ingo Paszkowsky
Das Teatro Variedades im Parque Mayer in Lissabon in Nähe der Avenida da Liberdade. Foto: Ingo Paszkowsky
Foto: Ingo Paszkowsky
Street-Art im Fußgängertunnel in der Nähe der Brücke des 25. April. / Foto: Ingo Paszkowsky
Lissabon: Fußgängertunnel in der Nähe der Brücke des 24. April zur Lx Factory / Foto: Ingo Paszkowsky
Lissabon. Fußgängertunnel in der Nähe der Brücke des 24. April
Street-Art im Parque Mayer in Lissabon. Foto: Ingo Paszkowsky
Lx Factory Lissabon / Foto: Stefanie Gendera
Lx Factory Lissabon / Foto: Stefanie Gendera
Lx Factory Lissabon / Foto: Stefanie Gendera
Waschbär von Bordalo II. Kunstwerk in der Nähe der Rua Dom Lourenco de Almeida. Foto: Ingo Paszkowsky
LX Factory Lissabon: viele Restaurants, Galerien und Shops
LX Factory Lissabon. / Foto: Ingo Paszkowsky
Lx Factory Lissabon / Foto: Stefanie Gendera
LX Factory Lissabon. / Foto: Ingo Paszkowsky
Lx Factory Lissabon / Foto: Stefanie Gendera
Lx Factory Lissabon / Foto: Stefanie Gendera
Lx Factory Lissabon. Kunst-Insekt von Bordalo II / Foto: Stefanie Gendera
Village Underground / Foto: Stefanie Gendera
Grafitti in Lissabon / Foto: Ingo Paszkowsky
Bairro Alto Rua do Alcaide Titelfoto: Ingo Paszkowsky
Das könnte Dich auch interessieren...
Read the full article
12 notes
·
View notes
Text
Mood Keep (2018) Alice dos Reis
Video 13:51 min Directed and Edited by: Alice dos Reis With: Alice dos Reis, Bin Koh, Danae Io Text and Voice: Alice dos Reis Sound: Emile Frankel Camera: Alice dos Reis, Wyatt Niehaus
Mood Keep focuses on the critically endangered Mexican axolotl, a water creature with regenerative abilities that refuses to metamorphose into maturity. In the film, set in the near future, the world population of captive axolotl has had enough of the aggressive electric lights of their aquariums. Communicating via wireless waves and watching anime telepathically, they decide to develop eyelids to shut their eyes, reclaim the agency of their bodies and encourage empathic communication.
In charting the connections between the axolotl’s post-colonial history, unique - almost unearthly - biology, and recent online popularity as one of the world’s cutest creatures, the work seeks to trace the prevalence of cute imagery in contemporary semiotics.
Alice dos Reis is an artist and filmmaker. She has exhibited, solo and in group, at the Serralves Museum for Contemporary Art (Porto), Kunsthalle Lissabon (Lisbon), Gallerie D’Italia (Torino), 5th Istanbul Design Biennale (Istanbul), RADIUS CCA (Delft), Porto Municipal Gallery (Porto), PuntWG (Amsterdam), Display (Prague), Gallery and Lehmann + Silva, among others. Her films have been shown at the Palais de Tokyo (Paris), EYE Film Museum (Amsterdam), Platform Vdrome, and Museum of the Moving Image (NYC), as well as in various international film festivals. Recently Alice was a recipient of Fundacion Botin Visual Arts Grants (2022-2023). She co-runs Pântano Books, an independent poetry press.
0 notes
Text
La Chola Poblete at Kunsthalle Lissabon
http://dlvr.it/SnznFK
0 notes
Photo
https://www.contemporaryartlibrary.org/project/beauty-codes-order-disorder-chaos-act-ii-at-kunsthalle-lissabon-15119
0 notes
Photo
Sheroanawe Hakihiiwe at Kunsthalle Lissabon
87 notes
·
View notes
Photo
Cacio e Pepe is a pasta dish from Roman cuisine. "Cacio e pepe" means "cheese and pepper" in several central Italian dialects. The ingredients of the dish are very simple, Ilaria and Andrea wrote a very accurate recipe, so do not overcook your pasta and don’t forget to add salt in the water!
Buon appetito!
2 notes
·
View notes
Text
Interviewed
Artribune Interviewed by Giulia Ronchi 09.2020
0 notes
Text
Autumn, de Joana Escoval e Hetamoé
Autumn, de Joana Escoval e Hetamoé #bandasdesenhadas
Autumn é lançado no dia 6 de dezembro.
No dia 6 de dezembro, ocorre o lançamento de uma obra, fruto de uma de banda desenhada colaboração de Hetaomé com a artista plástica Joana Escoval. Trata-se de um pequeno livro de artista em formato manga, desenhado por Hetamoé, com argumento de Escoval, intitulado Autumn. The Wind in the Tree, The Wind in the Water. É publicado pela Kunsthalle Lissabon,…
View On WordPress
0 notes
Photo
Musa paradisíaca (Eduardo Guerra e Miguel Ferrão)
Couve [Cabbage], 2014
Painted pitch 13 x 13 x 7 cm
Machines’ audition
Kunsthalle Lissabon
May 10 – June 28, 2014
47 notes
·
View notes
Photo
Manuel Solano Jacuzzi 2021, Installation View, Kunsthalle Lissabon
18 notes
·
View notes
Text
For a Life Long Disease of Copper, 2021
Exhibition at Kunsthalle Lissabon
Photos © Bruno Lopes
Sprung from the artist’s own family history, For a Life Long Disease of Copperextrapolates the media of essay-film and sci-fi drama to both recount and fictionalize their grandmother’s life story as a worker at a pharmaceutical factory in Lisbon during the 1960s and 1970s where, among other pharmaceuticals, she fabricated the company’s first birth-control pill.
For the works in the exhibition, Alice dos Reis undertook archival research into the development of hormonal and non-hormonal contraceptives throughout the 20th and 21st centuries, intertwined with their grandmother’s personal testimony, trying to investigate the complicated relationships between birth control, gender, class, extractivism, and technoscience.
For a Life Long Disease of Copper is a fictional interview with the artist’s grandmother, played by a digitally aged version of the artist themselves. Occupying very entangled personal, biographical, historical and political positions, dos Reis asks (and answers) some questions about their grandmother’s life as a pharmaceutical factory worker. Poems, archival images, and filters weave together, giving birth to a new sci-fi scenario paved by ano dois, ano dez, ano duzentos, a series of large- scale images of outer space in which asteroids and gravitating copper IUDs meet, speaking to a speculative reality where space-extracted copper is used to fabricate contraceptives. A work uniform from the time dos Reis’s grandmother worked at the pharmaceutical is framed in yellow plexiglass, the color of the substance Alice’s grandmother developed an allergy from, that later led to “a life long disease”.
Through the use of sci-fi imaginary, the artist re-interprets her family history projecting the story both in a near future and a recognizable past, laying the foundations for a transversal reading of the entire research.
2 notes
·
View notes
Photo
Katja Novitskova (*1984 in Tallinn, Estonia; lives and works in Amsterdam and Berlin) studied Semiotics and Cultural Studies at the University of Tartu, Digital Media at the University of Lübeck and graphic design at Sandberg Instituut in Amsterdam. In her still young artistic career she has participated in exhibitions at the Museum of Modern Art in New York, Kunsthalle Fridericianum in Kassel, Kunsthalle Lissabon and the Kunsthalle Wien. She is amongst this year’s nominees for the Prize of the Böttcherstraße in Bremen and Nam June Paik Award 2016. In 2017 she will represent Estonia at the 57th Biennale di Venezia.
67 notes
·
View notes
Text
Trevor Shimizu: Performance Artist — ICA at Kunsthalle Lissabon, Portugal (Nov 20, 2019 – Feb 1, 2020)
27 notes
·
View notes
Photo
Emily Roysdon (Maryland, 1977)
0 notes
Photo
The strange order of things
Nathalie du Pasquier
contributor Luca Lo Pinto
images : Nathalie Du Pasquier, Alice Fiorilli, Ilvio Gallo, Delfino Sisto Legnani
Graphic Design : Maxwell studio – Teresa Piardi
Humboldt Books, Milano 2019, 112 pagine,english, ISBN 978-8899385590
euro 30,00
email if you want to buy :[email protected]
Le cose hanno un ordine? Con questa domanda comincia l'esplorazione di Nathalie Du Pasquier. Il suo è un classico "viaggio intorno alla mia camera", lungo il percorso semina indizi: frecce, numeri, citazioni di autori famosi che portano a conclusioni subito smentite da altre citazioni. Intorno scorre un paesaggio domestico e postmoderno di colonne e basamenti, ma anche di oggetti d'uso quotidiano come un pacco di pasta o una lattina di birra. L'artista francese cerca di rinchiudere gli oggetti in scatole semplici o elaborate, ma essi vivono di vita propria e scappano da tutte le parti. Potrebbero esistere relazioni tra gli oggetti, simmetrie invisibili, ma anche di questo alla fine si dubita. Non ci resta che ammirare l'ordinata fantasia dell'artista e prendere atto delle sue conclusioni: This is what I saw, ovvero "Questo è quello che ho visto".
Nathalie du Pasquier (Bordeaux, 1957) è tra i membri fondatori del gruppo Memphis con Ettore Sottsass e George Sowden. Dopo una giovanile esperienza in Africa, si trasferisce in Italia, dove vive dal 1979. È pittrice e designer. Ha esposto in gallerie e musei di tutto il mondo tra cui, negli ultimi anni, Greta Meert Gallery a Bruxelles (2018), Galleria Apalazzo a Brescia (2018), ICA Philadelphia (2017), Pace Gallery a Londra (2017), Kunsthalle Lissabon a Lisbona (2017), Kunsthalle Vienna (2016), Exile a Berlino (2016) e Chamber a New York (2015).
orders to: [email protected]
twitter: @fashionbooksmi
instagram: fashionbooksmilano
instagram: designbooksmilano
tumblr: designbooksmilano
tumblr: fashionbooksmilano
#Nathalie du Pasquier#Memphis#Ettore Sottsass#George Sowden#Humboldt Books#italian designer#design books#designbooksmilano
2 notes
·
View notes