#Kristof Deak

[randomrichards]

Sing (2016)

[jerichopalms]

#28: “Sing” (2016, dir. Kristof Deak)

[templeofgeek]

Sing Takes Home the Oscar for Best Live-Action Short Film

Sing Takes Home the Oscar for Best Live-Action Short Film #Oscars #SingShortFilm #Congrats #BestShortFilmLiveAction

We are so proud to announce that the winner of the Best Live-Action Short Film at tonight’s 2017 Academy Awards is Sing.

Sing | Dorottya Hais & Dorka Gasparfalvi

The heartfelt drama, Sing, is based on the true story of a young girl who is forced to either stand up against a corrupt system or fit quietly into it. Dealing with themes of ambition, rejection and solidarity, this powerful film was…

[vm4vm0]

The Boss from Bart Sienkiewicz on Vimeo.

'The Boss' short film

Dir: Kristof Deak Prod: ChrisandBex

[cooncel]

Oscar Winner Kristof Deak Starts Shooting Feature Debut ‘The Grandson’ (EXCLUSIVE) Hungarian writer-director Kristóf Deák, who won an Academy Award for best live-action short, has started shooting his debut theatrical feature, “The Grandson.”

[dusunumsel]

Oscar'a Aday Olmuş 5 Kısa Film

Oscar'a aday olmuş 5 kısa filmi sizin için derledik. İyi seyirler dileriz. Madre https://www.youtube.com/watch?v=FOJL4uo1TMo Rodrigo Sorogoyen tarafından yönetilen İspanyol yapımı film aile ilişkilerini konu alıyor ve aynı zamanda da kısa film dalında 2017 Oscar adayı. The Voorman Problem https://www.youtube.com/watch?v=EaB2wiiOgHM 2013 yılında Oscar'a aday gösterilen ve Mark Gill tarafından yönetilen kısa film insan psikolojisinin derinlerini araştırıyor. The Neighbors' Window https://www.youtube.com/watch?v=k1vCrsZ80M4 Diane Weipert'in gerçek hikayesinden esinlenen ve Marshall Curry tarafından yönetilen 2019 yapımı kısa film 2020 Oscar adayları arasında yerini aldı. Sing https://www.youtube.com/watch?v=SEZqInXHUU8 Kristof Deak tarafından yönetilen ve ödüllü bir koronun başına geçen bir ilkokul öğrencisi kızın hikayesini anlatan film 2017'de Oscar'a aday gösterilmişti. Skin https://www.youtube.com/watch?v=DkCVrWC0ZP4 2018'de kısa film dalında Oscar alan SKIN, Guy Nattiv tarafından yönetildi. Yönetmenin aynı yıl bitirdiği ve yine aynı ismi taşıyan uzun metraj filmi içerik olarak kısa metrajdan farklı. Read the full article

[thearabkhaleesi]

2017 OSCARS WINNERS

Best Picture

Winner: Moonlight

Arrival

Fences

Hacksaw Ridge

Hell or High Water

Hidden Figures

La La Land

Lion

Manchester by the Sea

Best Actress

Winner: Emma Stone - La La Land

Isabelle Huppert - Elle

Ruth Negga - Loving

Natalie Portman - Jackie

Meryl Streep - Florence Foster Jenkins

Best Actor

Winner: Casey Affleck - Manchester by the Sea

Andrew Garfield - Hacksaw Ridge

Ryan Gosling - La La Land

Viggo Mortensen - Captain Fantastic

Denzel Washington - Fences

Best Supporting Actress

Winner: Viola Davis - Fences

Naomie Harris - Moonlight

Nicole Kidman - Lion

Octavia Spencer - Hidden Figures

Michelle Williams - Manchester by the Sea

Best Supporting Actor

Winner: Mahershala Ali - Moonlight

Jeff Bridges - Hell or High Water

Lucas Hedges - Manchester by the Sea

Dev Patel - Lion

Michael Shannon - Nocturnal Animals

Best Director

Winner: La La Land - Damien Chazelle

Arrival - Denis Villeneuve

Hacksaw Ridge - Mel Gibson

Manchester by the Sea - Kenneth Lonergan

Moonlight - Barry Jenkins

Best Original Screenplay

Winner: Manchester by the Sea - Kenneth Lonergan

20th Century Women - Mike Mills

Hell or High Water - Taylor Sheridan

La La Land - Damien Chazelle

The Lobster - Yorgos Lanthimos and Efthimis Filippou

Best Adapted Screenplay

Winner: Moonlight - Barry Jenkins and Alvin McCraney

Arrival - Eric Heisserer

Fences - August Wilson

Hidden Figures - Allison Schroeder and Theodore Melfi

Lion - Luke Davies

Best Original Score

Winner: La La Land - Justin Hurwitz

Jackie - Mica Levi

Lion - Dustin O'Halloran and Hauschka

Moonlight - Nicholas Britell

Passengers - Thomas Newton

Best Original Song

Winner: La La Land - City of Stars by Justin Hurwitz, Benj Pasek and Justin Paul

La La Land - Audition by Justin Hurwitz, Benj Pasek and Justin Paul

Moana - How Far I'll Go by Lin-Manuel Miranda

Trolls - Can't Stop the Feeling by Justin Timberlake, Max Martin and Karl Johan Schuster

Jim: The James Foley Story - The Empty Chair by J Ralph and Sting

Best Cinematography

Winner: La La Land - Linus Sandgren

Arrival - Bradford Young

Lion - Greig Fraser

Moonlight - James Laxton

Silence - Rodrigo Prieto

Best Foreign Language Film

Winner: The Salesman - Iran

A Man Called Ove - Sweden

Land of Mine - Denmark

Tanna - Australia

Toni Erdmann - Germany

Best Costume Design

Winner: Fantastic Beasts and Where to Find Them - Colleen Atwood

Allied - Joanna Johnston

Florence Foster Jenkins - Consolata Boyle

Jackie - Madeline Fontaine

La La Land - Mary Zophres

Best Make-up and Hairstyling

Winner: Suicide Squad - Alessandro Bertolazzi, Giorgio Gregorini and Christopher Nelson

A Man Called Ove - Eva Von Bahr and Love Larson

Star Trek Beyond - Joel Harlow and Richard Alonzo

Best Documentary Feature

Winner: OJ: Made in America

13th

Fire At Sea

I Am Not Your Negro

Life, Animated

Best Sound Editing

Winner: Arrival - Sylvain Bellemare

Deepwater Horizon - Wylie Stateman and Renee Tondelli

Hacksaw Ridge - Robert Mackenzie and Andy Wright

La La Land - Ai-Ling Lee and Mildred Iatrou Morgan

Sully - Alan Robert Murray and Bub Asman

Best Sound Mixing

Winner: Hacksaw Ridge - Kevin O'Connell, Andy Wright, Robert Mackenzie and Peter Grace

13 Hours: The Secret Soldiers of Benghazi - Gary Summers, Jeffrey J Haboush and Mac Ruth

Arrival - Bernard Gariepy Strobl and Claude La Haye

La La Land - Andy Nelson, Ai-Ling Lee and Steve A Morrow

Rogue One: A Star Wars Story - David Parker, Christopher Scarabosio and Stuart Wilson

Best Animated Short

Winner: Piper - Alan Barillaro and Marc Sondheimer

Blind Vaysha - Theodore Ushev

Borrowed Time - Andrew Coats and Lou Hamou-Lhadj

Pear Cider and Cigarettes - Robert Valley and Cara Speller

Pearl - Patrick Osborne

Best Animated Feature

Winner: Zootopia

Kubo and the Two Strings

Moana

My Life as a Zucchini

The Red Turtle

Best Production Design

Winner: La La Land - David Wasco and Sandy Reynolds-Wasco

Arrival - Patrice Vermette and Paul Hotte

Fantastic Beasts and Where to Find Them - Stuart Craig and Anna Pinnock

Hail, Caesar! - Jess Gonchor and Nancy Haigh

Passengers - Guy Hendrix Dyas and Gene Serdena

Best Visual Effects

Winner: The Jungle Book - Robert Legato, Adam Valdez, Andrew R Jones and Dan Lemmon

Deepwater Horizon - Craig Hammack, Jason Snell, Jason Billington and Burt Dalton

Doctor Strange - Stephane Ceretti, Richard Bluff, Vincent Cirelli and Paul Corbould

Kubo and the Two Strings - Steve Emerson, Oliver Jones, Brian McLean and Brad Schiff

Rogue One: A Star Wars Story - John Knoll, Mohen Leo, Hal Hickel and Neil Corbould

Best Film Editing

Winner: Hacksaw Ridge - John Gilbert

Arrival - Joe Walker

Hell or High Water - Jake Roberts

La La Land - Tom Cross

Moonlight - Nat Sanders and Joi McMillon

Best Documentary Short

Winner: The White Helmets - Orlando von Einsiedel and Joanna Natasegara

4.1 Miles - Daphne Matziaraki

Extremis - Dan Krauss

Joe's Violin - Kahane Cooperman and Raphaela Neihausen

Watani: My Homeland - Marcel Mettelsiefen and Stephen Ellis

Best Live Action Short

Winner: Sing - Kristof Deak and Anna Udvardy

Ennemis Interieurs - Selim Azzazi

La Femme et le TGV - Timo Von Gunten and Giacun Caduff

Silent Nights - Aske Bang and Kim Magnusson

Timecode - Juanjo Gimenez

[niraves]

Sing - Mindenki 2017 OSCAR WINNER HUNGARIAN SHORT FILM BY DIRECTOR KRISTOF DEAK. I’m so happy that our country have won another Oscar. Please watch it!

[randomrichards]

BEST LIVE ACTION SHORT: – ENNEMIS INTERIURS (ENEMIES WITHIN) What starts out as a straight forward interview becomes an intense interrogation in this scathing, political thriller. Set in the 90’s, the film also looks at France’s turbulent relationship with Algiers. As the film begins, An Algerian teacher (Hassan Ghancy) applies for French Citizenship. He answers a series of basic questions of France’s Culture to an officer (Najib Oudghiri). But as the interview progresses, questions start to lean toward a terrorist attack by two Algerians. The officer suspects those two were at the same mosque meeting the teacher was at. The interrogation grows more hostile as the officer tries to get the teacher to name names. The premise probably has the simplest delivery of the films in this category. Most of the film is just these two character in a single room, talking. And yet it’s the most gripping short in this category. Starting with a simple Q & A, writer/director Selim Azzazi builds a slow burn of suspense coming out of each information revealed. The teacher also reveals himself to be a complex protagonist. Though born in the Algiers, he considers himself first and foremost a French man. He argues that since Algiers was part of the French Empire when he was born, he is therefore a Frenchman. But his fate lies in the hands of a man who could deport him with just the click of his pen. And no one will let him leave without two names. You don’t know much about him, but thanks to Ghancy’s performance, you care for him and don’t believe he had anything to do with this. This film takes a simple premise and keeps you in suspense. When it’s over, you’ll have a lot to talk about with your friends. – LA FEMME ET LE TGV The most romantic short in this category, this adorable little gem from Switzerland follows the developing relationship of two people who never meet. Every day, the TGV passes a little house of Elise (Jane Birkin), whose always there to wave her Swiss Flag. This seems to be the only high point of her day. Once a successful business, Elise’s bakery now struggles with competition from the All Deal retail store. Not helping is this ballet blaring techno tunes right next door. Her son Pierre (Mathieu Bisson) has grown up and moved out. Her only companion is Balthazar the budgie. So, the only excitement of her day is the coming of the TGV. Then one day, a letter comes flying onto out of the train and onto her lawn. So, begins a loving correspondence between Elise and the mysterious train conductor named Bruno. Elise would send letters and her treats to Bruno, who throws his letters out the window, along with some cheese. But their romantic correspondence comes under threat when the train takes a different route. La Femme Et Le TGV reminds me a lot of 84 Charing Cross Road, a biopic about two bookdealers (Anne Bancroft and Anthony Hopkins) who formed a bond through business correspondence. Both films are romances centered around two people who never meet. You’d think this would be the kiss of death for romance films, and yet both films seem to make it work. Romance live and die by the chemistry between the two leads. How can you have chemistry when the two leads never have a scene together? With great writing, that’s how. Elise and Bruno bring out their most romantic sides in their letters, often turning to each other to vent their personal problems. Though it begs the question; are they falling for each other’s true selves or just idealized versions of each other? What also makes it work is Birkin’s performance. She creates such a quirky character in Elise that she brings joy in every minute she’s on screen. When she waves her swiss flag, she brings out her character’s genuine happiness. Plus, she faces the task of selling the questionable decision of falling for a person she hasn’t met. Her romance feels so genuine that you can’t help but root for her to get together with Bruno. She also as good in her low points, especially when Pierre gives his mom a degrading birthday present. The film is also very funny. Elsie cherishes Bruno’s gifts of cheese. There’s just one problem; she hates cheese. So, we are treated to the hilarious image of a fridge full of cheese. La Femme et Le Tiv will leave audiences swooning over this romance. – SILENT NIGHTS All the way from Denmark comes a love story about two people fallen on hard times. Kwame (Prince Yaw Appliah) immigrated from Ghana in hopes of providing more for his wife and kids. Instead, He finds himself on living on the street, making a living by collecting bottles. Meanwhile, Social worker Inger (Malene Beltoft) cares for her deadbeat, drunken mother Solveig (Vibeke Hastrup), who makes her life a living hell. These two lost souls come into each other lives when Kwame’s beaten by some racist thugs and Inger comes to his aid. After nursing him to health, they sleep with each other. They seem like a great couple, if it weren’t for a few problems. First, Solveig is gets very racist when she’s drunk, which leads to an awkward first meeting. Second, there’s both living in states of extreme poverty. Oh, and there’s the matter of Kwame’s wife and kids in Ghana. The film seems to draw inspiration from Rainer Werner Fassbinder’s romantic masterpiece Ali: Fear Eats the Soul. Both films focus on the relationship between a lonely woman and an immigrant and the prejudices inflicted upon them. While not as frequent as in the later film, Silent Nights still has Kwame dealing with racial hostility, as previous beatings indicate. In an interesting spin, the hostility doesn’t only come from Caucasians. In fact, the thugs are of Danish born Arabs. I assume writer/director Aske Bang’s trying to prove whites aren’t the only ones’ hostile towards refugees. The film is clearly a commentary on the Syrian refugee crisis. What is surprising is how complicated the film portrays Kwame. The man came to Denmark thinking it would give him a better chance to provide for his family, only to find himself under a tunnel in the freezing cold, at least when the shelter’s not full. Fearing shame, Kwame can’t bring himself to return home without anything to show for it. On one hand, we can sympathize with his circumstances. But then Bang tests our sympathies by having him commit criminal activities. Kwame’s need for funds becomes urgent when his daughter contracts malaria. In his desperation, he commits a horrible act that’s not only criminal, but also nearly destroys his relationship with Inger. Sure, you understand why he did it, but it’s still a horrible thing to do. And then there’s the fact he’s cheating on his wife and doesn’t even have the decency to tell Inger, which may prove unforgivable for some audience members. We probably wouldn’t feel any sympathy if it weren’t for Appliah, who brings a lot of heart into his performance. The film has a lot of ups and downs. The films’ highpoint is the opening scene, which intertwines Kwame’s and Inger’s troubled lives with a church choir’s beautiful rendition of “Silent Night.” The low point is the ending. The message it sends is just…confusing. Whether the high points outweigh the low points is up to the audience. – SING (MINDEKI) Not to be confused with Illumination’s recent animated film, Sing is a Hungarian import. Moving to a new school is never easy for a kid. Despite the butterflies in her stomach, Zsofi (Dorka Gasparfalvi) fits right into her new environment, even joining her new best friend Liza (Dorka Hais) in the schools’ award winning choir class. After the first rehearsal, Zsofi comes to see why choir director Ms. Erika (Zsofia Szamosi) is her favorite teacher. But then Ms. Erika pulls her aside and insists Zsofi lip synch for the rest of rehearsals, which drains the poor girl of her enthusiasm. Soon, the girls come to realize how unfair adults can be. While a lesser actress would have hammed it up as Ms. Erika, Szamosi delivers a more nuanced realism to the character. When we first meet this teacher, she seems like a nice, encouraging teacher. When she does put down Psofi’s singing, she twists her insults under a polite guise; “You can sing in your head.” Szamosi maintains her polite manner as Ms. Erika tries to rationalize her questionable treatment of some students. It takes a hard push for her to show her true colours, but even then, she tries to mind her manners. Through Ms. Erika, the girls can see how adults make excuses for bad behavior, always believing themselves to be in the right. Matching her performance as the girls. Whenever they are together, Gasparfalvi and Hais make the interactions between Zsofi and Liza feel like real life conversations between two girls. Gasparfalvi is so joyful in the early scenes that when Zsofi’s spirit is broken, it’s upsetting. These little actresses further the depth of their character’s relationships when Zsofi won’t tell the concerned Liza why she’s upset. When they gather the choir team to get back at Ms. Erika, their hilarious revenge is glorious. SPOILER ALERT: These elements come together thanks to Director/Co-writer Kristof Deak. But one scene proves he has excellent storytelling skills. During one choir rehearsal, Liza starts to grow suspicious. She looks to student after student, and comes to realize Zsofi isn’t the only one who’s lip synching. The irony is the choir’s song is about singing in defiance. The fact he pulls this off without any spoken dialogue takes a master storyteller. – TIMECODE We conclude with the Palme D’or winning at the Cannes Film Festival. Today seemed like any other day for security guard Luna (Lali Ayguade) until she got a call from her boss. Apparently, a client’s tail lights were knocked out and the boss wants her to check the video. After typing in the timecode, the video reveals fellow guard Diego (Nicolas Ricchini) was dancing across the parking lot and accidently kicked out the light. Instead of ratting him out, Luna decides to try her hand at it. On her shift, she awkwardly dances in front of the security cameras and leaves a note of the times for Diego to watch it. Diego plays along, leaving notes for her to watch his dancing. This exchange starts a funny bond between these two. This is the third short film in this category centred around a blooming romance. The question is does this even count as a romance or just two friend enjoying a common activity? Either way, this short film is very funny, especially in the way it ends. Who Will Win? The odds are in favour of Ennemis Interieurs. This film is probably the best written and best acted film on the list, bringing a complex discussion of immigration and terrorism under a deceptively simple guise of a political thriller.

[karthick0587]

Oscar-Winning Director Kristof Deak Signs With Gotham Group

The Hungarian filmmaker picked up an Academy Award for his short film 'Sing.'

read more

from Entertainment News http://ift.tt/2sN22Gs via IFTTT

[jackiebarnard11]

If you are in the mood for a distraction, enter my occasional Oscar pool! Email me your choices before the start of the Oscars, Sunday February 26th, 8:30pm EDT on ABC. You must vote in all categories. Winners receive a prize in the mail!

jacquelinetien@gmail.com

Previous winners include: Patty, Jane, and Sam!

List below and at these two links.

http://oscar.go.com/news/nominations/oscar-nominations-2017-view-the-complete-list-of-nominees

printable ballot:https://media1.popsugar-assets.com/files/docs/PS17_0003_AwardSeason_Oscars_Ballot_Printable%20%282%29.pdf 

Best picture:

“Arrival”

“Fences”

“Hacksaw Ridge”

“Hell or High Water”

“Hidden Figures”

“La La Land”

“Lion”

“Manchester by the Sea”

“Moonlight”

Lead actor:

Casey Affleck, “Manchester by the Sea”

Andrew Garfield, “Hacksaw Ridge”

Ryan Gosling, “La La Land,”

Viggo Mortensen, “Captain Fantastic”

Denzel Washington, “Fences”

Lead actress:

Isabelle Huppert, “Elle”

Ruth Negga, “Loving”

Natalie Portman, “Jackie”

Emma Stone, “La La Land”

Meryl Streep, “Florence Foster Jenkins”

Supporting actor:

Mahershala Ali, “Moonlight”

Jeff Bridges, “Hell or High Water”

Lucas Hedges, “Manchester by the Sea”

Dev Patel, “Lion”

Michael Shannon, “Nocturnal Animals”

Supporting actress:

Viola Davis, “Fences”

Naomie Harris, “Moonlight”

Nicole Kidman, “Lion”

Octavia Spencer, “Hidden Figures”

Michelle Williams, “Manchester by the Sea”

Best director:

“La La Land,” Damien Chazelle

“Hacksaw Ridge,” Mel Gibson

“Moonlight,” Barry Jenkins

“Manchester by the Sea,” Kenneth Lonergan

“Arrival,” Denis Villeneuve

Animated feature:

“Kubo and the Two Strings,” Travis Knight and Arianne Sutner

“Moana,” John Musker, Ron Clements and Osnat Shurer

“My Life as a Zucchini,” Claude Barras and Max Karli

“The Red Turtle,” Michael Dudok de Wit and Toshio Suzuki

“Zootopia,” Byron Howard, Rich Moore and Clark Spencer

Animated short:

“Blind Vaysha,” Theodore Ushev

“Borrowed Time,” Andrew Coats and Lou Hamou-Lhadj

“Pear Cider and Cigarettes,” Robert Valley and Cara Speller

“Pearl,” Patrick Osborne

“Piper,” Alan Barillaro and Marc Sondheimer

Adapted screenplay:

“Arrival,” Eric Heisserer

“Fences,” August Wilson

“Hidden Figures,” Allison Schroeder and Theodore Melfi

“Lion,” Luke Davies

“Moonlight,” Barry Jenkins; Story by Tarell Alvin McCraney

Original screenplay:

“20th Century Women,” Mike Mills

“Hell or High Water,” Taylor Sheridan

“La La Land,” Damien Chazelle

“The Lobster,” Yorgos Lanthimos, Efthimis Filippou

“Manchester by the Sea,” Kenneth Lonergan

Cinematography:

“Arrival,” Bradford Young

“La La Land,” Linus Sandgren

“Lion,” Greig Fraser

“Moonlight,” James Laxton

“Silence,” Rodrigo Prieto

Best documentary feature:

“13th,” Ava DuVernay, Spencer Averick and Howard Barish

“Fire at Sea,” Gianfranco Rosi and Donatella Palermo

“I Am Not Your Negro,” Raoul Peck, Remi Grellety and Hebert Peck

“Life, Animated,” Roger Ross Williams and Julie Goldman

“O.J.: Made in America,” Ezra Edelman and Caroline Waterlow

Best documentary short subject:

“4.1 Miles,” Daphne Matziaraki

“Extremis,” Dan Krauss

“Joe’s Violin,” Kahane Cooperman and Raphaela Neihausen

“Watani: My Homeland,” Marcel Mettelsiefen and Stephen Ellis

“The White Helmets,” Orlando von Einsiedel and Joanna Natasegara

Best live action short film:

“Ennemis Interieurs,” Selim Azzazi

“La Femme et le TGV,” Timo von Gunten and Giacun Caduff

“Silent Nights,” Aske Bang and Kim Magnusson

“Sing,” Kristof Deak and Anna Udvardy

“Timecode,” Juanjo Gimenez

Best foreign language film:

“A Man Called Ove,” Sweden

“Land of Mine,” Denmark

“Tanna,” Australia

“The Salesman,” Iran

“Toni Erdmann,” Germany

Film editing:

“Arrival,” Joe Walker

“Hacksaw Ridge,” John Gilbert

“Hell or High Water,” Jake Roberts

“La La Land,” Tom Cross

“Moonlight,” Nat Sanders and Joi McMillon

Sound editing:

“Arrival,” Sylvain Bellemare

“Deep Water Horizon,” Wylie Stateman and Renee Tondelli

“Hacksaw Ridge,” Robert Mackenzie and Andy Wright

“La La Land,” Ai-Ling Lee and Mildred Iatrou Morgan

“Sully,” Alan Robert Murray and Bub Asman

Sound mixing:

“Arrival,” Bernard Gariepy Strobl and Claude La Haye

“Hacksaw Ridge,” Kevin O’Connell, Andy Wright, Robert Mackenzie and Peter Grace

“La La Land,” Andy Nelson, Ai-Ling Lee and Steve A. Morrow

“Rogue One: A Star Wars Story,” David Parker, Christopher Scarabosio and Stuart Wilson

“13 Hours: The Secret Soldiers of Benghazi,” Greg P. Russell, Gary Summers, Jeffrey J. Haboush and Mac Ruth

Production design:

“Arrival,” Patrice Vermette, Paul Hotte

“Fantastic Beasts and Where to Find Them,” Stuart Craig, Anna Pinnock

“Hail, Caesar!,” Jess Gonchor, Nancy Haigh

“La La Land,” David Wasco, Sandy Reynolds-Wasco

“Passengers,” Guy Hendrix Dyas, Gene Serdena

Original score:

“Jackie,” Mica Levi

“La La Land,” Justin Hurwitz

“Lion,” Dustin O’Halloran and Hauschka

“Moonlight,” Nicholas Britell

“Passengers,” Thomas Newman

Original song:

“Audition (The Fools Who Dream),” “La La Land” — Music by Justin Hurwitz; Lyric by Benj Pasek and Justin Paul

“Can’t Stop the Feeling,” “Trolls” — Music and Lyric by Justin Timberlake, Max Martin and Karl Johan Schuster

“City of Stars,” “La La Land” — Music by Justin Hurwitz; Lyric by Benj Pasek and Justin Paul

“The Empty Chair,” “Jim: The James Foley Story” — Music and Lyric by J. Ralph and Sting

“How Far I’ll Go,” “Moana” — Music and Lyric by Lin-Manuel Miranda

Makeup and hair:

“A Man Called Ove,” Eva von Bahr and Love Larson

“Star Trek Beyond,” Joel Harlow and Richard Alonzo

“Suicide Squad,” Alessandro Bertolazzi, Giorgio Gregorini and Christopher Nelson

Costume design:

“Allied,” Joanna Johnston

“Fantastic Beasts and Where to Find Them,” Colleen Atwood

“Florence Foster Jenkins,” Consolata Boyle

“Jackie,” Madeline Fontaine

“La La Land,” Mary Zophres

Visual effects:

“Deepwater Horizon,” Craig Hammack, Jason Snell, Jason Billington and Burt Dalton

“Doctor Strange,” Stephane Ceretti, Richard Bluff, Vincent Cirelli and Paul Corbould

“The Jungle Book,” Robert Legato, Adam Valdez, Andrew R. Jones and Dan Lemmon

“Kubo and the Two Strings,” Steve Emerson, Oliver Jones, Brian McLean and Brad Schiff

“Rogue One: A Star Wars Story,” John Knoll, Mohen Leo, Hal Hickel and Neil Corbould

jacquelinetien@gmail.com

[polarizedtosleep]

Oscar-Winning Director Kristof Deák Signs With Gotham Group

6:03 PM PDT 6/5/2017 by Chris Gardner The Hungarian filmmaker picked up an Academy Award for his short film ‘Sing.’ Kristof Deák has signed with the Gotham Group for representation. The news comes on the heels of his big win at the Academy Awards earlier this year when his project Sing picked up the Oscar for […]

The post Oscar-Winning Director Kristof Deák Signs With Gotham Group appeared first on Information Overload News.

from Information Overload News http://www.informationoverload.news/oscar-winning-director-kristof-deak-signs-with-gotham-group/

[agender--avenger]

Oscar-Winning Director Kristof Deák Signs With Gotham Group

6:03 PM PDT 6/5/2017 by Chris Gardner The Hungarian filmmaker picked up an Academy Award for his short film ‘Sing.’ Kristof Deák has signed with the Gotham Group for representation. The news comes on the heels of his big win at the Academy Awards earlier this year when his project Sing picked up the Oscar for […]

The post Oscar-Winning Director Kristof Deák Signs With Gotham Group appeared first on Information Overload News.

from Information Overload News http://www.informationoverload.news/oscar-winning-director-kristof-deak-signs-with-gotham-group/

[toebeeeans]

Oscar-Winning Director Kristof Deák Signs With Gotham Group

6:03 PM PDT 6/5/2017 by Chris Gardner The Hungarian filmmaker picked up an Academy Award for his short film ‘Sing.’ Kristof Deák has signed with the Gotham Group for representation. The news comes on the heels of his big win at the Academy Awards earlier this year when his project Sing picked up the Oscar for […]

The post Oscar-Winning Director Kristof Deák Signs With Gotham Group appeared first on Information Overload News.

from Information Overload News http://www.informationoverload.news/oscar-winning-director-kristof-deak-signs-with-gotham-group/

[that-jack-o-lantern-guy]

Oscar-Winning Director Kristof Deák Signs With Gotham Group

6:03 PM PDT 6/5/2017 by Chris Gardner The Hungarian filmmaker picked up an Academy Award for his short film ‘Sing.’ Kristof Deák has signed with the Gotham Group for representation. The news comes on the heels of his big win at the Academy Awards earlier this year when his project Sing picked up the Oscar for […]

The post Oscar-Winning Director Kristof Deák Signs With Gotham Group appeared first on Information Overload News.

from Information Overload News http://www.informationoverload.news/oscar-winning-director-kristof-deak-signs-with-gotham-group/