#King Fallou
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just finished book of carol and AAAAAAAAAAHHHHHHHH
laurent really be going everywhere dropping wisdom like, okay king!!! he's how I imagine jesus to be if he were here. chill dude who'd like to ride a skateboard and solve rubiks cubes
AND FALLOU??? THAT QUOTE??? ABSOLUTELY DEVOURED FATHER ASHFSLJDFHSKDJHFS LIKE WDYM YOU SAID "IF YOU NEED PROOF, YOUVE ALREADY LOST IT" LIKE?????? ICON???? AAAAHHHHHHHHH WHEN THE LADY STARTED CLAPPING I FORREAL THOUGHT GIRLY WAS GONNA START SINGING SONGS OF PRAISE HELPPPPPPPPP
and isa sweetie, ily but i rlly WAS happy when u died SKHFKJHSAKDHFKHKDHFKHADFHKSH
THE LITTLE VILLAGE WITH ALL THE OLD PEOPLE AAAAAHHHHHHHHHH bless their hearts oml, well they're dead but still, bless them so much gosh. those angels, they were all so happy and content and I was sooooooo soooo happy for them
AND CORDON. THE CHANGE OF HEART. I LOVE IT SO MUCH
but also like pleaseeeee pleaseee just go home, they keep drawing it out and its getting so repetitive, daryl honey this is not your place
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King Fallou and Kojoweb Feature DJ Skelewu On Party Anthem ‘Alomo & Lime’
King Fallou and Kojoweb Feature DJ Skelewu On Party Anthem ‘Alomo & Lime’
King Fallou and Kojoweb Feature DJ Skelewu On Party Anthem ‘Alomo & Lime’ For their joint new single, the two recruit DJ Skelewu to create an opportune Afrobeat song that is big on party energy and perfect for night crawlers. Give it a listen on all digital streaming platforms globally here. With lovely weather, scores of activity and the bubbly ambience of Christmas just around the corner, King…
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#King Fallou#King Fallou Alomo & Lime#King Fallou and Kojoweb Feature DJ Skelewu On Party Anthem ‘Alomo & Lime’
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This is an actual ask for your person: How many series/animes have you watched? May you write a list of it? I'm looking for shows to watch, and you seem to know lots of them. Take the time you need ^^!
Ok so in no particular order at all;
Transformers (Animated, Prime, G1, IDW/Lost Light/MTMTE, Beast Wars, Rescue Bots, Cyberverse, Bayverse (though I won’t write about it) and the Bumblebee movie)
Steven Universe/Steven Universe Future
Overlord (manga, anime and light novel)
Naruto
Bleach
Star Wars (none of the new movies but I’ve seen the Mandalorian)
Pokémon
Digimon
Dinosaur King
Card Captor Sakura
Kaleido Star
Saga of Tanya the Evil
D Gray Man
BNHA
Hollow Knight
Dragon Age (Origins, 2 and Inquisition)
Skyrim
Fallout (New Vegas and 4)
Mirrors Edge
MCU (all movies up till Endgame)
Venom
Assassin’s Creed (all games up to Unity)
Harry Potter (both the movies and the books)
The Lord of the Rings & The Hobbit (the movies, not the books)
Invader Zim (TV show and movie)
How To Train Your Dragon
Megamind
Kung Fu Panda
Shrek
She Ra
Undertale & Deltarune
Winx Club
W.I.T.C.H.
Scooby Doo
Little Nightmares
Avatar The Last Airbender
Ouran Highschool Host Club
Tensei Shitara Slime Datta Ken
Moomin
This is what I could remember right now but I’m sure there are lots of things I’ve forgotten or just couldn’t remember in the moment.
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World On Fire - BBC One - September 29, 2019 - Present
War Drama (7 episodes to date)
Running Time: 60 minutes
Stars:
Sean Bean as Douglas Bennett.
Julia Brown as Lois Bennett
Yrsa Daley-Ward as Connie Knight
Arthur Darvill as Wing Commander Vernon Hunter
Blake Harrison as Sergeant Stan Raddings
Jonah Hauer-King as Harry Chase
Helen Hunt as Nancy Campbell
Patrick Kennedy as Campbell.
Lesley Manville as Robina Chase
Ewan Mitchell as Tom Bennett
Parker Sawyers as Albert Fallou
Brian J. Smith as Webster O'Connor
Zofia Wichłacz as Kasia Tomaszeski,
Charlie Creed-Miles as David Walker
Tomasz Kot as Stefan Tomaszeski.
Agata Kulesza as Maria Tomaszeski
Victoria Mayer as Claudia Rossler
Max Riemelt as Schmidt
Mateusz Więcławek as Grzegorz Tomaszeski
Johannes Zeiler as Uwe Rossler
#World On Fire#TV#War Drama#BBC One#2000's#Title#Sean Bean#Julia Brown#Jonah Hauer-King#Helen Hunt#Lesley Manville
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World on Fire, S1 (2019)
Basic Story: Interconnected stories of people across Europe during WWII.
Fan Thoughts: Season One of World on Fire follows a large group of characters across mainland Europe and England in the very first years of World War II. The Bennett family consists of Lois (Julia Brown), Tom (Ewan Mitchell) and their father Douglas (Sean Bean); Douglas is a veteran of World War One and is now a pacifist selling copies of Peace News which encourages diplomacy rather than war as the situation escalates on the mainland. Lois Bennett takes a more direct approach and crashes a Blackshirts meeting with her boyfriend Harry Chase (Jonah Hauer-King), resulting in their arrest. Lois and Harry are bailed out by Douglas and Robina Chase (Lesley Manville), Harry’s mother, who looks down on the Bennett family as being low-class. Aware of his mother’s attitude and Harry’s impending posting as a translator in Poland, Lois decides to push him away. Months later in Warsaw, Harry has met a woman, Kasia Tomaszeski (Zofia Wichlacz), and become close with her and her family. At the same time, American journalist Nancy Campbell (Helen Hunt) witnesses the German Army amassing to invade Poland and broadcasts the news from Berlin. Nancy urges Harry to flee Warsaw with Kasia, while Kasia’s father Stefan and brother Grzegorz head to Danzig to fight. Nancy also warns her nephew Webster O’Connor (Brian J. Smith) to leave Paris where he works as a doctor, but with a budding relationship with French African jazz musician Albert Fallou (Parker Sawyers), he ignores her warnings. When the war starts the world is turned upside down for every character, each become a different person by the end of the season than they were at the beginning. The intermingling of the different storylines and perspectives is wonderfully balanced, and gives a broad picture of the effect of the war on different people. The only sticking point for me was Lois’ storyline, it felt like they were trying to get her to a certain place in her arc for the next season, but how they got there could’ve been done differently. [Spoilers Italicized] Lois is a virgin and sleeps with Harry when he returns from Poland to “get [sex] out of the way” then leaves him, ends up pregnant, and is engaged to an RAF officer in the last episode. Her whole arc was to set up her story for the next season and the way they did it hit a sour note for me. However, I appreciated the writing in episode five, where Nancy’s fight to expose a “clinic” for disabled children that they never return from, is juxtaposed with Harry’s determination to get a group of shell-shocked soldiers safely to the beach at Dunkirk. Overall it’s an intricate and captivating series that I definitely recommend; and according to it’s creator Peter Bowker, he has plots for each character for six seasons so there's potential for it to get even better!
Warnings: wartime violence, executions, suicide (off camera, only body is shown), child dies (non-graphic, not on camera), mentions of ‘euthanasia’ programs for children, mention of rape
Available On: PBS, Amazon Prime
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King Fallou – Higher (Prod by Chrisbeatz)
King Fallou – Higher (Prod by Chrisbeatz)
Download King Fallou Higher Mp3
King Fallou is off with a brand new jam which he tagged Higher.
Download King Fallou Higher Mp3 Below;
http://ghanamates.com/wp-content/uploads/2020/02/King_Fallou_-_Higher_Prod_by_Chrisbeatz_.mp3 Download Mp3 King Fallou – Higher (Prod by Chrisbeatz)
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@LuchieUno: RT @bgvibesdotcom: WATCH/DOWNLOAD: King Fallou - Yesu Don’t Forget Me (Official Video) tags: @KingFallou #legon #chalewote #chalewotechallenge #slipperschallenge #SlipperChallenge #Ghana #ghanaian https://t.co/VRzE7xSoW7
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Everything is Exploited for Surival Pt. 2
In a sociological study with youth of color in Oakland, Victor Rios found that youth learned to “code switch” into this performance of “acting hard” to in order to survive in the streets and specifically to resist “the violence of the state and other institutions that criminalize and punish them” (Rios, 2006: 48). The “respect as domination” modality of masculinity is based upon intimidation and maintaining a constituted power based on hierarchal social relations and is supported by patriarchy, racism, homophobia. As such, it is often embodied by the hegemonic masculinity as practiced by men involved in law enforcement, the military, and sports teams.
Utilizing violence and psychology (fear), they learned to dominate much like their oppressors. In order to live on this planet and to avoid death (nothingness) we must learn to survive. This eventually lead to their animalistic nature as we become reliant on survival. We become bent on distinction through competition (ego). In turn, we become paranoid. Masculine paranoia is the fear of being percieved as weak. In a white supremacist patriarchal society such as the United States of America, dominance is the realm of straight white men. When men of color embody this masculinity, it at once reinforces the patriarchy against women but creates a racial conflict because brown men cannot embody whiteness. This conflict usually requires the confinement and premature death of men of color because by embodying the dominant masculinity, they are transgressing the hegemonic order of white supremacy. This is one reason why young men of color are systematically shot to death by white law enforcement officers who fear for their safety, and why there are so many men of color who are incarcerated to keep the threat to White Supremacy at bay. The historical legacy of the reality of Lynching is a tremendous amount of confusion for young men of color about what it means to be a man.?
Pain/tension create strength. Strength = power. Power = control. Men are conditioned to not be weak. The very purpose of mind control in the military settings are to impose a means of mind control. Through conditioning, the subject loses its subjectivity in becoming a tool for a larger ideological agenda (superego). They are told how to think, act, and appear based on the authority. They are conditioned to break the threshold of pain in becoming fearless. This ultimately leads to the development of a one-track mind. To receive and obey. Thus why the greeks and romans trained young males from the earliest age possible to mitigate their fear and to stamp out weakness. In Fight Club (1999) the men are conditioned to be fearless, no longer giving into the whims of their own subjectivity. The projection of the phallus in fight club symbolizes the need for authority, for control. They become cogs in a system to destabilize the dominant mode of society. In the end, Tyler releases this need for authority (masculinity) and willingly “castrates himself” thus reuniting with Marla (Marla etymologically means = “mother”, the divine feminine – nothingness ). In closing the buildings falls in orgasmic splendor symbolizing the chaos of the material realm, the false realm. Jack and Marla, in uniting (holding hands) The quickflash cut scene of a penis at the very end of the film symbolizes projection of hegemonic masculinity in fight club (masculine – penis- ego-surface) and its fades to black symbolizes the demise of the phallus in the 4return to nothingness (chaos). American Psycho (1999) reveals the psychosis/emptiness of formality and function. The psychosis of perfection and the need to compete, compels Patrick Bateman to kill. American Psycho symbolizes the psychosis of the surface, and the hierarchy of those in power within American structures. Blackness is deemed “negative” as it is an emotional state (passivity) does not correspond with ruthlessness of whiteness. This is conveyed perfectly when Patrick interrogates the homeless black male, assuming the position that his attitude is the purpose behind his failure in society. Much like dynamics of wealth in American culture, there is always a gap between the wealthy and the poor. American Psycho is about the pointlessness of evolution. Form is empty.
In order to truly be free, we must free ourselves from these forms. Psychopathy is also complicit in domination for it allows one to conquer someone/something without fear. White people trained themselves on fear, on learning to adapt to circumstances through conquering anything in their way. An assassin/solider thrives on cold logic and an equally cold, hard shell. He is motivated only by what exists for him: survival. Humanity is an evil thing, thriving only through separation. Its inherently flawed. It's full of psychopaths. Much like Plato's Cave, humans are largely ignorant of themselves and others. Much like Suzanne Collin's The Hunger Games and The Lottery by Shirley Jackson: obey, mindlessly, and you'll “survive”. This films simulate an exaggerated reality but one not dissimilar to our own. Contestants are chosen randomly (without consent) similar to the process of birth. You are then forced to fight to the death (survival/base) to survive in a simulation. Much like the fighters in District 1, the “Careers” (military) have been trained by the empty logic of survival, only seeing enemies to be hunted. This hierarchy blends these ruthless “tributes”, with tributes from other districts, who are most likely unskilled and lacking in killer instinct, where they duel to the death. You adapt, utilising any skill available, or you die from ignorance, fear, or starvation. Compassion (divine feminine) is a vulnerability. This hierarchy is established so only the strong can survive (narcissism-ego: animal form) can win. The tribute who wins gains access to the Capital for life, safe within the illusive confines of “freedom”: wealth, sex, etc. Collins alludes to the dynamics of hetero-capitalist dichotomies, which only allow a small percentage to thrive due to competitive advantage, forcing those below them to adapt, or die. In Beastly, a recent adaption of Beauty and the Beast, the antagonist is vain, and selfish. Alex “Kingson” (son of the king-ego) is the embodiment of modern vanity. At (0:46) we are introduced to his infatuation with the surface (ego). Only building up his surface layer, (ego) nothing He embodies the flesh or the “Beast” (father-fire: narcissism). We then see his reflection superimposed onto the skyline of New York City, a place based on image-based materialism. The smatter of billboards focused on the surface preceding this introduction help in framing the narrative themes of greed. 1:27-2:36 : Alex running for Green Committee Leader emphasizes his ignorance. It is no coincidence that the color Green symbolizes Earth, it is also the color of the Heart Chakra. This is an allusion to imperialism of the Earth due to greed. 2:47- 4:10, we are introduced to the “Witch” Kendra, who, cloaked only in black garments embodies Chaos (nothingness). She is not concerned with vanity, only what exists beneath the surface. She deliberately scrawls on his campaign, “defacing” his features. Linda (etymology: Beauty, Belle) symbolizes compassion, self-awareness, and mercy. She is the embodiment of the spirit (Earth). 4:55 to we are introduced to “Kingson” interior. Pearlescent, sharp, and minimal the space devoid of vibrancy (color = Life). this interior “reflects” the vanity and coldness that exists on the surface, and helps to showcase the emptiness of the relationship between Alex and his father, and his lack of love. 6:15, cue the black “maiden” who embodies “life”, she is the caretaker of the estate. This is a racialized/gendered shallow exchange as Alex can only interrogate the surface. The maid status positions her underneath the surface, unable to fully interact with her due to the dynamics of power in place. Alex blinded by the surface of who she “appears” to be what he interprets that as being. Women are the pedestals for his ascent, for without the exploitation of women, he would be nothing. In, The Truman Show, Truman faces obstacles concerning his true nature (nothingness), he is being watched over by Christof (aka God, the creator of this realm) and his story being projected onto the consciousness of the culture of humanity through television. Truman's whole life is built around illusions. Illusions that he merely “human”. He is then forced to find his way out of the maze or he will be confronted with the limitations of his consciousness by those who wish to dissuade him. My mother settled out of fear. Instead of putting herself first she was indoctrinated to believe that she was incapable of existing on her own. She convinced herself that the mother was the only role she was capable of playing. Entrapment became a full time job for my mother as she couldn’t bear the thought of existing alone and or worse: dying alone. So she married a man out of convenience and lay'd her egg. Unfortunately, for my siblings and I, we were conditioned by the dominant Western culture forced to survive on our own terms. She made it extremely difficult for me to walk away because she projected her fear of loneliness on to me. She projected her fears/insecurities onto her children so that in turn they would latch onto her, thus creating an imbalance in their own personal lives. She provided us her damaged view of relationships. In turn, we suffered because we lacked the courage to pursue our convictions in honesty. I had poor eating habits and a general naiveté that left my vulnerable. I was truly afraid of being alone and expressing my convictions because I was afraid of dying. Parents must raise healthy individuals. The Heathers final scene involving Veronica watching JD blow himself to smithereens symbolizes his need to destabilize his ego. Veronica in turn, visibly filthy due to the fallout symbolizes her transcendence of status-ego. She becomes Disrespect is an illusion based on fear, there is no authority. Authority is symbolic (glamour) a mask for the purpose of both concealment and visibility. It cloaks itself in form, however, this is mostly empty. The mask of gender forces us to adapt to the social expectations of others. Ruthless competitive form. A form that is only concerned with survival. Empty individualism, the exaggerated surface (phallus) is concerned with order. Compassion is considered a weakness in this masculine world. For if you are “soft” or “weak” you can be exploited my men. I am at a loss because I was not bred as a male. I was not bred to be competitive/or arrogant. I was socialized as a women: compassion, giving, and soft. My stepfather stepped in and* I am a ghost. When you become a ghost you no longer have any distinction, any purpose, any meaning. You are not tied to your ego and you have nothing. The truth of the universe lies in its emptiness. I wake up to realize how empty I am that I'm am just ‘there/their', here and now and that society casts its blanket of social roles onto to me to distinguish the separation between something and nothing. Death is freedom from distinction. Freedom from ownership. Freedom from the animal nature which haunts these forms. I've taken on a radical shape, no longer distinguished through “surface”. Once you cast radical ownership of yourself, you break through the illusion of “I” and “me” and you become aware of the nothingness that awaits us all. “Pride is an illusion of the ego, of what/whom we appear to be. The nothingness that swallows the paranoia of existing/percieving in a schism body/mind perspective. I am empty, and I will fade. My mother played the role of “mother”, she bathed, clothed, fed, and loved me but didn't understand my needs. She should of addressed my traits instead of rejecting them. In turn, I embodied my mother (because in truth I am just like her),but in actuality, her projection was for me to be obedient within a hegemonic system. However, I couldn't be disciplined within a hegemonic cis, white, het system so I was deemed an outsider. This world was not meant for me. I was meant to convey the principles that this world conveys. yet for so long I adapted to what others wanted, out of fear of being isolated. Now, I can recognize whom/what is necessary in my life. What you created I must die for or live for myself. If living, I must build an ideology around my values. I must become the beacon of light for the ideals I strive for. I must practice love, compassion, and courage constantly, for that is the only way I can survive. I must break the chain of injustice and build upon a foundation (Taurus Sun) of truth (Leo) for myself. Only when you get tossed on your ass continually will you learn to fight back. Finding your ideology The Death of the Monastery and the rise of ideological space: There has been a death of the monastery. A space where souls could exist and devote themselves to their faith within the confines of an intimate space in contemplating the divine. In turn, we have come to worship the individual-self and the materialism that it carries. We worship at the temple of the World Banks, where we exchange service for monetary value. We scour the restaurants, shopping malls, and venues of the world, both exotic and familiar, to fill the void of emptiness inside us. To feel a sensation other than pain. The ideology of capitalism always a profit to be made. In a cis/heteronormative patriarchal those at disadvantage are forced to perform. Those who have inherited traits (competitive advantage) specific to thriving within the dominant system are rewarded. Weakness of any kind, especially disobedience results in death. Much like Commander Snow in the Hunger Games, he embodies the principles of God (authority = government) and more specifically the wrath of God (military = mind control). For those tributes chosen are forced to compete in spite of personal objection because if they don’t they will suffer the pain of torture or worse: death (the fear of the unknown). To win, they must fight against the odds of inherited traits (“May the odds be ever in your favor”) in winning the wicked game.This game, symbolizes the reality of our lives. We exist at the expense of an external source which controls our development We learn to survive based on upon our environment. The ideology of tradition is emphasized, as this tradition has been established by Snow (God) and it must be tolerated, treated as sacred. Without this tactic, the curtain vanishes and the fear along with it. This fear is outlined in Plato’s Allegory of the Cave and perfectly captured in the tone conveyed by Varys in Games of Thrones: “Power resides where men believe it resides. It's a trick. A shadow on the wall. And a very small man can cast a very large shadow.” You adapt, or die. There is no in between in a white hegemonic system you are either adapt to your animal instincts, or suffer the consequences. We are the puppets of God, doing his will out of fear of severe punishment. This is the ideology of Christianity, you are obedient in faith you will receive, if not you are banished to “eternal hell”. Many people are puppets for their parents, state, and other authoritarian for doing their bidding so they can receive the benefits. They fall in line with principles that are not aligned with their intentions and they become doomed to repetition. Others are punished for their honesty. In truth, God is only an illusion, a meter for human morality projected through the consciousness of the super-ego. The mechanics of Christianity were reliant upon the basis of control so in gaining said control they created the ultimate Authoritarian. However, God is truly nothingness. Normative ideologies insist on controlling behavior of those involved. I recognize that nothing is normal. Form is evil. Evil-oution. In truth I am more than my body. The ego is taught to fear because in truth it fears pain. The spirit is free. Free from distinction. From harm. Death is the only way out or “smile, and behave”. The surface is a delusion.
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(Sconi Peter Romeo)
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King Fallou - No New Friends (Feat Dwayne) (Prod By Kwesi Authur)
King Fallou – No New Friends (Feat Dwayne) (Prod By Kwesi Authur)
Versatile artiste, Sistso shows off his singing abilities on his long awaited single “Enyonam”. Sisto for sometime now has been admired as a replaced for our beloved brother, Castro considering his close resemblance.
Enyonam, was produced by 2Kings Beat, and dedciated to one special lady whose name wasnt disclosed.
Check Out: Dobble & Quaas – Tres Bien (Feeling Good) (Prod. by Dr Ray)
King…
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King Fallou - No New Friends (Feat Dwayne) (Prod By Kwesi Authur)
King Fallou – No New Friends (Feat Dwayne) (Prod By Kwesi Authur)
Versatile artiste, Sistso shows off his singing abilities on his long awaited single “Enyonam”. Sisto for sometime now has been admired as a replaced for our beloved brother, Castro considering his close resemblance. Enyonam, was produced by 2Kings Beat, and dedciated to one special lady whose name wasnt disclosed. Check Out: Dobble & Quaas – Tres Bien (Feeling Good) (Prod. by Dr Ray) King…
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@bernardessiamah: RT @bgvibesdotcom: WATCH/DOWNLOAD: King Fallou - Yesu Don’t Forget Me (Official Video) tags: @KingFallou #legon #chalewote #chalewotechallenge #slipperschallenge #SlipperChallenge #Ghana #ghanaian https://t.co/VRzE7xSoW7
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@Owuraku_OG: RT @bgvibesdotcom: WATCH/DOWNLOAD: King Fallou - Yesu Don’t Forget Me (Official Video) tags: @KingFallou #legon #chalewote #chalewotechallenge #slipperschallenge #SlipperChallenge #Ghana #ghanaian https://t.co/VRzE7xSoW7
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@drinkwata: RT @bgvibesdotcom: WATCH/DOWNLOAD: King Fallou - Yesu Don’t Forget Me (Official Video) tags: @KingFallou #legon #chalewote #chalewotechallenge #slipperschallenge #SlipperChallenge #Ghana #ghanaian https://t.co/VRzE7xSoW7
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@kimati19: RT @bgvibesdotcom: WATCH/DOWNLOAD: King Fallou - Yesu Don’t Forget Me (Official Video) tags: @KingFallou #legon #chalewote #chalewotechallenge #slipperschallenge #SlipperChallenge #Ghana #ghanaian https://t.co/VRzE7xSoW7
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