#Kids and Killers Past

[sualne]

your body isn't your own

[shaylai]

That's not who he is anymore, Macaque.

[profoundmakerdreamerss-blog]

Give me tomarry au where Tom is obsessed with the boy that saves him. It happens during summer of his second year, when the sky rain downs fire and when little Tom had no idea what was a happening.

It happens when the man with scar grabs him and apparates away to a place he remembers vividly. The cold, dark, and damp place where people were loud. And it was hard to breathe but the man held onto him. The man, who would later walk him back to his orphanage, who would tell him he is sorry.

The man who wore cracked glasses, the man who looked no older than fifteen himself — now that Tom looked at him properly. The boy whose clothes were larger than him — and the way he smiled at Tom (pained, and torn). Tom would remember him. Because how can someone forget those eyes. Those avada eyes that glowed as the sky rained down fire that drowned everything. The scar that looked like thunder.

Tom would remember him disappearing after delivering him to the orphanage. The person who saved him as little Tom nearly died because he didn't know bombs were coming, no one told him (he just returned from Hogwarts).

That day little Tom meets a boy no older than fifteen. That day, little Tom learns about shelters that he can go to and that he regrets not asking for the boy who save his life's name. That day Tom makes a decision that he would find him. Find the person with eyes like trapped thunder and brittle smiles. He would find him and not let him go. Even if it takes him a thousand years to do so.

[secriden]

Re-watching the scene where Kant and Style talk outside the diner makes me wonder if Style only suggested Kant's dad's car because he thought Kant wouldn't agree to that deal.

The way he says it, all gleeful and teasing, it's clear he's not expecting Kant to say yes to this.

When Kant agrees, the expression on Style's face is almost fond amusement, like "Oh damn, bro, you're really agreeing to this?? You're THIS gone on him already? After one night??"

He even checks again, to see if Kant's serious, like he's half trying to talk Kant out of the deal.

(Love how the whole time Kant is So Serious. Every frame in this scene is Kant serving Soft, Sad, and Wistful eyes as he gazes longingly at Bison through the window.)

But I love what this shows of their friendship. Style will do this crazy thing for his friend just because Kant is in love (as far as Style's knows) for the first time and asking him to help. And yes, some of it is the car and his own ego/desire to put the hot jerk who refused his attempts at seduction in his place -- but its also kind of sweet. Style is presented in ep 1 as quite selfish and self-centered (not maliciously, but in a careless kind of way), but here we see him agreeing to something quite inconvenient for the sake of a friend.

There's some hints at how sweet their friendship is earlier in this episode actually. In the bowling alley, when Style is acting like a brat:

Maybe its just cuz First is too damn pretty for his own good, but his expression reads as slightly exasperated but very fond. It feels like Kant indulges Style's quirks and brashness a lot, so I can sort of see Style agreeing to get involved with a relative stranger just because his friend asked.

This also fits more naturally into my headcannon for Style being the most naive and therefore vulnerable character in the main cast. He's doing everything for (mostly) genuine reasons and I really hope we get to see an explosive reaction when he finds out that Kant didn't tell him about the whole police pressure situation, not to mention the assassin issue.

But I could also see Style finding out that Fadel is a dangerous assassin and being like, "Wait, and the worse you did to me was prick me lightly with a pin and drag me outside your diner?? Yeah you're definitely attracted to me." Which would be. So Hilarious. Imagine Fadel's face. xD

[beaulesbian]

(wano spoilers)

there are these few pages in chapter 1001, where right after zoro protected luffy from an attack by big mom, he told him (similarily like in punk hazard arc, but this time he definitely meant it 100x more seriously) not to get distracted - to 'not lose focus for a single instant'.

and right next panel law was starting shit with luffy (after saving him from kaido's attack)

it's so funny how law was annoyed that it seemed luffy was ordering him around, even if he did the thing luffy asked for. because he was already planning on doing that, sure, sure. and thought it was the best time to talk about it with luffy

and then kid, of course, couldn't help but add his two cents to the discussion

all while they were literally up fighting against kaido and big mom askjdsjd

and luffy really knew when to come up with his best ideas for the moment 'whoever reacts first is the loser!'

they're all so competitive with each other, it's so fun to watch/read their stupid shenanigans!

even zoro is so done with them :')

edit: few pages later and zoro ordering law around too, bc it's just that much fun! and law listens lol

[nethhiri]

Marooned: Chapter 17

Kid x FemReader x Killer

Warnings: violence

Ensnared

Killer was working in the galley prepping lunch, when Heat burst through the doors. He didn't need to say anything for Killer to know something was deeply wrong. The look on his face said enough. 

"Killer, it's Captain. H-he," Heat couldn't finish before Killer was out the door. 

The first mate was on the deck, scanning around for Kid in a panic, gaze briefly landing on a group of people dogpiled on Mini to keep her restrained. It wasn't hard to find him with the amount of screaming he was doing. Kid was grabbing his flesh forearm with his metal hand, flapping it around. He was gripped with terror as his eyes met Killer's. It wasn't quite the same, but it was eerily similar to the look he had when he lost his arm. Killer rushed to his captain's side to see that Kid couldn't move anything below his wrist.

"THAT BITCH THAT FUCKIN BITCH! SHE FUCKED UP MY HAND."

Killer grabbed Kid's shoulder and turned him so they were facing each other. "KID! Slow down. What happened?"

"ROTTEN! THAT LYIN BITCH MADE ME THROW HER IN THE OCEAN AND NOW MY HAND'S FUCKED!"

Killer's eyes widened under his mask. There was a lot to unpack in that sentence. "What lie?! Made you what? KID! She can't swim!" 

"OF COURSE SHE CAN'T. SHE DID THIS WITH HER DEVIL FRUIT!" Kid yelled, flapping his limp wrist in from of Killer's face. "SHE'S A FUCKIN MARINE, KIL!"

Heat appeared next to Killer, or maybe he had been there the whole time. Killer had been completely focused on Kid. "She said her name was F/N L/N." Heat explained. "Killer, I think that's-"

Killer's eyes widened. "The Sea Snake, yeah I know." He would revisit that discovery later. Killer turned his attention back to Kid. He wasn't the first mate for no reason. He handled high-pressure situations well, reading them and formulating a plan in seconds. "Kid, listen to me. She's not a marine. She kills marines. And I think she can reverse whatever she did to your hand." Kid started to yell again and Killer cut him off. "KID! In about 2 more seconds, I won't be able to reach her and your hand might be like that forever." Killer paused to catch his breath. "If I'm wrong, you can throw her back over and I won't stop you, ok?" Killer didn't make a move until he saw the slight nod of Kid's head. Then he was diving into the water, hoping he could still pry you from the ocean's grasp. Or they would all suffer Kid's wrath, like they did the first time one of his arms was maimed. 

At this point on his career, Killer had dove in after Kid more times than he could remember. If he wasn't such a practiced, strong swimmer, there would have been no way he could have caught up to you. In the murky darkness, he had to use observation haki to pinpoint where you were, making contact with your chilled skin just as his lungs started burning. He wrapped his arm around your middle and swam back to where the light filtered through the water's surface. 

With an agonal gasp, you were suddenly back in your body, rolling onto your elbows and knees to violently expel ocean water from your lungs. This was somehow worse than throwing up, the sensation of warm liquid coming from a place it should not be coming from, salt burning your windpipe, followed by dry heaving. Your eyes and nose burned, too. A mix of tears, mucus, and saliva were coming out of your face as it forced the salt from your system. Blinking into focus, you saw that you were on a wooden deck, on a ship. Fear inched into your mind, thinking you were back in the custody of Von Kossa until you felt around for the bullet wounds and the melted flesh and found that they were long healed. After a few deep breaths, you remembered what had happened and the fear slipped away.  

Why the fuck were you back here? Why the fuck did they bring you back here? Maybe Kid changed his mind and wanted to make you die slowly. There was no where to escape but the sea, and that got you nowhere. You coughed up some more water, strength slowly seeping back into you as the ocean lost its hold. You doubted that the deal to let you off at the next island was still in effect, if you lived that long. And now your secrets were out. What do I have to lose? 

A slow grin stretched across your lips. You had always wanted to fight a supernova. 

You didn't make a move, taking account of your current surroundings. You heard Minerva in the background squealing. At least someone has my back. Killer was the closest to you, there were scattered people on deck, and the familiar vibration of Kid's heavy steps came ever closer. When his shadow moved into your view, you tucked your leg underneath you and sprang towards him with a fist full of armament haki. It nearly met its target, catching Kid off-guard, but was blocked by Killer. You thought you heard a grunt on impact. Killer wasn't expecting that either; you could tell by the way he became unbalanced the more you forced your fist against him.

"MOVE, KILLER!" You and Kid shouted simultaneously, eyes locked fiercely with each other. Killer jumped back behind Kid, not willing to argue with his captain.

"STAY OUT OF IT. SHE'S MINE," Kid growled. The purple energy of his devil fruit crackled around him, pulling pieces of metal together around the hand you disabled. 

You tilted your head to the side, "You sure? Looks like you could use a hand." You sneered at him, the two of you circling each other. It wasn't lost on you that the deck had cleared and those that remained were taking cover. Several pieces of metal flew in your direction without being able to hit you. It seemed like he was testing your abilities, how fast you were, how agile you were. Plucking some of the smaller pieces from the air, you enclosed them in your fist, willing them to become non-metallic, small, cylindrical. Dodging shrapnel, you loaded your gun blade with the only thing you could think of at the time, glass bullets. If they didn't completely explode in the chamber, maybe you could do something with them. At the very least, you could be annoying. 

"YER DEAD, ROTTEN. DO YA HEAR ME? FIX MY FUCKEN HAND OR YER DEAD!" Kid swiped at you with a giant metal arm. It was big, therefore it was clumsy and slow, compared to you, that is. 

This was not going to end well if he had you tucking, rolling, and running around the deck. Stamina was finite and it was already depleted from using your power on him and being soaked with saltwater. "Can't!" You darted around to get an angle on some of the rigging, thinking back to the poor quality knots from earlier. "Used my fruit too much today!" You were still using it, touching the things he threw at you, and turning them into an element he couldn't control. "Oh yeah! AND I DON'T FUCKING WANT TO!" This was the most you had ever used your power, but it was slowly dwindling down the things he could fight you with, increasing the time you had between avoiding each object and allowing you to take aim properly. With a few shots, which actually went off, you severed the ropes holding one of the sails. Kid was momentarily distracted by swatting away the remaining shots, but it was enough. 

The instant Kid was engulfed in the canvas of the sail, you took off sprinting towards him. You licked your lips with satisfaction at the feeling of warm, wet fluid dripping down your blade, over your hand. It was supposed to be firmly nestled between Kid's ribs. Instead, it was stopped just before breaking his skin, coated in purple electricity. But your hands hadn't stopped. The blood was your own, your grip was no longer on the handle and had been forced over the sharp edge. You caught only a brief glimpse of the damage, and even that was obscured by the amount of blood, before the air was knocked out of you and you were crushed against Kid's chest by his two metal arms. You struggled to wriggle out from his grasp until the pressure increased and you felt a few cracks in your ribcage, nearly passing out from the deep, aching pain. You didn't need to look at him to know the smugness written on his face. He had led you to that opening on purpose. All the remaining air in your lungs was stolen by a gasp when Kid squeezed you even harder. 

"Look," Kid demanded, turning you slightly so that you could see Mini, trapped by a scrap metal vice. "Yer gonna undo whatever ya did, for the sake of yer pig. Understand?" 

That was low. You could have easily taken a hostage yourself, however dishonorable it was. It was stupid not to. This was a pirate ship. The Kid Pirate ship. Not a crew known for honor. You could only nod as your grasp on consciousness quickly faded.

Next

[pocket-jack]

"Supernova trio stranded on the wild island"

Law: Alright. We need to find water source first. Then build a camp nearby, but not too close to avoid the mosquito attack. Then we should check surroundings for food. Our best course of actions is to look for bird nests and eat the eggs in them. Do not eat any berry, they might be poisonous, and under any circumstances DO NOT eat the meat without thermic processing first. Am I being clea-...

Kid and Luffy who's sit on top of freshly killed bear and eating its meat while fully covered in blood: Huh? Why can't we eat raw meat??

Law: ARE FUCKING SHITTIN ME RIGHT NOW-

________________

I hc that Kid and Luffy have pretty similar childhood.

Kid was a feral child, but instead of having home to sleep or people to care about him, he had nothing, but himself. He also considers Killer his brother or just something like a brother. Perhaps he didn't even knew what the brother/sister/father/mother was, so he just figured that Killer is something that Kid don't want kill.

Killer wasn't a feral child from his birth like Kid was, but instead was left alone on the island by his parents. He knew a lot and was hanging out with Kid to not feel lonely and in danger all the time. Of course, wild life got him twisted too, but he's still pretty intelligent.

They grow protective of each other, hanging out, playing and fighting with the others.

I headcanon that their home was more of the trash island than the solid ground. There was enough of garbage to freely stand on it, but you could sometimes sink deep inside the trashy deep seas.

Killer just noticed that Kid loved doing stuff with the garbage, so he scavenged some engineering book and gifted to Kid. He went "The fuck's a book?", "It's a tones of paper glued together with words, that contains information. This one contains information about engineering", " The fuck's words???". They had to go... Through a lot of explanations Killer's childish brain could come up with. But Kid liked the gift when he understood what he was reading. He actually build a toy robot and was so happy about it. He decided to give it to Killer as a thank you present.

Then they met Victoria who became "a girl they don't want to kill so she can hang with them", and yes, Killer thought of them like siblings.

They kicked some asses, made friendships and alliances, had adventures and made promises to become pirates together.

And then Victoria dies. But unlike Sabo she dies for real. And Kid is devastated. Firstly, because he never thought that someone's death could make him feel so bad (and there were a lot of people and animals dying in here), and secondly, because he loved her dearly. And Killer as the most level-headed person in here (also really devastated, but had to remain calm, because Kid needed him) just stayed there trying to snap him out of it, but the only thing that Kid heard was a fainted "Kid!.. Kid?.. Kid. Don't look at her. Look at me. Look. At. Me. Calm down. I'm here. Please, just calm down. Please". When Kid finally looked at him he just saw how fucking scared and panicked and dirty and wet and bloody his friend was, and it just snapped him out of it.

Kid just brought together the other gang's and defeated the biggest and most dangerous gang in the whole island. I like to believe that after that he couldn't even look at Killer's face again, because the only thing he saw was his face that night. Killer was devastated and hurting much more. He was much intelligent and smart and clearly understood some things better than Kid did, and that's why Kid thought that something that Killer was going through was much worse than he had it. And Kid swore to become much stronger to never see that expression on Killer's face again. And Killer just understood that Kid would never look at his face as usual again, so he just covered it with mask, to make it easier for Kid to look him in the eyes, even if it was just holes.

I like to think that Kid, just like Law, sees Victoria in Luffy: the energetic, stubborn and freedom loving. At first he showed some interest in him, but then just made some parallels, and only then grew much more angry at Luffy for the things none of them couldn't control.

Ouch, that went too far into the angst from the funny silly feral boys doing funny silly feral stuff when their unferal and depressed boyfriend just being angry at them for breaking a lot of sanitary norms.

[cream-and-tea]

oh man the judge/calliope and pallas&agnes thoughts are really eating holes in my brain tonight,,,,,,

[dono-cho]

more based on Escher headcannons 🫡

[bisexualmultifandommess]

Time Travel stories where someone (usually a teen) travels back in time to when their parents were teenagers and the past version of their parents instinctively care for and protect their kid even though they don’t know why is such a simple but great concept.

[not-souleaterpost]

Ever wished that a trailer DOES lie?

Didn't come up with some clever pun or whatever to express what I want so I'll put it bluntly: Does anyone agree that new Napoleon movie looks kinda lame from the trailers?

Like the first one was like the two types of cliche trailers one after the other - with all the "boom" sounds and mach cuts, while then doing the whole "eq-so-it-sounds-distant childlike song" thing. But what I found worse is turning Napoleon into Thanos (havent seen a Marvel movie after Iron Man 3, so I might be wrong) - but all the stoic cool guy one liners and weird self-agrandising cliche uterances - only to end with putting on the Crown on himself as if it was that stupid plastic gem-gauntlet... Should just have snapped and said "France Won" and go all the way while showing the Austo-Hungary disolve.

The second trailer seems to be more of the same, with even having the Black Sabbat song to make it artsy but not to artsy. Idk maybe I'm being to harsh and hypocritical, but aften then having the love interst say "look down at my crotch - I control you with it" - I just cant take it seriously - gives me flashbacks to being a kid and seeing my dad watch game of thrones and realises that half the charachters are screwing their sister and brothers cause thats the only way to make something "Mature"...

But why am I writting a whinning post? Don't I try to make some contrived point in these? Yeah, at first I didint even want to post this, so I dont be one of these cynical movie guys, feel bad for these who now seemingly in nearly their fifties just whine about how bad hollywood is and how superheros suck while only reviewing them while their is a great new Scorsesse movie which they ignore- And instead of continuing this passive agressive attack on RLM, I better segway into my whole point: "The Killers of the Flower Moon" - A movie I recently saw and enjoyed quite a lot - surprisingly because I thought from the trailers "Yeah, Scorsee got old and is phoning it in" - cause from the trailers it just seemed like a generic by the numbers exploitation film, where victims kill their oppressors with the whole "happy ending" being both overly sweet and bitter - because how unrealistic yet saddistic it would be, even as a fantasy only leaving the reality of resentment and bloody revenge.

But thankfully, it was nothing like that - so the trailer lied, and I was happy - or more happy that even when it lied I thought "well going to the cinema with friends is more important, and why not see a scorsse movie on the big screen, if he dies, or I, soon, I'll regret it, even if it was a piece of shit..."

So maybe that's the point I'm making - maybe a very weird and pointless one - but yeah, maybe Napoleon won't be as bad as I think? Even if it is a far-cry from the Napoleon Kubric would have made, Ridley Scott is still a director with a certain esteem, and who the hell didn't like Gladiator? Even still have an old VHS with a cutot of a tv-magazine of it that my father used to tape over to just pirate the movie old schoo way lol. Still, I'm not saying to mindlessly buy and watch everything - but to just think - maybe even a disapointing movie is worth the human connection one will make (cause who goes to the movies alone?) - so if somebody says "hey lets watch it, its like if the Joker was French" - why not, maybe even it will turn out to be:

[xitty]

Kidstars

[sculptambitio]

/ Every day..... I face the reality that I still haven't made the bios NOR the pinned 🗿

[decidentia]

Here it is, the promised plotting call. You know the drill, interact with this and I will be summoned into your DMs. ♡

[benbamboozled]

Bruce Wayne Headcanons

that I cannot reconcile with current/most/ALL of his comics characterization but I hold onto nevertheless

—Bruce Wayne!! trains each of his Robins with the goal of them becoming better than him.

—Bruce Wayne!! intends for the Robins to be his actual failsafe if he ever went off the deep end. (Fuck that weirdo robot lol.)

—Bruce Wayne!! 1000% blames himself for Jason Todd’s death I don’t care what the comics have had him say or what his dumbass inner-narrative has said…*handwave handwave* all of that was just him desperately trying to cover the hole in his heart from failing his son so completely.

[agirlinthegalaxy]

Something I see frequently is fans wanting characters like Elle Greenaway or Nathan Harris to return as unsubs in Criminal Minds, which. I'll be completely honest, I hate the idea for a lot of the suggested characters because it feels so undeniably tragic and hopeless that someone will inevitably become a killer, even if they don't want to become one. Yes, a lot of the unsubs have some kind of tragic backstory, but the thing is that they're still awful people (excluding very very few). I feel like having previous characters return as the unsub paints this picture that you're unable to break the cycle of violence or that you're destined to become a monster, which is just such a honestly tragic message, especially for a show that's already pretty dark.

I'm not opposed to characters reappearing, but I'd much prefer that if those characters appeared again that it'd be in the vein of them having undergone some kind of healing and growth and be able to find themselves some kind of peace and satisfaction in where they are in life. Let them reappear, but don't transform them into monsters but a symbol of the healing and growth available to survivors and the other characters.