#Key Iron Man vs Thor Cover

[keycomicbooks]

Iron Man #66 (1974) Gil Kane Cover Art, Mike Friedric Writer, George Tuska Pencils, Mike Esposito Inks, Key Iron Man vs Thor Cover

#IronMan #66 (1974) #GilKane Cover Art, #MikeFriedric Writer, #GeorgeTuska Pencils, #MikeEsposito Inks, Key #IronManvsThor Cover 'Battle royal!' 'The final battle!' #Thor battles the possessed Iron Man and summons a rainstorm that shorts out exposed parts of his armor, defeating him. https://www.rarecomicbooks.fashionablewebs.com/IronMan.html#66 @rarecomicbooks Website Link In Bio Page If Applicable. SAVE ON SHIPPING COST - NOW AVAILABLE FOR LOCAL PICK UP IN DELTONA, FLORIDA #RareComicBooks #KeyComicBooks #MCU #MarvelComics #MarvelUniverse #KeyComic #ComicBooks

[phantom-le6]

Ramble of the month August 2023: 90’s MCU Phase 3 (2000-2003)

Back in May I posted my ideas for phase 2 of my hypothetical 90’s-based Marvel Cinematic Universe, having outlined phase 1 last year.  Following some recent frustrations with some superhero fan groups I recently joined on Facebook, I’ve decided to go back to this alternate film universe just as a way of talking about my superhero special interest without jumping through a bunch of idiot rules monitored by some truly moronic bots.  When AI can’t grasp concepts that are simple to an autistic mind like mine, you have to wonder why we’re trying to advance it when it’s clearly going to just adopt human stupidity over human intelligence anyway.

So, first let’s recap the key differences between the 90’s MCU and the one we know.  First, Marvel sold film rights to its characters in 1995 to avoid bankruptcy, and many of these were used by other film studios.  As a result, a 90’s MCU would have a wider range of characters to use if it started pre-1995 (mine starts in 1992).  In addition, there are differences between the source material created by the 1990’s and the source material used by the real MCU.  The Ultimates continuity didn’t exist until at least the year 2000, so there was no source material to justify a Black man playing Nick Fury.  Also, no Winter Soldier, no present-day Guardians of the Galaxy, no Civil War and so on.  My hypothetical MCU takes all this into account where the 90’s MCU memes of the internet do not.

Second, let’s recap the first and second phases of my 90’s MCU that were covered in the previous rambles;

Phase 1:

1992: Fantastic Four, Hulk, Iron Man

1993: Thor, Spider-Man, Ant-Man & The Wasp

1994: Captain America: Fantastic Four 2, Iron Man 2

1995: X-Men, Avengers, Daredevil

Phase 2:

1996: Spider-Man 2, Thor: Land of Enchantment, Silver Surfer

1997: Hulk vs Wolverine, Fantastic Four: Doomsday, Iron Man 3

1998: Captain America: Society of Serpents, Daredevil 2, X-Men 2

1999: Avenger 2, Spider-Man 3, Doctor Strange

The first phase is about introducing the initial characters and setting up for the creation of the Avengers late in the phase.  Phase 2 is more about expansion, continuing to develop the existing characters while adding some new ones and starting off the general MCU rule of loss experienced in a third film; the F4 lost their original headquarters and Ben a chance at living a normal, human life, Tony Stark has lost his sobriety and the Iron Man mantle and Spider-Man has lost Gwen Stacy.  Phase 3 will follow all of this up with more losses for others, plus more development of existing characters and addition of new ones.  Unlike the real MCU, however, these early phases are not about building up for Infinity War, but rather for an adaptation of the original Secret Wars story of the 1980’s.  So, here’s a quick overview of my 90’s MCU phase 3 slate;

Phase 3:

2000: Fantastic Four: World War III, Thor: Ragnarök, Daredevil 3

2001: Hulk: Rise of the Leader, X-Men: Fall of the Mutants, Avengers: Under Siege

2002: Doctor Strange 2, The Captain, Spider-Man 4

2003: Captain Britain, Fantastic Four: Enter the Negative Zone, Ghost Rider

As you can see, phase 3 is similarly sequel-heavy to phase 2, but includes two new heroes, of which one (Ghost Rider) is set to have multiple solo films while the other is kind of a one-off ahead of involvement in an ensemble film in phase 4.  Now let’s look at each of the phase 3 films in turn;

Fantastic Four: World War III (2000) Directed by Steven Spielberg

Reed Richards/Mr Fantastic = Tom Hanks

Susan Storm (Richards)/Invisible Woman = Meg Ryan

Johnny Storm/Human Torch = David Spade

Ben Grimm/Thing = Bryan Cranston

Alicia Masters = Heather Graham

Namor McKenzie/The Submariner = Christian Bale

General Krang = Tim Curry

Lady Dorma = Katie Holmes

T'Challa/Black Panther = Chadwick Boseman

Shuri = Tatyana Ali

Ramonda = Alfre Woodard

T'Chaka = Courtney B. Vance

W'Kabi = Chiwetel Ejiofor

Okoye = Nia Long

Zuri = Joseph Marcell

Black Bolt = Pierce Brosnan

Medusa = Elizabeth Hurley

Crystal = Dina Meyer

Gorgon = J.G. Hertzler

Karnak = Alexander Siddig

Triton = Orlando Bloom

Maximus = Willem Dafoe

Falcona = Amy Yasbeck

Leonus = Karl Urban

Timberius = Adam Baldwin

This fourth film in the Fantastic Four franchise is an attempt to honour the fact that the F4 reintroduced Namor the Sub-Mariner and introduced Black Panther and the Inhumans all through their comic.  The basic plot is that Atlantis is attacked by what appears to be Wakanda, resulting in Namor staging a retaliatory assault on the Wakandan embassy in New York.  T’Challa is visiting said embassy, having recently assumed the Wakandan throne, and a massive battle ensues, with the F4 being first on the scene.  What initially follows is the F4 trying to end and then investigate the conflict.  Eventually, the team finds some of the attackers are part of the hidden race known as the Inhumans, and go to find their hidden city, with T’Challa and Namor now acting as their allies.

It turns out the Inhumans are being manipulated by the villainous Maximus, and events go fairly close to comics from there, ending with the seemingly permanent separation of Johnny Storm and his Inhuman love interest Crystal.  While the F4 and Alicia Masters are castings retained from previous three films, all the other characters are new to this film.  I’ve also retained Spielberg as director from film 3, as I feel his work on both Jurassic Park and Saving Private Ryan lends itself to the idea of a film about the F4 trying to stop a third world war from breaking out.

Thor: Ragnarök (2000) Directed by Kenneth Branagh

Thor = Dolph Lundgren

Loki = Gary Oldman

Odin = Anthony Hopkins

Frega = Glenn Close

Fandrall = Cary Elwes

Hogun = Tony Leung

Volstagg = Thomas Haden Church

Sif = Demi Moore

Heimdall = Keith David

Balder = Sean Bean

Jane Foster = Courtney Cox

Amora the Enchantress = Charlize Theron

Skurge the Executioner = Jean Claude Van Dame

Hercules = Arnold Schwarzenegger

Surtur = Clancy Brown

Hela = Cate Blanchett

Karnilla = Angelina Jolie

This is our third Asgardian visit, and unlike the main MCU, I’ve kept Ken Branagh directing the Thor films in this hypothetical run to avoid the tonal inconsistencies that have plagued the Thor films of the real MCU.  I’ve also decided that while this MCU will have the same title on its third Thor film, we’re not going anywhere near the pseudo-Planet Hulk plot.  Instead, the film begins with Loki, Amora and Skurge attacking Earth with the aid of some Asgardian trolls.  Thor and Hercules are aided by a visiting Balder and Sif, and Balder is badly wounded.  Thor enlists the aid of Balder’s admirer Karnilla to heal him, but her spell inadvertently triggers the release of Surtur, threatening the coming of Ragnarök.

Thor then leads an expedition to the realm of Hela, who in this MCU retains her position from the comics and original Norse lore as Loki’s daughter, not his and Thor’s sister.  In Hela’s domain lies the means to defeat Surtur, but Hela demands a soul, and ultimately Thor has to agree to remain in place of the artefact.  This puts an end to Thor solo films for a while, and also creates an interesting spin on the third-film-losses rule of the MCU.  In this case, Thor loses his “life” and his freedom in order to save his homeland, and also loses his romance with Jane Foster.

Daredevil 3 (2000) Directed by Quentin Tarantino

Matt Murdock/Daredevil = Christian Slater

Foggy Nelson = Jon Favreau

Karen Page = Denise Richards

Wilson Fisk/Kingpin = Bruce Willis

Bullseye = Colin Farrel

Elektra Natchios = Leonor Varela

Mary Walker/Typhoid Mary = Drew Barrymore

J. Jonah Jameson = J.K. Simmons

Joseph “Robbie” Robertson = Denzel Washington

Ben Urich = John Spencer

Turk Barrett = Gary Dourdan

Lt Nicholas Manoli = Paul Ben-Victor

Glorianna O'Breen = Tiffani Amber Thiessen

DA Blake Tower = Bradley Whitford

Yes, folks, this third (and final) Daredevil solo film would have Quentin Tarantino in the director’s chair.  This is because I’d be curious to see how Tarantino might do on a film like this.  In this case, it’s an amalgamation of the ‘Death of Elektra’ and ‘Born Again’ story arcs.  In effect, Karen Page has become a drug addict and trades Daredevil’s real identity, resulting in the Kingpin dismantling Matt Murdock’s life.  However, in this version, the release of that information also results in the death of Elektra, and that of Karen Page as well.  This leads to a major clash between Daredevil and his key adversaries, after which his life will never be the same again.  This is another example of third-film loses being enacted.  Many of the roles are reprised from the previous Daredevil films or incorporated from the Spider-Man films, with only the last three roles being new to this film.

Hulk: Rise of the Leader (2001) Directed by Sam Raimi

Bruce Banner/Hulk = John Cusack

Betty Ross = Jennifer Connelly

General Ross = Sam Elliott

Major Talbot = Steve Guttenberg

Rick Jones = Tobey Maguire

Emil Blonsky/Abomination = Sam Neill

Dr Leonard Samson/Doc Samson = David Duchovny

Sam Sterns/The Leader = John Shea

Jennifer Walters/She-Hulk = Lucy Lawless

Carl "Crusher" Creel/Absorbing Man = Michael Chiklis

Diana Davids/Ogress = Terry Farrell

Louis Lembert/Hotshot = Chris Evans

Jessica Harrison/Jailbait = Katrina Law

Here we have our third solo Hulk film, and this time his allies aren’t going to be from the world of the X-Men as in phase 2’s Hulk vs Wolverine.  Instead, this film brings the Hulk’s long-time foe the Leader into the fray, at the head of a group of gamma-powered villains.  Aiding the Hulk this time, we have his cousin Jennifer Walters/She-Hulk and gamma-powered psychiatrist Leonard “Doc” Samson.  In this film, Samson has helped Banner to develop some control over the Hulk, but thanks to the Leader’s actions, that is lost, along with the life of Betty Ross.

Having had Tim Burton direct the first two Hulk films in this MCU, direction is handed over to Sam Raimi on this instalment.  Now it occurs to me I haven’t specified how the Hulk would be realised in a pre-mo-cap era of the MCU.  Well, that’s down to a combination of animatronics/puppets akin to the early Jurassic Park films, combined with a bit of CGI and some careful editing.  That way, you can have an actor like John Cusack play Banner without needing a painted body-double, and that’s assuming Hulk films wouldn’t drive a development of mo-cap technology.

For the Leader, I picked John Shea based on his performance as Adam in the Mutant X TV series, as well as knowing that he played Lex Luthor in Lois and Clark: The New Adventures of Superman.  Other new actors include Michael Chiklis (the Thing in the 2005-2007 Fox F4 films), Terry Farrell of Trek Fame, Katrina Law of Arrowverse and NCIS fame, and of course Chris Evans, the real MCU’s Captain America.  Lucy Lawless, in turn, takes on the role of She-Hulk while David “Mulder” Duchovny gets to play Doc Samson (assuming he's willing to build some muscle for this role).

X-Men: Fall of the Mutants (2001) Directed by Jonathan Frakes

Professor Charles Xavier = Patrick Stewart

Cyclops/Scott Summers = Patrick Swayze

Jean Grey = Milla Jovovich

Warren Worthington III/Angel = Neil Patrick Harris

Storm/Ororo Monroe = Halle Berry

Beast/Hank McCoy = Alec Baldwin

Banshee/Sean Cassidy = Liam Neeson

Polaris/Lorna Dane = Jeri Ryan

Havok/Alex Summers = Kevin Bacon

Robert Drake/Iceman = Michael Weatherley

Kurt Wagner/Nightcrawler = Daniel Brühl

Wolverine/Logan = Tom Cruise

Mariko Yashida = Shu Qi

Kitty Pryde = Selma Blair

Sam Guthrie = Paul Walker

Roberto Da Costa = Mario Lopez

Tabita Smith = Anna Faris

Senator Robert Kelly = Robert Hays

Henry Peter Gyrich = David Caruso

Senator Graydon Creed = Joshua Lucas

Cameron Hodge = Bruce Davison

Calisto = Carrie-Anne Moss

Sunder = Kevin Nash

Ape = Gotz Otto

Annalee = Rosemary Harris

Plague = Gates McFadden

Caliban = Joe Pantoliano

Healer = Brian Cox

Sally Blevins/Skids = Amy Smart

Magneto = Ian McKellan

Fabian Cortez = Jason Flemyng

Chrome = Victor Webster

Sabretooth = Tyler Mane

Pyro = Hugh Jackman

Title aside, X-Fans shouldn’t expect any kind of like-for-like adaptation of the X-titles crossover event of the same name.  Instead, this film is about the X-Men being split apart and not getting back together for a while.  After an opening clash with Magneto and his new followers, the Acolytes, the X-Men return home, only for the mansion to be attacked by an anti-mutant terror group lead by Cameron Hodge and secretly backed by Senator Graydon Creed.  In the confusion, the “original” X-Men pursue those members of the terror group that abduct Professor X and a few students, Nightcrawler and Banshee escape to Muir Island with Kitty Pryde and most of the other students, while Storm and Wolverine lead the remainder down to the Morlock tunnels.

The Muir Island evacuees aren’t much covered during the rest of the film, with the focus being on the attempt to free Xavier and a further battle in the tunnels that decimates the Morlocks, something Magneto then turns to his advantage by recruiting Morlock survivors to his Acolytes.  We also finally get Pyro done correctly as an Australian mutant, and hints are dropped regarding the use of the proper Horsemen of Apocalypse in phase 4.  Director-wise, I retain Jonathan Frakes from my version of X-Men 2 since I think Trek alumni would have a great sensitivity to the messages and themes inherent in X-Men lore.

Avengers: Under Siege (2001) Directed by Roland Emmerich

Steve Rogers/Captain America = Brad Pitt

Thor = Dolph Lundgren

Janet Van Dyne/Wasp = Catherine Zeta Jones

Hercules = Arnold Schwarzenegger

Clint Barton/Hawkeye = Kevin Costner

Natasha Romanoff/Black Widow = Famke Jansen

Vision = Casper Van Dien

Sam Wilson/Falcon = Will Smith

T'Challa/Black Panther = Chadwick Boseman

Scarlet Witch/Wanda Maximoff = Kate Beckinsale

Quicksilver/Pietro Maximoff = Robert Sean Leonard

Edwin Jarvis = Mark Rylance

Col. John Jameson = Daniel Gillies

Michael O'Brien = Tony Curran

Bill Foster = Laurence Fishburne

Fabian Stankowicz = Tom Sizemore

Heinrich Zemo = Til Schweiger

Helmut Zemo = Sylvester Groth 

Dr Karla Sofen/Moonstone = Peta Wilson

David Canon/Whirlwind = Colin Cunningham

Mark Scarlotti/Whiplash = Jason Lee

Donald Gill/Blizzard = Robert Duncan McNeil

Constrictor/Frank Schlicting = Stephen Dorff

For this film, I’m trying to see the Avengers story arc of the same name adapted to the big screen.  The basic plot is that Baron Heinrich Zemo, son of the original Barom Helmut Zemo, assembles a group of anti-Avengers villains known as the ‘Masters of Evil’ and lays siege to Avengers Mansion.  It then falls to a mix of escaped current Avengers and some past/reserve Avengers to save everyone else.  In a sense, it’s kind of the Avengers equivalent to something like White House Down, hence my selecting of that film’s director for this one.  The film is a mix of existing casting and new stuff, and I’m not going to go into a lot of detail on who falls into which category.

Instead, I’m just going to quickly answer the question I’m sure many of you will be asking; how can Thor be in this if he’s been trapped in Hela’s domain after his last solo film?  Simple, she sends him to aid the Masters of Evil, but a hex bolt from the Scarlet Witch frees him for the big fight at the end.

Doctor Strange 2 (2002) Directed by Tim Burton

Dr Stephen Strange = Johnny Depp

Wong = Will Yun Lee

Clea = Keira Knightley

Dr Nicodemus West = Alan Rickman

Dr Christine Palmer = Helena Bonham Carter

Nightmare = Jonathan Pryce

Our second Doctor Strange film is quite a stream-lined one compared to the first, as it involves Strange teaching his apprentice/love interest Clea for a bit and then having to wade into mystic conflict with the dream-demon known as Nightmare.  This film is very much about developing the Strange-Clea relationship while also serving up a bit of mystic superhero horror, hence Tim Burton remaining my choice to helm the film.  Except for Nightmare, all casting is carried over from our first Dr Strange film in this 90’s-based MCU.

The Captain (2002) Directed by Tony Scott

Steve Rogers/Captain America/The Captain = Brad Pitt

Sam Wilson/Falcon = Will Smith

Barbara "Bobbi" Morse/Mockingbird = Rebecca Romijn-Stamos

Diamondback/Rachel Leighton = Neve Campbell

Clint Barton/Hawkeye = Kevin Costner

Jack Munroe/Nomad = Alessandro Nivola

John Walker/Captain America II = Aaron Eckhart

Lemar Hoskins/Battlestar = Michael Jai White

Johann Schmidt/Red Skull = Hugo Weaving

Brock Rumlow/Crossbones = Ron Perlman

Mother Midnight = Sela Ward

Dr Faustus = Brendan Gleeson

Henry Peter Gyrich = David Caruso

There are at least two notable occasions where Steve Rogers has given up his Captain America persona over multiple comic issues.  The first, in the 1970’s, led to him temporarily assuming the Nomad identity.  The second, in the 1980’s, led to the US government appointing a new Captain America while Rogers kept on fighting as the Captain.  This film is an adaptation of the latter arc; in this case, Rogers begins a romantic relationship with reforming snake-themed criminal Diamondback, which prompts NSA operative to investigate Rogers.  Trumped up charges based on circumstantial evidence then enables Gyrich to force Cap out of the uniform in favour of a new candidate.

At the same time, a neo-Nazi terror group is acting within the United States, and when the new Captain America refuses to look into it, Steve has to go back into action, aided by those closest to him, and this puts him at odds with his successor.  All this then leads to a clash with Cap’s resurrected arch-foe, the Red Skull.  Director-wise, I mainly know Tony Scott’s work from Beverly Hills Cop II and Unstoppable, but I know he also did Enemy of the State and one or two similar films at least, which would make him a good choice to do this particular Cap story.

Spider-Man 4 (2002) Directed by Martin Campbell

Peter Parker/Spider-Man = Wil Weaton

May Parker = Marg Helgenberger

Flash Thompson = Ben Affleck

J. Jonah Jameson = J.K. Simmons

Joseph "Robbie" Robertson = Denzel Washington

Betty Brant = Parker Posey

Ned Leeds = John Barrowman

Randy Robertson = Taye Diggs

Harry Osborn = Ryan Phillipe

Mary-Jane Watson = Alison Hannigan

Dr Otto Octavius/Doctor Octopus = Alfred Molina

Herman Schultz/Shocker = Patrick Muldoon

Aleksei Sytsevich/Rhino = Jake Busey

Mac Gargan/Scorpion = Brian Bloom

Sergei Kravenoff/Kraven the Hunter = Gerard Butler

Adrian Tombs/Vulture = Richard Dreyfuss

Ben Urich = John Spencer

Captain Jean DeWolff = Jessica Biel

Detective Stanley Carter = James Marsden

So far, we’ve had two Spider-Man films from John Hughes and a third from Frank Darabont in this alternate MCU.  For the fourth instalment, Martin Campbell of Goldeneye and Mask of Zorro fame is my choice to take the helm.  In this instance, we’re going into our first Spider-Man film post-Gwen Stacy, and in this one, new adversary Doctor Octopus assembles a group of old enemies from the previous films, creating the ever-classic Spider-Man vs. The Sinister Six match-up.  The film also brings in Jean DeWolff and Stanley Carter to set up for elements of the Venom story-arc to be adapted, and that being on the horizon hints in turn at the impending Secret Wars film adaptation.  In addition, I’ve brough Ben Urich over into the Spider-Man films to maintain the sense of shared continuity in terms of Daily Bugle reporters being in the lives of more than one hero of the MCU.

Captain Britain (2003) Directed by Christopher Nolan

Brian Braddock Jr./Captain Britain = Jamie Bamber

Betsy Braddock/Psylocke = Lena Headey

Mordred = Angus MacFadyen

Morgan Le Fey = Catherine McCormack

Dane Whitman/Black Knight = Ioan Gruffudd

Meggan = Sienna Miller

Courtney Ross = Rosamund Pike

DI Dai Thomas = Mark Lewis Jones

Detective Kate Fraser = Kate Winslet

Brian Braddock Sr. = Jeremy Irons

Elizabeth Braddock = Imelda Staunton

Jamie Braddock = Ewan McGregor

Merlin = Terence Stamp

Roma = Rachel Weisz

Much in the same way that Wonder Woman had a female-led production crew and Black Panther was similarly led by Black film makers, I honestly believe you could only ever get a great Captain Britain film if you put some great British talent into things.  As such, I had to go for a British director of great quality, and Christopher Nolan is certainly one of those.  Plot-wise, it’s very much about creating a more consistent version of what Captain Britain was over the years in first Marvel UK comics and then in the Excalibur off-shoot of the X-Men.  Brian Braddock is supposed to be the Champion of Britain, chosen and tried by Merlin, and while originally created with a lot of US superhero sensibilities by Chris Claremont, much of what he later became was due to a massive ret-con by Alan Moore.  However, the Merlin element and the hero being of Britain means a good origin film would probably feed some Arthurian legend in, and this is something also relevant to Avengers member the Black Knight.

As such, the plot of this film would establish the Black Knight as a modern-day hero who needs help against the returning evil of King Arthur’s illegitimate son Modred and his mother, Morgan Le Fey.  To that end, Merlin and his daughter Roma seek out Brian Braddock and cast him into the role of Captain Britain.  He and the Black Knight, further aided by Brian’s mutant twin sister Psylocke and the mutant shape-shifter Meggan, battle Mordred and Moran, as well as errant elder sibling Jamie Braddock.  Also included is Detective Inspector Dai Thomas, a Welsh-born Scotland Yard policeman who hates superheroes ever since his wife was killed when the pair visited the US.

In terms of casting, I’ve tried to honour the idea of Brian and Betsy being twins by aiming for actors that look similar and are of similar age, as I don’t think anyone makes any effort in this respect of fan-casting.  With Jamie Bamber being my choice for Brian, I then had little hesitation casting his old Hornblower co-star Ioan Gruffudd as Dane Whitman.  Everyone else has then been about just trying to get the best British actors that I think match the roles at hand.  Frankly, I hope that someone at Marvel sees this some day before they start on a Captain Britain project and take heed, because somehow, I suspect they might not and would mess things up somewhat, especially if they try to put Psylocke into their X-Men films with no ties to her twin.  Bad enough having that in the Fox X-Verse films due to film rights issues without the MCU repeating that error.

Fantastic Four: Enter The Negative Zone (2003) Directed by Ridley Scott

Reed Richards/Mr Fantastic = Tom Hanks

Susan Storm (Richards)/Invisible Woman = Meg Ryan

Johnny Storm/Human Torch = David Spade

Ben Grimm/Thing = Bryan Cranston

Alicia Masters = Heather Graham

Black Bolt = Pierce Brosnan

Medusa = Elizabeth Hurley

Crystal = Dina Meyer

Gorgon = J.G. Hertzler

Karnak = Alexander Siddig

Triton = Orlando Bloom

Maximus = Willem Dafoe

Annihilus = Eric Bana

Blastaar = Colm Feore

This is now our fifth Fantastic Four film, and it’s an adaptation of the first Sue Richards pregnancy storyline from the comics.  Sue is pregnant, but the cosmic radiation that has given her powers may interfere with the birth.  To ensure it won’t, Reed determines to find a remedy, and discovers one can be found in the parallel universe known as the Negative Zone.  At the same time, the Inhumans manage to free themselves from the confinement imposed on them by Maximus, and Crystal substitutes for Sue on the quest into the Negative Zone.  This quest, however, brings the team into the middle of an on-going war between the empires of Annihilus and Blastaar, and it becomes a battle of long odds to find their prize and escape before it’s too late to help Sue and the baby.

In light of the alien setting, I figured that Aliens director Ridley Scott would be a good choice to take over the direction, and we add Eric Bana and Colm Feore to the array of actors already cast in past films.

Ghost Rider (2003) Directed by Tim Burton

Johnny Blaze/Ghost Rider = Connor Trinneer

Roxanne Simpson = Jessica Alba

Craig "Crash" Simpson = Jeff Bridges

Mona Simpson = Julianne Moore

Barton Blaze = Nick Nolte

Blackheart = Wes Bentley

Mephistopheles = Jeffery Combs

Much as I enjoyed the 2007 film version of Ghost Rider, I always felt it had its flaws, including a lead actor with the wrong hair colour and an over-simplified origin story.  This film, which is helmed by Tim Burton for relatively obvious reasons, seeks to fix those errors.  First, we have Connor Trinneer of Star Trek: Enterprise fame taking on the lead role.  Second, the film sticks to the idea of Johnny becoming the Ghost Rider because he wanted to honour a deathbed promise to his foster mother, hence why the family of Roxanne Simpson plays into the cast.  After the origin part plays out, the film then goes into the matter of Johnny having to tackle Blackheart for Mephistopheles, with Roxanne being as much ally as love interest in this version.

The only casting retained from the 2007 Ghost Rider film is Wes Bently playing Blackheart; everyone else is newly cast.  As for why I didn’t retain Eva Mendes as Roxanne, the source material had her as white, and I prefer to either create new characters or use existing ones for purposes of adding diversity.  Since Roxanne Simpson doesn’t fit either method, I’ve cast Jessica Alba in that role, and I’ll hopefully have more diversity to showcase in later phases of this alternate MCU. So, that’s everything outlined for phase 3 of our 90’s MCU for now.  Next month, I plan to outline phase 3 of my alternate DC film universe, and then with some luck I might be able to do something more topical/general interest after that.  Anyway, until the next ramble, ta-ta-for now.

[weekendwarriorblog]

The Weekend Warrior 10/1/21: VENOM: LET THERE BE CARNAGE, THE ADDAMS FAMILY II, THE MANY SAINTS OF NEWARK, TITANE, MAYDAY, THE JESUS MUSIC

Yeah, so I haven’t had the time over the past couple weeks to write a column, and I kind of hate that fact, especially since I’m coming up on a pretty major milestone for me writing a weekly box office column and reviewing movies. In fact, that milestone comes next week! And once again, I’m struggling to get through the movies I was hoping to watch and write about this week, because I’ve been out of town and once again, very busy over the weekend. Let’s see how far I get...

Before we get to this week’s wide releases, I’m excited to say that my local arthouse movie theater, The Metrograph, is finally reopening for in-person screenings, and they’re kicking things off with a 4k restoration of Andrez Zulawski’s 1981 thriller, Possession, starring Sam Neill and Isabell Adjani, who won a Best Actress prize at Cannes for her performance in the film. I actually saw this at the Metrograph a few years back, and Metrograph Pictures, the distribution arm of the company is now distributing the 4k restoration. There’s a lot of exciting things ahead at Metrograph, including an upcoming four-film Clint Eastwood retrospective, including White Hunter, Black Heart (1990) and A Perfect World (1991) this Friday. Also, Lingua Franca director Isabel Sandoval will be showing her fantastic film from 2020 (a rare chance to see it in a theater and I’ll be there!) as well as program a number of other favorites of hers. Sunday will have screenings of Ingmar Berman’s Scenes from a Marriage (1973) in its full four plus hour glory, Steven Spielberg’s Jurassic Park (1993) and John Carpenter’s In the Mouth of Madness (1994).. In other words, the Metrograph is back!

Moving over to the weekend’s three wide releases, the first one up being Sony’s VENOM: LET THERE BE CARNAGE (Sony Pictures) with Tom Hardy returning as Eddie Brock aka Venom, joined by Woody Harrelson as the psychotic symbiote, Carnage. Taking over the directing reins is Andy Serkis, who has only directed two other movies, Mowgli: Legend of the Jungle and Breathe, but as an actor, he’s been heavily involved with the CG VFX (and performance capture) needed to bring the characters in this Marvel anti-hero movie to life.

Venom has been one of Spider-Man’s most popular villains and sometimes allies for quite a few decades now, starting out life as a cool black costume Spider-Man found on a strange planet during the first “Secret Wars,” which turned out to be an alien symbiote that had malicious intentions. Spider-Man got the costume off of him but it then linked up with Eddie Brock, a sad-sack journalist whose emotions drove the alien symbiote to become the Venom we known and (mostly) love, thanks to one Todd McFarlane. Venom continued to play a large part in the Spider-Man books before getting his own comics, and not before a super-villain was created for him in Cletus Kasady, a vicious serial killer whose infection by the symbiote turns him into Carnage. And that’s who Harrelson is playing.

Being a sequel, we do have some basis to go on, although the original Venom movie, released in early October 2018, also arrived at a time when it was only the second time the character of Venom was brought to the big screen -- the first time being Sam Raimi’s Spider-Man 3, in which the character was received without much love as Ryan Reynold’s Deadpool in X-Men Origins: Wolverine. And yet, Venom did great, opening with $80.2 million and grossing $213 million domestically, which is more than enough to greenlight a sequel. (It made over double that amount overseas, too.) For comparison, the Wolverine prequel opened with $85 million but at the beginning of summer, so it quickly tailed away with other movies coming out after it. Venom: Let There Be Carnage has to worry about the new James Bond opening a week later, so it very likely could be a one-and-done, opening decently but quickly dropping down as other big movies are released in October (basically one a week).

I’ve already seen the movie, and by the time you read this, reviews will already be up --including my own at Below the Line. Social media reactions seem to not be so bad though, so maybe it’ll get better reviews than its predecessor, which was trashed by critics, receiving only a 30% rating on Rotten Tomatoes. But if you look at the fan ratings, they’re higher with 81%, although it’s hard not to be

I’m thinking that bearing COVID in mind and the law of depreciation since the previous movie, Venom: Let There Be Carnage will probably be good for around $50 million this weekend, maybe a little more, but however it’s received, I expect it to drop significantly next week, though a total domestic gross of $135 to 140 million seems reasonable.

Another strong sequel to kick off October is the animated THE ADDAMS FAMILY II (MGM), which is following up the 2019 hit for MGM/UA Releasing with most of the voice cast returning, including Oscar Isaac, Charlize Theron, Chloe Grace Moretz, and Finn Wolfhard, as well as Nick Kroll, Snoop Dogg, Martin Short, Catherine O’Hara, and Bette Midler voicing the popular characters from the New Yorker cartoons, a popular ‘60s TV series, and two Barry Sonnenfeld movies from the ‘90s.

The 2019 animated film was a pretty solid hit for the newly-launched UA Releasing, grossing $100 million domestic after a $30.3 million opening, making it one of MGM’s biggest hits since it was restructured under UA and became its own distributor again. Who knows what’s going to happen with Amazon’s plans on buying MGM and whether the latter will remain a distribution wing, but MGM still has a number of movies out this year that likely will be awards contenders. But that doesn’t mean much for The Addams Family II, which will try to get some of those people who paid to see the original movie in theaters back to see the sequel… and if they’re not going to theaters, MGM is once again offering the movie day-and-date on VOD much like they did with last year’s Bill and Ted Face the Music, which opened much earlier in the pandemic (late august, 2020), so it far fewer options to see it in theaters compared to this animated sequel.

It’s highly doubtful that The Addams Family II was going to open anywhere near to $30 million even if there wasn’t a pandemic, and it wasn’t on VOD just because MGM just doesn’t seem to be marketing the movie as well as its predecessor. You can blame COVID if you want, but it’s also the fact they’re distributing the company’s first James Bond movie in six years, No Time To Die, on their own vs. through another distributor, ala the last few Daniel Craig Bonds. But we’ll talk more about that next week, since that’s going to be an important movie to help cover MGM’s expenses for the rest of 2021. (I haven’t had a chance to see this yet, but it’s embargoed until Friday, so wouldn’t be able to get a review into the column regardless.)

We’ve seen quite a few family hits over the past few months even when the movies were already on streaming/VOD, but parents are probably being a bit more careful with kids back in school, many younger kids still not vaccinated, and the Delta variant still not quite under control. Because of those factors, I think The Addams Family II is more likely to do somewhere between $15 and 18 million its opening weekend, maybe more on the lower side.

Third up is THE MANY SAINTS OF NEWARK (New Line/WB), David Chase’s prequel to his hit HBO series, The Sopranos, which went off the air in 2004 but still finds fans on the new HBO Max streamer. Ironically, this prequel will air on the streamer at the same time as it's getting a theatrical release, which probably won't be a very tough choice for fans.

Chase has reunited with director Alan Taylor, who won a Primetime Emmy for his work on the show in 2007 before moving onto other popular shows like HBO's Game of Thrones. Taylor has had a bit of a rough career in film, though, having directed Marvel Studios’ sequel, Thor: The Dark World, a movie that wasn't received very well although there were rumors that Taylor butted heads with the producers and maybe didn't even finish the movie. He went on to direct Terminator Genesys, which honestly, I can't remember if it was the worst Terminator movie, but it was pretty bad.

What's interesting is that because this is a prequel set in the '70s and '80s, none of the actors from the show appear on it, but it does star Alessandro Nivola, a great actor in one of his meatiest roles for a studio movie. It also introduces Michael Gandolfini, son of the late James Gandolfini (who played Tony Soprano, if you didn't know), playing the teenage Tony, plus it has great roles for the likes of Jon Bernthal (as Tony's father), Vera Farmiga (playing Tony's mother), Corey Stoll (playing the younger "Junior” Soprano), and Lesile Odom Jr, as the Sopranos key adversary, even though he ends up coming across like the good guy of the movie. It also stars Billy Magnussen, who oddly, also has a key role in next week's No Time to Die.

I'm sure there's quite a bit of interest in seeing where Tony came from and to learn more about his family, many who were dead long before the events of the HBO show, but will that be enough to get them into theaters when they already have HBO? I already reviewed the movie for Below the Line, and reviews are generally positive, which might get people more interested in this prequel.

As with most of Warner Bros’ movies this year, Many Saints will also debut on HBO Max and unlike some of the studio’s other 2021 offerings, it will actually make more sense to watch this one on the streamer since that’s how most people watched The Sopranos. That seems like a killer for Many Saints, and it’s likely to keep it opening under $10 million, where it might have done better on a different weekend (like sometime over the last two weeks).

This is what I have this weekend’s top 10 looking like:

1. Venom: Let There Be Carnage (Sony) - $50.4 million N/A

2. The Addams Family II (MGM/UA Releasing) - $16.5 million N/A

3. The Many Saints of Newark (New Line/WB) - $9 million N/A

4. Shang-Chi and the Legend of the Ten Rings (Marvel/Disney) - $7.5 million -44%

5. Dear Evan Hansen (Universal) - $4.1 million -45%

6. Free Guy (20th Century/Disney) - $3.3 million -30%

7. Jungle Cruise (Disney) - $1.1 million -35%

8. Candyman (Universal) - $1.3 million -48%

9. Cry Macho (Warner Bros.) - $1 million -52%

10. Malignant (Warner Bros.) - .7 million -53%

Opening in select cities is French filmmaker Julia (Raw) Ducournau’s TITANE (Neon), the genre thriller that won this year’s coveted Palme D’Or at the Cannes Film Festival. It stars Agathe Rouselle as a young woman who has an interesting relationship with automobiles, but she also has psychotic tendencies that leaves a trail of bodies behind her. On the run, she decides to pretend she’s the missing son of a fireman (Vincent Lindon), who has been missing for 10 years, and things just get weirder from there.

I honestly wasen’t sure what to expect from this although I do remember walking out of Ducournau’s cannibal movie, Raw, just because it was so gross, even though so many of my colleagues and friends swear by the movie, and this one, for that matter. Sure, there’s a certain “prove it” factor to me watching a movie that wins the Palme D’Or, because it’s very rare that I like the movies that do win that benchmark cinema award.

After a flashback to Agathe’s character Alexia when she was an obstinate young girl kicking the back seat of her father as he’s driving. They crash and she’s forced to get surgery that puts an odd looking piece of metal in her head. Decades later, she seems to be a pseudo-stripper at weird punk rock car show -- I guess they do those things different in France -- and hooking up with a fellow “model” afterwards. Agathe is actually a very popular model/dancer but when one fan gets too grabby, she pulls a knitting needle out of her hair and stabs it through his ear, killing him. Oh, yeah, she then has sex with a car and seemingly gets pregnant, but that only happens later. First, she goes on a bit of a killing spree and then goes on a run and decides that by strapping up her breasts and breaking her nose, she can pass off this fire captain’s son… and it works!

So the second half deals with acting great Vincent Lindon’s absolutely bonkers steroid-addicted man who seems to be sexually attracted to his own son, and most of his fellow firefighters knows that he’s gay but in the closet, but I’m honestly not sure what that matters. He’s a pretty disgusting character whose 70-year-old ass we see way too much of, and even those who might find Rouselle to be quite fetching, there’s a certain point where her nudity is not alluring but quite horrifying.

Oh, and at this time, Alexia (or Adrien, as she’s now going) has also gotten significantly pregnant, but it’s not a normal pregnancy because what should be milk from her breasts seems to some sort of motor oil. That’s because she FUCKED A CAR earlier in the movie!!! What do you expect when you fuck a car and don’t use protection, girlie? The fact Alexia/Adrien is trying to hide the fact she’s a pregnant woman from a station full of men isn’t even particularly disturbing. The part that really got me was when she broke her own nose to pass off as this guy’s son -- I actually had to look away for that part.

Listen I’m no prude, and I think I can handle most things in terms of horror and gore, but Titane just annoyed me, because it felt like Ms Ducournau was doing a lot of what we see more for shock value than to actually drive the story forward. There just doesn’t seem to be much point to any of it, and once the movie gets to the firehouse, and we see her interaction (as a young man) with her “father” and his colleagues, it just gets more grueling.

It’s as if Ducournau had watched a lot of movies by the likes of Cronenberg or David Lynch, or more likely Nicolas Refn or Lars von Trier, and thought, “I could be just as strange and horrific as those men… let’s see what people think of this.” And way too many people fell for it, including the Cannes jury. While I normally would approve of any good body horror movie, especially one with cinematography, score and musical selections as good as this one, I doubt I’d ever want to watch this movie again. And therefore, I don’t think I can recommend this movie to anyone either, at least no one I want to remain my friend.

As far as the movie’s box office, NEON is opening the movie in 562 theaters to build on buzz from various film festivals, including the New York Film Festival earlier this week. I think it should be good for half a million this weekend, although maybe it'll surprise me like NEON's release of Parasite a few years back. I just don't see this getting into the top 10 but maybe just outside it.

And then we have a few more movies that I got screeners for but just couldn’t find the time to watch, but might do so once I finish this verdammt column.

The faith-based doc THE JESUS MUSIC (Lionsgate) by the Erwin Brothers (I Can Only Imagine, I Still Believe) takes a look at the rise of Christian Contemporary Music through artists like Amy Grant and Stryper and everything in between, featuring lots of interviews of the artists’ trials and triumphs. Even though there isn’t much CCM I ever listen to, I’m still kind of curious about this one, since I generally like music docs and this is guaranteed not to be the sex, drugs and rock ‘n’ roll of most of them. I have no idea how wide Lionsgate intends to release this but it certainly can be fairly wide, because the Erwins have delivered at least one giant hit for Lionsgate, and I Still Believe may have been another one if not for the pandemic. It actually opened on March 13, just days before movie theaters shut down across the country, so it's little surprise it only made $7 million domestic. That said, the acts in this one have a lot of fans, and if Lionsgate does release The Jesus Music into 1,000 theaters or so (which is very doable), then I would expect it would make between $1 and 2 million, which would be enough to break into the Top 10.

I haven't seen any of the movies based on Anna Todd's YA romance novels but the third of them, AFTER WE FELL, will play in about 1,311 theaters on Thursday i.e. tonight through Fathom Events, and may or may not continue through the weekend. These movies just kind of show up, and again, having not seen any of them, I'm not sure what kind of audience they have, but this one stars Josephine Langford and Hero Fiennes, as well as Stephen Moyer, Mira Sorvino and Arielle Kebbel with Castille Landon directing.

Grace Van Patten (Under the Silver Lake) stars in Karen Cinorre’s action-fantasy film MAYDAY (Magnolia), playing Ana, a young woman who is transported to a “dreamlike and dangerous” coastline where she joins a female army in a never-ending war where women lure men to their deaths. It also stars Mia Goth, Havana Rose Liu, Soko, Théodore Pellerin and Juliette Lewis. It will be in theaters and On Demand this Friday.

The great Tim Blake Nelson stars in Potsy Ponciroli’s action-Western OLD HENRY (Shout! Studios/Hideout) about a widowed farmer and son who take in an injured man with a satchel full of cash only to have to fend off a posse who come after the man, claiming to be the law. Not sure who to trust, the farmer has to use his gun skills to defend his home and the stranger.

The romantic-comedy FALLING FOR FIGARO (IFC Films) is the new movie from Australian filmmaker Ben Lewin (The Sessions), who I’ve interviewed a few times, and he’s a really nice chap. This one stars Danielle Macdonald, Hugh Skinner, and Joanna Lumley, and it will be in theaters and On Demand this Friday. This rom-com is set in the world of opera singing competitions with Macdonald playing Millie, a brilliant young fund manager who decides to chase her dream of being an opera singer in the Scottish Highlands. She begins vocal training lessons with a former opera diva, played by Lumley, where she meets Max, a young man also training for that competition. Could love blossom? This actually sounds like my kind of movie, so I’ll definitely try to watch soon.

The second season of “Welcome to Blumhouse” the horror movie anthology kicks off on Amazon Prime Video on Friday with the first two movies, Maritte Lee Go’s Black as Night (which I’ve seen) and Gigi Saul Guerrero’s Bingo Night (which I haven’t), and actually I’ll have an interview with Ms. Go over at Below the Line possibly later this week. The former stars Ashja Cooper as a teen girl living in Louisiana who has a bad experience with homeless vampires, along with her best friend (Fabrizio Guido).

Also, Antoine Fuqua and Jake Gyllenhaal’s remake of the Danish film THE GUILTY will begin streaming on Netflix starting Friday after premiering at TIFF a few weeks back. I never got around to reviewing it, but it’s pretty good, maybe a little better than the original movie but essentially the same. I’d definitely recommend it if you like Jake, because he’s definitely terrific in it.

Also hitting Netflix this week is Juana Macias' SOUNDS LIKE LOVE (Netflix), a Spanish language romance movie that (guess) I haven't seen!

A few other movies I didn’t get to this week, include:

STOP AND GO (Decal) VAL (Dread) BLUSH (UA Releasing) RUNT (1091 Pictures)

Next week, it’s not time for James Bond, it’s time for James Bond to die… no, wait… there is NO TIME TO DIE! Also, a very, very special anniversary for the Weekend Warrior….

[arkus-rhapsode]

What do you consider the IDEAL comic crossover for My Hero, DC or Marvel?

Oh boy, an excuse to talk about comics! Strap in this answer may surprise you.

Since superheroes in the traditional sense are more of a western creation and the comic industry is dominated by Marvel and DC, its only natural when a manga series all about superheroes that resemble that traditional western idea you’d think about them crossing over.

However, there’s a lot of distinct differences between MHA’s universe and the big 2 mainstream comic universes. These differences make it harder for me to see them actually being able to mesh.

Obvious ones being space aliens and magic exist. Heroes with just gadgets are more common. And very key to the marvel universe, you can be a mutant and discriminated against even though there’s a bunch of other heroes with freaky powers that just weren’t born with them and somehow they get a pass (That’s a discussion for another day).

But what I always go to as what makes MHA extremely different and not at all compatible with comics like Superman or Wonder Woman or Wolverine is very simple, weakness.

Quirks in MHA suffer a variety of weaknesses. A big point in the story is growing your skill to work around that weakness. Now that’s not to say heroes in Western Comics don’t have weaknesses. Superman can be stopped by Kryptonite, Green Lantern can be stopped by the color yellow, ans Martian Manhunter can be stopped by fire. All well and good, but most of those limits are super specific malefactors that aren’t products of limitation the way quirks are.

The pinnacle of MHA’s hero society at this moment is Endeavor, a guy who can make a bunch of flames, but use too many and he burns himself out. That’s their PEAK. Now hop over to Marvel and Human Torch can literally go on forever.

This is due to both industries taking a different approach to action. In MHA you can make chapters on just the fight. The back and forth and struggle. And a battle of skill is really engaging.

But in comics, fights aren’t really about the battles. Its more, strike a dynamic pose while caption boxes use that to tell a story. The action can look cool and have stakes, but its more a story than it is a battle of skill. Now there are times this isn’t always the case.

The Dan Jurgens’s Teen Titans and Kyle/Yost New X-Men both used an emphasis on skill in battle as a way to show these young heroes were up and coming and had to grow into protectors and fighters. And long comic books like Superman vs The Amazing Spider-man used it’s extra page space to infuse it with more intricate action. However, these are exceptions, and not the rule. This is likely due to Manga be produced in a week and comics being produced in a month yet having roughly the same amount of pages.

Another thing is role. MHA is one story told by one guy and will have its definitive end. When they beat a villain, that’s a big moment because its likely the end of that villain. But in western comics, they have no true end. You beat that villain, they can come back, maybe acting differently depending on the writer.

It’s due to their limitations, the characters of MHA just wouldn’t work in the worlds of Marvel or DC, they are too fragile. Too different. The characters of MHA would be upstaged in terms of feats. It’s such a difference in base function that it really removes the interest in seeing them crossover. Thus making it not IDEAL for me.

I actually think characters from the Justice League or Avengers would cross over better with heroes from One Punch Man. There, S-Class heroes are ridiculously strong. The roof on their power limit is almost unachievable to any of heroes in MHA and people like the fast as super tech of Child Emperor, Super Martial Artist Bang, Tornado of Terror Tatsumaki would actually integrate into the same weight class as God of Thunder Thor, Super Science Iron Man, and super regenerative Wolverine.

But this isn’t OPM, it’s about MHA, and after I gave that big dressing down of how they just wouldn’t really fit in the over powered worlds of Marvel/DC. But that doesn’t mean there isn’t a universe I think MHA would fit in with.

The universe is Marvel’s New Universe.

For those who don’t know what the New Universe, the basic gist of it is this. In honor of Marvel’s 25th Anniversary, a distinctively separate universe from the main Marvel continuity, was launched with a unique mission statement and goal. This would be a superhero world grounded in realism.There would be no hidden races, gods, mythological beings, magic, or supertechnology (in fairness, this rule was broken by one Character called Justice, who was an exiled Alien Warrior, but 7 out of the 8 titles sticking to the rules isn’t too bad).

Superhuman characters and powers would be limited and thus more subdued in their activities, yet their actions would have more realistic consequences. Superhumans began to appear thanks to a phenomenon called the White Light Event, which gave 2 out of ever 1 million humans super powers. Those who gained powers were referenced to as Paranormals.

Now this project was certainly ambitious for Marvel, and as you can guess from how little relevance it has nowadays, it didn’t do so hot. Unfortunately, New Universe just couldn’t afford the A-list Talent it wanted and the line crashed and burned. Becoming more of a foot note in Marvel Comics history and sometimes explored or had elements taken from it by the mainstream marvel.

A shame as, New Universe would actually mesh with MHA, unlike mainstream marvel, super humans are just starting out, there is none of that baggage of “mutants bad, but people who got their powers from radiation good.” No, if you had powers, you were a target by a glowingly concerned public.

There is no magic or magic metal like vibranium that can be relied on by normal humans to gain powers.

As stated previously, it was almost all earth bound. Heroes in this world had to have powers all from the same place. This white light that made genetic anomalies that gave people powers.

And what about those powers? Well lets take a look at one the super hero “teams” of the New Universe DP7. A title all about a group of 7 paranormals.

Well their powers included members like:

Friction- acquired the power to make herself, anything she touched, and any other object she thought about within a limited range friction-free enough to make the object or person slide effortlessly. Over time, Beck learned to make her power object-specific or to increase friction to stick things together.

Scuzz- who produces a corrosive substance from his skin, which he himself is immune to. He can increase his skin's production of the chemical, to the point of burning through a steel plate in 10 seconds, but cannot stop it, turning anything he wears into a tattered ruin within days and affecting objects such as bedsheets and furniture that he comes into regular contact with.  He learns to form his chemical-laden saliva with his skin secretion into "gobs" or "spitballs" that he can throw.

Twilight- whose body produces "fatigue-poison inducing bioluminescence" that can paralyze and render unconscious individuals that are exposed to it. Twilight's power requires her to remain covered over her entire body at all times

Blur- whose body vibrates so fast that he cannot stand still. He requires vast amounts of food for his accelerated metabolism and can move at superhuman speed.

As you can see, these superhumans are more in line in terms of power with how Horikoshi writes powers. And I think that means you’d be able to crossover without one of the heroes being upstaged.

However, why I think this is ideal is just the fact that the New Universe is a world at the cusp of super humans appearing. We know in MHA that when that happened with quirks, it didn’t go smoothly. So I think it be amazing to see the characters of MHA who’s society reflects a possible conclusion for the society of the new universe.

Look, I know there’s tons of fanfiction and fan works that pair MHA with Marvel or DC and there’s nothing wrong with that. That is your creativity, and you are free to explore it in anyway you want. Never has this post been my intent to tell you that you can’t have an MHA/DC crossover or what have you. This is simply what I’d consider the most ideal crossover.

And I think that with these factors of realistic world, powers with limitations, and the blossoming of a super human society. That’s why I’d say the New Universe is the best one MHA could have a western comic crossover with.

[spectral-musette]

So, the Avengers: Endgame spoiler ban is lifted, and I’ve had a chance to mull over my responses, so I’m finally going to try to write up some thoughts. I was hoping to have seen it again in the interim, but that didn’t work out, so I’m relying on memory from one viewing – it’s possible I’ve missed or misinterpreted things.

Spoilers to follow, so scroll carefully, Ye on Mobile! Also, sorry about the Long Post (TM), I apparently I had a lot to say.

 Time-wise, for its 3 hour length, the film didn’t feel long to me. It maintained its momentum and nothing felt laggy or tedious, even the big battles.

Time travel-wise… Okay, positive stuff first. I thought that revisiting the settings of earlier films was absolutely delightful and nostalgic. It felt very satisfying to have those call backs to earlier adventures and cameos of old enemies (Crossbones, Pierce, Zola, and, surprise, even Sitwell). The Cap vs. Cap fight was hilarious, and I loved seeing Steve so utterly exasperated with himself (“I can do this all d-“, “YEAH, I know.”). The scene in the 70’s was good, though some of the Tony and Howard stuff rang a little hollow to me. I think that’s mostly because I’ve always had trouble reconciling Dominic Cooper’s Young Howard Stark (who I’m very fond of, especially after Agent Carter) to the older version of Howard we see in various flashbacks. They look, sound, and act nothing alike; my friends and I always joke that Hydra replaced Howard sometime in the 60’s. So while an aged up Dominic Cooper Howard probably would’ve made me emotional, as it was, I was more moved to see 20 seconds of Jarvis than for all the stuff with Tony talking to his dad about fatherhood.

Using the “Quantum Realm” for time travel was… okay…. Insofar as the “science” of the Ant-Man films has absolutely never made any damn sense (and that’s …. fine. They’re funny and joyful, and I enjoy them a lot anyway. I don’t go to Marvel movies for “realistic” science fiction), throwing time travel into the mix felt like it just might as well happen. I guess I understand why they chose to go with the “nothing we do in the past can affect our own timelines” approach, but frankly it’s still giving me a headache. I also understand not over-explaining, but there’s a middle ground there that wasn’t quite achieved for me. I guess, based on the scene with Tilda Swinton (sorry, haven’t seen Dr. Strange and don’t know her character’s name) and Bruce, we’re supposed to assume that every journey to the past (cue Anastasia music) creates or perhaps just shifts the time traveler into an alternate reality that branches from their original reality at that point? And then when they travel back to the time they started from via the quantum realm, they return to their original version of reality. So the actions that they take in the past affect that alternate reality, but not the reality that they came from and return to. That’s the only thing I can figure out that makes sense to me at all, but unfortunately the film didn’t make that especially clear. Maybe seeing it again would clarify? So this is gonna be a big factor in how I feel about Steve���s ending, but I’ll get to that in a moment.

Also, a tangent re: time travel… While Tony (an engineer) and Bruce (a biologist) are both brilliant, this seems a little outside their areas of expertise! You know, wouldn’t it be great if we had a character who was an astrophysicist who could really tackle this type of thing - OH HEY, we do! I realize that there were probably issues with getting Natalie Portman back in a substantial role, but I love Jane Foster a lot and I would’ve loved seeing her work with Tony and Bruce to save the universe with a handful of Pym Particles.

OKAY, there’s an awful lot to cover, so I’m going to break down some of my feelings by character just to try to stay organized.

(First, a disclaimer that I haven’t seen Captain Marvel yet, so while Carol seemed like a great character, I don’t have a lot to say since I don’t really know her yet. That said, this seemed like an adequate introduction to the character and I am interested to know more. We have the problem of “if Fury could’ve called her anytime why didn’t he call her during the Chitauri attack/to fight Ultron/etc.” But all the individual titles that come after the team-ups have that problem a little bit… Where were the Other Avengers in Thor 2 or Iron-Man 3, etc.? Sometimes you just have to accept and move on.)

Briefly:

Nebula and Gamora, Tony, Bruce, Scott, with a quick note about Wanda and a very conspicuous absence

And the heavier stuff regarding:

Thor, Natasha, and Steve (and Sam and Bucky).

Nebula and Gamora:

While the Guardians aren’t really my thing, I did vaguely know that in the original Infinity Gauntlet comic storyline, Nebula takes the gauntlet from Thanos and fixes reality. I understand not following the comics exactly for the sake of surprise and to fit with the changed version of the universe, but it still felt wrong to totally take that away from her. Especially given what Thanos has done to her, personally, it seemed fitting that she was going to be the one defeat him. I’m glad she was still pivotal to the story, but it felt like an extra kick in the teeth that past!Nebula was the catalyst for Thanos catching up with our heroes rather than getting to be the one who saves the universe. And forcing her to kill her past self felt like it should’ve been treated with much more gravity than it finally was.

I’m really glad we “saved” Gamora by bringing the version of her from the past into the current timeline (however that works), but I feel so bad for anyone who’s really invested in Gamora/Peter Quill. It’s so heartbreaking that their entire history never happened as far as she’s concerned, that we’ve not only removed that very key relationship, but her character growth over the past how many years. It is at least hopeful; Peter remembers, and has the chance to woo her again, but that’s still got to sting.

Tony:

So Tony Stark sure did die.

I’m not sure… he really needed to? I mean I don’t think I get the rationale of the Infinity Gauntlet killing/maiming the user. I recall the handwavey line about gamma radiation, but if you don’t immediately die after using it, couldn’t you juuuust, say, use the Reality Stone to be like, “hey what if I wasn’t mortally injured”? Couldn’t somebody ELSE do that? I’m not sure I get that.

So that said, I’m not sure if RDJ was really pushing for “you gotta kill me off” for dramatic effect or just to step out of the franchise? It would’ve been kinda cool to see retired Tony working as Avenger-support, working on suits for Rhodey and future Iron-heroes (Iron Patriot? Iron Heart?), mentoring Peter and other youths, and living his nice life with Pepper and their munchkin.

But what a way to go, huh? Dramatic self-sacrifice saving the the planet(/universe?), and a funeral that almost everybody who’s anybody shows up for.

Bruce:

I’m with Valkyrie that I preferred EITHER version to PermaHulk Bruce. Honestly, the Hulk himself had sort of become an independent character, especially after Ragnarok (my issues with Ragnarok aside). So by Bruce settling into this “I look like the Hulk but I act like Bruce” limbo, are we … essentially killing the Other Guy? I don’t like that. I mean I prefer Bruce obviously, but I’m really uncomfortable with that solution.

Scott:

I really love Scott and he was delightful as always in this film. I’m heartbroken for him that he missed (another) 5 years of Cassie’s life, though. I’m also pretty sad we won’t get to see the little girl who has played Cassie so far in any future films since we’ve aged the character up to a teenager. Also, I would’ve liked to see more of Hope! I loved Scott and Hope’s little moment when Hope calls Steve “Cap” and they trade expressions between Scott going “SEE, HE IS REALLY COOL, RIGHT?” and Hope being like “Yeah, okay”.

Overall I guess the Ant-Fam is sorta tangential to the main MCU Avengers cast, so while it was nice to have everybody play together, briefly, I’m pretty content that we’ll see more of Hope (and Janet!) in future Ant-Man/Wasp titles.

 - Similarly, while T’Challa and the Wakanda fam were definitely underused in Endgame (especially the entirely absent Nakia), Black Panther 2 is happening. It’s disappointing to not get a substantial amount of characters that you like in the big team-up films, but it’s good to know they’ll be returning later.

Wanda:

We are really leaving Wanda in a rough place of having lost her twin brother and her android boyfriend within a pretty short amount of time (that’s rough, buddy). Plus, one of the characters that we’ve seen her have a pretty strong bond with is Steve, and he’s out of the picture too. I’m not sure where we’re going with this character, honestly. Hopefully it’s not continuing to hurt her.

It really seemed conspicuous that nobody so much as mentioned Vision by name in this film. Wanda referred to him indirectly, but that was it. I get that Vision isn’t immediately able to be saved since he didn’t vanish in the Gauntlet event, but, yikes, can anybody besides Wanda please attempt to give a damn about him?

I know sometimes we like to pretend that Age of Ultron didn’t happen to us, but Vision was still an interesting character, and some major plot points of Infinity War focused on the value of Vision as a person. I feel pretty bereft that he’s (apparently) gone beyond recall with so little mourning.

Thor:

*heavy sigh*

Thor’s characterization was….???

Unpopular Opinion: despite its good points, I overall didn’t really like Ragnarok, and Thor already sort of felt out of character to me at that point.

Another Unpopular Opinion: I actually really love The Dark World. Thor’s relationship with Jane, and his characterization of gentleness and humility in that era really were important to me.

And I get that Hemsworth is genuinely good at comedy and probably likes doing it. But Thor has always been a funny character. We just used to be laughing with him instead of at him.

I was so uncomfortable with the way the film framed Thor’s brush with depression and alcoholism. Because Thor has lost so much at this point, he has every reason to struggle. I want to say that Thor wouldn’t have given up, but the same time I can believe that this almost unimaginable weight of loss (Frigga, Odin, Loki, Heimdall, The Warriors Three, Asgard itself) would take some toll. And yet the framing of his scenes treats his grief and despair as cause for humor. We’re expected to laugh about an unkempt beard and a big belly instead of being concerned about the fact that a character that we loved considers himself a failure. And there’s nothing funny about this situation to me. It just made me uncomfortable and sad. Revisiting Thor 2 and having him talk to Frigga was on the better side, but I’m disappointed that we couldn’t save her.

Natasha:

*heavier sigh*

Okay, I think a lot of the problem here is that it’s just really difficult to kill a main character any time other than in the last act (we also saw this problem in Star Wars Rebels, but that’s another can of worms). So because Natasha died at such a midway point in the movie, I still can’t shake the feeling that she’s not really dead. Nothing about it felt final to me. Clint trying to emphasize that, because Red Skull said so, it was impossible to bring her back (it’s freaking RED SKULL, why would we trust him???) just made me think even more that she was definitely coming back. Everything seemed to point to her dramatic reappearance and then it just … didn’t happen. That’s not to say it won’t happen in a future film, though, but it still feels deeply unsatisfying and unceremonious now, and that feeling really was a blow to my overall enjoyment of the film.

It also sat really badly with me that Natasha made this choice not just to save Clint (which I would believe; their friendship is really great and I love seeing Natasha’s extremely profound but non-romantic bonds with Clint and with Steve (though I would’ve preferred Natasha/Clint to Natasha/Bruce)), but because she fundamentally felt less worthy than Clint. I don’t like the idea that Natasha went to her death still feeling such guilt, still feeling like a monster (according to that awful scene in AoU), for the things she did as a very young person under the influence of brainwashing. I don’t like that at all.

I’m also really disappointed that we didn’t pursue Natasha and Bucky’s relationship from the comics in the MCU. Because the idea of two people with very similar emotional wounds coming together to support each other as they heal is just really appealing (#looking for baggage that goes with mine). That throwaway line in Civil War (“at least you could recognize me”) really had me convinced that we were going there. I guess we still could, but there are a lot of “ifs” standing in the way now.

Steve:

Another disclaimer: Steve is absolutely my favorite Avenger, and I ship Steve/Peggy really hard.

Aaand I still felt uncomfortable with the resolution.

Maybe it’s just the difficulty I’ve been having getting my head around the time travel shenanigans.

So a lot of the criticisms I’ve heard/read about Steve going back to the 1940’s to Peggy seems to be functioning under the assumption that Steve is living within the timeline as we know it in MCU canon, staying completely hidden, and just not changing any of the bad things that canonically happen: Bucky becoming the Winter Soldier, Hydra infiltrating SHIELD, etc.

But we’ve been told that time travel doesn’t work that way – that Back To The Future, Doctor Who way – in this universe, right? This brings me back to my Alternate Reality take. So my understanding is that after Steve returns the infinity stones to the points in time that the Avengers yoinked them from, he basically occupies an Alternate Reality for a lifetime (Tilda Swinton’s thing about the branched off timelines being consumed by the ~forces of darkness~ only applies IF the infinity stones aren’t returned, and he took care of that). And he could’ve done anything in that Alternate Reality – married Peggy, saved Bucky from Hydra, prevented any wars and disasters he could. Basically it was Steve’s own personal Happiness AU. And then, (presumably after Peggy’s death), he uses the Pym particles and the Quantum Realm to return to his original reality.

Except, in that case, shouldn’t he have returned on the platform instead of dramatically showing up on that park bench?

So…I’m confused and I don’t like it.

Even from the Alternate Reality take, the situation of that choice is complicated. In choosing to be with Peggy, he’s tearing himself out of the lives of all of his loved ones in his Original Reality – Bucky, Sam, Wanda, (whatever the situation was with Sharon Carter that we absolutely never resolved?), etc.

And we’re not completely sure it was a choice, exactly. It’s possible that in the ongoing work to return the infinity stones, Steve somehow got trapped in the past (don’t know why he would’ve had to go to the 40’s, but I guess he could’ve run out of Pym particles there and had to wait for Hank to invent them to even be able to make the trip back).

Also, narratively speaking, it feels a little like we’re invalidating Peggy’s grief, and her character growth that went on in Agent Carter (even if her happy ending with Steve is going on in an Alternate Reality). I wasn’t totally sold on Peggy and Daniel Sousa yet (though I do like Daniel as a character a lot), but Peggy had a whole lifetime that didn’t involve Steve except as a beloved memory. Where is she in that arc when Time Traveler Steve comes back into her life?

Also, even if it IS an Alternate Reality, there would STILL be a version of Steve frozen in the ice in the 1940’s in that reality. How do we deal with that?

And how do we deal with the fact that Steve isn’t the man that Peggy lost anymore. He still loves her, but he’s changed, he’s lived almost a decade since then. How do they find their footing with each other? I’m sure it isn’t impossible, but it’s interesting, and it’s not addressed at all.

I think that’s what bothers me the most – that this is a whole huge adventure – Steve’s entire LIFE – that we’re shoehorning in at the very end of the movie without showing any of the really interesting bits or answering any of our questions about it. I guess that leaves the situation as a fertile ground for the imagination, and maybe that’s a space that the MCU intends to explore someday? I would absolutely watch the hell out of Steve’s Time Travel Romance with Peggy, somebody take my goddamn money.

Anyway, I’m happy about Sam taking up the Shield as Captain America. Bucky-Cap also could’ve been great, but I feel like, with the place we left Bucky in his recovery, he doesn’t need that responsibility yet. Let him rest. Wherever we’re going with the series featuring Sam and Bucky is going to be really interesting, and maybe we’ll get to the point where Bucky really wants to work towards atonement and is ready to share the burden of the Shield with Sam? I’m looking forward to finding out.

Overall, most of my feelings about the movie were pretty positive. It was a complicated story to tell with a lot of characters, and mostly it was handled pretty well. Some of those threads did fall flat for me, but they didn’t totally invalidate the parts of the movie that worked.

[nfcomics]

Night Flight Comics—6222 South State Street Latest Arrivals: Wednesday—February 15th 2017

ADVENTURE TIME COMICS #8 ALAN MOORE JERUSALEM HC NOVEL [R] ALIEN BIG CHAP VINIMATE AMAZING SPIDER-MAN RENEW YOUR VOWS #2, #3 [R] ANGEL SEASON 11 #2 MAIN FISCHER CVR ANGEL SEASON 11 #2 VAR DEKAL CVR ANIMOSITY #5 AQUAMAN #12, #16 [R] AQUAMAN #17 AQUAMAN #17 VAR ED ARCHIE #17 CVR A REG JOE EISMA ARCHIE #17 CVR B VAR LOPRESTI ARCHIE #17 CVR C VAR LOTAY ASSIGNMENT #1 CVR C DALTON, #2 (OF 3) CVR C JEF [R] BATMAN #17 BATMAN #17 VAR ED BATMAN BEYOND #1, #2 [R] BATMAN TMNT ADVENTURES #4 (OF 6) BATMAN TMNT ADVENTURES #4 (OF 6) VAR BATMAN TMNT ADVENTURES #4 (OF 6) SUB VAR BATTLESTAR GALACTICA GODS & MONSTERS #4 (OF 5) CVR BATWOMAN REBIRTH #1 BATWOMAN REBIRTH #1 VAR ED BLACK PANTHER WORLD OF WAKANDA #4 BTVS SEASON 11 #4 MAIN MORRIS CVR BTVS SEASON 11 #4 VAR JEANTY CVR CAPTAIN AMERICA SAM WILSON #19 CAPTAIN AMERICA STEVE ROGERS #11 CAPTAIN AMERICA STEVE ROGERS #11 JUSKO CORNER BOX CAVE CARSON HAS A CYBERNETIC EYE #5 CAVE CARSON HAS A CYBERNETIC EYE #5 VAR ED CAVEWOMAN ANKHAS REVENGE #3 (OF 3) CVR A MASSEY CEREBUS IN HELL #1—Dave Sim CHARMED SEASON 10 TP VOL 03 CIVIL WAR II #0 (OF 8) RCW2 [R] CIVIL WAR II #1 (OF 8) DJURDJEVIC 2ND PTG VAR CIVIL WAR II #2 (OF 8) 3RD PTG DJURDJEVIC VAR CLONE CONSPIRACY #3 (OF 5) 2ND PTG DELLOTTO VAR CLONE CONSPIRACY #5 (OF 5) BAGLEY VAR CC CLONE CONSPIRACY #5 (OF 5) CC CLONE CONSPIRACY #5 (OF 5) LOZANO CONNECTING VAR C CYBORG #9 [R] DAREDEVIL #17 DAREDEVIL #17 JUSKO CORNER BOX VAR DARK HORSE PRESENTS #31 DARK KNIGHT III MASTER RACE #7 (OF 8) [R] DC BOMBSHELLS KATANA STATUE DEAD INSIDE #3 (OF 5) DEADPOOL #27 DEADPOOL AND MERCS FOR MONEY TP VOL 01 MO MERCS MO DEPT H #11 DOCTOR STRANGE #1.MU DOCTOR STRANGE #17 DOCTOR STRANGE #17 JUSKO CORNER BOX VAR DOCTOR WHO 10TH YEAR THREE #2 CVR B PHOTO EAST OF WEST TP VOL 03 THERE IS NO US [R] ECLIPSE TP VOL 01 ETHER #4 EXTRAORDINARY X-MEN TP VOL 03 KINGDOMS FALL FLASHPOINT TP—Geoff Johns [R] FLIGHT OF THE RAVEN TP FURTHER ADV OF SHERLOCK HOLMES MMPB MOONSTONES CUR GAMORA #3 GFT PRESENTS APOCALYPSE #5 CVR A GOH GFT PRESENTS APOCALYPSE #5 CVR C GARVEY GFT VAN HELSING COVER GALLERY #1 CVR A GREEN GFT VAN HELSING COVER GALLERY #1 CVR B CARDY GFT VAN HELSING COVER GALLERY #1 CVR C RICH GI JOE (2016) #2 [R] GI JOE A REAL AMERICAN HERO #235 SUB VAR [R] GOD COUNTRY #2 CVR A SHAW & WORDIE GREEN ARROW #17 GREEN ARROW #17 VAR ED GREEN LANTERNS #17 GREEN LANTERNS #17 VAR ED GRIMM FAIRY TALES ARCANE ACRE TP VOL 04 GWENPOOL #10 [R] GWENPOOL #12 HARD CASE CRIME PEEPLAND #4 (OF 5) CVR A COKER HARD CASE CRIME PEEPLAND #4 (OF 5) CVR B YARSKY HARD CASE CRIME TRIGGERMAN #5 (OF 5) CVR C SCOTT HARLEY QUINN #1 HARLEY QUINN #14 VAR ED HE MAN THUNDERCATS #5 (OF 6) HORIZON #8 INJUSTICE GROUND ZERO #6 INVADER ZIM #17 INVADER ZIM #17 VAR INVINCIBLE #133 INVINCIBLE IRON MAN #4 INVINCIBLE IRON MAN #4 JUSKO CORNER BOX VAR IVX #4, #4 DODSON X-MEN VAR, #4 (OF 6) MICHAEL CHO VAR [R] JAMES BOND HAMMERHEAD #5 (OF 6) JESSICA JONES #2 2ND PTG MACK VAR [R] JUSTICE LEAGUE #15 JUSTICE LEAGUE #15 VAR ED JUSTICE LEAGUE POWER RANGERS #2 (OF 6) [R] KILL OR BE KILLED #6 KISS #5 CVR A PARILLO KNIGHTS OF THE DINNER TABLE #240 KISS #5 CVR B SHOURI EMOJI KISS #5 CVR C PHOTO KONG OF SKULL ISLAND #8 LA MUERTA PIN UPS ONE SHOT STANDARD CVR LOCKE & KEY SMALL WORLD DLX HC ED LUCIFER #15 MAD MAGAZINE #544 MAGICAL CHARACTER RABBIT ONE SHOT MANIFEST DESTINY #26 MIGHTY MORPHIN POWER RANGERS #12 MAIN CVR MIGHTY THOR #16 MIGHTY THOR #16 JUSKO CORNER BOX VAR MONSTERS UNLEASHED #3 (OF 5) MONSTERS UNLEASHED #3 (OF 5) FRANCAVILLA 50S MOVIE MONSTERS UNLEASHED #3 (OF 5) QHAYASHIDA VAR MONSTERS UNLEASHED #3 (OF 5) YU MONSTER VAR MOTHER PANIC #3 MOTHER PANIC #3 VAR ED MY LITTLE PONY FRIENDS FOREVER #37 MY LITTLE PONY FRIENDS FOREVER #37 SUB VAR MYCROFT #5 (OF 5) CVR A RONALD MYCROFT #5 (OF 5) CVR B CASSARA NEIL GAIMAN NORSE MYTHOLOGY HC NIGHTS DOMINION #6 NIGHTWING #14 [R] NIGHTWING #15 NIGHTWING #15 VAR ED OCTOBER FACTION DEADLY SEASON #1 [R] OLD MAN LOGAN #18 ODYSSEY OF THE AMAZONS #2 (OF 6) PATSY WALKER AKA HELLCAT #15 POP ASH VS EVIL DEAD ASH VINYL FIGURE [R] POP BTAS BATGIRL VINYL FIG [R] PUNISHER #9 RAVEN #6 (OF 6) REICH #2 (OF 12) REICH #3 (OF 12) RICK & MORTY TP VOL 04 ROCKSTARS #3 SECRET WARS TP [R] SEVEN TO ETERNITY TP VOL 01 SEX CRIMINALS #16 SEX CRIMINALS #16 XXX FIONA STAPLES VAR SILK #17 CC SIMPSONS COMICS #237 SNOW DAY GN SPIDER-MAN #12 NOW [R] SPIDER-MAN #13 SPIRIT HUNTERS #5 (OF 12) CVR A SPAY SPREAD #19 STAR TREK BOLDLY GO #5 STAR TREK BOLDLY GO #5 SUB VAR STAR WARS DARTH MAUL #1 (OF 5) ALBUQUERQUE VAR [R] STAR WARS DARTH MAUL #1 (OF 5) ANIMATION VAR [R] STAR WARS DARTH VADER TP VOL 01 VADER [R] STAR WARS DARTH VADER TP VOL 02 SHADOWS AND SECRET [R] STAR WARS DOCTOR APHRA #4 [R] STAR WARS POE DAMERON #11 STAR-LORD #3 SUPER SONS #1 SUPER SONS #1 VAR ED SUPERMAN #17 SUPERMAN #17 VAR ED SUPERMAN ACTION COMICS TP VOL 01 PATH OF DOOM TEEN TITANS GO #20 TMNT ONGOING #67 TMNT ONGOING #67 SUB VAR TMNT UNIVERSE #3, #4, #6 [R] TRINITY #6 TRINITY #6 VAR ED TRUE BELIEVERS WOLVERINE X-23 #1 ULTIMATES 2 #4 UNCANNY INHUMANS #19 IVX UNCANNY X-MEN #18 DOE IVX VAR UNCANNY X-MEN #18 IVX UNFOLLOW #16 US AVENGERS #3 VENOM #2 [R] VENOM #4 VENOM #4 JUSKO CORNER BOX VAR VIKINGS #3 CVR A ANDOLFO [R] VIOLENT LOVE #4 CVR A SANTOS WALKING DEAD #164 WILD STORM #1 WILD STORM #1 JIM LEE VAR ED WILD STORM #1 LOTAY VAR ED WILSON TP WONDER WOMAN 77 TP VOL 02 WOLVERINE OLD MAN LOGAN TP [R] WORLD WAR X #2 (OF 6) CVR B PERCIVAL [R] ZOMBIE TRAMP ONGOING #32 CVR D PANTY PARTY RISQUE

Night Flight Comics—6222 South State Street Latest Arrivals: Wednesday—February 15th 2017

[collectivevualt]

Marvel Stuff Part 1

Pictures of what Marvel stuff we have so far.

Captain America/Steve Rogers action figure with removable head and hands & shield. Winter Soldier/Bucky Barnes action figure with removable head & gun. Both coming with build a figure legs. Loki action figure with spear. Thor action figure with Mjolnir. Winter Soldier action figure with rocket launcher. Wolverine action figure and X-23 action figure.

Captain America car. Winter Soldier car. Winter Soldier wallet. Civil War playing cards.

Captain America bobble-head. Ant-man bobble-head. Iron Man bobble-head. Winter Soldier bobble-head. Hawkeye bobble-head. Thor bobble-head. Black Widow bubble-head. Hulk Figure.

Various Avengers tattoos. Ultron stickers.

Avenger stickers. Avengers book cover. Thanos oven mitt. Captain America bracelet. Hulk stand. Hulk & Hulk-buster poster.

Loki key chain. Mjolnir key chain. Captain America necklace.

Avengers poster.

Civil War Kleenex boxes

Steve Rogers Captain America. X-men Supernovas part 2 of 6. Captain America 75th anniversary magazine.Civil War II. Uncanny X-Men vs X-23. Avengers Assemble: Serpent of Doom. Deadpool kills Deadpool. X-Men Astonishing. Captain America: The first Avenger MCU guidebook.The Incredible Hulk.

Black Panther unmasked bubble-head. Winter Soldier one armed bubble-head. Captain America Tsum Tsum. Black Widow Tsum Tsum. Winter Soldier Tsum Tsum. Spider-man Tsum Tsum. Falcon Tsum Tsum. Iron Man Tsum Tsum. Ant-Man Tsum Tsum. Black Cat Tsum Tsum. Ant-man Tsum Tsum

Captain America doll. Winter Soldier doll.

Lego Avengers. Lego Marvel Super Heroes. Ultimate Alliance. Ultimate Alliance 2.

Hulk eraser. Captain America eraser. Iron Man eraser. Avengers stickers. Avengers tower scene picture.

Avengers Calendar.

Captain America T-shirt

Stark Industries T-shirt.

Captain America Tank-top.

Civil War T-shirt.

Civil War T-shirt. (someone decided to wear their shirt when it was time for pictures.)

X-men DVD. X2 DVD. X-Men the last stand DVD. X-Men origins: Wolverine DVD. The Wolverine DVD. Spider-man DVD. Spider-man 2 DVD. Iron Man 2 DVD. Captain America the Winter Soldier DVD. The Incredible Hulk DVD.

Iron Man Blu-ray. Iron Man 2 Blu-ray. Captain America the first Avenger Blu-ray. Thor Blu-ray. The Avengers Blu-ray. Captain America the Winter Soldier Blu-ray. Thor the Dark World Blu-ray. Iron Man 3 Blu-ray. Guardians of the Galaxy Blu-ray. Avengers Age of Ultron Blu-ray. Ant-man Blu-ray. Captain America Civil War Blu-ray. X-men First class Blu-ray. X-men Days of future past Blu-ray. X-men Apocalypse Blu-ray.

[englishmansdcc]

Marvel this week announced the artists who will be joining their Young Guns program for 2018. The Young Guns program began in 2004 to spotlight new artists to the industry. Some of the previous artists in the program include Jim Cheung, Steve McNiven, Leinil Yu, Daniel Acuña, David Marquez, Sara Pichelli, and many more.

This year Pepe Larraz, Javier Garron, Marco Checchetto, Aaron Kuder, Mike Del Mundo, and Russell Dauterman will be joining the Young Guns program.

More information and cover art is below courtesy of their press release.

Introducing Marvel’s Young Guns 2018  Celebrating the industry’s top artists to watch!

Marvel is proud to announce the next generation of talented artists for this year’s Young Guns program! These six artists have proven they are some of the best in the industry, and their incredible art has consistently been admired by comic book fans from around the world.

Originally launched in 2004, the Young Guns program spotlights the best and brightest early-career artists in the comic book industry. Previous Young Guns have left their mark through some of Marvel’s greatest heroes, with alumni like Jim Cheung, Steve McNiven, Leinil Yu, Daniel Acuña, David Marquez, Sara Pichelli, and many more drawing some of Marvel’s biggest events and launching groundbreaking new series.

“I still clearly remember the launch of Marvel’s original Young Guns campaign over a decade ago, crafted as an innovative way to recognize and promote the upcoming artists we believed in – and knew would one day be superstars!” said C.B. Cebulski, editor-in-chief of Marvel. “From its inception, Young Guns has always been about living up to Marvel’s long legacy of identifying and hiring unique and groundbreaking talent to give our fans the best looking comics on the stands. And here we go again! Introducing the class of 2018, six artists poised for greatness, whose art will grace the pages of some of the coolest comics of the year!”

Today, Marvel is proud to continue its Young Guns tradition with 2018’s newest inductees:

Pepe Larraz, artist on Avengers: No Surrender

Javier Garron, artist on a secret upcoming project

Marco Checchetto, artist on Old Man Hawkeye

Aaron Kuder, artist on Infinity Countdown

Mike Del Mundo, artist on a secret upcoming project

Russell Dauterman, artist on Mighty Thor

In addition to their regular series, each of the Young Guns will create a special limited exclusive variant cover for six new books including Avengers #678, X-Men Red #1, Marvel Two-in-One #3, Doctor Strange: Damnation #1, Black Panther #170, and Amazing Spider-Man #797! These variants will be given to select retailers and be made available to fans worldwide through Televisa in Mexico and Panini in Europe, Russia, South America and other markets.

More exciting new projects and series from Young Guns 2018 will be announced in the coming months. Welcome to Marvel’s Young Guns 2018!

Young Guns biographical information:

Spanish artist Pepe Larraz penciled The Mighty Thor, previously having illustrated stories in anthologies such as Web of Spider-Man, Marvel Adventures Super Heroes and X-Men: To Serve and Protect. A rising star, Larraz pitted ’90s rivals against each other in Deadpool vs. X-Force and worked on Wolverine & the X-Men before venturing into a galaxy far, far away with Kanan — then back to the Marvel Universe again with Uncanny Avengers.

Spanish artist Javier Garrón studied architecture before his work on webcomics and blogs got the attention of the American comics industry. Garrón made his Marvel debut with Cyclops in 2014, which led to work on the “Black Vortex” event crossover between New X-Men and Guardians of the Galaxy. Future work included Legendary Star-Lord, the IvXevent, and the spot of lead artist on Secret Warriors.

Marco Checchetto early contributions to the revival of Marvel Comics Presents revealed him as one of the industry’s top new talents. Checchetto has made his mark on both the Marvel Universe — with runs on Amazing Spider-Man, Daredevil and Punisher — and a galaxy far, far away, with Star Wars: The Screaming Citadel, Star Wars: Captain Phasma,and the post-Return of the Jedi thriller Star Wars: Journey to Star Wars: The Force Awakens — Shattered Empire.

Artist and writer Aaron Kuder cut his teeth in the comics industry working on the New York Times best-selling book The Armory Wars and Key of Z, both with Claudio Sanchez from Evil Ink Comics. After work at DC on books such as Action Comics, Kuder returned to Marvel for an exclusive agreement in 2016 with work on top-tier titles such as the X-Men-shattering Death of X and All-New Guardians of the Galaxy.

If you’ve read any Marvel series since 2009, chances are it featured a cover from artist Michael Del Mundo at some point. Del Mundo’s artwork has fronted such well-known series as Amazing Spider-Man, Vision, and Invincible Iron Man. After delivering gallery-standard illustrations page after page in Elektra, he brought his unique talents to Secret Wars tie-in Weirdworld and its subsequent All-New, All-Different Marvel relaunch, and Marvel’s flagship title Avengers.

Russell Dauterman is best known as the artist of Marvel’s Thor comics.  Written by Jason Aaron and starring Jane Foster as Thor, the lengthy run has become a best-selling, Eisner-nominated series.  Previous work includes such titles as Cyclops, Nightwing, and Supurbia.  Russell has also designed characters and created covers for various Marvel, BOOM! Studios, DC, Valiant, and Image titles.  Outside of comics, Russell has illustrated children’s books and worked as a costume illustrator in the film industry, most notably on Marvel Studios’ Captain America: The First Avenger.  Russell is currently continuing his character-defining run drawing The Mighty Thor.

Find these exclusive Young Guns variant covers on these select books, starting January 31st!

Avengers #678 – Russell Dauterman ( and Matt Wilson)

X-Men Red #1 – Pepe Larraz (and Edgar Delgado)

Marvel Two-in-One #3 – Mike Del Mundo

Doctor Strange: Damnation #1 – Javier Garron (and Jason Keith)

Black Panther #170 – Marco Checcetto

Amazing Spider-Man #797 – Aaron Kuder (and Jason Keith)

Marvel Comics announce the artists that will join their Young Guns 2018 program Marvel this week announced the artists who will be joining their Young Guns program for 2018. The Young Guns program began in 2004 to spotlight new artists to the industry.

[capelesscrusader]

Marvel has announced the six artists who will take part in 2018’s Young Guns program, a Marvel initiative designed to spotlight up and coming young artists in the industry. Since its inception in 2004, the Young Guns program has celebrated the work of emerging talents at the organization, and previous inductees in the program have included the likes of Steve McNiven, Jim Cheung and Sara Pichelli, many of whom have gone on to deliver some of Marvel’s best and most popular art in recent years.

The six artists recognized by Marvel this year are:

Marco Checchetto (Old Man Hawkeye, Star Wars: Captain Phasma, Marvel Comics Presents)

Russell Dauterman (The Mighty Thor, Cyclops, Supurbia)

Mike Del Mundo (Avengers, Weirdworld)

Javier Garron (Secret Warriors, Cyclops, IvX)

Aaron Kuder (Action Comics, Death of X, All-New Guardians of the Galaxy)

Pepe Larraz (Avengers: No Surrender, Uncanny Avengers, Wolverine & the X-Men)

These artists are currently making they mark across the Marvel Universe, but as part of the Young Guns program will also be contributing special limited edition variant covers for Avengers #678, X-Men Red #1, Marvel Two-in-One #3, Doctor Strange: Damnation #1, Black Panther #170, and Amazing Spider-Man #797! These variants will be given to select retailers and be made available to fans worldwide through Televisa in Mexico and Panini in Europe, Russia, South America and other markets.

Marvel Editor-in-Chief CB Cebulski praised the Young Guns, saying, “From its inception, Young Guns has always been about living up to Marvel’s long legacy of identifying and hiring unique and groundbreaking talent to give our fans the best looking comics on the stands. And here we go again! Introducing the class of 2018, six artists poised for greatness, whose art will grace the pages of some of the coolest comics of the year!”

Check out the variant covers in our slideshow below!

  This slideshow requires JavaScript.

ORIGINAL PRESS RELEASE:

Introducing Marvel’s Young Guns 2018 Celebrating the industry’s top artists to watch!

  New York, NY—January 22, 2018— Marvel is proud to announce the next generation of talented artists for this year’s Young Guns program! These six artists have proven they are some of the best in the industry, and their incredible art has consistently been admired by comic book fans from around the world.

Originally launched in 2004, the Young Guns program spotlights the best and brightest early-career artists in the comic book industry. Previous Young Guns have left their mark through some of Marvel’s greatest heroes, with alumni like Jim Cheung, Steve McNiven, Leinil Yu, Daniel Acuña, David Marquez, Sara Pichelli, and many more drawing some of Marvel’s biggest events and launching groundbreaking new series.

“I still clearly remember the launch of Marvel’s original Young Guns campaign over a decade ago, crafted as an innovative way to recognize and promote the upcoming artists we believed in – and knew would one day be superstars!” said C.B. Cebulski, editor-in-chief of Marvel. “From its inception, Young Guns has always been about living up to Marvel’s long legacy of identifying and hiring unique and groundbreaking talent to give our fans the best looking comics on the stands. And here we go again! Introducing the class of 2018, six artists poised for greatness, whose art will grace the pages of some of the coolest comics of the year!”

Today, Marvel is proud to continue its Young Guns tradition with 2018’s newest inductees:

Pepe Larraz, artist on Avengers: No Surrender

Javier Garron, artist on a secret upcoming project

Marco Checchetto, artist on Old Man Hawkeye

Aaron Kuder, artist on Infinity Countdown

Mike Del Mundo, artist on a secret upcoming project

Russell Dauterman, artist on Mighty Thor

In addition to their regular series, each of the Young Guns will create a special limited exclusive variant cover for six new books including Avengers #678, X-Men Red #1, Marvel Two-in-One #3, Doctor Strange: Damnation #1, Black Panther #170, and Amazing Spider-Man #797! These variants will be given to select retailers and be made available to fans worldwide through Televisa in Mexico and Panini in Europe, Russia, South America and other markets.

More exciting new projects and series from Young Guns 2018 will be announced in the coming months. Welcome to Marvel’s Young Guns 2018!

  Young Guns biographical information:

Spanish artist Pepe Larraz penciled The Mighty Thor, previously having illustrated stories in anthologies such as Web of Spider-Man, Marvel Adventures Super Heroes and X-Men: To Serve and Protect. A rising star, Larraz pitted ’90s rivals against each other in Deadpool vs. X-Force and worked on Wolverine & the X-Men before venturing into a galaxy far, far away with Kanan — then back to the Marvel Universe again with Uncanny Avengers.

Spanish artist Javier Garrón studied architecture before his work on webcomics and blogs got the attention of the American comics industry. Garrón made his Marvel debut with Cyclops in 2014, which led to work on the “Black Vortex” event crossover between New X-Men and Guardians of the Galaxy. Future work included Legendary Star-Lord, the IvX event, and the spot of lead artist on Secret Warriors.

Marco Checchetto early contributions to the revival of Marvel Comics Presents revealed him as one of the industry’s top new talents. Checchetto has made his mark on both the Marvel Universe — with runs on Amazing Spider-Man, Daredevil and Punisher — and a galaxy far, far away, with Star Wars: The Screaming Citadel, Star Wars: Captain Phasma, and the post-Return of the Jedi thriller Star Wars: Journey to Star Wars: The Force Awakens — Shattered Empire.

Artist and writer Aaron Kuder cut his teeth in the comics industry working on the New York Times best-selling book The Armory Wars and Key of Z, both with Claudio Sanchez from Evil Ink Comics. After work at DC on books such as Action Comics, Kuder returned to Marvel for an exclusive agreement in 2016 with work on top-tier titles such as the X-Men-shattering Death of X and All-New Guardians of the Galaxy.

If you’ve read any Marvel series since 2009, chances are it featured a cover from artist Michael Del Mundo at some point. Del Mundo’s artwork has fronted such well-known series as Amazing Spider-Man, Vision, and Invincible Iron Man. After delivering gallery-standard illustrations page after page in Elektra, he brought his unique talents to Secret Wars tie-in Weirdworld and its subsequent All-New, All-Different Marvel relaunch, and Marvel’s flagship titleAvengers.

Russell Dauterman is best known as the artist of Marvel’s Thor comics.  Written by Jason Aaron and starring Jane Foster as Thor, the lengthy run has become a best-selling, Eisner-nominated series.  Previous work includes such titles as Cyclops, Nightwing, and Supurbia.  Russell has also designed characters and created covers for various Marvel, BOOM! Studios, DC, Valiant, and Image titles.  Outside of comics, Russell has illustrated children’s books and worked as a costume illustrator in the film industry, most notably on Marvel Studios’ Captain America: The First Avenger.  Russell is currently continuing his character-defining run drawing The Mighty Thor.

  Find these exclusive Young Guns variant covers on these select books, starting January 31st!

Avengers #678 – Russell Dauterman ( and Matt Wilson)

X-Men Red #1 – Pepe Larraz (and Edgar Delgado)

Marvel Two-in-One #3 – Mike Del Mundo

Doctor Strange: Damnation #1 – Javier Garron (and Jason Keith)

Black Panther #170 – Marco Checcetto

Amazing Spider-Man #797 – Aaron Kuder (and Jason Keith)

  Marvel Spotlights New Generation of Artists With 2018’s Young Guns! Marvel has announced the six artists who will take part in 2018's Young Guns program, a Marvel initiative designed to spotlight up and coming young artists in the industry.

[rageworks]

Marvel’s Young Guns program has introduced readers to some amazing artists over years and 2018 looks to be no different as Marvel announced the last inductees into Marvel’s Young Guns program. Who are Marvel’s latest Young Guns and what will they be working on? Here are the 2018 inductees:

Pepe Larraz, artist on Avengers: No Surrender – Spanish artist Pepe Larraz penciled The Mighty Thor, previously having illustrated stories in anthologies such as Web of Spider-Man, Marvel Adventures Super Heroes, and X-Men: To Serve and Protect. A rising star, Larraz pitted ’90s rivals against each other in Deadpool vs. X-Force and worked on Wolverine & the X-Men before venturing into a galaxy far, far away with Kanan — then back to the Marvel Universe again with Uncanny Avengers.

Javier Garron, artist on a secret upcoming project-Spanish artist Javier Garrón studied architecture before his work on webcomics and blogs got the attention of the American comics industry. Garrón made his Marvel debut with Cyclops in 2014, which led to work on the “Black Vortex” event crossover between New X-Men and Guardians of the Galaxy. Future work included Legendary Star-Lord, the IvX event, and the spot of lead artist on Secret Warriors

 Marco Checchetto, artist on Old Man Hawkeye – Marco Checchetto early contributions to the revival of Marvel Comics Presents revealed him as one of the industry’s top new talents. Checchetto has made his mark on both the Marvel Universe — with runs on Amazing Spider-Man, Daredevil and Punisher — and a galaxy far, far away, with Star Wars: The Screaming Citadel, Star Wars: Captain Phasma, and the post-Return of the Jedi thriller Star Wars: Journey to Star Wars: The Force Awakens — Shattered Empire.

 Aaron Kuder, artist on Infinity Countdown -Artist and writer Aaron Kuder cut his teeth in the comics industry working on the New York Times best-selling book The Armory Wars and Key of Z, both with Claudio Sanchez from Evil Ink Comics. After work at DC on books such as Action Comics, Kuder returned to Marvel for an exclusive agreement in 2016 with work on top-tier titles such as the X-Men-shattering Death of X and All-New Guardians of the Galaxy.

 Mike Del Mundo, artist on a secret upcoming project – If you’ve read any Marvel series since 2009, chances are it featured a cover from artist Michael Del Mundo at some point. Del Mundo’s artwork has fronted such well-known series as Amazing Spider-Man, Vision, and Invincible Iron Man. After delivering gallery-standard illustrations page after page in Elektra, he brought his unique talents to Secret Wars tie-in Weirdworld and its subsequent All-New, All-Different Marvel relaunch, and Marvel’s flagship title Avengers.

 Russell Dauterman, artist on Mighty Thor – Russell Dauterman is best known as the artist of Marvel’s Thor comics.  Written by Jason Aaron and starring Jane Foster as Thor, the lengthy run has become a best-selling, Eisner-nominated series.  Previous work includes such titles as Cyclops, Nightwing, and Supurbia.  Russell has also designed characters and created covers for various Marvel, BOOM! Studios, DC, Valiant, and Image titles.  Outside of comics, Russell has illustrated children’s books and worked as a costume illustrator in the film industry, most notably on Marvel Studios’ Captain America: The First Avenger.  Russell is currently continuing his character-defining run drawing The Mighty Thor.

These six talented artists will not only be showcasing their work in the books mentioned above but each will also be lending their talents to six new books which include

1.       Avengers #678 – Russell Dauterman ( and Matt Wilson)

2.       X-Men Red #1 – Pepe Larraz (and Edgar Delgado)

3.       Marvel Two-in-One #3 – Mike Del Mundo

4.       Doctor Strange: Damnation #1 – Javier Garron (and Jason Keith)

5.       Black Panther #170 – Marco Checcetto

6.       Amazing Spider-Man #797 – Aaron Kuder (and Jason Keith)

These variants will be given to select retailers starting January 31st and be made available to fans worldwide through Televisa in Mexico and Panini in Europe, Russia, South America and other markets. Check out some of the covers on deck below.

Aaron Kuder & Jason Keith

Russell Dauterman & Matt Wilson

Marco Checcetto

Javier Garron & Jason Keith

Pepe Larraz & Edgar Delgado

Meet Marvel’s 2018 Young Guns Artists Marvel's Young Guns program has introduced readers to some amazing artists over years and 2018 looks to be no different as Marvel announced the last inductees into Marvel's Young Guns program.

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FEATURING WONDER WOMAN TP VOL 01 SENSATION COMICS FEATURING WONDER WOMAN TP VOL 02 SEVEN TO ETERNITY TP VOL 01 SEX CRIMINALS TP VOL 01 (MR) SEX CRIMINALS TP VOL 02 TWO WORLDS ONE COP (MR) SEX CRIMINALS TP VOL 03 THREE THE HARD WAY (MR) SIMPSONS COMICS KNOCKOUT GN SIN CITY NEW MILLER COVER TP VOL 05 FAMILY VALUES (MR) SIN CITY NEW MILLER COVER TP VOL 07 HELL & BACK (MR) SPIDER-MAN CLONE SAGA OMNIBUS HC VOL 01 SPIDER-MAN DEADPOOL TP VOL 01 ISNT IT BROMANTIC STAR WARS DROIDS AND EWOKS OMNIBUS HC DROIDS COVER STAR WARS HC VOL 01 CASSADAY COVER STAR WARS TP VOL 04 LAST FLIGHT OF THE HARBINGER SUICIDE SQUAD TP VOL 01 THE BLACK VAULT (REBIRTH) SUPER SONS TP VOL 01 WHEN I GROW UP (REBIRTH) SUPER SONS TP VOL 01 WHEN I GROW UP (REBIRTH) SUPERIOR CARNAGE TP SUPERMAN ACTION COMICS REBIRTH DLX COLL HC BOOK 01 TALES OF ZESTIRIA GN VOL 01 TEEN TITANS TP VOL 01 A KIDS GAME TEEN TITANS TP VOL 04 THE FUTURE IS NOW THOR GOD OF THUNDER TP VOL 01 GOD BUTCHER THOR GOD OF THUNDER TP VOL 02 GODBOMB TRANSMETROPOLITAN TP VOL 06 GOUGE AWAY NEW ED (MR) ULTIMATE SPIDER-MAN ULTIMATE COLLECTION TP VOL 02 UNBEATABLE SQUIRREL GIRL TP VOL 01 SQUIRREL POWER UNBELIEVABLE GWENPOOL TP VOL 02 HEAD OF MODOK UNCANNY X-MEN OMNIBUS HC VOL 01 NEW PTG UNCANNY X-MEN OMNIBUS HC VOL 02 NEW PTG UNCANNY X-MEN OMNIBUS HC VOL 03 OPENA COVER WALKING DEAD COMPENDIUM TP VOL 02 (MR) WALKING DEAD TP VOL 01 DAYS GONE BYE WAYWARD TP VOL 02 (MR) WAYWARD TP VOL 03 OUT FROM THE SHADOWS (MR) WICKED & DIVINE TP VOL 03 (MR) WICKED & DIVINE TP VOL 04 RISING ACTION (MR) WICKED & DIVINE TP VOL 05 IMPERIAL PHASE I (MR) WOLVERINE OLD MAN LOGAN TP VOL 05 PAST LIVES WONDER WOMAN TP VOL 01 THE LIES (REBIRTH) WONDER WOMAN TP VOL 02 YEAR ONE (REBIRTH) WORLD OF THE WITCHER HC X-MEN AGE OF APOCALYPSE OMNIBUS HC NEW PTG

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Speaking with Gamespot, Miracle Games Ong (Senior Vice President) teased that lovers of the Marvel world can expect good VR activities to become introduced while in the coming weeks. Miracle Activities creative director Bill Rosemann said the approach suggests the business is not speeding a game title motivated by a film, rather permitting lovers to combine material that is cinematic because they please. Avengers Coalition it is undoubtedly worth checking out simply for the fanservice alone and is just about the greatest Marvel game in years' last couple. Following are Marvel's primary characteristics: Ultimate Alliance that you will be able to knowledge after the first mount on your Os. It appeared to be Wonder Broadcasters did not have a load of assurance in a sequel to Ant Man, but things have improved in an important means. It really is ostensibly a stripped fighter that Is nothing more then a good way to trap addicts down with all the looked at getting figures that are scarce. Remember, all people are liberated to play up until level 10. Consequently before selecting which idol to pay your Eternity Splinters on, I'd advise experimenting around possible. But if you're only trying to find something that's enjoyable and available, or have only been waiting for Marvel to provide us an alternative to the dc powered cellular type of Injustice: Gods In Our Midst, Match of Champions is just a tremendous game to add to your selection. It's seeing stuff is smashed by him and also you'd feel the majority aren't, although game titles will be the perfect area for that, like this oldie. Wonder Contest of Champions is obviously currently doing a large amount of factors right since it has been to be as productive. Telltale may be the start of this: Miracle setting-up a satellite of well - galleries is exactly how it could maximize of these characters within the area that is videogame. So far as fighting games go-itis rather simple, with merely a lighting punch, major punch, dash, and dodge at your disposal, along with a couple of upgradable character specific abilities—although that is enough allowing for many player proficiency to create a variation. To upgrade your idol via the screen that is Champions, faucet on his account and media on update. Future Marvel games may experience exquisite”, sexy” and experience ‘well-developed' and ‘hand-crafted', as Polygon reviews. Anyhow, the game is an awful top-down brawler that contains challenge components and I loathe puzzles inaction activities. You may also design them to suit the Marvel (i.e. Jarvis protection technique v1, the Tesseract). itis not totally all Kabam has been doing here to make Wonder CoC this kind of high grossing game, although okay so quicker enjoying occasions and an easier combat process are a great start. But Marvel Capcom: Limitless already impresses, and when it really is probable to cover the divide between key- mashers and shape -surfaces, this may seem like where it will happen. One of the games debuting in the conference is Activision's The Amazing Spiderman, which provides as a prologue to Pictures' fourth film based on Stan Lee's Marvel comics idol. The designers at Kabam and Marvel were able because they depend on related tools, to collaborate in-part. Fans are currently expecting that the introduction of Xmen in Miracle: Future Fight gives the X-Men another in other activities that follow, as well as Marvel vs. Capcom: Unlimited. In my opinion, this diminishes the attraction of having as many people when you could, but, coupled with school bonuses, produces a far balanced gameplay where you never require characters that are unique to succeed. Where each champ truly shines as the standard episodes for all winners are made away from related versions, particular capabilities are. Featuring 120 Wonder Super Heroes to select from, participants build squads in their favorites to fight due to their future. Sega was the final significant thirdparty manager to manage the Wonder licence, using a group of games establishing according to Iron-Man, Thor, Captain America and the Hulk, but they didn't light the income charts up and were poorly received. marvel contest of champions hack online on Kabamis Marvel: Match of Championsappears to get ended because the game has become currently rising backup the top grossing charts. In addition to costumes and the enjoyable props on display, Wonder Broadcasters will sponsor multiple giveaways and gatherings within its pavilion room in Area W. Enthusiasts can get the opportunity to talk with Marvel Studios' filmmakers, improvement staff, and ability. Several user evaluations of Wonder CoC appear to repeat that the Gacha system requires some rebalancing, while receiving players to play is good for monetization. That's in accordance with senior vice president of games Jay Ong and innovation at Wonder.

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Here’s what’s new for Wednesday, February 22, 2017! Contact us to reserve or join our mailing list!

We’ll be open on Family Day, this Monday!

Stuff

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Avengers Shield Logo Pewter Keyring

Disney Moana Maui Vinyl Fig Keychain

Flash Logo Pewter Pewter Key Ring

Pocket Pop X-Men Magneto Fig Keychain

Pop Btas Robin Vinyl Fig

Pop Walking Dead Negan Vinyl Fig

Rock Candy Marvel Lady Thor Fig

Rock Candy Marvel She-Hulk Fig

Rock Candy Marvel Spider-Gwen Unmasked Fig

Star Wars BB-8 Window Decal

Star Wars Boba Fett Bounty Hunter Badge Window Decal

Star Wars Darth Vader Sith Lord Badge Window Decal

Star Wars Death Star Badge Window Decal

Star Wars Imperial Infantry Badge Window Decal

Star Wars Imperial Tie Fighter Badge Window Decal

Star Wars Millennium Falcon Badge Window Decal

Star Wars R2-D2 Astromech Droid Badge Window Decal

Star Wars Tie Pilot Imperial Navy Badge Window Decal

Marvel Comics

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All New X-Men Tp Vol 03 Inevitable Hell Hath So Mu

Amazing Spider-Man #24 Cc

Amazing Spider-Man #24 Dellotto Var Cc

Amazing Spider-Man #24 Jusko Corner Box Var Cc

Avengers #4.1

Black Panther #11

Black Panther #11 Jusko Corner Box Var

Black Panther #11 Rivera Connecting G Var

Captain America Steve Rogers #12

Champions #1.Mu

Daredevil Back In Black Tp Vol 03 Dark Art

Deadpool Back In Black Tp

Deadpool The Duck #4 (Of 5)

Elektra #1

Extraordinary X-Men #19 Ivx

Ghost Rider #4

Great Lakes Avengers #5

Hulk #3

Hulk #3 Jusko Corner Box Var

Infamous Iron Man #5

Ivx #5 (Of 6)

Ivx #5 (Of 6) Dodson Inhumans Var

Ivx #5 (Of 6) Michael Cho Var

Ivx #5 (Of 6) Syaf X-Men Var

Mighty Captain Marvel #2

Mighty Captain Marvel #2 Jusko Corner Box Var

Moon Girl And Devil Dinosaur #16

Mosaic #5

Occupy Avengers #4

Prowler #5 Cc

Punisher And Bullseye Tp Deadliest Hits

Rocket Raccoon #3

Scarlet Witch #15

Solo #5

Spider-Gwen #17

Spider-Gwen #17 Jusko Corner Box Var

Spider-Man Deadpool #14

Spider-Woman #16

Thanos #4

Thunderbolts #10

Thunderbolts #10 Bagley Var

True Believers All New Wolverine #1

True Believers Wolverine Old Man Logan #1

True Believers Wolverine X-Men #1

Uncanny Avengers #20

Uncanny Avengers #20 Jusko Corner Box Var

Wolverine Vs Deadpool Tp

DC Comics

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Action Comics #974

Action Comics #974 Var Ed

Astro City #41

Astro City #41 Var Ed

Batgirl #8

Batgirl An Adult Coloring Book Tp

Batman 66 Meets Wonder Woman 77 #2 (Of 6)

Batman Beyond #5

Batman Beyond Tp Vol 03 Wired For Death

Batman Night Of The Monster Men Hc

Blue Beetle #6

Clean Room #16 (Mr)

Cosmic Odyssey Deluxe Edition Hc

Deathstroke #13

Detective Comics #951

Detective Comics #951 Var Ed

Flash #17

Flash #17 Var Ed

Frostbite #6 (Of 6) (Mr)

Future Quest #10

Future Quest #10 Var Ed

Hal Jordan And The Green Lantern Corps #15

Hal Jordan And The Green Lantern Corps #15 Var Ed

Hellblazer #7

**Justice League Of America #1

Justice League Of America #1 Var Ed

Justice League Of America #1 C2C Var Ed

Kamandi Challenge #2 (Of 12)

Kamandi Challenge #2 (Of 12) Var Ed

Mad Magazine #544

Scooby Doo Team Up #23

Suicide Squad #12

Suicide Squad #12 Var Ed

Supergirl Being Super #2 (Of 4)

Teen Titans #5

Teen Titans #5 Var Ed

Wonder Woman #17

Wonder Woman #17 Var Ed

Wonder Woman Tp Vol 01 The Lies (Rebirth)

IDW Comics

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Angry Birds Flight School #1

Back To The Future #17

Batman Tmnt Adventures #1 Directors Cut

**Darkness Visible #1

Darkness Visible #1 10 Copy Incv

Darkness Visible #1 Subscription Var

Dirk Gently Salmon Of Doubt #5

Highlander American Dream #1

Highlander American Dream #1 Subscription Var

Jackboot & Ironheel Tp

Jay Disbrow Monster Invasion Hc

My Little Pony Friendship Is Magic #51

Optimus Prime #4

Optimus Prime #4 Subscription Var A

Revolutionaries #2

Star Trek Green Lantern Vol 2 #3

Star Trek Green Lantern Vol 2 #3 Subscription Var

**Starstruck Old Proldiers Never Die #1 (Of 6)

Tmnt Universe #7

Tmnt Universe #7 Subscription Var

Transformers Lost Light #3

Transformers Lost Light #3 Subscription Var A

Transformers Lost Light #3 Subscription Var B

Vintage Romance Comic Book Covers Coloring Book Tp

Image Comics

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Autumnlands Tp Vol 02 Woodland Creatures (Mr)

Beauty #12 Cvr A Haun & Rauch (Mr)

Belfry (One-Shot) (Mr)

Black Road #7 (Mr)

Curse Words #1 2nd Ptg (Mr)

Curse Words #2 Cvr A Browne (Mr)

Curse Words #2 Cvr B Zdarsky (Mr)

Curse Words #2 Cvr C Image Tribute Var (Mr)

Descender #19 (Mr)

Descender #19 Cvr B Image Tribute Var (Mr)

Drifter #17 Cvr A Klein (Mr)

Few #2 (Mr)

Few #2 Cvr B Image Tribute Var (Mr)

Fix #8 (Mr)

Lake Of Fire Tp (Mr)

Loose Ends #2 (Of 4) (Mr)

Monstress #10 (Mr)

Monstress #10 Cvr B Image Tribute Var (Mr)

**Old Guard #1 (Mr)

Old Guard #1 Retailer Appreciation Var

Outcast By Kirkman & Azaceta #25 (Mr)

Outcast By Kirkman & Azaceta #25 Cvr B Image Tribu

Outcast By Kirkman & Azaceta Tp Vol 04 (Mr)

Pix Tp Vol 01 One Weirdest Weekend

Revival #47 (Mr)

She Wolf #6 (Mr)

Shutter #27 (Mr)

Snotgirl Tp Vol 01 Green Hair Dont Care

Sun Bakery #1

Dark Horse Comics

Edgar Burroughs Tarzan Jesse Marsh Omnibus Tp Vol

Serenity No Power In The Verse #5 (Of 6) Main Sant

Visitor How And Why He Stayed #1 (Of 5)

Indie Graphic Novels

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Adventure Time Comics Tp Vol 01

Arthur King Of Britain Gn

Britannia Tp

Foggy Notions (Mr)

Ghost In Shell Dlx Rtl Hc Ed Vol 01 (Mr)

James Bond Hc Vol 02 Eidolon

Penny Dreadful Tp

Shaft Imitation Of Life Tp (Mr)

Spaniel Rage Gn

Time Museum Gn Vol 01

The Rest

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Backstagers #7 (Of 8)

**Bedtime Stories For Impressionable Children #1 Hom

Bedtime Stories For Impressionable Children #1 You

But Like Maybe #2

Crypt Of Screams #1 (Mr)

Disney Pixar Cars #1

Divinity Iii Stalinverse #3 Cvr A Djurdjevic

Doctor Who 12Th Tp Vol 04 School Of Death

Doctor Who 3Rd #5 (Of 5) Cvr A Walker

Doctor Who 3Rd #5 (Of 5) Cvr B Photo

Doctor Who 3Rd #5 (Of 5) Cvr C Miller

Fathom Coloring Book Tp #2

Harbinger Renegade #4 Cvr A Robertson

**Heathen #1

Hilo Gn Vol 03 Great Big Boom

Jim Henson Power Of Dark Crystal #1 (Of 12)

Jim Henson Power Of The Dark Crystal #1 (Of 12) Sub Var

Joyride #10

Jughead #13 Cvr A Reg Derek Charm

Jughead #13 Cvr B Var Ben Caudwell

Jughead #13 Cvr C Var Jampole

Jughead Tp Vol 02

Locus #673

Over Garden Wall Ongoing #11

Pink Panther Snow Day Main Cvr

Quantum Teens Are Go #1 (Mr)

Rick & Morty Lil Poopy Superstar Tp Vol 01

Slam #4

Street Fighter Vs Darkstalkers #0 Cvr A Huang

Tank Girl Gold #4 (Of 4) Cvr A Loftis (Mr)

World War X #3 (Of 6) Cvr A Mccrea (Mr)

Here's what's new on Wednesday, February 22, with pictures! We'll be open on Family Day this Monday!

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NEW STUFF FRIDAY 6th October 2017

New Release Comics & Magazines

Add to your standing order

AB IRATO #6 (OF 6) ALL NEW GUARDIANS OF GALAXY #11 ALL STAR BATMAN #14 ALL STAR BATMAN #14 ALTERNATE ALBUQUERQUE COVER ALL STAR BATMAN #14 ALTERNATE FIUMARA COVER AMORY WARS GOOD APOLLO #7 (OF 12) (MR) ARCHIES #1 COVER A EISMA ARCHIES #1 COVER C JARRELL ARCHIES #1 COVER D PITILLI ASTONISHING X-MEN #4 ASTONISHING X-MEN #4 VARIANT 1:10 GRANOV CHARACTER COVER AVENGERS #672 Legacy AVENGERS #672 VARIANT 1:10 KIRBY 100 COVER AVENGERS #672 VARIANT 1:10 MCKONE HEADSHOT COVER BANE CONQUEST #6 (OF 12) BATMAN #32 BATMAN #32 ALTERNATE COVER BATMAN THE DAWNBREAKER #1 (METAL) BATMAN WHITE KNIGHT #1 (OF 7) BATMAN WHITE KNIGHT #1 (OF 7) ALTERNATE COVER BEAUTIFUL CANVAS #4 (MR) BLACK BOLT #6 BUBBLEGUN VOL 2 #5 COVER A CANNIBAL #8 (MR) CINEMA PURGATORIO #12 (MR) CINEMA PURGATORIO #12 CODE PRU COVER (MR) CINEMA PURGATORIO #12 MODDED COVER (MR) CINEMA PURGATORIO #12 VARIANT ANCIENT TOME PREMIUM COVER (MR) CYBORG #17 CYBORG #17 ALTERNATE COVER DASTARDLY AND MUTTLEY #2 (OF 6) DASTARDLY AND MUTTLEY #2 (OF 6) 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ADVENTURES LADYBUG CAT NOIR #3 COVER B MOONSTRUCK #3 MOTOR CRUSH #7 MOTOR GIRL #9 MY LITTLE PONY FRIENDSHIP IS MAGIC #59 COVER A MY LITTLE PONY FRIENDSHIP IS MAGIC #59 COVER B MY LITTLE PONY FRIENDSHIP IS MAGIC #59 VARIANT 1:10 COVER NIGHTWING #30 NIGHTWING #30 ALTERNATE COVER OLD MAN LOGAN #29 PAPER GIRLS #16 PINK PANTHER PINK ANNIVERSARY MAIN COVER POSTAL #23 (MR) PUNISHER PLATOON #1 (OF 6) QUAKE CHAMPIONS #2 (OF 4) COVER A QUAH QUAKE CHAMPIONS #2 (OF 4) COVER B VIDEOGAME REGRESSION #5 COVER A LUCKERT & ENGER (MR) REGRESSION #5 VARIANT WALKING DEAD #145 TRIBUTE (MR) RINGSIDE #12 (MR) RIVERDALE DIGEST #3 ROBYN HOOD THE HUNT #3 COVER A VITORINO ROBYN HOOD THE HUNT #3 COVER B DIAZ ROBYN HOOD THE HUNT #3 COVER C SALONGA ROBYN HOOD THE HUNT #3 COVER D ATKINS ROCKET GIRL #10 ROYALS #9 Legacy ROYALS #9 VARIANT 1:10 MCKONE HEADSHOT COVER SAVAGE THINGS #8 (OF 8) (MR) SHADOW BATMAN #1 COVER A FINCH SHADOW BATMAN #1 COVER B VAN SCIVER SHADOW BATMAN #1 COVER C ROSS SHADOW BATMAN #1 COVER D NGUYEN SHADOW BATMAN #1 COVER E PETERSON SHADOW BATMAN #1 COVER F SIENKIEWICZ SHADOW BATMAN #1 COVER G PORTER SHADOW BATMAN #1 COVER H TIMPANO SHADOW BATMAN #1 VARIANT 1:10 PORTER COVER SHADOWMAN/RAE SREMMURD #1 COVER A GUEDES SHADOWMAN/RAE SREMMURD #1 COVER B INTERLOCK JONES SHADOWMAN/RAE SREMMURD #1 COVER C INTERLOCK JONES SHERLOCK THE GREAT GAME #3 (OF 6) COVER A DOWLING SHERLOCK THE GREAT GAME #3 (OF 6) COVER B PHOTO SLOTS #1 COVER A PANOSIAN (MR) SLOTS #1 VARIANT WALKING DEAD #100 TRIBUTE COVER (MR) SPIDER-MAN #21 SPIDER-MAN DEADPOOL #22 SPIRITS OF VENGEANCE #1 (OF 5) Legacy SPIRITS OF VENGEANCE #1 (OF 5) VARIANT 1:10 MCKONE HEADSHOT COVER SPREAD #22 (MR) STAR WARS #37 STAR WARS #37 VARIANT CHRISTOPHER ACTION FIGURE COVER STAR WARS #37 VARIANT SMALLWOOD 40TH ANNIVERSARY COVER STAR WARS DARTH VADER #6 STRAY BULLETS SUNSHINE & ROSES #28 (MR) SUPERMAN #32 SUPERMAN #32 ALTERNATE COVER SWEETNESS #5 (MR) TICK 2017 #1 USAGI YOJIMBO #162 VENOM #155 Legacy VENOM #155 VARIANT MCKONE 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2000 AD PACK AUG 2017 HI FRUCTOSE MAGAZINE QUARTERLY #45

New Release Books TPBs GNs & Hardcovers (plus merch)

BATMAN DETECTIVE TP VOL 03 LEAGUE (REBIRTH) BLOOD STAIN TP VOL 03 BREAKS GN (MR) COLOR YOUR OWN THOR TP DEADPOOL WORLDS GREATEST HC VOL 02 DOCTOR STRANGE EPIC COLLECTION AFTERLIFE TP FLINTSTONES TP VOL 02 GREEN LANTERN KYLE RAYNER TP VOL 01 HULK PLANET HULK PROSE NOVEL HC HULK WORLD WAR HULK OMNIBUS HC JUSTICE LEAGUE BY GEOFF JOHNS BOX SET VOL 01 JUSTICE LEAGUE THEIR GREATEST TRIUMPHS TP MARVELS THOR RAGNAROK PRELUDE TP MIGHTY MORPHIN POWER RANGERS DLX HC YEAR ONE MYTHTRESSES COLORING BOOK NEW SUPER MAN TP VOL 02 COMING TO AMERICA (REBIRTH) OUTCAST BY KIRKMAN & AZACETA TP VOL 05 (MR) PLANETOID TP VOL 02 PRAXIS (MR) PREDATOR VS JUDGE DREDD VS ALIENS SPLICE & DICE TP RAPTURE TP RED HOOD & THE OUTLAWS TP VOL 02 WHO IS ARTEMIS (REBIRTH) RIVERDALE TP VOL 01 ROYALS TP VOL 01 BEYOND INHUMAN SAMARIS TP SCARLET ROSE GN VOL 01 STARGATE ATLANTIS TP VOL 01 STEAM CLEAN GN (MR) STREAK OF CHALK HC SUPERGIRL BY PETER DAVID TP BOOK 03 TESTAMENT OF SISTER NEW DEVIL STORM GN VOL 01 THOR VS HULK TP VISITOR HOW AND WHY HE STAYED TP WALKING DEAD HERES NEGAN HC (MR) WEREWOLF BY NIGHT COMPLETE COLLECTION TP VOL 01 WILLIAM GIBSON ARCHANGEL HC WONDER WOMAN & THE JUSTICE LEAGUE AMERICA TP VOL 02 WONDER WOMAN REBIRTH DLX COLL HC BOOK 01 JIM HENSON LABYRINTH ADULT COLORING BOOK TP

STAR WARS CIRCLE SPACE CHARCOAL T/S LG X-MEN BLUE TEAM BLUE FOIL HEATHER GREY T/S LG DC ICONS BATMAN REBIRTH AF DC ICONS SUPERMAN REBIRTH AF LUMBERJANES BADGE PUNGEON MASTER

Back in Stock Products

Back in Stock Comics and Magazines

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WALKING DEAD HC VOL 10 (MR)

WALKING DEAD TP VOL 01 DAYS GONE BYE

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WALKING DEAD TP VOL 18 WHAT COMES AFTER

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