#Kenneth Hendel
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Die Screaming Marianne (1971)
"Be careful, young man - be very, very careful. For your own sake."
"They've abolished the death penalty, mate. Or didn't anyone tell you?"
#Die screaming marianne#pete walker#british cinema#1971#films i done watched#susan george#Barry Evans#Christopher Sandford#Leo genn#Judy Huxtable#Kenneth Hendel#Paul Stassino#alan curtis#Anthony Sharp#Jon Laurimore#Martin Wyldeck#Cyril Ornadel#Murray Smith#I... Huh. I've been meaning to watch this for a long time and finally got round to it. It turns out to be a very different film to the one#I was expecting it to be. I've seen a few of Walker's films; like Norman J. Warren Walker was cutting a swathe thru the hammer and amicus#Dominated field of brit horror in the 70s having made his way up from directing soft core skinflicks. His films are generally pretty sleazy#But clever and stylish. This isn't a horror film at all tho (perhaps it was just the title that made me think it was for all these years?).#It's a weird psycho thriller which tones down the sleaze considerably. It's a weird cerebral sort of proto giallo except English. At times#The plot is irritatingly obscure but the cast are all game and if its a tad drawn out then it's only by a couple of minutes. Murray Smith#(shortly to write for the XYY Man and ultimately the key creative mind behind the subsequent Bulman shows) provides a script which is#Intricate and generally compelling (if as I say a little too cryptic at times). George was on the cusp of stardom here but she's well#Supported by some smaller status character actors. There's a wonderfully disconcerting scene with Jon Laurimore as a smiling but murderous#Policeman which channels Fragment of Fear for sheer mind bending unsettling weirdness. A partly successful film. One to mull over I think
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One of the things that I loved about sitting in courses that Kurt K. Hendel taught was his signature expression with which he would address us during class. Whenever he wanted to be sure that we heart his point, he would address us as “Dear People.” And while this was his convention, we also knew that it was not just a convention but really how he viewed his students. We really were, and are “dear people” in his sight. Because we are people dear to God, we are people dear to Kurt, and in his address to us, he would remind us who we really are.
~Carrie L. Lewis La Plante, “God’s “Dear People” Includes Everyone--Even the Children: Inviting Children and Youth into the Preaching Act without Losing the Adults” in Subject to None: Servant of All: Essays in Christian Scholarship in Honor of Kurt Karl Hendel, edited by Peter Vethanayagamony and Kenneth Sawyer, 42.
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Cult Movie Essentials: Prisoners of the Lost Universe (1983)
Cult Movie Essentials: Prisoners of the Lost Universe (1983)
Directed by Terry Marcel, Prisoners of the Lost Universe starred Richard Hatch, Kay Lenz, John Saxon, Peter O’Farrell, Ray Charleson, Kenneth Hendel, Philip Van der Byl, Dawn Abraham, Ron Smerczac, Charles Comyn, Ian Steadman, Bill Flynn, Danie Voges, and Myles Robertson.
The plot follows TV interviewer Carrie Madison (Lenz) who is on assignment to interview a mad scientist named Dr. Hartmann…
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#Bill Flynn#Charles Comyn#Danie Voges#Dawn Abraham#Ian Steadman#John Saxon#Kay Lenz#Kenneth Hendel#Myles Robertson#Peter O&039;Farrell#Philip Van der Byl#Prisoners of the Lost Universe#Ray Charleson#Richard Hatch#Ron Smerczac#Terry Marcel
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The Insane Logistics of Formula 1
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The world needs the gospel. God provides us with God's very self, God's Word, to grow the kingdom of God among us and through us.
Elizabeth L. Hiller, “Driving Away the Devil: God’s Word as Provision for the Future of the Church” in Subject to None, Servant of All: Essays in Christian Scholarship in Honor of Kurt Karl Hendel, edited by Peter Vethanayagamony and Kenneth Sawyer, 120.
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