#Kelly D’Angelo

[captaincleverusernamehere]

Oh my god. OHHH MY GOD. Starry you cannot just SAY THIS and expect me to BE OKAY???

(They posted a clip from the 2023 workshop of a song not in the concept album)

[doyouknowthismusical]

[jibbi]

"The Blaire White Effect"

So, there's this girl I've seen on TikTok lately, Kelly Cadigan, who does a series of "Day [x] of Being on the Right" videos, and I can't stand seeing her full videos since her content is harmful. I'm glad people are starting to call her out for it. A lot of reaction videos from other trans people calling her out are extremely helpful. So, I'm going to talk about those.

But there's one of them that I want to focus on for now (click here to watch it yourself). It's one from a fellow trans woman, saying how it seems Kelly is experiencing a lot of internalized transphobia - just like Blaire White - because of all the recent laws passed, especially in her state, Florida. They're going to affect Kelly, too. Someone had mentioned in the comments, "The Blaire White effect is real."

So, with that being said, what is it and how does it affect others? I'm gonna break it down for you.

Internalized Transphobia & "Pick Me" Behavior

When something is internalized, it's loathing yourself for something that's a part of who you are. Things like internalized homophobia and transphobia are unfortunately common in the LGBT+ community because it's a minority that gets spat on constantly, which causes this self-hatred to envelop you.

Blaire White is known for being a "Pick Me" amongst the trans community. She wants that acceptance from cisgender people as being the "good" and "normal" trans person in the community. And to gain that acceptance, she'll say harmful things about other trans people who she doesn't deem as acceptable, and she'll act unbothered by conservatives' horrid opinions about trans people. It's as if she's trying to be cis, which unfortunately isn't a thing trans people can identify as. We're labeled as trans for a reason - we don't identify with our assigned gender at birth, and we can't help that. Cis people do.

It's sad to see this because it's obvious Blaire acts this way because of her own internalized transphobia. She wants to be accepted and fit in with "normal" people who aren't trans.

Kelly Cadigan mirrors this very behavior in her videos, and it's become really prominent lately. All she posts now are videos of her spewing this horrible trans rhetoric, trying to side with the right. And as I had mentioned before, notice how this "Day [x] of Being on the Right" series with her exhibiting this Blaire White type of behavior just happened to come out right after the latest anti-trans laws were passed. Doesn't seem like a coincidence. Kelly most likely wants to steer away from any hatred and being "very obviously trans" because of this, and to do so, she's spitting on the trans community and catering to conservatives to gain their acceptance.

I've also seen this behavior from Blaire White's trans guyfriend, Kalvin Garrah. Before realizing I myself am trans, I watched some of Kalvin's videos (but quickly realized they're harmful). And, I remember his other trans friend, Storm Ryan, being in a lot of his videos where they make fun of "weird" trans people, a good portion of them including nonbinary folks (like Blaire White's reaction videos which I'll go into detail about in the next section).

However, the reason I mention Ryan is because he was able to realize this toxic behavior in Kalvin and how he himself added to this bad behavior. He made a surprisingly good serious apology video, expressing his realization that this is wrong and making it known he's no longer friends with Kalvin. In fact, his new best friend is Brennan Beckwith who's a wonderful trans advocate and individual on the nonbinary spec, who he and Kalvin once made fun of. TLDR: it is possible to change this sort of mentality. Storm Ryan proved that.

Making Fun of the "Weird" Trans People & Not Believing Nonbinary People Exist

A very common type of reaction video we see is trans people who don't fit societal norms - nor Blaire White's version of "normal" - being made fun of. You'll notice she watches a lot of trans people who have their own specific views on gender and how they identify (including a lot of people on the nonbinary spec), and trans people who dress/express themselves alternatively.

Blaire views these kinds of people as insane and absurd, and goes out of her way to make fun of them by making reaction videos to their content. It's very hurtful towards a good portion of the trans community, seeing as how she's directly bullying them, which promotes others to go bully these people, too, causing these people to potentially experience severe amounts of invalidation and harm.

Blaire dresses in the very typical feminine fashion and passes well enough for some of her own audience to not even realize she's trans. Any trans woman who doesn't try to look feminine enough and/or doesn't pass doesn't fit her standard. I've noticed she doesn't even see Dylan Mulvaney as a fellow trans woman despite that she dresses femininely and has had FFS, just because she doesn't pass well enough (by her standards) and tends to act very over-the-top (behavior that Blaire doesn't like).

What's also terrible is that Blaire doesn't believe nonbinary people exist and doesn't view them as fellow trans people because they don't fit on the binary spec, not all of them transition, and not all of them experience gender dysphoria. She doesn't understand them, therefore she doesn't think nonbinary people exist, which they do. She's just going entirely off of her own opinion, acting like it's a fact.

So, basically, if other trans don't follow her same experience and have her same or similar opinions, they're invalid. She doesn't like them = they aren't valid and deserve to be bullied. It's horrible.

Kelly Cadigan also makes it very clear she feels this same way and even made a recent video directly saying that she doesn't believe nonbinary people exist and that she feels they invalidate her as a trans person. Watching that video is awful because she's only backing up why she feels this way with her own made up notions. She doesn't understand them = they aren't real.

Being Privileged

Blaire and Kelly are both very privileged in being white, able-bodied, cis-passing trans women. And Kalvin Garrah is a white, able-bodied, cis-passing trans man.

They were able to receive the gender affirming care they desired - including surgeries and hormone blockers - which are methods that allow them to pass better (and that help them feel much more comfortable in their own bodies). Not every trans person has that privilege to receive the gender affirming care they need to transition, whether it's not being able to afford the care or being incapable of having it for other medical reasons. Or, like I had mentioned in my last section, Dylan received it and does not pass quite as well as Blaire does (at least in the eyes of Blaire and many other viewers). OR, they choose NOT to try passing simply because it may not be a goal of theirs in their trans/gender identity journey.

Yet, none of them seem to understand this. And because they don't, they invalidate other trans people for it. The worst is that Kelly agrees with the laws against gender affirming care for minors, when she herself transitioned healthily as a minor. It makes me want to ask her: "How would kid you (pretransitioned) feel if these laws had gone into effect back then?" Probably terrible, if I had my guess. Considering she received care so early on, she most likely had bad gender dysphoria, and getting those puberty blockers was a potential life saver for her or at the least a massive relief on her mental health as a trans kid. And if I'm right in assuming it helped her so much, it's absolutely ludicrous and hypocritical saying other trans kids don't deserve it.

Blaire didn't receive trans healthcare as a minor, however, she also agrees that kids should not be allowed to have rights to gender affirming care, especially since she thinks kids aren’t mature enough to understand themselves yet. She goes about this a different way than Kelly by actively interviewing detransitioners who all have had bad experiences transitioning - mainly as kids - that they deeply regret, and then weaponizing their stories against the trans community. Detransitioners are valid in their experiences, but it's not right at all to use these experiences to harm the trans community. Doing that can strip away even more validation and rights. Also keep in mind: not every detransitioner regrets their experience or had one that messed them up badly. (I recommend watching Sam Collins' video with Alia Ishmael where she speaks about her past transition in a more positive manner while still explaining what personal drawbacks she experienced and doesn't use her story to harm the trans community. AND, his other video calling out how Blaire is weaponizing people’s stories.)

Cis-passing aside, you can see I also mentioned they're both white and able-bodied. I mention this too because it helps them be listened to more, as well. People of color and disabled people are also both minority groups, let alone when they're also in the LGBT+ community. I've even witnessed Blaire White and Kalvin Garrah make comments about a enby individual's disability which is absolutely foul.

The Propaganda

You'd think trans people wouldn't be spreading lies about other trans people since they're in the same minority group. Wrong.

Blaire White makes a lot of videos with misleading titles and made up quotes from trans people she wants to invalidate. For example, a few years ago, she made a video about trans powerlifter, Janae Marie Croc, with a misleading title, an edited post that made it seem like she was competing against cis women, and comments about how "outlandish" her appearance is. It was so obviously fake and Janae even pointed this all out to Blaire. A lot of people were mad at her for it and Blaire had the worst apology post. And, sadly, a lot of Blaire's content is just like this, this one just happened to be more obvious. (If you want more details on that, watch D'Angelo Wallace's video and Sam Collins' video about her misleading people).

Blaire lost a lot of followers, but not enough to deplatform her or make her irrelevant. She still has a rather big following and people who believe everything she says, despite it being fake and based solely on her own opinion. And a lot of these same people who watch Blaire, thinking she's an honest and acceptable trans person, also watch Kelly. But Kelly does the same thing - talks solely based on her own opinion while making things up.

The Terminology They Use

I've noticed Blaire, Kelly, and Kalvin use a lot of the same "traditional" terms. For instance, they're say transexual and transgenderism instead of transgender to explain themselves. It's just really strange to hear. But, I feel like they use it to cater to these conservatives.

Like, transexual is an outdated term. Transgenderism implies that being trans is an ideological thing (which it isn't) and you should absolutely run from anyone who is using that term unironically.

They also said they view the trans community as a cult and believe they are pushing an agenda. These are both terms conservatives use pretty frequently.

Conclusion

This whole "Blaire White Effect" - and how Blaire reached the mentality she has, in the first place - started from hate towards the trans community leading to internalized transphobia. It's happened with people like Kelly Cadigan and Kalvin Garrah, too.

But, a trans person changing their mentality and content to fit the views of conservatives only causes more harm and can eventually come to bite them in the ass. Because, at the end of the day, most of these conservatives do not want to change their mind about trans people - most of them still don't like people like Blaire simply because they're trans. It doesn't matter that they have the same political views. And, agreeing with the terrible shit these conservatives are doing and saying will make them take away even more rights, which will affect Blaire, Kelly, and Kalvin.

However, these trans people have the ability to change their thoughts and content if they actually want to do more research and not keep talking out of their ass. I had mentioned Storm Ryan dropping his friendship with Kalvin when he realized how harmful and wrong these views are. There's also a trans TikToker who reacted to Kelly's video about nonbinary people, explaining he used to feel the same way but that nonbinary people being open and confident about their identities actually help validate other trans people's identities (his explanation is much better than mine. Watch it.)

Don't let Blaire White - and any other person like her - invalidate your identity. They're speaking from their own self-hatred and that's their problem, not yours.

[misagenda]

Starry is, in my opinion, one of the most respectful and true to character musicals based on a real person. The lyrics, which are breathtaking and heartbreaking on their own, are bolstered by the many letters throughout the years to and from Vincent, Theo, and Jo.

Starry is an independently produced musical by Matt Dahan and Kelly Lynne D’Angelo. This music fucks, y’all.

― Vincent Van Gogh, The Letters of Vincent van Gogh

[comicwaren]

From Kahhori: Reshaper of Worlds #001

“Frame Story”, by Ryan Little (W), Todd Harris and Rachelle Rosenberg (A)

“New York Scenes”, by Arihhonni “Honni” David (W), David Cutler and Rachelle Rosenberg (A)

“Midnight Scenes”, by Kelly Lynne D’Angelo (W), Jim Terry and Rachelle Rosenberg (A)

[heckcareoxytwit]

A preview of Kahhori: Reshaper of Worlds #1

KAHHORI: RESHAPER OF WORLDS #1

THE BREAKOUT CHARACTER FROM THE DISNEY+ WHAT IF…? SHOW MAKES HER COMICS DEBUT! The Mohawk warrior Kahhori fell into Sky World and into our hearts from her first appearance fighting invaders to her home. She’s already helped save all of reality from a demented Doctor Strange and secured peace in her own world… So what NOW? Co-creator and award-winning storyteller Ryan Little launches Kahhori into the 616! Featuring exciting guest stars and the comics debuts of some extraordinary creators, Marvel’s Voices brings you an extra-special anthology celebrating Indigenous heritage and one of the most exciting characters to emerge from the MCU!

Written by: Ryan Little, Arihhonni David, Kelly Lynne D’Angelo Art by: Jim Terry, David Cutler Cover by: Afua Richardson Page Count: 32 Pages Release Date: November 6, 2024

[age-of-moonknight]

Kahhori: Reshaper of Worlds (Vol. 1/2024), #1.

Writer: Kelly Lynne D’Angelo; Penciler and Inker: Jim Terry; Colorist: Rachelle Rosenberg; Letterer: Travis Lanham

[immabethehero]

A Starry Night in the Encanto

I DID IT. CROSSOVER WEEK FINALLY COMPLETE. @wdtajn​ IT’S FINALLY DONE

So context: there’s a lovely musical called Starry, based on the life of Vincent Van Gogh. It’s written by Kelly Lynne D’Angelo and Matt Dahan, both very talented. Dahan also did a bit of Starkid. The soundtrack is on Spotify, go listen to it now!!!

🌠🌠🌠🌠🌠

“His hair is red like Mamá’s. Fiery red,” Dolores reports.

“He’s only got art equipment on him,” Isabela says.

“The hummingbirds say a door appeared from a hill and he emerged from it,” Antonio translates, the little birds fluttering around his head.

“He hasn’t said much to anyone, just kind of wandered towards the fields where the donkeys were,” Luisa recalls.

“He’s a lot like you, Tío, weird and artsy,” Camilo admits. This earns him a smack from Dolores.

“So… you think you could try talking to him?” Mirabel asks.

Bruno blinks rapidly, struggling to keep up with all the sudden information. He had just been dreaming of watching sheep and rats dance in a field when a tremor that made his bones rattle and his teeth chatter startled him awake. When he opened his eyes, he quickly surmised the tremor had been all six kids shaking him awake.

“And you want me to talk to him because…” he begins.

“Because like Camilo said in a non-helpful way, he reminds the town of you,” Mirabel answers.

An artist who avoids socializing? Fair enough. Bruno sighs and swings his feet out of the hammock. “Alright, just don’t expect any fascinating conversations to happen.”

“We won’t,” Camilo responds.

*

True to what Luisa said, Bruno finds the man sitting on a rock, painting the donkeys grazing in the field. The stranger wears blue overalls over a yellow shirt, both covered in dried paint splotches. He chews on a spare paint brush as he contemplates his next move. Red hair pokes out from under his straw hat.

Bruno slowly walks over to him, whistling absentmindedly to get his attention. The stranger’s head perks up, but he refuses to tear his eyes away from his masterpiece.

Bruno takes a deep breath. Here goes nothing. “Um, hi!”

No response. The man keeps painting.

Maybe he doesn’t speak English. “Hola!” Still no response.

“Uh… bonjour! Ciao! Habari! Konnichiwa! Guten morgen!” Please say something!

The stranger finally (finally!) turns around. His blue eyes have a sad, faraway look, yet twinkle with determination. They’re also very judgemental, at least to Bruno. “Didn’t know you spoke so many languages.”

Bruno feels his face turn red. “Not really, I just know how to say ‘hello’ and ‘where’s the bathroom’ in many languages.”

The stranger nods and turns back to his painting. Bruno peers over his shoulder to see the work.

“Woah…”

The colours pop out of the canvas, the sky dancing and twirling in a polychromatic tornado. The field boasts just as many hues, every shade of green far more eye-catching than Bruno’s ruana.

The man stops his painting and glares at Bruno. “Can I help you with something?”

“Teach me to paint.”

“What?”

“Can you teach me to paint like you, please?”

The man glances back and forth between Bruno and his painting, confused. “You actually like this?”

“Why wouldn’t I? I’ve never seen the sky and fields painted like that before!” Bruno admits. “It’s… maravilloso!”

The man blushes. “You’d be the first non-family member to say that. My other friends would say it’s too… what’s the word…”

“Messy?” Bruno guesses.

“No… tacky. Something like that.”

Bruno scoffs. “You need new friends.”

The painter laughs. “You flatter me, sir. What’s your name?”

“Bruno Madrigal.”

“Vincent Van Vogh.”

As Bruno shakes Vincent’s hand, his heart begins to beat faster in excitement. There’s something very fascinating about this man.

“Do you need a place to stay?”

“Given my way here has suddenly disappeared, yes. Do you have a motel where I could spend the night?”

“I was thinking perhaps my place? My family's house is big enough to house a guest wandering the Encanto,” Bruno says.

“Encanto?”

“It’s where you are. Encanto, Colombia.”

Vincent’s pale face turns ghostly. “Colombia?! That’s so far from France! How did I get here? How do I get back?!”

Bruno waves his hands nervously. “Don’t worry! This town does all sorts of magical stuff. I’m sure once you’ve settled down and explained how you got here, a way for you to go home will arrive. For now, let’s just settle on finding you a place to stay. I promise my family doesn’t bite. But the pets might.”

Vincent squeaks in response.

*

As they near the brilliant “Casita”, as Bruno calls it, the man suddenly stops Vincent in his tracks.

“Before we get any closer, I need to warn you of some things. This town is known for… its eccentricities, to say the least. For one thing, my house moves independently.”

Vincent nods warily. “Like… it’s haunted?”

Bruno laughs nervously. “No, it just has a mind of its own.”

The two continue on their way, and Bruno motions to Casita. “As you see…”

The window shutters on the top window suddenly swing and the tiles of the roof roll in a wave. Vincent yelps in surprise.

The window shutters shake back and forth slowly, as if waving. Vincent meekly waves back. The door opens (on its own!) to welcome the men inside. Vincent marvels at the building’s beautiful colours. He’ll have to paint it once he’s made sure he’s awake and not just hallucinating. Or dreaming. Or completely losing his mind. Maybe he should have taken up Segatori’s suggestion to see that doctor from wherever-the-heck.

“My family has magic as well. Some are a bit more noticeable than others,” Bruno explains. “For example-”

A roar of thunder echoes through the courtyard, startling Vincent. He looks up. There’s not a single cloud in the sky, how-?

He is soon answered by a tall woman wearing a bright orange dress. Her red hair is pulled back into a pretty braid. She eyes Vincent suspiciously.

“Who’s this, Bruno?” she asks.

“He’s Vincent, he’s… new here,” Bruno explains. He turns to Vincent. “This is Pepa, my sister. She can control the weather.”

Pepa scoffs. “It’s not so much control as it is just summoning clouds when I get emotional.”

“It’s still a very cool gift,” Bruno says. Pepa smiles and shoves him playfully.

“Whatever you say, hermano.”

Vincent hears loud footsteps above and looks up to see six, well, five young adults and one child curiously watching him from the mezzanine.

“Oh boy, there’s two of them now,” the teenaged boy mumbles. The girl with the red headband elbows him hard.

“These are my nieces and nephews!” Bruno says, grinning. “Come on down!”

Once they’re all standing in front of Vincent, Bruno introduces them. Isabela, Dolores, Luisa, Camilo, Mirabel and Antonio.

“Pleased to meet you at last, Señor. What’s your name?” Mirabel asks, pushing her bright green glasses up. Vincent marvels at her beautiful skirt.

“I’m Vincent. Vincent Van Gogh,” the artist says. “Your skirt is very pretty.” So many colours…

“Thank you! I just added some new designs.” Mirabel twirls, allowing Vincent to see the skirt in full.

“Where are you from?” Luisa asks. She towers over all of the kids. Her muscular build would be something Johanna would fawn over.

“Arles. It’s in the south of France.”

“That’s over 8000 kilometers away!” she gasps.

A heavenly scent fills the room. Vincent follows it to another woman approaching, holding a pot. Her curly black hair is swept up in a bun.

“This is Julieta, my other sister. Her cooking can heal any injuries,” Bruno says. “Julieta, this is Vincent Van Gogh.”

“It’s a pleasure to meet you,” Julieta says, holding out a gloved hand. Vincent shakes it, startled by all the people. He’s never met a group with such colourful clothing before!

“Where did you come from?” Julieta asks.

“Arles, France.”

“That’s quite far. How did you get here?”

“I was just getting back from a long day of painting when I saw a door glowing in an alleyway. When I went to investigate it, I could hear people and animals inside. So I opened it and walked through and came here. 

“That must have been the door in the hill where the animals saw you come out!” Antonio cries.

“What happened to the door?” Mirabel asks.

“When I turned around, the door was gone.”

The Madrigals glance at each other nervously.

Mirabel holds up her hand. “Family meeting!”

While the Madrigals huddle in Dolores’ sound proof room, Vincent stays in the courtyard, entertained by Casita. The painter has never seen a house juggle before.

“So… what do you guys think? Should we let him stay?”

“Well, now that you’ve invited him, it’s not like we can just throw him out into the streets.”

“Besides, he came from a magic portal. We can’t send him back either. We’ll have to wait for the Miracle to find him another way home.”

“All in favour of letting Vincent stay, say I.”

“I!” twelve voices echo.

*

Casita conjures up a guest room with a reasonably sized window for Vincent to look out. As soon as he sees the view, Vincent requests another canvas and immediately begins painting. Bruno can’t wait to see the result.

He also can’t wait to get to his vision cave. He can’t put his finger on it, but there’s something important, significant, influential about Vincent. His artwork feels familiar, and Bruno knows his Gift can help him solve the mystery. The seer flies through his room and into his vision cave, taking the steps (which have thankfully lessened dramatically) two at a time.

Surrounded by sand, salt tossed and match lit, Bruno begins to search for Vincent Van Gogh’s future.

*

Bruno is the first person Vincent sees in the morning. Grinning, he holds up the finished artwork of his view of the Encanto. The clouds and sunset have never looked so vibrant before, the colourful houses below compliment the beautiful sky.

“You like it? You can keep it if you do! I have so much art in my flat, it’s kind of a problem. I really need to find new homes for them…”

Vincent looks up from his work to see his host’s eyes red and puffy. Without saying a single word, Bruno throws his arms around the shocked painter.

“Bruno? Are you okay?”

Bruno simply hugs him tighter.

*

Unsettled, Vincent decides to paint in the courtyard of the lovely house. Just before he begins pouring his paint, he notices the kids approach him, all holding painting gear. His stomach drops. They’re not going to- 

“Is it ok if we join your painting session?” the girl with the colourful dress asks. “We saw you sitting alone and well, we just thought a good way to get to know our guest is through his favorite activity!”

Vincent freezes. He prefers painting alone, when no one can judge him or tell him how to paint or-

“We’ll be as quiet as possible! We just thought it would be fun,” the tallest girl says. The rest nod, smiles nervous but… honest.

Vincent nods and gestures to the floor, hoping it doesn’t come off as curt. He jumps when the tiles on the floor suddenly move, rolling chairs, easels, and a large table their way. He’s never going to get used to that.

“Alright guys, let’s do it!” the first girl says, setting her painting supplies down. Vincent fakes a smile as the rest of the kids file in.

“Mirabel and Antonio are coming soon,” a girl with a red headband says to Vincent. “Tío Bruno as well, but first he needs to see Julieta because of a headache.” Vincent nods, puzzled. How does she know that? Wait, what’s her name again?

Vincent studies the people around him, trying to remember Bruno’s rapid fire introductions from yesterday. Isabela has the colourful dress, Louise(?) is really tall and muscular, Dora(?) has the red headband. There's also a teenaged boy wearing an orange poncho, or ruana, as Vincent has been informed. He’s already forgotten that kid’s name.

The painter relaxes a little when he sees Mirabel and Antonio (frankly the more approachable kids of the youth) show up. He stops relaxing when he sees what Antonio is riding on. Christ, he’s never seen a cat that big!

“What- what’s that?” he stammers, pointing a shaking finger at the giant cat with razor teeth.

Antonio looks down at his ride. “This is Parce! He’s a jaguar, and he’s one of my best friends!”

“And your parents are okay with this?” Vincent squeaks. Antonio nods happily.

“I can talk to animals! They all love me!” That checks out. Vincent keeps forgetting about the magic part.

“So… I’m guessing you all have magic too?” Vincent asks. 

“Yeah! Luisa has super strength!” the teenaged boy says, pointing to the tall girl. To demonstrate, Luisa lifts up the table with one hand. One. Vincent’s jaw drops. That’s why she’s so muscular! Johanna would love this girl.

“Dolores can hear anything from miles away!” Isabela says, pointing to the girl with the red headband. The girl in question suddenly perks her head up and smiles.

“It seems Tía Julieta is baking a treat for us.” Right on queue, Vincent begins to smell something delectable wafting from the kitchen. Incroyable!

“Isabela can grow any plant at will,” Mirabel says. Isabela waves her hand and a bouquet of sunflowers appears in her hand. She hands them to a stunned Vincent.

“And Camilo can shapeshift into anyone!” Mirabel exclaims, pointing to the teenaged boy. So that’s his name!

Camilo gets up and twirls. In seconds, he transforms into Vincent. The painter gawks at his own clone smiling back at him, though he thinks the smile would suit Gauguin more. Paul always has a smug smile.

“Tía Pepa can control the weather with her mood,” Luisa continues. “And our mamá, Julieta, can heal people with her cooking!”

Vincent realizes one kid hasn’t shown off yet. “What about you? What’s your power?” he asks Mirabel.

Mirabel shrugs. “I don’t have a Gift.”

“She’s our Miracle holder,” Dolores says.

“She keeps us sane,” Camilo adds.

“She’s the heart of this family,” Isabela concludes. Mirabel blushes with pride.

“And what about Bruno? You haven’t mentioned him.”

“Tío Bruno can see the future!” Mirabel says.

The future? As in, what’s to come? Or what could be? Could this explain why Bruno was crying when he saw Vincent this morning?

“Is that why he looked sad to see me? He was so happy when I came to stay, but when I saw him last, he was crying,” Vincent explains. The children exchange worried glances.

“I’m sure it’s nothing to worry about!” Mirabel hastily says. “Why don’t you show us your talent?”

The Madrigal begin pulling out their art supplies, waiting eagerly for the painter to begin. Eyeing them all suspiciously, Vincent resumes pouring paint onto his pallette. 

Vincent decides to do a portrait of Parce, the jaguar lying by Antonio’s side. He begins sketching the outline.

“How long have you been in painting, Señor Van Gogh?” Dolores asks. 

“Almost seven years,” Vincent answers.

“What do you usually paint?”

“Whatever I feel like. Which right now is the giant cat and his fascinating pattern.”

“He’s a jaguar. They’re great swimmers and they can kill with just one bite!” Antonio says.

Vincent dares a peek at Parce, who winks at him. The Dutchman gulps and ducks behind his painting.

Bruno suddenly runs in, carrying his painting equipment and a tray of something that smells devine. “Sorry! Sorry! Got held up with Julieta. Anyone care for some carimiñola?”

Half the snacks are gone in seconds. Vincent quickly grabs one before they disappear entirely. He takes a bite.

All of his senses ignite at once. His skin has cleared, his crops are thriving- He’s found Heaven in this little treat! It’s as if the chef has made it specifically for him. They aren’t kidding when they say Julieta’s cooking is magical!

Bruno chuckles as Vincent begins snatching more for himself. “Julieta has some more left over if needed. Quite the chef, isn’t she?”

“This is magique! Remind me to get the recipe before I go home,” Vincent exclaims between bites. “Also, send my compliments to her.”

“Will do.”

After eating at least three more of the carimiñolas, Vincent continues painting. The rest of the Madrigals contentedly paint beside him, most of them humming or whistling to themselves as they work. Another thing Vincent has learned about the Madrigals: they’re very musical.

Theo and Johanna would love Encanto. Theo would be amazed by all the artwork here. The weather would do wonders for his health. And  the Madrigals! Johanna would consider the Madrigal women her sisters. Theo could chat with the husbands for hours… probably about how much they love their wives. The thought makes Vincent chuckle to himself.

Hours pass. As Vincent finishes his work, the Madrigals begin showing off their paintings. Isabela has painted a cactus with a large orange flower on it. Dolores painted a guitar with little swirly designs on them. Luisa shyly presents the lovely unicorn she drew, mumbling how art isn’t her strong suit. Vincent has to admit, he’s envious of the way she paints equidae. Mirabel shows off a giant butterfly with rainbow wings, while Antonio shares an adorable picture of Bruno’s pet rats. There’s at least fifty rats on that paper, just how many does Bruno own?!

“Camilo, you haven’t shared your artwork yet,” Mirabel points out. The teenager ducks his head, canvas facing his chest.

“It’s… uh… still ongoing,” he mumbles.

“I’m sure it’s fine, just show us already!” Isabela urges.

Camilo reluctantly turns his canvas around. The group stares at the photo, stunned by the results.

Mirabel finds her voice first. “How lovely! It’s a… is it El Mohán?”

“It’s a chicken. Screaming,” Camilo admits. “It’s from the chicken incident, remember?”

The Madrigals begin nodding and smiling. Apprently that’s a story.

Vincent ducks behind his own canvas to keep Camilo from seeing his amused smile. He really hopes the kid doesn’t want to make a career out of art. Oh god, the other painters would be appalled if they saw that. Gaugin would never let the poor boy hear the end of it.

“It’s bad isn’t it?” Camilo wails. “I can’t draw at all!”

“No kidding…” Bruno mutters a little too loudly. Mirabel shoots him a glare while Vincent giggles behind his artwork.

Camilo scowls and stands to face the snickering painter. “My art is very amusing, isn’t it? Why don’t you show us what you made, Señor Van Gogh?!”

Vincent, still chuckling a little, shoots the teen a smug smile and turns his painting around. Camilo immediately sits back down, gawking and stuttering. Vincent’s smile widens.

“I’ve never seen Parce so colourful before!” Antonio squeals. Parce roars in agreement.

“Look at all those colours!” Isabela and Mirabel gush.

“It’s so pretty!” Dolores sighs.

“You’re such a gifted painter!” Luisa exclaims.

Vincent blushes from all the compliments. He’s surprised it made such a hit with this crowd. The other artists would be whining about the bright colours, the Madrigals adore it. Maybe it’s a cultural thing?

Vincent hands the painting to Antonio. “Consider this a little gift.” The child gasps with excitement, warming the painter’s heart.

“Thank you, señor!”

At last, Bruno presents his artwork. It’s of two anthropomorphic rats in masks, one black with a red spider on its shirt, the other wearing a similar outfit, only white with hints of pink and black.

“What is that?” Vincent asks.

“It’s a scene from a movie about people who share magical spider powers! We’re gonna watch it tonight!” Bruno explains.

None of those words are in any religious writings. As far as Vincent knows. “What’s a movie?”

“It’s a thing in the future, it’s where… art moves on futuristic… canvases?” Bruno trails off, words failing him. Vincent looks even more lost.

“Could you show me these ‘movies’ with your Gift? Maybe I’ll understand then,” Vincent finally says.

Bruno’s smile disappears. “You… want to see my Gift?”

“You’re the only one whose Gift I haven’t seen yet, of course I want to!”

Bruno glances at the kids, who nod and motion to Vincent. The prophet turns back to the artist, forcing a smile. “Sure. Let’s do it.”

*

But first, Antonio wants Vincent to help him hang up the “Portrait of Parce”. Bruno silently thanks his sobrino for the extra minutes as he paces back and forth in his room, fidgeting with his ruana. The rats watch their master warily, some crawling to him for comfort. Bruno smiles and picks one up, stroking her back.

The door suddenly opens and Bruno nearly drops the poor rat in surprise. He sets the rat down and turns to see Mirabel.

“Tío? Is everything ok?”

Bruno whines wordlessly and flops face first into the sand. Mirabel crouches beside him and puts her hand on his shoulder.

“You don’t need to worry! Vincent has seen so much weird stuff by now, I’m sure your Gift will look normal compared to everything else!”

Bruno lifts his head up. “It’s not that I’m worried about. I… I saw his future. And I don’t want him to see it.”

Mirabel frowns. “Right… he did ask about that before you showed up.”

Bruno squeaks. “He did?”

“Yeah. He said you were crying. What did you see?”

Bruno hesitates, choosing his words carefully. “He’s been through a lot. Everyone thinks he’s odd, and his paintings aren’t selling. He barely has any friends.”

Mirabel hums to herself in thought. She finally says, “He kind of reminds me of you.”

Bruno scoffs lightly and gently elbows her. “How dare you? I have tons of friends. Human friends, that is!” That’s actually not true, but he hopes Mirabel will humour him.

“You and the town didn’t always see eye to eye, but look at you now! You’re loved and respected in the Encanto! I’m sure it will be the same for him!”

Bruno chuckles sadly. “It’s… it’s not the same where he’s from. It can’t be solved that easily.”

Mirabel huffs. “Well, there has to be something good coming his way! You need to look for the butterfly! Like you did with my future! Surely one nice thing appeared when you looked into his future!”

Bruno ponders this silently, picking at his ruana. He suddenly lights up.

“Actually… there is. It’s the reason I looked into his future in the first place! Gracias, Mirabel!”

*

“So how will this work? Will there be smoke? I’ve got some matches! Do I need to close my eyes? Are there cards involved?” Vincent’s questions are endless as he takes a seat in Bruno’s vision cave. Bruno sits across from him, slightly unnerved by how talkative the painter has become. And to think he didn’t even want to talk to Bruno when they first met!

“You just need to stay inside the circle I made,” Bruno says. “Also be careful of the flying sand. It lets you see my visions, but it also can get into your hair and clothes.”

Vincent shrugs. “I’ll be fine.”

“It’s also going to get very windy.”

“Again, not an issue. I’ve painted in the rain plenty of times, the wind is nothing.”

“How strong is your immune system?”

“Very, now can we please begin?”

Bruno strikes a match and lights up the four leaf piles. He takes a deep breath. Look for the butterfly. Vincent watches with wide eyes.

The wind begins to pick up the sand. The room gently shakes as Bruno’s Gift awakens. Bruno feels his eyes glow and opens them.

“You might want to hang on,” he says, holding out his hands. An amazed Vincent takes them, his own hands trembling.

“Are you okay?” Bruno asks.

“Just shaking with excitement, I think,” Vincent says, gripping Bruno’s hands tightly. “Keep going.”

The sand swirls around them, creating a large bubble that envelops the gentlemen. Vincent gasps as bright green grains of sand begin forming images.

“This is what a movie looks like!” Bruno yells. Vincent watches with anticipation as the outline of a rectangle appears, the images inside moving as people below the screen watch.

“First they show them in these giant theatres before putting the movies on smaller vinyls for people to see whenever they want!” Bruno explains.

“That’s wonderful! Thank you for showing me!” Vincent says.

“While we’re here, there’s something else I wanted to show you!” Bruno exclaims.

“There is?”

“Your future!” Bruno closes his eyes in concentration, willing the good images to come to him. When he opens them, he feels a sense of relief rush through him.

Vincent watches as multiple versions of him appear, each one deeply engrossed in painting. Man, he really needs to fix his posture. When he looks closer, he recognizes a few paintings, but the rest are new to him.

The paintings then float together, each one receiving a fancy frame before lining up side by side. A ribbon holds back what seems to be crowds of people staring at the art. Vincent’s art.

“Thousands of people will come each day to see your art!” Bruno explains. “I’ve always wondered why your art looked so familiar, now I know. I’ve seen it before. These are revolutionary!”

Vincent stares at Bruno incredulously. “Are you sure it isn’t someone else’s art?”

“That was you painting all of them, right? I promise your paintings are going to change lives! People will come from far and wide to see them, inspired by your determination and passion. You’re quite the artist, Vincent Van Gogh.”

A slab of green glass materializes in front of the two men. Bruno takes it and uses it to shield them from the falling sand. He brushes off the last few grains and shows it to Vincent. The picture depicts a lovely view of Vincent’s art, hung up for people to see. The painting in the middle catches Vincent’s eye, one of a starry night over a town.

Bruno rubs his temples, blinking away any red spots in his view. When his vision finally clears, he’s surprised to see the artist wiping away a few tears, still gazing at the piece. Bruno gulps. Did he overwhelm the poor man?

“Did you get sand in your eye? Was it too much?!”

Without saying a single word, Vincent throws his arms around the shocked prophet.

“Vincent? Are you okay?”

Vincent simply hugs him tighter.

*

Mirabel is jolted awake when the door to Bruno’s room opens, tipping her over. She falls flat on her face. She feels a hand pull up her by the arm.

“Sorry, I didn't realize you were here.” It’s Vincent. When she pushes her glasses back up to see him, she’s surprised to see them glistening with tears. Her stomach plummets.

“Are you okay? What happened?”

Bruno appears behind Vincent, his smile bright, but his eyes rather red. “It’s fine, Mirabel. I think Vincent just needs some time alone.”

Mirabel nods and lets the artist pass. She watches him slowly walk to his room, clutching the emerald tablet in his arms.

Bruno gives Mirabel a hug. “Thanks for the advice, kid. I think he really needed to see that.” 

He pulls away from the hug, stumbling. Mirabel grabs his arms to help steady him.

“Are you okay?”

“I’m getting too old for double visions. I’m going to take a nap.” Bruno hobbles back into his room, the door shutting behind him.

“I will never understand artists.” Mirabel turns around to see Camilo leaning on the rail of the mezzanine.

“Camilo, you’re an actor. Isn’t that technically an art?”

“There’s a difference, prima.”

“No there isn’t.”

*

Bruno sees the door first, shimmering and glowing. The doorknob has an encrusted “V” written on. He calls for Vincent.

The prophet and the painter work together to get Vincent’s stuff packed up for him, while Mirabel wraps the vision tablet up in a spare blanket so it doesn’t get destroyed. Included is the recipe for her mother’s carimiñolas.

Vincent holds his painting of the Encanto. “Before I leave, I want you to have this. I don’t have any currency on me, so I hope you’ll take a painting as payment for letting me in.”

Mirabel excitedly takes the artwork. “Gracias! We’ll definitely have to find a nice place for this!” She throws her arms around Vincent. “It was a pleasure to meet you, Señor Van Gogh.”

“It was a pleasure staying here,” Vincent says. Mirabel runs off to hang up the art. She turns back and winks to Bruno.

Vincent turns back to Bruno, smiling. “I’ll miss seeing you every day. It’s not everyday I meet someone as kind as you.”

The compliment makes Bruno flush. “I’ll miss you as well. I’m… so honoured we got to meet. I don’t think I’ll ever meet a friend like you again.”

The painter pulls his friend in for a hug one last time. He feels Bruno’s arms wrap around him. He’s quite certain he’ll never feel the warm embrace of a friendship like this again. He’s never felt so seen before.

Bruno has never felt so seen, so connected before. He almost doesn’t want to let go, feeling a bit colder as Vincent pulls away. He never knew friends like Vincent could do that to him.

Vincent glances at the door. “So… do I just… touch the doorknob?”

“That usually does the trick,” Bruno advises.

Vincent apprehensively touches the doorknob. The glow of the door brightens, brightens, forcing Vincent to shut his eyes. When he opens them, an image of him has been carved onto the door, the outline sparkling with magic. The figure holds a paintbrush and a pallette, reaching up to touch the dancing stars. He gasps.

“Looks like you’re part of this family now,” Bruno says. “Goodbye, Vincent Van Gogh. I hope we cross paths again!”

“We’ll meet again! I promise! ” Vincent says. He opens the door and walks through.

*

Vincent lugs his gear through the door and right into his brother’s house. How convenient. The door closes behind him and the beautiful glow disappears. Vincent smiles sadly. He’ll miss Bruno. 

His thoughts are interrupted by someone running downstairs and into the front hallway. It’s Theo! Immediately Vincent is tackled by his younger brother in a hug. He’s been hugged a lot recently. Vincent happily returns it.

“Hello, brother!”

“You’re here! Oh thank God, I was so worried!” Theo exclaims.

“What?”

Theo pulls out of the hug and begins checking Vincent for injuries. “Where were you, Vincent? Paul wrote to us and said he hasn’t seen you for four days! You couldn’t be found! What happened to you? Are you okay? Are you hurt?”

“I’m fine. I feel great, actually!” Vincent responds. “A family looked after me.”

“I’ll be sure to send them my thanks,” Theo says. “Where was this family? In a different country?!”

That’s not far from the truth. “They live…” Vincent trails off. There’s no logical way to explain where he’s been, or even how he got there. Even if he did try, what if someone heard him? Arles would have even more to say against the artist. He shakes his head.

“It’s a long story… But I did get a new recipe I want you and Jo to try-”

Right on cue, Johanna appears from around the corner and runs to hug Vincent.

“There you are! I’m so glad you’re back, Vincent!” she cries. “Where were you?”

“Like I told your husband, it’s really complicated-”

“Why don’t you stay at our place for the night, then you can head back to Arles!” Jo immediately begins dragging her brother-in-law to the couch.

“Can I unpack first? I need to find a place for my stuff-.”

“No worries, there’s a free bedroom at the end of the hall!”

As they organize the free room, Vincent unwraps the vision tablet on his bed. Where could he keep this?

“Oh my goodness! That’s a gorgeous piece of art!” Theo exclaims. “Who made that?”

“My friend Bruno,” Vincent says. “It’s a… talent of his.”

“Then we’ll definitely have to find somewhere to hang it up,” Theo says. “He’s very talented.”

“He’s Gifted,” Vincent agrees. “And a great friend.”

*

“How come you never told us Vincent was a famous artist?!” Camilo whines. “It would have been nice to know that before I showed him a drawing of a screaming chicken!”

“You never asked, kid,” Bruno says with a chuckle. “Besides, he’s not famous yet, I don’t think. You still have time to right your wrongs.”

Camilo faints onto the couch, howling dramatically.

“This is amazing! I knew he had a Gift for painting, but this is exquisite!” Mirabel says, studying the painting. After much deliberation, the Madrigal family decided to hang it up in the mezzanine, where anyone passing by could be reminded of their friend. “And he really drew this from a view in his window?” Bruno nods.

“I can’t believe we got to meet an internationally celebrated painter!” Isabela gushes. “I the Miracle will let us meet him again.”

“I’m sure we’ll see each other again,” Bruno says. “He promised we would.”

Camilo sits up. “Oh yeah? What gives you the idea he’ll somehow magically appear again?”

Bruno winks. “20-20 vision.”

[jwscrobbles]

Top 50 Songs Scrobbled for the Week Ending 3/15/2015

TW LW Artist - SONG 1 1 Take That – THESE DAYS(2 weeks @ #1) 2 2 D’Angelo & The Vanguard – REALLY LOVE 3 4 J Cole - APPARENTLY 4 3 Taylor Swift – BLANK SPACE(1 week @ #1) 5 5 Nicki Minaj/Drake/Lil Wayne - ONLY 6 6 MNEK – The Rhythm 7 7 Gorgon City/Jennifer Hudson – GO ALL NIGHT 8 9 Ella Henderson - GHOST 9 10 Drake – HOW ABOUT NOW 10 12 Calvin Harris/Ellie Goulding - OUTSIDE 11 15 Usher/Juicy J. – I DON’T MIND 12 14 TV on the Radio – HAPPY IDIOT 13 8 Mark Ronson/Bruno Mars – UPTOWN FUNK (3 weeks @ #1) 14 19 B.o.B./Trey Songz – NOT FOR LONG 15 20 Jessie Ware – WANT YOUR FEELING 16 16 Wale/Jeremih – THE BODY 17 11 Ariana Grande/The Weeknd – LOVE ME HARDER(1 week @ #1) 18 18 Spoon – INSIDE OUT 19 13 Jessie J/2 Chainz – BURNING UP 20 27 Tove Lo – TALKING BODY 21 28 Pitbull/Ne-Yo – TIME OF OUR LIVES 22 26 Madonna – LIVING FOR LOVE 23 30 Maroon 5 - SUGAR 24 31 The Weeknd – EARNED IT 25 23 Nico & Vinz – IN YOUR ARMS 26 24 Sia – BIG GIRLS CRY 27 17 Hozier – TAKE ME TO CHURCH 28 21 Elle Varner – F**K IT ALL 29 29 Nicki Minaj/Drake/Lil Wayne – TRUFFLE BUTTER 30 22 Childish Gambino - SHADOWS 31 42 Beyonce – 7/11 32 25 Milky Chance – STOLEN DANCE 33 39 Banks – BEGGIN FOR THREAD 34 33 Teyana Taylor/PushaT/Yo Gotti - MAYBE 35 40 Ellie Goulding – LOVE ME LIKE YOU DO 36 38 Prince Royce/Snoop Dogg – STUCK ON A FEELING 37 35 Maroon 5/J Cole – ANIMALS(1 week @ #1) 38 32 Phantogram – NOTHING BUT TROUBLE 39 45 Giorgio Moroder/Kylie Minogue – RIGHT HERE, RIGHT NOW 40 46 Ne-Yo/Juicy J – SHE KNOWS 41 34 Charli XCX – BREAK THE RULES 42 36 Mary J. Blige – WHOLE DAMN YEAR 43 41 Sinead Harnett/Snakehips – NO OTHER WAY 44 43 David Guetta/Sam Martin - DANGEROUS 45 37 Iggy Azalea/M – BEG FOR IT 46 48 Nick Jonas - CHAINS 47 44 Nick Jonas – JEALOUS(1 week @ #1) 48 --- Kelly Clarkson – HEARTBEAT SONG 49 --- Sam Smith – LAY ME DOWN 50 49 AlunaGeorge - SUPERNATURAL

[full-gearhq]

Full Gear HQ is a ***NEW*** Discord based, BEHIND THE SCENES roleplay server. Focusing on the behind the scenes action that happens behind the closed doors of all your favorite global companies.

* Group oriented roleplay

* Friendly and knowledgeable staff as well as writers always looking to discuss wrestling and plot

* most muses available

This is NOT an E-Fed. We will NOT be doing any kind of in-ring action, this is purely behind the scenes!

Claudio, Sami Zayn, Kevin Owens, Bayley, The New Day, Samoa Joe, Randy Orton, Damian Priest, Rey Mysterio, Santos Escobar, Andrade, Jimmy Uso, Solo Sikoa, Buddy Matthews, Brody King, Cathy Kelly, Samantha Irvin, Bianca Belair, Karrion Kross, Moxley, Bryan Danielson, Kayden Carter, Candice lerae, Johnny gargano, Grayson Waller, Channing “Stacks” Lorenzo, Damien Priest, Daniel Garcia, Darby Allin, Finn Balor, HOOK, Jay White, Kenny Omega, LA Knight, Malakai Black, Okada, Ricky Starks, Sami Zayn, Tony D’Angelo, Wardlow, Wes Lee, Wheeler Yuta, Jimmy Uso, Kevon Owens, Santos Escobar, Buddy Matthews, Malakai Black, Eddie Kingston, Asuka, Bayley, Becky Lynch, Blair Davenport, Brinley Reece, Carmella, Cathy Kelley, Charlotte Flair, Dakota Kai, Fallon Henley, Harley Cameron, Iyo Sky, Jacy Jayne, Jade Cargill, Jaida Parker, Jakara Jackson, Kairi Sane, Kelani Jordan, Kris Statlander, Lola Vice, Lyra Valkyria, Maxxine Dupri, Mercedes Mone, Naomi, Toni Storm, Zelina Vega, Aj Lee, Kayla Braxton, Samantha Irvin, Lash Legend

[heauxvibez]

Omg, Blake Griffin is literally the reason I started writing fanfiction(12 years ago😳). Then I had a fan page for him where he actually interacted with me. Then I started writing for Klay Thompson, then Devin Booker, Kelly Oubre, D’Angelo Russel. Wow…what a time. Now here we are, writing for Roman😭😭

[captaincleverusernamehere]

ALERT ALERT STARRY POSTED FOR THE FIRST TIME IN LIKE A YEAR

[honeydewmelan]

man I love this song!

cover of: The Red Vineyard from Starry: a new Musical by Matt Dahan and Kelly Lynn D’Angelo

[revolutionrpg]

REVOLUTIONHQ. A Non Kayfabe Semi AU wrestling based server. (We are not an EFED). We do monthly events and tasks. Offer TUPPER and are all inclusive meaning there’s not going to be 23 of the same muse!

We would LOVE to expand our community so here below I’ll post what roles are available for application! Want to ask about a role! Just send a DM and we will get back to you as soon as possible!

CURRENTLY OPEN ROLES:

Tama Tonga, Jamie Hayter, Toni Storm, Deonna Purrazzo, Solo Sikoa, Damian Priest, Charlotte Flair, Ludwig Kaiser, Gunther, Stevie Turner, AJ Lee, Jack Perry, Nick Jackson, Matt Jackson, Tay Melo, Malakai Black, Brody King, Bronco Nima, Zoey Starks, Vipress, Logan Paul, Jade Cargill, Bianca Belair, Naomi, Thea Hail, Penelope Ford, Kip Sabian, Nick Wayne, Kiana James, Fallon Henley, Matt Cardona, Steph De Lander, LA Knight, Jacy Jayne, Brinley Reece, Tony D’Angelo, Adriana Rizzo, Channging Stacks Lorenzo, Asuka, ZSJ, Will Ospreay, Renee Paquette, Kelly Kincaid, CJ Perry, Bo Dallas, and plenty more!

[tomorrowedblog]

Friday Releases for February 23

Friday is the busiest day of the week for new releases, so we've decided to collect them all in one place. Friday Releases for February 23 include Drive-Away Dolls, Parallel, Stopmotion, and more.

Drive-Away Dolls

Drive-Away Dolls, the new movie from Ethan Coen, is out today.

Written by Ethan Coen and Tricia Cooke, this comedy caper follows Jamie, an uninhibited free spirit bemoaning yet another breakup with a girlfriend, and her demure friend Marian who desperately needs to loosen up. In search of a fresh start, the two embark on an impromptu road trip to Tallahassee, but things quickly go awry when they cross paths with a group of inept criminals along the way.

Parallel

Parallel, the new movie from Kourosh Ahari, is out today.

Grief-stricken after the loss of her child, Vanessa takes refuge at a lake house only to be met with an aberration of herself from a parallel universe and realizes the multiverse gates hold the key to releasing her grief or trapping her forever.

Stopmotion

Stopmotion, the new movie from Robert Morgan, is out today.

Ella Blake, a stop-motion animator struggling to control her demons after the loss of her overbearing mother, embarks upon the creation of a film that becomes the battleground for her sanity. As Ella’s mind starts to fracture, the characters in her project take on a life of their own.

Bring Him To Me

Bring Him To Me, the new movie from Luke Sparke, is out today.

Under orders from a ruthless crime boss, a getaway driver must battle his conscience and drive a young and unsuspecting passenger to an uncertain fate.

Drugstore June

Drugstore June, the new movie from Nicholaus Goossen, is out today.

After the pharmacy in her small town is robbed, June (Esther Povitsky), who still lives at home with her parents (Beverly D’Angelo and James Remar) takes matters into her own hands to solve the crime, while at the same time trying to get over her ex-boyfriend (Haley Joel Osment) and become more of an adult.

Mea Culpa

Mea Culpa, the new movie from Tyler Perry, is out today.

A criminal defense attorney (Kelly Rowland) agrees to defend a seductive artist (Trevante Rhodes) accused of murdering his girlfriend. But when desire takes hold, her big case takes a dangerous turn.

Ordinary Angels

Ordinary Angels, the new movie from Jon Gunn, is out today.

Based on a remarkable true story, ORDINARY ANGELS centers on Sharon Steves (Hilary Swank), a fierce but struggling hairdresser in small-town Kentucky who discovers a renewed sense of purpose when she meets Ed Schmitt (Alan Ritchson), a widower working hard to make ends meet for his two daughters. With his youngest daughter waiting for a liver transplant, Sharon sets her mind to helping the family and will move mountains to do it. What unfolds is the inspiring tale of faith, everyday miracles, and ordinary angels.

Red Right Hand

Red Right Hand, the new movie from Eshom Nelms and Ian Nelms, is out today.

Cash (Orlando Bloom) is trying to live an honest and quiet life taking care of his recently orphaned niece Savannah (Chapel Oaks) in the Appalachian town of Odim County. When the sadistic kingpin Big Cat, (Andie MacDowell) who runs the town, forces him back into her services, Cash learns he’s capable of anything – even killing – to protect the town and the only family he has left. As the journey gets harder, Cash is drawn into a nightmare that blurs the lines between good and evil.

The Invisible Fight

The Invisible Fight, the new movie from Rainer Sarnet, is out today.

USSR-China border, 1973: Young soldier Rafael is on guard duty when the border falls under attack from flying Chinese kung fu warriors, leaving him as the sole survivor. Utterly fascinated by the long-haired martial artists who easily dispatched his fellow guards, all while blasting forbidden Black Sabbath music from their portable radio, Rafael is struck by a revelation: he too wants to become a kung fu warrior. Looking for mentorship but with limited options, faith leads Rafael to seek martial arts teachers at the most unlikely of places: the local Eastern Orthodox monastery, where the black-clad monks begin his training. With a skeptical mother, a rival monk, and a budding love interest pulling him in different directions, Rafael finds that his journey to unlock the greatest martial art of all – the almighty power of humility – is long, winding, and full of kick-ass adventures.

The Second Best Hospital In The Galaxy

The Second Best Hospital In The Galaxy, the new TV series from Cirocco Dunlap, is out today.

The Second Best Hospital in the Galaxy follows Dr. Sleech and Dr. Klak—aliens, best friends, and intergalactically renowned surgeons—as they tackle anxiety-eating parasites, illegal time loops, and deep-space STIs. In Season One, doctors Sleech and Klak take on a highly dangerous and potentially groundbreaking case and, in doing so, put existence itself in jeopardy. Although considering their dismal personal lives, oblivion might be an improvement.

INSANO (NITRO MEGA)

INSANO (NITRO MEGA), the new album from Kid Cudi, is out today.

Prologue

Prologue, the new EP from Dom McLennon, is out today.

Loss of Life

Loss of Life, the new album from MGMT, is out today.

[diarioelpepazo]

Con Kawhi Leonard, Paul George y James Harden, ganan en Atlanta (144-149) y suman 26 triunfos en los últimos 31 partidos Al margen del triunfo de los Lakers en cancha de los Hornets (118-124) con una gran actuación de Lebron James (26+4+7), Anthony Davis (26+15+11) y D'Angelo Russell (28+4+6), y de la victoria de los Warriors ante los Nets (98-109) con Curry (29+5+3) y Kuminga (28+10+3) tirando del carro de los de San Francisco, se disputaron otros cuatro partidos en la jornada de la NBA. HAWKS 144 - CLIPPERS 149 Los Angeles Clippers continúan dando sensaciones extraordinarias con su victoria número 26 en sus últimos 31 partidos. Kawhi Leonard, que el lunes fue nombrado jugador de la semana en el Oeste, se lució con 36 puntos para que los Clippers frenaran a unos Hawks que habían ganado sus últimos cuatro partidos. James Harden también estuvo brillante con 30 puntos, 8 rebotes y 10 asistencias incluido un tres más uno en el desenlace que sentenció el triunfo de unos Clippers con un impresionante 6-1 en su gira de siete encuentros por el Este. Trae Young, jugador de la semana en esa conferencia, logró 25 puntos y 12 asistencias en Atlanta. CAVALIERS 136 - KINGS 110 Ni un nuevo triple-doble de Domantas Sabonis (12 puntos, 19 rebotes y 15 asistencias) frenó a estos Cavaliers fantásticos que ya son segundos en el Este por delante de los Milwaukee Bucks. Donovan Mitchell (29 puntos) se puso al frente de un equipo de Cleveland con un enorme 23 de 41 en triples y con 7 jugadores en dobles dígitos de anotación. PELICANS 138 - RAPTORS 100 Nueva Orleans presenció un recital de Brandon Ingram, que deslumbró con 41 puntos, 6 rebotes y 9 asistencias sin pisar la cancha en el último cuarto, y los Pelicans mantuvieron su excelente momento al certificar su decimocuarto triunfo en 15 partidos, Ingram solo necesitó 30 minutos para destrozar a los Raptors, que sufrieron especialmente la furia del alero en el tercer cuarto con 20 puntos y 6 triples. El puertorriqueño José Alvarado se sumó con 11 puntos, 4 rebotes y 4 asistencias a la fiesta de unos Pelicans que han ganado tres partidos consecutivos. Opuesta es la racha de los Raptors con tres derrotas seguidas y que esta noche tuvieron como máximo anotador a Gradey Dick con 22 puntos. SIXERS 102 - MAVERICKS 118 El regreso de Kyrie Irving (23 puntos y 8 asistencias) y un poderoso último cuarto (28-41) fueron claves en la victoria de unos Mavericks en Filadelfia ante unos Sixers en depresión sin Joel Embiid y con seis derrotas en sus últimos siete encuentros. LAPRESSE Luka Doncic sumó 19 puntos y 8 rebotes mientras que Josh Green selló 20 puntos y 6 rebotes. En los Sixers, que solo metieron 8 de sus 29 triples, Kelly Oubre Jr. fue el principal referente con 19 puntos y 6 rebotes. Para recibir en tu celular esta y otras informaciones, únete a nuestras redes sociales, síguenos en Instagram, Twitter y Facebook como @DiarioElPepazo El Pepazo/Marca/EFE