#Kayako drawing

[lisicaiksiksiks]

[kamaandhallie]

A drawing of my favorite horror movie franchises.

Happy Halloween!

[thestalkerbunny]

Some of the guys from Horror movies I love seeing growing up. The Grudge, Candyman and The PuppetMaster Series. There used to be a channel I would watch that would just be old B-rated horror movies from the 80s and Kungfu Movies. And that's ALL I would watch when there was nothing good on the Main Horror Channel.

The Grudge was actually the first proper Pg-13 movie I watched on my 13th birthday-despite already having had watched a BUNCH of Rated R horror movies cause Public TV's rating system is fucked (DeadGirl, The Woman, etc...) So it has a place in my heart despite my personal rating of it being an 'pretty okay' movie.

[xxthat-one-bitchxx]

[mothhmannn]

(just image the sound in your head, lol) a nightmarish version i accidentally created under the cut ⬇️

[jackalncasull]

[swampjawn]

Like the goofy horror crossover that inspired it (Sadako vs Kayako) Dandadan's identity is all about smashing together the identities of its many eclectic inspirations. (most notably of course, ghostststs vs aliens)

So how does its opening embody that identity? Well of course the song itself is swarming with references to everything from a couple Japanese creepypastas from 2chan to Demon Slayer and other popular shounen hits, to M. Night Shyamalan — but not to be left out, the formal elements of the animation combine not only the bold and sharply contrasting color schemes that are characteristic of the show, but also three completely different animation styles into one strangely cohesive piece.

Directed by "Scott Pilgrim Takes Off" director and one of Science Saru's original creative voices, Abel Góngora, the opening sets the stage with the contrast between these close-ups of the syllable "dan" shown mostly on various digital screens, and these character shots that give the impression of analog film with soft edges between highlight and shadow, and overlaid grain, scratches, and imperfections.

These cuts are not exactly realistic per se, but they reflect a version of the world of the show that's very grounded in live-action cinematic techniques, like I discussed in my previous video. Many of them mimic a wide-angle perspective and give the impression of a real camera filming the characters.

Soon though, we jump into these highly stylized cuts in which bold, textured silhouettes stand out against saturated painted backgrounds.

This style in particular feels very characteristic of Góngora, who has worked on many of Science Saru's opening sequences, and seems to love these stark, stylized, and textured silhouettes:

Many of these shots are direct references to the 1967 Ultraman TV opening,

but they also generally draw inspiration from 60s and 70s pop art and cut-out animation. Slight imperfections in the credit text and slight camera wobble even give the impression of hand-cut paper being filmed with an old 60s camera rig!

Turbo Granny gets up in the mix with a third totally different style: these loose, chaotic, and gestural scribbles where clean line-work gives way to pure organic energy with very little consistency between frames.

These cuts are mostly done by Kyouhei Ebata (江端 恭平) (who you might recognize from his crazy painted frames on Dungeon Meshi) and Genta Ishimori (石守 源太) who has relatively few official credits so far, but has done some extremely impressive (if quite disturbing) independent work on his youtube channel, and whose own personal style seems to have primarily created the vision for how Turbo Granny would be portrayed in the show!

And finally, the three art styles and two major opposing colors all come together in this climactic cut as this slick, detailed illustration goes from clean, detailed blue, to bold, chaotic red in an instant as Okarun smashes through it, and is interspersed with these three demonic frames that find a middle ground between the bold textured silhouettes and the loose scratchy turbo granny scribbles.

This is all just a sampling from this video, where I go more in depth on all these elements, and lay out way more of the direct references, so go watch it! (If you're not too scared… Maybe you can't handle it…)

[thewizardlywyrm]

I made another little love letter to my favourite horror movies/games/creatures and am hoping to do a whole series over time! Love me some spoops! 

This time it’s Kayako Saeki of the Ju-On/Grudge series ( I really like her design for the older Western remakes but I might also draw her OG form, too! They’re both really good! ) !

[bombegranate-art]

Halloween Month Drawing Challenge Day 8 is Kayako from Ju-on! Marker on sketch paper.

[peatij]

I needed to draw Kayako from The Grudge dunking on me for my video, enjoy!

Ju-On: The Grudge Game Video

My Links

[theperplexednavigator]

Pulled myself out of art block by trying to figure out how to draw Kayako.

Another of my favourite horror ladies, and she's unexpectedly fun to draw!

[frostfiredemon]

[Post 2]

Here are the 6 horror drawings of October 2023

• Hyori Yoo-Mi and Takamura Sakura two original onryos i made (comment if you want me to make a separate post on these two I have a full lore made for made)

• Hasega Ayako aka Nokoribi-onna which is also an original made by me (let me know if you want a separate post on her lore too)

• Combo 1: Teke Teke + Servant Grunt (Amnesia: The Dark Descent)

• Combo 2: Dead Hand (Legend of Zelda: Ocarina of Time) + The Teacher (Little Nightmares II)

• A twisted version of a Boohbah using Zing Zing Zingbah as the base

• Combo 3: Saeki Kayako (The Grudge) + Freddy Kreuger (Nightmare on Elm Street)

[painted-kneecaps]

re the reddit drawing, i'd probably panic too if i thought i made kayako (grudge) upset

i had to look this up but you’re so right. honestly if my significant other drew me as an eldritch creature of yore i’d be so incredibly flattered

[sillyfudgemonkeys]

Apparently a lot of people didn't like Ju-On: The Curse 2 (JTC2), and I think it's because it reused a good 20-30 of footage from Ju-On: The Curse 1 (JTC1)..... But I happened to watch them in a cut order on youtube that got rid of that extra fluff and I didn't think it was that bad.

Like JTC1 was def scarier (it has Hitomi! ofc it's scarier), and thus better imo. BUT I do like how JTC2 wraps up the loose ends fairly ok. I even got to see possessed Kyoko! She ate that look up. 😤

Ju-On: The Grudge 1 (JTG1).....I can't remember if I saw this one before. I know I saw the American remake, which doesn't just draw inspo from JTG1 but also some aspects of JTC1 and JTC2? (or is JTC2 for The Grudge 2? lsjdflkjf guess I'll find out later). But it's interesting to see what's been changed between the two versions (but it like still works!)

But anyway, I didn't mind JTC2 that much.....but Ju-On: The Grudge 2? That was......ehhhhhhh????? I def laughed. I wasn't as scared (tho I did jump a few times it wasn't scary). If anything I was more excited for the 10 seconds I saw an apparition of living Kayako and Toshio eating happily at the dinner table (TT0TT I want more of that!!!!). But it is...like.....fun? In like a comedy way, not a scary way. The Saeki's are really just fucking around in this film dksljflkf

JTG2 was both easier to follow and less easier to follow somehow, partially comes from Chiharu's story. It was ok until Chiharu got involved. TT0TT

I think Black Ghost/White Ghost is next. I'm torn between jumping into the American version or going into the Reboot (the new TV show is last, well Sadako vs Kayako is last but that's AFTER I get through all of Ringu)...... I mean the Reboot is only 2 films long....so maybe that....even tho I heard mixed things on it. They do say "Toshio is the real villain" and.....that woulda scared 10 yo me kldjsfalkjfa Cause Toshio scared me more as a kid.

[oddplantz]

blue

[autoartisticasphyxiation]

Quick sketches for something I am working on