#Kaufman & Hart

[newyorkthegoldenage]

George S. Kaufman (left) and Moss Hart, veteran co-authors of stage successes, with Hart's wife, Kitty Carlisle, at the Stork Club, March 30, 1948.

Photo: Robert Wands for the AP

[do-you-know-this-play]

[oldshowbiz]

[citizenscreen]

George S. Kaufman with Kitty Carlisle and Moss Hart at the Stork Club, New York, NY, 1948.

[scholarofgloom]

[principiumindividuationis777]

[nine-frames]

“On this eve of eves, when my own heart is overflowing with peace and kindness, I think it is most fitting to tell once again the story of that still and lustrous night.”

The Man Who Came To Dinner, 1942.

Dir. William Keighley | Writ. Julius and Philip G. Epstein | DOP Tony Gaudio

[graphicpolicy]

SDCC 2024 Exclusive: Legendary director Lloyd Kaufman and AHOY's Hart Seely talk Toxic Avenger

SDCC 2024 Exclusive: Legendary director Lloyd Kaufman and AHOY's Hart Seely talk Toxic Avenger #comics #SDCC #SDCC2024 #ComicCon

AHOY Comics will be getting toxic at San Diego Comic-Con with a panel featuring author and legendary director Lloyd Kaufman, comic creators Matt Bors, Mark Russell, Tyrone Finch, Melissa F. Olson, Juan Castro, and writer/AHOY Ops guy Stuart Moore. The panel, which takes place on Friday July 26 from 5–6 pm in Room 28DE, will also feature an ashcan comic giveaway that shows readers a first look…

[twittercomfrnklin2001-blog]

George Washington Slept Here

Before Mr. Blandings built his dream house or Tom Hanks got caught in THE MONEY PIT (1986), Ann Sheridan lured Jack Benny into buying a dilapidated Pennsylvania farmhouse in William Keighley’s GEORGE WASHINGTON SLEPT HERE (1942, TCM). I’d like to say that’s a surefire ticket for laughter, but though the film was a hit in its time, it seems rather forced today. In the George Kaufman-Moss Hart play, it’s the husband who buys the house while his wife grows increasingly exasperated. Benny suggested the gender switch, and that isn’t really a problem, particularly with Sheridan, who could play just about anything. She’s got the right pixilated air to make the character believable, and Orry-Kelly manages to keep her costumes fashionable while giving some a touch of eccentricity to mirror the character. Benny, however, is more comic than actor. He has great timing and handles the physical bits well. He knows how to milk a bit just enough, but he doesn’t have the actor’s skill of playing the positive. His exasperation is just whiny and eventually starts to drag on the film. That may be Keighley’s fault. He tends to go for the obvious here (the ending, building on the play’s final punchline, is just embarrassing), so despite Benny’s comic skills, some jokes are beaten to death. Fortunately, the one holdover from the original Broadway cast is Percy Kilbride, who’s a deadpan delight as the handyman who keeps turning up with increasingly expensive projects to renovate the property. There’s also good work from Charles Coburn as Sheridan’s rich uncle (and he can play crabby with a sense of sheer delight Benny should have copied), Charles Dingle as a nasty neighbor, Franklin Pangborn as the city landlord who evicts Benny and Sheridan, Hattie McDaniel as the harried housekeeper and Terry, most famous for playing Toto, as their mischievous dog.

[sondheims-hat]

September 29, 1934: Flyer for the play that inspired the musical. 155 performances at the Music Box.

[back-in-2037]

1938:

2007:

I recently found a post by @dreadfulgentleman about how A Day with Wilbur Robinson, the book Meet the Robinsons is based on, was inspired by the play You Can't Take it With You by George S. Kaufman and Moss Hart. The play was adapted into a movie in 1938 by director Frank Capra. The black and white screenshots shown above are taken from one of the scenes of said movie adaptation.

To summarize, You Can't Take it With You follows the Vanderhof household, a group that consist of both people related by blood as well as others not biologically related to anyone in the family but that are still considered part of it and are loved and accepted as such. They all have quirky interests (there's a toy maker, people making fireworks in the basement, a lady who dances while she bakes pastries she calls 'Love Dreams', etc.) and they all live by the philosophy that you should spend your days doing the things you love most with the people you love most, because what else should you do with your life? You can't take anything in it with you when you are gone, so you might as well make the best of your time while you can.

And so every member of the family encourages each other to pursue their interests freely, no matter how odd they might be or if they end up causing their fair share of accidents and troubles. They stick with one another through thick and thin.

Sounds familiar?

I think its fascinating how one piece of art can inspire someone to create something else, which in turn inspires someone else to create their own art and so on and so forth. Not only in matters of style or aesthetics, but also in the themes and lessons these stories leave us with.

I think it is fascinating how some of these themes found You Can't Take it With You managed to find their way to newer generations through this other work of fiction it partially inspired. Because while I don't think most of my generation has seen You Can't Take it With You, many of us grew up with Meet the Robinsons and became familiar with the Robinson philosophy. That one motto in particular.

And I think that the way in which we can draw this line; in which we can look at the different branches in this family tree of inspiration, showing us how a work of art inspires another one that can carry its themes and lessons for other people to learn from across time, while also creating something new and unique, is something truly beautiful.

Specially for those who seek to create something themselves. Just knowing that the artists one looks up to were also inspired by someone else's art to make their own, can be encouraging, since maybe one day they can create something that will become another branch in that tree. Something that could inspire somebody else in the future, not only to create their own art, but to find the courage to simply live their lives.

To Keep Moving Forward.

[wrestler-smash-or-pass]

Weekly Wrap Up - 12/3/23

Top five smashable wrestlers this week:

Julia Hart (Spooky Variant) - 81.9% smash, 277 total votes

Orange Cassidy - 77.1% smash, 354 total votes

Anthony Bowens - 74.8% smash, 214 total votes

Shota Umino - 73.4% smash, 203 total votes

Danhausen - 68.8% smash, 324 total votes

More stats under the cut, along with my observations, commentary, and some of my favorite tags...

Bottom five smashable wrestlers this week:

Vince McMahon - 3.9% smash, 334 total votes

Kyle O'Reilly - 37.2% smash, 231 total votes

Andy Kaufman - 38.2% smash, 251 total votes

Kane - 41.0% smash, 188 total votes

Andre the Giant - 47.6% smash, 307 total votes

Most total votes this week (most enthusiasm)

Orange Cassidy - 354 votes

Chuck Taylor - 334 votes

Vince McMahon - 334 votes

Danhausen - 324 votes

Damien Priest - 318 votes

And least total votes this week (least enthusiasm)

Kane - 188 votes

Julia Hart (Cheerleader Variant) - 203 votes

Shota Umino - 203 votes

Anthony Bowens - 214 votes

Kyle O'Reilly - 231 votes

The closest match was Julia Hart (Cheerleader Variant), which was decided by a single votes

Top Five Overall

Kris Statlander - 91% smash

Rhea Ripley - 84.2% smash

Eddie Kingston - 82.8% smash

Julia Hart (Spooky Variant) - 81.9% smash

Orange Cassidy - 77.1% smash

Bottom Five Overall

Vince McMahon - 3.9% smash

The Boogeyman - 22.6% smash

Brock Lesnar - 23.2% smash

Doink the Clown - 28.3% smash

Gunther - 29.6% smash

Top Women Overall

Kris Statlander - 91% smash

Rhea Ripley - 84.2% smash

Julia Hart (Spooky Variant) - 81.9% smash

Penelope Ford - 72.9% smash

Aubrey Edwards - 66.1% smash

Top Men Overall

Eddie Kingston - 82.8% smash

Orange Cassidy - 77.1% smash

Anthony Bowens - 74.8% smash

Shota Umino - 73.4% smash

Samoa Joe - 72.1% smash

Thirteen of you are actual sickos who voted smash for Vince McMahon. I NEED to know what is going on inside of your heads. Unless, idk, you thought "smash" implied violence.

Great showing from the Best Friends this week. OC, Danhausen, Trent, and Chuck (and Trent and Chuck together!) join their friend Kris Stat as certified smashes. Though, somehow a threesome with Best Friends the tag team rated higher (66.7%) than Chuck or Trent separately (66.2% and 61.3%, respectively).

You guys definitely prefer House of Black Julia Hart over Varsity Blonds Julia, and who could blame you! She is a powerful combination of scary and beautiful.

I was out at a bar with my husband when the request for Andy Kaufman came in, and I said to him, "Someone just submitted Andy Kaufman??? He didn't wrestle." And my husband replied, "Yeah he did. He called himself the intergender world champion and offered $1000 and his hand in marriage to any woman who could defeat him." So that was a neat history lesson and definitely shed some light on the line "Andy Kaufman in a wrestling match" in the REM song "Man on the Moon," which I'd previously assumed was some kind of weird Michael Stipe metaphor.

I have seen some complaints about the images I've used for some of these wrestlers, and I don't disagree! Anyone who requests a wrestler is encouraged to add a photo to their ask! And since you can't include photos in anonymous asks, if you don't want your username associated with the poll, mention that in your ask and I'll create a separate post for the poll instead of replying to your ask. I did also find a source for photos that isn't just a Google image search, so image thirstiness will improve soon.

And now for some of my favorite tags and comments

@howlinghunters on Best Friends: #These two have always given me#'Someone will die.' 'OF FUN!' vibes

@are-we-really-doing-this on Danhausen: #I’d suck the tattoos off his body

@jennegatron on Chuck Taylor: #I would let chuck awful waffle me (please tell me wtf this means it sounds terrifying)

@jennegatron again on Trent Beretta: #his brain is so smooth#but he's simply so hot

@rosabellebelieve on Orange Cassidy: #make him into pulp

@wrassle-castle on Vince McMahon: #if i fuck him can i also kill him?#cause i'd take that L#for the greater good

@tahiri-veyla on Kane: #the only appropriate smash for this is with a semi

@dm-me-your-weltanschauung on Vince McMahon:

[sweetfirebird]

The fun thing about reading books about old Hollywood and then watching old movies is knowing that Sheridan Whiteside from The Man Who Came to Dinner and Waldo Lydecker from Laura are based on the same guy: Alexander Woollcott, who was just that queer (ace, gay, homoromantic? who knows), and how Hollywood was scared that having Monty Woolly play him would possibly make him SO GAY that Middle America might twig to it and that was a legit concern.

Also it's knowing that one of the two writers of the play this is based on was mentioned in the diary of I think Mary Astor and that diary entry was *read aloud in court* in her husband's divorce proceedings against her because she describes sex with him and anyway, he made her come five times.

Is this knowledge useful in any way? NOPE. But it's in my brain. and useless because I can't remember if mr five times was kaufman or hart.

Anyway.

[disabled-dragoon]

Disability Picture Books #2

[ID: A poster reading "Disability Picture Books" in black writing in the centre. A small, circular logo is in the top right corner. It is red with an open book in the middle, white leaves around the book, and the word "The Disability Archive" across the bottom. In the lower left corner, cartoonish clipart of children climbing a colourful stack of books. All of this is overlayed onto the disability pride flag. /end]

[ID: The same poster, edited. The writing has been removed and replaced by four book covers, and the images in both corners have been shrunken slightly. The book covers, from top to bottom, are: "Jubilee", "The You Kind of Kind", "The World Needs More Purple People", and "My Three Best Friends and Me, Zulay." /end]

[ID: The same poster, with different book covers. The four books, from top to bottom, are: "You Are Loved", "A Day With No Words", "You Are Enough", and "Sam's Super Seats". /end]

[ID: The same poster, with different book covers. The four books, from top to bottom, are: "All Are Welcome", "We Move Together", "Kami and the Yaks", and "Zoom!" /end]

---

A collection of picture books featuring disabled characters and/or discussions of disability!

Once again, thank you to @creativiteaa for providing the majority of the list, and thank you to @moonflowero1 for your contribution to!

Book List:

'Jubilee: The First Therapy Horse and an Olympic Dream' by K. T. Johnsons, Illustrated by Anabella Ortiz- Paralysis, Therapy Animal

'The You Kind of Kind' by Nina West, Illustrated by Hayden Evans- Wheelchair User

'The World Needs More Purple People' by Kristen Bell and Benjamin Hart, Illustrated by Daniel Wiseman- Wheelchair User

'My Three Best Friends and Me, Zulay' by Cari Best, Illustrated by Vanessa Brantley-Newton- Blind

'You Are Loved: A Book About Families' by Margaret O'Hair and Sofia Sanchez, Illustrated by Sofia Cardoso

'You Are Enough: A Book About Inclusion' by Margaret O'Hair and Sofia Sanchez, Illustrated by Sofia Cardoso

'A Day With No Words' by Tiffany Hammond, Illustrated by Kate Cosgrove- Autism, Non-Verbal

'Sam's Super Seats' by Keah Brown, Illustrated by Sharee Miller- Cerebral Palsy

'All Are Welcome' by Alexandra Penfold, Illustrated by Suzanne Kaufman

'Kami and the Yaks' by Andrea Stenn Stryer, Illustrated by Bert Dodson- Deaf

'We Move Together' by Kelly Fritsch and Anne McGuire, Illustrated by Eduardo Trejos

'Zoom!' by Robert Munsch, Illustrated by Michael Martchenko- Wheelchair User

[citizenscreen]

George Kaufman and Moss Hart's comedy "The Man Who Came to Dinner" opened at the Music Box Theatre on Broadway on October 16, 1939. Monty Woolley starred as Sheridan Whiteside and reprised the role in the 1942 film version.

[godlessondheimite]

In Kaufman and Hart’s original Merrily We Roll Along play, Joe Josephson kills himself, but in the musical adaptation, he is merely played by George Costanza.