#Just @ me or DM me

[devils-your-minion]

Luke Brandon Field did NOT put his all into playing young Daniel as the most horny, desperate, pathetic, limp wristed, whimpering bisexual loser who looked up at that vampire with the wettest most submissive eyes and melted into him as he accepted the loving embrace of death just for people to say that Daniel Molloy is some kind of dom top.

Don’t worry Mr. Brandon Field, I saw your masochistic vision.

[computercreature]

something i see a lot in the dungeon meshi fandom is attributing izutsumi's personality traits to her being a cat. and while ryoko kui definitely gave her cat-like traits intentionally, she's a talented enough writer to also give her a backstory with reasons for those traits. for example, her tendency to only do and eat what she wants.

izutsumi's character arc revolves around freedom. she grew up caged in a circus. and although she was fed enough to survive, this was only because a living catgirl attracted more customers than a dead one.

[id: first image is izutsumi as a child framed behind bars and standing on all fours, making it clear how skinny she is. a hand in the foreground holds out a bowl of what appears to be kibble. narration says “thrown in a cage and given food every once in a while… is that what you would call ‘being raised’?” in the second image she is now sitting on the floor of her cage and eating a rat. end id]

look how skinny she is! we see her eating what appears to be... kibble? oats? and then a rat that she possibly caught for herself. she had no choice but to eat anything she could.

[id: part of the dungeon meshi manga. a slightly older izutsumi is tied to a post and tade sits next to her to say "we've got a roof over our heads, beds, food, and clothes. they've got everything here. is there someplace nicer than this out there?" izutsumi thnks for a moment and says "i hate that someone's already decided what i'm going to eat tomorrow. my name, the clothes i wear, where i sleep, where i go next... here, all of that's been decided by another person... even though, come tomorrow, i might want to eat something else instead. that's why i'm leaving." at this, tade cries out in shock. end id]

when she's taken into the nakamoto household they begin to treat her much better. she's on about equal footing as tade, who also had a rough living situation before being taken in, and tade loves it there! they get healthy and tasty food and they're not sleeping in cages. but izutsumi still isn't free. she can pass off her chores and vegetables to tade and disobey in any way she can but she can't leave. maizuru even put a collar on her, further dehumanizing and trapping izutsumi.

when izutsumi joins laios's party, she's finally 'free', but it's not the kind of freedom she wants. she has to eat even more food she doesn't want or else she'll starve. but the difference now is that she's can leave at any time, and if she stays, she's treated as an equal. they're not feeding her monsters because they see her as inferior. they're all eating the same food so they can reach their goal(s). and this is part of izutsumi ultimately learning that in order to do what she wants, she has to be willing t do the things she doesn't want to

[quietsamurai98]

[coolestguyonearth]

Hi everyone, serious post!

If you've been following me for a while or you're a mutual of mine, you probably already know that I'm Native American, but I feel the need to expand a little bit.

I'm a member of the Chinook Indian Nation - I don't expect you to know that name. We've been fighting for recognition as long as I've been alive, even though we've been here since the beginning of European presence in the West Coast, and long before it.

We are constantly fighting. The vast majority of our population was killed by disease and colonization, and with that we lost our language. But after that hardship we are still here. We are still alive. The government has effectively spat in our faces and said that not only are we unworthy of their time - we are unworthy of respect. Of dignity. I'm asking you, the people who take the time to read this post to dedicate even a fraction of your time to signing our petitions, boosting this post, or using the ChinookJustice hashtag on any major social media platform.

We don't just want our land back, we want our home back. We want the bodies of our ancestors, which are routinely dug up during construction. We want the relics of our tribe that are hanging up in museums to be returned, but first there needs to be a home for them to return to. Our campaigns have shockingly low amounts of signatures, but I'm hoping that the good people I know are here can change that.

Here you can sign the petition to restore our federal recognition. Here residents of Washington and Oregon state can contact their legislators in support of federal recognition for the Chinook Nation. Here you can donate to help us continue fighting. Here you can find information about Chinook justice, and here is our official Instagram.

If you spent time reading this, thank you, but if you went out of your way to sign our petitions, donate, or spread awareness, I love you for it.

[destiel-wings]

Are you incapable of making your own post? Why did you add on to that poor persons Merlin post when they dont care about Destiel? And youre too lazy to make your own gifs lol okay. Please dont add on to posts that arent yours. So fucking lazy and annoying.

Hey, if you're the op who made the post, I sincerely apologize. If you don't want that kind of addition i can delete it, no problem.

I love merthur and i love destiel too, and I added that scene from spn to make a comparison between the two ships. It wasn't meant to take anything away from the original post, but my intention was to give it a new light in addition (as people do on this site) by drawing a parallel with another piece of media. A lot of destiel fans love merthur too and i thought the op could get more reblogs and likes on their gif this way (reaching another fandom too).

I know how to make my own posts, I did plenty of them, actually.

What i don't know how to do is gifs, and i have deep appreciation for people who make them, and it is my understanding that they like exposure for their posts, so that their hard work can reach more people.

This is why i reblogged it.

My tags on the reblog were about both ships, i didn't deviate from the original post ignoring it to only talk about another ship (which would've been rude), so i didn't think it could be offensive in any way.

[inkskinned]

i got my isbn today for the book. 8 months to go. my mom and i were talking about what the next steps are. i was eating trail mix, standing on one foot, phone tucked into my ear.

"yeah," i said. "the problem is that tumblr as a market is like, not something that can be studied." there's this weird wave of nostalgia and affection for this place that came up over me: how lovely we avoid consumerism. okay, it sucks as a creator. but also? keep stickin' it to 'em.

my mother made the sound at the back of her throat that i also make, the one that means i've got an idea. "you should figure out some kind of reward for presale amounts. maybe you give out poems or a mug or a signed book or something. would your followers like that?" my mother is sweet, and kind, and i have no idea how to explain on this website you can buy someone crabs.

i put more m&ms down the hatch. i had to speak through peanuts and almonds. "if it passes 25 thousand i will print the book out in its entirety and eat it live on camera."

"oh god. no, you don't have to do that." she was anguished. "just tell them that you'd love them to read it, and that they've inspired you to write. you got started on that site, and they helped you keep going. raquel, you love these people. the community? you talk all the time about the other writers and artists and whatever else. tell them that you're hoping for their support, they'll come through."

"no," i assured her. i discovered i had dropped an m&m, but an ant had already found it, so it belonged to him now. i will let his little life have a surprise blue treasure in it, too. "i'm gonna fuckin' eat the book."

[todaysbird]

things are not going so great fellas (pt 2)

so for those of you who have been following along here is a brief recap of my life atm

• moving out of state at the end of the month (NO FREAKIN MONEY!!)

• house infested by fleas from neighbors

• the war against tenants with my landlord (currently resolved after 3 days with no water)

• need car (do not have car)

so I am pretty desperate for funds. i do NOT want donations, but I do want commissions / to be able to trade goods and services for money. i can offer:

• art commissions: i don’t have a dedicated price sheet but you can browse my #my art tag for examples. comfortable doing many different subjects and i can negotiate prices happily!

• buying premade adopts, under my #my adopts tag (more coming soon!)

• commission a bird post for you or a loved one! my ko-fi has a minimum donation of $3 and all i ask is that you include in your message what kind of post you’d like :) if it is for someone’s birthday etc just let me know so i can schedule it appropriately! people commonly request their partner/friend/relatives’ favorite birds, or birds they feel are underappreciated. my kofi is here

thanks, all :,)

[corpsentry]

pick your battles

[cashmoneyyysstuff]

shoto todoroki is fucking shameless. and surprisingly clingy.

he’d done a good job becoming a little more social little by little. he’s still a little wonky and awkward during the few times he tries to make conversation, but he tries and that’s the good part. you’re proud of him.

you’ve known shoto since you were kids, his closest friend, you’d seen him through it all and you’re so grateful that he’s found friends he feels comfortable and happy with, though he always reassures you that you’re dearest to him, which always makes you a little too giddy and flustered for somebody who’s supposed to be his closest friend and nothing more.

you’re in the cafeteria chatting with your mutual friends, shoto had told you to go off without him since he needed to go the bathroom and you found yourself sitting next to midoriya when he’d scooched in next to you, happy to see there was still a spot for him at the table. you liked midoriya a lot, he was sweet, cute and most importantly he made shoto come out of his shell in a way that you regrettably never could, plus the way he flails around when he gets embarrassed is pretty funny.

(you did notice ochaco’s face going completely blank for a few seconds, but you didn’t think much about it.)

after a few minutes of giggling and chatting shoto shows up, and something is immediately wrong with the way his natural straight face goes absolutely dead in the span of three seconds. it’s subtle, but you know him and it’s there. there also seems to be a chill in the room now.

he’s at your side of the table in three seconds, but he doesn’t register your smile in greeting as his cold gaze is glued to the green haired boy next to you.

“midoriya,” and his voice even sounds a little deeper, colder as he speaks like he somehow managed to use his right side on his mouth.

“that’s my seat.” he states calmly.

“oh ! my bad, todoroki !” izuku splutters an apology, but shoto’s eyes do not waver, staying fixed on the boy until he grabs his tray and makes a move to stand “i didn’t realize this was your spot, sorry !”

you feel a little bad at how intensely he’s apologizing, but you’re still shell shocked about that look. shoto seems unfazed though, his expression morphs slightly when izuku goes to squeeze in next to iida.

“i always sit next to yn.”

it’s so stupid. really, it is. how fast that makes your heart beat. because shoto does always sit next to you, he always has and he still always does when you come over to his house. but it’s the fact that he didn’t say he always sits here, in his unassigned assigned seat.

he said he always sits next to you. and your mind and heart races.

you don’t get much time to think because immediately he’s next to you, sighing before sitting as close to you as he can. he looks over to you and you look back, still a little startle but his features are soft again when he looks at you. he drops his utensils to thread his fingers with yours under the table.

“ did you wash your hands, mister ?” you tease, but you squeeze his hand when he squeezes yours. he frowns but it’s not the one from before. it almost looks like a pout and you snort.

“yes, i did.” he snips, you giggle and his eyes soften. even as you assure him you were just kidding he doesn’t mind, he couldn’t be mad at you.

you offer him a bite of your lunch as truce and he leans forward and plops a piece in his mouth from your chopsticks, then offers you a bit of his precious soba noodles and even holds a hand below them so they don’t spill because he insists on feeding you himself.

your friends pretend they don’t see the lowkey romantic exchange, but with the way shoto keeps insisting to have you eat his food and the soft barely there smile when you crack a joke that manages to break through his icey demeanor, they can start to figure out why he wanted to sit next to you so bad.

[anna-scribbles]

doodles from the last few months

[ryin-silverfish]

A Guide to the Chinese Underworld (and what it isn't)

As many FSYY and fox posts as there were on my blog, I am actually a huge fan of the Chinese Underworld mythos. Mostly because I was once a morbid little kid that loved reading about the excavations of ancient tombs, and found the statues depicting hellish torture in the Haw Par Villa "super cool".

Apart from the aesthetics, the history of its evolution is also fascinating. Most of us, Chinese or not, only know the most popular version of the Underworld——the "Ten Kings" system, yet that isn't always the case. So today, I'll start off with a short summary of that.

In pre-Qin era, there was already this generic idea of a "Realm of the Dead" called the Yellow Spring, Youdu, or Youming, but we know very little about it.

Then, in the Han dynasty, two ideas start to emerge: 1) the Underworld is a bureaucracy, 2) the God of Mt. Tai ruled over the dead.

This early bureaucracy might not function as an agent of punishment; the main focus was on keeping the dead segregated from the living so they wouldn't bring diseases and misfortune to the latter, as well as using those ghosts to enforce collective punishments upon people for their lineage's wrongdoings while they were still alive.

Post-Han, after Buddhism entered China and took root, its idea of karmic punishments and reincarnation and the figure of King Yama was merged with folk and Daoist ideas of the Underworld bureaucracy, and, came Tang dynasty, resulted in the "Ten Kings" system that first appeared in Dunhuang manuscripts.

It was very rudimentary and far from well-established, as seen in Tang legends, with some adopting the Ten Kings system, some sticking to the Lord of Mt. Tai and some favoring King Yama, and overall little agreements on who's in charge of the Underworld.

But the "Ten Kings" system would become the mainstream version from then onwards, used in Ming vernacular novels and made even more popular by folk religion scrolls like the Jade Records (Yuli Baochao).

As such, most points in the following sections will be based on the fully matured "Ten Kings" system of the Underworld, as seen in the Jade Records and JTTW.

What happens when you die?

(This is a fictionalized walkthrough of the posthumous fate of souls under the "Ten Kings" system. I try to stick to the very broad progression outlined in the Jade Records, but many creative liberties are taken on the details.)

Let's say there's a guy named Xiao Ming, and he had just died of a heart attack. Bummers. What now?

Well, the first thing he saw would be the ghost cops.

There isn't really an unanimous agreement on who these ghost cops are: they may be a pair of ghosts in white and black robes, wearing tall hats (Heibai Wuchang), they may have the heads of farm animals (Ox-Head and Horse-Face), or they can just be generic ghost bureaucrats. For convenience's sake, let's say it was the first scenario.

"Who are you guys and where are you taking me?"

"Glad you asked!" The taller ghost cop, being the cheerful one of the pair, replied. It wasn't very reassuring, considering that his tongue was dangling out of his mouth way further than it should. "I'm the White Impermanence, my sour-looking colleague here is the Black Impermanence, and we are taking you to the City God's office."

This City God, a.k.a. Chenghuang, is just like how it sounds: the divine guardian of a city, who also pulls double duty as the head of the local Dead People Customs Office. They are usually virtuous officials deified posthumously, and in JTTW, they fall under the category of "Ghostly immortals", together with the Earth Gods a.k.a. Tudi.

So Xiao Ming went with the two ghost cops——not like he had much of a choice, made his way through the long queue at the City God's office, and was now standing in front of a gruff old magistrate in traditional robes.

"Name?"

"Wang Xiao Ming."

"Age and birth dates?"

"21, April 16 2003…"

After he was done asking questions, the City God flipped through his ledger, then picked up a brush, ticked off Xiao Ming's name, and told him to go get his pass in the next room. More waiting in a queue. Wonderful.

"I never heard anything about needing a pass to get to the Underworld," the girl in front of Xiao Ming asked the ghost cops, who were standing guard nearby. "Is this a new policy or something?"

"Yeah. In the old days, we'd just drag y'all straight to the Ghost Gate." The ghost cop in black said, then muttered to himself, "Fuckin' paperworks and overpopulation, man…"

(This "Dead People Passport" thing was popularized in the middle-to-late Ming dynasty, as shown by the discovery of such documents inside tombs in southern China. )

(It might have evolved from similar passes to the Western Pure Land in lay Buddhism that recorded their acts of merits. Which, in turn, might be traced back to the "Dead People Belongings List" of Han dynasty, to be shown to Underworld bureaucrats so that no one would take away the dead's private property down there or something.)

Anyways, after he received his pass, Xiao Ming departed together with the rest of the bunch, to be led to the Ghost Gate. It was like the world's most depressing tourist group, where instead of tour guides, you got two ghost cops in funny hats, and the only scenery in sight was the desolation of the Yellow Spring Road.

They weren't the only travellers on the road, though. Xiao Ming noticed other groups moving in the far distance, behind the fog and the flickering ghostfire, led by similar figures in black and white.

It made a lot of sense; realistically, there was no way two ghost cops could fetch hundreds of thousands of dead people all by themselves.

(SEA Tang-ki mediums believed there were multiple Tua Di Ya Peks——Hokkien name for the Black and White Impermanences, working for different Underworld Courts.)

At last, the Ghost Gate stood in front of Xiao Ming, guarded by two towering figures. Normally, they'd be Ox-Head and Horse-Face, like what you see at Haw Par Villa's Underworld entrance.

However, older Han dynasty works like Wang Chong's 论衡·订鬼 also mentioned two gods, Shenshu and Yulei, as guardians of the Ghost Gate, who would use reed ropes to capture malicious ghosts and feed them to tigers, making them possibly the earliest incarnation of "Gate Gods".

So here, they were what Xiao Ming sees, standing side by side like proper doormen, silently watching herds of ghosts being funneled through the entrance.

The place was more crowded than a train station during the CNY Spring Rush; the ghost cops had already said their quick goodbye and left to fetch the next group of dead people, leaving the resident officials of the Underworld proper to maintain order and quell any would-be riots.

Now you started seeing the Ox-Head and Horse-Face guys, poking at unruly ghosts with their pitchforks and dragging away the violent ones in chains. Among their ranks were other monstrous beings, blue-faced yakshas and imps, but also regular dead humans who look 100% done with their jobs, like the lady who stamped Xiao Ming's pass when it was finally his turn.

After this point, Xiao Ming had entered the Underworld proper, and his next destination would be the First Court, led by King Qin'guang. Here, his fate should be decided by what is revealed in the King's magical mirror.

If Xiao Ming was a good guy, or someone who had done an equal amount of good and bad things in life, he'd be sent straight to the Tenth Court for reincarnation. However, if the mirror, while replaying his life events, had displayed more evil deeds than good ones, he'd be sent to one of the 2nd-9th Courts for judgment and then punished inside the Eighteen Hells.

Each of the Ten Kings was also assisted by ghostly judges. Many of them were righteous and just officials in life who had been recruited into the Ten Courts posthumously——Cui Jue from JTTW is one such example, while others were living people working part-time for the Underworld, like how Wei Zheng, Taizong's minister, works part-time for the Celestial Bureaucracy in JTTW.

We decide to be nice to Xiao Ming, so, after reliving some embarrassing childhood incidents and cringy teenage phases in front of a bunch of dead bureaucrats, he was found innocent and sent to the Tenth Court.

The queue here was almost as long as the First Court's, stretching on and on alongside of the banks of the Nai River. King of the Turning Wheel made his judgment without even lifting his head when it was Xiao Ming's turn:

"Path of Humans, male, healthy in body and mind, ordinary family. Next!"

Exiting the Tenth Court building, Xiao Ming saw the Terrace of Forgetfulness, standing tall before six bridges, made of gold, silver, jade, stone, wood, and…some unidentified material. Before he could get a good look at them and the little dots moving across those bridges, he was hurried into the Terrace by the ghostly officials.

Now, both JTTW and the Jade Records mention multiple bridges across the Nai River. In the former, there is 3, and the latter, 6. The bridges made of precious materials are for people who will reincarnate into better lives, as the wealthy, the fortunate, and the divine, while the Naihe Bridge is either the common option or the terribad shitty option.

However, the Naihe Bridge proved to be so iconic, it became THE bridge you walk across to reincarnate in popular legends.

Anyways, back to Xiao Ming. He found himself standing in a giant soup kitchen of sorts, with an old lady at the counter, scooping soup out of her steaming pot and into one cup after another.

This is Mengpo, the amnesia soup granny; according to the Jade Records, she was born in the Western Han era, and a pious cultivator who thought of neither the past nor the future, only knowing that her surname was Meng.

Made into an Underworld god by the Jade Emperor, she cooks a soup of five flavors that will wipe the memory of the dead, making sure they do not remember any of their past lives once they reincarnate.

It tastes awful. Like what you get after pouring corn syrup, coffee, chilli sauce, lemon juice and seawater into the same cup.

Such was Xiao Ming's last thought, as he gulped down the soup, and then he knew no more.

Things you should know about the Chinese Underworld:

1. It's not the Christian Hell.

Rather, the Chinese Underworld functions somewhat like the Purgatory, in that there are a lot of torment, but the torment's not eternal, however long the duration may be. Once you finish your sentence, you get reincarnated as something else, though that "something else" is not a guaranteed good birth.

Other people can also speed up the process via transferring of merits: hiring a priest/monk to chant sutras and perform rituals, for example, or performing good deeds in life in dedication to the dead, or they can pray to a Daoist/Buddhist deity to save their loved ones from a dreadful fate.

Interestingly enough, a thesis paper I read mentions that, whereas Buddhist salvation from the Hells was based on transference of merits——you give monks offerings and pay them to chant sutras, so they can cancel out the sinners' bad karma with good ones, Daoist ideas of salvation tend to involve the priest going down there, sorting it out with the Underworld officials, and taking the dead out of the Hells themselves.

(The paper also stops at the Northern-Southern and Tang dynasties, so the above is likely period-specific.)

2. Nor is it run by evil demons.

Underworld officials are not nice guys and look pretty monstrous and torture the sinful dead, but they are not the embodiment of evil. Rather, the faction as a whole is what I'd call Lawful Neutral, who function on this "An Eye for An Eye" logic, where every harm the sinner caused in life must be returned to them, in order for their karmic debts to be cleansed and move on to their next life.

They can absolutely be corrupt and incompetent and take bribes——Tang dynasty Zhiguai tales and Qing folklore compendiums featured plenty of such cases, but that's a very mundane and human kind of evil, not a cosmic/innate one.

This is just my personal opinion, but if you want to do an "evil" Chinese Underworld? It should be a very bureaucratic evil, whose leaders are bootlickers to the higher-ups, slavedrivers to their rank-and-file workers, and bullies who abuse their power over regular dead people.

Not, y'know, Satan and his infernal legions or conspiring Cthulu cultists.

3. The Ten Kings are not Hades.

Make no mistake, they still have a lot of power over your average dead mortal. But in the grand scheme of things? They are the backwater department of the pantheon, who only show up in JTTW to get pushed around and revive the occasional dead people.

When Taizong made his trip to the Underworld, the Ten Kings greeted him as equals——kings of ghosts to the king of the living. If they see themselves as equal in status to a mortal emperor, then, like any mortal emperors, they are subordinate to the Celestial Host, and the balance of power is not even remotely equal or in their favor.

Also, it isn't said outright, but under the Zhong-Lv classification of immortals JTTW is using, Underworld officials will likely be considered Ghostly immortals, the lowest and weakest of the five types, much like Tudis and Chenghuangs.

Essentially: they are ghosts that are powerful enough to not reincarnate and linger on and on, spirits of pure Yin as opposed to true immortals, who are beings of pure Yang.

It's pretty much the shittiest form of immortality, the result you get when you try to speedrun cultivation (the Zhong-Lv text also made a dig at Buddhist meditation here), and if they don't reincarnate or regain a physical body, there is no chance of progressing any further.

Oh, and fun fact? In the Song dynasty, commoners and literati elites alike believed that virtuous officials in life would get appointed as ghostly officials in death.

However, the latter viewed it as a punishment. Which was strange, considering how they still held the same position and the same amount of authority, just over dead people instead of living ones, so there should be no big losses, right?

Well...it was precisely the "dead people" part that made it a punishment. See, a lot of the power and prestige they had as officials came from the benefits they could bring to their families and kins and native places, as well as the potential wealth and reputation bonuses for themselves.

A job in the Dead People Supreme Court would give them the same workload, but with none of those benefits. Since all the dead people had to reincarnate eventually, they couldn't have a fixed group as their power base, or keep their old familial ties and connections. At most, they could help out an occasional dead relative or two.

Like, working for the Underworld Courts was the kind of deadend (no pun intended) job not even living officials wanted for themselves in the afterlife. That's how hilariously sad and pathetic they are.

4. In JTTW at least, they aren't even the highest authorities of the Underworld.

That would be Bodhisattva Ksitigarbha, who is technically their boss, though he seems to be more of a spiritual leader than someone who is actually involved in running the bureaucracy.

Which makes sense, since he has sworn an oath to not attain Buddhahood until all Hells are empty, and his role is to offer relief and salvation to the suffering souls, not judging and punishing them.

Now, historically...even though Ksitigarbha in early Tang legends was still the savior of the dead, he seemed to be unable to interfere with the judicial process of the Underworld, merely showing up to take people away before they were judged by King Yama.

However, in the mid-Tang apocryphal "Sutra of Bodhisattva Ksitigarbha" (地藏菩萨经), he had evolved into the equal of King Yama, with the power of supervision over his judgements. By the time the Scripture on the Ten Kings came out, in artistic depictions, the Ten Kings had become fully subservient to him.

5. Diyu usually refers to the prison-torture chamber part, not the courthouse, nor is it the entirety of the Underworld.

And for the majority of souls that haven't committed crimes, they'll only see the courthouse part before they are sent to reincarnation. That's why I personally don't like, or use the name Diyu for the Chinese Underworld: I prefer the term Difu ("Earth Mansions"), which encompasses the whole realm better.

Also: even though historical sources like the Scripture on the Ten Kings and Jade Records seem to suggest that the dead were just funneled through this Courthouse-Prison-Reincarnation pipeline with no breaks in between, in practice, that isn't the case.

According to popular folk beliefs, after the dead were done with their trials/sentences, they stayed in the Underworld for a period of time and led regular lives, while functioning as ancestor spirits and receiving offerings.

Which would imply that the Underworld had a civilian district of sorts, populated by regular ghosts, making the whole realm even less of a direct Hell/Purgatory equivalent.

6. It is located in a different realm, but still part of the Six Paths and doesn't exist outside of reality.

In Buddhist cosmology, like the Celestial Realm, the Underworld is part of the Realm of Desires and thus subject to all the woes of samsara.

The pain and misery of the Path of Hell may be the worst and most obvious, but becoming a celestial being isn't the goal of serious Buddhists either: despite all the pleasures and near-infinite lifespan they enjoy, they are not free from samsara and will eventually have to reincarnate.

So if, say, the world is being destroyed at the end of a kalpa, all beings of the Six Paths will perish alongside it, leaving behind a clean slate for the cycle to start anew. The dead won't all end up in the Underworld and face eternal damnation.

7. The Black and White Impermanences would not appear in the Underworld pantheon formally until the Qing dynasty.

The concept that when you die, you get fetched to the Underworld by petty ghost bureaucrats is already well-established in Tang legends, but these were just generic ghost bureaucrats in all sorts of colorful official robes, with yellow being the most common color.

The idea of there being two specific psychopomps in black and white would only become popular in the Qing dynasty. Mengpo is kinda similar: although she existed before the Ming-Qing era as a goddess of wind, venerated by boatmen, her "amnesia soup granny" incarnation came from the Jade Records.

[criticalsyourroles]

now i've watched a fair amount of d&d i've started to pick up on the differences between dm style i think

like brennan IS all the bad guys. every game he dms is brennan vs the players. he makes npcs and battles that make his friends throw things at him and he smirks the whole time. he makes them tell him their worst fears and then he makes them do it. and it's awful and amazing and really funny

matt IS exandria. his characters and battles never feel written or constructed, they just feel like things that already existed in the world. it's all about verisimilitude with him, and he's amazing at it. he tends to fade into the background and let the players react to the story and it makes everything he does incredibly cinematic

aabria dms like she's just another player at the table reacting to the story, right up until someone gets lulled into a false sense of security and tries to fool around and THEN she throws a curveball by making them deal with the consequences of their choices. she's like oh you think that's funny?? then i'm about to be hilarious, bitch. and she keeps getting away with it bc she's just that good!

basically, brennan's an evil bastard, matt's the world, and aabria's the queen of consequences

or:

brennan - fuck

matt - around

aabria - find out

[normalhound]

god its a CRIME that im not being fucked right now. im so wet i can feel it soaking onto my thighs and yet! puppycunt is still painfully empty :((

[iwanttobeaseme]

Did a redraw of Gojo in my style.

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[ibahibut]

💀: Fewer wounds, more kisses from me.

🐦‍⬛: Contract's accepted, mi amor.

Music inspiration: A Little Death by The Neighbourhood