#Julianna di Giacomo
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ilovelotsofthings ยท 2 years ago
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Idk headcanons. It is their age and familyย 
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The Group TM
Penny: As per canon is from Galar. I do think she has a grandparent from Kanto or Johto. Cannot speak the language though. I think she is 16. Also I think (even if canon disagrees) that she has 2 younger sisters.
Nemona: As per canon she was born and raised in Paldea. I believe her to be 15. No siblings sadly. | EDIT [12/18/2022]: Apparently she has a sister in canon so I guess she does have a sibling.
Julianna & Florian: Dad is from Kalos and Mom from Galar. They can speak French. They were born in Galar and visit Kalos twice a year at max. They are 14 in my eyes. They are also each other's siblings.
Arven: Has his own post but basically. Mom is Paldea and Dad is Kalos. Speaks English, French, & Spanish. He is 16 or 17 imo.
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Team Star
Giacomo: Raised by a single mother. Born in Paldea. Speaks Spanish & English. I see him as 17 or 18. Definitely has siblings. 2 older sisters and 2 younger sisters. (Older 2's dad died, Giacomo's doesn't know he exists, and the younger 2's left)
Mela: Raised by a Single Father. Born in Paldea. Dad is from Unova. She is 16 in my eyes, almost 17 though. Has 1 older brother who is 15 years older than her.
Atticus: Born in Galar. He is raised by his moms. He is 18. He is an only child who wishes he had siblings.
Ortega: Raised by his parents in Paldea. Mom was born in Kalos and Pops was born in Paldea. He speaks French, Spanish, and English. He spends the summer in Kalos. He is 14 years old. He also has a baby brother.
Eri: She was born in Unova and is now raised by a single parent. Moved to Paldea when she was 12. Eri is currently almost 19. She has no siblings.
===.
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infinitelytheheartexpands ยท 4 years ago
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Thoughts on Un ballo in maschera (San Francisco, 2014)
As promised for the ever-lovely @monotonous-minutia.
Ballo is a weird opera for me: I love it (it's definitely in my top 3 or 4 favorite Verdis), and it was my absolute favorite opera for...actually about a year or so, and while it's no longer my absolute favorite, it's still very high up on the list. However, I have found that it is almost impossible to find a production (or for that matter a recording) that gets the opera completely right for me or is in any way definitiveโ€”but then again, this is an opera that is also pretty hard to badly screw up. In fact, I think I've only seen one production that's managed to badly screw it up, which was from Leipzig and which has possibly the single ugliest production aesthetic I have ever seen in an opera. But I digress.
This production isn't perfect or definitive, but it is a damn good show.
Before you ask: yes, this is set in Sweden (good) and yes, Anckarstrรถm does shoot Gustavo (even better) as Verdi, history, and the universe intended. None of this stabby-stabby kitchen knife nonsense.
My biggest complaint is honestly that I hope the San Francisco Opera has changed their prompter in the past six years because whoever was prompting apparently decided that it was necessary and good to practically yell a lot of the lines, most noticeably in Act III, Scene 1. It got really annoying really quickly.
Also I wasn't a huge fan of some of the sets, in particular the set that seemed to (with slightly different pieces) be both the first and the last set. The gallows set looked really cool but was not very well-lit, causing a whole lotta darkness instead of what it was supposed to look like:
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which would've been way cooler. The study set was pretty nice, though.
This production was veritable costume porn and I loved it. I want Amelia's Act II outfit immediately. Also that ensemble Oscar wears to the ball.
The conducting by Nicola Luisotti was excellent overall; I loved how fast-moving it felt (because this is a fast-paced opera!) and how each scene felt like it went by in the blink of an eye. My only no is that I feel like the strings were slightly underbalanced overall (particularly in the last act), although I may be biased as a longtime string player.
The chorus and orchestra were both excellent. The smaller roles were all well-taken; Scott Conner (whom you, @monotonous-minutia, may recognize as Bernandino in the Amsterdam 2015 Benvenuto Cellini) and Christian van Horn were luxury casting as Those Two Counts Where No One Can Tell Which One Is Which. Great singing-acting duo.
Dolora Zajick absolutely BROUGHT IT as Ulrica, with all the ghostly creepiness, charismatic flair, and powerhouse singing one would expect of her in this role. I always love seeing her in Verdi. And her costume made her look freakin' cool.
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As I posted earlier, OH MY GOD HEIDI STOBER IS CUTEST OSCAR. This Oscar is ALWAYS sassing people around and being funny and really running the behind-the-scenes; everyone both loves and fears him. He's always making mischief (in particular wreaking havoc upon the Chief Justice) and trying to have a little fun and hating it when people take his fancy hat and start throwing it around (as happened multiple times). And he's also so concerned about his King 24/7, even though he can get annoyed with him. (Gustavo pretends to have a heart attack when Ulrica gives the prophecy, and while he thinks it's funny, Oscar very much does not.) And at the ball, all the attenion ends up on him and the commedia dell'arte dancers. It's amazing. And don't even get me started on how talented of a singer Heidi Stober is.
You want photos? HERE IMMA SPAM WITH PHOTOS:
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Thomas Hampson isn't my favorite singer in the role of Count Anckarstrรถmโ€”his voice often comes across as a little dry for my taste hereโ€”but he does very well nonetheless, with a fantastic "Eri tu". Where he really shines, however, is in his acting and use of the text. You can hear the feeling behind every individual word and thought he sings, which I think is incredibly hard to do. He makes so much out of it all and milks every moment for its dramatic potential, which helps create this wonderful sense of characterโ€”you can really believe in him from start to finish, through all his moods and his descent into murderous jealousy and hatred, and his remorse at the end. And those costumes, and how stylish he looks in them? Perfection.
And I'm just gonna leave this photo here:
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(his FACE. it's PRICELESS.)
Julianna di Giacomo is just *heart eyes*. She can sing and those high notes are going to be ringing in my ears for a while. Amelia is not an easy role in any way, shape, or form, but she made it sound so easy, especially those two (very difficult!) arias. I think she also did a great job at finding her personality and capturing not only her inner conflict but also her innate strength beneath any fears she may have; a moment that particularly stood out is that in the Lot-Drawing Scene, she stood her ground even after Anckarstrรถm told her to draw a name, and in fact, he eventually had to physically force her to draw by grabbing her arm and putting it in the urn because he could not otherwise force her to take part. Also, may I say she is very pretty.
Ramรณn Vargas is not a popular quantity on here, and sure, it's not a perfect voice, but I do hear plenty of real Italian sound in his voice, which more than compensates for the fact that's it's inherently somewhat too light for the part. Nevertheless, he acquits himself very well in this long and demanding role, and I particularly enjoyed listening to his take on the I Am Totally A Fisherman Song. Also, he's just such a naturally cheerful and sunny personality, which melds really well with the character; he is also very convincing in the more serious parts, especially because it feels that the whole time, he is acting out of love and a zest for life, which fits pretty much all the problems Gustavo has really well.
In short, a really wonderful take on a really wonderful opera.
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joaquimblog ยท 8 years ago
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Dmitry Beloselskiy
Roberto Aronica i Massimo Cavaletti
Ekaterina Gubanova
Julianna Di Giacomo
Gubanova-Cavalrtti-Arionica
Don Carlo, acte 2on Producciรณ Giancarlo Del Monaco
El prestigiรณs Maggio Musicale Fiorentino va inaugurar el dia 5 de maig lโ€™ediciรณ dโ€™enguany amb el Don Carlo de Verdi. Tampoc fa tants anys que el Maggio aglutinava en els seus repartiments el bo i millor del panorama vocal, no รฉs el cas en aquesta ediciรณ, ja que un cast mediocre no possibilitat lโ€™enlairament dโ€™una producciรณ dirigida per Zubin Mehta, el gran garant musical de la vetllada i Giancarlo De Monaco en la vessant escรจnica, amb una proposta molt esteticista i malauradament excessivament estaticista.
Zubin Mehta dirigeix amb aquell excels control que el caracteritza extraient de lโ€™orquestra i el cor florentins el millor per la qualitat del so, la intensitat dramร tica i un fraseig verdiร  bellรญssim en els dos darrers actes, on lโ€™รฒpera tรฉ el bo i millor dโ€™una partitura excepcional. Llร stima que amb una direcciรณ com aquesta el cast no reunรญs noms mรฉs nobles i artistes mรฉs inspirats, perquรจ la classe i la categoria de la direcciรณ no es va veure secundada per caop dels cantants que integren la companyia de cant.
Roberto Aronica no รฉs precisament el paradigma del tenor verdiร  elegant, musical i amb classe, tampoc Massimo Cavaletti sembla el barรญton mรฉs idoni per donar vida al noble Rodrigo, ambdรณs segurament llastrats per a unes tรจcniques deficients que no poden o no saben aprofitar un material important, perรฒ mal educat i per tant malaguanyat.
Aย Dmitry Beloselskiy tambรฉ li manquen coses massa bร siques per esdevenir lโ€™imponent Filippo II i Eric Halfvarson ha de pensar seriosament en deixar els escenaris si el seu estat vocal รฉs el que mostra en aquest lamentable Inquisitore.
Les senyores, sense ser les cantants excepcionals que lโ€™รฒpera verdiana demana, estan sortosament un graรณ o potser dos, per sobre. La nord-americana ย Julianna di Giacomo, que la propera temporada estร  previst que canti Maddalena di Coigny al Liceu alternant-se amb Radvanovski, รฉs una Elisabetta correcta, mรฉs aviat freda, perรฒ al menys en el seu cant sโ€™aprecien intents reeixits dโ€™una certa classe. En canvi la mezzosoprano russa Ekaterina Gubanova hi oposa mรฉs passiรณ i sโ€™agraeix, perรฒ no controla bรฉ les intensitats i es queda curta en els moments on el rol i la partitura demanen mรฉs per acabar de rematar el seu agraรฏt rol.
Oleg Tsybulko รฉs un bon frate, com ho รฉs Laura Giordano una veu del cel, no sรฉ si dir que รฉs un luxe perquรจ la carrera de la soprano italiana sembla que no acaba de ser allรฒ que directors com el mateix Mehta o Muti feien presagiar en els inicis de la carrera de la soprano.
La producciรณ de Giancarlo del Monaco, co-produรฏda amb Bilbao, Oviedo, Sevilla i Tenerife รฉs conceptualment maca, perรฒ teatralment massa estร tica. Del Monaco utilitza uns dissenys escenogrร fics clร ssics i un vestuari sumptuรณs que no acaben de construir lโ€™entorn dramร tic que hom espera dโ€™un director en altre temps fins i tot polรจmic, perรฒ que sempre intentava oferir en les seves propostes intensitat dramร tica. Sembla mรฉ suna producciรณ de Hugo de Ana o fins i tot dโ€™Emilio Sagi, que no pas una producciรณ del fill del gran tenor florentรญ. Possiblement amb uns cantants mรฉs implicats i potser la culpa tambรฉ รฉs en part seva, la representaciรณ no haguรฉs acabat sent tan freda i distant.
Giuseppe Verdi DON CARLO Grand Opรฉra in 4 atti di Joseph Mรฉry e Camille du Locle dal poema drammatico Don Carlos, Infant von Spanien di Friedrich von Schiller
Filippo II, re di Spagna, Dmitry Beloselskiy Don Carlo, infante di Spagna, Roberto Aronica Rodrigo, marchese di Posa, Massimo Cavalletti il grande Inquisitore, Eric Halfvarson un frate, Oleg Tsybulko Elisabetta di Valois, Julianna Di Giacomo Tebaldo, suo paggio, Simona Di Capua la principessa Eboli, Ekaterina Gubanova il conte di Lerma, Enrico Cossutta lโ€™araldo reale, Saverio Fiore una voce dal cielo, Laura Giordano
Orchestra e Coro del Maggio Musicale Fiorentino maestro del coro Lorenzo Fratini Director musical:ย Zubin Mehta Director dโ€™escena: Giancarlo Del Monaco (regista associata Sarah Schinasi) Escenografia:ย Carlo Centolavigna Disseny de vestuari: Jesรบs Ruiz Disseny de llums: Wolfgang von Zoubek
Teatre de lโ€™ร’pera de Florรจncia, 5 de maig de 2017
Mรฉs informaciรณ a:
http://www.operadifirenze.it/events/don-carlo-2/
Nomรฉs cal repassar la histรฒria del Maggio Musicale per veure que el repartiment del que avui us parlo aquรญ, no รฉs digne de la seva gloriosa histรฒria i el que em sembla mรฉs estrany รฉs com un director com Zubin Mehta els accepti.
MAGGIO MUSICALE FIORENTINO 2017: DON CARLO (ARONICA-CAVALETTI-BELOSELSKIY-DI GIACOMO-GUBANOVA;DEL MONACO-MEHTA) El prestigiรณs Maggio Musicale Fiorentino va inaugurar el dia 5 de maig l'ediciรณ d'enguany amb elโ€ฆ
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demoura ยท 5 years ago
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TEMPORADA LรRICA DO S.CARLOS ;LA FORZA DEL DESTINO DE VERDI ...UMA BOA ESTREIA ! nรฃo posso esquecer La Forza del Destino a que assisti em 2005 na Bayerische Staasoper com direcรงรฃo musical de Fabio Luisi, o falecido Marcelo Giordani como Don รlvaroe Violet a Urmana como Leonora ! . O nรญvel musical e vocal da produรงรฃo foi fascinante mas detestei a encenaรงรฃo de David Alden .
Pois na produรงรฃo do S.Carlos a encenaรงรฃo ( a despeito de algumas crรญticas ) รฉ o seu maior trunfo .David Pountney faz do destino fatal โ€œ fatalita โ€œum personagem metafรณrico .Como a tragรฉdia se desenrola a partir da morte do marquรชs de Calatrava num disparo acidental ,Pountney pega nos personagens perifรฉricos de Preziosilla e de Curra uma cigana guerreira - e a empregada de Leonora, e transforma -as em Destiny, que dirige o guiรฃo da opera desde que soam os acorde da abertura.ร€s vezes mascarada, outras com cartola e penachos como uma artista de cabarรฉ, a Preziosilla de Catia Moreso domina a aรงรฃo.
Pountney divide a รณpera - a primeira de uma trilogia de Verdi na ร“pera Nacional de Gales - em duas partes, Paz e Guerra. mantendo uma acรงรฃo fluida mergulhando de uma cena diretamente para a seguinte, auxiliado pelos cenรกrios (vulgares ) de Raimund Bauer .A รณpera cujo enredo se alastra , รฉ uma sรฉrie de quadros โ€œpesantesโ€, mas Pountney consegue coerรชncia . Troca duas cenas no Ato III antecipando a cena dos soldados - aqui uma revista macabra no Piccolo Teatro della Guerra um momento demasiado Kitsch e o pior da encenaรงรฃo ...Imagens de vรญdeo de um revรณlver e uma gigantesca roda da fortuna lembram o acidente fatal, assim como o sangue que escorre continuamente da parede contra a qual o marquรชs desabou; Quer Leonora, buscando refรบgio como eremita, quer Don Carlo esfregam as mรฃos nele. Uma enorme janela desenha uma cruz, o mosteiro iluminado em azul e povoado por monges em penitรชncia com vestes ensanguentadas e mitras fixadas por coroas de espinhos, que se autoflagelam . A Cena final รฉ de grande impacto..
Antonio Piroli dirigiu de forma empolgante a Orquestra Sinfonica Portuguesa, (em noite feliz ) revelando com verve ,do princรญpio ao fim , a beleza da partitura de Verdi .No elenco os meus destaques vรฃo para o soprano spinto da americana Julianna Di Giacomo que criou uma vibrante Leonora .Nos portugueses embora com algumas estridรชncias Cรกtia Moreso foi uma Preziosilla surpreendente ( notรกvel . โ€œ Rataplan โ€œ numa das melhores cenas ) . Infelizmente o tenor โ€œ de forzaโ€ lituano Kristhian Benedikt foi substituรญdo pelo โ€œjump inโ€ Rafael Alvarez que nรฃo me convenceu .O barรญtono . Damiano Salerno foi um Don Carlo de qualidade superior. Voz poderosa, timbre agradรกvel Quanto ao restante elenco deixarei para o lรกtego de Jorge Calado ...O Coro dos ex-grevistas voltou a cantar para os burgueses assinantes (alvo selectivo ) e cumpriu embora nรฃo possa fazer esquecer o Coro de Munique ....Uma estreia positiva acima das expectativas .16/ 20 .
O
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lemon2sang ยท 5 years ago
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(์‚ฌ์ง„ ์ถœ์ฒ˜ : - ๋ณผํ”„๊ฐ• ์ƒค์šฐํ”Œ๋Ÿฌ , ' ๋ง๋Ÿฌ๋ฅผ ์ฐพ์•„์„œ ' ) <ํด๋ผ์šฐ๋””์˜ค ์•„๋ฐ”๋„Claudio Abbado> MAHLER: Symphony No. 6 in A minor "Tragic" Claudio Abbado (conductor) Lucerne Festival Orchestra 2006/08/10 Surround, Digital Concert Hall of the Culture and Convention Centre, Lucerne https://www.youtube.com/watch?v=YsEo1PsSmbg ๋‹น์‹ ์€ ์–ธ์  ๊ฐ€ ๋นˆ์—์„œ ๋ณธ ์žฅ๋ก€ํ–‰๋ ฌ์ด ๋ง๋Ÿฌ๋ฅผ ์ดํ•ดํ•˜๋Š” ๋ฐ ํฌ๊ฒŒ ๋„์›€์ด ๋˜์—ˆ๋‹ค๋Š” ์ด์•ผ๊ธฐ๋ฅผ ํ•œ ์ ์ด ์žˆ๋‹ค. ์•„๋ฐ”๋„: ๊ทธ๋ ‡๋‹ค. ๊ทธ๊ฑด ๋Œ€๋‹จํžˆ ์ค‘์š”ํ•œ ๊ฒฝํ—˜์ด์—ˆ๋‹ค. ๋ฌ˜์ง€๋กœ ์ด์–ด์ง€๋Š” ๋ Œ๋ฒ ํฌRennweg๋ผ๋Š” ๊ฑฐ๋ฆฌ์˜€๋Š”๋ฐ, ์žฅ๋ก€ ํ–‰๋ ฌ์ด ์•…๋Œ€์™€ ํ•จ๊ป˜ ๊ทธ๊ณณ์„ ์ง€๋‚˜๊ฐ”๋‹ค. ๊ฒ€์€ ์˜ท์„ ์ž…์€ ์‚ฌ๋žŒ๋“ค์ด ์Šฌํ””์— ์ž ๊ฒจ ์žˆ์—ˆ๊ณ , ์ƒ์—ฌ๊ฐ€ ์žˆ์—ˆ๊ณ , ๋ชจ๋“  ๊ฒƒ์ด ์•„์ฃผ ๋Š๋ฆฌ๊ฒŒ ์›€์ง์˜€๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์ด ํ•จ๊ป˜ ํ•˜๋Š” ํ–‰๋ ฌ ๊ฐ™์•˜๋‹ค. ์‹ค๋กœ ์žฅ์ค‘ํ•œ ํ–‰๋ ฌ์ด์—ˆ๋‹ค! 1950๋…„๋Œ€์˜€๋Š”๋ฐ, ์•„์‰ฝ๊ฒŒ๋„ 1960๋…„๋Œ€์— ๋“ค์–ด์˜ค๋ฉด์„œ ์ด๋Ÿฐ ๊ด‘๊ฒฝ์€ ์‚ฌ๋ผ์ง€๊ณ  ๋ง์•˜๋‹ค. (p23-24) ๋ง๋Ÿฌ ์Œ์•…์„ ์ง€ํœ˜ํ•˜๋ ค๋Š” ์ Š์€ ์ง€ํœ˜์ž๋“ค์—๊ฒŒ ์–ด๋–ค ์ถฉ๊ณ ๋ฅผ ํ•ด์ฃผ๊ณ  ์‹ถ์€๊ฐ€? ์•„๋ฐ”๋„: ํƒ๊ตฌํ•˜๊ณ , ๋˜ ํƒ๊ตฌํ•˜๊ณ , ๋” ๊นŠ์ด ํƒ๊ตฌํ•˜๊ณ .... ์ž๊ธฐ ์ž์‹ ์˜ ๊ฒฝํ—˜๊ณผ ๊ฐœ์„ฑ์„ ์Œ์•…์— ๋‹ด์•„๋‚ด๋ผ๊ณ  ์–˜๊ธฐํ•˜๊ณ  ์‹ถ๋‹ค. ์‚ฌ๋žŒ์€ ๋ˆ„๊ตฌ๋‚˜ ์ €๋งˆ๋‹ค์˜ ์ธ์ƒ์—์„œ ์‚ฌ๋ž‘๊ณผ ์ฃฝ์Œ์„ ๋Œ€๋ฉดํ•˜๊ฒŒ ๋œ๋‹ค. ๊ทธ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์•…๋ณด์—์„œ ํ•ญ์ƒ ์ƒˆ๋กœ์šด ๊ฒƒ์„ ๋ฐœ๊ฒฌํ•˜๋ ค๊ณ  ๋…ธ๋ ฅํ•ด์•ผ ํ•œ๋‹ค. ๋ง๋Ÿฌ๊ฐ€ ์ง„์ •์œผ๋กœ ์›ํ•œ ๊ฒƒ์ด ๋ฌด์—‡์ด์—ˆ๋Š”์ง€ ์ •ํ™•ํžˆ ์•Œ์•„๋‚ด๊ธฐ๋Š” ์–ด๋ ต๋‹ค. (p25) <๋‹ค๋‹ˆ์—˜ ๋ฐ”๋ Œ๋ณด์ž„Daniel Barenboim> MAHLER: Symphony No. 5 in C sharp minor Daniel Barenboim (conductor) Chicago Symphony Orchestra 1997/06 Stereo, Digital Philharmonie, Koeln https://open.spotify.com/album/2xhhbZySK489esUAtrs65j ๋ฐ”๋ Œ๋ณด์ž„: ๋‚œ ์ ์  ๋” ๋ง๋Ÿฌ์—๊ฒŒ ๋น ์ ธ๋“ค์—ˆ๋‹ค. ์—ฌ๊ธฐ์„œ ๋‚ด๊ฐ€ ํ•œ ๋™์•ˆ ๋ชฐ๋‘ํ–ˆ๋˜ ๋ฐ”๊ทธ๋„ˆ ์Œ์•…์ด ํฐ ์—ญํ• ์„ ํ–ˆ์Œ์„ ๊ณ ๋ฐฑํ•˜์ง€ ์•Š์„ ์ˆ˜ ์—†๋‹ค. ๋ฐ”๊ทธ๋„ˆ๊ฐ€ ๋ง๋Ÿฌ์—๊ฒŒ ๋ผ์นœ ์˜ํ–ฅ์ด ๋ฌด์‹œ๋˜๋Š” ๊ฒฝ์šฐ๊ฐ€ ๋„ˆ๋ฌด ๋งŽ์€ ๊ฒƒ ๊ฐ™๋‹ค. ์‚ฌ๋žŒ๋“ค์€ ํ”ํžˆ ๋ง๋Ÿฌ์˜ ์œ ๋Œ€์ธ ํ˜ˆํ†ต์— ๋Œ€ํ•ด, ๋˜ ํด๋ ˆ์ฆˆ๋จธ ์Œ์•…(๋™์œ ๋Ÿฝ ์œ ๋Œ€์ธ๋“ค์˜ ์ „ํ†ต ์Œ์•…)์ด๋‚˜ ์ •์‹ ๋ถ„์„ํ•™์˜ ์˜ํ–ฅ์— ๋Œ€ํ•ด์„œ๋งŒ ์ž…์— ์˜ฌ๋ฆฌ๊ณค ํ•œ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ธฐ๋ณธ์ ์œผ๋กœ ๋ฐ”๊ทธ๋„ˆ ์—†์ด๋Š” ๋ง๋Ÿฌ๊ฐ€ ์กด์žฌํ•  ์ˆ˜ ์—†์—ˆ์„ ๊ฒƒ์ด๋‹ค. ๋ฌด์—‡๋ณด๋‹ค ํฅ๋ฏธ๋กœ์šด ๊ฒƒ์€ ๋ง๋Ÿฌ๊ฐ€ ํ•œ ๋ฐœ์€ ๋ฐ”๊ทธ๋„ˆ์˜ ์„ธ๊ณ„์—, ๋‹ค๋ฅธ ํ•œ ๋ฐœ์€ ์‡ค๋ฒ ๋ฅดํฌ์˜ ์„ธ๊ณ„์— ๋”›๊ณ  ์„œ ์žˆ๋‹ค๋Š” ์ ์ด๋‹ค. ๋‹ค์‹œ ๋งํ•ด ํ•œ ๋ฐœ์€ ๊ณผ๊ฑฐ์—, ๋˜ ๋‹ค๋ฅธ ํ•œ ๋ฐœ์€ ๋ฏธ๋ž˜์— ๋†“์—ฌ ์žˆ๋‹ค. ์ด๋ ‡๋“ฏ ๋ง๋Ÿฌ๋Š” ๋ณ€ํ™”์˜ ํ•œ๋ณตํŒ์— ์„œ ์žˆ๋Š” ์ธ๋ฌผ์ด๋‹ค. ๊ทธ์˜ ์Œ์•…์€ ์—ญ์‚ฌ์  ๋ชจ๋”๋‹ˆ์ฆ˜์„ ๋Œ€ํ‘œํ•˜๋Š”๋ฐ, ๋‚œ ๊ฐํžˆ ์ด๊ฒƒ์ด ์ „๋ฌดํ›„๋ฌดํ•œ ์ผ์ด๋ผ๊ณ  ๋งํ•˜๊ณ  ์‹ถ๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์ด ํ•˜์ด๋“ ๊ณผ ๋ชจ์ฐจ๋ฅดํŠธ์—์„œ ์‹œ์ž‘ํ•ด ๋ฒ ํ† ๋ฒค, ์Šˆ๋งŒ, ๋ธŒ๋žŒ์Šค, ๋ธŒ๋ฃจํฌ๋„ˆ๋ฅผ ๊ฑฐ์น˜๋Š” ๋ชจ๋“  ๋ณ€ํ™”์™€ ๋ฐœ์ „์„ ๊ฐ€๋ฅด์ณ์ค„ ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์˜ˆ๋ถ€ํ„ฐ ์ „ํ•ด์ ธ์˜ค๋Š” ํ˜•์‹๋“ค์˜ ์ดํ•ด๋ฅผ ๋•๋Š” ์•ˆ๋‚ด์ž ์—ญํ• ๋„ ํ•˜๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์šฐ๋ฆฌ๋Š” 20์„ธ๊ธฐ์—๋‚˜ ์–ด์šธ๋ฆด ๋ฒ•ํ•œ ๋‚ด์šฉ, 19์„ธ๊ธฐ์  ์Œ์•… ํ‘œํ˜„ ๋ฐฉ์‹, ํ™•์žฅ๋œ 18์„ธ๊ธฐ์˜ ๊ตฌ์กฐ๊ฐ€ ๊ฒฐํ•ฉ๋œ ๊ธฐ๋ฌ˜ํ•œ ์กฐํ•ฉ๊ณผ ๋งž๋‹ฅ๋œจ๋ฆฌ๊ฒŒ ๋œ๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์˜ ๋ณต์žก์„ฑ์€ ๊ฒฐ๊ตญ 3์„ธ๊ธฐ์— ๊ฑธ์นœ ์Œ์•…์  ์‚ฌ๊ณ ์˜ ์ถ•์ ์œผ๋กœ ๋นš์–ด์ง„ ๊ฒƒ์ด๋‹ค. ๋ฐ”๋กœ ์ด ์ ์ด ๋‚ด๊ฒŒ ์™€ ๋‹ฟ์•˜๋‹ค. (p30-31) ๋ฐ”๋ Œ๋ณด์ž„: ์Œ์•…์€ ํ•˜๋‚˜์˜ ์™„์ „ํ•œ ์„ธ๊ณ„์ด๊ณ , ์‚ฌ๋žŒ๋“ค์€ ์ด์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•  ์ˆ˜ ์žˆ๋‹ค. ์šฐ๋ฆฌ๋Š” ์ž์—ฐ์— ๋Œ€ํ•ด ํ˜น์€ ์ •์‹ ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•˜๊ณ , ์‚ฐ์ด๋‚˜ ๋„์‹œ ์‚ฌ๋ง‰์— ๋Œ€ํ•ด์„œ๋„ ์ด์•ผ๊ธฐํ•  ์ˆ˜ ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์˜จ์ „ํ•œ ์„ธ๊ณ„๋Š” ๊ทธ ์ด์ƒ์˜ ๊ฒƒ์„ ์•„์šฐ๋ฅธ๋‹ค. ์šฐ๋ฆฌ๊ฐ€ ๋ง๋Ÿฌ๊ฐ€ ๋ณด์˜€๋˜ ์‹ ๊ฒฝ๊ณผ๋ฏผ์ด๋‚˜ ๋ฐ˜์œ ๋Œ€์ฃผ์˜์— ๋Œ€ํ•œ ๋‘๋ ค์›€์„ ๋งํ•  ์ˆ˜๋Š” ์žˆ์ง€๋งŒ, ์ด๋Š” ๋ชจ๋‘ ํ•˜๋‚˜์˜ ์„ธ๊ณ„๋ฅผ ๊ตฌ์„ฑํ•˜๋Š” ์š”์†Œ์— ๋ถˆ๊ณผํ•˜๋‹ค. ๋ชจ๋“  ๊ฒƒ์ด ๊ทธ ์„ธ๊ณ„ ์†์— ๋“ค์–ด ์žˆ๋‹ค. ๋‹ค๋ฅธ ์œ„๋Œ€ํ•œ ์Œ์•…๊ฐ€์˜ ๊ฒฝ์šฐ๋„ ๋งˆ์ฐฌ๊ฐ€์ง€๋‹ค. ์Œ์•…๊ฐ€๋Š” ๋Œ€์œ„๋ฒ•์ด๋‚˜ ์„ ์œจ, ๋ฆฌ๋“ฌ๋งŒ์ด ์•„๋‹ˆ๋ผ ์กด์žฌ ๊นŠ์€ ๊ณณ์—์„œ ์ž์‹ ์ด ๋Š๋‚€ ๊ฐ์ •์„ ์šฐ๋ฆฌ์—๊ฒŒ ์ „๋‹ฌํ•œ๋‹ค. ๋ง๋Ÿฌ๋Š” "ํ•ญ์ƒ ์‹ ๋น„๋กœ์›€์€ ์กด์žฌํ•œ๋‹ค, ์ฐฝ์กฐ์ฃผ์—๊ฒŒ์กฐ์ฐจ"๋ผ๊ณ  ๋งํ–ˆ๋‹ค. ๋ฐ”๋ Œ๋ณด์ž„: ๋ฐ”๋กœ ๊ทธ๊ฑฐ๋‹ค. (p40) < ํ—ค๋ฅด๋ฒ ๋ฅดํŠธ ๋ธ”๋ฃธ์Šคํ…ŒํŠธHerbert Blomstedt> BRUCKNER: Symphony No. 6 in A major Herbert Blomstedt (conductor) Berliner Philharmoniker 2010/06/04 Stereo, Digital Philarmonie, Berlin https://www.digitalconcerthall.com/en/concert/335 ๋ง๋Ÿฌ์™€ ๋ธŒ๋ฃจํฌ๋„ˆ ์Œ์•…์„ ์—ฐ์ฃผํ•  ๋•Œ ์ฐจ์ด๊ฐ€ ์žˆ๋Š”๊ฐ€? ๋ธ”๋ฃธ์Šคํ…ŒํŠธ: ๋ฌผ๋ก ์ด๋‹ค. ์•„์ฃผ ํฐ ์ฐจ์ด๊ฐ€ ์žˆ๋‹ค. ๋ธŒ๋ฃจํฌ๋„ˆ ์Œ์•…์„ ์ง€ํœ˜ํ•˜๋ฉด ๊ทธ ์Œ์•…์ด ๊ฐ๊ด€์  ์ง„๋ฆฌ์ž„์„ ๊นจ๋‹ซ๊ฒŒ ๋œ๋‹ค. ๊ฐ์„ฑ์ด ์ถฉ๋งŒํ•œ, ์ง€๊ทนํžˆ ๊ฐœ์ธ์ ์ธ ์Œ์•…์ด๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ทธ๊ฒƒ์€ ๋ธŒ๋ฃจํฌ๋„ˆ์˜ ๊ฐ์„ฑ์ด ์•„๋‹ˆ๋‹ค. ๋ฒ ํ† ๋ฒค์„ ๋– ์˜ฌ๋ ค๋ณด๋ผ. ๋ฒ ํ† ๋ฒค์ด ํ‘œํ˜„ํ•˜๋Š” ๋‘๋ ค์›€์€ ๊ทธ์˜ ๊ฒƒ์ด ์•„๋‹Œ, ์ธ๋ฅ˜ ์ „์ฒด์˜ ๊ฒƒ์ด๋‹ค. ๋ธŒ๋ฃจํฌ๋„ˆ์—๊ฒŒ์„œ๋„ ์ด์™€ ๋˜‘๊ฐ™์€ ์ธก๋ฉด์„ ๋Š๋‚„ ์ˆ˜ ์žˆ๋‹ค. ๋ฐ˜๋ฉด ๋ง๋Ÿฌ๋Š” ์˜จ์ „ํžˆ ์ž์‹ ์˜ ๊ฐ์„ฑ์„ ํ‘œ์ถœํ•˜๋ฉด์„œ ๊ทธ๊ฒƒ์ด ์šฐ๋ฆฌ ๊ฒƒ์ด๊ธฐ๋„ ํ•˜๋‹ค๋Š” ์ ์„ ๋“œ๋Ÿฌ๋‚ธ๋‹ค. '๊ทธ๋ž˜, ย ๋‚ด ์•ˆ์—๋„ ๋น„์Šทํ•œ ๊ฒŒ ์žˆ์–ด' ํ˜น์€ '๊ทธ๋„ ๋‚˜์ฒ˜๋Ÿผ ๊ดด๋กœ์›Œํ•˜๋„ค', ์ด๋Ÿฐ ์‹์œผ๋กœ ๊ทธ๋Š” ์‚ฌ๋žŒ๋“ค์˜ ํ˜ธ๊ฐ์„ ์–ป์–ด๋ƒˆ๋‹ค. ๋ธŒ๋ฃจํฌ๋„ˆ ์Œ์•…์€ ์ด์™€๋Š” ์ „ํ˜€ ๋‹ค๋ฅธ ๊ธฐ๋ฐ˜ ์œ„์— ์„œ ์žˆ๋‹ค. ๊ทธ์˜ ์Œ์•…์ด ๊ฐœ์ธ์ ์ธ ๊ฒƒ์€ ๋ถ„๋ช…ํ•˜๋‚˜, ๊ทธ๋ ‡๋‹ค๊ณ  ์ฃผ๊ด€์ ์ด์ง€๋Š” ์•Š๋‹ค. ๊ทธ๋ ‡๊ธฐ ๋•Œ๋ฌธ์— ๊ฑฐ๊ธฐ์„œ ์ด๋ฅธ๋ฐ” ์ง„๋ฆฌ๋ฅผ ๋ฐœ๊ฒฌํ•  ์ˆ˜ ์žˆ๋‹ค. ๋‚ด๊ฐ€ ๋ง๋Ÿฌ ์Œ์•…์—์„œ ๋งค์šฐ ์•„๋ฆ„๋‹ต๋‹ค๊ณ  ์ƒ๊ฐํ•˜๋Š” ์ˆœ๊ฐ„ ์ค‘ ํ•˜๋‚˜๋Š” ๊ทธ๊ฐ€ ์ด์ƒ์ ์ธ ์„ธ๊ณ„, ์ฒœ์ƒ์—์„œ์˜ ์™„์ „ํ•œ ํ–‰๋ณต๊ฐ์„ ๊ทธ๋ ค๋‚ด๋Š” ๋•Œ๋‹ค. ๋ฟ”ํ”ผ๋ฆฌ ๋…ธ๋ž˜๋“ค์—์„œ์ฒ˜๋Ÿผ ๋ง์ด๋‹ค. ์‚ฌ๋žŒ๋“ค์€ ์ง„์ •์œผ๋กœ ์ž์‹ ์ด ์›ํ•˜๋Š” ๋ฐ”๋กœ ๊ทธ๊ณณ์— ์žˆ๋Š” ๋“ฏํ•œ ๋†€๋ผ์šด ๋Š๋‚Œ์— ์‚ฌ๋กœ์žกํžˆ๊ฒŒ ๋œ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋ธŒ๋ฃจํฌ๋„ˆ ์Œ์•…์—์„œ ๋Š๋‚Œ์€ ๊ทธ์ € ํ™˜์ƒ์— ๋ถˆ๊ณผํ•˜๋ฉฐ, ๋ถˆ๊ณผ ์„ธ ๋งˆ๋”” ์ •๋„๋งŒ ์ง€๋‚˜๋ฉด ๊ณง ์žŠํžˆ๊ณ  ๋งŒ๋‹ค. ๊ทธ์— ๋น„ํ•ด ๋ง๋Ÿฌ๋Š” ํ˜„์‹ค์ด ์•„๋‹Œ ๊ฒƒ์„ ๊ฟˆ๊ฟ€ ๋งŒํ•œ ๊ฐ€์น˜๊ฐ€ ์žˆ์Œ์„ ๋ณด์—ฌ์ค€๋‹ค. ๊ฟˆ๊พธ๊ธฐ๋ฅผ ์ค‘๋‹จํ•˜๋ฉด ์•ˆ ๋œ๋‹ค. ํ•œํŽธ ๋ธŒ๋ฃจํฌ๋„ˆ๋Š” ํ˜„์‹ค์ ์ธ ์ƒํ™ฉ์„ ๋งŒ๋“œ์–ด๋‚ธ๋‹ค. ์ด๋ ‡๋“ฏ ๋ง๋Ÿฌ์™€ ๋ธŒ๋ฃจํฌ๋„ˆ๋Š” ํ™•์—ฐํžˆ ๋‹ค๋ฅด๋ฉฐ, ๊ทธ๋“ค์ด ์šฐ๋ฆฌ๋ฅผ ์ž๊ทนํ•˜๋Š” ์ธก๋ฉด ๋˜ํ•œ ์™„์ „ํžˆ ๋‹ค๋ฅด๋‹ค. (p47-48) <ํ”ผ์—๋ฅด ๋ถˆ๋ ˆ์ฆˆPierre Boulez> BERG: Chamber Concerto for Piano, Violin and 13 Wind Instruments, 3 Pieces for Orchestra op. 6 Daniel Barenboim (Piano) Saschko Gawriloff (Violin) Pierre Boulez (conductor) BBC Symphony Orchestra 1967/03/23 Stereo, Analog Walthamstow, England https://open.spotify.com/album/4o3Y1hodgSaGcQRLANZ06C ๋ถˆ๋ ˆ์ฆˆ: ์ž‘๊ณก์„ ํ•  ๋•Œ, ๋ง๋Ÿฌ๋Š” ๋ชจํ‹ฐํ”„์™€ ์ฃผ์ œ๋ฅผ ์”จ์‹ค๊ณผ ๋‚ ์‹ค์ด ๊ต์ฐจํ•˜๋“ฏ ์•„์ฃผ ์‹ ์ค‘ํ•˜๊ณ  ์ •์„ฑ์Šค๋Ÿฝ๊ฒŒ ์งœ๋‚˜๊ฐ”๋‹ค. ๊ฐ์ •์€ ๊ณ„์†ํ•ด์„œ ์ฆ‰ํฅ์ ์œผ๋กœ ์†Ÿ์•„๋‚˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋‹ค. ๊ฐ์ •์ด ๊ตฌ์กฐ์ ์ด๋ผ๋Š” ์‚ฌ์‹ค์€ ์•„์ฃผ ์ค‘์š”ํ•˜๋‹ค. (...) ๊ฐœ์ธ์ ์œผ๋กœ ๋ง๋Ÿฌ ์Œ์•…์ด ์ข€ ๋” ๋ช…ํ™•ํ•ด์กŒ์œผ๋ฉด ํ•˜๋Š” ๋ฐ”๋žŒ์ด ์žˆ์—ˆ๋‹ค. ํ”„๋ž‘์Šค ์ „ํ†ต์—์„œ๋Š” ๊ด€ํ˜„์•…๊ณก๋„ ๊ทธ๋ ‡๊ณ  ์ž‘ํ’ˆ์ด ๋น„๊ต์  ์งง์€ ํŽธ์ด๋‹ค. ์ด๋ฅธ๋ฐ” ์ œ2 ๋นˆ ์•…ํŒŒ๋ผ๊ณ  ๋ถˆ๋ฆฌ๋Š” ๊ทธ๋ฃน์—์„œ๋„ ์งง์€ ์ž‘ํ’ˆ๋“ค์ด ๋Œ€์„ธ๋‹ค. ๋ฐ˜๋ฉด ๋ง๋Ÿฌ์˜ ๊ฒฝ์šฐ๋Š” ํ•œ ์•…์žฅ์ด 30๋ถ„์”ฉ ๊ฑธ๋ฆฌ๊ธฐ๋„ ํ•˜๋Š”๋ฐ, ๊ทธ๊ฒƒ์€ ๊ทธ ์•…์žฅ์ด ๊ทธ๏ฟฝ๏ฟฝ ๊ตฌ์กฐ๋ฅผ ์ง€๋‹ ์ˆ˜๋ฐ–์— ๏ฟฝ๏ฟฝ๏ฟฝ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๋‹จ์ˆœํ•˜๊ฒŒ ์ด ์ˆœ๊ฐ„์— ์ด๋Ÿฐ ๊ฐ์ •์ด์—ˆ๋‹ค๊ฐ€ ๋˜ ๋‹ค๋ฅธ ๊ฐ์ •์ด ์ฐพ์•„์˜ค๊ณ ... ์ค‘๊ฐ„์— ๋š ๋Š๊ฒผ๋‹ค๊ฐ€ ์—ฌ๊ธฐ์„œ ์ €๊ธฐ๋กœ ํ›… ๋„˜์–ด๊ฐ€๋Š” ์‹์œผ๋กœ ์ง„ํ–‰๋˜์ง€ ์•Š๋Š”๋‹ค. (p56) ๋ถˆ๋ ˆ์ฆˆ: ๋ง๋Ÿฌ ์Œ์•…์—์„œ ํ•ต์‹ฌ์€ ํ…œํฌ๋‹ค. ์–ธ์  ๊ฐ€ ๋ง๋Ÿฌ๋Š” ์—ฐ์ฃผ๋ฅผ ๋“ฃ๊ณ  ๋‚˜์„œ ํ•ด๋‹น ์ง€ํœ˜์ž๋ฅผ ๋ฌด์‹œํ•˜๋Š” ๋“ฏํ•œ ๋ฐœ์–ธ์„ ํ•œ ์ ์ด ์žˆ๋‹ค. ์œ ์—ฐ์„ฑ์ด ๋ถ€์กฑํ•˜๋‹ค๊ณ  ๋น„ํŒํ–ˆ๋‹ค. ๋ณผ๋ ˆ์ฆˆ: ๋ง๋Ÿฌ๋Š” '์ฒ˜์ง€์ง€ ์•Š๊ฒŒ'๋ผ๋“ ๊ฐ€ '์„œ๋‘๋ฅด์ง€ ์•Š๊ฒŒ' ๊ฐ™์€ ์ง€์‹œ์–ด๋ฅผ ์ž์ฃผ ์‚ฌ์šฉํ–ˆ๋‹ค. ์–ธ์ œ๋‚˜ ๋ถ€์ •์ ์ด์—ˆ๋‹ค. ๊ทธ๋งŒํผ ๊ฐ์ •์— ์น˜์šฐ์ณ์„œ ์ง€๋‚˜์น˜๊ฒŒ ๊ณผ์žฅ๋˜์ง€ ์•Š์„๊นŒ ๋Š˜ ์—ผ๋ คํ–ˆ๋‹ค. ๊ทธ์˜ ์ง€์ ์€ ์ •ํ™•ํ•˜๋‹ค. ํฅ๋ถ„ํ•˜๋ฉด ๊ตณ์ด ๋นจ๋ผ์ ธ์•ผ ํ•  ์ด์œ ๊ฐ€ ์—†๋Š”๋ฐ๋„ ํ…œํฌ๊ฐ€ ๊ณ ์กฐ๋  ์œ„ํ—˜์ด ์žˆ๋‹ค. ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ํ˜๋Ÿฌ๊ฐ€์•ผ ํ•œ๋‹ค. ํ…œํฌ๊ฐ€ ํฌ๋ ˆ์…ด๋„๋˜๋Š” ๊ฒฝ์šฐ, ๊ฐ€๋ น 4๋ถ„์˜ 4๋ฐ•์ž์—์„œ 2๋ถ„์˜ 2๋ฐ•์ž๋กœ ๋„˜์–ด๊ฐ€๋Š” ๊ฒฝ์šฐ์— ๊ทธ ์ดํ–‰์€ ์ ˆ๋Œ€ ๋‘๋“œ๋Ÿฌ์ง€์ง€ ์•Š์•„์•ผ ํ•œ๋‹ค. ์ด ์ ์€ ๋Œ€๋‹จํžˆ ์ค‘์š”ํ•˜๋‹ค. ํ•œ ๋ฐ•์—์„œ ๋‹ค๋ฅธ ๋ฐ•์œผ๋กœ ์ดํ–‰๋  ๋•Œ, ๊ธฐ๋ณธ์ ์œผ๋กœ ์ „ํ™˜์ด ์ด๋ฃจ์–ด์ง€๋Š” ์ˆœ๊ฐ„์„ ์•Œ์•„์ฐจ๋ฆด ์ˆ˜ ์—†์–ด์•ผ ํ•œ๋‹ค. ํŠนํžˆ ์ด๋Ÿฐ ์ˆœ๊ฐ„์ด ๋งˆ์ง€๋ง‰ ์•…์žฅ์— ๋“ฑ์žฅํ•˜๋Š” ๊ตํ–ฅ๊ณก 6๋ฒˆ์˜ ๊ฒฝ์šฐ์—๋Š” ๋”์šฑ ์ค‘์š”ํ•˜๋‹ค. ๋ฌผ๋ก  ์•ž์—์„œ๋„ ์ด ๊ฐ™์€ ์ˆœ๊ฐ„์ด ์—ฌ๋Ÿฌ ์ฐจ๋ก€ ๋‚˜์˜ค๊ธด ํ•˜์ง€๋งŒ, ๋งˆ์ง€๋ง‰ ์ˆœ๊ฐ„์—๋Š” ํ…œํฌ๊ฐ€ ์žฆ์•„๋“ค๋ฉฐ 4๋ฐ•์ด 2๋ฐ•์ด ๋˜์—ˆ๋‹ค๊ฐ€ ๋‹ค์‹œ 1๋ฐ•์œผ๋กœ ์ค„์–ด๋“ ๋‹ค. ํ๋ฆ„์ด ๋Š๊ธฐ์ง€ ์•Š๋„๋ก ๋ถ€๋“œ๋Ÿฝ๊ฒŒ ํ˜๋Ÿฌ๊ฐ€๊ฒŒ ํ•ด์•ผ ํ•œ๋‹ค. ์ผ๋ฐ˜์ ์œผ๋กœ ์ƒ์ดํ•œ ํ…œํฌ์˜ ์—ฐ๊ฒฐ์€ ๋งค์šฐ ์ค‘์š”ํ•œ๋ฐ, ๊ตํ–ฅ๊ณก 8๋ฒˆ์˜ 2๋ถ€์ฒ˜๋Ÿผ ํ…œํฌ ์‚ฌ์ด์˜ ์ผ๊ด€์„ฑ์„ ์ฐพ์•„๋‚ด์•ผ ํ•˜๋Š” ๊ฒฝ์šฐ์—๋Š” ๋”์šฑ ๊ทธ๋ ‡๋‹ค. (p57) ๋ง๋Ÿฌ์˜ ์ƒ์• ์™€ ์Œ์•… ์‚ฌ์ด์— ์—ฐ๊ด€ ๊ด€๊ณ„๊ฐ€ ์žˆ๋‹ค๊ณ  ์ƒ๊ฐํ•˜๋Š”๊ฐ€? ๋ถˆ๋ ˆ์ฆˆ: ๋‹น์—ฐํžˆ ์žˆ๊ฒ ์ง€๋งŒ, ๊ทธ๊ฒƒ์ด ๋ฌด์—‡์ธ์ง€๋ฅผ ๋ง๋กœ ํ‘œํ˜„ํ•˜๊ธฐ๋Š” ์–ด๋ ต๋‹ค. ๋ฐ˜์œ ๋Œ€์ฃผ์˜๋กœ ๊ณ ํ†ต๋ฐ›๊ณ  ์‹œ๋‹ฌ๋ฆฐ ์‚ฌ๋žŒ์€ ๋งŽ๋‹ค. ๋ง๋Ÿฌ๋ณด๋‹ค ๋” ํž˜๋“  ์‚ฌ๋žŒ๋„ ๋งŽ์•˜๋‹ค. ๊ทธ๋ ‡๋‹ค๊ณ  ๊ทธ๋“ค์ด ๋ง๋Ÿฌ์ฒ˜๋Ÿผ ๊ตํ–ฅ๊ณก 9๋ฒˆ์„ ์“ฐ์ง€๋Š” ์•Š์•˜๋‹ค. ๋„๋•์  ์ธก๋ฉด๊ณผ ๋ฏธํ•™์  ์ธก๋ฉด์„ ํ˜ผ๋™ํ•ด์„œ๋Š” ์•ˆ ๋œ๋‹ค. ๋Œ€๋‹จํžˆ ๋„๋•์ ์ด์ง€๋งŒ ๋ณด์ž˜๊ฒƒ์—†๋Š” ์Œ์•…์„ ์ž‘๊ณกํ•˜๋Š” ์‚ฌ๋žŒ๋„ ๋งŽ๊ณ , ์‚ฌ๋žŒ ์ž์ฒด๋งŒ ๋†“๊ณ  ๋ณด๋ฉด ๋ง๋„ ์•ˆ ๋  ๋งŒํผ ๋น„๋„๋•์ ์ด์ง€๋งŒ ์œ„๋Œ€ํ•œ ์Œ์•…์„ ์ž‘๊ณกํ•œ ์‚ฌ๋žŒ๋„ ์žˆ๋‹ค. ์˜ˆ๋ฅผ ๋“ค์–ด ๋“œ๋ท”์‹œ๋Š” ๋“œ๋ ˆํ“Œ์Šค๋ฅผ ๋ฐ˜๋Œ€ํ–ˆ์ง€๋งŒ, ๋ผ๋ฒจ์€ ์˜นํ˜ธํ•˜๋Š” ์ž…์žฅ์ด์—ˆ๋‹ค. ์—ฌ๊ธฐ์„œ๋„ ๊ทธ๋“ค์˜ ์ž…์žฅ๊ณผ ์Œ์•…์˜ ์—ฐ๊ด€์„ฑ์€ ์ฐพ์•„๋ณผ ์ˆ˜ ์—†๋‹ค. (p62) ๋ง๋Ÿฌ์™€ ๊ด€๋ จ๋œ ์ด๋Ÿฐ ์‹์˜ ์ผํ™”๋ฅผ ์กฐ์‹ฌํ•ด์•ผ ํ•˜๋Š”๊ฐ€? ๋ถˆ๋ ˆ์ฆˆ: ์•Œ๋งˆ๋ฅผ ์กฐ์‹ฌํ•ด์•ผ ํ•˜๋Š”๋ฐ, ์ด๋ฏธ ๋„ˆ๋ฌด ๋Šฆ์€ ๊ฒƒ ๊ฐ™๋‹ค. ๋ฐ”๋ Œ๋ณด์ž„์ด ๋‹น์‹ ์—๊ฒŒ ํ•œ ๋ง์ด ์‚ฌ์‹ค์ด๋‹ค. ์‚ฌ๋žŒ๋“ค์€ ๋ง๋Ÿฌ์˜ ์‹ฌ๋ฆฌ์™€ ๊ทธ๊ฐ€ ๊ฒช์€ ๋ถˆํ–‰ํ•œ ์ผ๋“ค์— ๋Œ€ํ•ด ์ง€๋‚˜์น˜๊ฒŒ ์™ˆ๊ฐ€์™ˆ๋ถ€ํ•˜๊ณ , ๊ทธ์˜ ์‹ฌ๋ฆฌ๋ฅผ ์ง€๋‚˜์น˜๊ฒŒ ๋ถ„์„ํ•˜๋ ค ๋“ ๋‹ค. (p67) ๋ง๋Ÿฌ๊ฐ€ ์ด๋ฃฉํ•œ ๊ฐ€์žฅ ํฐ ์„ฑ๊ณผ๋Š” ๋ฌด์—‡์ธ๊ฐ€? ๋ถˆ๋ ˆ์ฆˆ: ๋‹จ์ˆœํ•˜๊ณ  ํ‰๋ฒ”ํ•ด ๋ณด์ด๋Š” ๊ฒƒ์„ ๊ฐ€์ ธ๋‹ค๊ฐ€ ์™„์ „ํžˆ ๋‹ค๋ฅธ ์ƒˆ๋กœ์šด ๊ฒƒ์œผ๋กœ ๋ณ€ํ™”์‹œ์ผฐ๋‹ค๋Š” ์ ์ด๋‹ค. (p69) <๋ฆฌ์นด๋ฅด๋„ ์ƒค์ดRiccardo Chailly> MAHLER: Des Knaben Wunderhorn, Kindertotenlieder Brigitte Fassbaender, mezzo-soprano Riccardo Chailly (conductor) Deutsches Symphonie-Orchester Berlin (RSO Berlin) 1988/02 & 1989/01&03 Stereo, Digital Jesus-Christus-Kirche, Berlin https://open.spotify.com/album/7MaXVzcfynBdODk76UBm5N MAHLER: Symphony No. 10 in F sharp major Riccardo Chailly (conductor) Radio-Symphonie-Orchester Berlin 1986/10 Stereo, Digital Jesus-Christus-Kirche, Berlin https://open.spotify.com/album/1707uE6i1snoCz7jNDAl5X ์–ผ๋งˆ ๋‚จ์ง€ ์•Š์€ ๋ฉฉ์—˜๋ฒ ๋ฅดํ์˜ ๋…น์Œ๊ณผ ๋ธŒ๋ฃจ๋…ธ ๋ฐœํ„ฐ์˜ ๋…น์Œ์„ ๋น„๊ตํ•ด๋ณด๋ฉด, ๋ง๋Ÿฌ ์ „ํ†ต ์ดˆ๊ธฐ๋ถ€ํ„ฐ ์ด๋ฏธ ๊ทธ์˜ ์Œ์•…์— ์•„์ฃผ ์ƒ์ดํ•˜๊ฒŒ ์ ‘๊ทผํ•˜๋Š” ๋ฐฉ์‹์ด ๊ณต์กดํ–ˆ์Œ์„ ์•Œ ์ˆ˜ ์žˆ๋‹ค. ์ƒค์ด: ์‚ฌ๋žŒ๋“ค์€ ๋ธŒ๋ฃจ๋…ธ ๋ฐœํ„ฐ์˜ ํ•ด์„์ด ๋ฉฉ์—˜๋ฒ ๋ฅดํ์™€ ์ •๋ฐ˜๋Œ€๋ผ๊ณ  ์ƒ๊ฐํ•œ๋‹ค. ๋ฐœํ„ฐ๋Š” ์—„๊ฒฉํ•˜๊ณ  ์‹ ๊ณ ์ „์ฃผ์˜์  ์‚ฌ๊ณ ์˜ ์†Œ์œ ์ž์ด๋ฉฐ ์œตํ†ต์„ฑ ์—†๋Š” ๋นˆ ์•…ํŒŒ์— ์†ํ•˜๋Š” ์‚ฌ๋žŒ์ด์—ˆ๋‹ค. ๋ฐ”๋กœ ๊ทธ ์ ์ด ๊ตฐ๋”๋”๊ธฐ ์—†๋Š” ๊น”๋”ํ•œ ๋ง๋Ÿฌ๋ฅผ ์ด๋Œ์–ด๋‚ธ๊ฒŒ ์•„๋‹Œ๊ฐ€ ์‹ถ๋‹ค. ๋ฌด์–ธ๊ฐ€๋ฅผ ๋ง๋ถ™์ด๊ฑฐ๋‚˜ ํ™•์žฅํ•˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ๋ฐœํ„ฐ ์‹ ํ•ด์„์ด ๊ผญ ํ•„์š”ํ•˜๋‹ค. ์ด๋Š” ์ž์œ ๋กœ์šด ํ•ด์„์œผ๋กœ ์ธํ•ด ๊ธธ์„ ์žƒ์ง€ ์•Š์œผ๋ ค๋Š” ๊ณ ์ง‘์„ ์˜๋ฏธํ•˜๊ธฐ๋„ ํ•œ๋‹ค. ์ง€๊ธˆ๋„ ๋ฐœํ„ฐ๋Š” ์˜คํ†  ํด๋ ˜๋ฒ ๋Ÿฌ์™€ ํ•จ๊ป˜ ๋ง๋Ÿฌ ์Œ์•…์˜ ํ•ต์‹ฌ์ ์ธ ์ง€ํœ˜์ž๋กœ ์†๊ผฝํžŒ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์˜ค์Šค์นด์–ด ํ”„๋ฆฌํŠธ๊ฐ€ ์œ ์ผํ•˜๊ฒŒ ๋‚จ๊ธด ๊ตํ–ฅ๊ณก 2๋ฒˆ ์—ฐ์ฃผ๋„ ์•„์ฃผ ์ค‘์š”ํ•œ ์ž๋ฃŒ๋‹ค. ์ด๋ฏธ ์•Œ๋ ค์ง„ ๊ฒƒ์ฒ˜๋Ÿผ, ํ”„๋ฆฌํŠธ๋Š” ๋ง๋Ÿฌ์™€ ๋งŽ์€ ํ† ๋ก ์„ ๊ฑฐ์นœ ๋’ค์— ๋ฒ ๋ฅผ๋ฆฐ์—์„œ ์ด ๊ณก์„ ์ง€ํœ˜ํ–ˆ๋‹ค. ์ด๋•Œ ๋ง๋Ÿฌ๋Š” ์Œ์•…์— ๋Œ€ํ•œ ์ „๋ฐ˜์ ์ธ ํ•ด์„ ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ํ…œํฌ ์„ ์ •์— ๋Œ€ํ•ด์„œ๋„ ์ž์‹ ์˜ ๊ฒฌํ•ด๋ฅผ ๋ฐํ˜”๋‹ค. ๋งํ•˜์ž๋ฉด ์ด ๋…น์Œ์€ ๋‘ ์‚ฌ๋žŒ์˜ ์ง‘์ค‘์ ์ธ ํ† ๋ก ์„ ๊ฑฐ์ณ์„œ ์™„์„ฑ๋œ ๊ฒฐ๊ณผ๋ฌผ์ธ ์…ˆ์ด๋‹ค. (p75-76) ๋‹น์‹ ์€ ๋ผ์ดํ”„์น˜ํžˆ, ์•”์Šคํ…Œ๋ฅด๋‹ด, ๋ฒ ๋ฅผ๋ฆฐ์—์„œ ๋ง๋Ÿฌ๋ฅผ ์ง€ํœ˜ํ–ˆ๋Š”๋ฐ, ๊ฐœ์ธ์ ์œผ๋กœ ํŠน๋ณ„ํžˆ ์›ํ•˜๋Š” ๋ง๋Ÿฌ ์Œํ–ฅ์ด ์žˆ๋Š”๊ฐ€? ์ƒค์ด: ๊ทธ๊ฑด ์˜ค์ผ€์ŠคํŠธ๋ผ ์Œํ–ฅ์˜ ํŠน์„ฑ์— ๋‹ฌ๋ ค ์žˆ๋‹ค. ๋ฌด์—‡๋ณด๋‹ค ๋ง๋Ÿฌ ์Œ์•…์—์„œ๋Š” ๋‚ญ๋งŒ์ ์ธ ์Œํ–ฅ์„ ์ž˜ ์‚ด๋ฆฌ๋Š” ๊ฒƒ์ด ์ค‘์š”ํ•˜๋‹ค๊ณ  ์ƒ๊ฐํ•œ๋‹ค. ์—ฌ๊ธฐ์„œ ๋‚ญ๋งŒ์ ์ธ ์Œํ–ฅ์ด๋ž€ ์†Œ๋ฆฌ์˜ ๊นŠ์ด, ๋น„๋ฅด๋ผํ† ์˜ ๋ฌธํ™”, ์‹ฌํฌ๋‹ˆ ์˜ค์ผ€์ŠคํŠธ๋ผ์—์„œ ์ ์  ๋ณด๊ธฐ ํž˜๋“ค์–ด์ง€๋Š” ์„ธ๋ จ๋œ ํฌ๋ฅดํƒ€๋ฉ˜ํ† (portamento, ํ•œ ์Œ์—์„œ ๋‹ค๋ฅธ ์Œ์œผ๋กœ ์˜ฎ๊ฒจ ๊ฐˆ ๋•Œ ๋ถ€๋“œ๋Ÿฝ๊ฒŒ ๋ถ€๋ฅด๊ฑฐ๋‚˜ ์—ฐ์ฃผํ•˜๋Š” ๊ฒƒ)๋ฅผ ๋งํ•œ๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์ด ์ง€๋‹Œ ๋ฏธ๋ฌ˜ํ•œ ๋ฌธ์ œ๋Š” ์‰ฝ๊ฒŒ ๋ฐ‹๋ฐ‹ํ•ด์ง€๊ฑฐ๋‚˜ ์ง€๋‚˜์น˜๊ฒŒ ์ˆœ์ˆ˜ํ•ด์งˆ ์ˆ˜ ์žˆ๋‹ค๋Š” ์ ์ด๋‹ค. ํฌ๋ฅดํƒ€๋ฉ˜ํ† ๋ฅผ ์‰ฝ๊ฒŒ ์—†์• ๋ฒ„๋ฆด ์ˆ˜๋Š” ์žˆ๊ฒ ์ง€๋งŒ, ๊ทธ๋Ÿฐ ์„ ํƒ์€ ์ž˜๋ชป์ผ ์ˆ˜ ์žˆ๋‹ค. ๋…์ผ ๋‚ญ๋งŒ ์Œ์•…์„ ํ›Œ๋ฅญํžˆ ์†Œํ™”ํ•ด๋‚ผ ์ˆ˜ ์žˆ๋Š” ๋ผ์ดํ”„์น˜ํžˆ ๊ฒŒ๋ฐ˜ํŠธํ•˜์šฐ์Šค ์˜ค์ผ€์ŠคํŠธ๋ผ ๊ฐ™์€ ๊ด€ํ˜„์•…๋‹จ๊ณผ ์ž‘์—…ํ•  ๋•Œ๋Š” ๋ง๋Ÿฌ ์Œ์•…์ด ๋‹น์—ฐํžˆ ํฌ๊ฒŒ ์˜ํ–ฅ์„ ๋ฏธ์นœ๋‹ค. (p77) ๋งŒ์•ฝ ๋ง๋Ÿฌ๊ฐ€ ์ข€ ๋” ์˜ค๋ž˜ ์‚ด์•˜๋‹ค๋ฉด ๊ทธ์˜ ์Œ์•…์€ ์–ด๋–ป๊ฒŒ ๋ฐœ์ „ํ–ˆ์„๊นŒ? ์ƒค์ด: ๊ตํ–ฅ๊ณก 10๋ฒˆ์˜ '์•„๋‹ค์ง€์˜ค'๋ฅผ ๋ณด๋ผ. ๋‚ด๊ฐ€ ๋ณด๊ธฐ์—” ๊ทธ๊ฒƒ์ด ๋‹ต์ด๋‹ค. ์—ฌ๊ธฐ์—๋Š” ์ˆ˜์ง์ ์œผ๋กœ ์•„ํ™‰ ๊ฐœ ์Œ์„ ์Œ“์•„์˜ฌ๋ฆฐ ๋ถˆํ˜‘ํ™”์Œ์ด ๋“ฑ์žฅํ•˜๋Š”๋ฐ, 12์Œ ์Œ์•…์—์„œ ์„ธ ์Œ๋งŒ ๋น ์ง„ ์…ˆ์ด๋‹ค. ๋ง๋Ÿฌ๋Š” ํ‹€๋ฆผ์—†์ด ๊ธฐ์กด์˜ ํ™”์„ฑ ์ฒด๊ณ„๋ฅผ ๋›ฐ์–ด๋„˜์—ˆ์„ ๊ฒƒ์ด๋‹ค. ๊ณผ๊ฑฐ์˜ ํ™”์„ฑ์— ๋Œ€ํ•œ ๋ถ€๋‹ด๊ฐ์—์„œ ๋ฒ—์–ด๋‚˜ ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ 12์Œ ์ฒด๊ณ„์— ๋„๋‹ฌํ•˜์ง€ ์•Š์•˜์„๊นŒ. ํ‘ธ์น˜๋‹ˆ๋„ [ํˆฌ๋ž€๋„ํŠธ]์—์„œ ๊ทธ๋ ‡๊ฒŒ ํ–ˆ๋‹ค. ๋ฃจ์น˜์•„๋…ธ ๋ฒ ๋ฆฌ์˜ค๊ฐ€ ๋‚ด๊ฒŒ ๋ณด์—ฌ์ค€ ํ”ผ๋‚ ๋ ˆ์˜ ์Šค์ผ€์น˜์—๋Š” 12์Œ ์Œ๋ ฌ์„ ์•”์‹œํ•˜๋Š” ๋“ฏํ•œ ๋ถ€๋ถ„์ด ์žˆ๋‹ค. ์œ ๊ฐ์Šค๋Ÿฝ๊ฒŒ๋„ ๋ฒ ๋ฆฌ์˜ค๋Š” ์ด ๋ถ€๋ถ„๊นŒ์ง€ ์˜ค์ผ€์ŠคํŠธ๋ ˆ์ด์…˜์„ ์™„์„ฑํ•˜์ง€๋Š” ๋ชปํ–ˆ๋‹ค. ํ‘ธ์น˜๋‹ˆ๋„ ๋ง๋Ÿฌ๋„ ์ƒˆ๋กœ์šด ๊ฒƒ์— ๊ด€์‹ฌ์ด ๋งŽ์•˜์œผ๋ฉฐ, ์ž์‹ ๋“ค์˜ ์Œ์•… ์–ธ์–ด๋ฅผ ์ง€์†์ ์œผ๋กœ ๋„“ํžˆ๊ณ  ๊ฐœ์ฒ™ํ•˜๊ณ ์ž ํ–ˆ๋‹ค. (p80) ๋ฒˆ์Šคํƒ€์ธ์€ ๋ง๋Ÿฌ๊ฐ€ 20์„ธ๊ธฐ ์ฐธ์‚ฌ๋ฅผ ์˜ˆ๊ฒฌํ–ˆ๋‹ค๊ณ  ๋งํ–ˆ๋‹ค. ์ƒค์ด: ์ด๋ฏธ ์ด๋Ÿฐ ์‹์œผ๋กœ ์ด์•ผ๊ธฐ๋˜๊ฑฐ๋‚˜ ๊ธฐ์ˆ ๋œ ๊ฒฝ์šฐ๊ฐ€ ๋งŽ์ง€๋งŒ, ๋‚œ ๋ง๋Ÿฌ ์Œ์•…์„ ์ด๋Ÿฐ ์‹์œผ๋กœ ๋ฏธํ™”ํ•˜๋Š” ๊ฒƒ์„ ๊ทธ๋ฆฌ ์ข‹์•„ํ•˜์ง€ ์•Š๋Š”๋‹ค. ์•”์Šคํ…Œ๋ฅด๋‹ด์—์„œ ์žˆ์—ˆ๋˜ ์ผ์„ ๋Œ์ด์ผœ๋ณด์ž. ๋ฉฉ์—˜๋ฒ ๋ฅดํ๋Š” ๋ง๋Ÿฌ์—๊ฒŒ ์Œํ‘œ ๋’ค์— ์–ด๋–ค ๋œป์ด ์ˆจ์–ด ์žˆ๋Š”์ง€ ์„ค๋ช…ํ•ด์ค„ ์ˆ˜ ์žˆ๊ฒ ๋Š๋ƒ๊ณ  ๋ฌผ์—ˆ๊ณ , ๋ง๋Ÿฌ๋Š” ๊ทธ์˜ ์š”๊ตฌ๋Œ€๋กœ ๋Œ€๋‹ตํ–ˆ๋‹ค. ๊ทธ๋žฌ๋”๋‹ˆ ๊ทธ๋‹ค์Œ ๋‚  ์Œํ‘œ์˜ ์ˆจ์€ ๋œป, ์Œ์•…์˜ ์˜๋ฏธ ์šด์šดํ•˜๋Š” ์–ผํ† ๋‹นํ† ์•Š์€ ๋ง๋“ค์ด ๋“ค๋ ค์™”๊ณ , ๊ฒฐ๊ตญ ๋ง๋Ÿฌ๋Š” ๋ฉฉ์—˜๋ฒ ๋ฅดํ์—๊ฒŒ ์ž์‹ ์ด ์„ค๋ช…ํ•œ ๋‚ด์šฉ์„ ๋”๋Š” ํผ๋œจ๋ฆฌ์ง€ ๋ชปํ•˜๊ฒŒ ํ–ˆ๋‹ค. "๋‚ด ์Œ์•…์€ ๊ทธ ์ž์ฒด๋กœ ์—ฐ์ฃผํ•ด์•ผ ํ•œ๋‹ค. ๊ฑฐ๊ธฐ์— ์–ด๋–ค ์„ค๋ช…๋„ ๋ง๋ถ™์ผ ํ•„์š”๋Š” ์—†๋‹ค!" ๊ทธ ์˜๊ฒฌ์— ๋‚˜๋„ ์–ด๋Š ์ •๋„ ๋™๊ฐํ•œ๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์—๋Š” ์งˆํ’๋…ธ๋„, ๊ฐ์„ฑ, ์ถฉ๊ฒฉ, ์€์œ , ์ž”์ธํ•จ์ด ๋‚ด์žฌํ•ด ์žˆ๋‹ค. ๋–„๋กœ๋Š” ์ฐจ๊ณ  ๋„˜์ณ์„œ ์ด ๊ทน๋‹จ๋“ค์ด ์„œ๋กœ ๋งž๋‹ฟ์„ ์ •๋„๋‹ค. ์šฐ๋ฆฌ๋Š” ๊ทธ์˜ ๊ตํ–ฅ๊ณก์ด ํƒ„์ƒํ•œ ๋ฌด๋ ต์— ๊ฐœ์ธ์ ์œผ๋กœ ๋ง๋Ÿฌ๊ฐ€ ์–ด๋–ค ์ผ์„ ๊ฒช์—ˆ๋Š”์ง€ ์•Œ๊ณ  ์žˆ๋‹ค. ๊ทธ๊ฐ€ ๊ฒฝํ—˜ํ•œ ์ธ์ƒ์˜ ๋น„๊ทน์„ ์•Œ๊ณ  ์žˆ๋‹ค. ๋ชจ๋‘๊ฐ€ ์„œ๋กœ ๋งž๋ฌผ๋ ค ์žˆ๊ฒ ์ง€๋งŒ, ํ•œ ๋ฐœ์ง ๋ฌผ๋Ÿฌ๋‚˜์„œ ๊ฑฐ๋ฆฌ๋ฅผ ๋‘๊ณ  ์Œ์•…์„ ๋ณด์•˜์œผ๋ฉด ํ•œ๋‹ค. ๊ทธ๋ ‡๊ฒŒ ํ•˜๋ฉด ์ข€ ๋” ์ˆœ์ˆ˜ํ•œ ์‹œ๊ฐ์œผ๋กœ ๊ด€์ฐฐํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์ด๋‹ค. ์˜ค๋กฏ์ด ๊ทธ์˜ ์Œ์•…์ด ๋“œ๋Ÿฌ๋‚ด๋Š” ๊ฒƒ์—๋งŒ ์ง‘์ค‘ํ–ˆ์œผ๋ฉด ํ•œ๋‹ค. ๋‚ด๊ฐ€ ๋ณด๊ธฐ์—๋Š” ์ด๊ฒƒ์ด ๋ง๋Ÿฌ ์Œ์•…์„ ํ•ด์„ํ•˜๋Š” ํ™•์‹คํ•˜๊ณ  ์˜๋ฏธ ์žˆ๋Š” ๊ด€์ ์ธ ๊ฒƒ ๊ฐ™๋‹ค. (p82) <ํฌ๋ฆฌ์Šคํ† ํ”„ ํฐ ๋„ํ๋‚˜๋‹ˆChristoph von Dohnany> MAHLER: Symphony No. 1 in D major "Titan" Christoph von Dohnรกnyi (conductor) The Cleveland Orchestra 1989/03/19 Stereo, Digital Masonic Auditorium, Cleveland, Ohio https://open.spotify.com/album/0UufsByFWOu2LX8DBnBfph ๋ง๋Ÿฌ๊ฐ€ '๋‚ด๋ฉด์œผ๋กœ' ์ž‘๊ณกํ–ˆ๋‹ค๊ณ  ๋งํ–ˆ๋Š”๋ฐ, ๊ทธ ๋ง์€ ๊ทธ์˜ ์ž‘ํ’ˆ์ด ์‹ค๋‚ด์•…์ ์œผ๋กœ ์—ฌ๊ฒจ์ง„๋‹ค๋Š” ์˜๋ฏธ์ธ๊ฐ€? ๋„ํ๋‚˜๋‹ˆ: ์•„๋‹ˆ, ๊ทธ๋Ÿฐ ๋ง์€ ์•„๋‹ˆ๋‹ค. ๋‚ด๋ฉด์œผ๋กœ ์ž‘๊ณกํ–ˆ๋‹ค๋Š” ๊ฒƒ์€ ๊ฐ์ •์ ์œผ๋กœ ํŒŒ๊ณ ๋“ค์–ด ๊ทธ์˜ ์„ธ๊ณ„๊ด€, ๋ฏธํ•™, ๋งˆ์Œ ๊นŠ์ˆ™์ด ์ž๋ฆฌํ•œ ๋Š๋‚Œ์— ์–ด์šธ๋ฆฌ๋Š” ํ˜•์‹๊ณผ ํ‘œํ˜„์„ ์Œ์•…์œผ๋กœ ๋‹ด์•„๋ƒˆ๋‹ค๋Š” ์˜๋ฏธ๋‹ค. ๋ง๋Ÿฌ๋Š” ์ž๊ธฐ ์‹œ๋Œ€์˜ ์ฒ ํ•™์„ ์ง„์ง€ํ•˜๊ฒŒ ํƒ๊ตฌํ–ˆ๊ณ  ์‡ผํŽœํ•˜์šฐ์–ด์˜ ์ถ”์ข…์ž์˜€๋‹ค. ์šฐ๋ฆฌ ์‹œ๋Œ€๊ฐ€ ๋ณด์—ฌ์ฃผ์—ˆ๋“ฏ์ด, ๋ฏธ๋ž˜๋ฅผ ์˜ˆ์ธกํ•˜๊ฑฐ๋‚˜ ์ธ์‹ํ•˜๋Š” ๊ฒƒ์€ ๊ฐ€๋Šฅํ•œ ์ผ์ด ์•„๋‹ˆ๋ผ๊ณ  ์ƒ๊ฐํ•œ๋‹ค. ๊ทธ๋Ÿฌ๋ฏ€๋กœ ๋ง๋Ÿฌ๊ฐ€ ๋ฏธ๋ž˜๋ฅผ ํ˜•์ƒํ™”ํ–ˆ๋‹ค๊ณ  ๋งํ•˜๋Š” ์‚ฌ๋žŒ์ด ์žˆ๋‹ค๋ฉด, ๊ทธ๋Š” ์˜ˆ์ˆ ์„ ์ž˜๋ชป ์ดํ•ดํ•œ ๊ฒƒ์ด๋‹ค. ๋ฐ”ํ๊ฐ€ ๊ทธ๋žฌ๋˜ ๊ฒƒ์ฒ˜๋Ÿผ ๋ง๋Ÿฌ๋Š” ์ž์‹ ์ด ์‚ด์•˜๋˜ ์‹œ๋Œ€๋ฅผ ์ƒ์ƒํ•˜๊ฒŒ ์ „๋‹ฌํ•ด์ฃผ์—ˆ๋‹ค. (p92) <๊ตฌ์Šคํƒ€๋ณด ๋‘๋‹ค๋ฉœGustavo Dudamel> MAHLER: Symphony No. 8 in E flat major "Symphony of a Thousand" Manuela Uhl Julianna Di Giacomo Kiera Duffy Anna Larsson Charlotte Hellekant Burkhard Fritz Brian Mulligan Alexander Vinogradov Gustavo Dudamel (conductor) Coro Sinfonico Juvenil Simon Bolivar de Venezuela Schola Cantorum de Venezuela Schola Juvenil de Venezuela Ninos Cantores de Venezuela Los Angeles Philharmonic Simon Bolivar Symphony Orchestra of Venezuela 2012/02/17-18 Stereo, Digital Teatro Teresa Carreno, Sala Rios Reyna, Caracas https://www.youtube.com/watch?v=V-hBgoel3_A ๋‹น์‹ ์€ ๋งค์šฐ ๊ฐ์ •์ ์œผ๋กœ ๋ง๋Ÿฌ๋ฅผ ์ง€ํœ˜ํ•œ๋‹ค. ๊ทธ๋Ÿฌ๋ฉด ๏ฟฝ๏ฟฝ์„์ด ๊ณผ์žฅ๋  ์œ„ํ—˜์ด ์žˆ์ง€ ์•Š์€๊ฐ€? ๋‘๋‹ค๋ฉœ: ์ข€ ์šฐ์Šค์šด ์งˆ๋ฌธ์ธ ๊ฒƒ ๊ฐ™๋‹ค. ์–ธ์  ๊ฐ€ ๋ฐ”๋น„๋กค๋ฆฌ๋Š”-๋ง๋Ÿฌ๋Š” ์•„๋‹ˆ์ง€๋งŒ-์žฌํด๋ฆฐ ๋’ค ํ”„๋ ˆ์— ๋Œ€ํ•ด ์ด๋Ÿฐ ๋ง์„ ํ•œ ์ ์ด ์žˆ๋‹ค. "์ ‹์—ˆ์„ ๋•Œ ์˜ค๋ฒ„ํ•˜์ง€ ์•Š๋Š”๋‹ค๋ฉด, ๋‚˜์ด ๋จน์–ด์„œ๋Š” ์–ด๋–ป๊ฒŒ ๋˜๊ฒ ์–ด์š”?" ๋ง๋Ÿฌ๋Š” ๋งค์šฐ ๊ฒฉ์ •์ ์ด์—ˆ๋‹ค. ์ง€ํœ˜์ž ๋ง๋Ÿฌ๋Š” ์Œ์•…, ์Œ์•…์˜ ์—ด์ •, ์ธ์ƒ๊ณผ ๊ฒฐ์ฝ” ๊ฑฐ๋ฆฌ๋ฅผ ๋‘๋Š” ๋ฒ•์ด ์—†์—ˆ๋‹ค. ๊ทธ๋Ÿฐ ๊ทธ์˜ ๋ชจ์Šต์€ ์บ๋ฆฌ์ปค์ฒ˜์— ๊ณ ์Šค๋ž€ํžˆ ๋‹ด๊ฒจ ์žˆ๋‹ค. ์–ผ๊ตด์„ ์ฐŒํ‘ธ๋ฆฌ๊ณ , ์œ„์•„๋ž˜๋กœ ์ ํ”„ํ•˜๊ณ , ์ด๋ฆฌ์ €๋ฆฌ ์›€์ง์ด๊ณ , ์†์„ ํœ˜๋‘˜๋Ÿฌ๋Œ„๋‹ค. ๋‹ค๋ฅธ ์ž‘๊ณก๊ฐ€์˜ ์˜คํŽ˜๋ผ๋‚˜ ์Œ์•…์— ์—„๊ฒฉํ•˜๊ณ  ๊ด€์กฐ์ ์ธ ๋ฉด๋„ ์žˆ์ง€๋งŒ, ๊ทธ ์•ˆ์—๋Š” ์—„์ฒญ๋‚œ ๊ฒฉ์ •์ด ๋‹ด๊ฒจ ์žˆ๋‹ค. ๋ง๋Ÿฌ ๋’ค์—๋Š” ์•„์ด๊ฐ€ ์ˆจ์–ด ์žˆ๋Š”๋ฐ, ์šฐ๋ฆฌ๋Š” ๊ทธ ์•„์ด๋ฅผ ๋ชป ๋ณด๊ณ  ๊ทธ๋ƒฅ ์ง€๋‚˜์น˜๊ณ  ๋งŒ๋‹ค. ์šฐ๋ฆฌ ๋ˆˆ์—๋Š” ์ฃฝ์Œ์— ๋Œ€ํ•ด ์ƒ๊ฐํ•˜๋Š” ๋ง๋Ÿฌ๋งŒ ๋น„์น˜๊ณ , ์–ธ์ œ๋‚˜ ๊ทธ์˜ ๋น„๊ทน์ ์ธ ๋ฉด๋งŒ ๋ณด์ธ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋ง๋Ÿฌ์˜ ์ „๋ฐ˜์ ์ธ ์‚ถ์ด ๋น„๊ทน์ ์ด์—ˆ์„์ง€๋ผ๋„ ์–ด๋Š ํ•œ๊ตฌ์„์—๋Š” ์–ด๋ฆฐ ์‹œ์ ˆ์˜ ๊ธฐ์–ต๊ณผ, ๊ณ ํ–ฅ์ด๋‚˜ ๊ทธ๊ฐ€ ์„ฑ์žฅํ•œ ํ™˜๊ฒฝ์— ๋Œ€ํ•œ ์ถ”์–ต์ด ๋‚จ์•„ ์žˆ์„ ๊ฒƒ์ด๋‹ค. ๊ทธ ๋•๋ถ„์— ๊ทธ์˜ ์Œ์•…์ด ๊ทธ๋ ‡๊ฒŒ ํŠน๋ณ„ํ•  ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์ด๋‹ค. (p103) <ํฌ๋ฆฌ์Šคํ† ํ”„ ์—์…ด๋ฐ”ํChristoph Eschenbach> MAHLER: Symphony No. 3 in D minor Mihoko Fujimura Christoph Eschenbach Orchestra de paris https://www.youtube.com/watch?v=URaU9rDwcZw ๋‹น์‹ ์€ ์–ผ๋งˆ ์ „ ํ”„๋ผํ•˜์—์„œ ๋ง๋Ÿฌ ๊ตํ–ฅ๊ณก 3๋ฒˆ์„ ์ง€ํœ˜ํ–ˆ๊ณ , ์Œํ–ฅ์„ ์œ„ํ•ด ์ •๋ง ๋…ธ๋ ฅ์„ ๋งŽ์ด ๊ธฐ์šธ์—ฌ์•ผ ํ–ˆ๋‹ค๊ณ  ๋งํ–ˆ๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์— ํŠน๋ณ„ํ•œ ์Œํ–ฅ์ด ํ•„์š”ํ•œ๊ฐ€? ์—์…ด๋ฐ”ํ: ๊ทธ๊ฑด ์•„๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ ๋ง๋Ÿฌ ์Œ์•…์˜ ์Œํ–ฅ์  ์ŠคํŽ™ํŠธ๋Ÿผ์€ ์–ด๋งˆ์–ด๋งˆํ•˜๊ฒŒ ๋„“๋‹ค. ํ„ฐ์ ธ ๋‚˜์˜ค๋Š” ํฌ๋ฅด์‹œํ‹ฐ๋ชจ๊ฐ€ ํ•œ์ˆœ๊ฐ„์— ํ”ผ์•„๋‹ˆ์‹œ๋ชจ๋กœ ๋ฐ”๋€” ์ˆ˜ ์žˆ๊ณ , ๋‹ค์ด๋‚ด๋ฏน์˜ ๋ณ€ํ™”๊ฐ€ ๋‹ค์ฑ„๋กญ๊ณ  ๋ฌด๊ถ๋ฌด์ง„ํ•˜๋‹ค. ๊ทธ๋ ‡๊ธฐ ๋•Œ๋ฌธ์— ์„ธ์‹ฌํ•˜๊ฒŒ ์‹ ๊ฒฝ ์“ฐ๋ฉฐ ์—ฐ์ฃผํ•ด์•ผ ํ•œ๋‹ค. ํ”ผ์•„๋‹ˆ์‹œ๋ชจ๋ฅผ ์š”๊ตฌํ•˜๋Š” ๋ถ€๋ถ„์—์„œ ์ ๋‹นํžˆ ๋ฉ”์กฐํ”ผ์•„๋…ธ ์ •๋„์— ๋จธ๋ฌผ๋Ÿฌ์„œ๋Š” ์•ˆ ๋œ๋‹ค. ์–ด๋–ค ์Œ์•…์—์„œ๋„ ์ ๋‹นํžˆ ๋„˜์–ด๊ฐ€๋Š” ์ผ์ด ์žˆ์–ด์„œ๋Š” ์•ˆ ๋˜๊ฒ ์ง€๋งŒ, ํŠนํžˆ ๋ง๋Ÿฌ ์Œ์•…์—์„œ๋Š” ์ด๋ ‡๊ฒŒ ํ•˜๋ฉด ์ •๋ง ์น˜๋ช…์ ์ด๋‹ค. (p112) ๋ง๋Ÿฌ ์Œ์•…์—์„œ๋„ ๊ฐ์ •์ด ๊ณผ์žฅ๋  ์ˆ˜ ์žˆ๋Š”๊ฐ€? ์—์…ด๋ฐ”ํ: ๊ธ€์Ž„, ๊ณผ์žฅ์€ ์•„๋‹ˆ์ง€๋งŒ, ๊นŒ๋”ฑํ•˜๋ฉด ์ €์†ํ•˜๊ฒŒ ๋Š๊ปด์งˆ ์œ„ํ—˜์€ ๋„์‚ฌ๋ฆฌ๊ณ  ์žˆ๋‹ค. ์‚ฌ์‹ค์€ ๊ทธ๋ ‡์ง€ ์•Š๋”๋ผ๋„, ๊ทธ์˜ ์Œ์•…์—์„œ ๋งŽ์€ ์š”์†Œ๋“ค์ด 'ํ†ต์†์ '์ด๋ผ ๋ถˆ๋ฆฌ๋Š” ์ด์œ ๋ฅผ ์ดํ•ดํ•˜์ง€ ๋ชปํ•˜๊ณ  ๊ทธ๋ƒฅ ๋‚ด๋ฒ„๋ ค๋‘๋ฉด ๋ฌธ์ œ๊ฐ€ ๋œ๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์—๋Š” ์ƒ๋‹นํžˆ ๋งŽ์€ ์•„์ด๋Ÿฌ๋‹ˆ, ์•„๋ฆฌ์Šคํ† ํ…”๋ ˆ์Šค์  ์˜๋ฏธ์˜ ์•„์ด๋Ÿฌ๋‹ˆ๊ฐ€ ๋‚ดํฌ๋˜์–ด ์žˆ๋‹ค ๋”ฐ๋ผ์„œ ๋™์‹œ์— ์–‘๋ฉด์„ ๋ชจ๋‘ ๋ด์•ผ ํ•œ๋‹ค. (...) ์•„๋ฆฌ์Šคํ† ํ…”๋ ˆ์Šค์  ์‹œ๊ฐ์œผ๋กœ ํŒŒ์•…ํ•˜๋ ค๊ณ  ๋…ธ๋ ฅํ•ด์•ผ ํ•œ๋‹ค. ๋Š์ž„์—†์ด '์™œ?'๋ผ๋Š” ์งˆ๋ฌธ์„ ๋˜์ ธ์•ผ ํ•œ๋‹ค. (p113) ๋ธŒ๋ฃจํฌ๋„ˆ์™€ ๋ง๋Ÿฌ ๏ฟฝ๏ฟฝ๏ฟฝ๊ณ„๋ฅผ ์–ด๋–ป๊ฒŒ ๋ณด๋Š”๊ฐ€? ์—์…ด๋ฐ”ํ: ๋ฌด์—‡๋ณด๋‹ค ๋ง๋Ÿฌ๋Š” ๋ธŒ๋ฃจํฌ๋„ˆ๋ฅผ ์ข‹์•„ํ–ˆ๋‹ค. ๋ธŒ๋ฃจํฌ๋„ˆ ๊ตํ–ฅ๊ณก 6๋ฒˆ์„ ์ฒ˜์Œ์œผ๋กœ ์˜จ์ „ํ•˜๊ฒŒ ์—ฐ์ฃผํ•œ ์Œ์•…๊ฐ€๊ฐ€ ๋ง๋Ÿฌ์˜€๋‹ค. ๋ธŒ๋ฃจํฌ๋„ˆ๋Š” ์Šˆ๋ฒ ๋ฅดํŠธ์˜ ์˜ํ–ฅ์„ ์ƒ๋‹นํžˆ ๋งŽ์ด ๋ฐ›์•˜๊ณ , ์ด๋Š” ๋ง๋Ÿฌ์—๊ฒŒ๋„ ์˜ํ–ฅ์„ ์ฃผ์—ˆ๋‹ค. ์Šˆ๋ฒ ๋ฅดํŠธ๋Š” ์˜ค์ŠคํŠธ๋ฆฌ์•„ ๋ฏผ์† ์Œ์•…์„ ์ฒ˜์Œ์œผ๋กœ ํด๋ž˜์‹ ์Œ์•…์— ์ ‘๋ชฉ์‹œ์ผฐ๋‹ค. ์ด๋Š” ์•„์ฃผ ์ค‘์š”ํ•œ ์‚ฌ์‹ค์ด๋‹ค. ์Šˆ๋ฒ ๋ฅดํŠธ์˜ ํ–‰์ง„๊ณก์€ ์ด๋Ÿฐ ์‹์œผ๋กœ ํƒ„์ƒํ–ˆ๋”ฐ. ์‹ค์ œ์˜ ์‹œ๊ณจ ์ƒํ™œ์—์„œ ์–ป์–ด์ง„ ๊ฒƒ์ด์—ˆ๋‹ค. ์ด๋Ÿฐ ์‹์˜ ๊ฒฐํ•ฉ์€ ๋ Œํ‹€๋Ÿฌ, ์ถค๊ณก, ๋” ๋‚˜์•„๊ฐ€ ๊ตํ–ฅ๊ณก, ๊ฐ€๋ น C์žฅ์กฐ ๊ตํ–ฅ๊ณก์˜ ์Šค์ผ€๋ฅด์ดˆ ์•…์žฅ์—์„œ๋„ ์ฐพ์•„๋ณผ ์ˆ˜ ์žˆ๋‹ค. ์ด์ฒ˜๋Ÿผ ์‹œ๊ณจํ’์˜ ์†Œ๋ฐ•ํ•œ ์Œ์•…์„ ๋ธŒ๋ฃจํฌ๋„ˆ๋„ ๋งŽ์ด ์ฐจ์šฉํ–ˆ๊ณ , ์ด๋Š” ๋ธŒ๋ฃจํฌ๋„ˆ๋ฅผ ๊ฑฐ์ณ ๋ง๋Ÿฌ์—๊ฒŒ๊นŒ์ง€ ์˜ํ–ฅ์„ ๋ผ์ณค๋‹ค. ๋‚ด๊ฐ€ ๊ด€์ฐฐํ•œ ๋ธŒ๋ฃจํฌ๋„ˆ์™€ ๋ง๋Ÿฌ์˜ ๊ด€๊ณ„๋Š” ์ด๋ ‡๋‹ค. (p116) <๋ฐœ๋ ˆ๋ฆฌ ๊ฒŒ๋ฅด๊ธฐ์˜ˆํ”„Valery Gergiev> MAHLER: Symphony No. 7 in E minor Valery Gergiev (conductor) London Symphony Orchestra 2008/03 Surround, Digital The Barbican, London https://open.spotify.com/album/2gXCAtHgnKl70aBDpUax4P ์–ธ์  ๊ฐ€ ๋ง๋Ÿฌ ๊ตํ–ฅ๊ณก 7๋ฒˆ์ด ๊นŒ๋‹ค๋กญ๋‹ค๊ณ  ํ–ˆ๋Š”๋ฐ. ๊ฒŒ๋ฅด๊ธฐ์˜ˆํ”„: 7๋ฒˆ์€ ํ•ญ์ƒ ๋ฌธ์ œ๊ฐ€ ๋˜๋Š” ๊ตํ–ฅ๊ณก์ธ๋ฐ, ํŠนํžˆ ๋งˆ์ง€๋ง‰ ์•…์žฅ์— ๊ทธ๋Ÿฐ ๋ถ€๋ถ„์ด ์žˆ๋‹ค. ๋กœํ…Œ๋ฅด๋‹ด ํ•„ํ•˜๋ชจ๋‹‰๊ณผ ์—ฌ๋Ÿฌ ๋„์‹œ๋ฅผ ๋„๋Š” ํˆฌ์–ด๋ฅผ ํ•œ ์ ์ด ์žˆ๋Š”๋ฐ, ํ”„๋ผํ•˜ ๋ฃจ๋Œํ”ผ๋ˆ”์—์„œ ์—ด๋ฆฐ ์Œ์•…ํšŒ๊ฐ€ ๋˜๋ ท์ด ๊ธฐ์–ต๋‚œ๋‹ค. ๊ทธ๊ณณ์€ ์Œํ–ฅ๋„ ํ›Œ๋ฅญํ–ˆ๊ณ , ๋ฌด์—‡ ํ•˜๋‚˜ ํ ์žก์„ ย ๊ตฌ์„์ด ์—†์—ˆ๋‹ค. ๊ทธ๋Ÿฐ๋ฐ ์Œ์•…ํšŒ๊ฐ€ ๋๋‚˜๊ณ  ๋‚˜์„œ ๋‚˜๋Š” ์—ฌ์ „ํžˆ ์ด ๊ณก์„ ์˜จ์ „ํžˆ ์ดํ•ดํ•˜๊ธฐ ์œ„ํ•œ ์‹ค๋งˆ๋ฆฌ๋ฅผ ์ฐพ์ง€ ๋ชปํ–ˆ์Œ์„ ๋Š๊ผˆ๋‹ค. ๋Ÿฐ๋˜์—์„œ ๋…น์Œ์„์žˆ์—ˆ๋Š”๋ฐ, ๊ณ ์‹ฌํ•˜๋Š๋ผ ๋œฌ๋ˆˆ์œผ๋กœ ๋ฐค์„ ์ง€์ƒˆ์› ๋‹ค. ๋‚œ ๊ทน๋‹จ์ ์ธ ๊ฒฐ์ •์„ ๋‚ด๋ ธ๋‹ค. ๋”๋Š” ์ด ๊ตํ–ฅ๊ณก์„ ์›…์žฅํ•˜๊ฒŒ ์šธ๋ฆฌ๋„๋ก ํ•˜์ง€ ๋ง์•„์•ผ๊ฒ ๋‹ค๊ณ  ๋Š๊ผˆ๋‹ค. ํ”ผ๋‚ ๋ ˆ๋ฅผ ์•„์ฃผ ๋‹จ์ˆœํ•˜๊ฒŒ, ๋ก ๋„ ํ”ผ๋‚ ๋ ˆ๋ผ๊ณ  ํ•  ์ •๋„๋กœ ์—ฐ์ฃผํ•ด์•ผ๊ฒ ๋‹ค๊ณ  ๋งˆ์Œ๋จน์—ˆ๋‹ค. ์ด ํ”ผ๋‚ ๋ ˆ๋Š” ํ•˜์ด๋“ ์˜ ์œ ๋ช…ํ•œ ๊ตํ–ฅ๊ณก ํ”ผ๋‚ ๋ ˆ์— ๋น„ํ•ด ๊ด€ํ˜„์•… ํŽธ์„ฑ์ด ํ›จ์”ฌ ๊ฐ•ํ•˜์ง€๋งŒ, ๊ทธ๋ž˜๋„ ๋ถ„๋ช…ํžˆ ๋ก ๋„๋‹ค. ํž˜๊ณผ ํšจ๊ณผ๋ฅผ ์ ์ ˆํžˆ ๊ฒฐํ•ฉ์‹œ์ผœ์•ผ ํ–ˆ๋‹ค. ๋ง‘๊ณ  ๊ฐ€๋ฒผ์šด ๋Š๋‚Œ์ด ์žˆ์–ด์•ผ ํ•˜๊ณ , ๊นŠ์ด ์นจ์ž ํ•˜๊ฑฐ๋‚˜ ์œ„ํ˜‘์ ์ด์ง€ ์•Š์•„์•ผ ํ–ˆ๋‹ค. ๊ทน์ ์ธ ์ˆœ๊ฐ„์ด ์ง€๋‚˜๊ณ  ๋‚˜๋ฉด ๋‹ค์‹œ ์ผ์ƒ์˜ ์‚ถ์œผ๋กœ ๋Œ์•„์˜ค๊ณ  ๊ฑฐ๊ธฐ์„œ ๋˜ ๋‹ค๋ฅธ ๊ธฐ์จ์„ ๋ฐœ๊ฒฌํ•˜๋Š” ๊ฒƒ์ฒ˜๋Ÿผ, ๋•Œ๋กœ๋Š” ๋งˆ์ง€๋ง‰ ์•…์žฅ์ด ์ด์ „๊ณผ๋Š” ๋‹ค๋ฅธ ๋ฐฉํ–ฅ์„ ์ œ์‹œํ•ด์ค„ ์ˆ˜๋„ ์žˆ๋Š” ๊ฒƒ ์•„๋‹ˆ๊ฒ ๋Š”๊ฐ€. ์ ์–ด๋„ ๋‚ด๊ฒŒ๋Š” ๊ทธ๋ ‡๊ฒŒ ๋ณด์˜€๋‹ค. (p137-138) <๋ฏธํ•˜์—˜ ๊ธธ๋ ŒMichael Gielen> MAHLER: Das Lied von der Erde Cornelia Kallisch (mezzo-soprano) Siegfried Jerusalem (tenor) Michael Gielen (conductor) SWR Sinfonieorchester Baden-Baden und Freiburg 1992/11 & 2002/11 Stereo, Digital Hans-Rosbaud-Studio, Baden-Baden & Konzerthaus, Freiburg https://open.spotify.com/album/3uih0wPZX2j7luzdR8a7bw ๋ง๋Ÿฌ ์Œ์•…์— ์ž์„œ์ „์  ํŠน์ง•์ด ์–ผ๋งˆ๋‚˜ ๋‹ด๊ฒจ ์žˆ๋Š”๊ฐ€? ๊ธธ๋ Œ: ๋Œ€๋‹ตํ•˜๊ธฐ ์–ด๋ ต๋‹ค. ์•Œ๋งˆ๋Š” ๊ตํ–ฅ๊ณก 6๋ฒˆ์˜ ์Šค์ผ€๋ฅด์ดˆ ์•…์žฅ์— ๋“ฑ์žฅํ•˜๋Š” ๋ถˆ๊ทœ์น™ํ•œ ๋ฐ•์ž์™€ ๋ฆฌ๋“ฌ์ด ์•„์ด๋“ค์ด ๋’น๊ตฌ๋Š” ๋ชจ์Šต์„ ๋ฌ˜์‚ฌํ•œ ๊ฒƒ์ด๋ผ๊ณ  ํ–ˆ๋Š”๋ฐ, ๊ทธ๊ฑด ์ž˜๋ชป๋œ ์ƒ๊ฐ์ด๋‹ค. ๊ทธ๋ฟ๋งŒ์ด ์•„๋‹ˆ๋ผ ์•Œ๋งˆ๊ฐ€ ์ „ํ•˜๋Š” ๋‚ด์šฉ์€ ๊ฑฐ์˜ ๋‹ค ํ‹€๋ ธ๋‹ค. ์Œ์•…์ด ๊ณง ์ž์„œ์ „์  ๋ฌ˜์‚ฌ๋‚˜ ํ‘œํ˜„์ด๋ผ๊ณ  ์ƒ๊ฐํ•˜์ง€๋Š” ์•Š์ง€๋งŒ, ๋ชจ๋“  ์˜ˆ์ˆ ์  ํ‘œํ˜„์€ ์›ํ•˜๋“  ์›์น˜ ์•Š๋“  ์ž์„œ์ „์ ์ด๋‹ค. (p146) ๋ง๋Ÿฌ ์Œ์•…์„ ์‚ฌ๋ž‘ํ•˜๋Š” ์‚ฌ๋žŒ๋“ค๋กœ๋ถ€ํ„ฐ ๋ง๋Ÿฌ๋ฅผ ๋ณดํ˜ธํ•ด์•ผ ํ•œ๋‹ค๋Š” ๋ง์ธ๊ฐ€? ๊ธธ๋ Œ: ์„ฑ๊ณต์„ ํฌ๊ธฐํ•  ์ˆ˜ ์žˆ๋Š” ์šฉ๊ธฐ๋„ ๊ฐ€์ ธ์•ผ ํ•œ๋‹ค๊ณ  ์ƒ๊ฐํ•œ๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์„ ์ž๊ธฐ ์ž…๋ง›๋Œ€๋กœ ์—ฐ์ฃผํ•˜๊ฑฐ๋‚˜ ์Œํ–ฅ์„ ์•„๋ฆ„๋‹ต๊ฒŒ ํฌ์žฅํ•˜๋ ค๊ณ  ํ•ด์„œ๋Š” ์•ˆ ๋œ๋‹ค. ํด๋ฆฌํฌ๋‹ˆ์™€ ์Œํ–ฅ์˜ ๋‹ค์ฑ„๋กœ์›€์„ ์ œ๋Œ€๋กœ ์‚ด๋ฆฌ๊ธฐ ์œ„ํ•ด ๋…ธ๋ ฅํ•ด์•ผ ํ•œ๋‹ค. ์˜ค์ผ€์ŠคํŠธ๋ผ๊ฐ€ ์ ๋‹นํžˆ ๊ฟฐ๋งž์ถฐ์ ธ์„œ ์ „์ฒด์ ์œผ๋กœ ๊ณ ๋ฅด๊ณ  ์•„๋ฆ„๋‹ค์šด ์Œํ–ฅ์„ ๋‚ด๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ๊ฐœ๋ณ„ ์„ฑ๋ถ€๋“ค์ด ๊ฐ๊ฐ ๋„๋“œ๋ผ์งˆ ์ˆ˜ ์žˆ๊ฒŒ ํ•ด์•ผ ํ•œ๋‹ค. (p148) ๊ทธ๋Ÿผ ๋ง๋Ÿฌ ์Œ์•…์— ๋‚ด์žฌํ•œ ํ˜„๋Œ€์„ฑ์„ ๋ถ„๋ช…ํžˆ ๋“œ๋Ÿฌ๋‚ด๋ ค๋ฉด ์–ด๋””์„œ๋ถ€ํ„ฐ ์ถœ๋ฐœํ•ด์•ผ ํ•˜๋Š”๊ฐ€? ๊ธธ๋ Œ: ์ค‘์š”ํ•œ ๊ฒƒ์€ ๋‚ด์šฉ์ด๋‹ค. ์•ž์„œ ๋งํ–ˆ๋“ฏ์ด ๋ง๋Ÿฌ ์Œ์•…์˜ ํ•ต์‹ฌ์€ 20์„ธ๊ธฐ ๊ฐœ์ธ๊ณผ ์‚ฌํšŒ์˜ ๋ถ„์—ด์ด๋‹ค. ์Œ์•…์ด ํ‰ํ™”๋กญ๊ฒŒ ๋ณด์ด๋Š” ์ˆœ๊ฐ„์—๋„ ๊ทธ๋Ÿฐ ๋‚ด์šฉ์ด ๋Š๊ปด์งˆ ์ˆ˜ ์žˆ์–ด์•ผ ํ•œ๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์€ ์œ„ํ—˜์— ์ฒ˜ํ–ˆ๊ณ  ๊ณ„์†ํ•ด์„œ ์œ„ํ˜‘๋ฐ›๊ณ  ์žˆ๋‹ค. ๋Œ€๋‹จํžˆ ์•„๋ฆ„๋‹ต๊ณ  'ํ•˜์ด๋“ ์ '์ด๋ผ ์—ฌ๊ฒจ์ง€๋Š” 4๋ฒˆ ์ฒซ ์•…์žฅ ๋ฐœ์ „๋ถ€์—์„œ๋ถ€ํ„ฐ ๋ถ„์œ„๊ธฐ๊ฐ€ ๋Œ๋ณ€ํ•˜๊ธฐ ์‹œ์ž‘ํ•œ๋‹ค. ๋งค๋„๋Ÿฝ๊ฒŒ ํ•˜๊ฑฐ๋‚˜ ๋‹ค๋“ฌ์œผ๋ ค ํ•˜์ง€ ์•Š๊ณ  ์ œ๋Œ€๋กœ ํ‘œํ˜„ํ•˜๋ฉด ์ •์‹ ์„ ์ฐจ๋ฆด ์ˆ˜ ์—†์„ ์ •๋„๋‹ค. ํ•œํŽธ ๋Œ€๋‹ค์ˆ˜์˜ ์œ ๋ช… ์ง€ํœ˜์ž๋“ค์€ ๊ตํ–ฅ๊ณก 5๋ฒˆ '์•„๋‹ค์ง€์—ํ† ' ์•…์žฅ์„ 16-17๋ถ„ ์ •๋„์— ์—ฐ์ฃผํ•œ๋‹ค. ํ•˜์ง€๋งŒ ์ด ์•…์žฅ์€ 14๋ถ„์œผ๋กœ ์—ฐ์ฃผํ•ด๋„ ๋„ˆ๋ฌด ๋Š๋ฆฌ๋‹ค. ๋ง๋Ÿฌ ์—ฐ์ฃผ๋Š” ์–ด๋”˜๊ฐ€ ๋ชจ๋ฅด๊ฒŒ ์ •์ฒด๋˜์–ด ์žˆ๋‹ค. ์ดˆ์—ฐ์—์„œ๋Š” 8๋ถ„๋ฐ–์— ๊ฑธ๋ฆฌ์ž ์•Š์•˜๋‹ค. ๋ฌผ๋ก  ์ง€ํœ˜์ž๊ฐ€ ๋ชน์‹œ ํฅ๋ถ„ํ•œ ์ƒํƒœ์˜€์„ ๊ฒƒ์ด๋‹ค. ๊ทธ ์ดํ›„์—๋„ 9๋ถ„์„ ๋„˜์ง€๋Š” ์•Š์•˜๋‹ค. ์ด ๊ณก์€ ์‚ฌ๋žŒ๋“ค์˜ ๋ง์ฒ˜๋Ÿผ ๋ฒ„ํ„ฐ์— ํ ๋ป‘ ์ –๊ฒŒ ํ•ด์„œ๋Š” ์•ˆ๋œ๋‹ค. ์ด๋Ÿฐ ํ˜„์ƒ์€ ๋ฃจํ‚ค๋…ธ ๋น„์Šค์ฝ˜ํ‹ฐ์˜ ์˜ํ™” [๋ฒ ๋‹ˆ์Šค์—์„œ์˜ ์ฃฝ์Œ] ๋•Œ๋ฌธ์— ๋” ์‹ฌํ•ด์กŒ๋‹ค๊ณ  ์ƒ๊ฐํ•œ๋‹ค. ๋น„์Šค์ฝ˜ํ‹ฐ๋Š” ๋ง๋Ÿฌ ์Œ์•…์— ํฌ๋‚˜ํฐ ํ•ด๋ฅผ ย ์ž…ํ˜”๋‹ค. ๊ด€๊ฐ๋“ค์€ ๋ฐฐ์šฐ๋ฅผ ๋ง๋Ÿฌ์™€ ๋™์ผ์‹œํ•œ๋‹ค. ์˜ํ™” ์ž์ฒด๋Š” ํ›Œ๋ฅญํ• ์ง€ ๋ชจ๋ฅด๋‚˜, ์žฅ๋ฉด์— ๋งž์ถฐ์•ผ ํ•œ๋‹ค๋Š” ์ด์œ ๋กœ ๋ง๋Ÿฌ ์Œ์•…์ด ๋„ˆ๋ฌด ๋Š๋ ค์ ธ์„œ ๊ฑฐ์˜ ์•Œ์•„๋ณด์ง€ ๋ชปํ•  ์ง€๊ฒฝ์ด ๋˜์—ˆ๋‹ค. ์˜ํ™”๋ฅผ ์ œ๋Œ€๋กœ ๋‹ค๋ฃจ๋ ค๋ฉด, ๋จผ์ € ์Œ์•…์„ ์•„์ฃผ ์ž˜ ์•Œ์•„์•ผ ํ•œ๋‹ค. ์‚ฌ์ „์— ์ด๋Ÿฐ ํํ•ด๋ฅผ ๋ง‰์„ ์ˆ˜ ์žˆ๋Š” ๊ทœ๋ฒ”์ด ์—†๋Š” ๊ฒƒ์ด ์•ˆํƒ€๊นŒ์šธ ๋ฟ์ด๋‹ค. ์ง„์‹ฌ์ด๋‹ค! (p150) <์•จ๋Ÿฐ ๊ธธ๋ฒ„ํŠธAlan Gilbert> SCHOENBERG: Pelleas und Melisande op. 5 Alan Gilbert New York Philharmonic https://open.spotify.com/album/44zjamjvvvMY6Bsf1AHHOQ ๋ง๋Ÿฌ ๋ฅด๋„ค์ƒ์Šค๋Š” ์œ ๋Ÿฝ์—์„œ ์ƒ๋‹นํžˆ ๋Šฆ๊ฒŒ ์ผ์–ด๋‚ฌ๋‹ค. ๊ทธ๊ฐ€ ์„ธ์ƒ์„ ๋– ๋‚œ ์ง€ 50๋…„์ด๋‚˜ ์ง€๋‚œ 1960๋…„๋Œ€์— ์‹œ์ž‘ํ–ˆ๋‹ค. ๋ฏธ๊ตญ์—์„œ๋„ ๋ง๋Ÿฌ ์Œ์•…์ด ์ •์ฐฉํ•˜๊ธฐ๊นŒ์ง€๋Š” ๊ฝค ์˜ค๋žœ ์‹œ๊ฐ„์ด ๊ฑธ๋ ธ๋Š”๋ฐ, ๊ทธ ์ด์œ ๊ฐ€ ๋ญ๋ผ๊ณ  ์ƒ๊ฐํ•˜๋Š”๊ฐ€? ๊ธธ๋ฒ„ํŠธ: ์ด ์งˆ๋ฌธ์— ๋Œ€๋‹ตํ•  ์ˆ˜ ์žˆ๋Š” ์‚ฌ๋žŒ์ด ์žˆ์„๊นŒ? ์ฒ˜์Œ์— ์†Œํ™€ํžˆ ์—ฌ๊ฒจ์ง€๋‹ค๊ฐ€ ๋‚˜์ค‘์— ์žฌ๋ฐœ๊ฒฌ๋˜๋Š” ์ž‘๊ณก๊ฐ€๋“ค์€ ๋งŽ๋‹ค. ๋ฐ”ํ๋„ ๋…์ผ์—์„œ ์˜ค๋žซ๋™์•ˆ ์ธ์ •๋ฐ›์ง€ ๋ชปํ–ˆ๋‹ค. ๋ง๋Ÿฌ๋Š” ์‹œ๋Œ€๋ฅผ ์•ž์„œ๊ฐ”๊ณ  ๋‹น์‹œ ์‚ฌ๋žŒ๋“ค์ด ๋ฏธ์ฒ˜ ์ดํ•ดํ•  ์ˆ˜ ์—†๋Š” ๋ถ€๋ถ„์„ ๊ฐ„ํŒŒํ–ˆ๋‹ค. ์˜ค์ผ€์ŠคํŠธ๋ผ์˜ ๊ฐ€๋Šฅ์„ฑ์„ ์˜จ์ „ํžˆ ๋“œ๋Ÿฌ๋‚ผ ์ˆ˜ ์žˆ์„ ์ •๋„๋กœ ๊ทธ์˜ ์ƒ์ƒ๋ ฅ์€ ๋ฌด๊ถ๋ฌด์ง„ํ•˜๊ณ  ํƒ์›”ํ–ˆ๋‹ค. ๊ฐํžˆ ๋งํ•˜๊ฑด๋Œ€, ์˜ค์ผ€์ŠคํŠธ๋ผ๊ฐ€ ์ง€๋‹Œ ๊ฐ€๋Šฅ์„ฑ์„ ๋ง๋Ÿฌ์ฒ˜๋Ÿผ ์‹ญ๋ถ„ ๏ฟฝ๏ฟฝ๏ฟฝ์šฉํ•œ ์ž‘๊ณก๊ฐ€๋Š” ์—†์„ ๊ฒƒ์ด๋‹ค. ๋น„๋ก ๊ทœ๋ชจ๋Š” ํฌ์ง€๋งŒ, ๊ธฐ๋ณธ์ ์œผ๋กœ ์ „ํ†ต์ ์ธ ๊ตฌ์„ฑ์˜ ์˜ค์ผ€์ŠคํŠธ๋ผ๋ฅผ ๊ฐ€์ง€๊ณ  ๋ง๋Ÿฌ๊ฐ€ ๋งŒ๋“ค์–ด๋‚ด๋Š” ํž˜๊ณผ ๋‹ค์–‘์„ฑ์„ ๋– ์˜ฌ๋ ค๋ณด๋ผ. ๊ทธ๊ฐ€ ์‚ฌ์šฉํ•˜๋Š” ์•…๊ธฐ๋“ค์€ ํŠน๋ณ„ํ•˜์ง€ ์•Š๋‹ค. ์˜ค๋ฅด๊ฐ„์„ ์ถ”๊ฐ€ํ•  ๋•Œ๋„ ์žˆ๊ณ  ํ˜ธ๋ฅธ์„ ๋„ค ๋Œ€๊ฐ€ ์•„๋‹ˆ๋ผ ์—ฌ๋Ÿ ๋Œ€๋ฅผ ์•‰ํž ๋•Œ๋„ ์žˆ์ง€๋งŒ, ๊ทธ์˜ ์˜ค์ผ€์ŠคํŠธ๋ผ๋Š” ์ „ํ†ต์˜ ๋ฒ”์ฃผ์—์„œ ๋ฒ—์–ด๋‚˜์ง€๋Š” ์•Š๋Š”๋‹ค. ๊ทธ๋Ÿฐ๋ฐ๋„ ๊ทธ ์ „ํ†ต์ ์ธ ์˜ค์ผ€์ŠคํŠธ๋ผ๊ฐ€ ์ง€๋‹Œ ํž˜๊ณผ ๋‹ค์–‘์„ฑ์€ ๋Œ€๋‹จํžˆ ๋…์ฐฝ์ ์ด๋‹ค. ์ง€๊ธˆ๊นŒ์ง€๋„ ๊ทธ๋ ‡๋‹ค. ๊ฒŒ๋‹ค๊ฐ€ ๊ทธ๊ฐ€ ์ „๋‹ฌํ•˜๊ณ ํ”ˆ ๋ฉ”์‹œ์ง€๊นŒ์ง€ ํ’ˆ๊ณ  ์žˆ๋‹ค! ์–ด์ฉŒ๋ฉด ๋ง๋Ÿฌ๋Š” ์•…๊ธฐ๋กœ ํ‘œํ˜„ํ•  ์ˆ˜ ์žˆ๋Š” ํ•œ๊ณ„์ ์— ๋„๋‹ฌํ–ˆ์Œ์„ ๊นจ๋‹ฌ์•˜๊ธฐ ๋•Œ๋ฌธ์— ์‚ฌ๋žŒ์˜ ๋ชฉ์†Œ๋ฆฌ์™€ ๋…ธ๋ž˜๋ฅผ ํ™œ์šฉํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ์„ ๊ฒƒ์ด๋‹ค. ๊ทธ๋Š” ํ‘œํ˜„ํ•˜๊ณ  ์‹ถ์€ ๊ฒƒ์ด ๋„ˆ๋ฌด ๋งŽ์•˜๋‹ค! ์‚ฌ๋žŒ๋“ค์€ ๊ทธ๋Ÿฐ ๊ทธ์˜ ๋„์•ฝ์ด ๋„ˆ๋ฌด ๋ฒ„๊ฒ๊ฒŒ ๋Š๊ปด์กŒ์„ ๊ฒƒ์ด๋‹ค. ์ฒ˜์Œ์—๋Š” ๋ง๋Ÿฌ ์ž‘ํ’ˆ์˜ ์˜นํ˜ธ์ž์ด์ž ๋ณ€ํ˜ธ์ธ์€ ๋ง๋Ÿฌ ์ž์‹ ์ด์—ˆ๋‹ค. ๊ทธ ์ดํ›„์—๋Š”? ๊ทธ ์—ญํ• ์„ ๋– ์•ˆ์„ ์‚ฌ๋žŒ์ด ๋”๋Š” ์—†์—ˆ๋‹ค(p159-160) ๋ง๋Ÿฌ๊ฐ€ ๋นˆ ์•…ํŒŒ์— ์˜ํ–ฅ์„ ๋ผ์ณค๋Š”๊ฐ€? ๊ธธ๋ฒ„ํŠธ: ์ง€๋Œ€ํ•œ ์˜ํ–ฅ์„ ๋ผ์ณค๋‹ค๊ณ  ๋ณธ๋‹ค. ๋‚ด๊ฐ€ ์ข…์ข… ๋ง๋Ÿฌ์™€ ๋ฒ ๋ฅดํฌ๋ฅผ ๊ฒฐํ•ฉ์‹œํ‚จ ํ”„๋กœ๊ทธ๋žจ์„ ์„ ๋ณด์ด๋Š” ๊ฒƒ๋„ ๊ทธ๋ž˜์„œ์ด๋‹ค. ๊ฐ€๋ น ๋ฏธ์™„์„ฑ์ธ ๋ง๋Ÿฌ ๊ตํ–ฅ๊ณก 10๋ฒˆ์— ์ด์–ด ๋ฒ ๋ฅดํฌ์˜ [์„ธ ๊ฐœ์˜ ๊ด€ํ˜„์•…๊ณก]์„ ๋“ค์œผ๋ฉด, ๋Œ€๋‹จํžˆ ์œ ์ตํ•˜๋‹ค๊ณ  ์ƒ๊ฐํ•œ๋‹ค. ๊ทธ๋ ‡๊ฒŒ ํ•˜๋ฉด ๊ตํ–ฅ๊ณก 10๋ฒˆ์„ ์™„๋ฒฝํ•˜๊ฒŒ ๋ณด์™„ํ•  ์ˆ˜ ์žˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๋ฒ ๋ฅดํฌ๋Š” ๋ง๋Ÿฌ์˜ ๊ฐ์ˆ˜์„ฑ์œผ๋กœ ์ž‘ํ’ˆ์„ ์ผ๊ณ , ์—ฌ๊ธฐ์„œ ํ•œ ๋ฐœ ๋” ๋‚˜์•„๊ฐ”๋‹ค. ๋งŒ์•ฝ ๋ง๋Ÿฌ๊ฐ€ ์ข€ ๋” ์ž‘๊ณก์„ ํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค๋ฉด ๊ทธ ์—ญ์‹œ ์ด ๊ธธ๋กœ ๋‚˜์•„๊ฐ”์„๊นŒ? ๊ทธ๊ฑด ์ž˜ ๋ชจ๋ฅด๊ฒ ๋‹ค. ํ•œํŽธ ๋ฒ ๋ฅดํฌ์™€ ์‡ค๋ฒ ๋ฅดํฌ๋Š” ์ƒ๋‹นํžˆ ๊ตฌ์กฐ์ ์ธ ๋ง๋Ÿฌ ์Œ์•…์— ๋Œ€ํ•ด ๊นŠ์ด ์ƒ๊ฐํ–ˆ๋‹ค. ์ „ํ†ต์ ์ธ ์ž‘๊ณก ๋ฐฉ์‹์˜ ํ•ด์ฒด๋Š” ๋ง๋Ÿฌ์—๊ฒŒ์„œ ์‹œ์ž‘๋˜์—ˆ๋‹ค.๊ทธ์˜ 9๋ฒˆ ๊ตํ–ฅ๊ณก์„ ๋“ค์–ด๋ณด๋ผ. ํ™•์‹คํžˆ ๋ฌด์กฐ์ ์ด๊ณ , ์ „ํ†ต๊ณผ๋Š” ์™„์ „ํžˆ ๋™๋–จ์–ด์ ธ ์žˆ๋‹ค. (p163) <๋ฒ ๋ฅด๋‚˜๋ฅดํŠธ ํ•˜์ดํŒ…ํฌBernard Haitink> MAHLER: Symphony No. 2 in C minor "Resurrection" Sylvia McNair (soprano) Jard van Nes (contralto) Bernard Haitink (conductor) Ernst-Senff-Chor Chorus master: Sigurd Brauns Berliner Philharmoniker 1993/01 Stereo, Digital Philharmonie, Berlin https://open.spotify.com/album/5TgWPSb2FvcSlUJLMS6aH2 ํ•˜์ดํŒ…ํฌ: ๋‚ด๊ฒŒ ๋ง๋Ÿฌ๋Š” ์–ธ์ œ๋‚˜ ๋‘๋ ค์šด ์กด์žฌ์˜€๋‹ค. ๊ทธ๋Ÿฐ ๋‚ด ๋ˆˆ์„ ๋œจ๊ฒŒ ๋งŒ๋“  ์ง€ํœ˜์ž๋Š” ๋ธŒ๋ฃจ๋…ธ ๋ฐœํ„ฐ์™€ ํ•œ์Šค ๋กœ์Šค๋ฐ”์šฐํŠธ๋‹ค. ๊ทธ์ „๊นŒ์ง€๋Š” ๋‚˜๋Š ์•„์ง ์–ด๋ ธ๊ณ  ๋‘๋ ค์›€๋„ ์žˆ์—ˆ๋‹ค. ๊ทธ์— ๋น„ํ•ด ๋ธŒ๋ฃจํฌ๋„ˆ ์Œ์•…์€ ์–ธ์ œ๋‚˜ ๋‚ด๊ฒŒ(ํŠน๋ณ„ํžˆ ์ข…๊ต์ ์ธ ์‚ฌ๋žŒ๋„ ์•„๋‹Œ๋ฐ๋„) ๋งˆ์Œ์˜ ์œ„์•ˆ์„ ์ฃผ์—ˆ๋‹ค. ๋ง๋Ÿฌ๋Š” ์–ด๋–ค ๊ฒƒ๋„ ์ฆ๋ช…ํ•˜๋ ค ๋“ค์ง€ ์•Š์•„์„œ ์–ธ์ œ๋‚˜ ๋‚˜๋ฅผ ํฅ๋ถ„์‹œํ‚จ๋‹ค. (...) ์‹œ๊ฐ„์ด ์ง€๋‚˜๋ฉด์„œ ๋ง๋Ÿฌ ์Œ์•…์— ๋Œ€ํ•œ ๊ด€์‹ฌ์ด ์ ์  ์ปค์กŒ๊ณ , ๊ทธ๋Ÿฐ ํ˜„์ƒ์„ ์ง์ ‘ ๊ฒฝํ•จํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค. ์ง€๊ธˆ์€ ์—ฐ์ฃผ ์—ฌํ–‰์—์„œ ์Œ์•…ํšŒ์žฅ์„ ๊ฝ‰ ์ฑ„์šฐ๊ณ  ์‹ถ์œผ๋ฉด ๋ง๋Ÿฌ ๊ตํ–ฅ๊ณก์„ ์—ฐ์ฃผํ•œ๋‹ค. ๋˜ ๋งŽ์€ ์ง€ํœ˜์ž๋“ค์ด ์•ž์„ ๋‹คํˆฌ์–ด ๋ง๋Ÿฌ๋ฅผ ์—ฐ์ฃผํ•œ๋‹ค. ๊ด€๊ฐ๋“ค์ด ์›ํ•˜๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์ด๋ ‡๊ฒŒ ๋ผ์„œ ํ–‰๋ณตํ•˜๋ƒ๊ณ ? ์•„๋‹ˆ๋‹ค. ๋ง๋Ÿฌ๋Š” "๋‚˜์˜ ์‹œ๋Œ€๊ฐ€ ์˜ฌ ๊ฒƒ์ด๋‹ค"๋ผ๊ณ  ๋งํ–ˆ๋‹ค. ํ•˜์ง€๋งŒ ์ด๋Ÿฐ ์‹์˜ ๊ณผ๋„ํ•œ ์—ฐ์ฃผ ๊ณต์„ธ์— ๊ทธ๊ฐ€ ํ–‰๋ณต์„ ๋Š๊ผˆ์„์ง€๋Š” ๋ชจ๋ฅด๊ฒ ๋‹ค. ์•„์ฃผ ํ›Œ๋ฅญํ•œ ์—ฐ์ฃผ๋„ ์žˆ์ง€๋งŒ, ๋•Œ๋กœ๋Š” ์Œํ–ฅ์ด ์ง€๋‚˜์น˜๊ฒŒ ํฌ๊ฑฐ๋‚˜ ์ธ๊ธฐ์—๋งŒ ๋„ˆ๋ฌด ์—ฐ์—ฐํ•˜๋Š” ์—ฐ์ฃผ๋„ ์žˆ๋‹ค ๋ง๋Ÿฌ ํ•„์ƒ์˜ ๊ฒฐ์‹ค์ด ์ด๋Ÿฐ ๋Œ€์šฐ๋ฅผ ๋ฐ›๋Š” ๊ฒƒ์€ ์ ์ ˆ์น˜ ์•Š๋‹ค๊ณ  ์ƒ๊ฐํ•œ๋‹ค. ๋‚˜๋„ ์‹ ์ค‘์„ ๊ธฐํ•˜๋ ค๊ณ  ์• ์“ด๋‹ค. ์‰ผ ์—†๋Š” ์—ฐ์ฃผ๊ฐ€ ์–ด๋–ค ๊ฒฐ๊ณผ๏ฟฝ๏ฟฝ๏ฟฝ ๋ถˆ๋Ÿฌ์˜ฌ์ง€ ์ž˜ ์•Œ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์—๋„ ๊ฒฐ์ฝ” ์ข‹์€ ์ผ์€ ์•„๋‹ˆ๋‹ค. ๋ง๋Ÿฌ์—๊ฒŒ๋Š” ์–ด๋–ค ์‹์œผ๋กœ๋“  ์˜ˆ์™ธ์˜ ์—ฌ์ง€๋ฅผ ๋‘์–ด์•ผ ํ•œ๋‹ค๊ณ  ์ƒ๊ฐํ•œ๋‹ค. ๋ธŒ๋ฃจํฌ๋„ˆ ๊ตํ–ฅ๊ณก์˜ ๊ฒฝ์šฐ๋„ ๋งˆ์ฐฌ๊ฐ€์ง€๋‹ค. ์ปจ๋ฒ ์ด์–ด๋ฒจํŠธ์—๋ผ๋„ ์˜ฌ๋ผํƒ„ ๋“ฏ ์‰ด ์ƒˆ ์—†์ด ์—ฐ์ฃผํ•ด์„œ๋Š ์•ˆ ๋œ๋‹ค. (p171-172) ๋ธŒ๋ฃจํฌ๋„ˆ๋ฅผ ์—ฐ์Šตํ•  ๋•Œ์™€ ๋‹ค๋ฅด๊ฒŒ ํ•ด์•ผ ํ•˜๋‚˜? ํ•˜์ดํŒ…ํฌ: ๋‘˜์€ ๋‹ค๋ฅธ ์Œ์•…์ด๋‹ค. (์›ƒ์œผ๋ฉฐ) ๋ง๋Ÿฌ์˜ ๊ฒฝ์šฐ๋Š” ๋‹ค์ด๋‚ด๋ฏน์„ ์„ธ๋ถ„ํ™”ํ•˜๊ณ  ๋ถ„๋ช…ํ•˜๊ฒŒ ํ•˜๋Š” ๊ฒƒ์ด ์ค‘์š”ํ•˜๋‹ค. ๊ฒฐ์ฝ” ๋ชจ๋“  ๊ฑธ ๋ฉ”์กฐํฌ๋ฅดํ…Œ๋กœ ์—‰ํ‚ค๊ฒŒ ํ•ด์„œ๋Š” ์•ˆ ๋œ๋‹ค. ๊ทธ๋งŒํผ ๋ฏธ๋ฌ˜ํ•œ ๋ถ€๋ถ„์ด ๋งŽ๊ธฐ ๋•Œ๋ฌธ์ด๋ฐ, ์ด ์ ์€ ๋Œ€๋‹จํžˆ ์ค‘์š”ํ•˜๋‹ค. ๋ง๋Ÿฌ๋Š” ์ž๊ธฐ ์ž…์œผ๋กœ ์–ธ์ œ๋‚˜ ์Œ์•…์„ ๋” ํˆฌ๋ช…ํ•˜๊ณ  ํ™•์‹คํ•˜๊ฒŒ ๋งŒ๋“ค๋ ค๊ณ  ๋…ธ๋ ฅํ–ˆ๋‹ค๋Š” ๋ง์„ ํ–ˆ๋‹ค. ์–ธ์  ๊ฐ€ ์นด๋ผ์–€์€ ํ•œ ์ž‘ํ’ˆ์—์„œ ํด๋ผ์ด๋งฅ์Šค๋Š” ๋‹จ ํ•œ ๋ฒˆ๋ฟ์ด๋ฉฐ, ๊ทธ๋ ‡๊ธฐ ๋•Œ๋ฌธ์— ํƒ„์•ฝ์„ ๋‹ค ์จ๋ฒ„๋ฆฌ์ง€ ์•Š๋„๋ก ํ•˜๋Š” ๊ฒŒ ์ค‘์š”ํ•˜๋‹ค๊ณ  ๋งํ•œ ์ ์ด ์žˆ๋‹ค. ๋ง๋Ÿฌ ๊ตํ–ฅ๊ณก 2๋ฒˆ ์—ญ์‹œ ๊ทธ๋ ‡๊ฒŒ ์„ธ๋ถ„ํ™”ํ•ด์„œ ์—ฐ์ฃผํ•  ํ•„์š”๊ฐ€ ์žˆ๋‹ค. (p174) <๋งŒํ”„๋ ˆํŠธ ํ˜ธ๋„คํฌManfred Honeck> MAHLER: Symphony No. 4 in G major Sunhae Im (soprano) Manfred Honeck (conductor) Pittsburgh Symphony Orches https://www.discogs.com/Mahler-Manfred-Honeck-Sunhae-Im-Pittsburgh-Symphony-Orchestra-Symphony-No4/release/6309757 ํ˜ธ๋„คํฌ: ๊ตํ–ฅ๊ณก์€ '์„ฑ์Šค๋Ÿฌ์šด ์˜ˆ์ˆ  ํ˜•์‹'์œผ๋กœ ์—ฌ๊ฒจ์กŒ๋‹ค. ๊ทธ๋Ÿฐ๋ฐ ์‚ด๋กฑ ์•…๋‹จ์—์„œ๋‚˜ ๋“ค์„ ๋ฒ•ํ•œ ์Œ์•…์„ ์“ฐ๋Š” ์ž‘๊ณก๊ฐ€๊ฐ€ ๋‚˜ํƒ€๋‚ฌ๋‹ค. ์—ฌ๊ธฐ์„œ ํ•œ ๊ฐ€์ง€ ์—ผ๋‘์— ๋‘์–ด์•ผ ํ•  ์ ์ด ์žˆ๋‹ค. ๊ทน์žฅ์ด ์‰ฌ๋Š” ๋™์•ˆ '๊ถ์ • ์˜ค์ผ€์ŠคํŠธ๋ผ'์ธ ๋นˆ ํ•„ํ•˜๋ชจ๋‹‰์˜ ๋งŽ์€ ์—ฐ์ฃผ์ž๋“ค์€ ์—ฌ๋ฆ„์„ ํœด๊ฐ€์ง€์—์„œ ๋ณด๋‚ด๋ฉฐ ๊ทธ๊ณณ ์‚ด๋กฑ ์˜ค์ผ€์ŠคํŠธ๋ผ์˜ ๋‹จ์›์œผ๋กœ ํ™œ๋™ํ–ˆ๋‹ค๋Š” ์‚ฌ์‹ค์ด๋‹ค. ๊ฑฐ๊ธฐ์„œ ๊ทธ๋“ค์€ [ํƒ„ํ˜ธ์ด์ €]๋ฅผ ํŽธ๊ณกํ•œ ์Œ์•…, ์š”ํ•œ ์ŠˆํŠธ๋ผ์šฐ์Šค์˜ ์Œ์•…, ํ–‰์ง„๊ณก, ๊ฐˆ๋กœํ”„Galopp(๊ทธ ๋ฌด๋ ต์— ์œ ํ–‰ํ•˜๋˜ ๋น ๋ฅธ ํ…œํฌ์˜ ์›๋ฌด), ํด์นด, ์™ˆ์ธ  ๊ฐ™์€ ๊ฒƒ์„ ์—ฐ์ฃผํ–ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‹ค๊ฐ€ ๋นˆ ํ•„ํ•˜๋ชจ๋‹‰์œผ๋กœ ๋Œ์•„์™”๋Š”๋ฐ, ๊ฐ‘์ž๊ธฐ ๊ทธ ๋ชจ๋“  ์š”์†Œ๋ฅผ ์ž๊ธฐ ๊ตํ–ฅ๊ณก์— ๋‹ด์•„๋‚ธ ์ž‘๊ณก๊ฐ€๊ฐ€ ๊ทธ๋“ค ์•ž์— ๋‚˜ํƒ€๋‚ฌ๋‹ค. ๊ทธ๋“ค์ด ์–ด๋–ค ์ƒ๊ฐ์„ ํ–ˆ์„์ง€ ์ƒ์ƒํ•  ์ˆ˜ ์žˆ์ง€ ์•Š์€๊ฐ€. ๊ทธ์˜ ์Œ์•…์ด ์‹ธ๊ตฌ๋ ค์— ํ†ต์†์ ์ด๋ผ๊ณ  ์ƒ๊ฐํ–ˆ๋‹ค. ์ง€๊ธˆ ๊ฐ™์œผ๋ฉด ์ถฉ๋ถ„ํžˆ ์ดํ•ด๋˜์—ˆ๊ฒ ์ง€๋งŒ, ๊ทธ๋•Œ๋Š” ๋ถˆ๊ฐ€๋Šฅํ–ˆ๋‹ค. ์‹ฌ์ง€์–ด ๋‚ด๊ฐ€ ์•„์ง ๋นˆ ํ•„ํ•˜๋ชจ๋‹‰ ์—ฐ์ฃผ์ž๋กœ ์žˆ์„ ๋•Œ์—๋„ ๋ง๋Ÿฌ ์Œ์•…์ด ํ†ต์†์ ์ด์–ด์„œ ์ข‹์•„ํ•˜์ง€ ์•Š๋Š”๋‹ค๊ณ  ๋งํ•˜๋Š” ๋™๋ฃŒ๋“ค์ด ์žˆ์—ˆ๋‹ค. (p180-181) ํ˜ธ๋„คํฌ: ์ „๋ฌธ์ ์ธ ์Œ์•… ์ง€์‹์€ ์—†์—ˆ์ง€๋งŒ ์Œ์•…์„ ์‚ฌ๋ž‘ํ–ˆ๋˜ ๋‚ด ์•„๋ฒ„์ง€๋Š” ๋‚ด๊ฒŒ ์˜ค์ŠคํŠธ๋ฆฌ์•„ ๋ฏผ์† ์•…๊ธฐ์ธ ์น˜ํ„ฐ๋ฅผ ์—ฐ์ฃผํ•˜๊ฒŒ ํ–ˆ๋‹ค. ๋‚˜๋Š” ๊ทธ ์•…๊ธฐ๊ฐ€ ์ฉ ๋งˆ์Œ์— ๋“ค์ง€ ์•Š์•˜์ง€๋งŒ ์•„๋ฒ„์ง€์˜ ๋œป์— ๋”ฐ๋ž๋‹ค. (...) ๋‚˜์ค‘์— ๋ง๋Ÿฌ ์Œ์•…์„ ๊ณต๋ถ€ํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ์„ ๋•Œ ๋‹ค์‹œ ํ•œ ๋ฒˆ ๊ทธ ์„ธ๊ณ„์™€ ๋งž๋‹ฅ๋œจ๋ฆฌ๊ฒŒ ๋˜์—ˆ๊ณ , 2๋…„์˜ ๊ทธ ๊ฒฝํ—˜์ด ๋ง๋Ÿฌ๋ฅผ ์ดํ•ดํ•˜๋Š”๋ฐ ํฌ๊ฒŒ ๋„์›€์ด ๋  ์ˆ˜ ์žˆ๋‹ค๋Š” ์‚ฌ์‹ค์„ ๊นจ๋‹ฌ์•˜๋‹ค. ๋นˆ ํ•„ํ•˜๋ชจ๋‹‰์˜ ์—ฐ์ฃผ ์Šคํƒ€์ผ์€ ๋‹ค๋ฅธ ๊ณณ์—์„œ, ์‹ฌ์ง€์–ด ๋นˆ ์•ˆ์—์„œ ๊ฒฝํ—˜ํ–ˆ๋˜ ๊ฒƒ๊ณผ๋Š” ์‚ฌ๋ญ‡ ๋‹ฌ๋ž๋‹ค. ๊ทธ๋“ค์€ ์•…๋ณด์— ์“ฐ์—ฌ ์žˆ๋Š” ๋Œ€๋กœ ์—ฐ์ฃผํ•˜์ง€ ์•Š์•˜๋Š”๋ฐ, ๊ทธ๋ ‡๋‹ค๊ณ  ์ง€๋‚˜์น˜๊ฒŒ ์ฆ‰ํฅ์ ์œผ๋กœ ์—ฐ์ฃผํ•˜์ง€๋„ ์•Š์•˜๋‹ค. ์–ด๋–ป๊ฒŒ ๊ทธ๋ ‡๊ฒŒ ํ•  ์ˆ˜ ์žˆ๋Š๋ƒ๊ณ ? ๋‚ด๊ฐ€ ๊ฑฐ๊ธฐ์„œ ๋ฐฐ์šด ๊ฒƒ์€ ๋ฃจ๋ฐ”ํ† ๋ฅผ ์—ฐ์ฃผํ•˜๋Š” ๊ธฐ์ˆ ์ด์—ˆ๋‹ค. ๋ฃจ๋ฐ”ํ† ๋Š” ๋ง๋Ÿฌ ์Œ์•…์—๋„ ์กด์žฌํ•œ๋‹ค! 100๋…„ ์ „ ์‚ด๋กฑ ์˜ค์ผ€์ŠคํŠธ๋ผ์—์„œ ์—ฐ์ฃผํ•˜๋Š” ์Œ์•…๊ฐ€๋“ค์€ ์—ฐ์ฃผ ์Šคํƒ€์ผ์ด ์ฒœํŽธ์ผ๋ฅ ์ ์ด์—ˆ๋‹ค. ๊ทธ๊ฑด ์•„์ฃผ ๋‹น์—ฐํ•œ ์ผ์ด์—ˆ๋‹ค. ์™œ๋ƒํ•˜๋ฉด ๊ทธ๋“ค์€ ์š”ํ•œ ์ŠˆํŠธ๋ผ์šฐ์Šค์˜ ์™ˆ์ธ ๋ฅผ ํŠน์ •ํ•œ ๋ฐฉ์‹์œผ๋กœ ์—ฐ์ฃผํ•˜๋„๋ก ๋ฐฐ์› ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๋ฌผ๋ก  ๊ทธ ๋ฐฉ์‹์„ ์ผ์ผ์ด ๊ธฐ๋กํ•ด๋‘์ง€๋Š” ์•Š์•˜๋‹ค. ๋ง๋Ÿฌ ์—ญ์‹œ ๋งˆ์ฐฌ๊ฐ€์ง€์˜€๋‹ค. ๊ทธ๋Š” ์ค‘์š”ํ•œ ๋งŽ์€ ์ •๋ณด๋ฅผ ์•…๋ณด์— ๊ธฐ๋กํ–ˆ์ง€๋งŒ, ๊ทธ์— ๋Œ€ํ•ด ์ƒ์„ธํžˆ ๊ธฐ์ˆ ํ•˜์ง€๋Š” ์•Š์•˜๋‹ค. ์Œ์•…๊ฐ€๋“ค์ด ์ด๋ฏธ ์–ด๋–ป๊ฒŒ ์—ฐ์ฃผํ•˜๋Š”์ง€ ์•Œ๊ณ  ์žˆ์—ˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๋‚ด๊ฐ€ ๋ง๋Ÿฌ๋ฅผ ์ดํ•ดํ•˜๊ณ  ํ•ด์„ํ•˜๋Š” ๋ฐ์—๋„ ์ด๋Ÿฐ ์‚ฌ์‹ค์€ ์ค‘์š”ํ–ˆ๋‹ค. ์–ด๋–ค ์‚ฌ๋žŒ์ด ๋‚ด๊ฐ€ ๋…น์Œํ•œ ๋ง๋Ÿฌ ๊ตํ–ฅ๊ณก 1๋ฒˆ์ด ๋Œ€๋‹จํžˆ ํ˜„๋Œ€์ ์ด๊ณ  ์ƒˆ๋กญ๋‹ค๊ณ  ํ–ˆ๋Š”๋ฐ, ๋‚˜๋Š” ์ด๋ ‡๊ฒŒ ๋งํ–ˆ๋‹ค. "์•„๋‹ˆ๋‹ค, ์ •๋ง๋กœ ์ƒˆ๋กœ์šด ๊ฒŒ ์•„๋‹ˆ๋‹ค. 100๋…„ ์ „์œผ๋กœ ๊ฑฐ์Šฌ๋Ÿฌ ์˜ฌ๋ผ๊ฐ€ ๋ฃจ๋ฐ”ํ† ๊ฐ€ ์–ด๋–ป๊ฒŒ ์—ฐ์ฃผ๋˜์—ˆ๋Š”์ง€๋ฅผ ํƒ๊ตฌํ–ˆ์„ ๋ฟ์ด๋‹ค." ์šฐ๋ฆฌ ๊ท€์—๋Š” ์ƒˆ๋กญ๊ณ  ํ˜„๋Œ€์ ์œผ๋กœ ๋“ค๋ฆฌ์ง€๋งŒ, ์ „ํ˜€ ์ƒˆ๋กœ์šด ๊ฒŒ ์•„๋‹ˆ๋‹ค. (p181-182) ๋‹ค์–‘ํ•œ ํ•ด์„์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•˜๋‹ค ๋ณด๋ฉด, ๋ง๋Ÿฌ ์Œ์•…์˜ ๋Œ€์ค‘ํ™”์— ํ•œ๋ชซํ–ˆ๋˜ ๋ ˆ๋„ˆ๋“œ ๋ฒˆ์Šคํƒ€์ธ์„ ์ง€๋‚˜์น  ์ˆ˜ ์—†๋‹ค. ๊ทธ๋Š” ์ž์‹ ์˜ ๊ฐ์ •์— ์ง€๋‚˜์น˜๊ฒŒ ๋งค๋ชฐ๋˜์—ˆ๋‹ค๋Š” ๋น„ํŒ์„ ๋ฐ›๋Š”๋‹ค. ๋ฐ˜๋ฉด ๊ตฌ์กฐ ์ž์ฒด์— ์ง‘์ค‘ํ•˜๋Š๋ผ๊ณ  ๋ง๋Ÿฌ๋ฅผ ์ข€ ๋ฐ‹๋ฐ‹ํ•˜๊ฒŒ ํ•ด์„ํ•˜๋Š” ์ด๋“ค๋„ ์žˆ๋‹ค. ๋‹น์‹ ์˜ ํ•ด์„์€ ์–ด๋Š ์ง€์ ์— ๋†“์—ฌ ์žˆ๋Š”๊ฐ€? ํ˜ธ๋„คํฌ: ๋‚ด๊ฐ€ ๋ฌด์—‡์„ ํ•ด์•ผ ํ•˜๋Š”์ง€ ๋งํ•ด์ฃผ๋Š” ๊ฒƒ์€ ๋‹ค๋ฆ„ ์•„๋‹Œ ์Œ์•…์ด๋‹ค. ๋‚˜๋Š” ์‹ค๋‚ด์•…์„ ๋Œ€๋‹จํžˆ ์‹ ๋ด‰ํ•˜๋Š” ์‚ฌ๋žŒ์ด๋‹ค. ์–ธ์ œ๋‚˜ ์‹ค๋‚ด์•…์„ ์ข‹์•„ํ–ˆ๊ณ  ๊ทธ์™€ ๋”๋ถˆ์–ด ์„ฑ์žฅํ–ˆ๋‹ค. (...) ๋ง๋Ÿฌ๊ฐ€ ํŠน์ • ๋‹ค์ด๋‚ด๋ฏน์ด๋‚˜ ํ•ด์„์„ ์š”๊ตฌํ•˜๋Š” ๋ถ€๋ถ„์—์„œ๋Š” ํ•ญ์ƒ ์‹ค๋‚ด์•…์„ ๋– ์˜ฌ๋ ค์•ผ ํ•œ๋‹ค. ์Œ์•…์  ํญ๋ฐœ์„ ์–ด๋–ป๊ฒŒ ๋ฌ˜์‚ฌํ•˜๊ณ , ์–ด๋””๊นŒ์ง€ ํ‘œํ˜„ํ•  ๊ฒƒ์ธ๊ฐ€? ๋ชจ๋“  ๊ฒƒ์ด ๋„ˆ๋ฌด ํฌ๊ฒŒ ์šธ๋ฆฌ๋ฉด ์Œ์•…์ด ์–ด๋–ป๊ฒŒ ๋˜๊ฒ ๋Š”๊ฐ€? ๋ชจ๋“  ๊ฒƒ์ด ๋„ˆ๋ฌด ๋ถ€๋“œ๋Ÿฝ๊ธฐ๋งŒ ํ•˜๋‹ค๋ฉด ๋˜ ์–ด๋–ป๊ฒŒ ๋˜๊ฒ ๋Š”๊ฐ€? ์Œ์•…์˜ ์ ˆ์ •์€ ๊ฐ•์„ธ์™€ ๋น„๋ก€ํ•˜์ง€ ์•Š๋Š”๋‹ค! ๋ถ€๋“œ๋Ÿฌ์›€์ด ์ ˆ์ •์˜ ์ˆœ๊ฐ„์„ ์˜๋ฏธํ•  ์ˆ˜๋„ ์žˆ๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์—์„œ๋Š” ์นจ๋ฌต ์†์—์„œ ์ ˆ์ •์ด ์ฐพ์•„์˜ค๋Š” ์ˆœ๊ฐ„๋„ ๋Œ€๋‹จํžˆ ๋งŽ๋‹ค. ํ›Œ๋ฅญํ•˜๋‹ค. (p182) ๋ง๋Ÿฌ์˜ ์ธ์ƒ์€ ๊ทธ์˜ ์Œ์•…์— ์˜ํ–ฅ์„ ๋ผ์ณค๋Š”๊ฐ€? ํ˜ธ๋„คํฌ: ๋‹น์—ฐํ•˜๋‹ค. ๋ง๋Ÿฌ๋Š” ์†”์งํ•œ ์‚ฌ๋žŒ์ด์—ˆ๋‹ค. ์ ˆ๋ง๊ณผ ์ˆญ๊ณ ํ•จ์„ ๋น„๋กฏํ•ด ์ž์‹ ์ด ๋Š๋ผ๋Š” ๋ชจ๋“  ๊ฐ์ •์„ ์Œ์•…์— ๋‹ด์•˜๋‹ค. ์–ด๋ฆฐ ์‹œ์ ˆ์˜ ๊ฒฝํ—˜๋„ ๊ณณ๊ณณ์—์„œ ๋“ค๋ ค์˜จ๋‹ค. [์†Œ๋…„์˜ ์‹ ๊ธฐํ•œ ๋ฟ”ํ”ผ๋ฆฌ]์—๋Š” ์žฅ๋‚œ์Šค๋Ÿฌ์›€์ด ๋ฐฐ์–ด ์žˆ๊ณ ... ์ •์น˜์ ์œผ๋กœ, ์Œ์•…์ ์œผ๋กœ ๋นˆ์ด ์ค‘์š”ํ•œ ์—ญํ• ์„ ํ–ˆ๋˜ ์„ธ๊ธฐ๋ง, ๊ทธ๊ณณ์—๋Š” ํŒŒ๋ฉธ์˜ ๋ถˆ์•ˆํ•œ ๊ธฐ์šด์ด ๊ฐ๋Œ์•˜๊ณ , ์ด ๋ฏธ๋ž˜์— ๋Œ€ํ•œ ๊ณ„์‹œ ์—ญ์‹œ ๋ง๋Ÿฌ ์Œ์•…์—์„œ ๋“ค์„ ์ˆ˜ ์žˆ๋‹ค. ๋ง๋Ÿฌ๋Š” ์ฒœ์ƒ ์„ธ๊ณ„๋ฅผ ํ–ฅํ•œ ๋™๊ฒฝ๊นŒ์ง€ ์Œ์•…์— ๋‹ด์•„๋ƒˆ๋‹ค. ๋ชจ๋“  ๊ฒƒ, ๊ทธ์˜ ๊ฐ€์Šด ์†์— ์žˆ๋Š” ๋ชจ๋“  ๊ฒƒ, ๋งํ•˜์ž๋ฉด ํ›Œ๋ฅญํ•œ ์‚ฌ๋žŒ์ด ๊ฐ€์Šด์†์— ํ’ˆ์„ ๋ฒ•ํ•œ ๊ฒƒ์„ ์Œ์•…์œผ๋กœ ํ‘œํ˜„ํ–ˆ๋‹ค. ๋™์‹œ์— ๊ทธ๋Š” ๋งŽ์€ ๊ฒƒ์„ ์š”๊ตฌํ–ˆ๊ณ , ์‚ฌ๋žŒ๋“ค์—๊ฒŒ๋Š” ๊ทธ๋Ÿฐ ๊ทธ๊ฐ€ ๊ฑด๋ฐฉ์ง€๊ณ  ๋ถˆ์พŒํ•ด ๋ณด์ผ ์ˆ˜ ์žˆ์—ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋ง๋Ÿฌ๋Š” ์œ„๋Œ€ํ•œ ์‚ฌ์ƒ๊ฐ€์˜€๋‹ค! ๊ทธ๋Š” ์•ˆํ†ค ๋ธŒ๋ฃจํฌ๋„ˆ์™€ ํ•จ๊ป˜ 20์„ธ๊ธฐ๋ฅผ ์˜ˆ๊ฒฌํ–ˆ๋‹ค. (p183) ๋ง๋Ÿฌ์˜ ์•…๋ณด๋Š” ์ ˆ๋Œ€์ ์ธ ์žฅ์ธ ์ •์‹ ์ด ๋นš์–ด๋‚ธ ๋ณด๊ธฐ ๋“œ๋ฌธ ์˜ˆ์ด๋ฉฐ, ๊ทธ ์•ˆ์—๋Š” ๋งค์šฐ ๋‹ค์–‘ํ•œ ํŠน์„ฑ๋“ค์ด ๋‹ด๊ฒจ ์žˆ๋Š”๋ฐ... ํ˜ธ๋„คํฌ: ์–ผ๋งˆ ์ „์— ๊ตํ–ฅ๊ณก 4๋ฒˆ์„ ์ง€ํœ˜ํ–ˆ๋Š”๋ฐ, ๊ณผ๊ฐํ•˜๊ฒŒ ์ค„์ธ ๊ด€ํ˜„์•… ํŽธ์„ฑ์ด ๋Œ€๋‹จํžˆ ์ธ์ƒ์ ์ด์—ˆ๋‹ค. ๋ง๋Ÿฌ๋Š” ํŠธ๋กฌ๋ณธ์„ ์‚ฌ์šฉํ•˜์ง€ ์•Š์•˜๊ณ , ์Œ์•…์— ์ ‘๊ทผํ•˜๋Š” ๋ฐฉ์‹์ด ํ•˜์ด๋“ ์˜ ๋ฐฉ์‹๊ณผ ๋น„์Šทํ–ˆ๋‹ค. ์‹ ๊ณ ์ „์ฃผ์˜์— ๊ฐ€๊นŒ์› ๋‹ค. ์ ์€ ์ˆ˜์˜ ์•…๊ธฐ๋กœ๋„ 1๋ฒˆ, 5๋ฒˆ, 8๋ฒˆ๊ตํ–ฅ๊ณก๊ณผ ๋™์ผํ•œ ๋ฉ”์‹œ์ง€๋ฅผ ์ „๋‹ฌํ•  ์ˆ˜ ์žˆ๋‹ค๋Š” ์‚ฌ์‹ค์— ๊นœ์ง ๋†€๋ž๋‹ค. ์—ฌ๊ธฐ์„œ์˜ ์ ˆ์ •์€ ํญ๋ฐœ์ ์ธ ์ˆœ๊ฐ„๊ณผ ๊ด€๋ จ์ด ์—†๋‹ค. ์˜ˆ๋ฅผ ๋“ค์–ด 2์•…์žฅ์˜ ๊ฒฝ์šฐ ์†”๋กœ ๋ฐ”์ด์˜ฌ๋ฆฐ์„ ์˜จ์Œ ๋†’๊ฒŒ ์กฐ์œจํ•˜์—ฌ ์ƒˆ๋กœ์šด ์Œ์ƒ‰์„ ๋งŒ๋“ค์–ด๋ƒˆ๊ณ , ๋ฏผ์† ์Œ์•…์˜ ์—ฌ๋ฆฐ๋ฐ•์„ ์ฐจ์šฉํ–ˆ์ง€๋งŒ ๋‹จ์ˆœํ•˜๊ฑฐ๋‚˜ ์œ ์น˜ํ•˜๊ฒŒ ๋“ค๋ฆฌ์ง€ ์•Š๋Š”๋‹ค. ์–ด๋”˜์ง€ ๋ชจ๋ฅด๊ฒŒ ๊ธฐ๋ฌ˜ํ•œ ๋Š๋‚Œ๋งˆ์ € ๋“ค๊ณ , ์•…๋งˆ์™€ ์ฒœ์‚ฌ์˜ ์„ธ๊ณ„๋ฅผ ๋ฌ˜์‚ฌํ•˜๋Š” ๋“ฏํ•˜๋‹ค. ๋งˆ์ง€๋ง‰ ์•…์žฅ๋„ ์ด์™€ ๋น„์Šทํ•˜๋‹ค. ๊ทธ๋ž˜์„œ ๋‚˜๋Š” ์†Œ๋…„์˜ ์Œ์„ฑ์„ ์ง€๋‹Œ ๊ฐ€์ˆ˜๋ฅผ ์„ ํ˜ธํ•œ๋‹ค. ์‚ฌ์‹ค ์†Œ๋…€๊ฐ€ ์•„๋‹ˆ๋ผ [์†Œ๋…„์˜ ์‹ ๊ธฐํ•œ ๋ฟ”ํ”ผ๋ฆฌ]์ด์ง€ ์•Š์€๊ฐ€. ๊ตํ–ฅ๊ณก 2๋ฒˆ์˜ ํ”ผ๋‚ ๋ ˆ, ์ด ์ ˆ์ •์˜ ํ”ผ๋‚ ๋ ˆ๋ฅผ ์นญ์†กํ•˜์ง€ ์•Š์„ ์‚ฌ๋žŒ์ด ์žˆ์„๊นŒ? 5๋ฒˆ์—์„œ์˜ ์ ˆ์ •์€ ๋˜ ์–ด๋–ค๊ฐ€. ๋Š์ž„์—†์ด ์™€ํ•ด๋˜๋Š” ๋“ฏํ•˜๊ณ  ๋๋‚ด ๋‹ต์„ ์ฐพ์ง€ ๋ชปํ•  ๊ฒƒ ๊ฐ™์€ ๋Š๋‚Œ์„ ๊ฐ–๊ฒŒ ํ•œ๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์—์„œ๋Š” ๋ชจ๋“  ๊ฒƒ์— ์ด์œ ๊ฐ€ ์žˆ๋‹ค. ์ ˆ์ •์˜ ์ˆœ๊ฐ„๋„ ์กด์žฌํ•˜๊ณ , ๊ฐ•๋ ฌํ•œ ํญ๋ฐœ์— ๋’ค์ง€์ง€ ์•Š๋Š” ๋Œ€๋‹จํžˆ ์‹ค๋‚ด์•…์ ์ธ ํŒจ์‹œ์ง€๋“ค๋„ ์กด์žฌํ•œ๋‹ค. (p184)
<๋งˆ๋ฆฌ์Šค ์–€์†์ŠคMariss Jansons> SHOSTAKOVICH: Symphony No. 4 in C minor op. 43 Mariss Jansons (conductor) Symphonieorchester des Bayerischen Rundfunks 2004/02/09~12 Stereo, Digital Bayerischer Rundfunk https://open.spotify.com/album/5vwLXqHcina0Nl2rmAjOnM ์‡ผ์Šคํƒ€์ฝ”๋น„์น˜๊ฐ€ ๋ง๋Ÿฌ๋ฅผ ๋Œ€๋‹จํžˆ ์ข‹์•„ํ–ˆ๋‹ค๋Š” ์‚ฌ์‹ค์„ ์•Œ๊ณ  ์žˆ๋Š”์ง€... ์–€์†์Šค: ์•Œ๊ณ  ์žˆ๋‹ค. [๋Œ€์ง€์˜ ๋…ธ๋ž˜]๋Š” ๊ทธ๊ฐ€ ์ฒœ๊ตญ์— ๊ฐˆ๋•Œ ๊ฐ€์ ธ๊ฐ€๊ณ  ์‹ถ์€ ์ž‘ํ’ˆ์ด๋ผ๊ณ  ํ–ˆ๋‹ค. ์‡ผ์Šคํƒ€์ฝ”๋น„์น˜๊ฐ€ ์ง์ ‘ ๊ทธ๋ ‡๊ฒŒ ๋งํ–ˆ๋‹ค๊ณ  '์Šฌ๋ผ๋ธŒ(๋ฏ€์Šคํ‹ฐ์Šฌ๋ผํ”„)' ๋กœ์ŠคํŠธ๋กœํฌ๋น„์น˜๊ฐ€ ๋‚ด๊ฒŒ ํ•ด์ค€ ๋ง์ด๋‹ค. ์‡ผ์Šคํƒ€์ฝ”๋น„์น˜๋Š” ๋ง๋Ÿฌ ์Œ์•…์„ ์–ด๋–ป๊ฒŒ ๊ทธ๋ ‡๊ฒŒ ์ž˜ ์•Œ์•˜์„๊นŒ? ์Šคํƒˆ๋ฆฐ ์‹œ๋Œ€์—๋„ ๋ง๋Ÿฌ ์Œ์•…์ด ์—ฐ์ฃผ๋˜์—ˆ๋‚˜? ์–€์†์Šค: ๋ฌผ๋ก ์ด๋‹ค. ๋ง๋Ÿฌ๋Š” ๋งŽ์ด ์•Œ๋ ค์ง€์ง€ ์•Š์•˜์„ ๋ฟ์ด์ง€ ๊ธˆ์ง€๋œ ์ž‘๊ณก๊ฐ€๋Š” ์•„๋‹ˆ์—ˆ๋‹ค. ์‡ผ์Šคํƒ€์ฝ”๋น„์น˜ ์Œ์•…๋„ ์—ฐ์ฃผ๋˜์—ˆ๋‹ค. ๋‹น์‹œ ์ฒญ์ค‘์˜ ๋ฐ˜์‘์ด ์–ด๋• ๋Š”์ง€ ์ •ํ™•ํžˆ ๊ธฐ์–ต๋‚œ๋‹ค. ์‡ผ์Šคํƒ€์ฝ”๋น„์น˜๋Š” ์ ์  ๋” ์œ ๋ช…ํ•ด์กŒ๊ณ  ๋Œ€์ค‘์—๊ฒŒ ์ฐจ์ธฐ ๊ฐ•ํ•˜๊ฒŒ ๊ฐ์ธ๋˜์—ˆ๋‹ค. ๋‚˜๋Š” '์ดํ•ดํ•œ๋‹ค'๋Š” ํ‘œํ˜„์„ ์ž˜ ์“ฐ์ง€ ์•Š๋Š”๋ฐ, ์Œ์•…์„ '์ดํ•ดํ•œ๋‹ค'๋Š” ์‚ฌ๊ณ  ์ž์ฒด๊ฐ€ ์ด์ƒํ•˜๊ฒŒ ๋Š๊ปด์ง€๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์–ธ์–ด๋Š” ์ดํ•ดํ•  ์ˆ˜ ์žˆ์ง€๋งŒ, ์Œ์•…์€ ๊ทธ๋Ÿด ์ˆ˜ ์—†๋‹ค. ์Œ์•…์„ ์ดํ•ดํ•œ๋‹ค๋Š” ๊ฒƒ์€ ๋‹ค๋ฅธ ์˜๋ฏธ๋‹ค. ๊ทธ๋ณด๋‹ค๋Š” ์‚ฌ๋žŒ๋“ค์˜ ๋Š๋‚Œ์ด๋‚˜ ์Œ์•…๊ณผ์˜ ๊ด€๊ณ„์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•˜๋Š” ํŽธ์ด ๋” ์ ์ ˆํ•˜๋‹ค๊ณ  ์ƒ๊ฐํ•œ๋‹ค. ์Œ์•…์„ ์ดํ•ดํ•œ๋‹ค๋Š” ๊ฒƒ์€ ์ด๋ก ์ ์ธ ๋ฌธ์ œ๋‹ค. ์‡ผ์Šคํƒ€์ฝ”๋น„์น˜๋„ ๋Ÿฌ์‹œ์•„์—์„œ ํ•ญ์ƒ ์‚ฌ๋ž‘๋ฐ›๊ธฐ๋งŒ ํ•œ ๊ฒƒ์€ ์•„๋‹ˆ๋‹ค. ์–ด๋Š ์ •๋„ ์‹œ๊ฐ„์ด ํ•„์š”ํ–ˆ๋‹ค. ๋ง๋Ÿฌ์˜ ๊ฒฝ์šฐ๋„ ๋งˆ์ฐฌ๊ฐ€์ง€๋‹ค. ์•„์ง ๋‚ด๊ฐ€ ์„œ๋ฐฉ์—์„œ ์‚ด์•„๋ณธ ์ ์ด ์—†์„ ๋•Œ์˜€์ง€๋งŒ, ๊ทธ๊ณณ์˜ ์ƒํ™ฉ๋„ ๋Ÿฌ์‹œ์•„์™€ ๋น„์Šทํ–ˆ์œผ๋ฆฌ๋ผ๊ณ  ์ƒ๊ฐํ•œ๋‹ค. '์œ ๋ช…ํ•œ' ๋นˆ๋„ ๋˜‘๊ฐ™์ง€ ์•Š์•˜์„๊นŒ. ๋ง๋Ÿฌ๊ฐ€ ๊ทธ๋ ‡๊ฒŒ ๋Œ€๋‹จํžˆ ์ธ๊ธฐ๋ฅผ ๋ˆ„๋ฆฌ๊ณ  ๋ชจ๋“  ์‚ฌ๋žŒ์˜ ์‚ฌ๋ž‘์„ ๋ฐ›๋Š” ๊นŒ๋‹ญ์€ ๋Œ€์ฒด ๋ญ˜๊นŒ? "๋ธŒ๋ฃจํฌ๋„ˆ๋Š” ๋‚ด ์„ธ๊ณ„๋‹ค!"๋ผ๊ณ  ๋งํ•˜๋Š” ์‚ฌ๋žŒ์ด ๊ทธ๋ ‡๊ฒŒ ๋งŽ์„ ๊ฒƒ ๊ฐ™์ง€๋Š” ์•Š๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์ด ๋ชจ๋“  ๊ฒƒ์„ ํฌ์šฉํ•˜๊ธฐ ๋•Œ๋ฌธ ์•„๋‹๊นŒ. ๊ทธ ์•ˆ์—๋Š” ์šฐ์ฃผ, ์ž์—ฐ, ์ธ๊ฐ„, ๋น„๊ทน, ์‚ฌ๋ž‘, ์ฆ์˜ค, ์•„์ด๋Ÿฌ๋‹ˆ, ํˆฌ์Ÿ ๋“ฑ ์„ธ์ƒ์— ์กด์žฌํ•˜๋Š” ๋ชจ๋“  ๊ฒƒ์ด ๋‹ค ๋“ค์–ด ์žˆ๋‹ค. ๊ทธ๋ ‡๊ธฐ ๋•Œ๋ฌธ์— ๊ฐœ์ธ์ ์ธ ์‚ถ๊ณผ ๋ง๋Ÿฌ์˜ ์„ธ๊ณ„๋ฅผ ๊ฒฐํ•ฉ์‹œํ‚ฌ ๊ฐ€๋Šฅ์„ฑ์ด ๋ˆ„๊ตฌ์—๊ฒŒ๋‚˜ ์—ด๋ ค ์žˆ๋‹ค. ๋ˆ„๊ตฌ์—๊ฒŒ๋Š” ๋” ๋งŽ๊ณ , ๋ˆ„๊ตฌ์—๊ฒŒ๋Š” ๋” ์ ์„ ๋ฟ์ด๋‹ค. ํ˜ธ์•ˆ ๋ฏธ๋กœ์˜ ๊ฒฝ์šฐ์™€ ๋น„์Šทํ•œ ๊ฒƒ ๊ฐ™๋‹ค. ๊ทธ์˜ ๊ทธ๋ฆผ์„ ๋ณด๊ณ  ๋˜ ๋ณด๊ณ  ํ•˜๋‹ค ๋ณด๋ฉด ์•„์ฃผ ์นœ์ˆ™ํ•˜๊ณ  ์ต์ˆ™ํ•œ ๋ฌด์–ธ๊ฐ€๋ฅผ ๋ฐœ๊ฒฌํ•  ์ˆ˜ ์žˆ๋‹ค. ๋ง๋Ÿฌ๊ฐ€ ๊ทธ๋ ‡๊ฒŒ ๋งŽ์€ ์‚ฌ๋ž‘์„ ๋ฐ›๊ณ  ๋ง๋Ÿฌ ๊ตํ–ฅ๊ณก ์—ฐ์ฃผ๊ฐ€ ์–ธ์ œ๋‚˜ ์‚ฌ๊ฑด์ด ๋˜๋Š” ์ด์œ ์— ๋Œ€ํ•œ ๋‚ด ์„ค๋ช…์€ ์ด ํ•œ๋งˆ๋””๋กœ ์ •๋ฆฌํ•  ์ˆ˜ ์žˆ๋‹ค. ๊ทธ ์•ˆ์—์„œ ์šฐ๋ฆฌ ์ž์‹ ์„ ์žฌ๋ฐœ๊ฒฌํ•  ์ˆ˜ ์žˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค! (p191-192) ๋‹ค์‹œ ์‡ผ์Šคํƒ€์ฝ”๋น„์น˜์™€ ๋ง๋Ÿฌ๋กœ ๋Œ์•„๊ฐ€ ๋ณด์ž. ์‡ผ์Šคํƒ€์ฝ”๋น„์น˜ ๊ตํ–ฅ๊ณก 4๋ฒˆ์€ ๋ง๋Ÿฌ์— ๋Œ€ํ•œ ์˜ค๋งˆ์ฃผ๋‹ค. ๊ทธ๋Š” ์Šคํƒˆ๋ฆฐ์—๊ฒŒ ์ฒดํฌ๋‹นํ• ๊นŒ ๋ด ๋‘๋ ค์›Œ์„œ ์ด ๊ณก์˜ ์ดˆ์—ฐ์„ ๊ฑฐ๋ถ€ํ–ˆ๋‹ค. ์‡ผ์Šคํƒ€์ฝ”๋น„์น˜์™€ ๋ง๋Ÿฌ๋ฅผ ๋น„๊ตํ•œ๋‹ค๋ฉด, ๋‘ ์‚ฌ๋žŒ์˜ ๊ณตํ†ต์ ์€ ๋ฌด์—‡์ด๊ณ  ์ฐจ์ด์ ์€ ๋ฌด์—‡์ธ๊ฐ€? ์–€์†์Šค: ๋‚˜๋Š” ํ•ญ์ƒ ๋Š๋ผ๋Š”๋ฐ, ๋ง๋Ÿฌ๋Š” ๋ง๋Ÿฌ๊ณ  ์‡ผ์Šคํƒ€์ฝ”๋น„์น˜๋Š” ์‡ผ์Šคํƒ€์ฝ”๋น„์น˜๋‹ค. ๋‘ ์ž‘๊ณก๊ฐ€๊ฐ€ ๊ณตํ†ต์œผ๋กœ ์‚ฌ์šฉํ•œ ํ˜•์‹๋“ค๋„ ์žˆ๊ณ , ๋•Œ๋กœ๋Š” ๊ทธ๊ฒƒ๋“ค์ด ์•„์ฃผ ์œ ์‚ฌํ•ด ๋ณด์ด๊ธฐ๋„ ํ•œ๋‹ค. ๊ฐ์ •์„ ํ‘œํ˜„ํ•˜๋Š” ๋ฐฉ์‹๋„ ๋น„์Šทํ–ˆ๋‹ค. ๋‘ ์‚ฌ๋žŒ ๋ชจ๋‘ ์˜ค์ผ€์ŠคํŠธ๋ผ์— ๋Œ€ํ•ด ์ž˜ ์•Œ์•˜๋‹ค. ๊ฐœ๋ณ„ ์•…๊ธฐ์™€ ํŽธ์„ฑ์— ๋Œ€ํ•ด์„œ๋„ ์ž˜ ์•Œ์•˜๋‹ค. ๊ทธ๋Ÿฐ ์ ์—์„œ ์‡ผ์Šคํƒ€์ฝ”๋น„์น˜๋Š” ๋Œ€๋‹จํ•˜๋‹ค. ๊ทธ์˜ ์Œ์•…์—์„œ๋Š” ๋‹ค์ด๋‚ด๋ฏน์„ ๋ฐ”๊พธ๊ฑฐ๋‚˜ ์กฐ์ •ํ•  ํ•„์š”๊ฐ€ ์—†๊ณ , ๊ทธ์˜ ๏ฟฝ๏ฟฝ๏ฟฝ์ผ€์ŠคํŠธ๋ ˆ์ด์…˜์€ ๊ฑฐ์˜ ์™„๋ฒฝํ•  ์ •๋„๋กœ ํ›Œ๋ฅญํ•˜๋‹ค. ํŠน์ • ์„ ์œจ์ด ๋‘๋“œ๋Ÿฌ์ง€๊ฒŒ ํ•˜๋ ค๋ฉด ์–ด๋–ค ์•…๊ธฐ๋ฅผ ์จ์•ผ ํ•˜๋Š”์ง€๋„ ๋ช…ํ™•ํžˆ ์•Œ์•˜๋‹ค. ๋Œ€๋‹จํ•˜๋‹ค! ๊ทธ๋“ค์€ ์ฒœ์žฌ์˜€๋‹ค. (...) ๊ณผ์žฅ์ผ ์ˆ˜๋„ ์žˆ๊ฒ ์ง€๋งŒ, ๋‘ ์‚ฌ๋žŒ ๋ชจ๋‘ ๋‚ด์ ์œผ๋กœ ๋น„๊ทน์ ์ธ ์‚ฌ๋žŒ๋“ค์ด๋‹ค. ๋ง๋Ÿฌ๊ฐ€ ์‹ค์ œ๋กœ ์œ„ํ—˜ํ•œ ์ƒํ™ฉ์— ์ฒ˜ํ•˜์ง€ ์•Š์•˜๋˜ ๋ฐ ๋น„ํ•ด ์‡ผ์Šคํƒ€์ฝ”๋น„์น˜๋Š” ์–ธ์ œ๋‚˜ ์œ„ํ—˜์„ ์•ˆ๊ณ  ์‚ด์•˜๋‹ค. ๊ทธ๊ฐ€ ๋งŒ์•ฝ ์ž‘๊ฐ€์˜€๋‹ค๋ฉด, ์Šคํƒˆ๋ฆฐ์€ ๊ทธ๋ฅผ ์ฃฝ์˜€์„ ๊ฒƒ์ด๋‹ค. ๋‹คํ–‰ํžˆ ๊ทธ๋Š” ์ž‘๊ณก๊ฐ€์˜€๊ณ , ์Œ์•…์€ ๋งค์šฐ ์ถ”์ƒ์ ์ธ ์˜ˆ์ˆ  ํ˜•์‹์ด์–ด์„œ ์ •ํ™•ํžˆ ํŒ๋‹จํ•˜๊ธฐ๊ฐ€ ์–ด๋ ค์› ๋‹ค. ๊ทธ๋Ÿฐ๋ฐ๋„ ๊ทธ๋Š” ์œ„ํ—˜ํ•œ ์ƒํ™ฉ์— ์ฒ˜ํ–ˆ๋‹ค. ๋น„๋ฐ€๊ฒฝ์ฐฐ์ด ์ž์‹ ์„ ๋ฐ๋ ค๊ฐˆ ์ˆ˜ ์žˆ๋‹ค๋Š” ์‚ฌ์‹ค์„ ์•Œ์•˜๊ณ , ๊ทธ๋Ÿฐ ์‚ฌํƒœ์— ๋Œ€๋น„ํ•˜๊ธฐ๋„ ํ–ˆ๋‹ค. ์ฐจ์ด๋Š” ์žˆ์ง€๋งŒ, ๋‘ ์‚ฌ๋žŒ ๋ชจ๋‘ ๋งŽ์ด ํž˜๋“ค์–ดํ–ˆ๋‹ค. ๊ทธ๋“ค์€ ํƒ€์ธ์—๊ฒŒ ํ„ธ์–ด๋†“๊ณ  ์‹ถ์ง€ ์•Š์€ ๋งŽ์€ ๊ฒƒ์„ ํ™€๋กœ ๊ฐ„์งํ–ˆ๋‹ค. ๋ง๋Ÿฌ๋Š” ๊ธฐ๋ณธ์ ์œผ๋กœ ์•„์ฃผ ์†”์งํ•œ ์‚ฌ๋žŒ์ด์—ˆ๊ธฐ ๋•Œ๋ฌธ์— ํ›จ์”ฌ ๋” ๊ฒฌ๋””๊ธฐ ํž˜๋“ค์—ˆ์„ ๊ฒƒ์ด๋‹ค. ๋ฐ˜๋ฉด ์‡ผ์Šคํƒ€์ฝ”๋น„์น˜๋Š” ๊ธฐ๋ณธ์ ์œผ๋กœ ๋ง์ด ๋งŽ์ง€ ์•Š์€ ์‚ฌ๋žŒ์ด์—ˆ๋‹ค. ์งˆ๋ฌธ์„ ํ•ด๋„ ๋Œ€๋‹ต์„ ์ž˜ ์•ˆ ํ–ˆ๋‹ค. (p197-198) <๋กœ๋ฆฐ ๋งˆ์ คLorin Maazel> MAHLER: Symphony No. 5 in C sharp minor Lorin Maazel (conductor) New York Philharmonic, Lorin Maazel https://open.spotify.com/album/44EES7Qq2QQ7inKyl6EXAU ๋ง๋Ÿฌ๋Š” ์ง€ํœ˜์ž๋ฅผ ์œ„ํ•ด ์•…๋ณด์— ๋งŽ์€ ์ง€์‹œ ์‚ฌํ•ญ์„ ๊ผผ๊ผผํ•˜๊ฒŒ ๊ธฐ๋กํ•ด๋†“์•˜๋‹ค. ๊ทธ๋Ÿฐ ๊ทธ์˜ ์ง€์‹œ๋ฅผ ์–ผ๋งˆ๋‚˜ ์ฒ ์ €ํžˆ ๋”ฐ๋ฅด๋Š”๊ฐ€? ๋งˆ์ ค: ๊ทธ๋Š” ๋งค์šฐ ํƒ์›”ํ•œ ์ง€ํœ˜์ž์˜€๊ณ  ์ž์‹ ์ด ๋ฌด์—‡์„ ํ•˜๋Š”์ง€ ๋ช…ํ™•ํžˆ ์•Œ์•˜๋‹ค. ๊ทธ๋ ‡์ง€๋งŒ ๋‚˜๋Š” ๊ทธ์˜ ์š”๊ตฌ ์‚ฌํ•ญ์— ์–ธ์ œ๋‚˜ ๋™์˜ํ•˜๋Š” ๊ฒƒ์€ ์•„๋‹ˆ๊ณ , ์•„๋งˆ ๋ง๋Ÿฌ ์ž์‹ ๋„ ๋Š˜ ๊ทธ๋ ‡์ง€๋Š” ์•Š์•˜์„ ๊ฒƒ์ด๋‹ค. ๋‚˜๋„ ์ง์ ‘ ์ž‘๊ณก์„ ํ•˜๊ณ  ๋‚˜๋ฆ„๋Œ€๋กœ ์˜คํ•ด์˜ ์†Œ์ง€๊ฐ€ ์—†๋Š” ์•…๋ณด๋ฅผ ์“ด๋‹ค๊ณ  ์ƒ๊ฐํ•œ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋ง‰์ƒ ์ง€ํœ˜ํ•˜๊ณ  ๋‚˜์„œ๋Š” ๋ฐ”๋กœ ์•…๋ณด๋ฅผ ๊ณ ์น˜๊ธฐ ์‹œ์ž‘ํ–ˆ๋‹ค. (...) ๋‹ค์‹œ ๋‹น์‹ ์˜ ์งˆ๋ฌธ์œผ๋กœ ๋Œ์•„์˜ค์ž. ๋‚ด๊ฐ€ ๋ง๋Ÿฌ์˜ ์ง€์‹œ๋ฅผ ์–ด๋Š ์ •๋„๊นŒ์ง€ ๋”ฐ๋ฅด๋Š๋ƒ๊ณ ? ๋ง๋Ÿฌ ์ž์‹ ๋„ ์ž๊ธฐ ์Œ์•…์„ ์ง€ํœ˜ํ•  ๋•Œ ์–ธ์ œ๋‚˜ ์ž์‹ ์˜ ์ง€์‹œ์— ๋ณต์ข…ํ•˜์ง€๋Š” ์•Š์•˜์„ ๊ฒƒ์ด๋‹ค. ์‚ฌ์‹ค ๊ทธ๋ ‡๊ฒŒ ํ•˜๋Š” ๊ฒŒ ๋งž๋‹ค. ๊ฐ„ํ˜ผ ์˜ˆ๊ธฐ์น˜ ๋ชปํ•œ ์Œํ–ฅ ๋ฌธ์ œ๊ฐ€ ๋ฐœ์ƒํ•  ์ˆ˜๋„ ์žˆ๋‹ค. (...) ๋ฏฟ๊ธฐ ํž˜๋“ค๊ฒ ์ง€๋งŒ, ๋ง๋Ÿฌ๋Š” ์ˆ˜์ • ๊ณผ์ •์—์„œ ๋Š์ž„์—†์ด ๋ฐฐ์šฐ๊ณ  ๋˜ ๋ฐฐ์› ๋‹ค. ๊ทธ๊ฐ€ ์˜ณ์•˜๋‹ค! ๋‘ ์˜ค์ผ€์ŠคํŠธ๋ ˆ์ด์…˜์„ ๋น„๊ตํ•ด๋ณด๋ฉด, ๊ทธ์˜ ๊ฒฐ์ •์ด ๋ชจ๋“  ๋ฉด์—์„œ ์˜ณ์•˜์Œ์„ ์•Œ ์ˆ˜ ์žˆ๋‹ค. ์‹ค์ œ๋กœ ์ˆ˜์ •์ด ๋ถˆ๊ฐ€ํ”ผํ–ˆ๋‹ค. ๊ทธ๋ ‡๊ฒŒ ํ™•์‹คํ•œ๋ฐ, ์™œ ์ฒ˜์Œ๋ถ€ํ„ฐ ์ œ๋Œ€๋กœ ์“ฐ์ง€ ์•Š์•˜์„๊นŒ? ๊ทธ๊ฒƒ์ด ๋ฐ”๋กœ ๋ฐฐ์›€์˜ ๊ณผ์ •์ด๋ฉฐ ๊ทธ๊ฐ€ ํ›Œ๋ฅญํ•œ ์ž‘๊ณก๊ฐ€๋ผ๋Š” ์ฆ๊ฑฐ๋‹ค. ํ›Œ๋ฅญํ•œ ์ž‘๊ณก๊ฐ€๋Š” ๋ชจ๋ฆ„์ง€๊ธฐ ์ฒ ์ €ํžˆ ์ค€๋น„ํ•˜๊ณ  ๊ทธ ๊ณผ์ •์—์„œ ๋ฌด์–ธ๊ฐ€๋ฅผ ๋ฐฐ์šฐ๋ฉฐ ์ˆ˜์ •ํ•œ๋‹ค. (...) ๋งŒ์•ฝ ๋ง๋Ÿฌ๊ฐ€ ๋ฐฑ ์‚ด๊นŒ์ง€ ์‚ด์•˜๋”๋ผ๋ฉด ์–ด๋–ค ์Œ์•…์„ ์ผ์„์ง€ ๊ถ๊ธˆํ•˜๋‹ค. ํ‹€๋ฆผ ์—†์ด ์‡ค๋ฒ ๋ฅดํฌ๋ฅผ ๋Šฅ๊ฐ€ํ–ˆ์„ ํ…๋ฐ, ๋ง๋Ÿฌ๋Š” ์ง„์ฆ‰์— 12์Œ ์Œ๋ ฌ์„ ์‚ฌ์šฉํ–ˆ๋‹ค. ์ด๋ฅผ ์•Œ์•„์ฐจ๋ฆฐ ์‚ฌ๋žŒ์€ ์–ผ๋งˆ ์•ˆ ๋˜์ง€๋งŒ, ๊ตํ–ฅ๊ณก 2๋ฒˆ์˜ ๋งˆ์ง€๋ง‰ ์•…์žฅ์„ ๋ฉด๋ฐ€ํžˆ ๊ด€์ฐฐํ•ด๋ณด๋ฉด ๊ด€์•…๊ธฐ ํŒŒํŠธ์—์„œ 12์Œ ์Œ๋ ฌ์ด ๋“ฑ์žฅํ•˜๋‹ค. (p207-208) ๋งˆ์ ค: ๋‚ด๊ฐ€ ๊ทธ์˜ ์Œ์•…์„ ์—ฐ์ฃผํ•˜๋Š” ๊ฒƒ์„ ๋ง๋Ÿฌ๊ฐ€ ๋“ฃ๋Š”๋‹ค๋ฉด ๋„ˆ๋ฌด ์ฐฝํ”ผํ•  ๊ฒƒ ๊ฐ™๋‹ค. ๊ทธ๋„ ์ž๊ธฐ ์Œ์•…์„ ์ง์ ‘ ์—ฐ์ฃผํ•  ๋•Œ์—๋Š” ์–ด์ƒ‰ํ•จ๊ณผ ๋ถˆํŽธํ•จ์„ ๋Š๊ผˆ์„ ๊ฒƒ์ด๋‹ค. ์œ„๋Œ€ํ•œ ์ž‘๊ณก๊ฐ€๋Š” ์ž์‹ ์˜ ์Œ์•… ์•ž์—์„œ ๋‹นํ˜น๊ฐ์„ ๋Š๋ผ์ง€๋งŒ, ๋ณดํ†ต์˜ ์ž‘๊ณก๊ฐ€๋Š” ์ž๊ธฐ ์Œ์•…์„ ์‚ฌ๋ž‘ํ•œ๋‹ค. ์ž๊ธฐ ์Œ์•…์„ ์‚ฌ๋ž‘ํ•˜๋Š” ์‚ฌ๋žŒ์ผ์ˆ˜๋ก ๋ณ„ ๋ณผ์ผ ์—†๋Š” ์ž‘๊ณก๊ฐ€์ธ ๊ฒฝ์šฐ๊ฐ€ ๋งŽ๋‹ค. ์ž๊ธฐ ๋ฏผ๋‚ฏ์„ ๊ทธ๋Œ€๋กœ ๋…ธ์ถœํ•˜๋Š” ์ผ์ด๋‹ˆ๋งŒํผ ๋‹นํ˜น์Šค๋Ÿฌ์šธ ์ˆ˜๋ฐ–์— ์—†๋‹ค๊ณ  ์ƒ๊ฐํ•œ๋‹ค. ๊ตฌ์Šคํƒ€ํ”„ ๋ง๋Ÿฌ์— ๋Œ€ํ•ด ์•Œ๊ณ  ์‹ถ์€ ๋ชจ๋“  ๊ฒƒ์€ ๊ทธ์˜ ์Œ์•… ์†์— ๋‹ด๊ฒจ ์žˆ๋‹ค. ์Œ์•…์— ๊ทธ์˜ ์˜ํ˜ผ์ด ๊ณ ์Šค๋ž€ํžˆ ๋‹ค ๋“œ๋Ÿฌ๋‚˜ ์žˆ๋‹ค. ๋ˆ„๊ตฌ๋“  ์ด๋Ÿฐ ์ƒํ™ฉ์ด ๋ถˆํŽธํ•˜๊ฒŒ ์—ฌ๊ฒจ์งˆ ์ˆ˜ ์žˆ๋‹ค. ์†๋‚ด๋ฅผ ํ™˜ํžˆ ๋“ค๏ฟฝ๏ฟฝ๋‹ค๋ณด์ด๊ณ  ์‹ถ์€ ์‚ฌ๋žŒ์ด ์–ด๋”” ์žˆ๊ฒ ๋Š”๊ฐ€? ๋ง๋Ÿฌ ์Œ์•…์„ ๋“ค์œผ๋ฉด ์ข…์ข… ๊ทธ๋Ÿฐ ์ผ์ด ๋ฒŒ์–ด์ง„๋‹ค. ์‚ฌ๋žŒ๋“ค์€ ๊ทธ์˜ ๋งˆ์Œ๊ณผ ์ƒ๊ฐ์„ ๋“ค์—ฌ๋‹ค ๋ณผ ์ˆ˜ ์žˆ๋‹ค. ๊ทธ์˜ ์‚ฌ์ ์ธ ์˜์—ญ์„ ์กด์ค‘ํ•ด์ฃผ๊ณ  ์‹ถ๊ธฐ ๋•Œ๋ฌธ์—, ๋‚˜๋Š” ๊ทธ์—๊ฒŒ ์•„๋ฌด๊ฒƒ๋„ ๋ฌป์ง€ ์•Š๊ฒ ๋‹ค. (p212) <์ž‰๊ณ  ๋ฉ”์ธ ๋งˆํ—ˆIngo Metzmacher> HARTMANN, Karl Amadeus: Symphony No. 8 Ingo Metzmacher (conductor) Bamberg Symphony Chorus 1993 Stereo, Digital Bamberg, Sinfonie an der Regnitz, Joseph-Keilberth-Saal & Kulturraum https://open.spotify.com/album/1M7JM1GOHgZ0yZNBCK68bJ ๋ง๋Ÿฌ ์Œ์•…์„ ์–ธ์ œ ์ฒ˜์Œ ๋“ค์—ˆ๋Š”์ง€ ๊ธฐ์–ตํ•˜๋Š”๊ฐ€? ๋ฉ”์ธ ๋งˆํ—ˆ: ๋‚ด๊ฐ€ ๋Š˜ ๊ด€์‹ฌ์„ ๊ฐ€์กŒ๋˜ ์ฐฐ์Šค ์•„์ด๋ธŒ์Šค์™€ ๊ด€๋ จํ•ด์„œ ๋ง๋Ÿฌ๋ฅผ ์ฒ˜์Œ ๋“ค์—ˆ๋˜ ๊ฒƒ์œผ๋กœ ๊ธฐ์–ตํ•œ๋‹ค. ๋ง๋Ÿฌ๊ฐ€ ๋‰ด์š•์—์„œ ๋Œ์•„์˜ฌ ๋•Œ ๊ทธ์˜ ๊ฐ€๋ฐฉ์—๋Š” ์•„์ด๋ธŒ์Šค ์•…๋ณด๊ฐ€ ๋“ค์–ด ์žˆ์—ˆ๋‹ค๊ณ  ์•Œ๋ ค์ ธ ์žˆ๋‹ค. ๋ง๋Ÿฌ๋Š” ์•„์ด๋ธŒ์Šค ์Œ์•…์„ ์œ ๋Ÿฝ์— ๋“ค์—ฌ ์˜ค๊ณ  ์‹ถ์–ด ํ–ˆ์ง€๋งŒ ์•„์‰ฝ๊ฒŒ๋„ ์„ธ์ƒ์„ ๋– ๋‚˜๊ณ  ๋ง์•˜๋‹ค. ์–ด์จŒ๋“  ์•„์ด๋ธŒ์Šค์™€ ๋ง๋Ÿฌ๋Š” ๊ด€๋ จ์ด ์žˆ๋‹ค. ์ฟ ๋ฅดํŠธ ๋ธ”๋ผ์šฐ์ฝ”ํ”„๊ฐ€ ์“ด ๋ง๋Ÿฌ ์ฑ…์„ ์ฝ์—ˆ๋Š”๋ฐ, ๋ง๋Ÿฌ๊ฐ€ ์—ฐ์‹œ๋ฅผ ๋ฐฉ๋ฌธํ–ˆ์„ ๋•Œ์˜ ๊ด‘๊ฒฝ์„ ๋ฌ˜์‚ฌํ•œ ๊ตฌ์ ˆ์ด ๋“ฑ์žฅํ•œ๋‹ค. ๋ง๋Ÿฌ๋Š” ์ถ•์ œ ๊ด‘์žฅ์„ ๊ฑฐ๋‹๋ฉฐ ์ž์‹ ์ด ๋“ค์—ˆ๋˜ ์˜จ๊ฐ– ์ข…๋ฅ˜์˜ ์Œ์•…๊ณผ ๊ฑฐ๊ธฐ์„œ ๋Š๋‚€ ์ ์„ ๊ตฌ์ฒด์ ์œผ๋กœ ์ ์–ด๋†“์•˜๋‹ค. ์—ฌ๊ธฐ์„œ๋Š” ์™ˆ์ธ ๋ฅผ ๋“ค์—ˆ๊ณ , ์กฐ๊ธˆ ๋” ๊ฐ€๋ฉด ํด์นด๊ฐ€ ๋“ค๋ ธ๊ณ , ์ €์ชฝ์—์„œ๋Š” ๋ธŒ๋ผ์Šค ๋ฐด๋“œ๊ฐ€ ์—ฐ์ฃผํ–ˆ๋‹ค. ๊ทธ๋Š” ์ด ๋ชจ๋‘๋ฅผ ๋™์‹œ์— ๋“ค์—ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋ฐœ๊ฑธ์Œ์„ ์˜ฎ๊ธธ ๋•Œ๋งˆ๋‹ค ์ฒญ๊ฐ์  ์กฐ๋ง์ด ๋ณ€ํ•œ๋‹ค๋Š” ์‚ฌ์‹ค๋„ ๊นจ๋‹ฌ์•˜๋‹ค. ํŠน์ • ์Œํ–ฅ์˜ ๊ทผ์›์— ๊ฐ€๊นŒ์ด ๋‹ค๊ฐ€๊ฐ”๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์ด ์ฑ…์—๋Š” ๊ฒฐ์ฝ” ์žŠ์„ ์ˆ˜ ์—†๋Š” ์ธ์šฉ๊ตฌ๊ฐ€ ๋‚˜์˜ค๋Š”๋ฐ, ์ „๋ถ€ํ„ฐ ๊ทธ ๋ถ€๋ถ„์„ ๋‹ค์‹œ ์ฐพ์•„๋ณด๋ ค๊ณ  ์• ์“ฐ๊ณ  ์žˆ๋‹ค. ๋ง๋Ÿฌ๊ฐ€ ํฅ๋ฏธ๋กญ๊ฒŒ ์ƒ๊ฐํ•˜๋Š” ์Œ์•…์—์„œ์˜ ๋™์‹œ์„ฑ์— ๊ด€ํ•œ ๊ตฌ์ ˆ์ด๋‹ค. ์˜จ๊ฐ– ์†Œ๋ฆฌ๊ฐ€ ๋น ๋ฅด๊ฒŒ ์ค‘์ฒฉ๋˜์–ด ๋“ค๋ฆฌ๋Š” ์™€์ค‘์—๋„ ํŠน์ • ์Œํ–ฅ์ด ๋‘๋“œ๋Ÿฌ์ง€๋ฉฐ ๋‹ค๋ฅธ ๊ฒƒ๋“ค์€ ๋’ท์ „์œผ๋กœ ๋ฐ€๋ ค๋‚œ๋‹ค๋Š” ์‚ฌ์‹ค์ด ๊ทธ์—๊ฒŒ๋Š” ๋Œ€๋‹จํžˆ ์ธ์ƒ์ ์ด์—ˆ๋˜ ๋ชจ์–‘์ด๋‹ค. ์›๊ทผ๋ฒ•์  ์ž‘๊ณก์€ ์•„์ด๋ธŒ์Šค๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ๋ง๋Ÿฌ์—๊ฒŒ๋„ ํฅ๋ฏธ๋กœ์šด ์ฃผ์ œ์˜€๋‹ค. ๋‘ ์‚ฌ๋žŒ์˜ ์‚ฌ๊ณ ์—๋Š” ๋น„์Šทํ•œ ๊ตฌ์„์ด ์žˆ์—ˆ๋‹ค. (p235) ๋ฉ”์ธ ๋งˆํ—ˆ: ์—ฌ๊ธฐ์„œ ์–ธ๊ธ‰ํ•ด์•ผ ํ•  ์ž‘๊ณก๊ฐ€๊ฐ€ ํ•œ ๋ช… ๋” ์žˆ๋‹ค. ์นด๋ฅผ ์•„๋งˆ๋ฐ์šฐ์Šค ํ•˜๋ฅดํŠธ๋งŒ์ด๋‹ค. ๊ทธ๋Š” ๋ง๋Ÿฌ์—๊ฒŒ์„œ ์•„์ฃผ ๋งŽ์€ ๊ฒƒ์„ ๋ฐฐ์› ๋‹ค. ๋ฌด์—‡๋ณด๋‹ค ๋Š๋ฆฐ ์•…์žฅ, ์•„๋‹ค์ง€์˜ค ๋ถ€๋ถ„์—์„œ ๋ง๋Ÿฌ์˜ ๋™๊ธฐ๋ผ๊ณ  ๋ถˆ๋ฆด ๋งŒํ•œ ์š”์†Œ๊ฐ€ ๋งŽ์ด ๋‚˜์˜ค๋Š”๋ฐ, ํŠนํžˆ ๊ตํ–ฅ๊ณก 8๋ฒˆ์—์„œ ๋”์šฑ ๋‘๋“œ๋Ÿฌ์ง„๋‹ค. ๋‘ ๋ฒˆ์งธ ์•…์žฅ์€ ๊ฑฐ์นœ๋ฐ, ๋๋ถ€๋ถ„์— ๊ฐ€๋ฉด ๋ฐ”์ด์˜ฌ๋ฆฐ์ด ๊ฐ‘์ž๊ธฐ ์ € ๋ฉ€๋ฆฌ ๊ณต์ค‘์— ๋–  ์žˆ๋Š” ๋“ฏํ•œ ์„ ์œจ์„ ์—ฐ์ฃผํ•œ๋‹ค. ์ด ๋ถ€๋ถ„์—์„œ ๋‚œ ์–ธ์ œ๋‚˜ ๋ง๋Ÿฌ๋ฅผ ๋– ์˜ฌ๋ฆฐ๋‹ค. ์ผ์ข…์˜ ํšŒ์ƒ, ๊ทธ๊ฒƒ๋„ ๊ณ ํ†ต์Šค๋Ÿฌ์šด ๋ฐฉ์‹์˜ ํšŒ์ƒ์ธ๋ฐ, ์•„๋งˆ ์ด ๊ณก์ด 1960๋…„๋Œ€์— ์“ฐ์˜€๊ธฐ ๋•Œ๋ฌธ์— ๊ทธ๋ ‡๊ฒŒ ๋Š๊ปด์ง€๋Š” ๊ฒƒ ๊ฐ™๋‹ค. ํฅ๋ฏธ๋กญ์ง€ ์•Š์€๊ฐ€. ๊ฒ‰์œผ๋กœ๋Š” ๋“œ๋Ÿฌ๋‚˜์ง€ ์•Š์€ ๋ˆ์ด ์Œ์•…์‚ฌ๋ฅผ ๊ด€ํ†ตํ•˜๊ณ  ์žˆ๋‹ค. ๊ทธ๊ฒƒ์€ ๋•…์†์—์„œ ํ๋ฅด๋Š” ๊ฐ•๋ฌผ ๊ฐ™์•„์„œ ์–ธ์ œ ๋‹ค์‹œ ์„ธ์ƒ์œผ๋กœ ๋‚˜์˜ฌ์ง€, ์–ด๋””๋ฅผ ํ–ฅํ•ด๊ฐ€๋Š”์ง€, ๋ง๋ผ๋ฒ„๋ฆฌ์ง€๋Š” ์•Š์„์ง€ ์•Œ ์ˆ˜ ์—†๋‹ค. ํ•˜๋ฅดํŠธ๋งŒ, ๊ทธ ์ดํ›„์—๋Š” ํ•œ์Šค ๋ฒ ๋ฅด๋„ˆ ํ—จ์ฒด๊ฐ€ ๋ง๋Ÿฌ๋ฅผ ๊ณ„์† ๊ฐ„์งํ•˜๊ณ  ์žˆ๋‹ค๊ณ  ์ƒ๊ฐํ•œ๋‹ค. (p238) ์ง€ํœ˜์ž๏ฟฝ๏ฟฝ์„œ ๋ง๋Ÿฌ ์Œ์•…์— ์˜ฌ๋ฐ”๋ฅด๊ฒŒ ์ ‘๊ทผํ•˜๋Š” ๋ฐฉ๋ฒ•์€ ๋ฌด์—‡์ธ๊ฐ€? ๋ฉ”์ธ ๋งˆํ—ˆ: ์ œ๋Œ€๋กœ ํ•˜๋ ค๋ฉด ์ค„ํƒ€๊ธฐ๋ฅผ ์ž˜ํ•ด์•ผ ํ•œ๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์€ ์ง€ํœ˜๋ฅผ ํ•˜๋ฉด์„œ ์ž์‹ ์„ ๋“ค์—ฌ๋‹ค๋ณผ ์ˆ˜ ์žˆ๏ฟฝ๏ฟฝ๏ฟฝ ์ข…๋ฅ˜์˜ ์Œ์•…์ด ์•„๋‹ˆ๋‹ค. ์˜จ์ „ํžˆ ๋›ฐ์–ด๋“ค์–ด์•ผ ํ•œ๋‹ค. ๊ทธ์˜ ์Œ์•…์€ ์™„๋ฒฝํ•œ ๋ชฐ์ž…์„ ์š”๊ตฌํ•œ๋‹ค. ๋ชจ๋“  ์Œ์•…์ด ๋‹ค ๊ทธ๋ ‡๊ฒ ์ง€๋งŒ, ๋ง๋Ÿฌ์˜ ๊ฒฝ์šฐ๋Š” ํŠนํžˆ ๋” ๊ทธ๋ ‡๋‹ค๊ณ  ์ƒ๊ฐํ•œ๋‹ค. ๊ทธ์™€ ๋™์‹œ์— ๋ƒ‰์ฒ ํ•จ์„ ์œ ์ง€ํ•ด์•ผ ํ•œ๋‹ค. ์ž‘ํ’ˆ์˜ ๊ธธ์ด ๋•Œ๋ฌธ์ด๊ธฐ๋„ ํ•˜๊ณ , ํ…œํฌ๋ฅผ ์‹ ์ค‘ํ•˜๊ฒŒ ๋‹ค๋ฃจ๋Š” ๋ฌธ์ œ๊ฐ€ ๋งค์šฐ ์ค‘์š”ํ•˜๊ธฐ ๋•Œ๋ฌธ์ด๊ธฐ๋„ ํ•˜๋‹ค. ๊ทธ๋ ‡๊ฒŒ ํ•˜์ง€ ์•Š์œผ๋ฉด ๊ตฌ์กฐ๊ฐ€ ๋ฌด๋„ˆ์ง€๊ณ , ๊ทธ๋Ÿฌ๋ฉด ๊ฒฐ๊ตญ ๋ฌด๋„ˆ์ง„ ์ง‘์— ๋งŽ์€ ๊ฐ์ •์ด ๋‹ด๊ฒจ ์žˆ๋Š” ๊ผด์ด ๋˜๊ณ  ๋งŒ๋‹ค. ๋ชจ๋“  ๊ฑธ ๋†“์น˜๊ณ  ๋งŒ๋‹ค. ๊ทธ๋Ÿฌ๋ฏ€๋กœ ๊ฐ€์žฅ ์ ˆ๋ฐ•ํ•œ ์š”๊ตฌ๋Š” ๊ท ํ˜•์„ ์ž˜ ์œ ์ง€ํ•˜๋Š” ๊ฒƒ์ด๋‹ค. ์ž‘๊ณก๊ฐ€๊ฐ€ ๊ทธ ์ˆœ๊ฐ„์— ๋ฌด์—‡์„ ๋Š๋ผ๋Š”์ง€๋Š” ์ค‘์š”ํ•˜์ง€ ์•Š๋‹ค๋Š” ๋ง์ด ์žˆ๋‹ค. ์ค‘์š”ํ•œ ๊ฒƒ์€ ์Œ์•…์ด๋‹ค. ์ง€ํœ˜์ž๋Š” ์Œ์•…์— ๊ฐ์ •์„ ์‹ค์–ด์•ผ ํ•˜์ง€๋งŒ, ๊ทธ ๊ฐ์ •์ด ์ž์‹ ์˜ ๊ฒƒ์ด์–ด์„œ๋Š” ์•ˆ ๋œ๋‹ค. ์ง€ํœ˜์ž ๊ฐœ์ธ์˜ ๊ฐ์ •์€ ์Œ์•…๊ณผ์˜ ๊ด€๊ณ„์—์„œ ๋ณ„ ์˜๋ฏธ๊ฐ€ ์—†๋‹ค. ์ง€ํœ˜์ž ์ž์‹ ์˜ ๊ฐ์ •์ด ์Œ์•…์˜ ๊ฐ์ •์„ ๋Œ€์‹ ํ•˜๋Š” ์œ„ํ—˜ํ•œ ์ƒํ™ฉ์ด ๋ฒŒ์–ด์ง€๊ธฐ๋„ ํ•œ๋‹ค. ๋„ˆ๋ฌด ๊ฐ์ •์— ๋น ์ง€๊ฑฐ๋‚˜, ๊ฐ‘์ž๊ธฐ ๊ฐ์ •์ด ํ™• ๋ฐ€๋ ค๋“œ๋Š” ์ˆœ๊ฐ„์ด ์žˆ์Œ์„ ๊ธฐ์–ตํ•˜๋ผ. ์Œ์•…์ด ํ•„์š”๋กœ ํ•˜๋Š” ํž˜์„ ๊ฐ–๋Š” ๊ฒƒ์ด ๊ฐ€์žฅ ์ค‘์š”ํ•˜๋‹ค. ์ด๋ฅผ ์‹คํ˜„ํ•˜๋ ค๋ฉด ๋•Œ๋กœ๋Š” ์ง€ํœ˜์ž๊ฐ€ ๋ฌผ๋Ÿฌ์„ค ์ค„๋„ ์•Œ์•„์•ผ ํ•œ๋‹ค. ํŽ˜๋ฃจ์ดˆ ๋ถ€์†Œ๋‹ˆ์˜ ์งง๊ณ  ์œ ๋ช…ํ•œ ์ฑ… [์ƒˆ ์Œ์•… ๋ฏธํ•™ ์‹œ๋ก Entwurf einer neuen Asthetik der Tonkunst]์—๋Š” ๋‚ด๊ฐ€ ์ •๋ง๋กœ ์ข‹์•„ํ•˜๋Š” ๋‹จ๋ฝ์ด ์žˆ๋Š”๋ฐ, ๊ฑฐ๊ธฐ์„œ ๋ถ€์†Œ๋‹ˆ๋Š” ์ •ํ™•ํžˆ ๊ทธ ์ ์„ ์ง€์ ํ•œ๋‹ค. ์ด ์ฑ…์€ ์šฐ๋ฆฌ๊ฐ€ ์ด์•ผ๊ธฐํ•˜๋Š” ๋ฐ”๋กœ ๊ทธ ์‹œ์ ์ธ 1907๋…„ ๋‚˜์™”๋‹ค. (p239-240) <์ผ„ํŠธ ๋‚˜๊ฐ€๋…ธKent Nagano> MAHLER: Das klagende Lied Eva Urbanova (soprano) Jadwiga Rappe (alto) Hans Peter Blochwitz (tenor) Hakan Hagegard (bass) Kent Nagano (conductor) Soloists of the Wiener Sangerknaben Terence Way (soprano) Otto Jaus (alto) Halle Orchestra and Choir Chorus master : Keith Orrell 1997/10/8-12 Stereo, Digital the Bridgewater Hall, Manchester https://open.spotify.com/album/3e0LN8DdVZhvzoOFksbmNk ๋ง๋Ÿฌ์˜ ์ธ์ƒ์ด ๊ทธ์˜ ์Œ์•…์— ์˜ํ–ฅ์„ ๋ผ์ณค๋Š”๊ฐ€? ๋‚˜๊ฐ€๋…ธ: ๋‚ด๊ฐ€ ๋Œ€๋‹ตํ•  ์ˆ˜ ์žˆ๋Š” ์งˆ๋ฌธ์ด ์•„๋‹Œ ๊ฒƒ ๊ฐ™๋‹ค. ์ง€๊ทนํžˆ ๊ฐœ์ธ์ ์ธ ๋ฌธ์ œ์ด๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์•Œ๋‹ค์‹œํ”ผ ๋ง๋Ÿฌ ์„ธ๋Œ€๋Š” ์œ ๋Ÿฝ ๋ฐœ์ „์˜ ์ „์„ฑ๊ธฐ๋ฅผ ๊ฒฝํ—˜ํ–ˆ๋‹ค. 19์„ธ๊ธฐ ํ›„๋ฐ˜์€ ๋งค์šฐ ํฅ๋ฏธ๋กœ์šด ์‹œ๊ธฐ์˜€๋‹ค. ์‚ฌํšŒ๋Š” ํŒฝ์ฐฝํ–ˆ๊ณ , ์‚ฌ๋žŒ๋“ค์€ ์‚ฐ์—… ํ˜๋ช…์˜ ์ด์ต์„ ๋ˆ„๋ ธ์œผ๋ฉฐ, ๊ณผ๊ฑฐ์˜ ํ•œ๊ณ„์—์„œ ๋ฒ—์–ด๋‚˜ ์›๋Œ€ํ•œ ๊ฟˆ์„ ํ’ˆ์—ˆ๋‹ค. ๊ฐ€๋ น ์˜ค์Šค๋งŒ ๋‚จ์ž‘์€ ํŒŒ๋ฆฌ๋ฅผ ์ƒˆ๋กญ๊ฒŒ ์ •๋น„ํ–ˆ๊ณ , ์ƒˆ๋กœ์šด ๊ธฐ์ˆ ์˜ ์ „ํŒŒ๋ฅผ ์œ„ํ•ด ์„ธ๊ณ„ ๋ฐ•๋žŒํšŒ๊ฐ€ ์—ด๋ ธ๊ณ , ์—ํŽ ํƒ‘์ด ์„ธ์›Œ์กŒ๊ณ , ๋‚จ๊ทน์ด ๋ฐœ๊ฒฌ๋˜์—ˆ๋‹ค. ์ง€์—ญ์  ํ•œ๊ณ„์—์„œ ๋ฒ—์–ด๋‚˜ ๊ด‘๋ฒ”์œ„ํ•˜๊ณ  ํ†ตํ•ฉ์ ์ธ ์‹œ๊ฐ์„ ๊ฐ–๊ฒŒ ๋˜์—ˆ๋‹ค. ๋งํ•  ์ˆ˜ ์—†์ด ์งœ๋ฆฟํ•œ ๋Š๋‚Œ์ด์—ˆ์„ ๊ฒƒ์ด๋‹ค. ๋Œ€๊ทœ๋ชจ์˜ ๊ตํ–ฅ๊ณก ํ˜•์‹์„ ์ƒ๊ฐํ•˜๋ฉด, ๋ง๋Ÿฌ๋Š” ๋‹น์‹œ์˜ ์ด ๊ด‘๋ฒ”์œ„ํ•˜๊ณ  ๋ณดํŽธ์ ์ธ ๊ธฐ์ค€์„ ๋ฐ›์•„๋“ค์˜€๋˜ ๊ฒƒ ๊ฐ™๋‹ค. ๊ทธ์˜ ๊ตํ–ฅ๊ณก์€ ํ˜•์‹๊ณผ ๊ตฌ์กฐ ์ธก๋ฉด์—์„œ ๋งค์šฐ ๋‹ค์–‘ํ•œ ์–‘์ƒ์„ ๋ ์—ˆ๋Š”๋ฐ, ์‚ฌ์‹ค ๊ทธ ํ˜•์‹๊ณผ ๊ตฌ์กฐ๋Š” ๋ง๋Ÿฌ๊ฐ€ ๊ณผ๊ฑฐ๋กœ๋ถ€ํ„ฐ ๊ณ„์Šนํ–ˆ์œผ๋ฉฐ ์ž˜ ์•„๋Š” ๊ฒƒ์ด์—ˆ๋‹ค. ๋ง๋Ÿฌ๊ฐ€ ์‚ด์—ˆ๋˜ ์„ธ๊ณ„์™€ ์ฃผ๋ณ€ ํ™˜๊ฒฝ์ด ๊ทธ์˜ ์Œ์•…์— ์˜ํ–ฅ์„ ๋ผ์ณค๋Š”์ง€ ์•„๋‹Œ์ง€๋Š” ์šฐ๋ฆฌ๊ฐ€ ๋งํ•  ์ˆ˜ ์—†๋Š” ๋ฌธ์ œ๊ฐ€ ์•„๋‹ˆ๋‹ค. ๋ฉ”์‹œ์•™์ด ์ž์‹ ์˜ ์Œ์•…์„ ์–ด๋–ป๊ฒŒ ์„ค๋ช…ํ–ˆ๋Š”์ง€ ๋– ์˜ฌ๋ ค๋ณด์ž. ๊ทธ๋Š” ์ข…์ข… ์ด๋Ÿฐ ์งˆ๋ฌธ์„ ๋ฐ›์•˜๋‹ค. "๋‹น์‹ ์€ ๊ฐ€ํ†จ๋ฆญ ์‹ ์ž์ด๊ณ  ์‹ ์•™์ด ๋‘ํ„ฐ์šด ์‚ฌ๋žŒ์ธ๋ฐ, ๊ทธ๋Ÿฐ ๋‹น์‹ ์˜ ์Œ์•…์„ ์ œ๋Œ€๋กœ ํ‰๊ฐ€ํ•˜๋ ค๋ฉด ์‹ ์•™์‹ฌ์ด ๊นŠ์–ด์•ผ ํ•˜๋Š”๊ฐ€?" ๋ฉ”์‹œ์•™์˜ ์ž…์žฅ์„ ๊ณฐ๊ณฐ์ด ์ƒ๊ฐํ•ด๋ณด๋Š” ๊ฒƒ๋„ ํฅ๋ฏธ๋กญ๋‹ค. ์•„๋งˆ ๊ทธ๋Š” ์˜๊ฐ์˜ ์›์ฒœ์€ ๊ฐœ์ธ์ ์ธ ๊ฒƒ์ด๋ฉฐ ์ฐฝ์˜๋ ฅ์„ ๋ฐ”ํƒ•์œผ๋กœ ์ž‘ํ’ˆ์„ ์ผ๋‹ค๊ณ  ์„ค๋ช…ํ•˜์ง€ ์•Š์•˜์„๊นŒ. ์ด๋ ‡๊ฒŒ ํ•ด์„œ ์ž‘ํ’ˆ์ด ์™„์„ฑ๋˜๊ณ  ๋‚˜๋ฉด ๊ทธ๋‹ค์Œ์€ ์—ฐ์ฃผ์ž์˜ ์†์— ๋‹ฌ๋ ธ๋‹ค. ์—ฐ์ฃผ์ž๋Š” ์ž๊ธฐ๋งŒ์˜ ์˜๊ฐ๊ณผ ์ฐฝ์˜๋ ฅ์œผ๋กœ ์ž‘ํ’ˆ์„ ์ƒˆ๋กญ๊ฒŒ ํƒ„์ƒ์‹œํ‚จ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋ฉ”์‹œ์•™์ด ๋งํ•˜๋ ค๋Š” ๋‘ ๋ฒˆ์งธ ์‹œ๊ฐ์€ ๋‹ค์Œ์˜ ์งˆ๋ฌธ์— ๋…น์•„ ์žˆ์„ ๊ฒƒ ๊ฐ™๋‹ค. "์š”ํ•œ ์ œ๋ฐ”์Šคํ‹ฐ์•ˆ ๋ฐ”ํ์—๊ฒŒ๋„ ์ด์™€ ๋™์ผํ•œ ์งˆ๋ฌธ์„ ๋˜์ง€๊ฒ ๋Š”๊ฐ€?" ์˜๊ฐ์˜ ์›์ฒœ์€ ๋ถˆ๊ฐ€์‚ฌ์˜ํ•˜๋‹ค. ๊ทธ๊ฒŒ ์•„๋‹ˆ๋ผ๋ฉด, ๋ˆ„๊ตฌ๋‚˜ ์ž‘๊ณก๊ฐ€๊ฐ€ ๋˜๊ณ  ๋ˆ„๊ตฌ๋‚˜ ์œ ๋ช…ํ•œ ์‚ฌ๋žŒ์ด ๋  ์ˆ˜ ์žˆ๋‹ค. ๊ทธ ์ด๋ฉด์—๋Š” ๋ฌด์–ธ๊ฐ€ ์‹ ๋น„ํ•˜๊ณ  ์˜ค๋ฌ˜ํ•œ ๊ตฌ์„์ด ์žˆ๋‹ค. ๊ทธ ๋ถˆ๊ฐ€์‚ฌ์˜ํ•œ ๊ฒƒ์ด ์ž‘ํ’ˆ์„ ํƒ„์ƒ์‹œํ‚ค๊ณ , ๊ทธ๋Ÿฐ ๋‹ค์Œ์—๋Š” ๋ˆ„๊ตฐ๊ฐ€ ์—ฐ์ฃผํ•ด์•ผ ๋น„๋กœ์†Œ ์ž‘ํ’ˆ์œผ๋กœ ์กด์žฌํ•˜๊ฒŒ ๋œ๋‹ค. (p249-250) ๋‚˜๊ฐ€๋…ธ: ๋‹ค๋ฅธ ์ž‘๊ณก๊ฐ€์˜ ๊ฒฝ์šฐ๋„ ๋งˆ์ฐฌ๊ฐ€์ง€๊ฒ ์ง€๋งŒ, ์•…๋ณด๋ฅผ ์—ฐ๊ตฌํ•˜๋ฉด์„œ ๋ง๋Ÿฌ์—๊ฒŒ๋„ ๊ฐ์ •์˜ ํญ๋ฐœ์ด ๋Œ€๋‹จํžˆ ๊ทน๋‹จ์ ์ด๊ณ  ์ถฉ๋™์ ์ด๊ณ  ์ด๋ก€์ ์ธ ์‹œ๊ธฐ๊ฐ€ ์žˆ์—ˆ์Œ์„ ์•Œ๊ฒŒ ๋˜์—ˆ๋‹ค. [ํƒ„์‹์˜ ๋…ธ๋ž˜]์˜ ์ตœ์ดˆ ๋ฒ„์ „์€ ๋ฐ”๋กœ ๊ทธ๋•Œ ์ž‘๊ณก๋œ ๊ฒƒ์ด๋‹ค. ๋ง๋Ÿฌ๋งŒ ๊ทธ๋Ÿฐ ๊ฒƒ์€ ์•„๋‹ˆ๋‹ค. ๋ธŒ๋ฃจํฌ๋„ˆ ๊ตํ–ฅ๊ณก๋„ ์˜ค๋ฆฌ์ง€๋„ ๋ฒ„์ „์„ ๋ณด๋ฉด ๊ฑฐ์น ๊ฒŒ ๋ป—์–ด ๋‚˜๊ฐ€๋Š” ์•„์ด๋””์–ด๋“ค๊ณผ ๋งˆ์ฃผํ•œ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ทธ๊ฒƒ๋“ค์€ ๋‚˜์ค‘์— ๋น„ํ‰๊ฐ€, ์ถฉ๊ณ ์ž, ์นœ๊ตฌ ๋“ค์— ์˜ํ•ด ์ˆ˜๊ทธ๋Ÿฌ๋“ค๊ณ  ์•ฝํ™”๋˜์—ˆ๋‹ค. ๊ทธ๋ ‡๋‹ค๊ณ  ์ง€๋‚˜์น˜๊ฒŒ ๋‹ค๋“ฌ์œผ๋ฉด ์œ„ํ—˜์— ๋น ์งˆ ์ˆ˜ ์žˆ๋‹ค. ์ž๊ทน์˜ ๊ทผ์›์ด ์‚ฌ๋ผ์ง€๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๋ฏธ๊ตญ์—์„œ๋Š” ์ด๋Ÿฐ ๊ฒฝ์šฐ๋ฅผ ์ผ์ปฌ์–ด '์œ„์›ํšŒ์‹ ๋””์ž์ธ(designed by committee)'์ด๋ผ๊ณ  ํ‘œํ˜„ํ•œ๋‹ค. ๋ช‡๋ช‡ ๊ฐ๋…์ด๋‚˜ ์œ„์›ํšŒ๊ฐ€ ์•„์ด๋””์–ด๋ฅผ ๋†“๊ณ  ๋…ผ์˜๋ฅผ ๊ฑฐ๋“ญํ•˜๋Š”๋ฐ, ๊ทธ๋Ÿฌ๋‹ค ๋ณด๋ฉด ์›์•ˆ์€ ํ”์ ๋„ ์—†์ด ์‚ฌ๋ผ์ง€๊ณ  ๋งŒ๋‹ค. ์ด๋ ‡๊ฒŒ ํ•ด์„œ ํƒ„์ƒํ•œ ๊ฒฐ๊ณผ๋ฌผ์€ ๋”์ฐํ•˜๋‹ค. ๊ฐœ์ •๋œ [ํƒ„์‹์˜ ๋…ธ๋ž˜]์˜ ๋งˆ์ง€๋ง‰ ๋ฒ„์ „์—๋Š” ๋Œ€๋‹จํžˆ ํฅ๋ฏธ๋กญ๊ธฐ๋Š” ํ•˜์ง€๋งŒ ์ข€์ฒ˜๋Ÿผ ์—ฐ์ฃผํ•˜๊ณ  ์‹ถ์€ ๋งˆ์Œ์ด ์ƒ๊ธฐ์ง€ ์•Š๋Š” ๋ถ€๋ถ„๋“ค์ด ์žˆ์—ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‹ค๊ฐ€ ์ตœ์ดˆ ๋ฒ„์ „์„ ๋ณด์•˜๋Š”๋ฐ, ๊ฑฐ๊ธฐ์„œ ์ด์ค‘ ์กฐ์„ฑ, ๋™์‹œ์  ๋ฆฌ๋“ฌ, ํ†ต์ œ๋œ ํ˜ผ๋ˆ๊ณผ ๋งˆ์ฃผ์ณค๋‹ค. ๋˜ํ•œ ์ด๋ก€์ ์ธ ๋Œ€๊ทœ๋ชจ ์˜ค์ผ€์ŠคํŠธ๋ผ์˜ ์••๋„์ ์ด๊ณ  ๊ทน์ ์ธ ํ‘œํ˜„๋ ฅ๋„ ๋ฐœ๊ฒฌํ–ˆ๋‹ค. ๊ทธ๊ฒƒ์€ ๋งค์šฐ ํฅ๋ฏธ์ง„์ง„ํ•˜๊ณ  ๊ฒฐ์ฝ” ๋ชจ๋ฅธ ์ฒ™ํ•  ์ˆ˜ ์—†๋Š” ์ Š์€ ๋ง๋Ÿฌ์˜ ์Œ์„ฑ์ด์—ˆ๋‹ค. ๊ทธ ์•ˆ์—์„œ๋Š” ๋ฒŒ์จ ๋‹ค๊ฐ€์˜ฌ ๋ฏธ๋ž˜๊ฐ€ ํŽผ์ณ์ง€๊ณ  ์žˆ์—ˆ๊ณ , ๊ทธ๋Ÿฐ ์ ์—์„œ ๋ง๋Ÿฌ๋Š” ๊ธ‰์ง„์ ์ด๋ผ๊ธฐ๋ณด๋‹ค๋Š” ์„ ๊ตฌ์ ์ด๋‹ค. ๋•Œ์— ๋”ฐ๋ผ์„œ ๊ธ‰์ง„์ฃผ์˜์ž๋Š” ์ž์‹ ์ด ์ฐฝ์ž‘ํ•œ ๊ฒƒ๋ณด๋‹ค ๋” ๋งŽ์€ ๊ฒƒ์„ ํŒŒ๊ดดํ•  ์ˆ˜ ์žˆ์ง€๋งŒ, ์„ ๊ตฌ์ž๋Š” ํ›„๋Œ€๋ฅผ ์œ„ํ•ด ์œ„๋Œ€ํ•œ ์œ ์‚ฐ์„ ๋‚จ๊ธด๋‹ค. [ํƒ„์‹์˜ ๋…ธ๋ž˜]์˜ ์˜ค๋ฆฌ์ง€๋„ ๋ฒ„์ „์—์„œ๋Š” ์šฐ์—ฐํžˆ ๋ชจ์ธ ๊ฒƒ์ฒ˜๋Ÿผ ๋ณด์ด๋Š” ํž˜๋“ค์ด ๋ถˆ๋Ÿฌ์ผ์œผํ‚ค๋Š” ๋™์‹œ์„ฑ๊ณผ ๊ฐˆ๋“ฑ์ด ๋Š๊ปด์ง„๋‹ค. ์ž‘ํ’ˆ์ด ์™„๋ฒฝํ•˜๋‹ค๋ฉด ๊ทธ ๋’ค์— ์ˆจ๊ฒจ์ง„ ์ด์•ผ๊ธฐ๋„ ์ดํ•ดํ•  ์ˆ˜ ์žˆ๊ณ , ๊ทธ๋ ‡๊ฒŒ ๋˜๋ฉด ๋ชจ๋“  ๊ฒƒ์ด ์˜๋ฏธ๋ฅผ ๋ ๊ฒŒ ๋œ๋‹ค. ์ด๋ ‡๊ฒŒ ์ผ๊ด€์„ฑ์ด ์ƒ๊ธฐ๋ฉด, ์ฒญ์ค‘์€ ์ฃผ์ œ๊ฐ€ ๋“ฑ์žฅํ•˜๋Š” ์ด์œ ์™€ ๋ฐฉ์‹์„ ์ดํ•ดํ•  ์ˆ˜ ์žˆ๊ณ , ๊ณผ๊ฑฐ์˜ ์ „ํ†ต์ด ์ Š์€ ๋ง๋Ÿฌ์—๊ฒŒ ์–ด๋–ค ์˜ํ–ฅ์„ ๋ผ์ณค๋Š”์ง€๋„ ์‹๋ณ„ํ•  ์ˆ˜ ์žˆ๋‹ค. ๋ฌผ๋ก  ๊ฑฐ์น ๊ณ  ์ •์ œ๋˜์ง€ ์•Š์€ ์ˆœ๊ฐ„๋“ค๋„ ์กด์žฌํ•  ๊ฒƒ์ด๋ฉฐ, ์ด์— ๋Œ€ํ•œ ๋น„ํŒ์„ ๋ฐ›์•„๋“ค์ผ ์ˆ˜ ์žˆ์–ด์•ผ ํ•œ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋‚˜๋Š” ๋Œ€๋ถ€๋ถ„์˜ ์‚ฌ๋žŒ๋“ค์ด ์ด ์ž‘ํ’ˆ์˜ ๋„˜์น˜๋Š” ์—๋„ˆ์ง€, ๋‚™์ฒœ์ ์ธ ํž˜, ์ฐฝ์˜์„ฑ์— ๊ธ์ •์ ์ธ ๋ฐ˜์‘์„ ๋ณด์ด๋ฆฌ๋ผ๊ณ  ๋ฏฟ๋Š”๋‹ค. (p250-251) ์•™๋ฆฌ ๋ฃจ์ด ๋“œ ๋ผ ๊ทธ๋ž‘์ฃผ์˜ ๋ง๋Ÿฌ ํ‰์ „ ๊ฐœ์ •ํŒ <์•ˆ๋“œ๋ฆฌ์Šค ๋„ฌ์†์ŠคAndris Nelsons> MAHLER: Symphony No. 2 in C minor "Resurrection" Lucy Crowe (soprano) Ekaterina Gubanova (mezzo-soprano) Andris Nelsons (conductor) Chor des Bayerischen Rundfunks Wiener Philharmoniker 2018/07/28-29 Surround, Digital Grosses Festspielhaus, Salzburg https://www.youtube.com/watch?v=oAPaKCO81sg ๋„ฌ์†์Šค: ์‚ฌ๋žŒ์€ ์ž์‹ ์—๊ฒŒ ์ฃผ์–ด์ง„ ์ธ์ƒ์„ ๋ฐ›์•„๋“ค์—ฌ์•ผ ํ•œ๋‹ค. ๊ฐ€๋ น ๋ธŒ๋žŒ์Šค๋Š” ๊ทธ๋žฌ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๊ทธ๋Š” ์ข…๊ต์™€ ์ž์—ฐ์œผ๋กœ ๋ˆˆ์„ ๋Œ๋ ธ๋‹ค. ๋ฐ˜๋ฉด ๋ง๋Ÿฌ๋Š” ์ธ์ƒ์„ ๊ทธ๋Œ€๋กœ ๋ฐ›์•„๋“ค์ด์ง€๋Š” ์•Š์•˜๋‹ค. ํ–‰๋ณตํ•œ ์ˆœ๊ฐ„์˜ ์ธ์ƒ์„ ์ฆ๊ฒผ๊ณ , ๊ทธ๋Ÿฌ๊ณ  ๋‚˜์„œ 5๋ฒˆ์˜ ์•„๋‹ค์ง€์—ํ†  ์•…์žฅ๊ณผ ๋งˆ์ง€๋ง‰ ์•…์žฅ, 8๋ฒˆ์˜ 1์•…์žฅ ๊ฐ™์€ ์Œ์•…์„ ์ž‘๊ณกํ–ˆ๋‹ค. ์ด๋Ÿฐ ๊ณก๋“ค์—์„œ ๊ทธ๋Š” ์›ƒ์—ˆ๊ณ  ๋•Œ๋กœ๋Š” ๋นˆ์ •๊ฑฐ๋ฆฌ๊ธฐ๊นŒ์ง€ ํ–ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‹ค๊ฐ€ ๊ฐ€์žฅ ์šฐ์šธํ•œ ์‚ฌ๋žŒ์ด ๋˜์—ˆ๊ณ , ๋˜ ๊ฐ€์žฅ ๋‚ญ๋งŒ์ ์ธ ์‚ฌ๋žŒ๋„ ๋˜์—ˆ๋‹ค. ๊ฐ€๋ น 5๋ฒˆ์˜ 1์•…์žฅ์ด๋‚˜ 6๋ฒˆ์˜ 1์•…์žฅ์„ ๋ณด๋ผ. ๋‘˜ ๋‹ค ์žฅ์†ก ํ–‰์ง„๊ณก์ด๋‹ค. ๋ง๋Ÿฌ๊ฐ€ ์•„์ฃผ ๋ถˆํ–‰ํ–ˆ๊ณ  ์ž์‹ ์˜ ์ธ์ƒ์„ ๋ฐ›์•„๋“ค์ด์ง€ ๋ชปํ–ˆ์Œ์„ ๋“œ๋Ÿฌ๋‚ด๋Š” ๊ณก๋“ค์ด๋‹ค. ๊ทธ๋Š” ๋ฐ˜๋ฌธํ•œ๋‹ค. ์™œ ์ด๋ ‡๊ฒŒ ๋์ง€? ๋‚˜๋Š ์–ด์งธ์„œ ๋ถˆํ–‰ํ•œ ๊ฑฐ์ง€? ์™œ ๋‚˜ํ•œํ…Œ ์ด๋Ÿฐ ๋ฌธ์ œ๋“ค์ด ์ƒ๊ฒผ๊ณ  ์–ด๋–ป๊ฒŒ ์—ฌ๊ธฐ์„œ ๋ฒ—์–ด๋‚  ์ˆ˜ ์žˆ์ง€? ์™œ ์ธ์ƒ์ด ์ด๋ ‡๊ฒŒ ๊ผฌ์—ฌ๋ฒ„๋ ธ์ง€? ์ข…๊ต์™€ ์„ธ์ƒ์„ ๋ฐ”๋ผ๋ณด๋Š” ๋‚ด ์‹œ๊ฐ์— ๋ฌด์Šจ ๋ฌธ์ œ๋ผ๋„ ์žˆ๋Š”๊ฐ€? ๋ชจ๋“  ๊ฒŒ ์ข‹์„ ์ˆ˜๋Š” ์—†๋Š” ๊ฑด๊ฐ€? ๋ง๋Ÿฌ๊ฐ€ ๋ชฉ์ฒญ ๋†’์—ฌ ํ•˜์†Œ์—ฐํ•˜๊ณ  ์žˆ๋Š” ๋“ฏํ•˜๋‹ค. ๋‚ด๊ฐ€ ๋ณด๊ธฐ์— ๊ทธ๋Š” "์šฐ๋ฆฌ๋Š” ์‹ธ์›Œ์•ผ ํ•œ๋‹ค!"๋ผ๊ณ  ์™ธ์น˜๋Š” ํ˜๋ช…๊ฐ€๋‹ค. (p260) ๋„ฌ์†์Šค: ๋‚˜๋Š” ๋งˆ์—์ŠคํŠธ๋กœ ํ•˜์ดํŒ…ํฌ๊ฐ€ ํ•œ ๋ง์— ์ ๊ทน ๊ณต๊ฐํ•œ๋‹ค. ๊ทธ๋Š”, ์šฐ๋ฆฌ๋Š” ๋Š์ž„์—†์ด ์ž‘๊ณก๊ฐ€์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐ ํ•˜๊ณ  ๋ถ„์„ํ•˜์ง€๋งŒ ์‹ค์€ ์•„๋ฌด๊ฒƒ๋„ ๋ชจ๋ฅธ๋‹ค๊ณ  ํ–ˆ๋‹ค. ๋Š์ž„์—†์ด ์ถ”์ธกํ•ด๋ณด๊ณ  ์ž๋ฃŒ๋ฅผ ์ฝ๊ณ  ํ•˜๋ฉด์„œ ๋ฌด์–ธ๊ฐ€๋ฅผ ์ฐพ์•„๋‚ด์•ผ ํ•œ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์Œ์•…์€ ์ž‘๊ณก๊ฐ€๋ฅผ ๋Šฅ๊ฐ€ํ•œ๋‹ค. ์ž‘๊ณก๊ฐ€๋Š” ์ž๊ธฐ ์žฌ๋Šฅ์— ๋Œ€ํ•ด์„œ๋„ ์„ค๋ช…ํ•  ๊ธธ์ด ์—†๋‹ค. ์Œ์•…์€ ์šฐ๋ฆฌ๊ฐ€ ์„œ์ˆ ํ•  ์ˆ˜ ์žˆ๋Š” ๋ฒ”์œ„๋ฅผ ํ›Œ์ฉ ๋›ฐ์–ด๋„˜๋Š”๋‹ค. (p261) <์กฐ๋„ˆ์„  ๋†‹Jonathan Nott> MAHLER: Symphony No. 9 in D major Jonathan Nott (conductor) Bamberger Symphonuker 2008/09/15~19 Surround, Digital Konzerthalle Bamberg, Joseph-Keilberth-Saal https://open.spotify.com/album/2OP5iWpeUpWwu0tacL0d8d ๋ง๋Ÿฌ๊ฐ€ ๋นˆ ์•…ํŒŒ๋ฅผ ์œ„ํ•ด ๊ธธ์„ ์—ด์–ด์ฃผ์—ˆ๋‚˜? ๋†‹: ๋ฌผ๋ก ์ด๋‹ค. ๊ณต๊ต๋กญ๊ฒŒ๋„ ์šฐ๋ฆฌ ์ธํ„ฐ๋ทฐ๊ฐ€ ์žˆ๋Š” ์˜ค๋Š˜, ๋‚˜๋Š” ์ด๊ณณ ๋นˆ์—์„œ ๋ฒ ๋ฅดํฌ์™€ ์‡ค๋ฒ ๋ฅดํฌ์˜ ์Œ์•…์„ ์—ฐ์ฃผํ•œ๋‹ค. ๊ทธ๋Ÿฐ๋ฐ ์ด ๋ฌธ์ œ์— ๊นŠ์ด ํŒŒ๊ณ ๋“ค์ˆ˜๋ก ๋ง๋Ÿฌ๊ฐ€ ๋นˆ ์•…ํŒŒ๋งŒ์ด ์•„๋‹ˆ๋ผ ์ฃ„๋ฅด์ง€ ๋ฆฌ๊ฒŒํ‹ฐ์—๊ฒŒ๋„ ์˜ํ–ฅ์„ ๋ผ์ณค๋‹ค๋Š” ์‚ฌ์‹ค์„ ๊นจ๋‹ซ๊ฒŒ ๋œ๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์€ ์—ฌ๋Ÿฌ ์ž‘๊ณก๊ฐ€์—๊ฒŒ ์ €๋งˆ๋‹ค ์ƒ์ดํ•œ ๋ฐฉํ–ฅ์„ ๋ถˆ๋Ÿฌ์ผ์œผ์ผฐ๋‹ค. ๊ทธ๊ฐ€ ์ƒˆ๋กœ์šด ์ข…๋ฅ˜์˜ ๊ด€ํ˜„์•…๋ฒ•, ์ „ํ˜€ ์–ด์šธ๋ฆด ๊ฒƒ ๊ฐ™์ง€ ์•Š์€ ๋Œ€์œ„๋ฒ•์  ์„ ์œจ์˜ ๊ฒฐํ•ฉ๋“ฑ ๋งŽ์€ ๊ฒƒ์„ ๋ฐœ๊ฒฌํ•œ ๋•๋ถ„์ด๋‹ค. ๊ตฌ์กฐ, ์‹œ๊ฐ„์„ ๋‹ค๋ฃจ๋Š” ๋ฐฉ์‹, ๋ถ„์„์˜ ๊นŒ๋‹ค๋กœ์›€์€ ๋ง๋Ÿฌ๊ฐ€ ๋ฌด์–ธ๊ฐ€ ๋‹ค๋ฅธ ๊ฒƒ์„ ์ด์•ผ๊ธฐํ•˜๊ธฐ ์œ„ํ•ด ๊ณผ๊ฐํžˆ ๊ทœ๋ฒ”์„ ๋ฌด๋„ˆ๋œจ๋ฆฐ ๊ฒฐ๊ณผ๋‹ค. ๊ทธ๋Š” ๋ฏธ๋ž˜๋ฅผ ํ–ฅํ•ด ์„ฑํผ ๋‚˜์•„๊ฐ”๊ณ , ๋ฐ”๋กœ ๊ทธ๋ ‡๊ธฐ ๋•Œ๋ฌธ์— ์šฐ๋ฆฌ๋Š” ์ง€๊ธˆ๊นŒ์ง€ ๊ทธ์˜ ์Œ์•…์„ ์ž์ฃผ ์—ฐ์ฃผํ•˜๊ณ  ๋“ฃ๋Š”๋‹ค. (p267) ๊ตํ–ฅ๊ณก 9๋ฒˆ์ด ๋‹น์‹ ์—๊ฒŒ ๊ทธ๋ ‡๊ฒŒ ์ค‘์š”ํ•œ ์ด์œ ๋Š”? ๋†‹: 9๋ฒˆ ๊ตํ–ฅ๊ณก์€ ์ง„๋ฆฌ์˜ ์š”์†Œ๋ฅผ ํ’ˆ๊ณ  ์žˆ๋‹ค. ์—ฐ์ฃผ์ž๊ฐ€ ์ž์œ ๋กญ๊ฒŒ ์šด์‹ ํ•  ๊ณต๊ฐ„์ด ๋งŽ์ง€ ์•Š๋‹ค. ๊ทธ๋ ‡๋‹ค๊ณ  ์—ฐ์ฃผ์ž์˜ ๊ฐœ์ž… ์—†์ด๋„ ์—ฐ์ฃผ๊ฐ€ ์ €์ ˆ๋กœ ์ด๋ฃจ์–ด์ง„๋‹ค๋Š” ์˜๋ฏธ๋Š” ์•„๋‹ˆ๋‹ค. ๊ทธ๋งŒํผ ์ด ๊ตํ–ฅ๊ณก์—๋Š” ์ž‘๊ณก๊ฐ€์˜ ์‚ฌ๊ณ ๊ฐ€ ๊ฐ•ํ•˜๊ฒŒ ๋ฐ˜์˜๋˜์–ด ์žˆ๋‹ค๋Š” ์–˜๊ธฐ์ด๊ณ , ๋ง๋Ÿฌ๋Š” ์ด ์Œ์•…์˜ ์—ฐ์ฃผ ๋ฐฉํ–ฅ์„ ๋ถ„๋ช…ํ•˜๊ฒŒ ์ œ์‹œํ–ˆ๋‹ค. ๋งˆ์ง€๋ง‰์œผ๋กœ ์Œ์•…์— ์ฃฝ์Œ์˜ ์™ธํˆฌ๋ฅผ ์ž…ํžˆ๋Š” ๊ธฐ๋ถ„์€ ์–ด๋• ์„๊นŒ? ์ด๋ฆฌ์ €๋ฆฌ ์›€์ง์ด๋Š” 3๋„ ์Œ์ •์œผ๋กœ ์Œ์•…์€ ์กฐ๊ธˆ์”ฉ ์–ผ์–ด๋ถ™๊ธฐ ์‹œ์ž‘ํ•˜๊ณ , ์ฃฝ์Œ ์†์— ์˜์›ํžˆ ์–ผ์–ด๋ถ™์€ ๋’ค์—๋„ ๊ฐœ๋ณ„ ์„ธํฌ๋Š” ์‚ด์•„์„œ ์ฟฐ๏ฟฝ๏ฟฝ๏ฟฝ๊ฑฐ๋ฆฌ ๊ฒƒ ๊ฐ™๋‹ค. (p268) <์‚ฌ์นด๋ฆฌ ์˜ค๋ผ๋ชจSakari Oramo> ๋ผํ๋งˆ๋‹ˆ๋…ธํ”„ ํ”ผํ˜‘ 3๋ฒˆ (281) Rachmaninov, Piano concertos 2 & 3 BBC Symphony Orchestra Yevgeny Sudbin (piano) Sakari Oramo (conductor) https://open.spotify.com/album/5kqBRy45r9dwq51St5JO9f ๋ง๋Ÿฌ ์ง€ํœ˜์ž์—๊ฒŒ ๊ฐ€์žฅ ํฐ ๋„์ „์€ ๋ฌด์—‡์ธ๊ฐ€? ์˜ค๋ผ๋ชจ: ๋ง๋Ÿฌ ์Œ์•…์—์„œ ๊ฐ€์žฅ ๊นŒ๋‹ค๋กœ์šด ์ ์€ ์—ฐ์†์„ฑ์˜ ํ™•๋ณด๋‹ค. ๋Œ€์กฐ๋ฅผ ์ „๋ถ€ ๋ถ„๋ช…ํ•˜๊ฒŒ ๋“œ๋Ÿฌ๋‚ด๊ณ  ์‹ถ๊ณ , ๊ทธ์™€ ๋™์‹œ์— ๋Œ€์กฐ๊ฐ€ ์ง€๋‚˜์น˜๊ฒŒ ๋‘๋“œ๋Ÿฌ์ ธ์„œ ์Œ์•…์˜ ํ๋ฆ„์„ ๋ฐฉํ•ดํ•˜์ง€ ์•Š๊ฒŒ ํ•˜๊ณ  ์‹ถ๋‹ค. ๋‚ด๊ฐ€ ๋ณด๊ธฐ์— ํ…œํฌ๋ฅผ ์œ ์—ฐํ•˜๊ฒŒ ์œ ์ง€ํ•˜๊ณ  ์•…์ ˆ์ด ํ˜ธํกํ•  ์ˆ˜ ์žˆ๊ฒŒ ๋งŒ๋“œ๋Š” ๊ฒƒ์€ ๋Œ€๋‹จํžˆ ์–ด๋ ค์šด ์ผ์ด๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ทธ๋ ‡๊ฒŒ ํ•˜์ง€ ์•Š์œผ๋ฉด ๊ฒฝ์ง๋œ ๋ฐ•๋™ ์†์— ๊ฐ‡ํžˆ๊ณ  ๋งŒ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋ง๋Ÿฌ ์Œ์•…์—๋Š” ์•ž์œผ๋กœ ๋ป—์–ด ๋‚˜๊ฐ€๋Š” ํ๋ฆ„ ์•„๋‹ˆ๋ฉด ๋’ค๋กœ ๋ฌผ๋Ÿฌ์„œ๋Š” ์ด์™„์˜ ์ˆœ๊ฐ„์ด ์กด์žฌํ•œ๋‹ค. ๋งŒ์•ฝ ๋‘˜ ์ค‘ ์–ด๋Š ์ชฝ๋„ ์กด์žฌํ•˜์ง€ ์•Š๋Š”๋‹ค๋ฉด ๋ชฉํ‘œ์ ์„ ์ฐพ๊ธฐ๊ฐ€ ๋Œ€๋‹จํžˆ ์–ด๋ ค์šธ ๊ฒƒ์ด๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์—์„œ ๊ทธ๋Ÿด ์ผ์€ ์—†๋‹ค. (p277) ๋ง๋Ÿฌ์™€ ์‹œ๋ฒจ๋ฆฌ์šฐ์Šค๋„ ์„œ๋กœ ์•„๋Š” ์‚ฌ์ด์˜€๋‹ค. ๋‘ ์‚ฌ๋žŒ์˜ ์ฐจ์ด๋ฅผ ๊ธฐ์ˆ ํ•œ๋‹ค๋ฉด? ์˜ค๋ผ๋ชจ: ์‹œ๋ฒจ๋ฆฌ์šฐ์Šค๋Š”, ๋งˆ์น˜ ๋‚˜๋ฌด๊ฐ€ ์ž๋ผ๋“ฏ์ด, ์ž‘์€ ์„ธํฌ๋กœ ์‹œ์ž‘ํ•ด์„œ ๊ทธ๊ฒƒ์„ ์ฐจ์ฐจ ํ‚ค์›Œ ๋‚˜๊ฐ”๋‹ค. ๋ชจ๋“  ๊ฒƒ์ด ๊ธด๋ฐ€ํ•˜๊ฒŒ ์–ฝํ˜€ ์žˆ๋‹ค. ์ค„๊ธฐ์—์„œ ๊ฐ€์ง€๊ฐ€ ๋ป—์–ด ๋‚˜์˜ค๊ณ , ๊ฐ€์ง€์—์„œ ์žŽ์ด ์ž๋ผ๊ณ , ๊ฝƒ์„ ํ”ผ์šด๋‹ค. ํ•˜๋‚˜์˜ ๋ฟŒ๋ฆฌ์—์„œ ์„ฑ์žฅํ•˜๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ๋ชจ๋“  ๊ฒƒ์ด ์—ฐ๊ฒฐ๋˜์–ด ์žˆ๋‹ค. ๋ฐ”๋กœ ์ด๊ฒƒ์ด ๋‹ค๋ฅธ ์ ์ด๋‹ค. ์‹œ๋ฒจ๋ฆฌ์šฐ์Šค ๊ตํ–ฅ๊ณก์„ ๊ด€ํ†ตํ•˜๋Š” ๊ฒƒ์€ ํ†ต์ผ์„ฑ์ด๋‹ค. ์ž‘์€ ์กฐ๊ฐ์—์„œ ์‹œ์ž‘ํ•ด ์ ์ฐจ ํ›Œ๋ฅญํ•œ ๊ตฌ์กฐ๋กœ ์„ฑ์žฅํ•ด๊ฐ„๋‹ค. ๋ฐ˜๋ฉด ๋ง๋Ÿฌ ์Œ์•…์—๋Š” ์•„์ฃผ ์ƒ์ดํ•œ ์š”์†Œ๊ฐ€ ๋งŽ์ด ์กด์žฌํ•˜๋ฉฐ, ๊ทธ๊ฒƒ๋“ค์ด ๋ชจ๋‘ ์œตํ•ฉ๋˜์–ด ์žˆ๋‹ค. ๊ทธ๋Š” ์—ฌ๊ธฐ์ €๊ธฐ์„œ ๋‹ค์–‘ํ•œ ์š”์†Œ๋ฅผ ๊ฐ€์ ธ์™”๊ณ , ์—ฌ๋Ÿฌ ๊ฐ์ •๊ณผ ๋ฏผ์กฑ ์œ ์‚ฐ์˜ ์ผ๋ถ€๋ฅผ ์ทจํ–ˆ์œผ๋ฉฐ, ๋ฏผ์† ์Œ์•…๊ณผ ๊ตฐ๋Œ€ ํ–‰์ง„๊ณก์„ ์ฐจ์šฉํ–ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ด ๋ชจ๋“  ๊ฒƒ์„ ํ•œ๋ฐ ์„ž์–ด ๋ฉ‹์ง„ ํ˜ผํ•ฉ๋ฌผ์„ ์™„์„ฑํ–ˆ๋‹ค. ์Œ์•… ์žฌ๋ฃŒ์— ์ ‘๊ทผํ•˜๋Š” ๋‘ ๊ฐ€์ง€ ์ƒ์ดํ•œ ๋ฐฉ์‹์ด๋‹ค. (p278-279) ๋ง๋Ÿฌ๋Š” ๋‰ด์š•์—์„œ ๋ผํ๋งˆ๋‹ˆ๋…ธํ”„ ์ž‘ํ’ˆ์„ ์ง€ํœ˜ํ–ˆ๋Š”๋ฐ, ํ”ผ์•„๋…ธ ํ˜‘์ฃผ๊ณก 3๋ฒˆ์ด์—ˆ๊ณ  ์ž‘๊ณก๊ฐ€๊ฐ€ ์ง์ ‘ ํ”ผ์•„๋…ธ๋ฅผ ์—ฐ์ฃผํ–ˆ๋‹ค. ๋ผํ๋งˆ๋‹ˆ๋…ธํ”„๋Š” ๋ง๋Ÿฌ๊ฐ€ ์ž์‹ ์ด ์ง€๊ธˆ๊นŒ์ง€ ๊ฒฝํ—˜ํ•œ ์ง€ํœ˜์ž ์ค‘์—์„œ ์ตœ๊ณ ๋ผ๊ณ  ํ–ˆ๋‹ค. ์„œ๋กœ์˜ ๋ฏธํ•™์  ๊ฒฌํ•ด๋Š” ๋‹ฌ๋ž์ง€๋งŒ, ๋ง๋Ÿฌ๊ฐ€ ์•„์ฃผ ์ž‘์€ ๋ถ€๋ถ„๊นŒ์ง€ ์„ธ์‹ฌํ•˜๊ฒŒ ์‹ ๊ฒฝ ์“ฐ๋ฉฐ ์Œ์•…์— ์ง„์ง€ํ•˜๊ฒŒ ์ ‘๊ทผํ•˜๋Š” ๋ชจ์Šต์„ ๋ณด์—ฌ์ฃผ์—ˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. (p281) ์˜ค๋ผ๋ชจ: ์ง€๊ธˆ๋„ ๊ณ ํ†ต์„ ๋‹ค๋ฃจ๋Š” ์Œ์•…์€ ๋งŽ๋‹ค. ์ตœ๊ณ ๋ผ๊ณ  ์†๊ผฝํžˆ๋Š” ๋งŽ์€ ์Œ์•…๋“ค์€ ์–ธ์ œ๋‚˜ ๋™์ผํ•œ ์ฃผ์ œ, ์ฆ‰ ๊ณ ํ†ต, ํ•ด๋ฐฉ, ์Šค์Šค๋กœ์—๊ฒŒ ํ•˜๋Š” ์งˆ๋ฌธ, ์ธ์ƒ์—์„œ ๋Œ€๋ฉดํ•˜๊ฒŒ ๋˜๋Š” ์žฅ์• ๋ฅผ ๋‹ค๋ฃฌ๋‹ค. ์Œ์•…์— ๋Œ€ํ•œ ์Œ์•…์„ ์ž‘๊ณกํ•œ๋‹ค๋Š” ๋ฐœ์ƒ๋„ ๋ง๋Ÿฌ์—๊ฒŒ์„œ ๋‚˜์™”๋‹ค. ์ด๋Š” ์™ธ์ ์ธ ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ์ˆœ์ˆ˜ํ•œ ์Œ์•…์— ๊ด€ํ•œ ๊ฒƒ์ด๋‹ค. ์ด ์ ์ด ๋ฐ”๋กœ ๋ง๋Ÿฌ๊ฐ€ ์‡ผ์Šคํƒ€์ฝ”๋น„์น˜์—๊ฒŒ ๋ผ์นœ ์˜ํ–ฅ์ด๋‹ค. ๋‘˜ ์‚ฌ์ด์—๋Š” ์„œ๋กœ๋ฅผ ์—ฐ๊ฒฐํ•ด์ฃผ๋Š” ๊ณ ๋ฆฌ๊ฐ€ ์กด์žฌํ•œ๋‹ค. ํ”ํžˆ ์‡ผ์Šคํƒ€์ฝ”๋น„์น˜๋Š” ์ •์น˜์ ์ธ ์ž‘๊ณก๊ฐ€๋กœ ์—ฌ๊ฒจ์ง€์ง€๋งŒ, ๋‚ด๊ฐ€ ๋ณด๊ธฐ์— ๊ทธ์˜ ์ž‘ํ’ˆ์€ ์Œ์•…์— ๋Œ€ํ•œ ์Œ์•…์ด๋‹ค. ๊ทธ๋Š” ์Šคํƒˆ๋ฆฐ ์‹œ๋Œ€์˜ ๋Ÿฌ์‹œ์•„์–ด๋ฅผ ๊ตฌ์‚ฌํ–ˆ์ง€๋งŒ, ๊ทธ์˜ ์–ธ์–ด๋Š” ์Œ์•… ์ž์ฒด์ด์ง€ ์ •์น˜๊ฐ€ ์•„๋‹ˆ์—ˆ๋‹ค. (p283) <์•ˆํ† ๋‹ˆ์˜ค ํŒŒํŒŒ๋…ธ ๊ฒฝSir Antonio Pappano> MAHLER: Symphony No. 6 in A minor "Tragic" Antonio Pappano (conductor) Orchestra dellโ€™Accademia Nazionale di Santa Cecilia Roma 2011/01/08, 10-11 Stereo, Digital Sala Santa Cecilia, Auditorium Parco della Musica, Rome https://open.spotify.com/album/6yDcqiRu2oq7a0ThVMVfHS ํŒŒํŒŒ๋…ธ: ๋ง๋Ÿฌ์™€์˜ ์ฒซ ๋งŒ๋‚จ์€ ๋ฏผ์† ์Œ์•…์„ ํ†ตํ•ด์„œ์˜€๋‹ค. [๋คผ์ผ€๋ฅดํŠธ ์‹œ์— ์˜ํ•œ ๋‹ค์„ฏ ๊ฐœ์˜ ๊ฐ€๊ณก]์ด ๊ทธ๊ฒƒ์ด๋‹ค. '๋‚˜๋Š” ์„ธ์ƒ์—์„œ ์žŠํ˜”๋„คIch bin der Welt abhanden gekommen'๊ฐ€ ๋‚˜์—๊ฒŒ ๋ง‰๋Œ€ํ•œ ์˜ํ–ฅ์„ ๋ฏธ์ณค์ง€๋งŒ, ํฌํ•œํ•˜๊ฒŒ๋„ ๋Š˜ ๋‚˜์™€ ํ•จ๊ป˜ํ•œ ๋…ธ๋ž˜๋Š” '์•„๋ฆ„๋‹ค์›€ ๋•Œ๋ฌธ์— ์‚ฌ๋ž‘ํ•œ๋‹ค๋ฉดLiebst du um Schonheit'์ด์—ˆ๋‹ค. ์ด ๋…ธ๋ž˜๋Š” ์›๋ž˜ ์ด ๊ฐ€๊ณก์— ์†ํ•œ ๊ฒƒ์ด ์•„๋‹ˆ์ง€๋งŒ, ์œ ๋‚œํžˆ '๋ง๋Ÿฌ์ '์ด๋‹ค. ์•„๋ฌดํŠผ ์ด๋“ค ๊ฐ€๊ณก์—๋Š” ๋ง๋Ÿฌ์˜ ์ •์ฒด์„ฑ์ด ์ง™๊ฒŒ ๋ฐฐ์–ด ์žˆ์—ˆ๊ณ , ๋‚˜๋Š” ๊นŠ์€ ์ธ์ƒ์„ ๋ฐ›์•˜๋‹ค. ๋ˆ„๊ฐ€ ๋ด๋„ ๋ง๋Ÿฌ ์ž‘ํ’ˆ์ด์—ˆ๋‹ค. (p287) ๋ง๋Ÿฌ์˜ ๋ฉ”์‹œ์ง€๋Š” ๊ธ์ •์ ์ด๋‹ค? ํŒŒํŒŒ๋…ธ: ๋ง๋Ÿฌ๋Š” ์ธ๊ฐ„์˜ ํˆฌ์Ÿ๊ณผ ๊ฒฐ๊ตญ ์„ฑ์ทจํ•˜๊ฒŒ ๋  ๊ธฐ๋Œ€์— ์ฐฌ ์Šน๋ฆฌ๋ฅผ ์—ผ๋‘์— ๋‘๊ณ  ์žˆ์—ˆ๋‹ค. ๊ทธ๊ฒŒ ์•„๋‹ˆ๋ฉด, ์ฃฝ์–ด๊ฐ€๋ฉด์„œ๋„ ์Šน๋ฆฌ์— ๋„๋‹ฌํ•˜๋Š” ๊ฒƒ์„ ์ƒ๊ฐํ–ˆ๋‹ค. ์šฐ๋ฆฌ๋Š” ํ•ญ์ƒ ์ด ์ ์„ ๋ช…์‹ฌํ•ด์•ผ ํ•œ๋‹ค. ๊ทธ๋ ‡๋‹ค๊ณ  ํ™•์‹ ํ•œ๋‹ค. ์ฃฝ์Œ์— ๊ด€ํ•œ ์˜จ๊ฐ– ์ด์•ผ๊ธฐ๋ฅผ ๋ณด๋ผ. ๊ทธ๋Š” ๊ฒฐ์ฝ” ์ฃฝ์Œ์— ๊ตด๋ณตํ•˜๋ ค ํ•˜์ง€ ์•Š์•˜๋‹ค! ๊ทธ๋Š” ์‚ด๊ธฐ๋ฅผ ์›ํ–ˆ๊ณ , ๊ทธ๊ฒŒ ์ „๋ถ€์˜€๋‹ค! ๊ทธ์˜ ๊ตํ–ฅ๊ณก์—์„œ ๋‹ค๋ฃจ๋Š” ๊ฒƒ๋„ ์ฃฝ์Œ์ด ์•„๋‹Œ, ์‚ถ์— ๋Œ€ํ•œ ์• ์ •์ด๋‹ค. ์ฃฝ์Œ ์—ญ์‹œ ์šฐ๋ฆฌ ์‚ถ์˜ ์ผ๋ถ€์ด๊ธด ํ•˜๋‹ค. ์„ธ์ƒ์—, ๋ง๋Ÿฌ์˜ ์ธ์ƒ์€ ์™ ์ง€ ๋ฉ‹์ ธ ๋ณด์ธ๋‹ค! ๊ทธ๊ฒŒ ์‚ฌ์‹ค์ด๋‹ค! <์‚ฌ์ด๋จผ ๋ž˜ํ‹€ ๊ฒฝSir Simon Rattle> MAHLER: Symphony No. 7 in E minor Sir Simon Rattle (conductor) Berliner Philharmoniker 2011/08/26 Stereo, Digital Philarmonie, Berlin https://www.digitalconcerthall.com/en/concert/2424?a=youtube&c=true ๋ง๋Ÿฌ ์Œ์•…์— ์ผ์ฐ ๋„์ „ํ•˜๋ฉด ์–ด๋–ค ์ ์„ ์กฐ์‹ฌํ•ด์•ผ ํ•˜๋Š”๊ฐ€? ํ•™์ƒ๋“ค์—๊ฒŒ ์ถฉ๊ณ ํ•ด์ฃผ๊ณ  ์‹ถ์€ ๋ง์ด ์žˆ๋‹ค๋ฉด? ๋ž˜ํ‹€: ๋‚˜๋Š” ๋ง๋Ÿฌ ์Œ์•…์ด ๊ฑฐ์˜ ์—ฐ์ฃผ๋˜์ง€ ์•Š๋˜ ์‹œ์ ˆ๋ถ€ํ„ฐ ๊ณผํ•˜๋‹ค ์‹ถ์„ ์ •๋„๋กœ ์ž์ฃผ ์—ฐ์ฃผ๋˜๋Š” ์ง€๊ธˆ๊นŒ์ง€ ๋‘๋ฃจ ๊ฒฝํ—˜ํ–ˆ๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์—์„œ ์ค‘์š”ํ•œ ๊ฒƒ์€ ๋Œ€๊ทœ๋ชจ ํ˜•์‹์ธ๋ฐ, ๊ฑฐ๊ธฐ์—๋Š” ์ผ๋ฐ˜ํ™”์— ๋น ์ง€๊ธฐ ์‰ฌ์šด ์œ„ํ—˜์ด ๋„์‚ฌ๋ฆฌ๊ณ  ์žˆ๋‹ค. ์šฐ์„  ๋ง๋Ÿฌ๊ฐ€ ํ•œ ๋ง์„ ์‹ ๋ขฐํ•ด์•ผ ํ•œ๋‹ค. ์Œ์•…๊ฐ€๊ฐ€ ์ž์‹ ์ด ์ง€ํœ˜ํ•˜๋Š” ์•…๋ณด์— ๋Œ€ํ•ด ์ž์‹ ๊ฐ๊ณผ ์ง๊ด€๋ ฅ์ด ์ƒ๊ธฐ๋ฉด ์–ด๋Š ์ˆœ๊ฐ„์—”๊ฐ€ ์ด๋Ÿฐ ์ƒ๊ฐ์„ ํ•˜๊ฒŒ ๋œ๋‹ค. ์•„, ๊ธฐ๋ถ„ ์ข‹๋‹ค! ์ด์ œ ๋” ํฐ ๋ฐ•์ž๋กœ ์ดํ–‰ํ•ด๋„ ์ข‹์„ ๊ฒƒ ๊ฐ™๊ณ , ๋ฌผ ํ๋ฅด๋“ฏ ์ž์—ฐ์Šค๋Ÿฝ๋‹ค... ๊ทธ๋Ÿฌ๋‚˜ ๋ฐ”๋กœ ๊ทธ ์ˆœ๊ฐ„์— ๋ง๋Ÿฌ๋Š” "4๋ฐ•์ž๋ฅผ ์ง€์ผœ๋ผ"๋ผ๊ณ  ์ ์–ด๋†“์•˜๋‹ค. ๋˜ํ•œ ์†๋„๋ฅผ ์ข€ ๋†’์—ฌ์•ผ ํ•  ๊ฒƒ ๊ฐ™๋‹ค๊ณ  ์ƒ๊ฐํ•˜๋Š” ๋ฐ”๋กœ ๊ทธ ์ง€์ ์— ๋ง๋Ÿฌ๋Š” "์„œ๋‘๋ฅด์ง€ ๋ง ๊ฒƒ"์ด๋ผ๊ณ  ์จ๋„ฃ์—ˆ๋‹ค. ๊ทธ์—๊ฒŒ๋Š” ์ง€ํœ˜์ž๋กœ์„œ์˜ ์ง๊ด€์ด ์žˆ์—ˆ๋‹ค. ์œ„๋Œ€ํ•œ ์ž‘๊ณก๊ฐ€์ด๋ฉด์„œ ๋™์‹œ์— ํƒ์›”ํ•œ ์ง€ํœ˜์ž์ธ ์‚ฌ๋žŒ์€ ๊ฑฐ์˜ ์—†๋‹ค. ๋ฐ”๊ทธ๋„ˆ ์ •๋„๊ฐ€ ์žˆ์—ˆ์„๊นŒ. ๊ทธ๊ฒƒ๋„ ์žฅ๋‹ดํ•˜๊ธฐ ์–ด๋ ค์šด ๊ฒƒ ๊ฐ™๋‹ค. ๊ณผ์—ฐ ๋ง๋Ÿฌ์ฒ˜๋Ÿผ ๋‹ค๋ฅธ ๋™๋ฃŒ ์ž‘๊ณก๊ฐ€์˜ ์Œ์•…์„ ๊ทธ๋ ‡๊ฒŒ ๋งŽ์ด ์ง€ํœ˜ํ•˜๊ณ  ๊ทธ๋งŒํผ ํ˜ธ๊ธฐ์‹ฌ์ด ํฐ ์Œ์•…๊ฐ€๊ฐ€ ์žˆ์—ˆ์„๊นŒ? (...) ์•„๋ฌดํŠผ ์šฐ์„  ๊ทธ๋ฅผ ๋ฏฟ์–ด๋ผ! ๊ทธ ๋‹ค์Œ์—๋Š” ๊ทธ๊ฐ€ ํ•œ ๋ง์˜ ์˜๋ฏธ๋ฅผ ์ž˜ ๋”ฐ์ ธ๋ณด์•„์•ผ ํ•˜๋Š”๋ฐ... ๊ฐœ์ค‘์—๋Š” ๋ฒ ๋ฅดํ†จํŠธ ๊ณจํŠธ์Šˆ๋ฏธํŠธ์ฒ˜๋Ÿผ ํŠน์ถœํ•œ ์‚ฌ๋žŒ๋„ ์žˆ๋‹ค. 1925๋…„ ๋ฒ ๋ฅผ๋ฆฐ์—์„œ ๊ทธ๋Š” [๋ณด์ฒดํฌ] ์ดˆ์—ฐ ๋‹น์‹œ ์—๋ฆฌํžˆ ํด๋ผ์ด๋ฒ„์˜ ์กฐ์ˆ˜์˜€๋‹ค. ๊ทธ๊ฐ€ ๋‚ด๊ฒŒ ํฅ๋ฏธ๋กœ์šด ์ด์•ผ๊ธฐ๋ฅผ ๋งŽ์ด ๋“ค๋ ค์ฃผ์—ˆ๋‹ค. "์‚ฌ์ด๋จผ, ์ž๋™์ฐจ๊ฐ€ ์กด์žฌํ•˜์ง€ ์•Š์•˜๋˜ ์‹œ์ ˆ์— '์„œ๋‘๋ฅด์ง€ ๋ง๊ณ (ohne Hast)'๋ผ๋Š” ์ง€์‹œ์–ด๊ฐ€ ์˜๋ฏธํ•˜๋Š” ๋ฐ”๋ฅผ ์œ ๋…ํ•ด์•ผ ํ•˜๋„ค" (...) ๋˜ ๊ณจํŠธ์Šˆ๋ฏธํŠธ๋Š” ๊ตํ–ฅ๊ณก 3๋ฒˆ 5์•…์žฅ์—์„œ ์˜ค๋ณด์— ์ฃผ์ž๋“ค์ด ์ด์ œ๊ป ํ•ด์˜ค๋˜ ๋ฐฉ์‹๊ณผ๋Š” ๋‹ค๋ฅด๊ฒŒ ๊ธ€๋ฆฌ์‚ฐ๋„ ์—ฐ์ฃผ๋ฅผ ํ•˜์ง€ ์•Š๊ธฐ ์‹œ์ž‘ํ–ˆ๋‹ค๋Š” ์ ๋„ ์ƒ๊ธฐ์‹œ์ผฐ๋‹ค. ์˜ค๋ณด์—์— ๋‹ค๋ฅธ ํ‚ค๋“ค์ด ๏ฟฝ๏ฟฝ๏ฟฝ๊ฐ€๋˜๊ณ  ๋ณ€ํ™”๊ฐ€ ์ƒ๊ธฐ๋ฉด์„œ ๋„ˆ๋ฌด ๊ณผํ•˜๋‹ค๊ณ  ๋Š๊ปด์กŒ๋˜ ํƒ์ด๋‹ค. "๋ง๋Ÿฌ๋Š” ํŠธ๋กฌ๋ณธ์— ๊ธ€๋ฆฌ์‚ฐ๋„ ๊ธฐํ˜ธ๋ฅผ ์“ฐ๋ฉด ์˜ค๋ณด์— ์—ญ์‹œ ๊ทธ๋ ‡๊ฒŒ ์—ฐ์ฃผํ•˜๋„๋ก ํ–ˆ๋„ค. ์˜ˆ์ „์—๋Š” ๊ทธ๋Ÿฐ ์—ฐ์ฃผ๋ฅผ ํ”ํžˆ ๋“ค์„ ์ˆ˜ ์žˆ์—ˆ๋Š”๋ฐ, ์ด์ œ ๋”๋Š” ๊ทธ๋ ‡๊ฒŒ ์—ฐ์ฃผํ•˜์ง€ ์•Š์ง€." (...) ์•…๋ณด๋ฅผ ์ฝ์„ ๋•Œ๋Š” ๋Œ€๋‹จํžˆ ์‹ ์ค‘ํ•˜๊ฒŒ ์ ‘๊ทผํ•ด์•ผ ํ•œ๋‹ค. ์šฐ์„  ์„ธ์„ธํ•œ ๋ถ€๋ถ„๋“ค์ด ์ค‘์š”ํ•˜๋‹ค๊ณ  ๋งํ•˜๊ณ  ์‹ถ๋‹ค. ์ง‘์ค‘ํ•ด์„œ ํƒ๊ตฌํ•œ ๋‹ค์Œ์—๋Š” ๋ฉ€์ฐ์ด ๋–จ์–ด์ ธ์„œ ๊ฐ๊ด€์ ์œผ๋กœ ๋ฐ”๋ผ๋ณผ ์ˆ˜ ์žˆ์–ด์•ผ ํ•œ๋‹ค. ์ข…์ข… ์ฐจ์ด์ฝฅ์Šคํ‚ค๊ฐ€ ์ž˜๋ชป ํ•ด์„๋˜๋Š” ๊ฒฝ์šฐ๊ฐ€ ์žˆ๋Š”๋ฐ, ๊ทธ์ฒ˜๋Ÿผ ์—ฐ์ฃผํ•ด์„œ๋Š” ์•ˆ ๋œ๋‹ค. ๋ง๋Ÿฌ๋ฅผ ๊ทธ์ € ๋‚ญ๋งŒ์ ์ธ ์Œ์•…์œผ๋กœ ์—ฐ์ฃผํ•˜์ง€ ๋ง์•„์•ผ ํ•˜๊ณ , ๋…์ฐฝ์ ์ธ ํŠน์„ฑ์„ ์ง€๋‹Œ ์Œ์•…์œผ๋กœ ์ดํ•ดํ•ด์•ผ ํ•œ๋‹ค. (...) ๋ง๋Ÿฌ๋Š” ์Œ์•…์— ์ž์œ ๋กœ์šด ๊ณต๊ฐ„, ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ๋„˜๋‚˜๋“œ๋Š” ํ๋ฆ„์˜ ์—ฌ์ง€๋ฅผ ํ—ˆ์šฉํ•˜์ง€ ์•Š๋Š”, ์œ ์—ฐํ•˜์ง€ ๋ชปํ•œ ๋™๋ฃŒ๋“ค์„ ๋ณด๋ฉฐ ์–ด์ด์—†์–ด ํ–ˆ๋‹ค. ๋ง๋Ÿฌ๋„ ์–ธ๊ธ‰ํ•œ ๊ฒƒ์ฒ˜๋Ÿผ, ํƒ์›”ํ•œ ๋ฐ”๊ทธ๋„ˆ ์ง€ํœ˜์ž๋“ค์€ ์ž์—ฐ์Šค๋Ÿฌ์šด ํ๋ฆ„์„ ์–ธ์ œ๋‚˜ ์ž๊ธฐ ๊ฒƒ์œผ๋กœ ์†Œํ™”ํ•ด๋ƒˆ๋‹ค. ๊ทธ๋Ÿฐ๋ฐ ์–ด๋–ค ์‚ฌ๋žŒ๋“ค์€ ๋ง๋Ÿฌ์˜ ์ง€์‹œ๊ฐ€ ๋„ˆ๋ฌด ์ฒ ์ €ํ•˜๊ณ  ์ •ํ™•ํ•ด์„œ ๋ชจ๋“ ๊ฒƒ์„ ๊ทธ๋Œ€๋กœ ๋”ฐ๋ฅผ ์ˆ˜๋ฐ–์— ์—†๋‹ค๊ณ  ์ฃผ์žฅํ•˜๊ธฐ๋„ ํ•œ๋‹ค. ์—ฌ๊ธฐ์„œ ๋‹ค์‹œ ์•„๋ฅด๋†์ฟ ๋ฅด์˜ ๋ง์„ ์–ธ๊ธ‰ํ•˜์ง€ ์•Š์„ ์ˆ˜ ์—†๋‹ค. ์ค‘์š”ํ•œ ๊ฒƒ์€ ์•…๋ณด์— ์žˆ๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ, ๊ทธ๊ฒƒ์ด ์˜๋ฏธํ•˜๋Š” ๋ฐ”๋‹ค!(p312-314) ๋ง๋Ÿฌ๋Š” 20์„ธ๊ธฐ์˜ ์žฌ์•™์„ ์˜ˆ๊ฒฌํ–ˆ๋Š”๊ฐ€? ๋ž˜ํ‹€: ์ด ๋ฌธ์ œ์— ๋Œ€ํ•ด์„œ๋Š” ๋‚ด์‹ฌ ๊ณ ๋ฏผํ•˜๊ฒŒ ๋œ๋‹ค. ํ•œํŽธ์œผ๋กœ 20์„ธ๊ธฐ์˜ ์žฌ์•™์„ ์ด๋Ÿฐ ์‹์œผ๋กœ ๋งํ•œ๋‹ค๋Š” ๊ฒŒ ์ง€๋‚˜์น˜๊ฒŒ ๊ฐ์ƒ์ ์ด๋ผ๋Š” ์ƒ๊ฐ์ด ๋“ ๋‹ค. ๋˜ ๋‹ค๋ฅธ ํ•œํŽธ์œผ๋กœ๋Š” '๋ถ€ํ™œ' ๊ตํ–ฅ๊ณก์„ ์ ‘ํ•  ๋•Œ, ๊ทธ๊ฒƒ์ด ์ง„์ •์œผ๋กœ ๋ฌด์—‡์„ ์˜๋ฏธํ•˜๋Š”์ง€ ์ƒ๊ฐํ•ด๋ณด์ง€๋„ ์•Š๊ณ  ๊ทธ๋ƒฅ ๋“ค์„ ์ˆ˜๋Š” ์—†๋‹ค๊ณ  ๋Š๋‚€๋‹ค. ์ž‘๊ณก๊ฐ€๊ฐ€ ์–ธ์ œ๋‚˜ ์ž์‹ ์ด ์“ด ์ž‘ํ’ˆ๊ณผ ๊ทธ๊ฒƒ์ด ๋ฏธ๋ž˜์— ๊ฐ–๊ฒŒ ๋  ์˜๋ฏธ๋ฅผ ๊ฐ„ํŒŒํ•  ์ˆ˜๋Š” ์—†๋Š” ๋…ธ๋ฆ‡์ด๋‹ค. ์ง€์˜ฅ์œผ๋กœ ํ–ฅํ•˜๋Š” ํ–‰์ง„๊ณก์ฒ˜๋Ÿผ ๋“ค๋ฆฌ๋Š” ๊ตํ–ฅ๊ณก 7๋ฒˆ์˜ ํ”ผ๋‚ ๋ ˆ๋ฅผ ๋ง๋Ÿฌ๋Š” ์ž์‹ ์ด ์ด์ œ๊นŒ์ง€ ์ผ๋˜ ์Œ์•… ์ค‘์—์„œ ๊ฐ€์žฅ ๋ฐ์€ ์ž‘ํ’ˆ์œผ๋กœ ์—ฌ๊ฒผ๋‹ค๋Š” ์‚ฌ์‹ค์„ ๊ธฐ์–ตํ•ด์•ผ ํ•œ๋‹ค. ๊ทธ ๋ถ€๋ถ„์€ ์šฐ๋ฆฌ๊ฐ€ ์ƒ์ƒํ•  ์ˆ˜ ์žˆ๋Š” ๊ฐ€์žฅ ๊ธฐ๋ฌ˜ํ•˜๊ณ  ๊ฐ€์žฅ ๋ถˆํ–‰ํ•œ, ๊ฑฐ์นœ C์žฅ์กฐ๋‹ค. ๋ชจ๋“  ๋Œ€๊ฐ€ ์ž‘๊ณก๊ฐ€๋Š” ์‹ฌ์˜คํ•œ ๊นŠ์ด๋ฅผ ์ง€๋‹ˆ๊ณ  ์žˆ์œผ๋ฉฐ, ๊ทธ๋Ÿฐ ๊ทธ๋“ค์—๊ฒŒ์„œ ์˜ˆ์–ธ์ž์  ๋ชจ์Šต์ด ๋Š๊ปด์ง„๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ทธ๋“ค์ด ์ •๋ง๋กœ ์˜ˆ์–ธ์ž์ธ์ง€ ์•„๋‹Œ์ง€ ์šฐ๋ฆฌ๊ฐ€ ์–ด์ฐŒ ์•Œ๊ฒ ๋Š”๊ฐ€? ๋‹ค๋งŒ ์šฐ๋ฆฌ๋Š” ๊ทธ๋“ค์ด ๊ทธ๋Ÿฐ ์กด์žฌ์ผ ๊ฑฐ๋ผ๊ณ  ๋ฏฟ๋Š” ๊ฒƒ์ด๊ณ , ์ด๋Š” ์šฐ๋ฆฌ๊ฐ€ ์œ„๋Œ€ํ•œ ์ž‘๊ณก๊ฐ€์—๊ฒŒ ์–ผ๋งˆ๋‚˜ ์ค‘์š”ํ•œ ๊ฐ€์น˜๋ฅผ ๋ถ€์—ฌํ•˜๋Š”์ง€๋ฅผ ๋“œ๋Ÿฌ๋‚ด์ค€๋‹ค. (p316) <์—์‚ฌ ํŽ˜์นด ์‚ด๋กœ๋„จEsa-Pekka Salonen> MAHLER: Symphony No. 3 in D minor Philharmonia Orchestra Esa-Pekka Salonen, conductor Live performance: 1 October 2017 Royal Festival Hall, Southbank Centre, London, UK ๋ง๋Ÿฌ ์Œ์•…์„ ์ง€ํœ˜ํ•˜๊ธฐ ์‹œ์ž‘ํ•œ ์ง€ ์–ด๋Š๋ง 20๋…„์ด ์ง€๋‚ฌ๋Š”๋ฐ, ๊ทธ๋™์•ˆ ๋ง๋Ÿฌ์—๊ฒŒ ์ ‘๊ทผํ•˜๋Š” ์ƒˆ๋กœ์šด ๊ธธ์„ ์ฐพ์•˜๋Š”๊ฐ€? ์‚ด๋กœ๋„จ: ๋ง๋Ÿฌ๋ฅผ ์ง€ํœ˜ํ•˜๋ฉด ํ• ์ˆ˜๋ก, ๋‚˜์ด๋ฅผ ๋จน์œผ๋ฉด ๋จน์„์ˆ˜๋ก, ์ ์  ๋” ๋‹จ์ˆœํ•ด์ง„๋‹ค. ์‰ฝ๊ฒŒ ๋งํ•˜์ž๋ฉด, ์ „์— ๋น„ํ•ด ๋œ ํ•œ๋‹ค. ๋ฃจ๋ฐ”ํ† ๋ฅผ ์ž์ฃผ ๊ตฌ์‚ฌํ•˜์ง€๋„ ์•Š๊ณ , ๊ตฌ์„ฑ์ด ํ•ญ์ƒ ์œ ๊ธฐ์ ์ผ ์ˆ˜๋Š” ์—†์œผ๋ฏ€๋กœ ๋ฌธ์ œ์˜ ์†Œ์ง€๊ฐ€ ์žˆ๋Š” ๋ถ€๋ถ„๋„ ๊ทธ๋ƒฅ ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ์šธ๋ฆฌ๊ฒŒ ํ•œ๋‹ค. ๋ฌด์–ธ๊ฐ€๋ฅผ ์งœ๋‚ด๊ฑฐ๋‚˜ ์ธ์œ„์ ์œผ๋กœ ํ•˜๋ ค ๋“ค์ง€ ์•Š๊ณ , ๋‹จ์ˆœํ•˜๊ณ  ์ž์—ฐ์Šค๋Ÿฌ์šฐ๋ฉฐ ์ƒ๊ธฐ ์žˆ๋Š” ์Œํ–ฅ์„ ๋‚ด๋ ค๊ณ  ํ•œ๋‹ค. ๊ทธ๋Ÿฌ๋ฉด ์กฐํ™”๋กญ๊ฒŒ ๋“ค๋ฆฐ๋‹ค. ๋‚˜๋Š” ๋ง๋Ÿฌ ์Œ์•…์˜ ํ’์„ฑํ•จ์— ๋งค๋ฃŒ๋˜์—ˆ๊ณ , ์žฌ๋ฃŒ์˜ ๋„“์€ ์ŠคํŽ™ํŠธ๋Ÿผ, ๊ธ‰๊ฒฉํ•œ ๋ณ€ํ™”์™€ ๋น ๋ฅธ ๋ถ„์œ„๊ธฐ ์ „ํ™˜๋„ ๋งคํ˜น์ ์œผ๋กœ ๋‹ค๊ฐ€์™”๋‹ค. ๊ตณ์ด ์Œ์•…์— ๋‚ด์žฌํ•œ ์‹ ๊ฒฝ์ฆ์  ์š”์†Œ๋ฅผ ์ฐพ์•„๋‚ด๋ ค๊ณ  ๏ฟฝ๏ฟฝ์ง€ ์•Š๋Š”๋‹ค. ๊ทธ๋Ÿฐ ์ ๋„ ๋ถ„๋ช…ํžˆ ์žˆ๊ฒ ์ง€๋งŒ ๊ทธ๋ ‡๊ฒŒ๊นŒ์ง€ ์ค‘์š”ํ•˜๋‹ค๊ณ  ์ƒ๊ฐํ•˜์ง€๋Š” ์•Š๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์Œ์•…์—๋Š” ๋‹ค์–‘ํ•œ ์ธก๋ฉด์ด ๋งž๋ฌผ๋ ค ์žˆ์œผ๋ฉฐ, ์Œ์•…์€ ๊ฒฐ์ฝ” ์ผ์ฐจ์›์ ์ด์ง€ ์•Š๋‹ค. ๋ง๋Ÿฌ ๊ตํ–ฅ๊ณก์—์„œ ์ตœ์•…์˜ ์ˆœ๊ฐ„์€ ์ •๋ง๋กœ ๋”์งํ•˜์ง€๋งŒ, ๋ฐ˜๋Œ€๋กœ ์ตœ๊ณ ์˜ ์ˆœ๊ฐ„์€ ๋งํ•  ์ˆ˜ ์—†์ด ๋ฉ‹์ง€๋‹ค. ์„ ๊ณผ ์•…, ์ฒœ์žฌ์™€ ๋ฐฑ์น˜๊ฐ€ ํ˜„์‹ค ์„ธ๊ณ„์—์„œ ์–ด์šธ๋ ค ์‚ด์•„๊ฐ€๋“ฏ์ด, ๋ง๋Ÿฌ์˜ ๊ตํ–ฅ๊ณก์—๋„ ๋ชจ๋“  ๊ฒƒ์ด ํ•œ๋ฐ ์–ด์šฐ๋Ÿฌ์ ธ ์žˆ๋‹ค. ๊ฑฐ๋ฃฉํ•œ ์„ฑ์ž๋„ ๋งค์ถ˜๋ถ€๋„ ์žˆ๋‹ค. ํŒ๊ณผ ๋ก์Œ์•…์„ ํฌํ•จํ•ด์„œ ์žฌ๋ฃŒ์˜ ๋‹ค์–‘์„ฑ์ด ์ด๋ ‡๊ฒŒ๊นŒ์ง€ ๋‹๋ณด์ด๋Š” ์Œ์•…์€ ์ฐพ์•„๋ณด๊ธฐ ํž˜๋“ค๋‹ค. ์กด์žฌํ•˜๋Š” ๋ชจ๋“  ๊ฒƒ์„ ์•„์šฐ๋ฅด๋Š” ๋ฒ”์„ธ๊ณ„์  ์‚ฌ๊ณ ์— ๋ˆ„๊ตฌ๋‚˜ ๋‹ค๊ฐ€๊ฐˆ ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์€ ์•„๋‹ˆ๋ผ๊ณ  ์ƒ๊ฐํ•œ๋‹ค. (p324-325) <๋งˆ์ดํด ํ‹ธ์Šจ ํ† ๋งˆ์ŠคMichael Tilson Thomas> MAHLER: Das Lied von der Erde Stuart Skelton (Tenor) Thomas Hampson (Baritone) Michael Tilson Thomas (conductor) San Francisco Symphony Orchestra 2007/09/26~29 Surround, Digital Davies Symphony Hall, San Francisco https://open.spotify.com/album/5tZdx3AHQTgYsiFJ9d7Rw7 ํ‹ธ์Šจ ํ† ๋งˆ์Šค: ์Œํ–ฅ์€ ์ „์ฒด ๊ตฌ์กฐ์˜ ์ผ๋ถ€์ด์ง€๋งŒ, ๋•Œ๋กœ๋Š” ๋…ํŠนํ•œ ์ข…๋ฅ˜์˜ ์Œํ–ฅ์ด ๋‹๋ณด์ด๊ธฐ๋„ ํ•œ๋‹ค. ๊ทธ๋Ÿฐ ์Œํ–ฅ์€ ๊ธธ๊ฑฐ๋ฆฌ ์Œ์•…์ด๋‚˜ ์นด๋ฐ”๋ ˆ ์Œ์•…์ผ ์ˆ˜๋„ ์žˆ๊ณ , ๊ตํšŒ ์Œ์•…, ์‚ด๋กฑ ์Œ์•…, ๊ตฐ๋Œ€ ์Œ์•… ๊ฐ™์€ ๊ฒƒ์ผ ์ˆ˜๋„ ์žˆ๋‹ค. ๋‚˜๋Š” ์Œ์•… ์ž์ฒด์˜ ํŠน์„ฑ์— ์ง‘์ค‘ํ•ด์„œ ๊ทธ ์ž‘ํ’ˆ์ด ๋ง๋Ÿฌ๊ฐ€ ๋ฌ˜์‚ฌํ•œ ๋Œ€๋กœ ์šธ๋ฆฌ๊ฒŒ ํ•˜๊ณ  ์‹ถ์—ˆ๋‹ค. ๋ง๋Ÿฌ๋Š” ์ผ๊ด€๋˜๊ฒŒ ์ž๊ธฐ๋งŒ์˜ ์„ธ๊ณ„๋ฅผ ์ฐฝ์กฐํ–ˆ๋‹ค๊ณ  ๋งํ–ˆ๋‹ค. (...) ์œ„๋Œ€ํ•œ ๋ง๋Ÿฌ ์ž‘ํ’ˆ์—๋„ ํž˜๊ฒน๊ฒŒ ๋„์ „ํ•ด์•ผ ํ•˜๋Š” ์ˆœ๊ฐ„๋“ค์ด ์žˆ๋‹ค. ๋‹ค๋ฅธ ์žฅ๋ฅด์—์„œ ์ง์ ‘ ๊ฐ€์ ธ์˜จ, ๋‹ค๋“ฌ์–ด์ง€์ง€ ์•Š์€ ๊ฑฐ์นœ ์žฌ๋ฃŒ๊ฐ€ ๋“ฑ์žฅํ•˜๋Š” ์ˆœ๊ฐ„๋“ค์ด๋‹ค. ์ด ์ง€์ ์—์„œ ์˜ค์ผ€์ŠคํŠธ๋ผ ์Œ์•…๊ฐ€๋“ค์€ ๋ฒ…์ฐจ๋‹ค๊ณ  ๋Š๋‚€๋‹ค. ๊ทธ๋“ค์€ ๋ชจ๋“  ๊ฒƒ์„ ์•„๋ฆ„๋‹ต๊ณ  ์™„๋ฒฝํ•˜๊ณ  ์šฐ์•„ํ•˜๊ฒŒ ์—ฐ์ฃผํ•˜๋Š” ๋ฐ ์ต์ˆ™ํ•˜๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๋•Œ๋•Œ๋กœ ๋ง๋Ÿฌ๋Š” ์„ธ๋ จ๋œ ์ทจํ–ฅ๊ณผ๋Š” ์•„์ฃผ ๋™๋–จ์–ด์ง„ ๊ธฐ๊ดดํ•œ ๊ฒƒ์„ ์š”๊ตฌํ•˜๊ธฐ๋„ ํ•œ๋‹ค. ๋ง๋Ÿฌ ์‹œ๋Œ€์˜ ์—ฐ์ฃผ์ž๋“ค๋„ ์ด๋Ÿฐ ์  ๋•Œ๋ฌธ์— ๊ณคํ˜น์Šค๋Ÿฌ์›Œํ–ˆ๋Š”๋ฐ, ์ง€๊ธˆ์€ ๊ทธ๋•Œ๋ณด๋‹ค ํ›จ์”ฌ ๋”ํ•˜๋‹ค. ์—ฐ์ฃผ์ž๋“ค์€ ์ด๋ ‡๊ฒŒ ํˆฌ๋œ๋Œ„๋‹ค. "์ง€์‹œ์–ด๊ฐ€ ๋„ˆ๋ฌด ๋งŽ๋‹ค. ์—ฌ๊ธฐ์—” ์Šคํฌ๋ฅด์ฐฌ๋„sforzando, ์ €๊ธฐ์—” ์•…์„ผํŠธ, ๋˜ ์ด๊ฒƒ์ €๊ฒƒ.... ๋ง๋Ÿฌ๋Š” ์š”๊ตฌ ์‚ฌํ•ญ์ด ์ง€๋‚˜์น˜๊ฒŒ ๋งŽ๋‹ค. ์šฐ๋ฆฌ์—๊ฒŒ ์ด ๋ชจ๋“  ๊ฒƒ์„ ํ•˜๋ผ๊ณ  ๊ฐ•์š”ํ•˜๋Š”๋ฐ, ์šฐ๋ฆฌ๊ฐ€ ์—ฐ์ฃผํ•˜๋Š” ๋ฐฉ์‹๊ณผ ์ „ํ˜€ ๋”ดํŒ์ธ ๊ฒฝ์šฐ๋„ ๋งŽ๋‹ค." ๋ง๋Ÿฌ๋Š” ๊ตํ–ฅ๊ณก, ์ž์‹ ์˜ '์„ธ๊ณ„'๊ฐ€ ์‹ค์ œ๋กœ ์ž์‹ ์ด ๋ชธ๋‹ด๊ณ  ์žˆ๋Š” ์„ธ๊ณ„๋ฅผ ๋Œ€๋ณ€ํ•ด์ค„ ์ˆ˜ ์žˆ๊ธฐ๋ฅผ ๋ฐ”๋ž์„ ๊ฒƒ์ด๋‹ค. ์ด ์„ธ๊ณ„์— ๋Œ€ํ•œ ๋น„์ „์ด ๊ทธ์˜ ์Œ์•… ์†์— ๋“ค์–ด ์žˆ๋‹ค. ๊ทธ๋ ‡๊ธฐ ๋•Œ๋ฌธ์— ๊ทธ๊ฒƒ์„ ์ตœ๋Œ€ํ•œ ์ƒ์ƒํ•˜๊ฒŒ ํ‘œํ˜„ํ•ด๋‚ด์•ผ ํ•˜๋ฉฐ, ๊ทธ๊ฒƒ์ด ๋ฐ”๋กœ ๊ทธ๊ฐ€ ์›ํ•˜๋Š” ๋ฐ”๋‹ค. (p335-336) ๋ง๋Ÿฌ๋Š” ๋ฌด์—‡์„ ์›ํ–ˆ์„๊นŒ? ํ‹ธ์Šจ ํ† ๋งˆ์Šค: ๋ง๋Ÿฌ๋Š” ์šฐ๋ฆฌ๊ฐ€ ๋‹ค์–‘ํ•œ ์ข…๋ฅ˜์˜ ์Œ์•…๊ณผ ์Œ์•… ์ฐฝ์ž‘์„ ์กด์ค‘ํ•˜๋„๋ก ์ด๋Œ์–ด์ค€ 20์„ธ๊ธฐ ์ดˆ๊ธฐ์˜ ์ž‘๊ณก๊ฐ€ ์ค‘ ํ•œ ๋ช…์ด๋‹ค. ๊ทธ ๋•์— ์šฐ๋ฆฌ๋Š” ์ˆ˜์ค€์— ์ƒ๊ด€์—†์ด ์Œ์•…๊ฐ€์™€ ๊ทธ๊ฐ€ ์ฐฝ์ž‘ํ•œ ์Œ์•…์˜ ์„ฑ์‹คํ•จ์„ ๋†’์ด ํ‰๊ฐ€ํ•  ์ˆ˜ ์žˆ๊ฒŒ ๋˜์—ˆ๋‹ค. ๋ง๋Ÿฌ๋Š” ์ด๋“ค ์Œ์•…์„ ํ•˜๋‚˜์˜ ์„ธ๊ณ„๋กœ, ๊ทธ ์„ธ๊ณ„๋ฅผ ๋ฐ”๋ผ๋ณด๋Š” ์ž๊ธฐ๋งŒ์˜ ๋…์ž์ ์ธ ๊ด€์ ์œผ๋กœ ํˆฌํ•ฉํ•ด๋ƒˆ๊ณ , ๋ชจ๋“  ์ฐฝ์ž‘์˜ ๋ฐ”ํƒ•์—๋Š” ๊ณตํ†ต๋œ ์ •์‹ ์ด ์กด์žฌํ•จ์„ ์ดํ•ดํ–ˆ๋‹ค. (...) ์›”ํŠธ ํœ˜ํŠธ๋จผ์ด ์Œ์•…์— ๋Œ€ํ•ด ์“ด ์•„๋ฆ„๋‹ค์šด ์‹œ๊ฐ€ ์žˆ๋‹ค. ์‚ฌ์‹ค ์‹œ๋ผ๊ธฐ๋ณด๋‹ค๋Š” ๊ตฌ์ƒ์— ๊ฐ€๊น๋‹ค. ์—ฌ๊ธฐ์„œ ๊ทธ๋Š” ์„ธ๊ณ„์˜ ๋ชจ๋“  ์ƒ์ดํ•œ ๋…ธ๋ž˜๊ฐ€ ์ œ๊ฐ๊ธฐ ๋‹ค๋ฅธ ๋ฐฉํ–ฅ์œผ๋กœ ๊ฐ€๊ณ  ์žˆ์œผ๋ฉฐ ๋Š์ž„์—†์ด ๊ฐˆ๋“ฑ ์†์œผ๋กœ ์–ฝํ˜€ ๋“ค์–ด๊ฐ€๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ๋ณด์ธ๋‹ค๊ณ  ํ–ˆ๋‹ค. ๋Œ€์žฅ์žฅ์ด๊ฐ€ ๋ถ€๋ฅด๋Š” ๋…ธ๋ž˜๋„ ์žˆ๊ณ , ์•„๋‹ˆ๋ฉด ์–ด๋จธ๋‹ˆ๋‚˜ ๊ตฐ์ธ์ด ๋…ธ๋ž˜ํ•˜๊ธฐ๋„ ํ•˜๊ณ , ํ˜น์€ ์ค‘๊ตญ ์‚ฌ๋žŒ์ด ๋ถ€๋ฅด๋Š” ๋…ธ๋ž˜์ผ ์ˆ˜๋„ ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋‹ค๋ฅธ ์‹œ๊ฐ์—์„œ ๋ณด๋ฉด ์ด ๋ชจ๋‘๋Š” ์ธ๋ฅ˜์— ๋Œ€ํ•œ ํ•˜๋‚˜์˜ ์ปค๋‹ค๋ž€ ๋…ธ๋ž˜๋กœ ๋ชจ์•„์ง„๋‹ค. ๋ง๋Ÿฌ์˜ ์‹œ๊ฐ๋„ ๊ทธ๋žฌ๋‹ค. ์•„๋งˆ ๊ทธ๋Š” ย ์Œ์•…์ด ๋งŒ๋“ค์–ด์ง€๊ณ  ์™„์„ฑ๋œ ๋’ค์— ์šฐ๋ฆฌ๊ฐ€ ๊ฐ–๋Š” ๋Š๋‚Œ์ด, ๊ทธ๋ฆฌ๊ณ  ์Œ์•…์—์„œ ์šฐ๋ฆฌ์˜ ์‚ถ๊ณผ ์šฐ๋ฆฌ์˜ ๊ฐ€์Šด์œผ๋กœ ํŒŒ๊ณ ๋“œ๋Š” ๋ฌด์–ธ๊ฐ€๊ฐ€ ๊ฐ€์žฅ ์ค‘์š”ํ•˜๋‹ค๊ณ  ์ƒ๊ฐํ–ˆ์„ ๊ฒƒ์ด๋‹ค. ๊ทธ๊ฐ€ ์„ธ์ƒ์„ ์–ด๋–ป๊ฒŒ ๋ณด๊ณ  ์ธ์ƒ์„ ์–ด๋–ป๊ฒŒ ์ธ์‹ํ•˜๊ณ  ์žˆ๋Š”์ง€ ์šฐ๋ฆฌ๊ฐ€ ์ดํ•ดํ•ด์ฃผ๊ธฐ๋ฅผ ๋ฐ”๋ž์„ ๊ฒƒ์ด๋‹ค. (p340-341) <๋ฐ์ด๋น„๋“œ ์ง„๋จผDavid Zinman> MAHLER: Symphony No. 1 in D major "Titan", Blumine David Zinman (conductor) Tonhalle Orchestra Zurich https://open.spotify.com/album/2tGJO2gfMXSyOWBpuJmLy5 ๋ง๋Ÿฌ์—๊ฒŒ ๋Œ๋ฆฐ ์ด์œ ๋Š” ๋ฌด์—‡์ธ๊ฐ€? ์ง„๋จผ: ๋ฌด์—‡๋ณด๋‹ค ์ด๋ก€์ ์ธ ์˜ค์ผ€์ŠคํŠธ๋ ˆ์ด์…˜์— ๊ฐํƒ„ํ–ˆ๋‹ค. ๋ฒ ๋ฅผ๋ฆฌ์˜ค์ฆˆ ์Œ์•…์— ๋น„๊ฒฌํ•  ๋งŒํ•œ ๋†€๋ผ์šด ์ˆ˜์ค€์ด์—ˆ๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์— ๋‹ด๊ธด ์ธ๊ฐ„์  ๋ฉด๋ชจ๋„ ์ ์ฐจ ๋ˆˆ์— ๋„์—ˆ๋Š”๋ฐ, ๊ทธ์˜ ์Œ์•…์€ ๊ฐ์ •, ์‚ฌ๊ณ , ์ด์ƒํ–ฅ์— ๋Œ€ํ•œ ์—ด๋ง์„ ์ง„์†”ํ•˜๊ฒŒ ํ‘œํ˜„ํ•œ๋‹ค. ๋ง๋Ÿฌ ์Œ์•…์—์„œ ํŠนํžˆ ์ธ์ƒ์ ์ธ ๊ฒƒ์€ ๊ณ ์š”ํ•˜๊ณ  ๋ช…์ƒ์ ์ธ ๋ถ€๋ถ„์ด๋‹ค. ๊ทธ์—๊ฒŒ์„œ ํ”ํžˆ ์ ‘ํ•  ์ˆ˜ ์žˆ๋Š” ์—ด๊ด‘์ ์ธ ํ™œ๊ธฐ์™€๋Š” ๋Œ€์กฐ์ ์ด๋‹ค. ์šฐ๋ฆฌ๋Š” ์Œ์•…์—์„œ ๋งค๋ฒˆ ์ƒˆ๋กœ์šด ๊ฒƒ์„ ๋ฐœ๊ฒฌํ•  ์ˆ˜ ์žˆ๋‹ค๊ณ  ์ƒ๊ฐํ•œ๋‹ค. ๋ฒ ํ† ๋ฒค์ด ๊ทธ๋žฌ๋˜ ๊ฒƒ์ฒ˜๋Ÿผ, ์Œ์•…์€ ์ธ๋ฅ˜๊ฐ€ ์˜ค๋žซ๋™์•ˆ ๋ชฐ๋‘ํ•ด์™”๋˜ ๊ฒƒ๋“ค์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•œ๋‹ค. ๊ทธ๊ฒƒ์€ ์‹ ์— ๋Œ€ํ•œ ํƒ๊ตฌ๋‚˜ ์ธ์ƒ์˜ ์˜๋ฏธ์ผ ์ˆ˜๋„ ์žˆ๊ณ , ๋„์ „์ด๋‚˜, ์˜จ๊ฐ– ๋Œ์ถœ๊ณผ ์‹คํŒจ๋ฅผ ์•„์šฐ๋ฅด๋Š” ์‚ถ ์ž์ฒด์ผ ์ˆ˜๋„ ์žˆ๋‹ค. ์ด ๋ชจ๋“  ๊ฒƒ์„ ๋‚ดํฌํ•˜๋Š” ๊ฒƒ์ด ์Œ์•…์ด๋‹ค. (p355-356) ๋‹น์‹ ์ด ๋ง๋Ÿฌ ๊ตํ–ฅ๊ณก์„ ํ•˜๋‚˜์˜ ๊ฑฐ๋Œ€ํ•œ ์†Œ์„ค์˜ ์žฅ์— ๋น„์œ ํ–ˆ๋‹ค๋Š” ๋ง์„ ๋“ค์€ ์ ์ด ์žˆ๋Š”๋ฐ. ์ง„๋จผ: ๊ทธ๋ ‡๋‹ค. ๋ง๋Ÿฌ์˜ ๊ตํ–ฅ๊ณก๋“ค์€ ์žฅ ํŒŒ์šธ์˜ [๊ฑฐ์ธ]์œผ๋กœ ์‹œ์ž‘ํ•˜๋Š” ๊ธด ์ด์•ผ๊ธฐ๋‹ค. ๊ฐ ๊ตํ–ฅ๊ณก์€ ๋‹ค๋ฅธ ๊ตํ–ฅ๊ณก์˜ ์š”์†Œ๋ฅผ ๊ฐ€์ ธ์™€์„œ ๊ทธ๊ฒƒ์„ ๋ณ€ํ˜•์‹œ์ผฐ๋‹ค. 2๋ฒˆ ๊ตํ–ฅ๊ณก์€ ์‚ถ์€ ๋ฌด์—‡์ธ์ง€, ์‚ถ์—์„œ ์šฐ๋ฆฌ๋Š” ๋ฌด์—‡์„ ์–ป์„ ์ˆ˜ ์žˆ๋Š”์ง€, ์ฃฝ์Œ ๋’ค์—๋Š” ์–ด๋–ป๊ฒŒ ๋˜๋Š”์ง€์™€ ๊ฐ™์€ ์งˆ๋ฌธ์— ๋ชฐ๋‘ํ•œ๋‹ค. ๋ชจ๋‘ ๋ถ€ํ™œ๊ณผ ๊ด€๋ จ๋œ ๊ฒƒ๋“ค์ด๋‹ค. 3๋ฒˆ์€ ์ž์—ฐ๊ณผ ์ธ์ƒ, ๊ทธ๊ฒƒ์ด ์šฐ๋ฆฌ์—๊ฒŒ ์•ˆ๊ฒจ์ค€ ๊ฒƒ, ๊ฝƒ๊ณผ ์‚ฌ๋ž‘๊ณผ ์‹ ๊ณผ ์•„์ด๊ฐ€ ์šฐ๋ฆฌ์—๊ฒŒ ๋“ค๋ ค์ฃผ๋Š” ์ด์•ผ๊ธฐ๋ฅผ ๋‹ค๋ฃฌ๋‹ค. 4๋ฒˆ์€ ์ฒœ๊ตญ์„ ๋ฐ”๋ผ๋ณด๋Š” ๋‹ค๋ฅธ ๊ด€์ ์„ ์ œ์‹œํ•˜๊ณ , ์–ด๋ฆฐ์•„์ด์˜ ๋ˆˆ์œผ๋กœ ๋ณด๋Š” ์ฒœ์ƒ์˜ ์‚ถ์„ ๋ณด์—ฌ์ค€๋‹ค. 5๋ฒˆ ๊ตํ–ฅ๊ณก์€ ๋œ ์ข…๊ต์ ์ด๊ธด ํ•˜๋‚˜ ์ฃฝ์Œ๊ณผ ์ฃฝ์Œ์˜ ๊ทน๋ณต์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•œ๋‹ค. 6๋ฒˆ์€ ์ฃฝ์Œ์—๋งŒ ์ดˆ์ ์„ ๋งž์ถ”๊ณ  ์žˆ๊ณ , ์ฃฝ์Œ ์ดํ›„์—๋Š” ์•„๋ฌด๊ฒƒ๋„ ์—†๋‹ค๋Š” ๋ฌด์„œ์šด ์ƒ๊ฐ์„ ๋“ค๋ ค์ค€๋‹ค. ์ฃฝ์Œ์— ๋Œ€ํ•œ ๊ณตํฌ๋ฅผ ์ด์•ผ๊ธฐํ•œ ๊ฒƒ์ด๋‹ค. 7๋ฒˆ์€ ์ „์Ÿ์— ๋Œ€ํ•ด ๊ธฐ์ˆ ํ•˜๊ณ , ๋ฐค์˜ ์™•์ž๋ฅผ ๋งŒ๋‚˜ ๋งˆ์นจ๋‚ด ๊ด‘๋ช…์„ ์ฐพ๋Š”๋‹ค๋Š” ์ด์•ผ๊ธฐ๋ฅผ ๋“ค๋ ค์ค€๋‹ค. 8๋ฒˆ ๊ตํ–ฅ๊ณก์€ ์˜์›ํ•œ ์—ฌ์„ฑ์„ฑ์„ ์ฐฌ์–‘ํ•˜๋Š” ๊ดดํ…Œ์˜ ์‚ฌ๊ณ ๋ฅผ ๊ฐ„์งํ•˜๊ณ  ์žˆ์œผ๋ฉฐ, ์ด๋Ÿฐ ๋ฐฉ์‹์œผ๋กœ ์‹ ์—๊ฒŒ ๊ฐ€๊นŒ์ด ๋‹ค๊ฐ€๊ฐ„๋‹ค. [๋Œ€์ง€์˜ ๋…ธ๋ž˜]๋Š” ๋‹ค์‹œ ์˜์›์„ ํ–ฅํ•ด ๋‹ค๊ฐ€๊ฐ„๋‹ค. 9๋ฒˆ์€ ์ž‘๋ณ„๊ณผ ๋™์‹œ์— ์ƒˆ๋กœ์šด ์ถœ๋ฐœ์„ ์ด์•ผ๊ธฐํ•˜๋ฉฐ, ์‚ถ์˜ ์•„๋ฆ„๋‹ค์›€๊ณผ ๋น„๊ทน์„ ๋™์‹œ์— ๋ณด์—ฌ์ค€๋‹ค. 10๋ฒˆ ๊ตํ–ฅ๊ณก์—์„œ๋Š” ์ด๋Ÿฌํ•œ ์‚ฌ๊ณ ๊ฐ€ ๊ณ„์† ์ด์–ด์ง€๋Š”๋ฐ, ๋™์ผํ•œ ์ด์•ผ๊ธฐ ์†์˜ ๋˜ ๋‹ค๋ฅธ ์ผํ™”๋‹ค. (p357-358) ์–ด๋ ธ์„ ๋•Œ ๋‹น์‹ ์ด ๊ฐ€์ง€๊ณ  ์žˆ๋˜ ๊ทธ๋ฆผ์ด ์žˆ์—ˆ๋‹ค๊ณ  ํ•˜๋˜๋ฐ... ์ง„๋จผ: ๊ทธ๋ ‡๋‹ค ์•„์ฃผ ๋ฌ˜ํ•œ ์šฐ์—ฐ์ธ ๊ฒƒ ๊ฐ™๋‹ค. ๋‚ด ์นจ๋Œ€ ์œ„์ชฝ์— ์•ก์ž์— ๏ฟฝ๏ฟฝ์šด ๊ทธ๋ฆผ ํ•œ ์žฅ์ด ๊ฑธ๋ ค ์žˆ์—ˆ๋˜ ๊ฒŒ ๊ธฐ์–ต๋‚œ๋‹ค. ์–ด๋จธ๋‹ˆ๊ฐ€ ์–ด๋””์—์„œ ๊ตฌํ•ด์˜จ ๊ทธ๋ฆผ์ด์—ˆ๋Š”๋ฐ, ๋ง๋Ÿฌ์˜ 1๋ฒˆ ๊ตํ–ฅ๊ณก์— ์˜๊ฐ์„ ์ฃผ์—ˆ๋‹ค๋Š” ์žํฌ ์นผ๋กœ์˜ [์‚ฌ๋ƒฅ๏ฟฝ๏ฟฝ์˜ ์žฅ๋ก€์‹The Huntsman's Funeral]์ด์—ˆ๋‹ค. - ๋ณผํ”„๊ฐ• ์ƒค์šฐํ”Œ๋Ÿฌ , ' ๋ง๋Ÿฌ๋ฅผ ์ฐพ์•„์„œ ' ์ค‘์—์„œ
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regarderlesmeilleurs ยท 8 years ago
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Don Carlo โ€“ Allโ€™Opera (CGR Events) streaming
Date de sortie : 5 mai 2017 Rรฉalisateur : Giancarlo del Monaco Avec : Fabio Sartori, Julianna Di Giacomo Genre : Opera Nationalitรฉ : Italien
Don Carlos est un opรฉra en cinq actes de Giuseppe Verdi, sur un livret de Joseph Mรฉry et Camille du Locle, dโ€™aprรจs Friedrich von Schiller, crรฉรฉ le 11 mars 1867 ร  lโ€™Opรฉra de Paris, remaniรฉ en 1884, il devient Don Carlo pour la scรจne italienne. Lโ€™Opรฉra de Florence ouvrira ses portes ร  un public plus large et plus international en intรฉgrant sa programmation ร  la troisiรจme saison dโ€™ALLโ€™OPERA. A lโ€™occasion de la 80eme รฉdition du festival musical de Florence, Don Carlo, grand opรฉra de Giuseppe Verdi, sera retransmis en direct le 5 mai au cinรฉma. Dirigรฉ par Zubin Mehta, cette nouvelle production propose des dรฉcors et costumes รฉtonnants avec un casting extraordinaire! Don Carlo est le chef-dโ€™ล“uvre de la maturitรฉ de Verdi. Son histoire mรชle tensions politiques et religieuses, pรฉripรฉtie amoureuse et tourmente des passions. Cette dรฉmesure lyrique met en couleur un drame familial de la cour dโ€™Espagne du XVIe siรจcle.
from Film en Streaming VF http://filmistreaming.net/don-carlo-allopera-cgr-events-streaming/
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regarderlesmeilleursfilmsen ยท 8 years ago
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Don Carlo โ€“ Allโ€™Opera (CGR Events) streaming
Nationalitรฉs : Italien Genre : Opera Date de sortie : 5 mai 2017 De : Giancarlo del Monaco Avec : Fabio Sartori, Julianna Di Giacomo
Don Carlos EST world organization opรฉra nut cinq actes Diamond State Giuseppe Verdi, sur world organization livret Diamond State Joseph Mรฉry et Camille du Locle, dโ€™aprรจs Friedrich von Schiller, crรฉรฉ le eleven mars 1867 ร  lโ€™Opรฉra Diamond State Paris, remaniรฉ en 1884, il devient Don Carlo pour la scรจne italienne. Lโ€™Opรฉra de Florence ouvrira ses portes ร  world organization public and giant et and international nut intรฉgrant reserves programmation ร  la troisiรจme saison dโ€™ALLโ€™OPERA. A lโ€™occasion Diamond State la 80eme รฉdition du competition musical de Florence, Don Carlo, grand opรฉra de Giuseppe Verdi, sera retransmis en direct LE five mai au cinรฉma. Dirigรฉ par Zubin Mehta, cette nouvelle production propose des dรฉcors et costumes รฉtonnants avec un casting extraordinaire! Don Carlo est LE chef-dโ€™ล“uvre Diamond State la maturitรฉ Diamond State Verdi. Son histoire mรชle tensions politiques et religieuses, pรฉripรฉtie amoureuse et tourmente des passions. Cette dรฉmesure lyrique met en couleur world organization drame familial Diamond State la cour dโ€™Espagne du XVIe siรจcle.
from Streaming VF http://www.streamovf.net/don-carlo-allopera-cgr-events-streaming/
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universodea ยท 8 years ago
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I vespri siciliani
La vida enteraย es una tragediaโ€ฆ ยกpero quรฉ importaย mientras la mรบsicaย sea de Verdi! Sinopsis y ficha tรฉcnica ร“pera en versiรณn de concierto. Director musical: James Conlon. Reparto Guido di Monforte: Franco Vassallo. El seรฑor de Bethune: Francisco Tojar. Arrigo: Piero Pretti. Giovanni di Procida: Ferruccio Furlanetto. La duquesa Elena: Julianna Di Giacomo. Danieli: Antonio Lozano. Roberto: Fernandoโ€ฆ
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nyphil ยท 11 years ago
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Opera House of Dendur
โ€œA smashing performance. ... [T]he Philharmonic is in great shape these days,โ€ wrote critic Sedgwick Clark in Musical America after last week's Opening Gala. Do not miss Alan Gilbert conducting Beethoven's Ninth October 3โ€“9. The soprano soloist will beย Julianna Di Giacomo, who sang in last June's Philharmonic 360, at Park Avenue Armory. Here she performs in front of an unusual East Side audience in the Temple of Dendur at The Metropolitan Museum of Art. For tickets, go to nyphil.org.
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infinitelytheheartexpands ยท 4 years ago
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Stiffelio (Venice, 2016): Reactions, Part I
Returning to this opera and this production with the lovely @monotonous-minutiaโ€‹, who may or may not also be posting reactions.ย 
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welcome to the Good Book Club
itโ€™s like book club but we only read the Good Book
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โ€˜dude stop creepily staring at me for five secondsโ€™
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well this is awkward
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โ€˜anyway BACK TO GOOD BOOK CLUBโ€™
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Jorg this is NOT THE TIME
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look whoโ€™s back
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Dorotea is very interested in the tea
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โ€˜oh shit heโ€™s probably talking about meโ€™
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second opera in a row where someone burns incriminating letters
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you might want to remember that later
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the first of many ensembles that Bop in this opera
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hi can you two just please keep being cute and never have any problems ever thanks
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poor Lina :(
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welcome back party!
also this chorus Also Bops
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awwwwwww he miraculously healed a chorus member
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one of the only things I donโ€™t like about this opera is that there are some plot elements such as this one that are never fully explained but because a lot of that is due to censorship Iโ€™m gonna let it slide
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โ€˜Iโ€™m a Protestant minister honey I donโ€™t do piaceriโ€™
but it is cute (and also kinda sad) that heโ€™s likeย โ€˜I enjoyed nothing because you werenโ€™t thereโ€™
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oh honey how do I break this news to you
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weโ€™ll see about that...
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the fact that the majority of this opera happens on their wedding anniversary makes it even more awkward
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annnnnnnnnnnnnnnnnnd mood flip on a dime
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seriously someone please help her she deserves better
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but Julianna di Giacomo doesnโ€™t need any help being fabulous at what she does *heart eyes*
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oh no oh Lina
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youโ€™re not helping
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DONโ€™T HIT HER
(he didnโ€™t but he made like he was going to)
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the way he singsย โ€˜vergognaโ€™ and how you can hear the sheer disdain in his voice...sir
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hey maybe stop being a douchey dad for five seconds
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if I could I would
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โ€˜itโ€™s all about the appearances, honeyโ€™
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this duet is great, though
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sneak fail
(Jorg saw everything)
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poor Federico just needed a book and now heโ€™s gotten wrapped into this intrigue
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party 1850s Austrian Protestant style
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โ€˜dude theyโ€™re literally just chatting and eating bread itโ€™s not a bad kind of party lighten up a littleโ€™
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no Federico didnโ€™t do anything wrong heโ€™s just a Cute Hapless Background Tenor
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...oof
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hey Dorotea (left hand only pictured) donโ€™t snitch on your cousin thatโ€™s not very cash money of you
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time for everyone to sing about a book
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and the resulting ensemble (yet again) Bops
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oops
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more letter destruction
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I believe you are overreacting a bit
but then again, you are a tenor
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poor Lina getting stuck in the middle of all this
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Drama TM
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the chorus just wanted to have a nice bread party :(
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joaquimblog ยท 8 years ago
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Gustavo Dudamel Orquestra Simon Bolivar
Gustavo Dudamel
Orquestra Simรณn Bolรญvar, Orfeรณ Catalร , Cor de Cambra del Palau e la Mรบsica, Gustavo Dudamel
A tots els que ens va ser impossible assistir a lโ€™integral de les simfonies de Beethoven al Palau de la Mรบsica Catalana que es va oferir entre el 12 i 15 de marรง amb lโ€™Orquestra Simon Bolivar i Gustavo Dudamel, grร cies a Medici TV tenim la possibilitat dโ€™endinsar-nos en aquest esdeveniment o millor serร  dir tource de force que representa interpretar les 9 simfonies en tres dies, el primer en doble sessiรณ, un esdeveniment que lโ€™orquestra veneรงolana i el seu carismร tic director nomรฉs han portat a terme en tres ciutats europees, una dโ€™elles Barcelona, tot un privilegi..
12 de marรง 2017, matรญ
* Egmont, Op. 84, Overture * Simfonia Nรบm. 1 in C Major, Op. 21 * Coriolร , Op. 62 * Simfonia Nรบm. 2 in D Major, Op. 36
http://www.medici.tv/#!/dudamel-palaudelamusica-beethoven1-2
12 de marรง de 2017, tarda
* Simfonia Nรบm. 3 in E-flat Major, Op. 55 โ€œHeroicaโ€ * Simfonia Nรบm. 4 in B-flat Major, Op. 60
http://www.medici.tv/#!/dudamel-palaudelamusica-beethoven3-4
13 de marรง de 2017, 8:30 p.m.
* Simfonia Nรบm 5 in C Minor, Op. 67 * Simfonia Nรบm 6 in F Major, Op. 68 โ€œPastoralโ€
http://www.medici.tv/#!/dudamel-palaudelamusica-beethoven5-6
14 de maรง de 2017, 8:30 p.m.
* Simfonia Nรบm 7 in A Major, Op. 92 * Simfonia Nรบm 8 in F Major, Op. 93
http://www.medici.tv/#!/dudamel-palaudelamusica-beethoven7-8
15 de marรง de 2017, 8:30 p.m.
* Simfonia Nรบm 9 in D Minor, Op. 125
Orquestra Simfรฒnica Simรณn Bolรญvar de Veneรงuela Director: Gustavo Dudamel Orfeรณ Catalร  Cor de Cambra del Palau de la Mรบsica
Julianna Di Giacomo soprano Tamara Munford, mezzosoprano Joshua Guerrero tenor Soloman Howard bass
http://www.medici.tv/#!/dudamel-palaudelamusica-beethoven9
Les versions poden agradar mรฉs o menys, la direcciรณ enรจrgica i ampulยทlosa, potser sense un refinament excessiu en el so, no agradarร  als que deleixen amb les versions historicistes mรฉs clares i lleugeres, perรฒ no hi ha dubte que Dudamel aconsegueix oferir un Beethoven dโ€™impacte que, sense gaires concessions, tโ€™atrapa i tโ€™arrossega, com acostuma amb les seves direccions esclatants, fins on ell vol, perquรจ amb el director veneรงolร  tโ€™has de deixar portar.
Jo diria que el millor ho trobem en les simfonies centrals, cinquena i sisena, si bรฉ el blog inaugural รฉs dโ€™una jovialitat molt engrescadora.
El concert conclusiu amb la novena, รฉs el menys interessant per a mi. La versiรณ em sembla molt sorollosa, a estones barrejada i amb un tercer moviment que per a mi รฉs un dels cims de lโ€™obra beethoveniana, poc emocionant. Els solistes no estan gens a lโ€™alรงada de lโ€™esdeveniment (Juliana Di Giacomo, que cantarร  la Maddalena de Coigny en el segon cast de lโ€™Andrea Chรฉnier del Liceu, justeja perillosament, mentre que la mezzosoprano Tamara Munfordย  รฉs una presรจncia muda, el tenor Joshua Guerrero si segueix esgargamellantย dโ€™aquesta manera durarร  de Nadal a Sant Esteve i el baix Soloman Howard estร  clar que ha fet Pasqua abans que Rams perquรจ encara hauria dโ€™estar al conservatori aprenent a emetre la veu i no a llenรงar-la sense pietat. Una veuassa, perรฒ malaguanyada
Lโ€™Orfeรณ Catalร ย i el seu soci habitual en els compromisos mรฉs exigents, el Cor de Cambra del Palau de la Mรบsica estร  en fase de millora, perรฒ lโ€™obra รฉs dโ€™una exigรจncia extrema que encara els posa massa en evidรจncia.
ร‰s tanmateix una festassa que cal assaborir i encara que jo tinc de fa anys els meus referents alhora dโ€™endinsar-me en el mรณn simfรฒnic beethoveniร ,ย Dudamel i els seus mรบsics veneรงolans, que en aquesta visita sembla que no van vitjar tots o al menys no tocaven tots alhora i per tant el seu Beethoven tot i lโ€™excรฉs sonor amb que el carismร tic director li agrada, va ser mรฉs humร . Fan de molt bon escoltar i aquรญ no podia faltar i ja que Medici dรณna lโ€™oportunitat de veure els vรญdeos fins a finals dโ€™abril i per tant lโ€™oportunitat estร  servida amb safata de plata i no es pot deixar escapar.
PALAU DE LA MรšSICA 2016/2017: Lโ€™INTEGRAL BEETHOVEN AMB DUDAMEL I LA SIMONย BOLIVAR A tots els que ens va ser impossible assistir a l'integral de les simfonies de Beethovenโ€ฆ
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nyphil ยท 12 years ago
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FOLLOW THE SOUNDย  New Video: Spatial Museum
In today's video,ย soprano Julianna Di Giacomo performs in front of an unusual East Side audience in the Temple of Dendur at The Metropolitan Museum of Art.
Follow the sound each day this week at nyphil360.com as several musicians and Music Director Alan Gilbert make their way across town for Philharmonic 360, June 29โ€“30, presented by the NY Philharmonic and Park Avenue Armory.
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