#Jules Gervais Courtellemont
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Jules Gervais-Courtellemont - A woman stands below the trees where corn hangs to dry after harvest, Catalonia, 1930
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uma jovem de lagartera, espanha, posa em traje tradicional. foto de jules gervais courtellemont, 1914.
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Spanish Woman in Tradicional Dress, Andalusia. Photography by Jules Gervais Courtellemont 1924
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Lagarterana.
Portrait of a woman dressed in clothing typical of Lagartera in Toledo, Spain, August 1924.Photograph by Jules Gervais Courtellemont, National Geographic
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A woman in Brittany, France, leans against a stone wall (autochrome), ca. 1923 - by Jules Gervais-Courtellemont (1863 - 1931), French
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The Story: History enhanced! Early photographs reborn
The Writer: Guardian editors
(photos, from top: bathers at Siouville-Hague in Normandy, France, 1921, by Gustave Gain; portrait of an Arabian emir in Damascus, Syria, 1925, by Jules Gervais-Courtellemont; first Paris Air Show at the Grand Palais, France, 1909, by Léon Gimpel)
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Sultanahmet Camii, 1908.
📷 Jules Gervais-Courtellemont
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Oh my, I'm in love with his work. *__*
Jules Gervais-Courtellemont
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Photographed by Jules Gervais-Courtellemont (1920)
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"Marché aux Cochons à Quimperlé" par Jules Gervais-Courtellemont, circa 1923.
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BabelColour
@StuartHumphryes
To my mind, this is one of the most beautiful autochromes ever taken: a study of artists on the banks of the Dordogne near Beaulieu in France. The light, colour & composition is a work of art in itself. It was taken in colour 98 years ago, in 1925, by Jules Gervais-Courtellemont.
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Jules Gervais-Courtellemont - Taj Mahal, Agra, Uttar Pradesh, Inde. 1926
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retrato de uma mulher vestida com roupas típicas de lagartera, toledo, espanha. foto de jules gervais courtellemont, 1924.
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Jules Gervais Courtellemont : a flower seller stands in front of her stand on the Rambla, Barcelona, Spain - 1929
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Philo Thoughts
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It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing.
It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive.
It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of further pain!I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it.
I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human.
It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithlessand therefore trustworthy.
I want to know if you can see beauty even when it's not pretty, every day,and if you can source your own life from its presence.
I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!”
It doesn't interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children.
It doesn't interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back.
It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away.
I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments. ~Oriah Mountain Dreamer
(Book: The Invitation https://amzn.to/3KHUsHv)
(Art: Photograph by Jules Gervais-Courtellemont)
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Two young apricot merchants carry a basket to the market in Algeria - by Jules Gervais-Courtellemont (1863 - 1931), French
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