#Josh Abbott Band 2018
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“There's a girl down in Texas
Holds hope in her eyes
Smile so soft and warming it stays with you for miles
She's a lifetime of happy years, she's a million memories
There's a girl down in Texas and she's waitin' on me”
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Saturday, May 19th, 2018 – Unhindered by an Off Night, Josh Abbott Band Entertains the Masses at Rockwall’s Founder’s Day
The sun was beginning to disappear beyond the horizon as the 2018 Founder’s Day event in Rockwall began to near the end. It wasn’t quite over yet, though. Shooter Jennings had just gotten the masses warmed up for one of the treasures of Texas Country music, Josh Abbott Band, who had been tapped as the main headliner of the event. Free to attend, the turnout was incredible. The grounds of Harry Myers were pretty full even at six that evening, when things had first gotten started on the main stage. A couple hours later and people were packed in tight, either sitting in lawn chairs or on blankets, eagerly awaiting JAB. Introduced by a host of city officials – all of whom were elated to be welcoming the Josh Abbott Band to their stage – the country ensemble stepped out onto the stage appearing grateful to be there, all of them all smiles. The last to step into view, Abbott received the most fanfare, and he wasted no time in plainly stating what their mission was for the night. “Hey, everybody…” he began, greeting the throng of fans and onlookers, thanking them for choosing to be there. “Our goal is to have you sing along and dance. That’s what these songs are about…” he remarked, later adding he even hoped they would get some people up out of their chairs at some point. The mentality of a legitimate showman, he didn’t speak in absolutes. That happening wasn’t a definite, though what was certain from the way he articulated himself was that he and his band mates were going to do everything within their power to work to make that happen. It was respectable, to say the least.
In true Texas spirit, Abbott and company broke into a rendition of “Deep in the Heart of Texas” as they set the show in motion, playing but a snippet of it. Just enough to really appeal to the heart of a native Texan, as it acted as more of a precursor to their original material. Songs such as “My Texas”, which it set up quite nicely, especially as Abbot sang about a plethora of things that define the Lone Star State. That was one of the mainstays, a cut fans expect to hear; and in the time since I had last caught JAB, they had released two albums, 2015’s Front Row Seat and the still new Until My Voice Goes Out (out on Pretty Damn Tough Records). With so many more songs in the mix in relation to that last live experience I had, I was curious as to what kind of balance they had struck. In other words, having already had a host of songs that were viewed by fans as either favorites or signature JAB tunes, just how would they would still accommodate them while also showcasing the newer material. The answer readily became apparent: they would maintain a rip-roaring pace and squeeze as many in as possible. Unrelenting, the seven-piece outfit seldom stopped, knocking out one song and then almost instantaneously firing up the next. Spectators had only begun to applaud that previous hit when they launched into the first of several songs that focused on living in the moment and savoring life, “Live It While You Got It”. “…I got to admit, this is pretty awesome,” Abbott commented afterwards, responding to the adoration that they were being shown. Shortly after they took an actual pause as he extended his gratitude to Shooter Jennings for playing before them, promoting Jennings forthcoming new release while stating how kind he had been each time their paths had crossed. The honky-tonk sounding “Hangin' Around” further perpetuated the fun party vibe that Abbott and company were working to achieve, the cheer that seeps out of it infecting those who had left their seats and congregated at the front of the stage. The work of Preston Wait and Austin Davis, on the fiddle and banjo, respectively, sounded extra lively, making it even easier for the loyal fans to surrender to the music; though the sing along that Abbott encouraged (fans asked to sing, “I’m drinking a beer” at the choruses), never got off the ground. At least it was never fully audible. Caleb Keeter got to fully showcase his chops on the guitar during “Wasn't That Drunk”, the solo that follows the second chorus being more emotional and sizzling than what is portrayed on the album. (And it already sounds quite incredible on Front Row Seat.) Upon finishing it, the mood got more mellow and sentimental, Abbott informing everyone that the next number was his personal favorite from their new record, dedicating it not only to the love birds in attendance, but also the guys who knew they were the lucky ones. An excellent and gorgeously penned piece from Until My Voice Goes Out, “I’m Your Only Flaw” was another track that sounded even better live, the full scope of emotion invested in it being more prominent. “Texas Women, Tennessee Whiskey” was another great offering from that record. Sans the horn section that is featured on the recording it was definitely different, though it was every bit as good. It could even be argued that it was better. Still a different song by JAB standards, it serves to expand their wheelhouse, though the rendition this night was more in line with a country sound, instead of the blend of that and soul heard on the record. From there the band embarked on another series of fan favorites, their rendition of “FFA” along with “Flatland Farmer” still being a striking combination, while “I'll Sing About Mine” was the icing on the cake. Together they all crafted an accurate depiction of being a farmer and/or the small-town life, reconnecting it with reality, stealing it back from some of the pop country artists who have stolen it, singing about that life without having ever actually experienced it. The classics didn’t stop there, either. Abbott shared an anecdote from just earlier in the night, a young kid approaching him, offering up a fist pump and telling the singer, “I was born for road tripping.” For him, they dusted off “Road Trippin'”, something every fan was grateful to hear. Throughout the performance the instrumentalists demonstrated their potent chemistry. During what could be considered an interlude earlier on, the drums and bass, courtesy of Eddie Villanueva and James Hertless, were in full force, creating a dynamic yet soothing piece that segued into one of the songs. Then, once that aforementioned song was finished, it was Wait that took the spotlight momentarily, playing some striking notes on the fiddle. It was made all the more captivating once Villanueva chimed in, the pair yielding something theatrical. Without question, “The Night Is Ours” had to be the anthem for the night. Another song about savoring the moment, it summed up the collective feelings everyone had about this night, and followed by “While I'm Young”, it made for another strong pairing. One where the stories seemed to intertwine in a way. Abbott even initiated a clap along during the latter of those two, the percussion being conducive of it. That was the most vibrant the crowd had been all night, most everyone finally seeming fully engrossed by the music. Good vibes and fun times may have been abundant while Josh Abbott Band was on stage, though it wasn’t a constant, things getting quite somber when the lead musician shouted out someone special that had resided there in Rockwall and was an avid fan of theirs. A woman who had passed away the previous year, Abbott acknowledged her husband who was there, sending out what had been her favorite song to her and him. And just like that, “She's Like Texas” was cast in an entirely different light. It’s surely safe to say that it is generally perceived to be a love song, one about falling for a kind and caring soul and detailing all the things that have left the individual enamored with this woman. In a sense it still was all about that, yet it suddenly also became a song that was a celebration of life, now presumably describing the endearing qualities that will never be forgotten by this particular woman’s family. A sweet and compassionate song suddenly became more of a tearjerker, especially at the end. “She's as bright as the Dallas sky; she always holds her head up high. She loves the company of her family. She has faith in God's greater plan; she trusts that I'm a good man, and that why I'll always believe. She's like Texas, and she likes me.” Abbott added on one additional chorus, performed entirely acoustic, allowing it to make that much more of an impact. To say it was a touching and emotional moment would be an understatement; and one didn’t have to know the couple in order to feel the depth of it. Things were nearly over at that point, a couple more songs rounding out JAB’s 77-minute long set. Some people proceeded to pack up, either assuming it was over or wanting to get a jump on the traffic out of there. Most stood (or sat) steadfast, though, expecting an encore and waiting to see if it would happen or not. Sure enough, Abbott made his return to the stage, first treating everyone to a solo acoustic number before his band mates rejoined him. “Amnesia” was what they opted to close this “very fun show” with, the song reaching a climatic finish that was downright amazing. The songs and overall sound was perfect this night. The Josh Abbott Band boasts more components than a lot of groups, though Wait, Villanueva, Hertless, Keeter, Davis and keyboardist David Fralin have struck up a chemistry that outshines many others as well. Cohesive and polished, they operate exceptionally well independently and as a unit, each knowing when to standout and work to further grab the attention of the audience or hold back. That revolves around Abbott and what is necessary at the time, all being absolutely in tune with one another and what works best at the given moment. Together they know how to best play to the group of onlookers gathered before them; Abbott possessing one of the best voices in Texas Country music. Delicate and sincere when necessary, he can really belt it out as well, delving into the full power of his set of pipes, a twang ever present. Yes, they sounded in fine form this night, though the show in terms of the performance felt a little off. Perhaps they were having an off night, but it just didn’t feel as moving as a JAB show typically is. At first, I believed it was perhaps because a festival environment like this just wasn’t conducive of the full show experience. There are few venues where you’re apt to find people sitting down during a concert, and in a setting like Founder’s Day some can view the music as being an afterthought to them, something die-hard fans that would shell out money for a ticket at a standard show would never consider. At the same time, the first time I saw Josh Abbott Band I had a seat at the back of a famous honky-tonk in Fort Worth, quite removed from the action but was still left in awe over the spectacle they unleashed. That feeling was absent this night, hence why I say perhaps it was an off night for them, whatever the reasoning may be. They certainly tried hard, their work ethic being incredible as they worked to make sure everyone felt like they were part of what was going on. And overall it was an enjoyable performance, but it lacked that certain magic that is usually exuded at a Josh Abbott Band show. That’s bound to happen every now and again. They have a busy month ahead of them, quite a few Texas dates planned through June, along with a few in Oklahoma, Louisiana, Arkansas and even Colorado and Nebraska. A complete listing of their upcoming shows can be found HERE; and check out Until My Voice Goes Out in iTUNES or GOOGLE PLAY. Set List: 1) “Deep in the Heart of Texas” (partial) 2) “My Texas” 3) “Live It While You Got It” 4) “All of a Sudden” 5) “Hangin' Around” 6) “Louisiana Saturday Night” (Mel McDaniel cover) 7) “Wasn't That Drunk” 8) “I’m Your Only Flaw” 9) “Whiskey Tango Foxtrot” 10) “Girl Down in Texas” 11) “Texas Women, Tennessee Whiskey” 12) “FFA” 13) “Flatland Farmer” 14) “I'll Sing About Mine” 15) “Road Trippin'” 16) “Where's the Party” 17) “The Night Is Ours” 18) “While I'm Young” 19) “Drinkin' My Baby Goodbye” (Charlie Daniels cover) 20) “She's Like Texas” 21) “Until My Voice Goes Out” 22) “Oh, Tonight” Encore 23) “Touch” (Solo acoustic) 24) “Amnesia”
#Josh Abbott Band#Josh Abbott Band 2018#Josh Abbott Band Dallas#Josh Abbott Band The Music Enthusiast#Josh Abbott Band Review#Josh Abbott Band Live Review#Josh Abbott Band Show Review#Josh Abbott Band Concert Review#The Music Enthusiast#2018#Dallas#Texas#DFW#Rockwall#Rockwall Founder's Day#Rockwall Founder's Day 2018#Dallas Music Blog#Texas Music Blog#Josh Abbott#Preston Wait#Eddie Villanueva#James Hertless#Caleb Keeter#Austin Davis#David Fralin#Music Enthusiast#Review#Concert Review#Live Music#Texas Country
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In the Spotlight: 50 Bands You Need to Hear in 2018
Last year we brought back, and re-branded, one of my favorite features from the AbsolutePunk days: the “Absolute 100.” And as we enter May and the weather finally starts to turn around a little bit, it’s the perfect time to once again team up with our contributors to bring you a whole bunch of new music to check out. Just like years past we’ve compiled a list of 50 artists we think are worth your time. Some of the artists recently released their debut albums and some have been around for a while now but have flown under the radar. However, the one thing they all have in common is that we think they should be in the spotlight and are worthy of your ears. You’ll find the first group of 25, along with blurbs, recommended songs, and sounds like comparisons, below. Liis by Anna Acosta Up-and-coming dark-pop duo Liis may have started with busking and acoustic coffee shops, but the end creation between dual vocalist/guitarists Lisa Haagen and Dana Cargioli is anything but simplistic – or even acoustic. The independent release duo’s debut EP Put It On; Show It Off (to be released May 12, 2018) is a beautiful tapestry of haunting melodies and wistful, starkly honest lyrics that manage to never once lose their poetic feel. Sleep on this group at your own risk – they’ve got nowhere to go but up. Recommended Track: “Thief” RIYL: Daughter, Julien Baker, Lydia Florrie by Jason Tate I can’t think of a single artist I’m more excited to finally get a full-length album from than Florrie. She’s released a variety of EPs and single songs since around 2010, with the last coming a couple years ago. However, it looks like this is the year we’re getting more music and that rockets my anticipation up to a whole new level. Florrie’s music takes a few different forms but it’s almost always catchy and perfect for a summer day. I see sparks of Charlie XCX, Little Boots, and even a little Carly Rae Jepsen in there, but it’s the energy and creative diversity in her work that makes me think she has something really special in her. Recommended Track: “Real Love” RIYL: Little Boots, Dragonette, Foxes Ruston Kelly by Craig Manning Ruston Kelly is probably best known at this moment-in-time as Kacey Musgraves’ husband. 2018 feels destined to be Kelly’s year, though, so don’t be surprised if you’re reading a lot about him by December. Kelly has already racked up songwriting credits for country artists like Tim McGraw and Josh Abbott Band, and he recently scored some rock ‘n’ roll cred by opening for Brian Fallon on the Sleepwalkers tour. The time is ripe for Kelly to release his proper debut album, which should be out later this year on his new label, Rounder Records. Expect the album to build upon the foundations Kelly established on 2016’s Halloween, a stellar EP that sounded like a lost document from Ryan Adams’ ultra-prolific mid-2000s period. Just like Adams, Kelly is the kind of artist that could comfortably be classified as country, rock, or folk. In other words, he’s got the kind of universal appeal that not a lot of his Nashville contemporaries can’t match. That factor should set him up for big success whenever his new record does hit the streets. Recommended Track: “Black Magic” RIYL: Ryan Adams, Brian Fallon, Afraid of Ghosts-era Butch Walker Cecil Frena by Mary Varvaris A few months ago, I stumbled upon my favorite song of 2018 so far. That song is called “All Of My Heroes”, from the stunning, eclectic album The Gridlock by Edmonton artist Cecil Frena (previously known under the monikers Gobble Gobble and Born Gold). “All Of My Heroes” is the ultimate pop-rock song – it’s anthemic, and Frena utilizes cool distorted guitar, synths, and most importantly: his fantastic voice. Throughout The Gridlock’s 43 minutes, Cecil Frena never takes himself too seriously. There’s a distinct element of dark humor framing self-deprecating lyrics, but the melodies mostly remain upbeat. There’s a range of styles on display throughout this album, it’s almost too difficult to keep up. Take the raucous punk track “Unknow Yourself” where Frena is furious, and his words are scathing. Later, there’s the tongue-in-cheek “I Believe In Dancing”. “I Believe In Dancing” is the only acoustic-led track on The Gridlock, and it’s gorgeous and fantastic. Then, see him try balladry with the lovely piano-led “Hyphen”. But, The Gridlock doesn’t end on an optimistic note. Album closer “Human Math” is a dynamic, shattering song to end the record with. “Human Math” begins so gently, with quiet and mournful keys, and Frena’s hushed vocals before an urgent climax brought by intense, rollicking guitars; which complement crushing words that deal with an impending personal loss (“and it’s not your fault the coffin waits”). Cecil Frena doesn’t take the easy way out, and isn’t afraid to make music that asks questions without answers or happy endings. It’s real. It’s human. It’s also one of the coolest albums I’ve heard in a long time. The Gridlock might be the best, but also the most overlooked album by the end of the year. I desperately hope this isn’t the case, because Cecil Frena can and should be one of the biggest stars in indie rock. Recommended Track: “All Of My Heroes” RIYL: Born Gold, Quiet Friend, Long Neck The Penske File by Jason Tate Over the past few years my ears haven’t been as perked up by the gravely voiced singer over loud guitars thing. Yet, I find there to be something captivating by The Penske File’s recently released album, Salvation. It’s not really that they’re doing anything new, but their spin on this sound calls to me anyway. There’s some really good stuff in here. Recommended Track: “Spin My History” RIYL: Spanish Love Songs, Youth Decay, Red City Radio No Thank You by Drew Beringer Philly is the scene that just keeps on giving. The latest and greatest to emerge from the City of Brotherly Love is the incredible trio No Thank You. While the band’s debut Jump Ship was a solid albeit brief introduction to their brand of emo-tinged rock and roll, 2018’s All It Takes To Ruin It All is one of the genre’s better sophomore releases in recent memory. The record ultimately revolves around the passing of singer Kaytee Della Monica’s father and how she’s navigating through this loss. The band sounds more confident on record two – ping-ponging sonically from the likes of Rilo Kiley to The Get Up Kids – while Della Monica struggles to find the balance within the freshly introduced pain and grief into her world. All It Takes To Ruin It All is a brisk yet heavy record that’ll wring your emotions through the gauntlet, cementing No Thank You as one of the bands you absolutely cannot miss out on in 2018. Recommended Track: “New England Patriots” SeeYouSpaceCowboy by Zac Djamoos You could listen to SeeYouSpaceCowboy’s entire fifteen-song discography in just about as many minutes, and it’ll still be the fifteen most exhilarating minutes of your day. The band features members of screamo and grindcore heavyweights Flowers Taped to Pens and Letters to Catalonia, and it shows. Their grindy Fashion Statements of the Socially Aware EP is some of the most punishing metalcore I’ve heard in a long time – I fell out with metalcore years ago when Risecore became the dominant style. But if there’s any band I believe can revitalize the genre, it’s SeeYouSpaceCowboy. Recommended Track: “Jimmy Buffet Doesn’t Even Surf” RIYL: Daughters, Blood Brothers, Botch Caroline Rose by Aaron Mook Caroline Rose is the kind of eclectic songwriter that only comes along once or twice a year, and Loner is the unexpected debut that very well may end up on everyone’s EOTY lists. Her personality is on full display in her music, which hops from genre to genre over the span of a mere 11 tracks and 34 minutes. One moment, she’s mimicking the dream-like textures of Beach House and the next, she’s recreating Haim’s vintage vocal melodies – sometimes, all within the same song (“Getting To Me”). From the Phoenix-inspired synth-pop of “Jeannie Becomes a Mom” to the Modest Mouse guitar work of “To Die Today,” Loner is irresistible, that rare record that truly has something for everyone. In her own words, she’s got soul. Recommended Track: “To Die Today” Mammoth Grinder by Jake Jenkins When multi-instrumentalist Chris Ulsh isn’t busy behind the kit with modern day thrash metal titans Power Trip, he’s taking the helm in Mammoth Grinder, an old school death metal band that also features members of Iron Reagan. Like Power Trip, Mammoth Grinder’s particular brand of metal pulses with hints of hardcore punk, staying true to the raw and primal roots of the genre. On their latest full length, this year’s Cosmic Crypt, Ulsh has moved from guitars to bass, but the band’s guttural and intense bursts of death metal are still fully intact. Clocking in at just under half an hour, Cosmic Crypt is a quick, brutal assault that should please both new school and old school fans of death metal. Recommended Track: “Blazing Burst” RIYL: Power Trip, Genocide Pact Paperwhite by Jason Tate I’ve been a sucker for groovy-synthy pop-music over the past few years and Paperwhite have that in spades. So far this Brooklyn duo have released a couple EPs and a few singles and should have a new EP out later this year. Their pulsating tracks sparkle behind Katie Marshall’s vocals and they have an undeniable ability to shine in the uptempo and somber dream-pop. Recommended Track: “Unstoppable” RIYL: Great Good Fine OK, Say Lou Lou, Ryn Weaver Holy Fawn by Trevor Graham Holy Fawn may have emerged from the desert, but their brand of spacey post rock is nothing short of otherworldly. Crafting dreamy, oceanic atmospheres with each track, this Arizona-based quartet blends influences from the finest in experimental rock and shoegaze with an undeniably palpable energy that’ll leave you emotionally winded. 2015 saw the release of their debut EP, REALMS — a vehicle for introducing their broad dynamic range, deliberately set to satisfy head-trippers and head-bangers alike. Their visceral knack for layering sound shines brightly through a familiar formula that Holy Fawn have mastered the art of frequently concocting: start quiet, then get loud. Like, really, really, tremendously loud. I hate to use the word “epic” here, but… this band brings the capital E. Amidst their stormlike compositions, vocalist Ryan Osterman pours velvet falsetto whispers, hushed and reverberated just enough to somehow both stand out and blend in at once. Their latest single, “Arrows”, features a dizzying array of shimmering, cavernous guitar loops, eventually delivering the listener to the group’s fiercest display of cacophony yet. It comes from their forthcoming Whelmed Records debut, which the band aims to release in late 2018. Recommended Track: “Arrows” RIYL: Gates, O’Brother, Sigur Ros American Aquarium by Craig Manning In the Americana world, American Aquarium tends to be a pretty well-known and well-respected enterprise. If you don’t venture down that musical avenue much, though, then I’d wager you’ve never heard of these boys from North Carolina. Ever since 2006, this band has been quietly cultivating one of the most solid discographies in roots music. In 2012, they brought in Jason Isbell to produce their LP Burn. Flicker. Die., a record they intended to be their swansong. Six years later, they’re still trucking—though frontman BJ Barham recently had to reboot the band with new players. No matter: the band’s newest record—the forthcoming Things Change—is arguably their most fully realized to date. Starting with a song about the day Trump got elected president (the fittingly titled “The World Is on Fire”), Things Change is in turns political and deeply personal. The wistful “When We Were Younger Men,” for instance, charts the pains of growing up and the fluctuations of friendships to the sound of Tom Petty hits. The record as a whole is a reminder of what makes these guys special: they can be introspective, incendiary, personal, or political. Recommended Track: “The World Is on Fire” RIYL: Drive-By Truckers, Whiskeytown, Jason Isbell Pale Houses by Deanna Chapman The latest music from Pale Houses landed in my inbox and in typical fashion, it took me a while to get to it. Once I did, though, I was thoroughly impressed with the band’s sound. If you’re looking for new indie pop to listen to, these are your guys. Song of the Isolation is their new EP and all six songs keep you engaged with the music. I’ll be keeping an eye on this band going forward because they’re one of the pleasant surprises of 2018 for me. Recommended Track: “Tenderfoot” RIYL: Death Cab For Cutie, Bon Iver, Bleachers Wild Pink by Drew Beringer It’s only been a little over a year since Wild Pink released their criminally underrated Tiny Engines self-titled debut but that didn’t stop the New York City trio from expanding their introspective yet sensitive indie-rock sound on their upcoming second album, Yolk In The Fur, this July. The first single, “Lake Eerie,” leans even further into the spacious soundscapes created by lead person John Ross. Clocking in just over five minutes, it’s just a taste of the leap the band has made from album one into their sophomore effort. Let’s just all promise each other that Wild Pink dominates our speakers all summer into the fall. Recommended Track: “Lake Eerie” Spielbergs by Jason Tate Spielbergs released their debut EP, Distant Star, last week (April 27, 2018) and it is full of sing-a-long choruses that just beg to be shouted in sweaty nightclubs. They are a band and sound that feels almost instantly recognizable and familiar, but when performed with such gusto are still undeniably addicting. Recommended Track: “We Are All Going to Die” RIYL: The Japandroids, Latterman Nora Rothman by Anna Acosta It’s said that the simplest things in life can be the sweetest, and that ethos has never been embodied the way it is in singer-songwriter Nora Rothman. Embodied by a certain ethereal quality that’s difficult to fabricate, there is very little outside from a sweet, lilting vocal and a lightly plucked ukulele to distract from Rothman’s straightforward, heartfelt storytelling. And there’s nothing like taking one’s craft and applying it to a cause: this spring Rothman’s self-titled EP (released summer 2017) was remixed by five separate female producers (Birch, Ah-Mer-Ah-Su, QRTR, Suzi Analogue, and Libra Rising, respectively) and re-released via Electric Bird Records as a fundraising initiative for Planned Parenthood. Recommended Track: “Strange” RIYL: Phoebe Bridgers, Sufjan Stevens, Sarah McLachlan Middle Kids by Adam Grundy Middle Kids are not your average indie rock band. Typically a band with this type of following would have been expected to have played multiple shows before being noticed for a record contract. Not the case here, as this Australian 3-piece band released their first single in 2016 without having played a single show. Singer/songwriter Hannah Joy found limited success by self-releasing songs via Bandcamp, but she finally got her big break when Elton John endorsed Middle Kids. Their music can be best described as upbeat, classic sounding, pop-rock built for audiences as close knit as the club scene yet polished enough for arenas. Check out their debut LP Lost Friends on May 4th via Domino Records. Recommended Track: “Mistake” RIYL: Fleetwood Mac, Smallpools, Gang of Youths Hop Along by Mary Varvaris Hop Along is an American indie rock band from Philadelphia, PA. Their latest album Bark Your Head Off, Dog can be effectively summed up in its album opener “How Simple”. When I watch the music video, I’m unsure if Frances Quinlan is poking fun at herself while reflecting on the unpleasant things about falling in love: “how simple my heart can be frightens me” or if she mourns for relationships that don’t end up working: “don’t worry, we will both find out / just not together”. Quinlan’s lyrics are straightforward in their honesty here, but elsewhere, her lyrics fall in the abstract with religious imagery and references to World War I (see: “One That Suits Me”). Frances Quinlan’s voice is indescribable. She howls, croons, screams, and yelps, her voice cracks – she gives everything when she sings. Bark Your Head Off, Dog is full of wacky, memorable instrumentation – “Somewhere A Judge” is groovy, and Quinlan briefly uses a vocoder towards the end of the song. “The Fox In Motion” is full of unforgettable indie rock riffs. “Prior Things” is lead by optimistic, beautiful strings. There’s a harp and strings in the outstanding “Not Abel”. “Not Abel” starts as a fascinating little folk ballad, combining gentle picking on the acoustic guitar with a harp. “Not Abel” feels like a revelation. Quinlan references the story of Cain and Abel, and for the last minute and 36 seconds, “Not Abel” becomes an anthem. Before then, though, she channels her anger at the men who affected her self worth and confidence, contemplating how it’s “strange to be shaped by such strange men”. Bark Your Head Off, Dog is a refined and cohesive effort, taking all the elements of Hop Along’s previous album Painted Shut, and expands on them. Hop Along give every song room to breathe, and develop a warm, spacious atmosphere. The instrumentation is creative and experimental. Bark Your Head Off, Dog will end up being one of the best, most ambitious indie rock albums of the year. Recommended Track “How Simple” RIYL: Modest Mouse, Joanna Newsom Soccer Mommy by Jason Tate You can choose to get caught up on the band name if you want, but if you do, you’ll be missing out on one of the more exciting voices in music right now. Soccer Mommy is the brainchild of Sophie Allison and her latest studio album, Clean, was released earlier this year. The music has a breezy angst to it that walks between this folksy-grunge sound and soft acoustic ballads. It seems perfectly tailored to be performed in a bedroom alone, sung to a few empty beer cans and tired eyes, or belted on stage to a room that will soon be learning every word. Recommended Track: “Your Dog” RIYL: Alvvays, Anna Burch, Liz Phair Travis Meadows by Craig Manning Invoking the spirit of the great Bruce Springsteen has become an increasingly trendy thing for songwriters to do in the past decade. In songs by The Gaslight Anthem, Titus Andronicus, Eric Church, and more, Bruce has been elevated to the status of rock ‘n’ roll’s patron saint. Still, there might not be a song that captures what it’s like to hear a Springsteen song in the car on a weekend summer night better than “Pray for Jungleland.” The song, a core cut from Travis Meadows’ 2017 album First Cigarette, is a wistful look back at the days before iPods or Spotify (or car CD players, for that matter) where your only option was to wait around to hear your favorite song on the radio. Meadows takes that idea and turns it into a song that feels as alive and full of possibility as any summer evening you’ve ever witnessed. Elsewhere on the record, he takes you to the deepest depths of human regret and hopelessness, purging his own struggles with alcoholism in songs that hurt like bruises. Suffice to say there’s a lot of darkness in Meadows’ music. Songs like “Sideways” and “First Cigarette” feel like they exist on a brink, one step away from giving up or giving in. But it’s songs like “Pray for Jungleland” or “Pontiac” that make First Cigarette a masterpiece, because they shine a light through the darkness and make it shine. Recommended Track: “Pray for Jungleland” RIYL: Bruce Springsteen, Tom Waits, Eric Church We Were Sharks by Adam Grundy Victory Records’ latest prized possession is We Were Sharks, whose crunchy guitar riffs and New Found Glory-esque pop hooks have certainly gained listeners’ attention. This 6-piece post hardcore band from Ottawa, Canada are poised for a big 2018 with the release of Lost Touch (February 23, 2018), which happens to be their second album, and was produced by Silverstein guitarist, Paul Marc Rousseau. Recommended Track: “Hotel Beds” RIYL: A Day To Remember, Silverstein, Four Year Strong Author by Trevor Graham These Minnesota natives released a debut full length in 2015 that straight up stole my heart. Channelling the wintery ambience of indie darlings like Copeland, Of Brighter Days was the sound of a band exerting themselves on all fronts. The sense of melody, rhythm, instrumentation, lyricism — it was all there. Three years later, the band has released their new album, IIFOIIC — an acronym for the enthralling title track, “Is It Far Or Is It Close?”. The song, like many others in their discography, features haunting falsettos and soaring harmonies, glitchy electronic flourishes, trippy delayed guitar leads, and a powerhouse rhythm section. Their ability to bounce energy off of one another is unmatched in this scene, as they work like tiny parts of a well-oiled machine to push each other to the next level. At other points in the record, Author kick up the tempo to show off some of their most kaleidoscopic arrangements to date (looking at you, “Want”), where you may have trouble deciding whether to air drum or air guitar. Pro-tip: you’ll have time for the one you didn’t pick when you hit replay — you’ll want to hear that vocal hook again anyway. This is most certainly music made to soundtrack the leaves changing color, but don’t let that allow you to sleep on this fantastic band. Recommended Track: “Is It Far or Is It Close” RIYL: Copeland, From Indian Lakes, Valise, Mutemath The Night Game by Jason Tate Martin Johnson is an annoying good songwriter. Look, you can have your qualms with Boys Like Girls, but there’s no denying the earworms this asshole can write. His latest project has only released a handful of songs, but already they’ve run the gamut from 80’s nostalgia (“The Outfield”) to destined for pop radio (“Bad Girls Don’t Cry”). It’s nice to see Martin flex his songwriting chops and as he aims for a summer release with this project, I wouldn’t be surprised to see him once again with songs on the tips of everyone’s tongue. Recommended Track: “The Outfield” RIYL: The 1975, LANY I Don’t Know How but They Found Me by Adam Grundy This dynamic duo is comprised of ex-Panic! at the Disco bassist, Dallon Weekes and ex-Falling in Reverse drummer Ryan Seaman. These recent “cast offs” shouldn’t be written off yet as they plan to release an album filled with synth pop reminiscent of the 80’s. Recommended Track: “Choke” RIYL: Tears For Fears, Elvis Costello, Orgy Caitlyn Smith by Craig Manning If there were any justice, Caitlyn Smith would be the biggest star in modern country music. I don’t care whether you listen to country music or not: Smith’s debut album, this year’s Starfire, will knock you on your ass. The first time I heard her sing, it reminded me of the first time I heard Chris Stapleton. They both have these big, epic voices—voices so good you can’t believe they stayed secret for so long. It’s the kind of voice that can send shivers down your spine with a climactic key change (“Tacoma”) or leave your jaw on the floor with a theatrical torch song (“East Side Restaurant”). But Caitlyn Smith isn’t just The Voice-style good. On the contrary, she’s also a dynamite writer, someone who can silence a room with the sharpness of her pen just as much as she can with the hugeness of her voice. On “Scenes from a Corner Booth at Closing Time on a Tuesday,” she turns vignettes about nameless characters into a tongue-in-cheek treatise on modern loneliness, and on “This Town Is Killing Me,” she poignantly illustrates just how much it costs to chase a dream. If you listen to my recommendation once ever, make it this one. Recommended Track: “Tacoma” RIYL: Chris Stapleton, Maren Morris, Taylor Swift Part Two will be released tomorrow and a playlist of all the recommended songs will be coming on Friday. If you missed it last year, you can check out 2017’s feature here. --- Please consider supporting us so we can keep bringing you stories like this one. ◎ https://chorus.fm/features/in-the-spotlight-50-bands-you-need-to-hear-in-2018-part-one/
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Tagged by: @emilyprentisss
Rules: Answer these 85 statements about yourself, then tag 20 people.
Tagging: Pretty much anyone who hasn’t been tagged.
last
1. drink - Mikes Hard Passionfruit Cranberry Lemonade
2. phone call - Chelsea
3. text message - Lindsay
4. song you listened to - Amnesia - Josh Abbott Band
5. time you cried - Last Wednesday during Criminal Minds
6. dated someone twice - yep
7. kissed someone and regretted it - yep
8. been cheated on - yep
9. lost someone special - yes
10. been depressed - yep
11. gotten drunk and thrown up - yep
fave colours
12. Grey
13. Indigo
14. Cerulean Blue
the last year have you…
15. made new friends - yep
16. fallen out of love - nope
17. laughed until you cried - yep
18. found out someone was talking about you - no, I don’t think so
19. met someone who changed you - nah
20. found out who your friends are - yes
21. kissed someone on your facebook friends list - Not in 2018, no
general
22. how many of your facebook friends do you know irl - The majority of them
23. do you have any pets - three cats
24. do you want to change your name - been there, done that
25. what did you do for your last birthday - got drunk with the work squad
26. what time did you wake up today - 6:15am
27. what were you doing at midnight last night - reading fanfiction while I should’ve been sleeping
28. what is something you can’t wait for - Jemily Week! And to go to Texas to visit my best friend
30. what are you listening to right now - Mercy - Eliot Bronson
31. have you ever talked to a person named tom - yeah
32. something that’s getting on your nerves - wor
33. most visited website - Tumblr
34. hair colour - red
35. long or short hair - short
36. do you have a crush on someone - Yep
37. what do you like about yourself - My voice
38. want any piercings? - I have my ears stretched to 0g. Idk if I want anything else
39. blood type - A+
40. nicknames - Spence, Spency, Spencefry, S
41. relationship status- singe
42. zodiac - Leo
43. pronouns - he/him
44. fave tv shows - Criminal Minds, Grey’s Anatomy, Wentworth, OUAT, OITNB, Rizzoli and Isles, Law and Order: SVU
45. tattoos - I have 15 and I need more. I’m seriously considering a fandom sleeve.
46. right or left handed - left-handed
47. ever had surgery - nope
48. piercings - Stretched ears
49. sport - My fav sport is either soccer or baseball. I used to play softball tho
50. vacation - I love NYC with a passion and wanna go back so bad but right now I’m focusing on my vacation to Texas in April
51. trainers - no
more general
52. eating - Chips and queso
53. drinking - Now it’s Mikes Hard Blackberry Pear Lemonade
54. i’m about to watch - Criminal Minds if I don’t work on my fic
55. waiting for - Jemily Week to start
56. want - to go to Texas
57. get married - possibly
58. career - Right now I’m in retail hell but I’m going to school for Criminal Justice and Psychology and I wanna work for the FBI
which is better
59. hugs or kisses - Both?
60. lips or eyes - eyes
61. shorter or taller - shorter
62. older or younger - doesn’t matter unless there’s a 5/6+ year gap
63. nice arms or stomach - arms
64. hookup or relationship - Neither? Both?
65. troublemaker or hesitant - Definitely both
have you ever
66. kissed a stranger - yep
67. drank hard liquor - yep
68. lost glasses - all the time
69. turned someone down - yeah
70. sex on the first date - yes
71. broken someone’s heart - yes
72. had your heart broken - yes
73. been arrested - no
74. cried when someone died - yes
75. fallen for a friend - yes
do you believe in
76. yourself - it doesn’t happen often
77. miracles - no
78. love at first sight - no
79. santa claus - until I was 8
80. kiss on a first date - yep
81. angels - no
other
82. best friend’s name - Rico, Chrisla, Chelsea
83. eye colour - blue/green
84. fave movie - Nightmare Before Christmas
85. fave actor - A.J. Cook, Paget Brewster, Matthew Gray Gubler, Alan Rickman, Sasha Alexander, Nicole da Silva, Danielle Cormack, Robbie Magasiva, Jason Momoa, Robert Downey Jr., Kirsten Vangsness, Joe Mantegna
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New Post has been published on https://techcrunchapp.com/reps-singers-kacey-musgraves-ruston-kelly-file-for-divorce-the-associated-press/
Reps: Singers Kacey Musgraves, Ruston Kelly file for divorce - The Associated Press
NEW YORK (AP) — Grammy-winning singer Kacey Musgraves and her musician-husband, Ruston Kelly, have filed for divorce.
Representatives for both singers confirmed the news Friday to The Associated Press. In a joint statement, Musgraves and Kelly said “we’ve made this painful decision together.”
“With heavy but hopeful hearts we wanted to put our own thoughts into the air about what’s happening. These kinds of announcements are always met with scrutiny and speculation and we want to stop that before it even starts. We believe that we were put into each other’s lives for a divine reason and have both changed each other infinitely for the better. The love we have for each other goes far beyond the relationship we’ve shared as husband and wife. It’s a soul connection that can never be erased,” the emailed statement read.
“We’ve made this painful decision together — a healthy decision that comes after a very long period of trying the best we can. It simply just didn’t work. Though we are parting ways in marriage, we will remain true friends for the rest of our lives. We hold no blame, anger, or contempt for each other and we ask for privacy and positive wishes for us both as we learn how to navigate through this,” the statement continued.
Musgraves and Kelly, both 31, were married in 2017.
Musgraves has been a success since releasing her major-label debut album, “Same Trailer Different Park,” in 2013. It won her the best country album Grammy and one of its singles, “Merry Go ’Round,” won best country song. At the 2019 Grammys, the superstar’s critically acclaimed pop-leaning country album, “Golden Hour,” won all four awards it was nominated for, including the coveted top prize, album of the year.
At the show, she thanked Kelly in her acceptance speech: “I really believe I wouldn’t have this album if I hadn’t met you and you didn’t open my heart like you did, so thank you so much.”
Musgraves and Kelly have worked together musically. In 2018 they appeared on the song “To June This Morning” from the album “Johnny Cash: Forever Words,” a compilation project created from Cash’s unknown poetry, lyrics and letters set to music. Musgraves also sang background vocals on Kelly’s 2018 full-length debut album, “Dying Star.”
Kelly will release a new album, “Shape & Destroy,” on Aug. 28, and it will include background vocals by Musgraves. Kelly’s father and sister are also featured on the album.
Kelly has also written songs for other artists, including Tim McGraw, Hayes Carll, Lucie Silvas and Josh Abbott Band. Musgraves co-wrote Miranda Lambert’s 2013 country hit, “Mama’s Broken Heart,” earning herself a Grammy nomination as a songwriter.
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Bud Light Celebrates its Texan Roots
Josh Abbott Band and Siggno Partners with Bud Light to Honour 30 Plus Years of Brewing in the Lonestar US State
Bud Light, a light lager brand, announced a new campaign aimed at going big in Texas in 2018 with multifaceted programming across the state. After launching a successful regional programme in 2017, the brand will take its “Brewed Deep in the Heart” campaign to the next level with an ongoing music partnership with Texas-native musicians Siggno and Josh Abbott Band.
The creative campaign, which encompasses TV, digital, and radio commercials in both English and Spanish, will be featured along with special edition Texas packaging featuring the Texas Lonestar and a cutout of the state on the tab.
A new Texas-specific commercial (seen above) featuring Houston Brewery employee Hannah Kight, “Stamping Iron”, debuted on 12 February; Other TV creatives will be launched later in 2018. Additionally, the Texan-pride tabs will feature a cutout of the state on all Texas-edition packaging.
“We have been brewing Bud Light in Texas for over 30 years, so today I am pleased to announce the new partners and creative we have lined up for 2018. Texas has always been an important market to our business, and Josh Abbott Band and Siggno are true Texas musicians and are the perfect addition to our programming in the state. We are excited to activate with them in 2018,” said Andy Goeler, Vice President, Marketing, Bud Light.
In celebration of its Texan roots, the brand enlisted the help of Josh Abbott Band to re-record the iconic Texan song, “Deep in the Heart of Texas”. The track will be performed on the multi-city Josh Abbott Band tour statewide, and will be featured in one of Bud Light’s new Texas-focused commercials.
Larger music programming in the region will fuel fan engagement, as Bud Light will be the sponsor for Josh Abbott Band ‘Brewed Deep in the Heart’ regional tour, and Siggno’s 100-show “Monster Tour” tour into spring 2018.
“We want our fans to have the best experience at all of our shows, whether singing along, having a few cold beers, or just enjoying our music with friends. When we got the news that Bud Light was going big in Texas in 2018, we were excited to join forces and knew we had to be a part of it.
“‘Deep in the Heart of Texas’ is such an iconic song that everyone knows it in the state and as proud Texans, we are thrilled to be able to record our version of it and that it will be used as part of Bud Light’s campaign,” said Josh Abbott.
“Texas is our home and our Texan fans have inspired our music for nearly 20 years. We are so honoured to be a part of Bud Light’s ‘Brewed Deep in the Heart’ campaign and look forward to seeing our fans on the road,” said Siggno, whose 100-city tour kicks off in February, sponsored by Bud Light.
The article Bud Light Celebrates its Texan Roots appeared first on World Branding Forum.
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2018-2019 RECAP
After that 2018 concert - the rest was history. I dove head first and wanted to be exposed to all and everything red dirt and country related. I did some major research and digging on some bands - and here’s my list to prove it. All of these were in the Chicago land area.
2018-
January:
Cody Johnson and Jacob Bryant
April:
Pat Green
May:
William Clark Green
July:
Windy City Smokeout
*A not so fun fact, it was 90 degrees out and after about 7 spiked sweet teas I left early and missed Turnpike Troubadours (highly disappointed in myself)
September:
Parker McCollum and Randy Rogers
*Now this concert is what I call my gateway drug into country music, everything about this concert was absolutely amazing.
October:
Dirty River Boys
Chris Lane
November:
Micky and the Motorcars
2019-
February-
Justin Moore and Cody Johnson
Casey Donahew and Josh Abbott
March-
Mike and the Moonpies and David Quinn
April-
Koe Wetzel and Kolby Cooper
*This night was wild, so wild that we all ended up at the strip club until 4am
June-
Charley Crockett
William Clark Green and Ross Cooper
July-
Windy City Smokeout
September-
Giovanni and the Hired Gun and Koe Wetzel
October-
Tom O’Connor music and Flatland Cavalry
*This was Flatlands debut Chicago show and hands down my favorite concert of 2019
Dierks Bentley
November-
Bart Crow
Josh Abbott and Erik Dylan
Parker McCollum
Randy Rogers
#cody johnson#parker mccollum#bart crow#randy rogers band#josh abbott#dirks bentley#flatland cavalry#koe wetzel#giovanni and the hired guns#william clark green#mike and the moonpies#casey donahew#micky and the motorcars#chris lane#dirty river boys#country#country music#red dirt#new music
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ZiegenBock Music Fest 2018 Concert Tickets| Gary Allan Josh Abbott Band http://dlvr.it/Ql104l
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Josh Abbott Band Celebrate “Deep in the Heart” of Texas https://t.co/8RBVoTyBnp https://t.co/FjbHPVqbSy
Josh Abbott Band Celebrate “Deep in the Heart” of Texas https://t.co/8RBVoTyBnp https://t.co/FjbHPVqbSy
— Country Music Tattle Tale (@cmtt) February 15, 2018
via Twitter https://twitter.com/cmtt February 15, 2018 at 10:38AM
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Bud Light Celebrates its Texan Roots
Josh Abbott Band and Siggno Partners with Bud Light to Honour 30 Plus Years of Brewing in the Lonestar US State
Bud Light, a light lager brand, announced a new campaign aimed at going big in Texas in 2018 with multifaceted programming across the state. After launching a successful regional programme in 2017, the brand will take its “Brewed Deep in the Heart” campaign to the next level with an ongoing music partnership with Texas-native musicians Siggno and Josh Abbott Band.
The creative campaign, which encompasses TV, digital, and radio commercials in both English and Spanish, will be featured along with special edition Texas packaging featuring the Texas Lonestar and a cutout of the state on the tab.
A new Texas-specific commercial (seen above) featuring Houston Brewery employee Hannah Kight, “Stamping Iron”, debuted on 12 February; Other TV creatives will be launched later in 2018. Additionally, the Texan-pride tabs will feature a cutout of the state on all Texas-edition packaging.
“We have been brewing Bud Light in Texas for over 30 years, so today I am pleased to announce the new partners and creative we have lined up for 2018. Texas has always been an important market to our business, and Josh Abbott Band and Siggno are true Texas musicians and are the perfect addition to our programming in the state. We are excited to activate with them in 2018,” said Andy Goeler, Vice President, Marketing, Bud Light.
In celebration of its Texan roots, the brand enlisted the help of Josh Abbott Band to re-record the iconic Texan song, “Deep in the Heart of Texas”. The track will be performed on the multi-city Josh Abbott Band tour statewide, and will be featured in one of Bud Light’s new Texas-focused commercials.
Larger music programming in the region will fuel fan engagement, as Bud Light will be the sponsor for Josh Abbott Band ‘Brewed Deep in the Heart’ regional tour, and Siggno’s 100-show “Monster Tour” tour into spring 2018.
“We want our fans to have the best experience at all of our shows, whether singing along, having a few cold beers, or just enjoying our music with friends. When we got the news that Bud Light was going big in Texas in 2018, we were excited to join forces and knew we had to be a part of it.
“‘Deep in the Heart of Texas’ is such an iconic song that everyone knows it in the state and as proud Texans, we are thrilled to be able to record our version of it and that it will be used as part of Bud Light’s campaign,” said Josh Abbott.
“Texas is our home and our Texan fans have inspired our music for nearly 20 years. We are so honoured to be a part of Bud Light’s ‘Brewed Deep in the Heart’ campaign and look forward to seeing our fans on the road,” said Siggno, whose 100-city tour kicks off in February, sponsored by Bud Light.
The article Bud Light Celebrates its Texan Roots appeared first on World Branding Forum.
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Bud Light Celebrates its Texan Roots
Josh Abbott Band and Siggno Partners with Bud Light to Honour 30 Plus Years of Brewing in the Lonestar US State
Bud Light, a light lager brand, announced a new campaign aimed at going big in Texas in 2018 with multifaceted programming across the state. After launching a successful regional programme in 2017, the brand will take its “Brewed Deep in the Heart” campaign to the next level with an ongoing music partnership with Texas-native musicians Siggno and Josh Abbott Band.
The creative campaign, which encompasses TV, digital, and radio commercials in both English and Spanish, will be featured along with special edition Texas packaging featuring the Texas Lonestar and a cutout of the state on the tab.
A new Texas-specific commercial (seen above) featuring Houston Brewery employee Hannah Kight, “Stamping Iron”, debuted on 12 February; Other TV creatives will be launched later in 2018. Additionally, the Texan-pride tabs will feature a cutout of the state on all Texas-edition packaging.
“We have been brewing Bud Light in Texas for over 30 years, so today I am pleased to announce the new partners and creative we have lined up for 2018. Texas has always been an important market to our business, and Josh Abbott Band and Siggno are true Texas musicians and are the perfect addition to our programming in the state. We are excited to activate with them in 2018,” said Andy Goeler, Vice President, Marketing, Bud Light.
In celebration of its Texan roots, the brand enlisted the help of Josh Abbott Band to re-record the iconic Texan song, “Deep in the Heart of Texas”. The track will be performed on the multi-city Josh Abbott Band tour statewide, and will be featured in one of Bud Light’s new Texas-focused commercials.
Larger music programming in the region will fuel fan engagement, as Bud Light will be the sponsor for Josh Abbott Band ‘Brewed Deep in the Heart’ regional tour, and Siggno’s 100-show “Monster Tour” tour into spring 2018.
“We want our fans to have the best experience at all of our shows, whether singing along, having a few cold beers, or just enjoying our music with friends. When we got the news that Bud Light was going big in Texas in 2018, we were excited to join forces and knew we had to be a part of it.
“‘Deep in the Heart of Texas’ is such an iconic song that everyone knows it in the state and as proud Texans, we are thrilled to be able to record our version of it and that it will be used as part of Bud Light’s campaign,” said Josh Abbott.
“Texas is our home and our Texan fans have inspired our music for nearly 20 years. We are so honoured to be a part of Bud Light’s ‘Brewed Deep in the Heart’ campaign and look forward to seeing our fans on the road,” said Siggno, whose 100-city tour kicks off in February, sponsored by Bud Light.
The article Bud Light Celebrates its Texan Roots appeared first on World Branding Forum.
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Bud Light Heads "Brewed Deep in the Heart" to Celebrate Texan Roots in New Regional Campaign
Bud Light Heads “Brewed Deep in the Heart” to Celebrate Texan Roots in New Regional Campaign
Today, Bud Light announced a new campaign aimed at going big in Texas in 2018 with multi-faceted programming across the Lonestar state. After launching a successful regional program in 2017, the brand will take its “Brewed Deep in the Heart” campaign to the next level with an ongoing music partnership with Texas-native musicians Siggno and Josh Abbott Band.
(PRNewsfoto/Bud Light)
The creative…
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Rodeo Austin Reveals 2018 Line-Up
Austin has long been affectionately dubbed the “Live Music Capital of the World” and this year’s Rodeo Austin Lineup helps the city live up to that name once again.
The fifteen-day fair and rodeo features over 100 live-music performances and features the perfect mix of traditional country acts like Dwight Yoakam, new country acts like Chris Janson, and Texas country acts like the Turnpike Troubadours. There’s something for everyone, even fans outside the country genre, as Duelo (Dia Del Vaquero), Ludacris, Young the Giant and Gladys Knight are also scheduled to headline during the two-week long event.
Rodeo Austin's 2018 ProRodeo & Concert Lineup is here! Tickets go on sale Friday, January 26th, at 10 a.m. #RodeoAustin2018 pic.twitter.com/kDJb2jiFdl
— Rodeo Austin (@rodeoaustin) January 23, 2018
On the country music front, the rodeo will kick off on March 10 with Josh Turner. Well-known Texas artist Cody Johnson follows on March 13 and “Buy Me A Boat” singer, Chris Janson, will take the stage on March 14. March 16 through March 19 are all country music all the time, featuring performances from Josh Abbott Band, Justin Moore, Tracy Lawrence, and LANCO. The fair is rounded out with performances from Lee Brice, Dwight Yoakam, the Turnpike Troubadors, and closes out with a performance from Kevin Fowler on March 24.
Rodeo and concert tickets for individual performances, Fairgrounds tickets, and BBQ Austin tickets will all be available for purchase online at RodeoAustin.com. Tickets will go on sale to the general public this Friday, January 26 at 10:00am CST. Tickets can be purchased here, or by calling (877) 987-6487. Ticket prices range from $20 - $175 each night
2018 Rodeo Austin complete lineup:
3/10 – Josh Turner 3/11 – Duelo (Dia Del Vaquero) 3/12 – Ludacris 3/13 – Cody Johnson 3/14 – Chris Janson 3/15 – Young the Giant 3/16 – Josh Abbott Band 3/17 – Justin Moore 3/18 – Tracy Lawrence 3/19 – LANCO 3/20 – Gladys Knight 3/21 – Lee Brice 3/22 – Dwight Yoakam 3/23 – Turnpike Troubadours 3/24 – Kevin Fowler
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Jennifer Connelly Height Weight Measurements
New Post has been published on http://hollywoodages.com/jennifer-connelly-height-weight-measurements/
Jennifer Connelly Height Weight Measurements
Jennifer Connelly Biography
Jennifer Lynn Connelly born December 12, 1970 is an American film performing artist who started her vocation as a kid display. She showed up in magazine, daily paper, and TV promoting, before she influenced her introduction in the 1984 wrongdoing to film Once Upon a Time in America. Connelly kept demonstrating and acting, featuring in movies, for example, the 1985 blood and guts movie Phenomena (her initially driving part), the 1986 film Labyrinth and the 1991 movies Career Opportunities and The Rocketeer. She increased basic approval for her work in the 1998 sci-fi film Dark City and for her depiction of Marion Silver in the 2000 show Requiem for a Dream. In 2002, Connelly won an Academy Award, a Golden Globe Award and a BAFTA Award for her supporting part as Alicia Nash in Ron Howard’s 2001 biopic A Beautiful Mind. Her later credits incorporate the 2003 Marvel hero film Hulk where she played Bruce Banner’s genuine romance Betty Ross, the 2005 thriller Dark Water, the 2006 show Blood Diamond, the 2008 sci-fi redo The Day the Earth Stood Still, the 2009 rom-com He’s Just Not That Into You and the 2009 true to life dramatization Creation. She re-collaborated with her Requiem for a Dream executive Darren Aronofsky and A Beautiful Mind co-star Russell Crowe for the 2014 scriptural epic Noah. Connelly was named Amnesty International Ambassador for Human Rights Education in 2005. She has been the substance of Balenciaga mold promotions, and for Revlon beautifying agents. In 2012, she was named the primary worldwide face of the Shiseido Company. Magazines including Time, Vanity Fair and Esquire, and also the Los Angeles Times daily paper have incorporated her on their arrangements of the world’s most lovely ladies. Connelly was conceived in Cairo, New York, in the Catskill Mountains. She is the little girl of Ilene, a collectibles merchant, and Gerard Karl Connelly (1941– 2008), an apparel maker. Her dad was Roman Catholic, and of Irish and Norwegian plunge. Connelly’s mom was Jewish, and was instructed at a yeshiva; the majority of Connelly’s mom’s grandparents were Jewish travelers from Poland and Russia. Connelly was brought essentially up in Brooklyn Heights, close to the Brooklyn Bridge, where she went to Saint Ann’s, a tuition based school having some expertise in the Arts. Her dad experienced asthma, so the family moved to Woodstock, New York, in 1976 to get away from the city exhaust cloud. After four years, the family came back to Brooklyn Heights, and Connelly came back to Saint Ann’s. While shooting The Rocketeer, she started a sentiment with co-star Billy Campbell. They were included for a long time before they separated in 1996. Connelly then had an association with picture taker David Dugan, with whom she had a child, Kai, conceived in 1997. On January 1, 2003, in a private family service in Scotland she wedded on-screen character Paul Bettany, whom she had met while taking a shot at A Beautiful Mind. The couple’s first tyke Stellan was conceived on August 5 that year. She brought forth her third youngster, Agnes, on May 31, 2011, in New York City. On November 14, 2005, Connelly was named Amnesty International Ambassador for Human Rights Education. She showed up in a commercial featuring the worldwide requirement for clean water, and looked for gifts for African, Indian, and Central American penetrating undertakings for the non-benefit association Charity: Water. On May 2, 2009, she took an interest in Revlon’s yearly 5k Run/Walk for Women. In May 2012, Connelly was named envoy for Save the Children subsidize, to advocate for kids’ rights in the United States and around the world. Distributions, for example, Vanity Fair, Esquire, and the Los Angeles Times have positioned her among the most delightful ladies on the planet. See Jennifer Connelly Height Weight, Eye Color, Hair Color and more Below.
Jennifer Connelly Personal Info.
Full Name: Jennifer Lynn Connelly
Nick Name: Jenny C
Family Members: Gerard Connelly (Father) Ilene (Antiques (Mother)
Education: She went to a private expressions based school, Saint Ann’s in New York City. Later from 1988 to 1989, she went to Yale University in Connecticut to examine English. Soon after two years, she exchanged herself to Stanford University in Stanford, California to ponder show in 1990. She cleared out the school in that year just to concentrate more on her movie profession.
Date of Birth: 12th December, 1970
Birthplace: Cairo, New York
Zodiac Sign: Sagittarius
Religion: Agnostic
Ethnicity: White
Nationality: American
Profession: Actress, Model, Voice Actor
Measurements: 34-23-33 in or 87-58.5-84 cm
Bra Size: 32C
Height: 5′ 7″ (170 cm)
Weight: 126lbs (57 kg)
Eye Color: Green
Hair Color: Dark Brown
Dress Size: 2
Shoe Size: 8
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Boyfriend/Dating History: Don Johnson (1989) – Subsequent to meeting on the arrangement of 1990 motion picture The Hot Spot, the performer was RUMORed to have had a throw with on-screen character Don Johnson in 1989. Dweezil Zappa (1990) – Jennifer dated shake guitarist, Dweezil Zappa for a brief span in 1990. They began dating in July 1990 and isolated later in that year. Billy Campbell (1990-1995) – The Rocketeer co-stars Billy Campbell and Jennifer Connelly dated from 1990 to 1995, ON and OFF. They were additionally drawn in amid this period however didn’t wed. She was minimal more cautious about the marriage in the wake of seeing her own particular guardians’ separation. Billy Crudup (1996) – In 1996, Inventing the Abbotts co-stars, Billy Crudup and Jennifer Connelly dated in the year 1996. They were having a solid sexual relationship in the film. David Dugan (1996-1997) – Not long after in the wake of part with Billy, she met a picture taker David Dugan in 1996 amid a stone climbing campaign. They began dating and soon she wound up noticeably pregnant with David’s youngster. She brought forth their first tyke on July 10, 1997, named Kai. The couple isolated in 1997, soon after that time. Kai remains with her mother and goes to see his dad on ends of the week. Josh Charles (1999-2002) – From 1999 to 2002, the performers Josh and Jennifer dated. They isolated just before Oscars 2002 after she won a honor for “Supporting Actress.” It was said that Josh couldn’t deal with her prosperity and was annoyed by the sentiment bits of gossip between Jennifer Connelly and Russell Crowe. Consequently, he exited her. Russell Crowe (2002) – New Zealand performer Russell Crowe and Jennifer had a toss in 2002. The stars were seen nestling amid Critics Choice Awards in that year. Paul Bettany (2002-Present) – In April 2002, Jennifer Connelly began dating English performing artist Paul Bettany in the wake of meeting him on the arrangement of A Beautiful Mind. She at long last chose to wed him, and the service occurred on January 1, 2003 in Scotland. Jennifer brought forth the couple’s first kid, Stellan (named after on-screen character companion Stellan Skarsgård) on August 5, 2003. The couple’s second tyke (and Jennifer’s third kid), Agnes Lark was conceived on May 31, 2011 in New York City.
Known For: A Beautiful Mind; Labyrinth
Active Year: 1981 (present)
Friend: Liv Tyler, Salma Hayek, Renee Zellweger, Julianne Moore
Favorite People: Evel Knievel
Favorite Bands: Nick Cave, Vampire Weekend, The Arctic Monkeys, Cat Power
Favorite Songs: A Case of You (Joni Mitchell)
Favorite Books: Mrs. Dalloway (Virginia Woolf), The Lorax (Dr. Seuss), Ulysses (James Joyce)
Favorite Places: Vermont, USA, Italy, Nyc
Favorite Foods: Pink lady apples, Sushi, Red Wine
Facebook
Instagram
Year Title 1984 Once Upon a Time in America 1985 Phenomena 1985 Seven Minutes in Heaven 1986 Labyrinth 1988 Some Girls 1989 Étoile (Ballet) 1990 The Hot Spot 1991 Career Opportunities 1991 The Rocketeer 1994 Of Love and Shadows 1995 Higher Learning 1996 Mulholland Falls 1996 Far Harbor 1997 Inventing the Abbotts 1998 Dark City 2000 Waking the Dead 2000 Pollock 2000 Requiem for a Dream 2001 A Beautiful Mind 2003 Hulk 2003 House of Sand and Fog 2005 Dark Water 2006 Little Children 2006 Blood Diamond 2007 Reservation Road 2008 The Day the Earth Stood Still 2009 He’s Just Not That Into You 2009 Inkheart 2009 9 2009 Creation 2010 Virginia 2011 The Dilemma 2011 Salvation Boulevard 2012 Stuck in Love 2013 The Trials of Muhammad Ali 2014 Winter’s Tale 2014 Aloft 2014 Noah 2014 Shelter 2016 American Pastoral 2017 Spider-Man: Homecoming 2017 Only the Brave 2018 Alita: Battle Angel
Television
Year Title 1982 Tales of the Unexpected 1992 The Heart of Justice 1995 Out There 2000 The $treet 2018 Snowpiercer
See Also: Cameron Diaz Body Measurements
Search Terms: Jennifer Connelly Height Weight
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Kate Winslet and director James Cameron have reunited with each other for the forthcoming Avatar sequels, some 20 years after they worked on his box office smash Titanic together. .................................................................................................. [HOT] Hugh Hefner's widow left out of will : ♫ https://youtu.be/aceQVFJIz90 [HOT] Josh Abbott Band Guitarist Talks Gun Control After Las Vegas Shooting : ♫ https://youtu.be/wVAeI6RSLjE [HOT] Indianapolis Colts Vs. Seattle Seahawks Live Stream: Watch The NFL Game Online : ♫ https://youtu.be/3IQG2B-hXDw [HOT] The best games of EGX 2017 - Reader's Feature : ♫ https://youtu.be/L_cKAHi7nOI [HOT] Stage five clinger Jarrod Woodgate plotted to poison the competition : ♫ https://youtu.be/DDlhm9Fgty4 .................................................................................................. SUBSCRIBE: https://goo.gl/Gd5aaC FACEBOOK: https://goo.gl/ybp8jQ TWITTER: https://goo.gl/o24hEF ✖ Follow GOO Daily News channel(SUBSCRIBE) to look for that. GOO Daily News - New videos evreyday! MONDAY - SUNDAY. Thanks for watching! Background music video is allowed by FreeBackgroundMusic. Please visit their channel to view more: FreeBackgroundMusic: https://www.youtube.com/channel/UCzdbJ_mnXo5tf-4hVNgJ5Wg Thank you! .................................................................................................. ...[continued]... owing Winslet and Cameron's fractious relationship while filming Titanic and Winslet admitting that she would only work again with Cameron for 'a lot of money'. However she later told Rolling Stone that she had been misquoted. In April of this year, Cameron announced that production would begin after the films scheduled release date hadbeen pushed back three times from it's original date of 2018, due to Cameron deciding that he would be making more than one sequel due to the amount of material. His announcement came as a photo of the entire production team was posted on the film's official Facebook page to mark the beginning of filming. He wrote: 'Great to be working with the best team in the business! Avatar takes flight as we begin concurrent production on four sequels. The journey continues December 18 2020, December 17 2021, December 20 2024 and December 19, 2025.' 'We have decided to embark on a truly massive cinematic project, making four epic films, each of which stands alone but together forms a complete saga. 'I know where I'm going to be for the next eight years of my life,' he said. He also confirmed that Zoe Saldana, Sam Worthington and Sigourney Weaver will all be returning for the sequels - which Cameron had originally envisaged as being only two films. The four forthcoming Avatar films will begin on 18 December 2020, while Avatar 3 will arrive on 17 December 2021. After a short three year break, Avatar 4 will hit cinemas on 24 December 2024 and finally, Avatar 5 will conclude the series on 19 December 2025. MORE: Wonder Woman director Patty Jenkins fires back at James Cameron: 'He is not a woman' MORE: 'Jesus Christ! How fast do you run?' Robert Patrick on being T-1000 in Terminator 2: Judgement Day
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