#John Barbieri

[meadows-jukebox]

@bobdylanfanpage and I took it upon ourselves to tier-list our favorite guys based on vibes. here's mine.

BAE STYLIN: richey edwards, david sylvian, richard barbieri, gerard way, syd barrett, george harrison, dave vanian, mick taylor

I'M LOOKING: bernard butler, mick karn, frank iero, trey parker, matt stone, nick mason, robert plant, keith richards

NO COMMENT: nicky wire, brett anderson, todd rundgren, richard butler, richard wright, andrew eldritch, mick jagger

YIKES: roger waters, john lennon, leonard cohen*, jimmy page

WHAT THE ACTUAL FUCK: eric clapton, jim morrison**

*got points taken away because he's a fucking freak who wrote beautiful losers aka the worst literature experience of my life

**i hate him so much its unbearable

DISCLAIMER: I love all of these guys so much even though I am so mean to them, they are my little guys and I cherish them deeply and wholly.

[a-state-of-bliss]

Istante Fall/Wint 1989 - Zane O'Donnell & John Francis by Gianpaolo Barbieri

[jt1674]

Alto Saxophone – Jimmy Lyons Baritone Saxophone – Chris Woods Bass – Charlie Haden Bass Trombone – Jack Jeffers Clarinet – Perry Robinson Drums – Paul Motian Electric Guitar – John McLaughlin French Horn – Sharon Freeman Piano – Carla Bley Tenor Saxophone – Gato Barbieri Trombone – Roswell Rudd Trumpet – Michael Mantler Tuba – John Buckingham Voice – Linda Ronstadt Voice – Charlie Haden

[trevlad-sounds]

Wednesday 6 September Mixtape 365 “Nueva Frequencies”

Synth Electronica Wednesdays, Fridays & Sundays. Support the artists and labels. Don't forget to tip so future shows can bloom.

Sophos-Nueva vida 00:31

SW.-Untitled B1 05:15

Gidge-Fauna, Pt II 10:46

The Science Fiction Corporation-The End of the Robot 17:55

Jonathan Fitoussi-Orion 20:12

Belbury Poly-Sticks and Stones 23:37

Emeralds-Does It Look Like I'm Here? 27:03

Psyché-Hekate 32:02

John Beltran-Collage Of Dreams 36:37

Caterina Barbieri-Sufyosowirl 42:02

Luke Abbott-Modern Driveway - Mixed 47:27

Dark fidelity HiFi-soft focus 52:37

Eden Grey-Grey Rain and Silver Clouds 57:22

Norken-More Frequencies 1:01:28

[tonisemitoni]

La reideologizzazione radiofonica della nuova destra

Oggi ho ascoltato una conversazione trasmessa da Radiotre pittore piacentino Osvaldo Barbieri. Con lo pseudonimo Bot, aderì al Futurismo ed ebbe la benedizione di Filippo Tommaso Marinetti; amico di Italo Balbo, Barbieri fu attivo particolarmente durante il ventennio fascista aderendo ad esso ideologicamente e producendo opere organiche al Regime. Mentre ascoltavo la trasmissione mi è venuto in…

[artthatgivesmefeelings]

(Guercino) Giovanni Francesco Barbieri (Italian, 1591-1666) The Incredulity of Saint Thomas, 1621 National Gallery, London “Because you have seen me, you have believed; blessed are those who have not seen and yet have believed” (John 20:29).

[jgthirlwell]

2023 Year In Review

This year once again I invited some friends and colleagues to reflect on 2023

JG Thirlwell Composer Foetus Xordox Manorexia Steroid Maximus Venture Bros Archer

2023 was an intense year. The year began with the premiere of my symphony for Alarm Will Sound and ended with guesting vocalizing with Dinosaur Jr on some Stooges classics. I completed the final season of Archer. Wrote a lot of material for new Xordox and Foetus albums. Released an album of string quartets and scored a Venture Bros movie. Worked with some great singers and premiered my Ensemble project in London. I spent several months traveling and set up a small studio in Melbourne for a bit. Road tripped through NZ with my partner, Dora. I played some excellent shows in London, Colchester, Auckland, Wellington, Melbourne and Sydney. I still woke up 5am in a panic on too many occasions. And I saw some great concerts.It was difficult to whittle down this list but here are a lot of albums I enjoyed in 2023, in no particular order.

Albums

Poil Ueda Yoshitsune (Dur et Doux) Poil Ueda - Poil Ueda (Dur et Doux) Genevieve Artadi Forever Forever (Brainfeeder) Knower - Knower Forever (Brainfeeder) Ultraphauna No No No No (Dur Et Doux) Gahlmm Break A Leg (GEIGER Grammofon) Oneohtrix Point Never Again (Warp) Lankum - False Lankum (Rough Trade) Evian Christ Revanchist (Warp) Chromb Cinq (Dur et Doux) Deskartes A Kant After Destruction (Cleopatra) Gazelle Twin Then You Run (Original Score) L’Rain I Killed Your Dog (Mexican Summer) Loraine James Gentle Confrontation (Hyperdub) Royal Blood Back To The Water Below (Warner) John Luther Adams Darkness and Scattered Light (Cold Blue) Catherine Christer Hennix Solo for Tamburium (Blank Forms) Rachel Fannan Bjork Impersonations (Instagram) Regal Worm Worm! (Quatermass) Wild Up Julius Eastman Vol. 3: If You’re So Smart, Why Aren’t You Rich? (New Amsterdam) PJ Harvey I Inside the Old Year Dying (Partisan) Poppy I Disagree (Sumerian) Sparks The Girl Is Crying In Her Latte (Island) Queens Of The Stone Age In Times New Roman (Matador) Time Wharp Spiro World (Leaving) Murderpact Ultraheaven (Bandcamp) RVG Brain Worms (Our Golden Friend) HMLTD - The Worm (Lucky Number) Catarina Barbieri - Myuthafoo (Editions Mego) Ligeti Quartet and Anna Meredith - NUC (Mercury KX) Mandy Indiana I’ve Seen a Way + EP(FireTalk) Kate NV WOW (RVNG) Kelly Moran Vesela EP (Warp) Kurws Powiez / Fascia (Korobushka) Fever Ray Radical Romantics (Mute) Netherlands Severance (Svart) Tim Hecker No Highs (Kranky) Bohemian Flesh Bohemian Flesh (Ojet) Pure Adult II (FatCat) Model/Actriz - Dogsbody (True Panther Sounds) Laurel Halo - Atlas (Awe) Water From Your Eyes - Everyones Crushed (Matador) Moritz Von Oswald - Silencio (tresor) REZZETT Meant Like This (Trilogy Tapes) Jess Johnson and Simon Ward 'Terminus' Virtual Reality exhibition at the Museum in Dunedin NZ.

Books

Naomi Klein Doppelganger Graham Rayman and Reuven Blau Rikers : An Oral History Thurston Moore Sonic Life Malcolm Gladwell The Bomber Mafia Tony Cohen Half Deaf, Completely Mad Brett Anderson Coal Black Morning Book Wesley Doyle Conform To Deform Primo Levi Survival in Auschwitz

Films + TV

Beef Barry Fargo The YouTube Effect Mutiny In Heaven Beau Is Afraid In The Court Of The Crimson King Oppenheimer

Concerts

01.28.23 Kodak Quartet performed at the Jack Studio Festival Event at The New School, performing a work by Khyam Allami and a stunning rendition of Ligeti’s String Quartet No 1. 02.21.23 Pure Adult opened for Gilla Band at Brooklyn Made and both were excellent! 02.22.23 Clown Core (featuring Louis Cole on drums and keys) Elsewhere in NYC. 03.02.23 Laurie Anderson performs at a drone event anchored by Lou’s guitar generating feedback drones, on the occasion of Lou Reed’s birthday .Other musicians joining the drone included Shazad Ismailey, Steven Bernstein, Stan Harrison, Briggan Krauss and more. 03.09.23 Michael Byron’s new work In One Second There Will Be A Thousand Plateaus Perhaps for two pianos and small orchestra featuring pianists Joseph Kubera and Steve Beck with Petr Kotik conducting members of the S.E.M. Ensemble. At Roulette Intermedium. 04.04.23 Pigs Pigs Pigs Pigs Pigs Pigs Pigs brought the rock power and played an intense and triumphant show at Mercury Lounge to end their first US tour. 04.08.23 Amarcord Nino Rota, a reimagining of the Hal Willner’s Nino Rota tribute album, at Roulette Intermedium. 05.03.23 Genevieve Artadi played a grreat set at Public Records in Brooklyn to support her new album Forever Forever, with Louis Cole on drums. 05.27.23 Gloryhammer at Irving Plaza. Saw them in Melbourne too. 06.27.23 Sparks played a brilliant show at the Beacon Theater in NYC and I also caught them at Palais Theater in St Kilda, Melbourne, Australia on 10.26.23 07.04.23 75 Dollar Bill at Union Pool 08.20.23 BeatFox . Incredible luck to see this guy busking on Brick Lane. 08.21.23 The very wonderful Deerhoof at The Lafayette in London 08.22.23 clipping. played a killer show at Outernet in London 08.23.23 The incredible Poil Ueda from Lyon, France played in London at the Lexington + Lost Crowns 08.24.23 Swans played an epic set at The Troxy in Londo 09.24.23 TENGGER played an amazing set at the Art Gallery of NSW. 10.06.23 Fuji|||||||||||ta at Tempo Rubato in Melbourne, Australia. 10.07.23 RVG played a killer show to a packed house at Northcote Theatre in Melbourne, Australia 10.17.23 Chloe Sobek at Make It Up Club in Melbourne Australia. 10.21.23 Paul McCartney at Marvel Stadium in Melbourne Australia 10.28.23 Sarah Mary Chadwick at Wesley Anns as part of The 86 Super Saturday Festival 10.28.23 Party Dozen from Sydney played a great set at The 86 Super Saturday Festival in Melbourne Australia. 11.10.23 Devon Townsend played a beautiful, brutal and ecsatic show in Melbourne Australia at the Forum. 12.06.23 Ashley Bathgate and percussion sextet Mantra Percussion performed Matt McBane’s Topography at National Sawdust in NYC.

+ + + + + + + + + + + + + + + + + + + + + + + +

Michel Langevin (aka Away/Voïvod)

My coups de coeur in 2023:   TV Series: The Last of Us   Music: The Damned - Darkadelic Godflesh - Purge Crown Lands - Fearless Gong - Unending Ascending Soft Machine - Other Doors   Best show: KISS End of the Road World Tour in Montréal on Nov 18th   Best Moments: -Recording and touring the new Voïvod album, Morgöth Tales, celebrating the 40th anniversary of the band -Celebrating my 60th birthday on stage in Lyon on the Voïvod/Testament Euro tour -Jason Newsted joining the band on stage in Fort Lauderdale, USA -Eric Forrest joining the band on stage at Hellfest, France  

+ + + + + + + + + + + + + + + + + + + + + + + +

Lydia Lunch

https://www.lydia-lunch.net/

“Time-one long second that goes on forever” So enjoy it motherfuckers!

BOOKS

Love the World or Get Killed Trying Alvina Chamberland Mother Howl Craig Clevenger Nein, Nein, Nein! : One Man's Tale of Depression, Psychic Torment, and a Bus Tour of the Holocaust Jerry Stahl Mystic Debris Justin Gradin Niagara, NY Ric Royers The Pale-Faced Lie : A True Story David Crow The Conspiracy Against the Human Race: A Contrivance of Horror Thomas Ligotti The Field: The Quest for the Secret Force of the Universe Lynne McTaggert Yuval Noah Harari Box Set (Sapiens, Homo Deus, 21 Lessons for 21st Century) Season of the Witch Cathi Unsworth Every word John Tottenham utters or writes

TOURS with Sylvia Black & Gregg Foreman, Joseph Keckler, Marc Hurtado (tribute to Alan Vega & Suicide), Ian White, Kevin Shea (Sinister Impulse), Tim Dahl & Matt Nelson (Murderous Again)

Workshop & Performance Badass Babes of Burlesque w Rita D’Albert Zebulon LA

Workshop at the University of New Mexico thanks to Greg Moss

Reading with Zoe Hansen & Ron Athey at The Philosophical Research Center LA Reading with Eugene Robinson Makeout Room SF

Finishing the documentary with Jasmine Hirst Artists - Depression, Anxiety, and Rage and premiering it in Italy

Meeting butuh Queen Azumi OE and discussing up coming performances together with Tim Dahl

Completing the 233 episode of The Lydian Spin with Tim Dahl

FUN

Nights in London & Brighton spent with Nick Soulsby, Cathi Unsworth, Billy Chainsaw, Chris Bohn, Jack Sargeant, Pam Hogg,

Tina Kit (opened for my Suicide tribute in London & Brighton) best new band of suited and booted bad boys

Squired around Europe by Sebastien Greppo, a man like no other - who so lightens my burden…

Watching every episode of The Dark Side of The Ring with Kevin Shea

Training squirrels, levitating objects, saving lives, screaming into the void.

+ + + + + + + + + + + + + + + + + + + + + + + + +

Mike Berdan

(Uniform) https://uniform-nyc.com/

ALBUMS

Lankum - False Lankum

Surgeon - Crash Recoil

Ryuichi Sakamoto - 12

Fellwinter - The Dawn Of Winter

Abysmal Lord - Bestiary Of Immortal Hunger

Death Kneel - Dawn Simulation

Shit And Shine - 2222 And Airport

Carnivorous Bells - Room Above All

Agonal Lust - Mankind Is A Talisman Of Misfortune

Godflesh - Purge

FIRST-TIME READS

A History Of Violence (1973) - David Cotner

Someone Who Isn't Me - Geoff Rickly

Your Dreams - Thomas Moore 4. In A Lonely Place - Karl Edward Wagner

Burn You The Fuck Alive - B.R. Yeager

The Holy Day - Christopher Norris

A Collapse Of Horses - Brian Evenson

The Devil Thinks I'm Pretty - Charlene Elsby

Let's Go Play At The Adams' - Mendal W. Johnson

Counterillumination - Audrey Szasz

MOVIES

Godzilla Minus One

CIGARS

Cohiba Magico Maduro Petit Robusto

God Of Fire Serie B Double Robusto

Padron Family Reserve no. 95 Maduro Petit Gordo

El Pulpo Toro

Tatuaje Reserva J21 Broadleaf Robusto

Atabey Benditos Double Corona

Romeo y Julieta Línea de Oro Nobles

H. Upmann Half Corona

Foundation Cigars The Tabernacle Robusto

OpusX Eye Of The Shark

+ + + + + + + + + + + + + + + + + + + + + + + + +

Mario Diaz deLeon (composer, Luminous Vault, Bloodmist)

ALBUMS Evita Manji - Spandrel? Eartheater - Powders Slowspin - Talisman Marta DePascalis - Sky Flesh Kalia Vandever - We Fell in Turn Eraldo Bernocchi + Hoshiko Yamane - Sabi JakoJako -  Verve Surgeon - Crash Recoil Cavalera - Morbid Visions / Bestial Devastation Bell Witch - The Clandestine Gate Steve Lehman + Orchestre National de Jazz - Ex Machina

SONGS Kelly Moran - Vesela Vines - I Don’t Mind Cybotron - Maintain Barker - Birmingham Screwdriver VMO - Supergaze Omar Hisham - Adhan (Be Heaven)

EVENTS New Firmament: MONAD - Roulette Peter Evans: Being and Becoming - Roulette Anna Sperber: Amplifier - Roulette 20 Years of Shinkoyo - Roulette Anthony Braxton + Wolf Eyes - Pioneer Works Caterina Barbieri - Pioneer Works Felipe Lara + Claire Chase + Esperanza Spaulding + NY Phil TAK Ensemble: Swoonfest - The Clemente Center Kayo Dot: Choirs of The Eye - MilkBoy Cecilia Vicuña / Raven Chacon - The Poetry Project Krallice / Indocrithere / Geryon / Ocrilim - Saint Vitus Cavalera: Morbid Devastation - Irving Plaza Hulder / Blackbraid / Aeviterne - Le Poisson Rouge Eartheater / Concrete Husband - Elsewhere

BOOKS Roxanne Dunbar-Ortiz - An Indigenous Peoples History of the United States

+ + + + + + + + + + + + + + + + + + + + + + + + +

Alexander Tucker (Microcorps)

I started off the year by releasing a project very close to my heart: Fifth Continent, a collaboration with the late Keith Collins, partner and collaborator of film maker and artist Derek Jarman. The album was partially recorded in Jarman’s cottage in the desert-like landscape of Dungeness, on the South East coastline of Kent, in the UK, with elements constructed from Collins own spoken word pieces, and environmental recordings. The album was released on James Ginzberg’s Subtext label, and we also produced Fifth Quarter, an anthology publication of writing, recollections, photography and newly commissioned artworks about Jarman, Collins and Dungeness.

Although I probably made more music than usual this year, and had a greater focus than ever on the various projects I have underway, 2023 felt like a weird and often frustrating year for me and music. About five years ago I set about teaching myself modular systems, experimenting, and recording the results as I went along. This culminated in a new solo guise primarily for electronics and the synthesis of voice and acoustic instruments, MICROCORPS (the debut album Xmit came out on Alter records in 2021). Using these systems is at the same time liberating and incredibly frustrating. For a while this year nothing felt good enough: I could feel the potential of my ideas glimmering in the distance but was unable to catch up with them. I decided to take a short break from the modular, and focused upon compositions for cello, saxophone, and clarinet. But the pull of electronics is never far, so I began processing these recordings, using granular synthesis to stretch, mutate and reorganise the audio into new pieces. As soon as you want more from your practice and yourself, things can become more laborious - it’s difficult to be in the moment and focus on what’s in front of you. I used to be happy with the immediate effects I produced, but I think this is being replaced by a different approach, something more considered, which is exciting and, in some ways, sobering - even if the results are far from what you would describe as sober. I’m also so lucky to have many friends and fellow artists around me to offer help and suggestions, to whom I’m eternally grateful. As R.Crumb says, “Keep on truckin”.

Music I dug this year: Godflesh - Purge (Avalanche Recordings) Rắn Cạp Đuôi - *1 (nhạc_gay) Mun Sing - Inflatable Gravestone (Planet Mu) RS Tangent - When A Worm Wears A Wig (The Trilogy Tapes) Arnold Dreybaltt And The Orchestra Of Excited Strings - Resolve (Drag City) Elvin Brandhi and Lord Spikeheart - Drunken Love (Hakuna Kulala) Mark Fell and Will Guthrie - Infoldings / Diffractions (NAKID) Afrorack - The Afrorack (Hakuna Kulala) Kinn - Dogtooth (First Light Records) General Magic - Nein Aber Ja (GoTo Records)

Live shows: Emptyset - Village Underground Elvin Brandhi - IKLECTIK Mick Harris/FRET – Downwards’ 30th, Centrala Mun Sing, Crys Cole, Penelope Trappes - Boundaries Festival  Maxwell Sterling - Cafe OTO Pole - EartH Nik Colk Void - Too many to count! Phew - Cafe OTO Residency Acid Horse Festival Devo - Hammersmith Apollo Kinn - New Cross Road Baptist Church

Comics: In 2023 I produced a new issue of my ongoing oblique and nonlinear comic series, Entity Reunion. For this issue I drew upon my love of HP Lovecraft, using the repetition of the comic format to peel back layers of the everyday to reveal omnipotent entities underlying all reality. The viewpoint of each page is from the point of view of the protagonists, who hold an electronic device, photographing their surroundings only to capture the blurred features of some insidious face. There are also references to Lovecraft’s own fictional grimoire the Necrononmicon. I wanted that dreamlike sensation of being the protagonists of the dream but also viewing yourself as separate entity.

Books: I read nearly all of Patrica Highsmith’s ‘Ripley’ books, a bunch of John Le Carré novels, Mark Kermode’s book on The Exorcist and I’m currently working my way through the spy novelist Eric Ambler’s books. I also re-read Bruce Robinson’s analysis on Jack the Ripper and Victorian society, ‘They All Love Jack’. 

+ + + + + + + + + + + + + + + + + + + + + + + + +

Tom Chiu (composer, Flux Quartet)

2 0 2 3  IN  REVIEW

Albums Worth Exploring (including a couple entries from 2022 that I discovered late)

Bar Italia                 Tracey Denim (Matador)

Blur                         Ballad Of Darren (Parlophone)

Bush Tetras             They Live In My Head (Wharf Cat)

Death Valley Girls    Islands In The Sky (Suicide Squeeze)

Dummy                    Mono Retriever (Sub Pop)

Duster                        Remote Echoes (Numero Group)

En Attendant Ana       Principia (Trouble In Mind)

Everything But the Girl     Fuse (Verve)

Horse Lords               Comradely Objects (RVNG)

Kelela                         Raven (Warp)

Lael Neale                  Star Eaters Delight (Sub Pop)

Lana Del Rey             Do You Know That There's A Tunnel Under Ocean Blvd (Interscope)

Lewsberg                   Out And About (12XU)

Munya                        Jardin (Luminelle)

Slowdive                    Everything Is Alive (Dead Oceans)

Sweeping Promises    Good Living Is Coming For You (Sub Pop)

Wednesday                Rat Saw God (Dead Oceans)

Yo La Tengo               This Stupid World (Matador)

Night at the Movies

Poor Things Past Lives Monster

Recurring Personal FAVES

FAVE Sandwich: Mekelburg's  Clinton Hill, Brooklyn

FAVE Burger: Two8Two Bar & Burger, Boerum Hill, Brooklyn

FAVE Craft Beer Brewery Omnipollo (Sweden), brewed at Twelve Percent Beer Project, North Haven, CT

+ + + + + + + + + + + + + + + + + + + + + + + + +

Pierre Cerrato

Producer - Editor  Floyd County Productions (Archer)

Favorite Movies/TV Archer Season 14 The Last of Us Gen V Beef This Fool Season 2 Fargo Season 5 Primo (Amazon Prime Show) The Bear Season 2 Episode Barry Season 4

Favorite Records  I listened to a lot of music but these were in constant rotation.  Some are from last year but what is time and who cares?

Boris/Uniform - Bright New Disease (2023) Birds in Row  - Gris Klein (2022) Fleshwater - We Are Not Here to Be Loved (2022) Asunojokei - Islands (2022) Everything But the Girl - Fuse (2023) Night Owls - Versions (2022)

Honorable mention Boris - Feedbacker (2003) this was my introduction to Boris. This year is the 20 year  anniversary of its release. Roberto Carlos Lange shared it with me one day while at work. He said it was something he thought I would like. Blew my mind and I have been a fan  ever since.

Favorite Concerts The Cure - State Farm Arena - also saw The Cure at Riot Fest but this was better of the 2. I regret not going to Night 2 in Atlanta because they played Disintegration.  H20 - Riot Fest 2023 Set Fleshwater - Riot Fest 2023 Set Future Islands - Shakey Knees 2023 Set The Yeah Yeah Yeahs - Shakey Knees 2023 Set Converge / Brutus - The Masquerade Drain / Drug Church - The Masquerade Donny Benet - Terminal West Idles - Re:Set 2023 Set

Favorite Food

MF Sushi - Atlanta - went twice and each time it was a special occasion.  Heirloom Market BBQ - Atlanta - best BBQ in my neck of the woods. The Aviary - Chicago - specialty cocktails with spectacular presentation.  Cafe Tola - Chicago - best empanadas i've ever had in my life.  Selva Negra - Miami - a solid contender for Nica food. Jaguar - Miami - great vibes, service and ceviche! No Hard Feelings - Chatanooga - great cocktails and vibes! 

+ + + + + + + + + + + + + + + + + + + + + + + + +

Zachary Lipez

(editor at large of Creem Magazine, writer, singer of Publicist UK)

Music I made a (very) long list on my wildly popular blog, Abundant Living. But, for kicks and with the understanding that maybe you don’t feel like reading (or subscribing to) my wildly popular blog, here’s some stuff I included and some stuff I forgot (with particular attention paid to albums I think might be of particular interest to JG friends/fans but which may have slipped through the radar) (meaning: I mainly put the stuff that wasn’t on too many other lists). Fatboi Sharif Decay (Backwoodz) Skech185 He Left Nothing for the Swim Back (Backwoodz) Zohra Murder In The Temple (American Dreams) The Native Cats The Way On Is The Way Off (Chapel)  Geese 3D Country (Partisan) Gold Dime No More Blue Skies (No-Gold) Algiers Shook (Matador) EXEK The Map and the Territory (Foreign) Skinhead Everything Was Beautiful and Nothing Hurt (Closed Casket) Débruit & Alsarah Aljawal ا​ل​ج​و​ا​ل (Soundway) Fairytale Shooting Star (Toxic State) Among The Rocks and Roots Pariah (Cacophonous Revival)  Full of Hell, Nothing When No Birds Sang (Closed Casket) Uniform & Boris Bright New Disease (Sacred Bones) Sleaford Mods  UK Grim (Rough Trade) Money&King Act Unnaturally (self released) Blu Anxxiety Morbid Now, Morbid Later (Toxic State) Nana Benz du Togo  AGO (Komos) Citric Dummies Zen and the Arcade of Beating Your Ass (Feel It) Ghösh  Prismassive (Ramp Local) Peasdez  Fenomenologia Del Espiritu Agonico: De La Existencia Sordida Al Pendulo De La Nada (SPHC) Upper Wilds Jupiter (Thrill Jockey) Death Valley Girls Islands In The Sky (Suicide Squeeze) Raphael Rogiński Talán  Body Void Atrocity Machine (Prosthetic) Feeling Figures Migration Magic (Perennial) Ryan Davis & the Roadhouse Band  Dancing on the Edge (Sophomore Lounge) Nosaj from New Kingdom & steel tipped dove House of Disorder (Fused Arrow Records) mclusky unpopular parts of a pig / the digger you deep (self released) Advertisement Escorts (Feel It) King Vision Ultra  Shook World (hosted by Algiers) (PTP)

Live Shows that Stand Out In My Memory Moor Mother/Armand Hammer/The Caretaker/Raphael Roginski for the Unsound Fest at Lincoln Center (I covered this for The Quietus if yr interested) Sleaford Mods at Coachella (profiled them for CREEM) Lydia Lunch/Zohra at St.Vitus Lydia Lunch Retrovirus last American show ever (?) at TV Eye Various skinhead/nü oï bands at the Monarch/TV Eye etc. with Liberty & Justice being the standout Son Rompe Pera at TV Eye Chisel (the Ted Leo outfit, not the neo-bootboy band with the “the” in their name) at LPR

BOOKS My phone has pretty much eliminated my ability to read. I did read the first 100 pages of more books than I care to admit. I finally finished Mark Andrews’ Paint My Name In Black and Gold: The Rise of the Sisters of Mercy and I recommend it if, like me, you think The Sisters of Mercy are better than the Beatles (or whatever inane comparison annoys your friends the most). I also discovered Gene Wolfe and read the first book in the Book of the New Sun trilogy. Otherwise, it’s pretty much been just using Louise Glück poetry as inspiration to write terrible versions of Louise Glück poetry. 

TV Doom Patrol Pokerface Rick and Morty (idc idc idc idc) HasanAbi twitch stream  A ludicrous amount of Britbox mysteries and—passively, yes, but not without a fair amount of emotional investment—various Real Housewife shows/spinoffs

Movies Didn’t watch any new movies this year but I did have a lot of youtube videos playing in the background while I did other things, and sometimes those videos would be three hour long screeds about what was wrong with a number of movies I’d never heard of. So I feel like I got the gist. 

LIFE Converted to Islam and married Zohra in January. Both choices have proven to be rewarding as all hell. Cashing in my “as a Jew I…” argument card—while simultaneously being too new a Muslim to reasonably claim either special knowledge and/or marginalization status—has really fucked with my ability to be self-righteous online. But the love that Zohra and her family have shown me has more than made up for my newfound inability to really wipe the floor with a motherfucker in the instagram comments. In fact, I liked marrying Zohra so much that I did it again in December (first time was a religious ceremony, the second time was our rendering to Caesar etc). If you know me/us and weren’t invited to either that’s because essentially no one was. As my parents couldn’t attend (on account of being dead) I didn’t really see the point of a big party. That was perhaps selfish. We love you (probably) and will have some sort of to-do in 2024. 

Otherwise, I am still very much enjoying working for the new CREEM Magazine (please subscribe) and doing my newsletter (please subscribe). Musically, I lived vicariously through Zohra and the release of her first solo album. Murder In The Temple, with amazing production by Ben Greenberg and contributions by Lydia Lunch, is a synthesis of so many of Zohra’s obsessions. It’s unlike anything in the post-goth-dark-whatever sphere and I can’t express how proud I am of it and her. As for my music, I did some neat-o Scientists-esque stuff with Telematics (Sohrab Habibion, Robert Austin, and Alexis Fleisig) and Zohra and I did a Sheer Terror cover in the style of Tindersticks to commemorate Paul Bearer’s marriage. Also, I’m pretty sure my most successful band (Publicist UK) got dropped by our label (apparently taking eight years to finish a demo is a long time) so get at me if you have a low-to-mid tier label and want to put out an album of eight minute gothic metal songs with zero mosh parts, about an aging hipster loving his wife and cats and missing his dead mom and dad. C’mon, do it. You’d be printing money. 

+ + + + + + + + + + + + + + + + + + + + + + + + +

Jim Siegel

Vivid Oblivion

Records And Other Things I Liked In 2023

Lankum - False Lankum (Rough Trade)

Milford Graves with Arthur Doyle and Hugh Glover - Children Of The Forest (Black Editions Archive)

Nakibembe Embaire Group (Nyege Nyege Tapes)

Henning Christiansen - Mediterranean Music-Water (Holidays)

Alain Goraguer - La Planete Sauvage (Expanded) (Decca)

Phill Niblock - Boston III (Alga Marghen)

Sam McLoughlin & David Chatton Barker - The Heavenly Realms (Folklore Tapes)

Svitlana Nianio & Tom James Scott - Eye Of The Sea (Skire)

Half Mortal - Creature Of Christ (Hospital Productions)

Pharoah Sanders - Pharoah box (Luaka Bop)

Ragnar Johnson & Jessica Mayer - Spirit Cry Flutes And Bamboo Jews Harps From Papua New Guinea (Ideologic Organ)

PJ Harvey - I Inside The Old Year Dying (Partisan)

Jana Winderen - The Blue Beyond (Touch)

Rezzett - Meant Like This (The Trilogy Tapes)

Arsenije Jovanovic - Sailboat Galiola Nuria's Unfinished Logbook (Pentiments)

Only Voices Vol. 1 + 2 (DDS)

Wounded Son - Pain Is All I Have For You (Hospital Productions)

Various - Cease & Resist: Sonic Subversion & Anarcho Punk In The UK 1979-1986 (Optimo Music)

Umeko Ando - Upopo Sanke (Pingipung)

Philip Jeck & Chris Watson - Oxmardyke (Touch)

Lori Vambe - Space-Time Dreamtime: The Four Dimensional Music Of Lori Vambe (Strut)

Mozart Estate - Pop-Up! Ker-Ching! And The Possibilities Of Modern Shopping (West Midlands)

Sandwell District - Feed Forward box (The Point Of Departure)

Japan Blues - Japan Blues Meets The Dengie Hundred (DDS)

Various - A Web Of Braided Willow - The Folklore Of The Wickerman (Folklore Tapes)

Surgeon - Crash Recoil (Tresor)

Mark Glynne And Bart Zwier - Home Comfort (La Scie Doree)

Ariel Kalma - French Archives Vol. III 1964-89 (Black Sweat)

Marginal Consort - 06 06 16 (St Elisabeth Kirche, Berlin) (901 Editions)

Brendan Perry - Eye Of The Hunter / Live At The I.C.A (4AD)

The Complete Obscure Records Collection box (Dialogo)

Various - Avant Garde 21xCD Box (Deutsche Grammophon)

Bill Nace Live at Public Records, December 2023

The Elephant 6 Recording Co. Documentary

Squaring The Circle - The Story Of Hipgnosis 

Shame And Dignity with Stanley Schtinter and Sukhdev Sandhu at UnionDocs, NY November 2023

Godland, dir. Hlynur Palmason

Wawa Pretzel w/ Melted Cheese (Sandwich)

+ + + + + + + + + + + + + + + + + + + + + + + + +

Simon Karis

(CEO of Nice Music, recording artist)

Okay so fave releases of 2023

Absurd Cosmos Late Nite 'These Magic Clothes Don't Play Themselves' (Reseach Laboratories) Actress 'LXXXVIII' (Ninja Tune) Armand Hammer 'We Buy Diabetic Test Strips' (Fat Possum) Danny Brown 'Quaranta' (Warp) De-Bons-En-Pierre 'Card Short Of A Full Deck' (Dark Entries) Evian Christ 'Revanchist' (Warp) Eyes Of The Amaryllis 'Perceptible To Everyone' (Horn Of Plenty) Francis Plagne 'Into Closed Air' (Bison) Francis Plagne 'Udge' (Horn Of Plenty) Giuseppe Ielasi 'Down On Darkened Meetings' (Black Truffle) HHOST 'Windswept Italics' (Altered States Tapes) HHOST 'Veil' (Snail Editions) JPEGMAFIA & Danny Brown 'Scaring The Hoes' (no label) Kassell Jaeger 'Shifted In Dreams' (Shelter Press) Khanate 'To Be Cruel' (Sacred Bones) Klein 'Doubt'/'Normani's Torment'/'STORM' (no label) L'Rain 'I Killed Your Dog' (Mexican Summer) Land's Air 'Land's Air' (Tone List) Locust 'The First Cause' (Mysteries Of The Deep) Low Flung 'The Wheel' (Snail Editions) Matt Harkin 'The Door Knocker' (no label) Nick Ashwood 'Inside The Body Of A Wave' (no label) Nuno Loureiro 'Lua Onus' (Super Pang) Patten 'Mirage FM' (555-5555) Pissed Jeans 'No Convenient Apocalypse' (Sub Pop) Princess Nokia 'I Love You But This Is Goodbye' (Arista) Red Wine & Sugar 'Turkish Coffee & Twice Baked Potatoes' (Chocolate Monk) Rezzett 'Meant Like This' (The Trilogy Tapes) Richard Youngs 'Modern Sorrow' (Black Truffle) Rory J S 'P' (no label) Rrose 'Please Touch' (Eaux) Solo Andata 'Slip Casting' (12k) WPH 'III' (no label) 100 Gecs '10,000 Gecs' (Dog Show/Atlantic)

fave back catalogue listens that made sense in 2023 Armand Hammer & The Alchemist 'Haram' (Backwoodz Studioz) Beherit 'H418ov21.C' (Spinefarm) Bernard Parmegiani 'De Natura Sonorum' (INA-GRM) Bowery Electric 'Beat' (Kranky) Charalambides 'Exile' (Kranky) Def Leppard 'Hysteria' (Mercury) Elastica 'Elastica' (Deceptive/Geffen) Elucid 'I Told Bessie' (Backwoodz Studioz) Emptyset 'Demiurge' (Subtext) Emptyset 'Recur' (Raster-Noton) Hematic Sunsets 'Musik Aus Dem Aroma Club' (Klang Der Festung) Joey Beltram 'Classics' (R&S) Ka 'Languish Arts' (Iron Works) Kim Cascone 'Cathodeflower' (Ritornell) The Kinks 'Lola Vs Powerman And The Moneygoround Part One' (Reprise/Pye) Kreator 'Terrible Certainty' (Noise International) Lol Coxhill & Morgan Fisher 'Slow Music' (Pipe/Aguirre) Low 'Hey What' (Sub Pop) Marsfield 'The Towering Sky' (Faraway Press) Massive Attack 'Mezzanine' (Virgin) Matt Harkin 'Sanctuary 1, 2015-2016' (Hobbies Galore) Maurizio Bianchi 'Endometrio'  (no label/Dais) Moodymann 'Mahogany Brown' (Peacefrog) Moor Mother & billy woods 'Brass' (Backwoodz Studioz) Nearly God 'Nearly God'  (4th & Broadway) Nightcrawlers '2031 AD' (no label) Richard Youngs 'Beyond The Valley Of The Ultrahits' (Sonic Oyster) Rita Revell 'I Had A Very Bad Time!' (Happy Endin') Roc Marciano 'Reloaded' (Decon) Seine Trance-Parenz Fredi Alberti 'Klaenge Aus Dem Engelsraum (Die Verdunklung Der Sonne Und Des Mondes)' (Scribble Art) Simbiosi 'Elements' (Werkdiscs) Suede 'Dog Man Star' (Nude) Valerio Tricoli 'Say Goodbye To The Wind' (Shelter Press) 100 Gecs '1000 Gecs' (Dog Show)

fave melbourne/naarm restaurants in 2023

Khabbay (Indian/Pakistani, Carlton) Laksa Village (Malaysian/Chinese, Donvale) Cinger Biang Biang (Dolan/Uyghur/Chinese, Carlton) Lim Kopi (Malaysian, Naarm/Melbourne CBD) Raya (South East Asian desserts, Naarm/Melbourne CBD) Taste Hunan (Hunan/Sichuan/Chinese, Naarm/Melbourne, CBD) Laksa House (Malaysian, Naarm/Melbourne, CBD)

+ + + + + + + + + + + + + + + + + + + + + + + + +

Brendon Randall-Myers

(composer, Scarcity, Marateck, Glenn Branca Ensemble)

If 2022 was the Return of the Show and the Return of Travel, 2023 was about Building Stability (i.e. making my teaching studio a primary income source), Hunkering Down to Finish Two Albums, and Re-Learning How to Be a Human Being. I also played a bunch of cool shows with Dither (collabs w/ Carla Kilhlstedt, Lee Ranaldo/Brian Chase, Amirtha Kidambi, AJ Santillan, and Laurie Spiegel; playing Electric Counterpoint on GFA), a couple fun Scarcity shows (playing with Liturgy, improvising on graphic scores by Anthony Hawley) and did some performances with Whimbrels and Contemporaneous. 

These were albums I enjoyed (incessantly) at some point during 2023 that were mostly - but not exclusively - also released in 2023.

Agriculture - Agriculture Armand Hammer - We Buy Diabetic Test Strips Arnold Dreyblatt - Resolve Big Brave - Nature Morte Blackbraid - Blackbraid II Bummer - Dead Horse Caroline Polachek - Desire, I Want to Turn Into You goat (JP) - Joy in Fear Goldfeather - Change JPEGMAFIA & Danny Brown - SCARING THE HOES Jute Gyte - Unus Mundus Patet KEN Mode - VOID Killing Joke - Night Time Krallice - Mass Cathexis 2 - The Kinetic Infinite Model/Actriz - Dogsbody Modern Nature - How to Live  Nabihah Iqbal - Dreamer Neil Young - Greatest Hits Oren Ambarchi - Shebang Pink Pantheress - Heaven knows The Prodigy - The Fat of the Land  Rid Of Me - Traveling  Slowspin - Talisman Smashing Pumpkins - Siamese Dream Swans - The Beggar Trauma Bond - Winter’s Light  Tristan Kasten-Krause and Jessica Pavone - Images of One Victory Over the Sun - Dance You Monster To My Soft Song! Yaeji - With A Hammer

Here were some shows I attended:

Wolf Eyes + Raven Chacon @Union Pool Liturgy @TV Eye Gamelan Dharma Swara, Ridgewood Presbyterian Church Moor Mother @Merkin Hall Object Collection @The Brick Theater Spectral Wound @Saint Vitus Pyrrhon + Barrsheadahl @Saint Vitus The Smile @Forest Hills Stadium Krallice @Saint Vitus Mediaqueer @Windjammer Sarah Hennies + Tristan Kasten-Krause @Issue Project Room Peter and the Wolf @Guggenheim Model/Actriz @Music Hall of Williamsburg  

+ + + + + + + + + + + + + + + + + + + + + + + + +

Grace Bergere

(songwriter / singer / performer)

This year was full of firsts for me! 

Definitely the most musically eventful year of my life to date. I went on my first tour playing bass with my great friends in COP/OUT, supporting Days n' Daze (A band I'd been listening to for years as a young punk kid.)  I immediately realized touring is really all I want to do.  I also got to tour alongside Subhumans in Cop/Out. Meeting them and getting to know them was mind expanding.  They were all kind and humble thoughtful individuals, completely down to earth and engaged with everyone they spoke to. Every night across the midwest they brought the crowd to a cathartic screaming euphoric mess. Working with COP/OUT, whose message is so clear; to be good to each other, question everything even when it means swimming upstream with every bit of strength you have, filled me with hope.  Playing on that tour with them, and watching Subhumans every night reminded me the power of music to affect real social change which is something I believed to have been  lost in recent years.  I met my great friend Jessica Mills on that tour and we still talk all the time. 

I also started playing guitar in The Art Gray Noizz Quintet. One of my longtime favorite bands (that my very talented cool boyfriend happens to play bass in.) We went all across the West Coast, landing in Las Vegas. Playing with them has demanded I advance as a guitarist, stepping into Andrea Sicco's shoes. Andrea is a complete beast of a musician and all of his musical projects are awesome. Check out MOVIE MOVIE, his most recent project. 

I also joined Crazy And The Brains on second guitar. They’re a super fun high energy punk band. I love being around such positive fun loving musicians and watching them bounce around while I do my best to keep up. 

I recently finished recording my album at HOBO SOUND in Hoboken by James Frazee. The time and effort it took over the several years since I started, was at times grueling. But James never stopped caring or checked out. He helped me shape this album into something I am truly proud of, along with Richard Dev Greene, one of the first people to ever believe in my music. I am so grateful to both of them.

I started spending time with Victoria and Kay of Puzzled Panther. They quickly have become two of my best friends. It is so meaningful for me to have found such badass, driven young women to share a dream with. Puzzled Panther is raw and hypnotizing. They have a unique strong hold over their audience and every show of theirs I’ve been to has been fantastic.  Victoria has joined me a few times on a song at my shows, and every time I believe has been one of the strongest points in my set. 

I Met Eugene Hutz of Gogol Bordello (the first huge band I ever went to see as a young teenager.)  He will be releasing my upcoming single and video for “Come And Go”  on his label Casa Gogol Records in early 2024. 

I just played the biggest show I’ve ever played with my solo project that plays under my name.  We were on a bill with Gogol Bordello and JON SPENCER (Also one of my favorite artists.)  Being on that stage standing there in front of more people I’ve ever seen in an audience from that vantage point, I felt like every second of my life was leading to that moment. Each song brought me back to the time in my life when Id written it and it felt very much like watching my life projected in front of me. It was indescribably satisfying to be on that stage. Later, in the audience, I screamed along to Gogol and watched my mom dance to songs she'd heard me blasting through the house as a kid, and felt just as moved by them as I did as a young teenager the first time I saw them.

I am so grateful to be working with Eugene. He is kind and thoughtful in his feedback and hugely supportive of me and my dreams. 

I will be playing New Years Eve with the Art Gray Noizz Quintet before Kid Congo Powers and The Pink Monkey Birds !!

This last week I can honestly say, has been the best of my life to date. Like looking out over a valley after climbing for years.

BEST SHOWS

(other than the ones I was lucky enough to play at listed above) 

RICHARD DAWSON 

I got to see Richard Dawson three whole times!!! it was his first US appearance. He is a completely unique force. I’ve never seen such a captivated crowd. we all cried and screamed along with him. 

PIGS X 7 

One of those times he was playing with Pigs x7. They quickly became another favorite band of mine despite having severe technical difficulties. it was actually kind of a highlight because their front man just started joking around and had the entire audience laughing along with him and talking for about 10 minutes. I got to see them two other times that went perfectly. What a band.. 

JON SPENCER AND THE HIT MAKERS

I saw them at TV Eye. I had been able to squeeze myself into the DJ booth for their set. They hammered away into some kind of magical hypnosis that made me feel like I'd taken MDMA. (I had not.) I had to lean against a wall to keep my balance. They played with Licks, a badass 60s garage rock inspired band fronted by my friend Skunk. 

LYDIA LUNCH RETROVIRUS 

Also driving and hypnotic and loud as hell. I was left with a similar feeling of having been dosed with something at all of their shows…

JOSEPH KECKLER

The first time I saw Joseph perform was at TV eye with Lydia Lunch. He’s completely unique. He writes gorgeous songs that he sings in an incomprehensibly wide range, sometimes in languages that he has invented himself! His seamlessly mixes humor with honest beautiful songwriting.

SONGS I LISTENED TO A BILLION TIMES THIS YEAR. 

ART GRAY NOIZZ QUINTET- Lie Come True  JOSEPH KECKLER- The Ride JON SPENCER AND THE HIT MAKERS- Death Ray  GOGOL BORDELLO- Shot Of Solidaritine  PUZZLED PANTHER- Smoke And The Mirrors We Broke  PIGSX 7 - Reducer  ARCHERS OF LOAF- Banging On a Dead Drum 

OLDER HITS THAT WERE NEW TO ME

LAURIE ANDERSON- Poison  POISON GIRLS- Fear Of Freedom CULTURE SHOCK- Things To Do  CAPTAIN BEEFHEART- Tropical Hot Dog WARREN ZEVON- Desperados Under The Eves MINNIE RIPERTON- Les Fleurs  BOBBY GENTRY - Ode To Billy Joe TOWNES VAN ZANDT- Highway Kind

BOOKS 

Joseph Keckler-  Dragon at the edge of a flat world.  Mark Lanegan- Sing Backwards and Weep Miriam Toews- Fight Night

+ + + + + + + + + + + + + + + + + + + + + + + + +

Marc Urselli

producer / engineer / sound designer

I want to thank JG Thirlwell for inviting me to submit my 2023 Year in Review. I had never done one of these before and it's been a fun challenge to go through my calendar and social media to remember and realize how much I was able to pack into this year! Selecting and writing down all of these things also helped me further grasp and understand how tremendously privileged and lucky I am to be able to do what I love all year around, year after year, and to live my life to the fullest and according to my own wishes and my own design. I don't take this lightly and I don't take it for granted. I am very aware that it comes from hard work, limitless passion and unweavery dedication, not just luck and good fortune, but nevertheless I am grateful every single day for this life and for being healthy, being able to do all of this, and for all the people in my path who trust me, inspire me, support me, challenge me, and enlighten me!

STUDIO SESSIONS, ALBUMS & PRODUCTIONS When compiling this list, it really dawned on me how fortunate I am to be working with such incredible talents and how priviledged I am to be able to witness, participate and contribute to the creation of exceptional works such as the following:

Producing, Recording & Mixing sessions with David J of Bauhaus, Norwegian artist Ihsahn (of Emperor) & Toby Driver (of Kyao Dot), John Stanier (of Battles), Brian Chase (of Yeah Yeah Yeahs), Restless Spirit, Vicki Peterson (of the Bangles), John Cowsill (of the Cowsill Family and The Beach Boys touring band) and many others for my new RAMONES tribute album to come out next year on Magnetic Eye records

Producing, Recording and Mixing a cover of Soundgarden's song "4th of July" with my doom metal / throat singing project SteppenDoom for the Magnetic Eye album "Soundgarden (Redux) and featuring Matt Cameron of Soundgarden themselves on drums

seeing the release of Brian Carpenter's "Ghost Train Orchestra & Kronos Quartet - The Music of Moondog" album featuring Kronos Quartet (which I recorded at EastSide Sound) and many other amazing guest artists

Producing, Recording, Mixing, and Mastering a live album by Brazilian artists Zé Ibarra, Dora Morelenbaum and Julia Mestre of Bala Desejo for Glasshaus Presents & Tower Records

Mixing new albums by Glenn Max Vanderwolf (produced by Dennis Martin), by Bloodmist (Toby Driver, Mario Diaz De Leon, Jeremiah Cymermann), and by Ikue Mori & Zeena Parkins at EastSide Sound fully utilizing the analog console and the analog outboard gear (something nowadays is more and more rare)

Recording & Mixing 6 new albums by John Zorn this year alone, which brings my total JZ count to over 120 albums, and which as of this year can finally be heard on streaming platforms as well!

Recording and Producing a new album by Marco Cappelli's Italian-inspired band IDR at EastSide Sound in NYC and then going to Rome, Italy to overdub trombone and vocals with famed contemporary Neapolitan singer Raiz

Producing, Recording, Mixing, and Mastering 2 new albums by incognito jazz / blues artist Russell Orr with legendary Brian Marsella & Brian Mitchell on keys, respectively

Recording, Mixing, and Mastering two new albums by Jessica Pavone and her trio

Producing, Recording, Mixing and Mastering a "We Are the World"-type track for NYC Mayor's Office of Immigrant Affairs with a song composed by Captain Beefheart / Jeff Buckley's guitarist Gary Lucas and 10 other musicians from various parts of the world playing their local instruments and singing in their mother's tongue

Recording and Mixing the new album by Italian singer/songwriter Beppe Voltarelli, produced by Simone Giuliani, which took second place in Italy's Premio Tenco

Recording a new film score by composer Billy Martin (of Medeski, Martin & Wood) and arranged by Simon Hanes (of Tredici Bacci)

Producing, Recording, Mixing, and Mastering contemporary classical music sessions commissioned by Miller Theater and Columbia University with artists such as Laura Barger & Julia Den Boer, Miguel Zenon, Matt Mitchell & Miles Okazaki, Russell Greenberg & Vicky Chow

Recording new albums by contemporary classical/jazz musicians such as Miles Okazaki, Brian Drye, Anna Webber & Matt Mitchell and others Recording new albums by amazing Latin Jazz artists such as Gili Lopes, Homan Alvarez, Rodrigo Recabarren, Benjamin Furman

seeing the HBO release of John Lurie’s “Painting with John” new season where all the music was recorded & mixed by me and seeing my face briefly on TV

recording in an old church in Italy with Adriano Viterbini and Vincenzo Vasi for a project that will come out sometimes next year hopefully 

SOUND DESIGN GIGS & LIVE SOUND MIXING GIGS Similarly to the list above, I am eternally greatful for the fact that all these wonderfully talented people trust me with designing, mixing and amplifying their sound so that the rest of the world can truly and fully experience their art in the most complete, sonically articulated, detailed and full spectrum way there is! Some of these highlights include:

Mixing a 90-piece orchestra + 90-piece choir playing the score to Stanley Kubrick "2001: A Space Odyssey" live-to-picture  conducted by Brad Lubman in the Auditorio Nacional of Mexico City to a sold-out crowd of 10'000 people 

Mixing the Grammy Award Premiere Ceremony in Los Angeles and being there to amplify and mix the immensely talented house band led by Cheche Alara and the performances by musicians such as Samara Joy, Anoushka Shankar, Arooj Aftab and more…

Mixing the Robbie Robertson tribute concert & memorial organized by Martin Scorsese at Village Studios in Los Angeles with artists such as Jackson Browne, Jason Isbell, Rocco DeLuca, Citizen Cope, Angela McCluskey, Blake Mills and Jim Keltner

Mixing the National Christmas Tree Lighting Ceremony concert at the White House with artists such as Dionne Warwick, Samara Joy, Joe Walsh of the Eagles, St. Vincent and others.

Sound Designing and Mixing the world premiere of "Perle Noire: Meditations for Joséphine" at the DNO Dutch National Opera House in Amsterdam, a beautiful performance/concert/opera directed by Peter Sellars, composed by Tyshawn Sorey and performed by Tyshawn Sorey and ICE International Contemporary Ensemble with soprano Julia Bullock

One of my sound design pieces inspired by Icelandic nature sounds and folklore was presented at the "Le Son 7" Art Gallery in Madrid between the 3rd and the 13th of May 2023, after it was presented the year before in London and will be presented in January 2024 in New York

mixing 12 shows by John Zorn in 2 days at Big Ears Festival in Knoxville TN

mixing more shows by John Zorn to celebrate his 70th birthday in places like Walker Art Center in Minneapolis, Miller Theater in New York, Reggio Emilia and Modena in Italy, Philharmonie in Paris, November Music Festival in Den Bosch Netherlands and Mexico City

Mixing Brian Carpenter's Ghost Train Orchestra live at Roulette with special guests David Byrne, Karen Mantler, Joan As Policewoman AND doing so right after I mixed another matinee gig earlier in the day with the New York Choral Society

working sound for the Met Gala at the Metropolitan Museum of Art with musical guests Lizzo and David Byrne

Mixing Claudia Acuna at Lincoln Center

mixing Idina Menzel's performance in Trafalgar Square in London for Gay Pride 2023

playing keys (something I almost never ever do!) for Japanese electronic artist Coppé's first-ever performance in Italy

mixing my first ever K-pop gig in Times Square NY

teaching Mixing Workshops at SAE in Mexico City and MOB Studios in Rome, Italy

RECORDS In no particular order, here are some of my favorite records of 2023 that I was not involved with but I wish I had been ;-)

Anohni and the Johnsons "My Back Was a Bridge for you to Cross"

Lil Yachty "Let's Start Here"

Boygenius "The Record"

Ryuichi Sakamoto "12"

Jaimie Branch "Fly or Die Fly or Die Fly or Die ((World War))"

Arooj Aftab / Vijay Iyer / Shahzad Ismaily "Love in Exile"

Peter Gabriel "I/O"

Hania Rani "Ghosts"

Meshell Ndegeocello "The Omnichord Real Book"

Bill Frisell "Four" - Ambrose Akinmusire, Bill Frisell, Herlin Riley "Owl song"

Porcupine Tree "Closure / Continuation"

Dr. John "The Brightest Smile in Town"

Spencer Zahn "Statues II"

Meshuggah "Chaosphere 25th anniversary 2023 Remastered edition"

Ennio Morricone "Segreto Songbook 1962-1973"

Sin Fang, Kjartan Holm "Angakok"

MUSIC SHOWS It's always hard for me to recount the shows I've seen because I usually see about 300-500 shows every year. LPR (Le Poisson Rouge) definitely shines through as my favorite venue and the one I've visited most often! Here are some of the highlights of 2023:

Spotlights, Imperial Triumphant, Puzzled Panthers at Saint Vitus

"La Splendida", a heavy metal opera by Laurent David & Kilter at Culture Lab LIC

Exotech 3 times, at Public Records, Mark Morris Dance Theater and at LPR

Tredici Bacci at least 2-3 times, one of which at Sultan Room

John Cale at Paradiso, Amsterdam

Plini at Melkweg, Amsterdam

Mary Halvorson Quintet at Bimhuis, Amsterdam

Thurston Moore at OCCII, Amsterdam

Jeff Goldblum at Town Hall

Xylorius White at LPR

Hal Willner's Amarcord tribute concert at Roulette

Snarky Puppy at Beacon Theater

Tim Bernardes at LPR

Groa at Taste of Iceland showcase at Pianos

JG Thirlwell & Mivos Quartet at National Sawdust

Bloodywood at Irving Plaza

Hermeto Pascoal twice, at Pioneer Works and LPR

Sexmob at Fotografiska

Grace Jones at Hammerstein Ballroom

Lisa Fisher at Blue Note

Iggy Pop and Debbie Harry / Blondie, London

Laurie Anderson & SexMob Let X=X at Barbican in London and BAM in Brooklyn - The Cult at MEDIMEX festival in Taranto, Italy - Tom Morello at MEDIMEX festival in Taranto, Italy

Emperor at Kings Theater

Ibrahim Malouff at Drom - Elan Mehler & Dave Douglas at Fotografiska

The Misfits at Prudential Center - Oumou Sangare at Brooklyn Bandshell

Red Fang at Gramercy Theater

The Eagles & Steely Dan at MSG - Tammy Faye Starlight at Joe's Pub

Julian Lage at Village Vanguard - Mdou Moctar at Summerstage

Makaya McCraven at Locus Festival, in Locorotondo Italy

Fatoumata Diawara at Locus Festival, in Locorotondo Italy

Sisters of Mercy at Cinzella Festival, in Grottaglie Italy

SunRa Arkestra at Locus Festival, in Locorotondo Italy

Robert Plant at Locus Festival, in Bari Italy

Mr. Bungle at Terminal 5

Melvins, Boris and all the other amazing bands at Desert Fest at Knockdown Center

Front Line Assembly at LPR

Peter Gabriel at MSG

Empire State Bastard at LPR & St Vitus

Cavalera Conspiracy at Irving Plaza

Swans at Music Hall of Williamsburg - Steven Bernstein w/ Millennial Territory at Dizzy's

Nick Cave & Jonny Greenwood  3 times, twice at Beacon Theater and once at Kings Theater

The Mission at LPR - Titan to Tychons at NuBlu

Dresden Dolls at Bowery Ballroom

Robert Glasper's Art Blakey tribute at Blue Note - Puzzled Panthers at Bowery Electric

Ghost Train Orchestra at Roulette

Arthur Brown in London

The Mongol Khan theater production at the Coliseum in London 

8 Bit Big Band at Sony Hall

Bud Spencer Blues Explosion at Monk in Rome Italy

plus all the amazing artists I can't recall individually that I have seen at Winter Jazz Festival, Long Play Festival and Big Ears Festival

BOOKS I am sadly a slow reader and my pile of books on my bedside table is always bigger than the time awake I have when I finally do get to bed, but here are some I have read, or started to read or am planning on starting to read:

Kid Congo Powers "Some New Kind Of Kick"

Nick Cave & Seán O'Hagan "Faith, Hope and Carnage"

Warren Ellis "Nina Simone's Gum"

Rick Rubin "The Creative Act: A Way of Being"

Quincy Jones "12 Notes: On Life and Creativity"

Quincy Trouple "Miles & Me"

MUSEUMS I try to visit museums in every city I go to, whether I am on tour, working, traveling for pleasure or whatever the reason is… Art is my passion, my love and a way of life…

Museu Picasso, Barcelona, Spain

Fundcaio Joan Miró, Barcelona, Spain

The Salvador Dali Theater and Museum, Figueres, Spain

Salvador Dalí House / Fundació Gala, Cadaqués, Port Lligat, Spain

Park Gúell, Barcelona, Spain

Moco Museum, Barcelona, Spain

Sagrada Familia, Barcelona, Spain

Vermeer Exhibit, Rijksmuseum, Amsterdam, Netherlands

Moco Museum, Amsterdam, Netherlands

Rijksmuseum, Amsterdam, Netherlands

Amsterdam Museum, Amsterdam, Netherlands

Stedelijk Museum, Amsterdam, Netherlands

Van Gogh Museum, Amsterdam, Netherlands

Art on Paper, New York

Frieze, New York

Karl Lagerfled "A Line of Beauty", Metropolitan Museum of Art, NY

Yayoi Kusama "Infinity Mirror Rooms", Tate Modern, London, UK

Frida Kahlo & Diego Riviera House & Studio, Mexico City

Palacio De Bellas Artes, Mexico City

Museo Jumex, Mexico City

Museo Tamayo Arte Contemporanea, Mexico City

Paul Gugelmann "Poetic Machines", Aarau, Switzerland

MOVIES There are soooo many movies I still want to / need to see… I love movies but I prioritize work and live music in my life and I will only watch movies on planes, on (very very) rainy days or those rare times when I don't have a concert on my calendar, so here are a few of those rainy/non-concert films, in no particular order:

Killers of the Flower Moon (for the story, the acting and the soundtrack)

Equalizer 3 (because aside from its Hollywood-ish story and ending, it's a realistic look at how organized crime works in Italy)

Little Richard: I am Everything (for his story, his character, his music and his courage!)

Psychedelicized: The Electric Circus Stroy (for the amazing portrait of a time that's past but that changed NYC forever!)

American Symphony (for the amazing story, talent, spirit and courage of Jon Batiste)

32 Sounds (because my life is about sound…)

Hallelujah: Leonard Cohen, A Journey, A Song (because Leonard was an amazing artist and songwriter and singer and so many friends are in this movie)

Oppenheimer (because that history is so complex and so divided as the country in which it took place)

TRAVEL Travel is the richess of life! I travel SO MUCH that I am on a plane AT LEAST once a month and usually it is to an international location… This year was no different, so I've decided to only list 12 trips for this section:

January: Ringing in the year in a medieval tower in Barcelona and spending the first 4 days of the new year trying all the tapas bars, restaurants, food stands this beautiful city has to offer and seing the Sagrada Familia cathedral for the 3rd time in my life

February: Living in Amsterdam for 3 weeks visiting all the musuems, all the music venues and all the while working at the Dutch National Opera with some amazing folks (see list above)

March: Snowboarding the Swiss and the French alps

April: Visiting Knoxville Tennessee for Big Ears (easily the best independent music festival in the US!!!) for the 2nd time in 2 years, and hopefully the beginning of many more visits in the future!

May: Spending time in sunny Los Angeles and plotting a way to spend more time there and make music

June: Visiting London twice in one month to work and see amazing music shows, theater shows and art exhibits

July: coming back from London on July 6th only to realize that strangely there is no travel for the rest of this month! So weird and unusual!

August: Spending the month in Puglia, Southern Italy eating good food, kitesurfing in the Adriatic and Ionium sea, seeing tons of concerts and playing one myself!

September: arriving in Mexico City and getting my very own police escort motorcade to make it in time from the airport to the theater

October: On tour with John Zorn in Italy, France and the Netherlands

November: Flying to Los Angeles with a 36 hour notice for a concert I was hired for in secrecy having been told "we need a mixing engineer who can mix music for a room full of musicians" and showing up for the Robbie Robertson tribute orgnaized by Martin Scorsese with people like Joni Mitchell and Leonardo DiCaprio in attendance

December: DC-to-DF aka flying to Washgington DC to work at the White House and then flying straight to Mexico City I've finished the year with travel to my motherland of Switzerland, my fatherland of Italy and my second home of London UK!

+ + + + + + + + + + + + + + + + + + + + + + + + +

DJ Food aka Kevin Foakes

Music: Kosmischer Laufer - Volume 5 LP (UCR) Soia, Julien Sénélas, Jérôme Vassereau - In C for 11 Oscillators and 53 Forms LP (unjenesaisquoi) Cate Brooks - Tapeworks DL (Cafe Kaput) Memorials - Music For Film: Tramps! LP (State 51 Conspiracy) King Gizzard & The Lizard Wizard - PetroDragonic Apocalypse�� LP (Album of the year) Brian Eno - The Lighthouse radio station (Sonos) (most listened to) Niholoxica - Source of Denial LP (Crammed Discs) SareemOne - Olivine Window Coast Contra - Breathe & Stop Freestyle/Never Freestyle/Scenario Freestyle Move78 - Grains LP Heiroglyphic Being - The Moon Dance LP (Apnea) Raj Pannu - Past Crimes EP 12" (To Pikap Records) Gordon Chapman-Fox - The Nine Travellers LP (Castles In Space Subscription Library)

Gigs / Events: Beyond The Streets exhibition @Saatchi gallery, London Sunroof / Finlay Shakespeare @iklectik, London The Light Surgeons - The Consensual Hallucination @iklectik, London Memorials at the State 51 Summer Psych party @State 51, London FogFest2 @iklectik, London JG Thirlwell & Ensemble @Bush Hall, London Machina Bristronica, Bristol Visiting Peel Acres with Eilon Paz for Dust & Grooves Nihiloxia @the Jazz Cafe, London

Design / Packaging: Yves Malone - A Hello To A Goodbye LP (Castles In Space) Drumetrics - Phuzzle (Drumetrics) Waclaw Zimpel - Train Spotter LP (State 51) David Boulter - Factory 3" CD (Clay Pipe Music) Fluctuosa - Wetware EP 12" (Analogical Force) Fluxus - Orbit & Shine LP (Castles In Space) Floating Points - Birth4000 12" (Ninja Tune) Cate Brooks - Easel Studies LP + badge (Clay Pipe Music) Brian Eno - Top Boy OST CD (Beatink)

Books / Magazines / Comics: Medical Grade Music - Steve Davis & Kavis Torabi (White Rabbit) Doctor Strange - Fall Sunrise - Tradd & Heather Moore (Marvel) Tales To Enlighten - The New Testament - Matt King and James Edward Clark Pop - Milton Glaser (Phaidon) Kevin O'Neill Apex Edition (2000AD) Mark Stafford - Salmonella Smorgasbord (Soaring Penguin Press) Savage Impressions - Bruce Lichen (Independent Project Records) Hexagon Bridge - Richard Blake (Image) Monica - Daniel Clowes (Fantagraphics) Acid Valley - Luke Insect Petrol Head - Rob Williams & Pye Parr (Image) Lawless - Dan Abnett & Phil Winslade (Rebellion) Giant Robot Hellboy - Mignola/Fegredo (Dark Horse) Facelss & The Family - Matt Lesniewski (Oni Press)

Films: Barbie Squaring The Circle : The Story of Hipgnosis

[knightofleo]

Favourite Songs of 2023

abracadabra, Actress, Aïsha Devi, Ali Sethi, Ana Tijoux, ANOHNI and the Johnsons, Aphex Twin, Arthur Russel, Art School Girlfriend, Avalon Emerson, B. Miles, Baby Queen, Baltra, Bayonne, Belén Aguilera, Bendik Giske, Björk, Black to Comm, Blawan, Bleary Eyed, boygenius, Brimheim, Brutalismus 3000, Carly Rae Jepsen, Caroline Polachek, Carmen Villain, Caterina Barbieri, Chelsea Wolfe, Christine and the Queens, Complete Mountain Almanac, Confidence Man,P crushed, Daniela Pes, Decisive Pink, Deradoorian, Dj Karaba, Eartheater, Earth Trax, Feist, Fever Ray, Floating Points, Forest Swords, Gossip, GRETA, Gus Dapperton, Kate NV, Haley Blais, Hania Rani, Hannah Jadagu, Hannes Kretzer, Hayden Pedigo, Helena Deland, Hilary Woods, How To Disappear Completely, How To Dress Well, Ichiko Aoba, James Holden, Jenny Owen Youngs, JFDR, John Roberts, Jonah Yano, Julie Byrne, Justin Walter, Katie Gately, Kelela, Khotin, KISS OF LIFE, Kristin Hersh, Kumo 99, Laura Groves, Laurel Halo, Lawrence English, Loscil, L'Rain, Lucinda Chua, M83, Mandy, Indiana, Mark Barrott, Mary Lattimore, Matthew Herbert, Maya Jane Coles, Metteson, Militarie Gun, Mitski, Model/Actriz, Montañera, Naomi Sharon, Nathan Fake, Nation of Language, Nick León, Nicolas Jaar, Nico Paulo, Nina Kinert, Ólafur Arnalds, Palehound, Pangaea, Parannoul, Park Hye Jin, PJ Harvey, Poppy, Rosalía, Runnner, Ruth Radelet, Ryuichi Sakamoto, Salamanda, Sampha, Searows, Shalom, Shygirl, Sigur Rós, Siv Jakobsen, Skeleten, Slowdive, Sofia Kourtesis, spill tab, Stephen Steinbrink, Sufjan Stevens, Susanne Sundfør, TENGGER, 'T Geruis, Tim Hecker, Tinashe, Tsunaina, Two Shell, Tzusing, Underworld, U.S. Girls, Vanishing Twin, Willow Avalon, Wishy, Yerin Baek, yuné pinku

[kulturegroupie]

Michael Winner about Jimmy Page

Jimmy Page and Michael Winner at the Death Wish II premiere, 1982.

“They already had Isaac Hayes to do the music in Hollywood. There’s nothing wrong with Isaac Hayes, he’s very good, but I thought how dare they choose someone without consulting me? And he was doing it for nothing, I’m not sure why, and giving them a percentage of the record… But I’d lived next door to Jimmy for many years, I’d never seen him, never spoken to him. So I rang up the number, got onto Peter Grant, and actually Peter Grant was very clever because although Jimmy wasn’t paid anything, it was a very bad down period for him – the drummer [John Bonham] had died, and he was in a very inactive period. Jimmy was in a down period, bless him.

And he rang the doorbell, and I thought if the wind blows he’ll fall over. Ha ha! he might possibly have been on substances, shall we say, at that time…. He’s clean as a whistle now, he doesn’t even drink! He was running around the block the other day – he said “Don’t tell anyone I’m running, it will ruin my reputation.”

He saw the film, we spotted where the music was to go, and then he said to me “I’m going to my studio” – at the time he owned a studio in Cookham, it was later bought by Chris Rea. He said “I don’t want you anywhere near me, I’m going to do it all on my own.” Well, my editing staff said this is bloody dangerous! We’d normally expect to see a sample of music at least, and he’s never don a film! And I said, well, I trust him, that’s what we are going to do. I trusted him – just as I trusted Herbie Hancock for the first Death Wish, and Gato Barbieri for Fire Power. I’ve used a lot of these people who film companies don’t usually use.

Anyway, Jimmy then turned up with the score, and it was absolutely magical. Not only was it a great score but you know, filming is done to a 24th for a second, there are 24 frames of film go through every second… and everything hit the button totally! It was one of the most professional scores – well, I’ve never seen a more professional score in my life. On his own – we gave him the film, we gave him timings, and he did it all on his own. I personally edited the film and I laid the music on the film, and I’ll never forget, it was in my attic here in the house next to Jimmy’s – I put the two together, I put his start mark against our start mark, and I said “Fuck me! This is absolutely fucking incredible! Great music and its hits every fucking thing its meant to hit at the right time to the 24th of a second!” I was flabbergasted… he hit everything! You know, Herbie Hancock was adorable but he didn’t hit everything… Herbie was great, don’t get me wrong, but Jimmy was immaculate.

Then we made Death Wish III…. I cut up the music from Death Wish II and laid it against Death Wish III, and it fitted just as well. So I rang Jimmy one evening and said “Jimmy darling, do you want another film credit and you don’t have to do anything at all?” I recut the music, I used them differently, I chopped bits out the middle… I said “You come and see it Jimmy, it’s fucking perfect…” Jimmy said “I must give you new copies of the music from the original masters, I said ‘Well Jimmy I’ve got the masters, it’s perfectly alright…” he said No no. That’s how meticulous he is. “You want me to lay the whole thing again, lay every single cue by hand again?” I said “Jimmy, of course we will.” Hahaha! So he got two films for the price of one…

He was the ultimate professional, he was extremely gentle, extremely gentlemanly, I was asked to all his strange girlfriend’s parties – Charlotte, she’s now head of the church in Bray. He knows all the restaurants around here, recommends them to me now. He’s a great neighbour, a great person and a great expert on Victorian art – a serious expert on Victorian art. I went around all the painters and I didn’t realised then he’d been at art school. He’s got a fantastic collection of Victorian art, Byrne Jones tapestries and things.

Yeah, I once said to Jimmy “What’s all this about the occult and black magic?” Oh, he said, it’s all nonsense… well I’m sure it wasn’t nonsense, bless him, but he’d grown out of it by the time I’d met him. A lot of people had a period of lunacy, it didn’t matter – in his case particularly it didn’t matter, because that great talent was never affected by it.

I don’t think [Led Zeppelin] are going to reform. It’s well known that he has a kind of one off love affair with Robert Plant. One minute they love each other and the next they don’t… I think it’s 50/50 at best. Jimmy doesn’t need the money. What I admire about Jimmy is he is always working – I say “What are you doing Jimmy?”, “Well, it’s the 30th anniversary of something, I’m making a video, were redoing the film, re-relasing it…” He’s always doing something. I don’t know, I don’t want to get involved in asking impertinent questions because he’s a friend, you know? I’m quite happy to read about it in the papers.”

full interview: x

[schismusic]

THE DISCOGRAPHY PRINCIPLE, Episode 6: Kraftwerk - or, Electro-Shock for President

I've actually been sitting on this one for a really long time. It's hard to think of anything meaningful to add in the presence of History itself.

TIME Magazine had this cute cover out on February 8th, 1993 — a guy sits on his computer, his left eye is prosthetic and the cables from the CRT screen swerve and swirl towards a purple spiral in the background. Big title in the middle, CYBERPUNK, and right under there a small blurb that reads like an amateur Steam developer trying to make his generic-ass game set in twenty-seventy-something appealing to you. It's mesmerizing to think that the early 1990s were still a time where you could legitimately hope for a cyberpunk utopia without hearing your own personal Seinfeld laugh track in your head. Of course this devolved into one of the foundational bits of reading in my teenage years: Ondarock's biographic pieces about specific artists and bands. Eddy Cilìa — one of the deans of Italian music criticism — wrote one about Kraftwerk that at one point says the following (translated to English by yours truly):

"… if Kraftwerk's music is still to this day all bent forward, lyrics and visual concepts still taste more like modern antiques than they do modernity. Theirs is a vision of the future hailing from a past when it was possible to imagine prosperous and tidy days to come, with squeaky-clean cities, immense green spaces, eight-lane highways overruled by giant electronic brains. Before the petrol wars and microchips. Before Blade Runner. Before cyberpunk. Before we realized we were fucked. Those who know that unforgettable William Gibson short story, The Gernsback Continuum (off of Burning Chrome) will understand."

Cue the BBC using Kraftwerk's Musique Non Stop and Electric Café to soundtrack William Gibson reading some of the bleakest bits off of Count Zero (I'm gonna link the program here, but unfortunately the bits where the tracks play have been muted, so there's that). I don't even find it infuriating or distracting or inappropriate, even: at this point cyberpunk as an aesthetic is modern antique, whereas cyberpunk as a collection of themes wildly oscillates between the hopelessly romantical and the unfortunately timely. Both of these things very aptly describe Kraftwerk's Electric Café, the last record with the classic lineup of Hütter, Schneider, Bartos, Flür. Electric Cafè, or Techno Pop for either irredeemable zoomers or the unlucky few who worked with the band from 1982 to 1986, sounds like someone trying really hard to be relevant: Sex Object is like one degree of separation away from Depeche Mode, minus the inherent sexiness of Depeche Mode — as retroactively superimposed as it may be — and as such laughable, and not in a good way. Basically the entirety of side one (perhaps even The Telephone Call, if Computer Love didn't already exist) would go stupid hard if it had come out on, for instance, in The Man-Machine era. Unfortunately the record feels too thematically unsound to work the way a Kraftwerk record usually works, mostly because for the first time ever the band seem to take the concept with actual seriousness.

So many people focus on the supposed future-proof nature of Kraftwerk which in retrospect kind of feels a bit laughable — it's like when some of these YouTube guys allow the possibility that the work of a band like Boards of Canada "still sounds fresh". It's good, obviously, but can we really close our eyes and pretend like no one ever considers making intentionally warbly sounding electronic music in the year of our Lord two-thousand-and-twenty-four, where people are falling head over heels for the new Oneohtrix Point Never record? Kraftwerk is dated, because Gary Numan and John Foxx and Depeche Mode and Afrika Bambaataa and the Soul-Sonic Force and Cybotron and Model 500 and Aphex Twin and Autechre and Deadmau5 and Avicii and Skrillex and NERO and Caterina Barbieri and DJ Haram and Suzi Analog and so many others exist and have, in their own way, dated. That is exactly what makes Kraftwerk the greatest. Their studio production mostly wears its age with confidence: sure, if you want to be terrible to it you could argue it sounds like a bunch of Apple IIe terminals desperately fighting for their life in the bathroom after a night out at Taco Bell, but that would fundamentally miss the core point which is that they very clearly fucking knew that this was going to happen. And even their lyrical optimism is much darker than most give them credit for. Like, seriously, stop and think for a moment: science fiction in the 1970s was all about aliens, everywhere. Isaac fucking Asimov, robot dude par excellence, wrote a book about aliens for the first and, if memory serves, only time in the year 1972, and then never again. The highway was a gleefully old fashioned concept to be excited about, and so was the train — more so than the highway, actually. They hopped back onto the zeitgeist with Computer World, but again, it was minimal, barren, and the lyrics used to bite. The German version of the title track, for instance, loves to remind the listener that "Interpol und Deutsche Bank, FBI und Scotland Yard, Finanzamt und das BKA haben unsere Daten da" — they have our data there!

A while back there used to be this great blog on this site called One Week One Band where they once did a week fully dedicated to Kraftwerk which explains most of the shit I would be going on in this post, and does so in a much more interesting and accurate way than I could ever; obviously so, since I'm writing at 3:20am because I had a really rough Tuesday night which fucked up my sleep schedule into unrecognizability. Anyway yeah I'm not even going to try to actually get into the lyrics, mostly because I never really gave a shit, minus the funny bits about meeting Iggy Pop and David Bowie from station to station back to Düsseldorf city and that bit about how they want to fuck an up-and-coming starlet (Big Black really upped the sleaziness factor in their cover, actually making it sound more like Kraftwerk's backstage activities — at least according to Wolfgang Flür — than Kraftwerk's recorded output); the short version is that it's simply insane to me that nobody ever bothered thinking "goddamn, this is simply too shiny and chrome and polite to be serious, and how the fuck am I supposed to take the robot disguise seriously, maybe they're taking the piss somewhat?", which is extremely egregious given the very nerdy humor on constant display in their lyrics and song titles — Antenna, for instance, reads like a dirty poem on a trade school's toilet stall, and I don't think I have to add anything to Ohm Sweet Ohm. But what do you know: as some of you might have guessed I like nerdy humor that makes no sense and fails catastrophically at conveying any sense of zest and class and sexiness, because Kraftwerk never meant to be fucking sexy. They wanted to make volksmusik, i.e. a literal German translation of popular music. They succeeded.

In case you're wondering, my favourite Kraftwerk record changes depending which one I've listened to the most recently, but gun to my head I would probably say Trans Europe Express. I spent a lot of time listening more or less exclusively to the German language versions of some of these records, and it's weird using the English titles for me, but ultimately it makes more sense. If it is to be volksmusik, in this day and age, it has to be musik of all volk, and as such of all folks, and statistically speaking there are more people speaking English than German — at least in my personal social circle. Anyway, the thing about TEE could be this: the beauty of it is that it has everything in itself, but the real kicker is that none of that is made explicit to the fullest. All of the sequenced hopping synthpop, the melancholy melodies of New Romantic, the drive and danceability of hip hop, a certain sense of coldness that post-punk as a whole would make its own — see Ian Curtis's obsession with this particular record (and, on a slightly different note, how the surviving members of New Order would go on to sample Uranium, which if you ask me might rank as one of the hardest interlude tracks on any record ever) — are here but in very throwaway forms, i.e. they do not make the case for themselves. In the moment of their conception, they must have been seen as ad-hoc arrangement tactics, perhaps even as a holistic compositional approach: they are not their own justification, nobody woke up and said "I am going to make a whole record about this here technique", as testimonied by the change in mission statement right in the middle of the making. The band had been recording trains to see if they could use the inherent rhythm in their motion to make something danceable, but they realized it didn't work because they'd have to be sped up to unrecognizability; so, they dropped the field recording/tape loop idea and recreated the groove in the studio with conventional drums. On the other hand, cue John Foxx turning into a Ballardian neon-lit dandy for his solo debut, extrapolating on TEE's sounds to better delineate a colder, more anthropic, more impersonal, more atonal and (why not?) perhaps more violent European landscape.

Sure one might argue that their reference landmarks are predominantly European, predominantly focused on the classical era of music (1600s-1800s, very roughly), predominantly if not entirely diatonic, but their opus very clearly works — it very clearly has worked, over and over again — as a potentially ever-expandable theoretical framework. Their minimalism became the empty spaces it left open, the boxes it didn't tick. As much inspiration as Kraftwerk drew from funk, a slight increase of the funk coefficient on the part of black artists in the United States invented techno, hip-hop, electro. Kraftwerk didn't, themselves, change the face of contemporary popular music, they "simply" allowed other people to reshape contemporary popular music a hundred times over. It feels like a miracle to listen to this music in the current day and age.

[onetwofeb]

Abdullah Ibrahim Band 1968 NDR (G) 

Abdullah Ibrahim  (p) John Tchicai, Gato Barbieri (reeds) Barre Phillips (b) Makaya Ntshoko (d):  Jabolani (= "Joy")

[coralmorphologic]

Greetings, Earthlings! Today we offer a special #EarthDay Coral City Camera Mix from Animal Collective. Tune into http://www.coralcitycamera.com/ to jam the 23rd CCC Mix, 'Dream Stuff’ 〰️✨🌎✨〰️

For the 23rd CCC Mix, 'Dream Stuff', Deakin and Geologist of Animal Collective present a two-hour water magic mixtape that gently segues from golden hour meditations to gauzy twilight jams.

From their inception, the four members of Animal Collective: Deakin, Geologist, Avey Tare and Panda Bear have created music as primal as face paint and as expressive as the yells they first fed into their sampler. Every new record is a change in direction on a journey undertaken without maps. The destination remains the same - the Collective consciousness, where formulae and rules can never be applied.

Tracklist:

00:00 - Lia Kohl - or things may be dropping 05:06 - Extradition - A Water Song 09:30 - Shabaka - Ital is Vital 13:51 - Laraaji - All Pervading (excerpt) 22:15 - Marconi Notaro - Oh. Greedy Life 25:48 - Pierre Henry - Etudes transcendantes pour un piano imaginaire: No. 4, Étude à l'accordage 26:20 - Monoton - Singsang 28:59 - Mary Hopkin - Ocean Song 32:48 - Eric Vann - Bubble Snail 35:00 - David Casper - Dream Journey 39:29 - Roberto Musci - Water Music 41:20 - Brian Hodgson, Delia Derbyshire & Don Harper - Liquid Energy (Underscore Version) 41:53 - John Martyn - Small Hours 50:10 - Zomes - Improvisitions No. 2 (excerpt) 58:35 - Kendra Smith - Iridescence 31 1:11:26 - Branko Mataja - Da Smo Se Ranije Sreli 1:14:24 - Daphne Oram - Phensic 1:15:17 - Caterina Barbieri - Fantas Variations 1:21:54 - Bendik Giske - Cruising (Laurel Halo Remix) 1:28:15 - Lifted - Best (feat. Panda Bear) 1:33:15 - Markus Guentner - In Moll 6 1:38:54 - Francesco Fonassi & Marta Solagni - Deriva 1:42:50 - Patricia Wolf - Under a Glass Bell 1:47:10 - Peter Lind Hayes and Tommy Rettig - Dream Stuff

@anmlcollective www.instagram.com/anmlcollective/ www.discogs.com/artist/207958-Animal-Collective

Mix art by @coralmorphologic Mix art direction by @vacationsnyc

www.coralcitycamera.com/

[jt1674]

[miscellaneous-art]

Guercino (Giovanni Francesco Barbieri), St. John the Baptist in Prison, Visited by Salomé, 17th century. © Princeton University Art Museum

[scienceninjaturtle]

MARVEL & DISNEY: WHAT IF…? MINNIE BECAME CAPTAIN MARVEL #1

STEVE BEHLING & LUCA BARBIERI (W) • GIADA PERISSINOTTO (A/C)

VARIANT COVER BY ELENA CASAGRANDE • VARIANT COVER BY PEACH MOMOKO

MINNIE MOUSE CAPTAIN MARVEL VARIANT COVER BY PHIL NOTO

MINNIE MOUSE CAPTAIN MARVEL VIRGIN VARIANT COVER BY PHIL NOTO

VARIANT COVER BY SKOTTIE YOUNG • BLACK AND WHITE VARIANT COVER BY GIADA PERISSONOTTO

WHAT IS THE SECRET PAST OF MINNIE MOUSE?

• Inspired by MS. MARVEL VOL. 1 #1-4, our story finds The Chronicle newspaper reporter MINNIE MOUSE tasked with an exposé on a new hero on the scene in Duckburg, CAPTAIN MARVEL! But PEG LEG PETE – SCORPION complicates her plans with an attack on the Chronicle building!

• To make matters worse, JOHN D. ROCKERDUCK and the BEAGLE BOYS attack SCROOGE McDUCK'S money bin, and when Captain Marvel shows up to stop them, Minnie discovers an incredible secret about her past!

• What is Minnie's connection to Duckburg's sensational new hero, Captain Marvel?

32 PGS./ONE-SHOT/All Ages …$4.99