#John Ajvide Lindquist
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17, 21, 26!
Thank you!
17. A book you’re currently reading
I'm reading Neon Yang's The Genesis of Misery for my book club and it's soooooo good highly recommend queer NB Joan of Arc in post-apocalyptic space. I'm also nearly finished with John Ajvide Lindquist's Harbor which is good but sad and also very Swedish.
21. What colour would you like to dye your hair
I used to dye my hair so much in high school I miss it. Probably if I did it again like a mix of blue and green and teal like really mermaidy.
26. If you could be doing anything you like right now, what would you do?
Already answered this once with how I'm spending my Sunday, this time I will answer less realistically and say I would be in Paris or Prague or wherever spying on S2 filming >.>
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Cool vampire books with more sex less violence that I recommend
[a list for @blogbunnyrabbit] [queer edition]
Carmilla by Sheridan LeFanu (lesbian vampire)
The Vampyre - John William Polidori (available via project gutenberg, based on lord byron)
Certain Dark Things - Silvia Moreno Garcia (Mexico City vampire gangs, cops, and the police collide. probably more violence.)
Dracula (get the annotated version for maximum gay subtext. Note the heavy breathing and emissions)
Master of the Universe by IceQueenSnowDragon (many of you know this as fifty shades of grey: this is the origin story)
Interview With A Vampire (also gay, Southern Gothic, angst, child vampires)
Morganville series- Rachel Caine (I really only recommend books 1-8 but book two does have iffy consent if I remember right. Genius Claire moves to small town Texas and discovers the town is run by Vampires.)
Anno Dracula - Kim Newman (the greatest vampire mashup. Genevieve is a senior vampire and tracking down Jack the Ripper in an alternate history. Violence.)
The Historian - Elizaeth Kostova (slow burn featuring vampires and a mystery.)
Let The Right One In - John Ajvide Lindquist (very violent but gender neutral vampire. Bullied child Oskar meets Eli, a girl who only comes out at night and looks and smells filthy. tw attempted rape, violence, murder, bullying)
Carpe Jugulum - Terry Pratchett
The Quick - Lauren Owen ( do not read if you hate WIPs, more victorian vampires, also queer)
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sorted alphabetically by first name dates are when I began and finished reading
currently reading Arkady Martine, A Memory Called Empire [28.12.2020 —] Marlon James, Black Leopard, Red Wolf [28.12.2020 —]
on pause
Andri Snær Magnason, LoveStar Becky Chambers, The Long Way to a Small, Angry Planet Italo Calvino, The Castle of Crossed Destinies, translated by William Weaver Michel Faber, The Book of Strange New Things
finished
Angélica Gorodischer, Kalpa Imperial, translated by Ursula K. Le Guin [18 — 26.12.20] Arkady and Boris Strugatsky, Roadside Picnic, translated by Olena Bormashenko Asja Bakić, Mars: Stories, translated by Jennifer Zoble [11 — 1.12.20] Cormac McCarthy, The Road [26 — 29.12.2020] Italo Calvino, Invisible Cities, translated by William Weaver [20.11.20 — 9.12.20] Italo Calvino, The Nonexistent Knight, translated by Achiblad Colquhoun Jeanette Winterson, The Stone Gods Lidia Yuknavitch, The Book of Joan [4.12.20] Lord Dunsany, The Book of Wonder [14.11.20] Marie Darrieussecq, Our Life in the Forest, translated by Penny Hueston [28.12.2020] Rodrigo Fresán, The Bottom of the Sky, translated by Will Vanderhyden [20 — 23.12.20] Stanisław Lem, Solaris, translated by Bill Johnston [21 — 24.11.20] Ursula K. Le Guin, The Dispossessed [24 — 26.11.20]
to read
Alejandro Jodorowski Aleksandar Tesic, Kosingas: The Order of the Dragon Alex Dally MacFarlane, Feed Me the Bones of Our Saints Andrus Kivirähk, The Man Who Spoke Snakish *Angélica Gorodischer, Trafalgar Anjali Sachdeva, All the Names They Used For God Anna Kavan, Ice Annalee Newitz, Autonomous Annalee Newitz, The Future of Another Timeline Arkady and Boris Strugatsky, Hard To Be A God Arkady and Boris Strugatsky, Noon: 22nd Century A.S. Byatt, The Djinn in the Nightingale’s Eye Becky Chambers, Record of a Spaceborn Few Berit Ellingsen, Not Dark Yet Beth Plutchak, Liminal Spaces Carmen Boullosa, Heavens on Earth Carol Emshwiller, Carmen Dog Carolyn Ives Gilman, Dark Orbit Catherynne M. Valente, Six-Gun Snow White Catherynne M. Valente, Space Opera Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making Catherynne M. Valente, The Habitation of the Blessed Charles Yu, How To live Safely in a Science Fictional Universe Charlie Jane Anders, All the Birds in the Sky Charlie Jane Anders, The City in the Middle of the Night Christina M. Rau, Liberating he Astronauts Cixin Lui, The Three-Body Problem Dan Simmons, The Hyperion Cantos Daniel Kehlmann, Tyll Daniel Mallory Ortberg, The Merry Spinster Eleanor Arnason, Hwarhath Stories: Transgressive Tales by Aliens Ellen Kushner, Riverside Emily St. John Mandel, Station Eleven Guido Morselli, Dissipatio H.G.: The Vanishing Herbert Rosendorfer, The Architect of Ruins, translated by Mike Mitchell *Iain M. Banks, Consider Phlebas Ian McDonald, Luna: Wolf Moon Isaac Asimov, Foundation James Blish, Cities in Flight Jan Morris, Hav *Jeff VanderMeer, Annihilation Jeff VanderMeer, Authority Jeff VanderMeer, Acceptance Jeff VanderMeer, The Compass of His Bones and Other Stories Johanna Sinisalo, Troll: A Love Story Joe Haldeman, The Forever War John Conolly, The Book of Lost Things John Keene, Counternarratives Kameron Hurley, The Stars Are Legion
*Kazuo Ishiguro, The Buried Giant Kazuo Ishiguro, Never Let Me Go Leigh Brackett, The Big Jump Linda Nagata, Vast Lois McMaster Bujold, Shards of Honor *Lola Robles, Monteverde: Memoirs of an Interstellar Linguist, translated by Lawrence Schimel L. Timmel Duchamp, Love’s Body, Dancing in Time L. Timmel Duchamp, Alanya to Alanya Margaret Atwood, Oryx and Crake Marlen Haushofer, The Wall Mervyn Peake, Gormenghast Olga Tokarczuk, Primeval and Other Times Olga Tokarczuk, House of Day, House of Night *Patricia A. McKillip, In the Forests of Serre Patrick Rothfuss, The Name of the Wind Peter S. Beagle, The Last Unicorn Samuel R. Delaney, Nova Samuel R. Delany, Babel-17 Samuel R. Delaney, Return to Nevèrÿon Samuel R. Delany, They Fly At Ciron Sergey & Maria Dyachenko, The Scar Sergey & Maria Dyachenko, Vita Nostra Seth Dickinson, The Monster Baru Cormorant Seth Dickinson, The Traitor Baru Cormorant Seth Dickinson, The Tyrant Baru Cormorant Sjón, Codex 1962 Sofia Samatar, The Winged Histories
Stanisław Lem, His Master’s Voice Stanisław Lem, Return from the Stars Stanisław Lem, The Cyberiad Stanisław Lem, The Star Diaries Tanith Lee, Space Is Just a Starry Night Tatyana Tolstaya, The Slynx Vladimir Sorokin, The Ice Triology Vonda N. McIntyre, Dreamsnake Yoss, Condomnauts, translated by David Frye Yoss, Red Dust, translated by David Frye Zoran Zivkovic, The Library
**
Anja Sachdeva, All the Names They Used For God Anna Kavan, Machines in the Head: Selected Stories
Catherynne M. Valente, The Bread We Eat in Dreams Diana Wynne Jones, Believing is Seeing Emma Donoghue, Kissing the Witch Italo Calvino, The Complete Cosmicomics John Ajvide Lindquist, Let The Old Dream Die and Other Stories *Kanishk Tharoor, Swimmer Among the Stars Karen Russell, Saint Lucy’s Home For Girls Raised by Wolves Karin Tidbeck, Jagannath: Stories Kelly Link, Monstrous Affections Kelly Link, Stranger Things Happen Leena Krohn, Collected Fiction (translated by various) Leigh Brackett, Sea-Kings of Mars Peg Alford Pursell, A Girl Goes Into the Forest Tatyana Tolstaya, Aetherial Worlds
Ted Chiang, Exhalation Ted Chiang, Stories of Your Life and Others
** Desirina Boskovich (editor), It Came from the North: An Anthology of Finnish Speculative Fiction Eugenio Lisboa and Helder Macedo (editors), The Dedalus Book of Portguese Fantasy Eric Dickens (editor), The Dedalus Book of Flemish Fantasy Johanna Sinisalo (editor), The Dedalus Book of Finnish Fantasy Margaret Jull Costa and Annella McDermott (editors), The Dedalus Book of Spanish Fantasy Mike Mitchell (editor), The Dedalus Book of Austrian Fantasy: 1890-2000 David Connolly (editor), The Dedalus Book of Greek Fantasy Richard Huijing (editor), The Dedalus Book of Dutch Fantasy Yvonne Howell (editor), Red Star Tales: A Century of Russian and Soviet Science Fiction
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Books Owned But Unread
Fiction:
Joe Hill - The Fireman
Patricia Highsmith - The Talented Mr Ripley
Emma Cline - Girls
Kirsty Logan - The Gracekeepers
Seth Patrick - Lost Souls
Slyvain Neuval - Waking Gods
Mark Z. Danielewski - The Familiar Vol 1
Graeme Macrae Burnet - His Bloody Project
Austin Wright - Tony & Susan
Patricia Highsmith - Carol
Darcie Wilder - Literally Show Me A Healthy Person
Tracy Chevalier - New Boy
Andy Weir - Artemis
Michelle Paver - Dark Matter
Robert Daws - The Posisoned Rock
Laura Lam - False Hearts
Italo Calvino - If On A Winter’s Night A Traveler
Megan Bradbury - Everyone Is Watching
Sunil Yapa - Your Heart Is A Muscle the Size of A Fist
George R.R. Martin - A Clash of Kings
Sarah Moss - The Tidal Zone
Matthew Blakstad - Lucky Ghost
Toni Morrison - Tar Baby
Jeff Vandermeer - Annihilation
Colson Whitehead - Zone One
Kathy Reichs - Death Du Jour
Ann Cleeves - The Crow Trap
Ward Moore - Bring the Jubilee
Lisa McInerney - The Glorious Heresies
Chuck Palahniuk - Haunted
Michael Crichton - State of Fear
Neil Gaiman - How the Marguis Got His Coat Back
Agatha Christie - The Double Clue
James Patterson - NYPD Red 2
Maud Pember Reeves - Round About A Pound A Week
Paul Torday - Salmon Fishing In the Yemen
Jonathan Safran Foer - Extremely Loud & Incredibly Close
Daniel H Wilson - Robopocalypse
Yann Martel - Life of Pi
David Wong - John Dies At the End
Lauren Weisberger - The Devil Wears Prada
James Joyce - A Portrait of the Artist As A Young Man
John Ajvide Lindquist - Let the Right One In
Gregory Maguire - Wicked
Richard Yates - Revolutionary Road
Paul Beatty - The Sellout
Jane Shemilt - Daughter
Jane Isaac - The Truth Will Out
Karin Slaughter - Genesis
S.K. Tremayne - The Fire Child
Isaac Marion - The Burning World
Adrien Bosc - Constellation
Laura Power - Air-Born
Laura Power - Earth-Bound
Keith DeCandido - House of Cards
Wayne Simmons - Flu
Harper Lee - Go Set A Watchman
Dean Koontz - The City
Charlotte Bronte - Jane Eyre
Ali Smith - The Accidental
John Burnside - Glister
Lauren Owen - The Quick
Tom McCarthy - Satin Island
Dave Eggers - The Circle
Donna Tartt - The Secret History
Robert Harris - The Ghost
Michel Faber - The Fire Gospel
Michel Faber - The Book of Strange New Things
James Patterson - Pop Goes the Weasel
Jeff Lindsay - Dexter’s Final Cut
Gaston Leroux - The Phantom of the Opera
Banana Yoshimoto - Kitchen
Sinclair Lewis - It Can’t Happen Here
Kurt Vonnegut - Cat’s Cradle
Joseph Heller - Catch 22
Mark Twain - The Adventures of Huckleberry Finn
Bram Stoker - Dracula
Cory Doctorow - Makers
YA/Children's Fiction:
A.S. King - Still Life With Tornado
Patrick Ness - More Than This
Andrew Smith - Stand Off
Andrew Smith - The Alex Crow
Johan Harstad - 172 Hours on the Moon
Ernest Cline - Ready Player One
Tommy Wallach - We All Looked Up
Karen Thompson Walker - The Age of Miracles
Tess Sharpe - Far From You
Leila Sales - This Song Will Save Your Life
Darragh McManus - Shiver the Whole Night Through
Rachel Cohn & David Levithan - Nick & Norah’s Infinite Playlist
Laura Lam - Pantomime
Laura Lam - Shadowplay
Cassandra Clare - The Bane Chronicles
Cassandra Clare - Tales From the Shadowhunter Academy
Cassandra Clare - The Shadowhunters Codex
Cassandra Clare - Lady Midnight
Cassandra Clare - Lord of Shadows
Andrew Smith - 100 Sideways Miles
Karen Nesbitt - Subject To Change
Anna Day - The Fandom
Brendan Reichs - Nemesis
Chinelo Okparanta - Under the Udala Trees
Nina LaCour - We Are Okay
Sarah Alexander - The Art of Not Breathing
Liz Kessler - Read Me Like A Book
Lisa Williamson - The Art of Being Normal
Laurie Halse Anderson - Wintergirls
Marie Lu - Legend
Eve Ainsworth - 7 Days
Lesley Walton - The Strange & Beautiful Sorrows of Ava Lavender
Malinda Lo - Ash
Larry Duplechan - Blackbird
Makina Lucier - A Death Struck Year
James Patterson - Witch & Wizard
Jandy Nelson - I’ll Give You the Sun
Nick Burd - The Vast Fields of Ordinary
Libba Bray - Beauty Queens
Jack Cheng - See You In the Cosmos
Jennifer Niven - Holding Up the Universe
Becky Albertalli - The Upside of Unrequieted
Lauren Oliver - Replica
Ken Catran - Deepwater Black
Will McIntosh - Burning Midnight
Tahereh Mafi - Shatter Me
Libba Bray - The Diviners
Emily M Danforth - The Miseducation of Cameron Post
Carolyn Jess-Cooke - The Boy Who Could See Demons
Bali Rai - Killing Honour
Gayle Forman - If I Stay
Andre Aciman - Call Me By Your Name
E. Lockhart - We Were Liars
Katie Coyle - Vivian Versus the Apocalypse
Leah Thomas - Because You’ll Never Meet Me
David Arnold - Mosquitoland
Laure Eve - The Graces
Lisa Heathfield - Paper Butterflies
Ransom Riggs - Hollow City
Em Bailey - Shift
Francesca Haig - The Map of Bones
Rainbow Rowell - Carry On
Bryony Pearce - Phoenix Rising
Lou Morgan - Sleepless
Graham Marks - Bad Bones
Jess Vallence - Birdy
Teri Terry - Slated
Non-Fiction:
Brian Cox - Human Universe
D’Arcy Jenish - The NHL: A Centennial History
Greg Oliver - Don’t Call Me Goon
Andrew Hodges - Alan Turing: The Enigma
Susan Cain - Quiet: The Power of Introverts
Carl Sagan - Cosmos
Rebecca Skloot - The Immortal Life of Henrietta Lacks
Brian Cox - E = mc“?
Stacey Schiff - The Witches
Julian Sayarer - Interstate
404 Ink - Nasty Women
Lynn Povich - The Good Girls Revolt
Michael Finkel - The Stranger In the Woods
Kent Russell - I Am Sorry To Think That I Have Raised A Timid Son
Luke Harding - Snowden
Mary Roach - Stiff
Yuval Noah Harari - Homo Deus
Bill Bryson - The Lost Continent
Naomi Klein - No Is Not Enough
Dave Cullen - Columbine
Ian Nathan - Inside the Magic: The Making of Fantastic Beasts
Bob McCabe - Harry Potter Page To Screen
Adharanand Finn - Running With the Kenyans
Aurellien Ferenczi - Masters of Cinema: Tim Burton
Steven Levitt & Stephen Dubner - Think Like A Freak
Olivia Lang - The Lonely City
Michelle Tea - The Chelsea Whistle
Simon Singh - Big Bang
Tristan Taormino - The Feminist Porn Book
Kurt Vonnegut - A Man Without A Country
Nick Frost - Truths, Half Truths & Little White Lies
Russell Brand - Revolution
Robert M Pirsig - Zen & the Art of Motorcycle Maintenance
Francis Spufford - The Child That Books Built
Dominic Hibberd - Wilfred Owen
George Vecsey - Baseball
Richard Wiseman - Paranormality
Neil Gaiman - Adventures In the Dream Trade
Nicola Field - Over the Rainbow
Jaclyn Friedman & Jessica Valenti - Yes Means Yes
Elizabeth Kolbert - The Sixth Extinction
Eddie Izzard - Dress To Kill
Stephen Smith - Underground London
Plays/Poetry/Short Story Collections:
Tom Hanks - Uncommon Type
Joe Hill - Strange Weather
Dean Atta - I Am Nobody’s N*****
Amerlle - Because You Love To Hate Me
Roxanne Gay - Difficult Women
Mark Gatiss - Queers: Eight Monologues
Graphic Novels/Manga:
Tsugumi Ohba - Death Note Vol 6
Tsugumi Ohba - Death Note Vol 7
Tsugumi Ohba - Death Note Vol 8
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Let the Right One In (2008) Directed by Tomas Alfredson I had been meaning to watch this movie for quite some time, and got to see it as part of the Cinephiles Film Club's Swedish Retrospective, last month. Last week, CFC also held a panel discussion on the Swedish movies watched in June, of which I was a part. I discussed this movie and gave my analysis of it. Some of those points are spoilers, but I still want to cover them here. So, I'll move them to the first comment on this post (if you are reading this elsewhere, on Facebook for example, you can come to Instagram and see the comment). The movie is an adaptation of the book by John Ajvide Lindquist (who also wrote the screenplay). It's about the relationship between the lonely 12 year old Oskar and a girl Eli, who moves in next door. The exact nature of what Eli is considered a spoiler by some, so I won't mention it here. Suffice to say she is different, and lonely in her own way, so the two find a connection. The movie was very well made. It had a relatively slow pace, and was very subtle. Nothing called attention to itself (sound, music, violence, drama), except when it needed to, which made it more effective. I loved the cinematography (Hoyte Van Hoytema, "Interstellar" and Alfredson's "Tinker Tailor Soldier Spy"), the movie had a clean look and lovely visuals. I really liked the movie and would rate it an 8/10. I intend to watch the remake "Let Me In" as well. This is a sketch of Eli from the movie, from a particular scene that I discussed during my talk on the movie (details again, in the first comment). I believe it's one of the important scenes in the movie as it reflects many of the themes, and was very well crafted. The sketch was done with pencil and a red colour pencil, and scanned. #273 / 12-Jul-17 (at Marredpally)
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Jag råkade tänka på Ajvides "Himmelstrand" i två sekunder och nu har jag ont någonstans på insidan av bröstkorgen. :(((((((
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30 Day Reading Challenge- Day 1
Day 1- Best Book I read this year
I'll go with "best book I read that I hadn't read before." And I can't narrow it down, so I have three.
Last Bridge by Teri Coyne- an alcoholic young woman comes back to her childhood home after her mother commits suicide, leaving a note addressed to her reading "He's not who you think he is." this was seriously depressing at first because the narrator, Cat/Alex, has had a sincerely horrendous life and as an adult is struggling from the fallout, but it was realistically written and she does ultimately manage to find contentment.
The Radleys by Matt Haig- Helen and Peter are your average British couple- except that they're hiding from the world and their children that they are actually abstaining vampires. When their daughter loses control and attacks a boy, not understanding who she is, their world is shot. not at all your typical "our family is a pack of vampires" book. It's an adult book, for one, and it's written with with and style and makes a lot of social commentary. It's more about a normal family who just happens to also be secret vampires. I loved it.
Little Star by John Ajvide Lindquist- a baby is discovered in the woods capable of singing on perfect pitch, and the man who finds her takes her home with him, locks her in the basement, and continues to teach her while isolating her from the world. What happens when she grows up is quite disturbing.
creepy and unsettling, like an odd fairy tale traffic jam where you see what's coming and keep holding your breath until it finally happens. I loved Theres, as very odd and disturbing as she was.
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Who can say what is just a mire of dark needs and desires, and what is true love? Does such a thing exist? Can't it be that if we say, 'I love you' to another person and know that we mean it, then that is love, regardless of the motive?
Harbor, John Ajvide Lindquist, Page 446
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Omg they are gonna make a movie of Handling the Undead! *flail*
If they handle it as well as Let the right one in it's going to be amazing!
Then hopefully they'll do Harbour as well, it's my favorite Ajvide Lindquist novel
#John Ajvide Lindquist#I can not express how excited I am over this!#Hanteringen av odöda#Handling the undead#Hopefully it won't suck#please don't suck
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Let The Right One In: John Ajvide Lindquist
I confess I saw the film (US version) before the book, so some of the elements weren't a surprise. Although, the book is obviously the source of the surprising way Lindquist uses all the stock elements of the vampire myth and re-casts them in a very non-traditional manner.
The seediness and grubbiness of the culture in which the characters live wasn't captured in the film. (Or maybe I just can't understand American suburbia.) The subculture of all the alcoholics is really well done in the book, I think.
In the US film, the whole paedophilia, castrated boy vibe was completely missed out.
Other notable things:
Lindquist is happy to devote a lot of time to very minor characters. But this means when they meet the horror it makes it more painful. When the characters carry their own subplot the results can be very affecting, such as the Veronica/ Lacke relationship.
Brilliant on the horrors of being a schoolchild.
Slightly unremitting in that there doesn't seem to be a single parent or guardian who isn't absolutely useless at it. (Mainly, the men, but the mothers too.)
It had all these real strengths (Lindquist can bloody well write!) but I suppose I felt it lacked depth in that:
1. the evil characters weren't really evil, they were just possessed with the vampire-virus-sub brain. (Possibly the real evil character was the aristo who infected Eli -- that the scene of the children's meal is the horrific memory that stays in my mind the most rather proves the point)
2. The grubbiness and child's viewpoint took away the attractive (sometimes uncomfortably attractive) elements of the vampire. The sex, control, eternal life, debauched-aristo-with-nothing-better-to-do stuff that gives, even the non-glamorous ones an attraction.) A call to the reader's own temptations.
I guess point 2 was done specifically to be anti-Twilight. And yet, by taking out those elements the vampire just becomes another variant on a zombie.
Perhaps the vampire myth is fucked.
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