#Joe Webb Art

[ars-solitudine]

Joe Webb

[marejadilla]

Joe Webb, "Mind Blown", Collage, 2019

[octarinespill]

Joe Webb - Galactic Dance, 2021

UV print, silver and gold leaf with glitter on linen canvas

[thalitadmoraes]

E eu que tive o maior trampo nesse desenho e depois simplesmente ~esqueci~ (por quase dois meses) dele... Oxi (^.^;)

Parecem personagens de um cartum de terror, mas são só os moços do The Horrors (na época em que eles realmente se pareciam com os membros de uma banda com esse nome).

[2t2r]

Les collages cyniques de Joe Webb

Nouvel article publié sur https://www.2tout2rien.fr/les-collages-cyniques-de-joe-webb/

Les collages cyniques de Joe Webb

[addictedgallery]

Let us get #INYAFACE with our Guest Curation on Printed Editions

Thanks to the team for giving us the opportunity!

[dreaminginthedeepsouth]

Art: Collage by Joe Webb

* * * *

“What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions." "In 1984", Huxley added, "people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure." In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us.”

~Neil Postman

Book: Amusing Ourselves to Death :: by Neil Postman

[lostfunzones]

'When a population becomes distracted by trivia, when cultural life is redefined as a perpetual round of entertainments, when serious public conversation becomes a form of baby-talk, when, in short, a people become an audience, and their public business a vaudeville act, then a nation finds itself at risk; culture-death is a clear possibility.' - Neil Postman (Book: Amusing Ourselves to Death) (Art: Collage by Joe Webb)

[sanctobin]

Brighten the corners are Frank Philippin and Billy Kiosoglou, who established their studio in 1999.

I used to be a design student – 50 graphic designers then + now The book we authored, edited and designed was published in February 2013 by Laurence King Publishing in London. It looks at the process a designer goes through in finding their ‘voice’. We asked fifty graphic designers to give us the low-down about their student days and their professional lives. A piece of their college work is shown alongside an example of current work. Each designer also offers a key piece of advice and a warning. Topics addressed include how ideas are researched and developed; design and other cultural influences, then and now; positive and negative aspects of working as a designer; motivations for becoming a designer; and whether it's really possible to teach design.

Awarded a Bronze Nail at the ADC (Art Directors Club) für Deutschland and a Certificate of Typographic Excellence at the TDC (Type Directors Club) in New York. Reviews on eye Magazine, Brain Pickings, It’s Nice That, Fast Company Design and other places. Order online at Laurence King, amazon.co.uk, amazon.com, amazon.de. In 2014 a Korean edition of the book was published by ag books and in 2016 a Chinese edition was published by HuaZhong University of Science & Technology Press.

Contributions From Andreas Gnass (U9 Visuelle Allianz), Andrew Stevens (Graphic Thought Facility), Annelys De Vet, António S. Gomes (Barbara Says...), Ben Branagan, Bernd Hilpert (Unit-Design), Brian Webb, Christian Heusser (Equipo), Daniel Eatock, Danijela Djokic (Projekttriangle), Emmi Salonen (Studio Emmi), Éric & Marie Gaspar (Éricandmarie), Fons Hickmann (Fons Hickmann M23), Hans Dieter Reichert (Hdr Visual Coomunication), Holger Jacobs (Mind Design), Hoon Kim (Why Not Smile), Hyoun Youl Joe (Hey Joe), Isabelle Swiderski (Seven25), James Goggin (Museum Of Contemporary Art, Chicago), Jan Wilker (Karlssonwilker), Julie Gayard (Jutojo), Kai Von Rabenau (Mono.Graphie), Ken Garland, Kirsty Carter (A Practice For Everyday Life), Kristine Matthews (Studio Matthews), Lars Harmsen (Magma Brand Design), Laurent Lacour (Hauser Lacour), Liza Enebis (Studio Dumbar), Lucinda Newton-Dunn (Space-To-Think), Maki Suzuki (Åbäke), Marc Van Der Heijde (Studio Dumbar), Margaret Calvert, Marion Fink, Martin Lorenz (Twopoints.Net), Matthias Görlich (Studio Matthias Görlich), Michael Georgiou (G Design Studio), Nikki Gonnissen (Thonik), Oliver Klimpel (Büro International), Paul Barnes, Prem Krishnamurthy (Projects Projects), Renata Graw (Plural), Richard Walker (Kk Outlet/Kesselskramer), Sandra Hoffmann Robbiani (Visual Studies) , Sascha Lobe (L2m3), Stefan Sagmeister (Sagmeister Inc.), Sven Voelker (Sven Voelker Studio), Tim Balaam (Hyperkit), Urs Lehni (Lehni-Trüb, Rollo Press), Yasmin Khan (Counterspace), Yves Fidalgo (Fulguro).

They also designed the website for Anish Kapoor

[lonestarflight]

Cancelled Missions: SA-11 through SA-14 (AS-106 through AS-108) Saturn I Block II

"September 1962 NASA planned to fly four early manned Apollo spacecraft on Saturn I boosters. Cancelled in October 1963 in order to fly all-up manned Apollo CSM on more powerful Saturn IB.

Launched: 1965 Winter. Number crew: 3 .

A key prerequisite for these flights was complete wringing out of the launch escape system.

The tentative Apollo flight plan laid out the following unmanned tests before a manned flight would be undertaken:

Pad abort: Two tests to simulate an abort on the pad. These tests would qualify the launch escape system

Suborbital (Little Joe II): Three suborbital tests to qualify the launch escape system and the command module structure. Tests would include maximum dynamic and high altitude conditions.

Orbital (Saturn C-1): Flights SA-6 (with SA-8 as backup) would determine the launch exit environment. SA-7, SA-9, and SA-10 would flight-test components of or the complete emergency detection system. Four manned flights would then commence with SA-11.

By January 10, 1963, MSC and OMSF agreed that an unmanned Apollo spacecraft must be flown on the Saturn C-1 before a manned flight. SA-10 was scheduled to be the unmanned flight and SA-11, the first manned mission.

Early concept art of the Apollo Block I Command and Service Module separation from the S-IVB.

Image from Space Horizons Vol. No. 1, Issue No. 1 (1965)

By the later summer of 1963 the value of the Saturn I missions seemed increasingly in doubt. The limited payload of the Saturn I meant that only partial systems could be installed. At a September 26, 1963 meeting in Washington, D.C., NASA's scheduling contractor, Bellcomm, was asked to develop an Apollo mission assignment program without a Saturn I.

Bellcomm quickly responded, recommending that the Apollo spacecraft flight test program should be transferred from the Saturn I to Saturn IB launch vehicles. The Saturn I program should end with flight SA-10. All Saturn IB flights, beginning with SA-201, should carry operational spacecraft, including equipment for extensive testing of the spacecraft systems in earth orbit. Associate Administrator for Manned Space Flight George E. Mueller recommended the changeover on October 26. NASA Administrator James E. Webb's concurrence came two days later. Development of the Saturn IB for manned flight would be accelerated and 'all-up' testing would be started.

No crew assignments were ever made for these flights; the first two groups of astronauts were fully committed to the Gemini program. The third astronaut selection, in October 1963, was simultaneous with the decision to drop the Saturn I flights. Had these flights occurred, they would have run from fall 1965 to the end of 1966, concurrent with the flights of Gemini 5 to 12."

Cancelled missions:

SA-11 (AS-106): planned launch Winter 1965

SA-12 (AS-107): planned launch Spring 1966

SA-13 (SA-108): planned launch Summer 1966

SA-14 (AS-109): planned launch Fall 1966

-Information from Astronautix.com: link

Posted on Flickr by Numbers Station: link

[weclassybouquetfun]

Leave it to Cristo and Kola to always come dressed to impress. Casual? We don't know her.

Looking good Billy.

That pic is giving

Phil and Kola, the kind of foot action I want to see from you isn't footy, but FELLOW TRAVLERS style.

Ted, Trent, Colin and Isaac on a double date. Real.

-What's going on with some of our other AFC Richmond doves?

Brett "Cheerleader" Goldstein reacting to the show's SAG Awards nominations.

-Sarah Niles attended the Creative Emmys.

-If you didn't know our dear kitman, Charlie Hiscock does art and had some pieces in an exhibit not too long ago. His art can be found here.

-Joe Street who plays Paul Reynolds on the show (yeah, I was surprised he had a name, too)

is grateful to James Lance fans for the attention they're giving his yet to be released short HANGING. James is the narrator.

I know Joe Street is English but he does not have an English face. If I didn't know who he was and saw this man I would think he was from New England, maybe, but not England. This is a face of a man who does not know what THE BRITTAS EMPIRE is.

Same with Marcus Mumford. Hell, all of Mumford & Sons for for that matter.

What do you mean you're not from one of the Dakotas?

-Baby AFC Richmond: Bronson Webb (Jeremy).

[alternateworldcomics]

A daily newspaper comic strip version of Dragnet distributed by the Los Angeles Mirror Syndicate ran in newspapers from June 23, 1952, to May 21, 1955

Written by Dragnet scripter Jack Robinson (uncredited) with art by Joe Sheiber (June 23, 1952-Sept. 20, 1952), Bill Ziegler (Sept. 22, 1952-January 9, 1954) and Mel Keefer (Jan. 11, 1954-May 21, 1955). Comics historian Ron Goulart, in his book 'The Funnies' states the frequent turnover of artists on the strip was due to Webb's desire to find someone 'who could draw him as good looking as he thought he ought to be.'

While "Dragnet" never made it into comic book form in America (seems like a natural for Dell's Four-Color Comics) there was a five issue comic book published in Australia made up of the newspaper strip in 1954.

[forthegothicheroine]

Webb's hero [on Dragnet], Sergeant Joe Friday, emerged as an American Cold War icon and hinted at film noir's dissolution. In true noir, Friday would have been a glowering menace; Webb saw himself as the nation's last line of defense.

Eddie Muller, The Art of Noir: The Posters and Graphics from the Classic Era of Film Noir

[octarinespill]

Joe Webb - Doors of Perception, 2019

Collage of found vintage photographic images

[thalitadmoraes]

Fazia tempo que eu não finalizava um desenho só em contraste de preto e branco...

[ptbf2002]

Here's My Top 10 Pixar Animation Studios Characters

#10 Woody (Toy Story 1, 2, 3, & 4)

#9 Buzz Lightyear (Toy Story 1, 2, 3, & 4)

#8 Barley Lightfoot (Onward)

#7 Lightning McQueen (Cars 1, 2, & 3)

#6 Nemo (Finding Nemo & Finding Dory)

#5 Joy (Inside Out)

#4 Mike Wazowski (Monsters Inc. & Monsters University)

#3 Dory (Finding Nemo & Finding Dory)

#2 Wall-e (WALL-E)

And Finally #1 Luxo Jr.

Honorable Mentions: Carl Fredricksen (UP), Sally Carrera (Cars), Remy (Ratatouille) & Eve (WALL-E)

Credit For This Template Goes To edogg8181804

Meme: https://www.deviantart.com/edogg8181804/art/Top-10-Pixar-Characters-Meme-843900637

Toy Story Belongs To Joss Whedon, Andrew Stanton, Joel Cohen, Alec Sokolow, John Lasseter, Pete Docter, Joe Ranft, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Toy Story 2 Belongs To Andrew Stanton, Rita Hsiao, Doug Chamberlin, Chris Webb, John Lasseter, Pete Docter, Ash Brannon, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Toy Story 3 Belongs To John Lasseter, Andrew Stanton, Lee Unkrich, Michael Arndt, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Toy Story 4 Belongs To John Lasseter, Andrew Stanton, Josh Cooley, Valerie LaPointe, Rashida Jones, Will McCormack, Martin Hynes, Stephany Folsom, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Onward Belongs To Dan Scanlon, Keith Bunin, Jason Headley, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Cars Belongs To Dan Fogelman, John Lasseter, Joe Ranft, Kiel Murray, Phil Lorin, Jorgen Klubien, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Cars 2 Belongs To Ben Queen, John Lasseter, Brad Lewis, Dan Fogelman, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Cars 3 Belongs To Kiel Murray, Bob Peterson, Mike Rich, Brian Fee, Ben Queen, Eyal Podell, Jonathan E. Stewart, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Finding Nemo Belongs To Andrew Stanton, Bob Peterson, David Reynolds, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Finding Dory Belongs to Andrew Stanton, Victoria Strouse, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Inside Out Belongs To Pete Docter, Meg LeFauve, Josh Cooley, Ronnie del Carmen, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Monsters Inc. Belongs To Andrew Stanton, Daniel Gerson, Pete Docter, Jill Culton, Jeff Pidgeon, Ralph Eggleston, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Monsters University Belongs To Dan Gerson, Robert L. Baird, Dan Scanlon, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

WALL-E Belongs To Andrew Stanton, Jim Reardon, Pete Docter, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Luxo Jr. Belongs To John Lasseter, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company