#Job Yosatorn

[answermywearyquery]

some things change. some things don't.

[thomaskong]

Exactly the type of bts photos I wanna see from a show like 4 minutes thank u for sharing Job

[seonghwacore]

JOB YOSATORN KONGLIKIT as DR. DEN ⁕ 4 MINUTES E01

[chinzhilla]

Jes Jespipat as Tyme and Job Yosatorn as Den in 4 Minutes ep 03

[loveisonlyforthebrave8]

[poetry-protest-pornography]

Am I crying because the KP boys all went to the 4 Minutes fancon? Yes, yes I am.

I miss them all a lot, and I love how they're all still hanging out and supporting each other, and loving each other (and going on vacations together).

I love them.

[mileapo]

MILE PHAKPHUM Be on Game | Special On New Year 2024 ✨

[byemambo]

JOB YOSATORN AS DEN

4MINUTES (2024) | 1.01

Bonus: I need more moments with P'Bee so bad

[arewedoneyet]

via awesomemagazine_2010 @ instagram | 22062023

[monsamborabutterfly]

I don't care what anyone says but the fact that their characters haven't hooked up in 4 minutes is my villain origin story🥹

I also will never not talk about how they are a 10/10 duo and how they should have their own show cause the chemistry is 👌👌

Like look at them!!! they should 1000% make out on screen I said what I said

[answermywearyquery]

nurse bee and dr. den in episode one of 4 minutes

[dokukoi]

Job Yosatorn as Den in 4 MINUTES

[itsmelb]

4 minutes is what I've missed. A storyline that catches u from the start. Actors who can act like the world depends on it. And real honest chemistry. That's what BOC does. It finds the realness in the story. The great quality. And also it's sth I can't explain what they do with their storytelling. I am so hooked.

I am so happy that Bible gets to shine again. He is so outstanding. Also Jes is so handsome in a doctors uniform. And Bas and Fuaiz are so hot. And Job? Oh he is so sexy.

I missed them on my screen. Can't wait to see what they'll have in store for us. I just know it's gonna be so epic.

[agapintheskin]

Perth & Job the security guards.

[byemambo]

4Minutes EP. 1 - My Takeaways

So after finagling with my VPN options, I managed to watch 4Minutes episode 1 shortly after episode 4 of This Love Doesn't Have Long Beans released. Given that I haven't read a singular novel/source material for any of the series I end up consuming: my analyses are not anything more than just pastime fun and pondering thoughts.

Title Sequence

When I first saw the title sequence along with the score: I immediately thought of WestWorld (which I haven't seen the show myself because I'm not great with intense themes surrounding it but my professor showed us the title sequence and I immediately fell in love with it). The score is dynamic and although the title sequence itself doesn't give too much away besides showcasing the two main characters in fragments, it sets the tone for how I'll be viewing the series moving forward: intense, dark tones, small pockets of joyous moments within the storyline (but won't be the main focus of the story itself), and following the lives of morally gray characters.

Camera Angles (Bird's Eye View)

For starters, I noticed a repetition in using a bird's eye view angle to introduce us to new environments and exposition. Whether it be Tyme's introduction after suffering out a possible fatal injury, Great's apartment away from home (which his family members allude to his absence majority of the time in visiting the home), Korn being transported to the "department" that earns the family company most of their revenue, to Tonkla's place of stay (is it Korn's place as well, who knows at this point in the story). However, the scene that stood out the most to me is the right image in the third row of Great descending from his apartment level down a spiral staircase rather than taking the elevator as usual, which hinted at Great's spiral of wrapping his mind around his experiences with sporadic short term time travel and why time is warping the way it is. What I find interesting and continue to ponder during this point of the exposition: why is Great experiencing these symptoms and when? Did he start experiencing them out of the blue, or did he suffer some sort of freak accident or injury prior to the hit (and almost potential run)? Even during the family dinner scene, Great's father even emphasized him having to clean up after his son's "messes," so him experiencing the consequences of past accidents is possible.

I also appreciate the usage of the bird's eye view to emphasize the size of the characters within the space/environment they occupy. That in some instances, they're a small part of the entire whole within the context that they reside in. Tyme running away from the killer who injured him and left him for dead, Great occupying his apartment alone, his only companion that is briefly introduced to the story is Title (which rip for him not getting that calculator for the exam), Great also occupying the elevator to reach the bottom level of his apartment building (which makes me wonder if there's a correlation between the physical levels he occupies and the levels of consciousness he has awareness of, maybe even having its own spin on Inception's take on dream levels now that I referred back to the series's trailer). Korn taking a boat ride to the company's place of organized crime/gambling that seems isolated from the rest of the world where the story takes place, Tonkla's lack of fulfillment and feelings of loneliness after Korn leaves the apartment to attend family dinner (which a lot of us are speculating a cheating or romantic betrayal story arc). The director and cinematographer does an amazing job with utilizing the space through framing and placing each character within the composition, which is intentional and pushes a continuation of how a certain environment shapes the interactions between characters within the environment.

The Number 4 and Time

We know how significant the number 4 will be throughout the entire series, but my question right now is how the gift (since I don't think it's a power that the holder can control willingly) works and its parameters. From the first time leap: Great's car clock read 12:39 just before entering the tunnel and meeting his doom. However, after hitting the woman and attempting a hit and run, it had been four minutes since the incident occurred, latching onto Great and forcing him back four minutes to redefine his fate and making different decisions.

This also happens when Great pays the woman a visit at the hospital the next day: spending four minutes between speaking with the nurse at the desk and attempting to leave the premise after running into Tyme and desiring no confrontation. Once his phone clock reads 13:14, we are transported four minutes back to speaking with the nurse again, this time Great peeking at Tyme's visitation with the patient in room 1 and still running into Tyme regardless. Rather than walking away, Great helps Tyme with his papers, which makes me wonder just how much of these occurrences are solely coincidental and which are repeating itself for Great to revert down a predestined path for the appropriate events to happen in sequence. If Great hadn't left the woman to die out from her injuries or slow down the time taken to aid her injuries, he would not cross paths with Tyme. Even after visiting the woman and attempting to leave the hospital without saying anything to Tyme, time leaps backwards and establishes a second chance for the first meeting to occur. I wonder until the next episode is released: is Great only acting out based on what he's been taught and has known for majority of his life and being met with another chance to act according to his own volition? Is this a matter of nature vs nurture? Is he going to realize that he's being given chances to make different decisions that he will be better off living with than if he were to act based on what he's always known despite not 100% aligning with them?

Family Dinner (Introduction to the Dynamics)

Great doesn't strike me to be someone who thinks like an inherent nepo baby (at least that's what I got from Korn's character introduction as well). Between the two brothers, Korn appeases his father's wishes that involve the state of the family company's successes and endeavors, whereas Great despises them, seemingly living a more "detached" life (while still having access to things like his luxury car) of going to university and focusing on graduating. Again, with the director's intentionality when framing the characters within the environment, we get another rendition of rich family, empty homelife that we all know and love. Even Great establishing the disconnect even further by physically sitting in opposition to his father by being on the opposite end of the dining table, he not only refuses to become one with the family by bowing down to the head of the household, he desires to be viewed as an equal to his own father and cause a rift between the family members.

Despite being unified by sharing the same color grading, we can see how Tyme's home environment is much more inviting, much more lively, much more loved. We can see this through not only his relationship with his grandmother, we can see this through how the home is decorated and cared for, and see how Tyme's priority in life is to become a surgeon and take care of his grandmother by repaying for all she has done for him for what seems like majority of his life. I'm curious to see how the relationship between Great and Tyme play out after being introduced to their temperaments: both having their own expressions of stubbornness, Great being more outward and Tyme being more subdued. However, both characters have shown their sillier sides that's dependent on the closeness of their relationship around those individuals, so I wonder how long it'll take before both characters take down their walls around one another.

Miscellaneous Thoughts

I absolutely adore Den already. I feel the stark contrast between Pol in KinnPorsche and Den in 4 Minutes, which makes me so excited to see what Job will bring to the story as a more relevant supporting character that we couldn't get enough of in KinnPorsche. His smile is gorgeous and just from the kabedon alone in the image below already lets me know that his character is about to be a hoot, and I'm ready for it. The look on Tyme's face is sending me, which makes me wonder where Tyme stands in terms of romantic experience as he's a focused medical professional with a clear goal that may stray him away from other priorities in life like his social needs.

But how much I adore Tyme's relationship with his grandmother. Nothing is more wholesome to me than a family man, but specifically for their elders. The contrast between Tyme's relationship with his family versus Great's will be an interesting juxtaposition for both characters to teach and learn from one another's upbringing that carried into their adult lives. We still don't know their backstories so early on in the series, but I can only speculate that Korn's mother is either deceased or no contact with the remaining family, which may put a strain on how Great and his mother fit within the family's dynamic, since wealth and status seem to be key players influencing the direction of the story. One main character having inherent access to wealth and status that can save him from all sorts of struggle and difficulty, whereas the other main character coming from a humble upbringing that places a lot of strain on his desire to earn a living well off enough to take care of him and his family. We will definitely see how these core values will create friction or shape the characters' outlook on life and the world in which they occupy.