#Jiro Kamata
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Sidekicks zur SCHMUCK München 2023
Hier kommen einige ausgewählte Ereignisse aus dem umfassenden Programm der SCHMUCK München 2023: Jiro Kamata OCULUS präsentiert von Galerie Biro in der Boutwell Schabrowsky Gallery, Theresienstr. 48 – Das Licht ist sein Medium. Sein Werkmaterial die Kamera-Linsen – die Augen von alten Fotoapparaten. Sie haben vieles gesehen: Landschaften, Menschen, Ozeane. Sie nehmen unsmental mit auf eine Reise.…
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#Anna Eichlinger#Anna Moll#Artcurial Deutschland#Boutwell Schabrowsky Gallery#David Bielander#David Clarke#Franz Marc Museum#Galerie Zink Waldkirchen#Gisbert stach#IHM#Jiro Kamata#KAiros#Karl Fritsch#Margit Jäschke#München#Meet the Artist#Oculus#Paul Kooiker#Rudolf Bott#Schmuck#SCHMUCK München 2023#Schmuckgalerie Biro#Schmuckkunst#Sonderschau#Unk Kraus#Zauber der Linie
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jiro kamata in multiple exposures: jewelry + photography - ursula ilse-neuman (2014)
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ラーメン 鷹の目(Taka-no-me)蒲田店「まぜそば」
✔️Store name / Menu
✔️Noodle size : 200g
✔️Topping : ショウガ、チーズ、アブラ、ガリマヨ
✔️Nearest : 蒲田駅
#ラーメン#ramen#まぜそば#まぜ麺#混ぜそば#mazesoba#mazemen#二郎系ラーメン#二郎インスパイア#二郎系#jiro#鷹の目#蒲田#蒲田グルメ#蒲田西口#kamata#ラ��メンジャケ買い#noodles#food#japanese#夜食テロ#tokyo
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Today's lunch was Ramen at Ramen JIRO JR west side Kamata branch. 700JPY. . 塩分と炭水化物補給に地元のラーメン二郎さんへ。野菜、ニンニク、唐辛子マシにていただきました。 今日は辛めシフトだったかな? ここの一味はホント!香り良いです。 ご馳走さんでした! . #ラーメン二郎jr西口蒲田店 #ラーメン二郎 #二郎 #麺スタグラム #lunch #ramen #noodles #olランチ #自家製麺 #jiro #kamata #蒲田 #蒲田西口 (ラーメン二郎 JR 西口蒲田店)
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JIRO KAMATA, VOICES 2019, This is a book on 20 years of creation of Jiro Kamata, a Japanese born, Munich based jewelry designer. Over 200 pages heavy, full of colour images and silvery shiny pages. This book is a gem itself.
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掲載情報
美術ファンとコレクターのための雑誌「月刊美術」2020年6月号で「「装う」アートの最新系(ニューモード)」という特集が組まれており、そのなかで日本のコンテンポラリージュエリーが紹介されています。掲載作家は20名超。私は、嶺脇美貴子さん、鎌田治朗さん、珠数かおりさん、新里明子さん、JOJI KOJIMAさん(誌面登場順)の紹介ページを担当しています。よろしければご覧ください��執筆中は編集者の下川拓郎さんにお力添えをいただきました。ありがとうございました。
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This month’s Gekkan Bijutsu, a monthly art magazine for art fans and collectors features “A New Mode of Wearable Art” in which Japanese contemporary jewelry is widely introduced through some introductory texts about the field and the works of more than twenty artists. Among them, I wrote about Mikiko Minewaki, Jiro Kamata, Kaori Juzu, Akiko Shinzato and Joji Kojima (in order of appearance). Please take a look if you have a chance. And thank you Mr. Takuro Shimokawa, the editor of the magazine for your dedicated support.
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VMSN 19.08.31 J2-30 v KASHIWA Kashiwa Stadium
Nice Fight! * NIIGATA * 01 Koki Otani 16' 33' 42' 55' 56' 87' 88' 04 Shun Obu 58' 67' 87' 05 Michael James 10' 32' 65' 77' 81' 90+3' 06 Sachiro Toshima 36' 45+2' 57' 58' 62' 89' 90+1' 90+2' 08 Silvinho 08' 12' 27' 40' 44' 58' 09 Leonardo 12' 18' 29' 40' 44' 45+1' 52' 58' 85' 90' 90+2' 90+4' 11 Arata Watanabe 08' 10' 18' 22' 27' 44' 45+3' 62' 13 Francis 12' 18' 36' 40' 41' 57' 58' 78' 84' 85' 14 Tatsuya Tanaka 84' 90+4' 17 Caue 33' 58' 62' 67' 20 Shion Homma 82' 85' 90' 90+2' 31 Yuto HoriGomez 04' 43' 48' 60' 72' 78' 90+2' 32 Naoto Arai 10' 12' 45+1' 52' 59' 77' 78' 80' 90+2' 40 Yoshizumi Ogawa 78' 90+3' ↓-------01-------↓ ↓-32--05--04--31-↓ ↓-----06--17-----↓ ↓--13---08---11--↓ ↓-------09-------↓ (73' 17->40) (79' 11->20) (82' 08->14)
* KASHIWA * 02 Jiro Kamata 40' 58' 04 Taiyo Koga 36' 45' 56' 58' 60' 61' 62' 63' 64' 71' 07 Hidekazu Otani 31' 43' 45+2' 56' 58' 63' 09 Cristiano 31' 37' 47' 51' 53' 56' 58' 63' 67' 77' 81' 85' 10 Ataru Esaka 53' 58' 63' 65' 67' 87' 15 Yuta Someya 45+3' 52' 58' 18 Yusuke Segawa 11' 49' 51' 53' 54' 56' 70' 71' 85' 88' 22 Matheus Savio 47' 54' 58' 63' 71' 81' 87' 23 Kosuke Nakamura 27' 31' 26 Olunga 11' 56' 65' 71' 88' 35 Richardson 15' 42' 51' 64' 65' 71' 80' 85' 90+4' 50 Tatsuya Yamashita 88'
↓-------23-------↓ ↓-25--15--02--04-↓ ↓-09--35--07--18-↓ ↓-----26--10-----↓ (45' 25->22) (61' 15->50) (86' 07->05)
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#Repost @klimt02net ・・・This is not a Jiro Kamata Brooch. #jirokamata #border#9 #thisisnotart #nurtureyourthoughts #whatisreality #encourage #youarewhatyouwear #hannahgallery #hannahgalleryartist #valuable #beconscious #staytrue #breakboundaries #contemporaryjewelry #contemporaryjewellery #joyeriacontemporanea #joalheriacontemporanea #gioiellocontemporaneo #bijoucontemporain #ajfishere #klimt02 #TJA #thejewelleryactivist #jewelleryactivist
#thejewelleryactivist#thisisnotart#joalheriacontemporanea#hannahgallery#ajfishere#nurtureyourthoughts#gioiellocontemporaneo#beconscious#repost#encourage#9#youarewhatyouwear#border#breakboundaries#bijoucontemporain#contemporaryjewelry#klimt02#jewelleryactivist#staytrue#jirokamata#whatisreality#hannahgalleryartist#tja#contemporaryjewellery#joyeriacontemporanea#valuable
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Autorenschmuck - Auktion: München am 06.12.2023
Giampaolo Babetto, Robert Baines, Peter Bauhuis, Hilde De Decker, Karl Fritsch, Peter Hoogeboom, Jiro Kamata, Takashi Kojima, Daniel Kruger, Renzo Pasquale, Gerd Rothmann, Carina Shoshtary, Ketli Tiitsar, Flóra Vági, Tanel Veenre, Manuel Vilhena, Lisa Walker, Annamaria Zanella, Dana Hakim, Frédéric Braham, Svenja John, Catarina Hällzon, Karin Johannson, Linda Hughes, Margit Jäschke, Niklas Link,…
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#Aficionado#Akademie der Künste#Auktion#Autorenschmuck#Coco Chanel#connaisseur#Gerrit Rietveld Academie#Hermann Jünger#international#Karen Pontoppidan#München#Münchner Kunsthochschule#Neumeister#Otto Künzli#Royal Colleg of Art#Schmuck#Schmuckautoren#Schmuckkunst#Unikat
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jiro kamata in masters of new jewellery design: eclat - carlos pastor (2014)
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ラーメン宮郎(Miyaro)「ラーメン ミニ」
✔️Store name / Menu ✔️Topping : ヤサイ少なめ、ニンニク ✔️Nearest : 蒲田駅
#ラーメン#ramen#二郎系#二郎インスパイア#ramen jiro#宮元#shoyu ramen#蒲田#kamata#ラーメンジャケ買い#ラーメン部#noodles#food#japanese#tokyo
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Today's lunch was Ramen at Ramen JIRO Kamata. . 今日のランチは仕事の合間にラーメン二郎JR西口蒲田店さんで、ラーメン700円税込み。 . 今日は本当は仙台で二郎を食べていた筈なんだけどなぁー、仕事になってこちらでのランチ。いつもよりみっちりとした加水低いゴワゴワーンな麺、美味かったね。トッピングは野菜にんにく唐辛子。この野菜のモッコリ具合、風味良い特級一味唐辛子も変わらず好いね。 . #ラーメン二郎jr西口蒲田店 #ラーメン二郎 #蒲田 #蒲田西口 #麺 #自家製麺 #麺リフト組合 #麺スタグラム #lunch #olランチ #ramen #ramenjiro #jiro #noodles (ラーメン二郎 JR 西口蒲田店) https://www.instagram.com/p/B2JeKxogRFj/?igshid=1hp8nk8dbt8bv
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Jiro Kamata
Jiro Kamata is an artist who’s focus is how light can be worn on the body.
Jiro Kamata’s innovative procedure is material driven. He hoists old camera lens components to the status of jewels, making jewellery pieces with a science and technology feeling and a sense of play.
His works include simple circle shapes that form necklaces, pendants and brooches. They appear to be containers in the process of filling up and emptying, gathering light and transforming into colour. Through the glass we can see another colour world (Webb, P, 2015) and in some pieces, suggestions of images. He uses colour and reflection to represent the effect of gemstones.
Katama builds his objects using circular forms. He says [sic] :” I deliberately made so that I ’m not doing anything as much as possible to get that the materiality strongly comes in front.”(Kamata, J, 2014). This indicates his strong focus on material rather than form and his creative ability to enhance something ordinary. As Bonnie Levine points out, “it’s a magical reinvention.” (2015)
Kamata does not feel bound to use traditional materials and techniques. He makes the ordinary material become valuable. He always selects the materials first and then finds a relationship between the material and his own aesthetic and content, which he then develops into jewellery pieces.
His work refers to 1960s psychedelic movements - optical art (Webb, P, 2015), which focused on geometrical forms and psychedelic colour. It’s a style of abstraction to create optical illusions for the viewers.
His pieces are playful, energetic and serious at the same time. They are also delicate and beautiful. I’m engage with the work of Jiro Katama because I find his perfect surfaces and highly skilled goldsmithing fascinating. the material he use is special and helps him achieves his goal, the lens not be touched with wear’s face, but the light is stay on the wear’s face.
I always consider the content of the object before considering the materials. Material is very important for my work, as the quality of the material represents the theme. I always use colourful, reflective and plasticity materials. Cause I think the quality of plasticity material such as acrylic, plastic, resin are attractive and modernism. Children’s toys are almost made from plastic. Candy looks similar quality as plastics.
Reference list:
Kamata, J 2014, ‘BI’, viewed 10 March 2017,< http://www.o-jewel.com/projects/jiro-kamata—bi/>
Kamata, J, 2015, Dark to Light to Dark, viewed 10 March 2017, <http://galleryfunaki.com.au/exhibitions/dark-to-light-to-dark/>
Levine, B 2015, ‘JIRO KAMATA: DARK TO LIGHT TO DARK
Gallery Funaki, Melbourne, Australia’, viewed 5 March 2017, <http://www.artjewelryforum.org/artists/jiro-kamata-dark-to-light-to-dark>
Webb, P, 2015, ‘Through the Looking glass, very skillfully’, viewed 1 March 2017,
< http://www.smh.com.au/entertainment/art-and-design/japanese-jeweller-jiro-kamatas-australian-debut-at-gallery-funaki-shines-brightly-20150708-gi7xnq.html>
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Ghost from Jiro Kamata➕#mjw #artjewellery #mjw17 #schmuck2017
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