#Jewellery Art Programm

[craft2eu]

Prof. Dr. Yuka Oyama -Professorin für Plastik/Schmuckim FB Kunst: Burg Giebichenstein Kunsthochschule Halle

Prof. Dr. Yuka Oyama ist seit dem 1. Oktober 2024 neuberufene Professorin für Plastik/Schmuck im Fachbereich Kunst an der Burg Giebichenstein Kunsthochschule Halle. Oyama, 1974 in Tokio, Japan, geboren, studierte Schmuck und Leichtmetall an der Rhode Island School of Design in Providence (USA) sowie Schmuck und Gerät an der Akademie der Bildenden Künste München bei Prof. Otto Künzli und Freie…

[eaglesnick]

“The country is governed for the richest, for the corporations, the bankers, the land speculators, and for the exploiters of labor.” - Helen Keller

On the BBC Today programme yesterday we heard the official Labour Government policy regarding taxation and the rich.

Pat McFadden, Chancellor of the Duchy of Lancaster, the second highest government office in the land after that of Prime Minister, was asked this question,

"What do you say (to the accusation) the poorest are being pitted against the poorest whilst the wealthy go relatively untouched.” 

His reply said it all:

“We have a progressive tax system.  The top 1% pay about a third of tax. I don’t think, you can in the end, tax and borrow...we are reforming the State"

Lets look at the facts

The top 1% of UK earners pays 29% of all income tax not 33.3% as McFadden said.

According to The Money University, (December 2023) to be in the top 1% of UK earners you must earn more than £180,000 per annum. This 1% takes home just under 14% of the countries total income.

On the face of it, the top 1% or earners seem to be paying a greater proportion of the tax bill relative to their total earnings.  They earn 14% of the countries total income but pay 29% of the total income tax bill.

However, things are not what they seem and Pat McFadden knows this.

First, although the lowest 10% of UK earners contribute a relatively small proportion of the total tax bill, as their incomes are significantly lower, they face a higher burden from indirect taxes like VAT and Council Tax which take up a larger percentage of their income compared to higher earners.

Second, income for the wealthy comes not only from work but from unearned income in the form of dividends and shares, which are taxed at a LOWER rate than income from employment. The Office for National Statistics found that the lowest 10% of UK earners pay an average 42% of their income in the form of income tax, national insurance, VAT and council tax. By contrast, the richest 10% only pay 33% of their total income in tax.

Third, the wealthiest people in Britain are asset rich. They invest in land, property, art, jewellery and other assets that escape taxation even though these assets may gain in value. There is no wealth tax in the UK.

Fourth, we also have to remember it  is the amount of income you are left with after paying taxes that is really important. Using the above figures, if you have an income of  £180,000 you pay 33% in tax, leaving you £120,600. If you are within the lowest 10% of UK earners you have an income of £19,992 per year, of which 42% will go in taxes, leaving you with £11,595.

It is the lowest 10% of earners who are most likely to be on some kind of benefit, the benefits Starmer's Labour government are about to cut. In short, the poor are to be punished for being poor.

Although not a religious person I am reminded of the parable of the "Widow's Mite". It tells of a poor widow who donates two small coins—her entire livelihood—to the Temple treasury. Jesus praises her act, highlighting that she gave more than the wealthy donors, as she offered all she had, while others, who had paid more, still had wealth in abundance after donating to the Temple.

Among other ethical and moral teachings, this parable can be interpreted as a critique of societal systems that leave vulnerable individuals, like widows, in extreme poverty while the rich go on living in luxury.  It highlights the contrast between the rich donating comfortably and the poor sacrificing everything.

Keir Starmer and Pat McFadden please take note.

[japanesedoramaandanimelover91]

Safari, May, 2025, vol 36. Translation of an article with Aiba Masaki from the May, 2025 issue of SAFARI magazine.

AIBA MASAKI-ADULT GAMES. Part 36.

Photography by Takaharu Tsuchiya.

Stylist-Takeshi Yanagawa.

Hair and make-up by Yoshinori Takeuchi.

Text-Takumi Endo.

Photo 1.

Arriving at a place that resembles the lobby of a stylish hotel, I relaxed a bit. The furniture creates an atmosphere that somewhere reminds of good old France. Perhaps this place is related to a historic and traditional hotel!? But no, it is related to one of the artists representing France.

The jumper-¥370,500. The shirt is for reference. Denim trousers-¥180,400. Bracelet-item for reference. Bag-¥918,500 (Bottega Veneta/Bottega Veneta Japan).

Photo 2.

No, i am in an art museum with a vast area! This time i visited the "Lalique Museum" in Hakone. Here you can enjoy many works by Lalique, who worked in the Art Nouveau and Art Deco era, in an elegant space.

Shirt-37,400 yen(Noah/Noah Clubhouse). Knitwear thrown over the shoulders-104,500 yen. Trousers-over 39,600 yen(MAISON et VOYAGE/ MAISON et VOYAGE Azabudai Hills). Bangle bracelet-53,900 yen(ADAWAT'N TUAR EG ).Bracelet-44,000 yen(SYMPATHY OF SOUL/ S.O.S fp Ebisu Main Shop). Sneakers-22,000 yen(Moonstar x MAISON et VOYAGE/ MAISON et VOYAGE, Azabudai Hills).

Photo 3.

It may be a shortcut to enjoying art: "the desire to learn more deeply" about the works and their authors.

Now in touch with culture, Aiba-san is slowly exploring the exhibited cafés and rooms recreated in Belle Epoque style on the Orient-Express. The pieces on display in Paris symbolise Lalique's success as a glassblower, having created such works throughout his life. Inside the museum, vases and interior decorations from the Art Deco era are on display. He began creating beautiful accessories and decorative objects in the 50s, and began his career as a jeweller in his 20s and 30s by creating perfume bottles. René Lalique, a jeweller whose works are kept in museums, now aspires to the "Lalique Museum in Hakone." Aiba-san says, "I've always had an interest in art and museums, and although I haven't visited for a long time, i wanted to travel to enjoy art." Naoshima Island in Utsunomiya is called the ‘holy place of modern art’, and it's really fascinating. Plus, when i came here, i had the opportunity to immerse myself a little bit in that kind of experience. i always thought it should be that way. If i can learn more deeply about the creators, that would be interesting….. But i seemed to just admire the works and not delve deeper into the content. "When i see great work, i always feel it's amazing," he says, looking at interior jewellery created by Lalique. "An exhibition where you can feel the "background" of the works is wonderful."

Profile: Aiba Masaki. Date of birth-24 December, 1982. Place of birth-Chiba City. Performs at PARCO Theatre, Tokyo, Mar.

Performs in Fukuoka and Osaka in the title role in ‘Farewell Lenin!’ Hosts the programme ‘Aaaah! Minna No Doubutsen’ (Nippon TV), “Aiba Marubatsu” (Fuji TV), “Aiba Manabu” (TV Asahi).

Photo 4.

Enjoy a tea party aboard the retired Orient Express trains. Enjoy tea and sweets while admiring Lalique's luxurious furnishings and experience the luxury of the train. of the train. Knitted jacket-133,100 yen(Lardini Toyoda Trading Press Room), Shirt-27,500 yen (James Perse/James Perse Aoyama Store).

Photo 5.

This art museum permanently exhibits around two hundred and thirty carefully selected works by René Lalique from a collection of around 1,500 objects, including jewellery, glass works and interior decorations. The numerous glass works reflecting light and emitting beautiful colours are impossible to ignore. "After all, only by seeing the real works can one truly feel their charm and beauty."

Necklace-209000 yen(SYMPATHY OF SOUL/S.O.S fp, EBISU HONTEN). Sunglasses-46200 yen(EYEVAN/EYEVAN Tokyo Gallery), All stylisations are the same as on page one hundred and eighty.

Not far from the entrance, on the way to the museum from the restaurant, i found a bright red classic Ford Model T car on display. It was manufactured in 1920, and on the radiator cap of this class car museum is an automobile mascot of Lalique's design. It is said that the owner of this museum became a Lalique collector after encountering an automobile mascot designed by Lalique at a Paris flea market.

Photo 6.

Something like the power of art. You can enjoy it as a separate piece of art. "Even the interior of a car interior. I felt it."

This is the only place in Japan where the Orient Express still exists.

Jacket-231,000 yen(TAGLIATORE/TREMEZZO). Shirt-33,000 yen(MAISON et VOYAGE/MAISON et VOYAGE, Azabudai Hills). White denim trousers-13,200 yen. Belt-5,500 yen(Also the previous product is from LEVI'S/LEVI'S STRAUSS JAPAN). Thick bracelets-71,500 yen(GARDELL/SYMPATHY OF SOUL, EBIS U HONTEN). Thin bracelet-57,200 yen(SUMAN DHAKHWA/SYMPATHY OF SOUL, EBISU HONTEN). Bracelet-11,000 yen(RUFUS/SYMPATHY OF SOUL, EBISU HONTEN). Sunglasses in hand-121,000 yen(10 EYEVAN/ EYEVAN PR). Sneakers-22,000 yen(MOONSTAR x MAISON et VOYAGE/ MAISON et VOYAGE, Azabudai Hills).

I visited this month! Hakone Lalika Museum of Art

In addition to Orient-Express, the museum also has a café with informal French food and sweets, Hakone Emoa Teras, and a museum shop(admission to the shop and restaurant is free).

Kanagawa Prefecture, Ashigara-kawa District, Hakone City, Sengokuhara 186-1 9:00-16:00 (last entrance at 15:30). Every third Thursday(no weekend in August). 0460-84-2255 (Sorry if my translation looks incorrectly).

[abudhabimgzn]

Mirbad Returns for Its 18th Edition, Bringing Egyptian Nostalgia to Abu Dhabi This Ramadan 

 Mirbad’s 18th edition will take place at Manarat Al Saadiyat, offering a curated experience for Ramadan  Five-day event to feature over 120 local and international brands showcasing fashion, homeware, high-end jewellery, and art  Pop-up will host exclusive themed collections and a vibrant programme of entertainment, workshops, and curated culinary experiences  Mirbad, known for its creatively…

[kira-roulston-i-e]

Admin Task – research about Gilded Lily

Gilded Lily is a Community Interest Company based in Govan, Glasgow. It is dedicated to supporting women and girls in the local community. Their mission is to help participants become more confident, creative, employable, and enterprising by offering a variety of workshops, training programs, and activities in an inclusive and supportive environment.

They focus on several key areas:

Empowerment: Providing opportunities to learn transferable skills and gain recognized qualifications, aiding women and girls in pursuing further education or training. Their business training programs also foster the development of innovative ideas, creating new social enterprises, charities, and community groups that address local issues.

Confidence & Wellbeing: Offering a range of training programs and workshops that build skills, confidence, and well-being, all within a culturally safe and positive space. These sessions encourage participants to meet new people, learn new skills, and engage with their local community.

Creativity: Encouraging women and girls to come together and express their creativity through workshops in arts and crafts, soap and bath bomb making, sewing, crochet, jewellery-making, and more.

1. Creative Workshops

Arts and Crafts: Explore a variety of artistic techniques and projects.

Soap and Bath Bomb Making: Hands-on sessions to create handmade bath products.

Sewing and Crochet: Learn practical skills for crafting and repairing clothing or creating new items.

Jewellery-Making: Create unique, personalised jewellery pieces.

Cooking Activities: Gilded Lily offers cooking-related programs, including the Home Comforts Cooking Course. This five-week programme is designed for women from refugee and asylum-seeker communities to share and learn traditional recipes from their cultures.

2. Training Programmes

Transferable Skills Training: Workshops aimed at boosting skills useful for employment or further education.

Recognised Qualifications: Courses that help participants gain qualifications to enhance employability.

Business Training: Learn the fundamentals of starting a business or social enterprise with a focus on community impact.

3. Wellbeing and Confidence Building

Programmes designed to enhance mental health and build self-confidence.

Inclusive spaces for meeting new people and fostering a sense of community.

4. Community Engagement

Social Events and Group Activities: Opportunities to connect with others in the local community.

Support women in starting their own community groups, social enterprises, or initiatives.

5. Tailored Support

One-on-one mentoring and guidance to meet individual goals.

Website:

Social media:

Facebook:

'X' formally known as Twitter:

Instagram:

https://www.instagram.com/gilded_lily_cic

Youtube:

WOMEN OF THE WORLD by The Gilded Lilies

The Gilded Lilies are the singer-songwriter group of Govan women's charity The Gilded Lily.

Instagram post

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[zenithofart]

Gems and Threads: Integrating Fashion and Jewellery Design Courses

Are you a housewife, college-going student or want to enhance your skills in Fashion or jewellery design skills that can make you pay off or be profitable? Zenith of Art understands the importance of nurturing creativity and providing students with the skills and knowledge to excel in these Courses.

In this blog, we will explore the fascinating world of integrating fashion and jewellery design courses and how Zenith of Art is at the forefront of this creative revolution.

Explore Our Course Range

Fashion Designing Zenith Of Art, fashion design courses spark creativity in students of all ages. We offer programs for both kids and adults, nurturing a passion for design through sketching, fabric exploration, and garment construction. Learn the fundamentals of fashion design in a fun and collaborative environment, where you'll gain the skills to translate your ideas into stylish creations.

Manual jewellery designing

Zenith Of Art, We teach our students the basics of manual jewellery design, So that they can start to create their designs. They can use a variety of materials, including metal, wire, beads, and stones. Students use different techniques, such as soldering, wire wrapping, and beading. Our instructors will guide you through every step, from brainstorming concepts to mastering basic construction methods.

Who can Join classes:

Just imagine that you are wearing a dress or jewellery that is designed by you. Hobbyists looking to improve their skills and create unique pieces for themselves or as gifts Entrepreneurs looking to start their jewellery or fashion design business Students looking to gain a competitive edge in the industry Anyone looking to explore their creative side and have fun while doing it!

Join Our Classes Today! If you're ready to express your creativity and take your jewellery and fashion design skills to the next level, join our Classes today! We also have various programmes for your kids in that your kids and Adults. We have Mandala Art, Mendhi Design, Art and Craft, Painting, and more. For More information Visit our website https://www.zenithart.in/ to learn more about our program. Zenith of Art is Located in Banipark Jaipur!

[akarshanartstudio]

Elevate Your Brand: Exceptional Corporate Gifts in Odisha

Akarshan Art Studio, is based in Berhampur, this studio has carved a niche for itself, becoming synonymous with quality, elegance, and unrivalled artistic expression. Known for its comprehensive approach to beautification and decor, Akarshan Art Studio has earned the reputation of being the best art studio in the region, offering a wide array of services designed to enhance both public and private spaces with artistic brilliance and cost-effective solutions.

Reputation as the Leading Art Studio in Odisha

Akarshan Art Studio's reputation as the leading art studio in Odisha is built on its commitment to transforming spaces into visual masterpieces. The studio's extensive research and understanding of space and ambiance, combined with its hobby of studying every nook and corner for potential beauty, have positioned it at the forefront of the art and décor sector in Odisha. It's not just about making spaces look perfect; it's about enriching them with value additions that resonate with the surrounding environment in a very cost-effective manner

Expertise in Beautification and Decor Services

The studio's expertise spans a variety of services, each tailored to bring out the best in urban and interior environments:

Akarshan Art Studio specializes in city beautification in Odisha that not only enhance the aesthetic appeal of urban spaces but also improve the quality of urban life. Through the incorporation of urban sculptures, mural art, fibre sculptures for indoor and outdoor settings, wall paintings, and lighting fountains, the studio plays a pivotal role in building identity, transferring culture, and fostering community interaction within urban spaces

The studio extends its creative prowess to landscape and park beautification in Odisha, offering services like pathway cum landscape development, modern seating arrangements, fountains, selfie points, and programmable musical fountains. These elements are thoughtfully designed to create engaging, high-quality spaces that encourage more interaction among citizens

With a keen eye for detail and a passion for space, Interior & Home Decor in Odisha offers innovative interior and home decor solutions. From sophisticated wall art to modern fibre furniture and ornamental plants, every aspect is designed to enrich living spaces with beauty and functionality

Understanding the importance of corporate relationships, the studio crafts exquisite corporate gifts in Odisha that embody creativity, quality, and thoughtfulness. These bespoke gifts are perfect for fostering goodwill and appreciation in the corporate world

Specializing in Terracota Art & Production in Odisha, the studio celebrates the traditional while infusing it with modern aesthetics. Terracotta jewellery and art pieces from Akarshan are not just adornments but pieces of cultural heritage that carry deep significance

At the cutting edge of design, the studio produces modern fibre and furniture designs in Odisha pieces that are both stylish and sustainable. These designs are tailored to meet contemporary tastes while being highly functional, making them perfect for modern living spaces.

Akarshan Art Studio's status as the top art studio in Odisha is well-deserved. With its unparalleled expertise in city and landscape beautification, interior and home decor, corporate gifts, terracotta art, and modern fibre furniture, it stands as a testament to the transformative power of art. Through its dedication to enhancing spaces and enriching lives with beauty and creativity, Akarshan Art Studio continues to set the standard for excellence in the art and décor industry in Odisha.

[maryrichard251023]

Fashion Designing Institute in Rajkot - Find Top Fashion Design Institute in Rajkot

INIFD Fashion Designer Institute in Rajkot provides Diploma and Bachelor degrees in Fashion Designing, interior designing, and Jewellery Designing. Students can take advantage of these new chances for pursuing their careers immediately after graduating their 10th or 12th grade Commerce, Arts, or Science courses.

We are foremost an official Fashion Designing Institute in Rajkot, a professional learning environment for fashion and interior design professionals. Our technological facilities, interactive learning materials, and collaborations with recognised companies provide our Fashion Designing and Interior Designing students in Rajkot with top-tier academically and hands-on experience.

This course teaches helpful abilities and useful concepts. Each year, INIFD Rajkot holds a Fashion Show in which students display the latest designer outfits in a variety of themes. Fashion design has become one of among the most prominent and profitable careers in worldwide. Fashion designers create apparel, footwear, accessories, and other style-related items.

All of those career-focused programmes contribute to INIFD Rajkot's ranking as the Best Fashion Design Institute in Rajkot, India. Designers must be innovative and trend-savvy with the goal to create the greatest design possibilities that correspond to present fashion styles.

Is INIFD is best for Fashion Designing?

INIFD is one of the best Fashion Design Institute in Rajkot, offering Organisation, Higher, Advanced, and Professional Level degree programmes in fashion and interior design. We concentrated on training students so that they understand the platform on which they will work and may enhance their skills.

Here are numerous fashion design colleges in Rajkot, but not all of them give high-quality education that will prepare you for achievement as a designer. We'll take a look at some of these institutes in order to help you determine which one is best for you.

INIFD Fashion Designer Institute in Rajkot is dedicated to providing new skills to those who want to pursue an exceptional career in fashion, interior, and jewellery designing, which is why we are the finest outstanding fashion designing colleges in Rajkot.

Fashion Designer Institute in Rajkot - Course Duration:-

Fashion Design Course = 4 Years

Fashion Design Foundation Course = 1 Years

Fashion Design Specialization Course = 3 Years

Fashion Design Advance Course = 2 Years

We have a group of skilled specialists in the disciplines of fashion and interior design who are dedicated to helping students enhance their skills. For a student interested in pursuing a profession in Fashion Design Institute in Rajkot, the best choice is to join in a relevant course.

There are numerous colleges that provide this education, one of which is INIFD Fashion Designing Institute in Rajkot. They've been instructing pupils for years along with creating some of India's top fashion designers.

It is important to understand that those who pursue a career in fashion designing must have a great enthusiasm for it. They should be able to focus on detail and have a good sense of texture and colour. Our Fashion Design Course is for students that are passionate about pursuing their ambitions.

INIFD is recognised as the best fashion designing institution in Rajkot. The given website details regarding the fashion design course, its courses, as well as a detailed syllabus, academic resources, and all of the amenities and services that we offer.

Fashion Designing is a focused and innovative subject that allows you to put your innovative concepts into practice. You can design your own clothing and have the opportunity to create outfits for customers, boutiques, and a variety of brands. Fashion industry is among the most valuable in the globe.

You may have known about many fashion designing institutes in Rajkot. INIFD Fashion Design Institute in Rajkot is well-known for providing high-quality education and has produced many of the top designers. This institute offers the greatest degrees and teachers. The campus life is excellent, and there are several possibilities to discover and try something new.

INIFD Fashion Designing Institute in Rajkot is motivated to prepare students for employment in the field of fashion. Fashion designer is a look creator area that offers unique fashion ideas, innovative designer clothing, and outfits for any event. You can create outfits that reflect your personal style.

Our fashion designing courses are expertly planned to cover every area of the fashion sector. You will study fashion history, drawing, design building, clothing manufacturing, fabrics, and a lot more. Our course of study is designed to teach you basic and cutting-edge design abilities.

Fashion design is all about exploring and attempting fresh ideas, consequently the work atmosphere for fashion designers is very innovative and far more relaxing than in other industries. Fashion design learning institutions provide many of opportunity for creativity. Any new style can be turned into a trend, with plenty of innovative opportunity to create something unique.

[iigjaipur]

Unlocking Creativity: Bachelor of Jewellery Design

In the world of art and aesthetics, jewellery design is a fascinating domain that amalgamates creativity, craftsmanship, and innovation. For those with a passion for creating exquisite adornments that speak volumes about culture and individuality, pursuing a Bachelor of Jewellery Design can be a transformative journey.

Unleashing Artistic Expression:

A Bachelor's degree in Jewellery Design is an ideal platform for aspiring designers to refine their artistic expression. Through a comprehensive curriculum, students explore the history of jewellery, various design styles, and the use of diverse materials. From traditional metalworking techniques to incorporating cutting-edge technology like CAD (Computer-Aided Design), this program equips students with a wide array of skills.

Fostering Creativity and Design Thinking:

The programme nurtures creativity and design thinking by encouraging students to explore unconventional ideas, challenge norms, and push the boundaries of traditional jewellery design. It's an opportunity to experiment with different materials, textures, and shapes to create pieces that are not only visually appealing but also meaningful.

Cultural and Historical Perspectives:

Studying jewellery design isn't just about creating beautiful accessories; it's also about understanding the cultural and historical significance behind each piece. Throughout the course, students delve into the rich heritage of jewellery, learning how it has been used as a symbol of status, love, spirituality, and much more across different civilizations.

The Intersection of Tradition and Modernity:

Jewellery design is a unique blend of tradition and modernity. While traditional techniques hold immense value and beauty, today's designers are incorporating contemporary elements and sustainable practices to cater to the evolving tastes of the global market. This balance between time-honoured customs and modern innovations challenges students to think critically and create designs that resonate with both past and present.

Hands-on Learning and Technical Skills:

A Bachelor of Jewellery Design emphasizes hands-on learning and technical skills, enabling students to work with various materials like metals, gemstones, ceramics, and even organic materials. The experience of working in a studio environment helps them develop dexterity, precision, and an acute understanding of design proportions.

Industry Collaboration and Exposure:

Many reputable jewellery design programs foster collaboration with industry professionals, exposing students to the real-world challenges and demands of the market. Guest lectures, internships, and industry visits offer insights into the business side of jewellery design, such as market trends, customer preferences, and retail strategies.

Designing for Sustainability:

As the world becomes increasingly conscious of environmental concerns, the jewellery industry is also embracing sustainability. Bachelor's programs in jewellery design often emphasize ethical sourcing of materials, recycling, and reducing waste in the production process. Graduates are thus equipped to create responsible and eco-friendly designs that align with contemporary values.

Cultivating Entrepreneurial Spirit:

Beyond honing design skills, a jewellery design degree can instill an entrepreneurial spirit in students. By encouraging them to create their own portfolios, understand the market, and identify their unique design philosophy, the program empowers graduates to venture into the industry as independent designers or even start their own jewellery businesses.

A Journey of Self-Discovery:

Ultimately, pursuing a Bachelor of Jewellery Design is not just an academic pursuit; it's a journey of self-discovery. Students evolve not only as designers but also as individuals, understanding their creative identity and unique perspective. This self-awareness allows them to imbue their designs with a personal touch that resonates with their clientele.

Click here for the best Bachelor of Jewellery Design in the India to pursue your dreams.

Conclusion

Bachelor of Jewellery Design opens doors to a world of creativity, craftsmanship, and cultural exploration. It's a transformative journey that equips students with the skills and knowledge needed to create not just jewellery but wearable pieces of art that reflect their passion and individuality. As the industry continues to evolve, the demand for skilled jewellery designers remains high, making this field an exciting and rewarding choice for aspiring artists and visionaries.

[insdpcmc]

Elevate Your Skills with a Degree in Interior, Jewellery, Textile designing.

Thus, If you are a designer, they need to understand that Design is a work process that has a user perspective and drives development based on your particular clients' requirements. So the main thing is this is the process of thinking of and preparing the production of things, systems, buildings, lorries, etc,.

so generally, It is about creating solutions for people, as the estate in listed below what is design and meanings of design and the main point is why is important for you.

Interior Design Degree.

Interior Design Degree is becoming an incredibly popular career option in India. The trend for this profession has actually gained momentum after the wives of popular Bollywood stars, including the likes of Gauri Khan, Twinkle Khanna and Suzanne Khan began their labels. However, what do interior designers do and what is their work profile like? Interior designers are people who work near architects. They assist in planning the design of a facility which can be a home, workplace, or any other commercial complex in such a manner that the location at hand is made use of in the very best possible way.

Interior designers assist firms/homeowners in planning out the layout, structure, colour schemes, furnishings, and decorations of their homes. The main task of an interior designer/decorator is to make any facility look attractive and also offer utility items. The most common and popular career profiles after pursuing an interior decoration course are to become Interior designers and interior decorators. Students can pursue BDes, BACHELOR'S DEGREE, BSc or Diploma in Interior Decoration. After achieving bachelor's degree, the candidates can pursue postgraduate programmes like MDes, MA or MSc in Interior Decoration. They can also enrol themselves in postgraduate diploma course and expand their understanding and knowledge.

Jewellery Design Course.

Jewellery Design course is an occupation in which experts both design and produce jewellery. The entire procedure of producing jewellery is rather intricate and necessitates technical knowledge. Before any piece of jewellery is made, the design is conceptualised through a comprehensive illustration developed by a jewellery designer. A jewellery designer is somebody who has actually been trained to have architectural along with practical knowledge of different materials, structures, fabrication strategies, wearability, and market trends.

To pursue Jewelry Designing courses, interested candidates can register in an undergraduate (UG) or postgraduate (PG) course to find out how to design jewellery. BDes in Jewellery Design, BSc in Jewellery Design, Bachelor's Degree in Jewellery Design, and BVoc in Jewellery Design are popular UG courses that candidates can pursue at the UG level. The MDes in Jewellery Design, MSc in Jewellery Design, and MBA in Jewellery Design are PG programs that candidates can take in this design specialisation. Candidates might choose to pursue diploma or certificate programs in jewellery design in addition to degree programmes.

Textile Design Degree.

Textile design degree is the art of applying fashion, imagination and natural charm to costumes and lifestyle devices. Fashion design continues to advance through time and from place to place, with a variety of social and cultural attitudes. A fashion couture career has actually begun to get popularity amongst the imaginative, as this highly competitive profession has a large scope both in India and abroad. Students have many chances in front of them upon completing their specialized Design research studies. They can go into the fashion business or manufacturing and exporting systems for paying jobs or release their own brand on the marketplace. However to accomplish that point, it's necessary to understand the essentials of this fast-growing field. Different clothing and accessories are produced for the use of know-how in this field. Here, we have actually explored the entire field of fashion design with eligibility requirements, qualifications, vital abilities, most searched for organizations, crucial research study areas, reach, profiles of tasks, recruitment of significant employees, typical income and many more.

[artcademia]

Bodies

I have been grappling with this assignment for weeks now. Amidst the absurdities of an ongoing global pandemic that forces us to work, write and study from home, and the partial lockdown which forced my workplace to close for an indefinite time many weeks ago, I suddenly find myself with an abundance of time and a complete lack of inspiration and motivation at once. It took me forever to figure out which approach to take to this assignment. This was, however, not because the topics that we talked about in class did not stay with me – because they did. I very often find myself thinking about our session with Stacy Hardy and the way she drew our attention to our relationships with our own bodies. I have since made it a habit to actively try to sense myself in my whole body.

I remember back when I was younger, when I was still training for and performing in the circus, I used to be very much aware of my body and its strengths and limitations at all times. We spent months trying to push our bodies to new limits, constantly urging for more – more flexibility, more strength, more control. And we did it without consciously knowing that this was what we were doing. It never felt like exercising. It was merely part of the build-up to the annual climax: the public circus shows during the last week of summer break. Our bodies were our instruments; we used them as a means to tell stories to an audience.

In fact, many artists – particularly those who work in the performative sector – rely on their bodies to narrate stories or impart knowledge or emotions. And while actors or clowns usually use both their bodies and voices to portray characters and to narrate stories, dancers and acrobats are mostly restricted to their bodies. They move their bodies to tell their tales. The body is an important and absolutely essential part – not just of artists – but of every single person on this planet. By ‘body/-ies’, I refer to our actual physical bodies; that is our skeleton, muscles, organs, flesh, blood and skin. Bodies come in many sizes, shapes and colours. They can be flexible or stiff, tender or hard, fit or flabby, strong or weak, big or small, injured or healthy. They are incredibly versatile and can be shaped with the help of nutrition, exercise or drugs or even permanently altered through surgical intervention. Bodies can be decorated with tattoos, piercings, jewellery and clothes. Bodies can get ill or injured and bodies can be healed or even heal themselves.

And bodies have – at least in some way – been a very prominent topic throughout these past couple of months. The pandemic has forced us to focus thoroughly on how bodies work, how they can be vulnerable, how they can transmit diseases and what we have to do to keep them safe. Our bodies vulnerability to external hazards such as viruses has dominated and determined all kinds of decision-making during this pandemic. Decisions that were designed to protect as many bodies as possible, ironically forced many bodies into intermission. As theatres, opera houses, circuses, concert halls, sports stadiums and all sorts of stages had to shut their doors, millions of artists and performers suddenly find themselves unable to do the very thing they need to do to survive – both financially, physically and emotionally.

The movement of bodies has been restricted in various ways during this seemingly never-ending pandemic. Borders have been closed – not for goods, but for bodies – airplanes have been grounded, trains, trams and busses have come to a halt, ships were stuck in harbours, some governments have imposed curfews. And so, all over the world bodies have been stuck at home – at least those that have a home – to prevent them from ending up in body bags.

And many – including myself – have experienced feelings of rustiness, stiffness and ache due to a lack of movement. Confined to the safety of my apartment, I have come to re-evaluate my relationship with my body and the part I play in my physical and emotional wellbeing. I cannot even begin to imagine what this must feel like for dancers, acrobats or athletes. What if they are not only prevented from performing in front of an audience, but are also banned from their training halls, stages and dance studios? What does this situation do to people who are used to expressing their emotions through their bodies?

Back in May 2019, I went to see Jeremy Nedd & Impilo Mapantsula’s (CH/ZA) dance performance The Ecstatic at Kaserne Basel (co-production). The description of their show read as follows:

Pantsula, a historically significant South African subculture. Expressed not only as a powerful dance form which is well known for it’s [sic] high-speed virtuosic footwork, but also evident through a dress code, language, music, and a particular philosophy of life that is all it’s [sic] own. An expression that during Apartheid gave a voice to a whole generation. Praise Break, a mode of praise. A moment... a pause… a break in the context of the Christian Pentecostal Church service, where the dancing body, voice and music energetically coalesce and as a result blur the difference between ecstatic and cathartic. What happens when the aesthetics of these two worlds converge? What happens in this transcendental moment of “break”[?] Within the dance piece The Ecstatic six Pantsula dancers turn to the motions that lead up to the praise break in order to find out, and “break open” a new space all their own.

– https://www.kaserne-basel.ch/en/programme/the-ecstatic/07-05-2019_20-00

The show was phenomenal, and the audience seemed to be blown away throughout. The lightness, humour and flow with which the dancers moved across the stage was stunning and intoxicating. The performance was celebrated with a roaring round of applause and a standing ovation.

After the show, the audience had the opportunity to meet the crew and ask questions during an open discussion with the dancers and choreographers. Jeremy Nedd (CH) and the dancers (Impilo Mapantsula, ZA) explained, that the pantsula dance had its origins in the black townships of apartheid South Africa – particularly in Sophiatown and Alexandra in Johannesburg. The pantsula dance style and culture was developed by black South Africans as a form of peaceful protest against the racist apartheid regime. The dance moves originate from various everyday actions or movements frequently performed by black workers – for example running alongside and jumping on a moving train, sweeping the floor, or assembly-line work. Therefore, the pantsula dance tells the story of black South African workers. This is also reflected in their dance uniforms: pantsula dancers typically dress in colourful work wear inspired clothes, such as bib overalls and converse. According to Impilo Mapantsula, pantsula is not only a dance style, but rather a lifestyle and culture in itself.

What struck me, was the complete absence of women in the Impilo Mapantsula dance crew. When I questioned them about it, they explained that pantsula was originally developed and performed by men only. From the 1980s onwards, there was also an increasing number of female pantsula dancers. Impilo Mapantsula is actually a larger network of pantsula dancers in South Africa, which also includes women. However, they did not specify as to why they did not include any of them in the show.

I wonder what the pandemic with its curfews and lockdowns has done to the pantsula dancers and culture. Do they still meet in secret to dance? Do they dance together via skype or zoom in front of their smartphones? Do they now have to dance alone? What will happen to this culture and art form if it is forced to stand still for too long? How are they going to teach the next generations of pantsula dancers? How do they ensure that the knowledge and history communicated through this highly complex dance style will live on?

Pantsula is but one of countless forms of performative art which are practiced all over the world. How many of them will survive the pandemic? How will they change? Is the performative culture going to be changed throughout? Will dancers, actors and acrobats start to integrate physical distancing into their performances? I guess only time will tell.

Wanda Rutishauser

January 2021

[sdhokra]

A Ray of Hope for Dhokra Art and Artisans

“We are artists and the artist shapes the tomorrow with his art, dissipating the negative energy because after a thick dark night there is always a golden morning.” - Prakash Joshi, master craftsman.

When the artist takes the responsibility of bringing in ‘golden mornings’ into our world, it becomes the collective duty of the society to preserve the art that the artists practice. Among the several tribal arts that are receding into the shadows, the plight of Dhokra in the present day is particularly dispiriting. With the artists facing a paucity of resources and financial distress, reviving the art to its former glory is the need of the hour.

What can we do to bring a change?

 A change will be put in motion when artists are presented with new avenues of design and creativity. Once, the art that was restricted to human and animal figurines, has seen progression towards fresh ideas for eye-catching jewellery and home decor products. In the same way, a constant push to learn new styles and infusing them with their traditional techniques will give Dhokra handcrafted products a new image altogether.

To help Dhokra artists with newer inspirations, workshops and interactions with renowned artists will work wonders. Not only will these artisans, coming from humble villages, get a fresh perspective, but also the opportunity to exchange their ideas and understand the current trends in the market.

Initiatives by Patrons

Support by the government, initiatives by art enthusiasts and creation of awareness among the larger public, will help Dhokra craft to flourish in the society. In 2000-01, the government, under its TARA (Technological Assistance to Rural Artisans) programme worked with multiple Dhokra families in Bikna and Dariapur to educate them about levelling and measurement, thereby creating products with lesser flaws.

Similar enterprises by art enthusiasts to display and promote the dhokra products available online, and helping gather a larger audience for these artisans, will help them to work at a bigger scale. Additionally, these artisans must be given skill development training, especially the youth, who can use a fresh perspective to promote the art in the society. New ideas for marketing and advertising can create a complete brand for Dhokra art work.

The need for Technical Assistance

Dhokra art is undoubtedly a reflection of advanced thinking, given the fact that the art is 4000 years old. However, the process in today’s day has slowed down the production rate and is coupled with numerous other shortcomings. The use of furnaces which cause air pollution and lack fuel efficiency, issue of metal evaporation and subsequent increase in production cost by at least 20% are only some basic problems in the way of Dhokra artists. Modern technologies and adequate training to use them is thus an important necessity.

As we take small steps to improve the plight of these hardworking artists and their families, we must ensure that they feel welcomed into the new arena. A sensitive and inclusive approach to uplift the art is the silver lining that Dhokra craftsmen have been waiting for. By extending a helping hand today, we will not only help sustain an art form, but support an entire community of artisans who can showcase the richness of Indian heritage worldwide.

[hybiz12]

Gem & Jewellery Export Promotion Council (GJEPC) seeks special assistance For Gems & Jewellery Small Scale Exporters from MSME Ministry. The GJEPC made a representation on the key focus areas pertaining to Gems & Jewellery to the Micro, Small and Medium Enterprises (MSMEs) sector to Shri. Nitin Gadkari, Minister of MSME, Government of India. Through a virtual meet, Colin Shah, GJEPC Chairman and Vipul Shah, Vice Chairman, briefed Shri. Gadkari about the various initiatives proposed and planned by the Council to boost the MSME Exporters from the sector. India is the 5th largest exporter of gem and jewellery in the world with exports accounting for $36.73 billion. It is a labour-intensive industry, employing 37.3 lakh. By facilitating the infrastructure and policy reforms, the industry has the potential to grow its exports to around $70 billion. Colin Shah, Chairman GJEPC said, “Almost 85% (5,931) of the Council members fall under the MSME category, and most of them are involved in the manufacture of handmade gold jewellery, cutting and polishing of diamonds, precious and semi-precious stones and imitation jewellery. The Gems & Jewellery industry is highly labour-intensive and export-oriented, a comprehensive financial package of Rs. 900 Cr has been proposed to Shri Nitin Gadkari. GJEPC has plans to set up a Model Manufacturing Workshop and is focusing on up-gradation of Skill Development Programmes. Introduction of Technology Upgradation Fund (TUF) will benefit the MSME sector by enabling clusters to infuse advanced technology, which, in turn, would augment productivity, reduce costs, improve quality and spur innovation. This will also make MSMEs ready for global competition. The Council also discussed the challenges faced by the MSMEs to get finance and the need for Brand Promotion, showcasing India as one-stop-shop for quality diamonds, gems and jewellery globally. A holistic approach for developing the MSMEs in the sector would help the sector move to the next level of growth.” Colin Shah, Chairman informed the Minister that the MSMEs would benefit through its multiple initiatives comprising Infrastructure Development Projects such as the Mumbai Jewellery Park and Gem Bourse in Jaipur, which would give karigars better working conditions and state-of-the-art facilities. Common Facility Centres have been already set up in four clusters in Gujarat and are running successfully. Some more CFCs are in the process of being established in Coimbatore, Kolkata, Delhi, Rajkot, Jaipur and Hyderabad in the near future. With regard to the challenges in financing faced by the sector, Shri. Gadkari said that under CGTME Rs.1 lakh crore grant is available, and it is a collateral-free loan. This will resolve many problems of the MSME sector. The Ministry is in the process of launching the SME Platform of National Stock Exchange for small- and medium-sized companies with high growth potential. The SME platform of the Exchange shall be open for SMEs whose post issue paid-up capital shall be less than or equal to Rs.25 crore. The Social Banking Finance Institute has been developed by the Ministry to provide small loans to the karigars so that they can buy machines and manufacture or produce from their homes to earn a living. The GJEPC has been the voice of the sector for resolving the challenges related to financing, policy, etc. So far, the Council has conducted 155 seminars or workshops for MSMEs across 11 states and 34 cities.

#GJEPC #MSME #TechnologyUpgradationFund

[pianodoesterror]

Collins, HMS Terror, and Irving for the ask meme?

Questions!

Collins- a strange dream you once had

Most of the dreams I remember very clearly are the bad one’s, sadly. But one I had recently I was in a big, old hotel room. Like, slightly dilapidated old, not fancy old; red carpet, creaky double bed, dark green walls (yeah I know). And I had racks and racks of lipstick shelves, and was organising Nivea SPF lip balm into them. Which was rather strange. My subconscious warning me that summer is coming.

HMS Terror - first historical event of period you remember being interested in

Do Dinosaurs count? Probably not. Umm - the first active interest I probably took on my own, without school or the interest of family members (my Grandad was big on ancient Egypt) was the Anglo-Saxon’s. I loved the art, loved their love of riddles, loved Beowulf, loved all the Sutton Hoo jewellery. 

Irving - do you have any hobbies to keep you from satisfying man’s worst urges busy?

Apart form satisfying man’s worst urges? *rim shot* I bake, I write, I draw, I cook, I look at recipes, I watch programmes about space and the Renaissance, and I look at my pile of books thinking that I should really read them.

Terror ask meme

[scarletheart333-blog]

people: Maori

In the 1980s, the independent label Flying Nun Records had a lasting influence on the rock sector. While groups such as The Chills, The Clean, The Verlaines and Tall Dwarfs shaped the so-called Dunedin Sound, Bailter Space from Christchurch are still among the best-known representatives of New Zealand's noise rock today. Since 2000 there is also a free trade agreement with Singapore. This was extended to Chile and Brunei in 2005 and is now known as the P4 Agreement.

What is Kapa Haka?

The area of New Zealand is almost as large as that of Germany, but with about 4.5 million inhabitants it is much less populated (Germany has about 82 million). The country is divided into two similar large and elongated islands, which are connected by a ferry.

Perhaps New Zealand's most beautiful bird was almost extinct before conservation programmes stabilised its species. The white egret with its snow-white plumage and turquoise circles around the eyes is found throughout the South Pacific, but it only breeds in Whataroa, north of Franz Josef Glacier. There are not only traditional sandwiches with ham, sausages, cheese and salad, but also wraps. Their filling is often a mixture of European and Asian ingredients and spices. Read more about campervan hire New Zealand here.

Although the beginnings of rugby actually come from the state schools of England, rugby in New Zealand is the national sport of the "average Kiwi".performing arts - or Kapa Haka- of Māori includes songs, rhythmic dances and the wild Haka (war dance). The new Haka is said to have been developed over more than a year and in cooperation with many experts in the culture of Māori. and called it "Aotearoa" - the land of the long white cloud. Valuable jewellery and traditional weapons can be viewed and in some cases purchased in museums, galleries and artists' studios throughout the country. Many of the techniques used in carving and weaving have hardly changed for centuries and can be seen in numerous demonstrations. By the way, if you find a piece of jewellery made of Pounamu (New Zealand jade) that you like, have someone else buy it for you - according to legend, New Zealand jade brings luck to the wearer when it is given away. The wild landscape has not yet been tamed in every respect, dangerous places are

Māori Culture

To visit a marae, you must be part of a tour. In the countryside there are fewer or, apart from the rare Katipo spider, hardly any dangerous animal species. In New Zealand more than 1100 spider species live from the worldwide known ca spider species. The puffer fish is not only found under water. A Japanese dish called "Fugu" consists of parts of the pufferfish. If it is not cleanly cut up, it can happen that people die. Ask your health insurance company or book travel insurance online. Fees may vary depending on deductible, age, nationality and other travel destinations. {

What dangerous animals are there in New Zealand?

Dangerous animals in New Zealand In the countryside there are fewer or, apart from the rare Katipo spider, hardly any dangerous animal species. In New Zealand more than 1100 spider species live from the c

[itsjillsale]

Must See TV

I am saddened that this show that takes you behind the scenes at the V&A Museum is over. I need more of it! If you haven’t seen it yet it is still available on BBC i-Player - all six glorious hours of fabulous insights into the work of the curators and conservators that look after this national collection. 

You get to see a very broad cross-section of treasures held by the V&A and the work that is done to ensure these items are preserved in the best state possible for generations to come. The programme covers pop art (screen-printed Beatles dresses), paper conservation, painting conservation, sculpture conservation, the origin of the word cartoon, Japanese art, Beyonce’s jewellery, designer dresses, minatures art, fibre/textile arts and literally everything in between. 

Honestly, there will be something for everyone - although I have first dibs on Pumpie (you need to watch episode one to understand what I mean).