#Jewellery Art Programm
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Prof. Dr. Yuka Oyama -Professorin für Plastik/Schmuckim FB Kunst: Burg Giebichenstein Kunsthochschule Halle
Prof. Dr. Yuka Oyama ist seit dem 1. Oktober 2024 neuberufene Professorin für Plastik/Schmuck im Fachbereich Kunst an der Burg Giebichenstein Kunsthochschule Halle. Oyama, 1974 in Tokio, Japan, geboren, studierte Schmuck und Leichtmetall an der Rhode Island School of Design in Providence (USA) sowie Schmuck und Gerät an der Akademie der Bildenden Künste München bei Prof. Otto Künzli und Freie…
#Intervention#Jewellery Art Programm#Performance#Plastik#Prof.Dr.Yuka Oyama#Professur#Schmuck#Schmuckkunst#Skulptur
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Gems and Threads: Integrating Fashion and Jewellery Design Courses
Are you a housewife, college-going student or want to enhance your skills in Fashion or jewellery design skills that can make you pay off or be profitable? Zenith of Art understands the importance of nurturing creativity and providing students with the skills and knowledge to excel in these Courses.
In this blog, we will explore the fascinating world of integrating fashion and jewellery design courses and how Zenith of Art is at the forefront of this creative revolution.
Explore Our Course Range
Fashion Designing Zenith Of Art, fashion design courses spark creativity in students of all ages. We offer programs for both kids and adults, nurturing a passion for design through sketching, fabric exploration, and garment construction. Learn the fundamentals of fashion design in a fun and collaborative environment, where you'll gain the skills to translate your ideas into stylish creations.
Manual jewellery designing
Zenith Of Art, We teach our students the basics of manual jewellery design, So that they can start to create their designs. They can use a variety of materials, including metal, wire, beads, and stones. Students use different techniques, such as soldering, wire wrapping, and beading. Our instructors will guide you through every step, from brainstorming concepts to mastering basic construction methods.
Who can Join classes:
Just imagine that you are wearing a dress or jewellery that is designed by you. Hobbyists looking to improve their skills and create unique pieces for themselves or as gifts Entrepreneurs looking to start their jewellery or fashion design business Students looking to gain a competitive edge in the industry Anyone looking to explore their creative side and have fun while doing it!
Join Our Classes Today! If you're ready to express your creativity and take your jewellery and fashion design skills to the next level, join our Classes today! We also have various programmes for your kids in that your kids and Adults. We have Mandala Art, Mendhi Design, Art and Craft, Painting, and more. For More information Visit our website https://www.zenithart.in/ to learn more about our program. Zenith of Art is Located in Banipark Jaipur!
#ZenithOfArt#FashionDesign#JewelleryDesign#CreativeCourses#DesignEducation#LearnFashion#LearnJewellery#FashionDesignCourses#JewelleryDesignCourses#CreativeSkills#ArtAndDesign#BaniparkJaipur#DesignYourFuture#CraftYourStyle#FashionAndJewellery#DesignClasses#ArtisticJourney#MandalaArt#MendhiDesign#ArtAndCraft#PaintingClasses#JaipurArt#DesignSchool#CreativeLearning#UnleashYourCreativity#DesignForEveryone
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Elevate Your Brand: Exceptional Corporate Gifts in Odisha
Akarshan Art Studio, is based in Berhampur, this studio has carved a niche for itself, becoming synonymous with quality, elegance, and unrivalled artistic expression. Known for its comprehensive approach to beautification and decor, Akarshan Art Studio has earned the reputation of being the best art studio in the region, offering a wide array of services designed to enhance both public and private spaces with artistic brilliance and cost-effective solutions.
Reputation as the Leading Art Studio in Odisha
Akarshan Art Studio's reputation as the leading art studio in Odisha is built on its commitment to transforming spaces into visual masterpieces. The studio's extensive research and understanding of space and ambiance, combined with its hobby of studying every nook and corner for potential beauty, have positioned it at the forefront of the art and décor sector in Odisha. It's not just about making spaces look perfect; it's about enriching them with value additions that resonate with the surrounding environment in a very cost-effective manner
Expertise in Beautification and Decor Services
The studio's expertise spans a variety of services, each tailored to bring out the best in urban and interior environments:
Akarshan Art Studio specializes in city beautification in Odisha that not only enhance the aesthetic appeal of urban spaces but also improve the quality of urban life. Through the incorporation of urban sculptures, mural art, fibre sculptures for indoor and outdoor settings, wall paintings, and lighting fountains, the studio plays a pivotal role in building identity, transferring culture, and fostering community interaction within urban spaces
The studio extends its creative prowess to landscape and park beautification in Odisha, offering services like pathway cum landscape development, modern seating arrangements, fountains, selfie points, and programmable musical fountains. These elements are thoughtfully designed to create engaging, high-quality spaces that encourage more interaction among citizens
With a keen eye for detail and a passion for space, Interior & Home Decor in Odisha offers innovative interior and home decor solutions. From sophisticated wall art to modern fibre furniture and ornamental plants, every aspect is designed to enrich living spaces with beauty and functionality
Understanding the importance of corporate relationships, the studio crafts exquisite corporate gifts in Odisha that embody creativity, quality, and thoughtfulness. These bespoke gifts are perfect for fostering goodwill and appreciation in the corporate world
Specializing in Terracota Art & Production in Odisha, the studio celebrates the traditional while infusing it with modern aesthetics. Terracotta jewellery and art pieces from Akarshan are not just adornments but pieces of cultural heritage that carry deep significance
At the cutting edge of design, the studio produces modern fibre and furniture designs in Odisha pieces that are both stylish and sustainable. These designs are tailored to meet contemporary tastes while being highly functional, making them perfect for modern living spaces.
Akarshan Art Studio's status as the top art studio in Odisha is well-deserved. With its unparalleled expertise in city and landscape beautification, interior and home decor, corporate gifts, terracotta art, and modern fibre furniture, it stands as a testament to the transformative power of art. Through its dedication to enhancing spaces and enriching lives with beauty and creativity, Akarshan Art Studio continues to set the standard for excellence in the art and décor industry in Odisha.
#Akarshan Art studio#best art studio in Odisha#leading art studio in Odisha#top art studio in Odisha#City Beautification in Odisha#Landscape & Park Beautification in Odisha#Interior & Home Decor in Odisha#Corporate Gifts in Odisha#Terracota Art & Production in Odisha#Modern Fibre & Furniture in Odisha
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Fashion Designing Institute in Rajkot - Find Top Fashion Design Institute in Rajkot
INIFD Fashion Designer Institute in Rajkot provides Diploma and Bachelor degrees in Fashion Designing, interior designing, and Jewellery Designing. Students can take advantage of these new chances for pursuing their careers immediately after graduating their 10th or 12th grade Commerce, Arts, or Science courses.
We are foremost an official Fashion Designing Institute in Rajkot, a professional learning environment for fashion and interior design professionals. Our technological facilities, interactive learning materials, and collaborations with recognised companies provide our Fashion Designing and Interior Designing students in Rajkot with top-tier academically and hands-on experience.
This course teaches helpful abilities and useful concepts. Each year, INIFD Rajkot holds a Fashion Show in which students display the latest designer outfits in a variety of themes. Fashion design has become one of among the most prominent and profitable careers in worldwide. Fashion designers create apparel, footwear, accessories, and other style-related items.
All of those career-focused programmes contribute to INIFD Rajkot's ranking as the Best Fashion Design Institute in Rajkot, India. Designers must be innovative and trend-savvy with the goal to create the greatest design possibilities that correspond to present fashion styles.
Is INIFD is best for Fashion Designing?
INIFD is one of the best Fashion Design Institute in Rajkot, offering Organisation, Higher, Advanced, and Professional Level degree programmes in fashion and interior design. We concentrated on training students so that they understand the platform on which they will work and may enhance their skills.
Here are numerous fashion design colleges in Rajkot, but not all of them give high-quality education that will prepare you for achievement as a designer. We'll take a look at some of these institutes in order to help you determine which one is best for you.
INIFD Fashion Designer Institute in Rajkot is dedicated to providing new skills to those who want to pursue an exceptional career in fashion, interior, and jewellery designing, which is why we are the finest outstanding fashion designing colleges in Rajkot.
Fashion Designer Institute in Rajkot - Course Duration:-
Fashion Design Course = 4 Years
Fashion Design Foundation Course = 1 Years
Fashion Design Specialization Course = 3 Years
Fashion Design Advance Course = 2 Years
We have a group of skilled specialists in the disciplines of fashion and interior design who are dedicated to helping students enhance their skills. For a student interested in pursuing a profession in Fashion Design Institute in Rajkot, the best choice is to join in a relevant course.
There are numerous colleges that provide this education, one of which is INIFD Fashion Designing Institute in Rajkot. They've been instructing pupils for years along with creating some of India's top fashion designers.
It is important to understand that those who pursue a career in fashion designing must have a great enthusiasm for it. They should be able to focus on detail and have a good sense of texture and colour. Our Fashion Design Course is for students that are passionate about pursuing their ambitions.
INIFD is recognised as the best fashion designing institution in Rajkot. The given website details regarding the fashion design course, its courses, as well as a detailed syllabus, academic resources, and all of the amenities and services that we offer.
Fashion Designing is a focused and innovative subject that allows you to put your innovative concepts into practice. You can design your own clothing and have the opportunity to create outfits for customers, boutiques, and a variety of brands. Fashion industry is among the most valuable in the globe.
You may have known about many fashion designing institutes in Rajkot. INIFD Fashion Design Institute in Rajkot is well-known for providing high-quality education and has produced many of the top designers. This institute offers the greatest degrees and teachers. The campus life is excellent, and there are several possibilities to discover and try something new.
INIFD Fashion Designing Institute in Rajkot is motivated to prepare students for employment in the field of fashion. Fashion designer is a look creator area that offers unique fashion ideas, innovative designer clothing, and outfits for any event. You can create outfits that reflect your personal style.
Our fashion designing courses are expertly planned to cover every area of the fashion sector. You will study fashion history, drawing, design building, clothing manufacturing, fabrics, and a lot more. Our course of study is designed to teach you basic and cutting-edge design abilities.
Fashion design is all about exploring and attempting fresh ideas, consequently the work atmosphere for fashion designers is very innovative and far more relaxing than in other industries. Fashion design learning institutions provide many of opportunity for creativity. Any new style can be turned into a trend, with plenty of innovative opportunity to create something unique.
#Fashion Designing Institute in Rajkot#Fashion Design Institute in Rajkot#Fashion Designer Institute in Rajkot
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Unlocking Creativity: Bachelor of Jewellery Design
In the world of art and aesthetics, jewellery design is a fascinating domain that amalgamates creativity, craftsmanship, and innovation. For those with a passion for creating exquisite adornments that speak volumes about culture and individuality, pursuing a Bachelor of Jewellery Design can be a transformative journey.
Unleashing Artistic Expression:
A Bachelor's degree in Jewellery Design is an ideal platform for aspiring designers to refine their artistic expression. Through a comprehensive curriculum, students explore the history of jewellery, various design styles, and the use of diverse materials. From traditional metalworking techniques to incorporating cutting-edge technology like CAD (Computer-Aided Design), this program equips students with a wide array of skills.
Fostering Creativity and Design Thinking:
The programme nurtures creativity and design thinking by encouraging students to explore unconventional ideas, challenge norms, and push the boundaries of traditional jewellery design. It's an opportunity to experiment with different materials, textures, and shapes to create pieces that are not only visually appealing but also meaningful.
Cultural and Historical Perspectives:
Studying jewellery design isn't just about creating beautiful accessories; it's also about understanding the cultural and historical significance behind each piece. Throughout the course, students delve into the rich heritage of jewellery, learning how it has been used as a symbol of status, love, spirituality, and much more across different civilizations.
The Intersection of Tradition and Modernity:
Jewellery design is a unique blend of tradition and modernity. While traditional techniques hold immense value and beauty, today's designers are incorporating contemporary elements and sustainable practices to cater to the evolving tastes of the global market. This balance between time-honoured customs and modern innovations challenges students to think critically and create designs that resonate with both past and present.
Hands-on Learning and Technical Skills:
A Bachelor of Jewellery Design emphasizes hands-on learning and technical skills, enabling students to work with various materials like metals, gemstones, ceramics, and even organic materials. The experience of working in a studio environment helps them develop dexterity, precision, and an acute understanding of design proportions.
Industry Collaboration and Exposure:
Many reputable jewellery design programs foster collaboration with industry professionals, exposing students to the real-world challenges and demands of the market. Guest lectures, internships, and industry visits offer insights into the business side of jewellery design, such as market trends, customer preferences, and retail strategies.
Designing for Sustainability:
As the world becomes increasingly conscious of environmental concerns, the jewellery industry is also embracing sustainability. Bachelor's programs in jewellery design often emphasize ethical sourcing of materials, recycling, and reducing waste in the production process. Graduates are thus equipped to create responsible and eco-friendly designs that align with contemporary values.
Cultivating Entrepreneurial Spirit:
Beyond honing design skills, a jewellery design degree can instill an entrepreneurial spirit in students. By encouraging them to create their own portfolios, understand the market, and identify their unique design philosophy, the program empowers graduates to venture into the industry as independent designers or even start their own jewellery businesses.
A Journey of Self-Discovery:
Ultimately, pursuing a Bachelor of Jewellery Design is not just an academic pursuit; it's a journey of self-discovery. Students evolve not only as designers but also as individuals, understanding their creative identity and unique perspective. This self-awareness allows them to imbue their designs with a personal touch that resonates with their clientele.
Click here for the best Bachelor of Jewellery Design in the India to pursue your dreams.
Conclusion
Bachelor of Jewellery Design opens doors to a world of creativity, craftsmanship, and cultural exploration. It's a transformative journey that equips students with the skills and knowledge needed to create not just jewellery but wearable pieces of art that reflect their passion and individuality. As the industry continues to evolve, the demand for skilled jewellery designers remains high, making this field an exciting and rewarding choice for aspiring artists and visionaries.
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Elevate Your Skills with a Degree in Interior, Jewellery, Textile designing.
Thus, If you are a designer, they need to understand that Design is a work process that has a user perspective and drives development based on your particular clients' requirements. So the main thing is this is the process of thinking of and preparing the production of things, systems, buildings, lorries, etc,.
so generally, It is about creating solutions for people, as the estate in listed below what is design and meanings of design and the main point is why is important for you.
Interior Design Degree.
Interior Design Degree is becoming an incredibly popular career option in India. The trend for this profession has actually gained momentum after the wives of popular Bollywood stars, including the likes of Gauri Khan, Twinkle Khanna and Suzanne Khan began their labels. However, what do interior designers do and what is their work profile like? Interior designers are people who work near architects. They assist in planning the design of a facility which can be a home, workplace, or any other commercial complex in such a manner that the location at hand is made use of in the very best possible way.
Interior designers assist firms/homeowners in planning out the layout, structure, colour schemes, furnishings, and decorations of their homes. The main task of an interior designer/decorator is to make any facility look attractive and also offer utility items. The most common and popular career profiles after pursuing an interior decoration course are to become Interior designers and interior decorators. Students can pursue BDes, BACHELOR'S DEGREE, BSc or Diploma in Interior Decoration. After achieving bachelor's degree, the candidates can pursue postgraduate programmes like MDes, MA or MSc in Interior Decoration. They can also enrol themselves in postgraduate diploma course and expand their understanding and knowledge.
Jewellery Design Course.
Jewellery Design course is an occupation in which experts both design and produce jewellery. The entire procedure of producing jewellery is rather intricate and necessitates technical knowledge. Before any piece of jewellery is made, the design is conceptualised through a comprehensive illustration developed by a jewellery designer. A jewellery designer is somebody who has actually been trained to have architectural along with practical knowledge of different materials, structures, fabrication strategies, wearability, and market trends.
To pursue Jewelry Designing courses, interested candidates can register in an undergraduate (UG) or postgraduate (PG) course to find out how to design jewellery. BDes in Jewellery Design, BSc in Jewellery Design, Bachelor's Degree in Jewellery Design, and BVoc in Jewellery Design are popular UG courses that candidates can pursue at the UG level. The MDes in Jewellery Design, MSc in Jewellery Design, and MBA in Jewellery Design are PG programs that candidates can take in this design specialisation. Candidates might choose to pursue diploma or certificate programs in jewellery design in addition to degree programmes.
Textile Design Degree.
Textile design degree is the art of applying fashion, imagination and natural charm to costumes and lifestyle devices. Fashion design continues to advance through time and from place to place, with a variety of social and cultural attitudes. A fashion couture career has actually begun to get popularity amongst the imaginative, as this highly competitive profession has a large scope both in India and abroad. Students have many chances in front of them upon completing their specialized Design research studies. They can go into the fashion business or manufacturing and exporting systems for paying jobs or release their own brand on the marketplace. However to accomplish that point, it's necessary to understand the essentials of this fast-growing field. Different clothing and accessories are produced for the use of know-how in this field. Here, we have actually explored the entire field of fashion design with eligibility requirements, qualifications, vital abilities, most searched for organizations, crucial research study areas, reach, profiles of tasks, recruitment of significant employees, typical income and many more.
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Everything you need to know about B Sc in Fashion, Jewellery, textile.
The designing process requires a combination of knowledge, creative instincts, research, analysis and problem-solving skills of an individual. In design courses, the students learn about the fundamentals of design where the focus is given to drawing, photography and modelling. A career in designing is very popular with students who have creative abilities. The goal of designing is to cater to the needs of aesthetics.
B Sc in Fashion Designing INSD Deccan
A three-year undergraduate degree programme in fashion design at B Sc in fashion designing INSD Deccan, this is divided into six semesters and covers a variety of topics in fashion and design, including leather design, jewellery design, footwear design, interior design, clothing design, and other closely related fields. Applicants who want to work in the fashion industry may think about earning a B.Sc. in fashion design. In India, many universities offer programmes in fashion design, including B.Sc., B.Tech., and B.A. The results of the entrance exam and the 10+2 are used to determine admission to B.Sc. in fashion design programmes.
B Sc in Jewellery Designing INSD Deccan
Undergraduate jewellery design courses include B.Sc in Jewellery Designing at INSD Deccan or Bachelor of Science in Jewellery Design and Technology. Jewelry design is the art or a career that involves constructing, using, fabricating, or rendering jewellery designs by utilising technology, which is the creation, use, and knowledge of tools, techniques, crafts, systems, or organisational procedures to accomplish a task or solve a problem.
B Sc in Textile Designing INSD Deccan
The fashion design field, in which design, aesthetics, and natural beauty of clothes and its accessories are properly taught, includes the field of textile design. As norms and socio-cultural functions have greatly increased in the modern world, fashion design has assumed a crucial role. In addition to anticipating changes in consumers' tastes, fashion designers take into account their preferences and tastes. Fashion trend research is done by designers, who then translate it for their audience. If not as a freelancer, a fashion designer could work full-time for one fashion house. Depending on the sort of gatherings, certain fashion designers get paid handsomely for their job.
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Le Joyau le plus precieux
A Lucky Luke Modern!AU fanfiction
Chapter VII - A bloody mess
-But isn't that the suit for special occasions, Joe?- Averell commented on seeing his brother in the jacket, tie and black trousers with the white shirt. -Yes. I wanted to see if it still fit.- -You look like a Man in Black!- William added, -Where are you going dressed like that? -I'm meeting someone tonight. And a minimum of elegance is required.- -Oh, are you talking about that handsome guy who dropped you off yesterday?- the younger man said again; the twins tried to shush him but it was too late. However, Joe didn't flinch: -He's a colleague, little brother, and he advised me to study some art to get into Lucky Luke's mind better, to understand his method, got it?- -But those are paintings, not jewellery- objected Jack. -Trust me, I know what I'm doing. I'll go change and we'll go to work.-
Later that day, while observing his colleagues' comings and goings in the office, William absent-mindedly continued to do some computer research on places Lucky Luke might hit, to update their list (contrary to what Joe had said). It was at that moment that a cough caught his attention, followed by a gentle female voice: -Excuse me...- William looked up and stared dumbfounded at the beautiful girl in front of him, because although she was simply dressed in jeans and a T-shirt, she had a unique charm, so much so that he thought he heard a choir of angels or something; she must have had some American Indian ancestry. -Hello?- She called him back to reality by waving a hand in front of his eyes. -What? Yes, tell me miss.- -I was looking for Detective Dalton, but I got lost after the guard at the entrance just pointed me up a few floors. Can you help me?- -Certainly! William Dalton!- he introduced himself awkwardly, extending his hand to her. -Cheyenne Strokes; you are one of Joe's brothers, then. I thought there was a certain air of family!- That gentle smile again charmed the policeman, who stood looking at her dreamily. -Uh... I still need my hand...- she giggled. -Huh? Oh! Sorry!- He let her go, embarrassed: -I'll take you to Joe right away.-
The latter, intent on quickly signing permits for Betty, was very surprised to see her; once the girl was seated, the detective told his brother to leave them alone. -I have a message from my cousin- she began in a low voice, -he asked me to give it to you because he is busy with “that thing” at the Olympia.- -Why the hushed tone?- -Even the walls have ears, I'm just being cautious.- She pulled out a white rectangular paper envelope from the bag she had with her: -Inside is a few more instructions, I think, and a flyer with the show times. He wanted to call, but as I said he's busy.- Joe opened the envelope and read the short handwritten message in crisp, thick block letters: “Our man will be at the theatre for the twenty-thirty show. See you later. L.L.” -Thank you very much, Cheyenne.- -You're welcome. I have to run, Amélie gets out of art class in a little while.- Turning back accompanied by Joe, the girl did not fail to wave to William, who reciprocated by adding a shy smile. Noticing his younger brother's expression, Dalton sneered: -Hey, Romeo, don't get any ideas; she has a six-year-old daughter.- -No matter...Wow...- -Earth to William! Did you hear what I said?- But the other's dreamy sigh convinced Joe to let it go: he was now infatuated.
Before leaving his room, Joe checked that he had taken everything: badge, handcuffs, a map of the theatre and the Grand Guignol programme. He glanced at the latter once more: at 8.30 p.m., the two-act play 'L'Homme qui a tuè la Mòrt', which was apparently about beheadings, was to be performed. Not that he cared, after all. He checked his wristwatch: it read a quarter past nineteen. He went into the living room, where his brothers were gathered on the sofa, deciding whether to order pizza or Chinese food.
-Joe, give us a hand!- Jack said, throwing his head back on the backboard looking at him upside down, -What do you recommend?- -Pizza is healthier than that fried stuff, and besides, eating with chopsticks is not your forte.- The detective waited by the window overlooking the street. Despite the hour, the sun was barely setting, colouring the buildings with its warm orange light. -Pizza it is!- exulted Averell, who immediately noticed where the major was sitting: -What are you doing?- -They have to come and get me.- -Ah, yeah, the date with that handsome guy...- Jack teased him, who was plonked down on the couch by the other two in an attempt to shut him up.
-Like I said, he's a colleague. I was just checking to see if he had arrived yet, that's all.- He had looked away for a moment, and when he brought his gaze back outside, there was the silver car parked just below, appearing as if by magic. -But that's absurd! You talk about the Devil and here he pops up!- the detective exclaimed; he waited for Lucky to get out of the vehicle, but after ten minutes Joe's mobile phone rang. -Hello?- -Maybe I'm a little early, but it would be nice if you decided to come down.- -I'm not dressed- lied Dalton. -Liar. I can see you, through the window. Were you waiting for me?- -Avoid that tone, will you?- -What tone?- -Every time you talk to me, it sounds like you're hitting on me! And then there is a thing called a doorbell, come down and ring it!- -They're playing my favourite song on the radio. You can't do this to me.- -... Let it go. I'm coming.- Dropping the call, he gave his brothers one last word of advice: -Order me a pizza too, it won't take long. And woe to you Averell...- -I know, I know. I must not touch it.- -I'll see you guys later.-
Along the flight of stairs, Joe had the misfortune to cross paths with their gossipy neighbour, Miss Fevre, a nosy single old maid who never failed to maliciously gossip about anyone. At first glance she looked like an innocent old lady with curlers in her hair, a dressing gown and slippers; in reality she was a witch who hated children and tried to appear nice to everyone only to sow discord. -Oh, Mr Dalton!- she exclaimed with a smile of mock politeness, her voice croaky and annoying. -Mistress...- -Have you seen that guy parked down here? They should give him a fine! There's no respect anymore, am I right?- -He's a colleague of mine. He's waiting for me.- -He is? Well, he should brush up on his traffic laws, he's too close to the condo's driveway. Tell him.- -Yes, yes; have a nice evening- Joe cut short, passing her and continuing downstairs. Reaching the car, he opened the door and sat in the front passenger seat, mumbling: -I can't stand her...- -Please?-
Turning towards Lucky Luke, Dalton noticed that he too was wearing a suit similar to his. -Are you kidding me?- -Why?- -You dressed just like me!- -That was not my intention. Who are you mad at anyway?- -No, the woman next door... Don't change the subject, will you?!?- -We're not dressed the same. You wear black, mine is a very dark grey.- -... Yeah, you're kidding me, I can see it in your face. Shall we go?- -Fasten your seat belt.- With a growl, Joe listened to him; just enough time for Luke to manoeuvre and the two headed for the theatre.
The Olympia has the reputation of being one of the longest-lived music halls in Paris: built in 1888, it was converted into a cinema in the 1930s until 1944. It hosted artists of all kinds, from singer Dalida to the Beatles, and was declared a cultural heritage site in 1993, escaping demolition. So there was a lot of astonishment among theatre lovers when it was announced that a show like the Grand Guignol would be staged in such a milestone.
Nevertheless, the audience turnout was rich, as Joe and Lucky were forced to observe, who had to hustle to get in. The stage, already set up for the first show, had been stripped of its curtain. A recorded voice announced that for the first rows, a waxed cloth had been placed under each seat to prevent any splashes of fake blood from damaging clothing.
-For now, let's go to our seats; we'll move around the room in the dark- Lucky murmured to the detective. Once they were seated in the red velvet armchairs, Joe asked: -Do you see him anywhere?- -He's over there in the front row. Figures he wouldn't want to miss the special effects.-
The lights in the auditorium went out suddenly, as if the power had gone out, and the audience let out an exclamation of surprise and fear in unison. A rumble of thunder, followed by a great flashing of lights on the stage, anticipated the grand entrance from a cloud of smoke of a man who looked like Uncle Fester from The Addamses, only much creepier and dressed in tattered white clothes. He announced, with a hysterical madman's laugh, that the show was not for the faint-hearted or swooning ladies, and that these people should leave while they had time.
-When do we move?- Joe whispered impatiently. -There will be a break after the first act; after the bloodbath our friend will feel like cleaning himself up. The fake blood they use in the show has a good flow, but it's sticky. I know because I snuck into the company rehearsals.- -Then we could get him...- Touching the inside of his jacket, Dalton noticed something missing.
-Damn it!- -What?- -The handcuffs! I must have dropped them in the car.- -Are you sure?- Before the other could answer him, a deafening and disturbing music filled their ears. The show had begun. -I can't get out, or the ushers and security people won't let me back in!!!- shouted Joe, trying to overpower the music. -Don't panic, I brought plastic ties for every emergency!!!- Lucky replied. This relieved the detective a little. The patrol officers also used them when they could not avail themselves of the handcuffs. At least one of them had proved farsighted.
Blood flowed freely on the scene. Literally. Joe knew it wasn't real, but to call him disgusted was reductive. How could such gruesome stuff please people? However, that didn't distract him from the objective: Ivor was so covered in fake blood that he looked like a monster from the show. It wouldn't be long before he went to the toilet to wash himself. -This first act never ends!- the detective hissed to himself. As if someone had heard him, darkness suddenly fell again; the lights in the hall gradually rose again and the recorded voice announced the interval. -It's time- said Lucky, who had not taken his eyes off their prey for the entire show. The two made sure he entered the men's room before getting up.
-I'll go first, since he knows me.- -No, I'll go in first.- -But Joe...- -I'll slip into one of the cubicles; when you hear me whistle, it'll be the go signal.- -Whatever. What tune are you going to use?- -Something simple, wait... Yeah, the first notes of "Frère Jacques", ok?- -Ok.-
Once inside the room, Joe discreetly looked around. Apparently it was just him and Ivor, intent on wiping the sticky red liquid, now dried up in several places, from his face and bald head. With the most casual manner possible, Dalton walked towards the cubicles where the toilets were. They were the kind that you could see your neighbours' feet from underneath, and the first thing the detective did was to check from there if anyone else was around. At that point, he started whistling. He waited, peeking through the little door.
A few seconds later, Lucky Luke walked in. To Joe's surprise, he greeted Ivor in Russian. He didn't understand a word of it, but they seemed to be using fairly polite tones. At one point Ivor put his still-wet hands on his hips; he seemed more tense and indeed hostile. At the umpteenth statement by Lucky, Ivor chuckled in amusement and suddenly sprang towards him to punch him, which went astray. The other recovered his balance with an agility of which he did not seem capable, and tried again to strike his opponent with a more calculated right punch than the previous one, but it still failed as Lucky was able to dodge easily thanks to his smaller physique. The ex-agent then tried to counter-attack, but his punch was blocked by the hand of Ivor who, sneering, took the opportunity to knee him in the stomach.
At that point, Joe got frightened: he had to intervene, but how?
The big bodyguard grabbed the other by the collar of his shirt, lifting him up like a cat, and punched him in the face, sending him backwards against the wall. The detective plucked up courage: taking advantage of the fact that his back was turned, he pounced on what in comparison to him was a giant, jumping on him.
It was like watching David versus Goliath.
Taken by surprise, Ivor tried to grab him, but Joe stuck his fingers in his eyes and wrinkled his nose as he held on tightly with his legs wrapped around that taurine neck. Unfortunately, the other managed to grab him by the jacket, and easily flung him across the room. Dalton was left lying face down in the shape of a starfish. But that brief distraction had served to give Lucky time to recover: he managed to tackle Ivor to the floor and quickly pinned his wrists together with a plastic band, nice and tight, thanks in part to the fact that Joe had momentarily blinded him.
The latter got up, a little bruised: -This is what a sack of potatoes feels like...- -Are you all right?- -Yes, I have a tough skin. You rather, you're already getting a black eye.- -It's nothing compared to my ribs, but not bad. Come on, let's take him away.- Just then someone came into the bathroom: -What's going on in here?-
The detective and Lucky were distracted for a split second; Ivor snapped back with his head giving Luke a mighty headbutt on the nose, and unburdening himself, with his hands still tied behind his back he got up and ran out the door, running over the unfortunate man who had opened it. Joe sprang in pursuit: -Police!!! Stop that man!!!- he shouted, flashing his badge in the air. Security answered the call, but could not get past the crowd that had massed in panic at hearing someone shouting, and was therefore occupying both sides of the entrance. As a result, no one was watching the entrance. Ivor threw himself in that direction.
Unlike the others, Joe managed to slip through the crowd and continue the chase: -Police!!! Stop, you filthy...!- Three familiar figures threw themselves at the fugitive, knocking him to the ground again and echoing Dalton: -Paris Police!!! You are under arrest!!- Dalton gasped: -What are you doing here?!?- Averell replied candidly: -We just wanted to make sure your date went well, Joe, so we followed you!- -We stayed here, though, since we didn't have tickets- Jack added, holding the prisoner's legs firmly, -But who is this man, Joe? What's going on?- Lucky appeared at that moment behind the detective, dabbing at his bleeding nose with a handkerchief. Joe ran a hand over his face: -At this point... I think it's time for an explanation.-
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Bodies
I have been grappling with this assignment for weeks now. Amidst the absurdities of an ongoing global pandemic that forces us to work, write and study from home, and the partial lockdown which forced my workplace to close for an indefinite time many weeks ago, I suddenly find myself with an abundance of time and a complete lack of inspiration and motivation at once. It took me forever to figure out which approach to take to this assignment. This was, however, not because the topics that we talked about in class did not stay with me – because they did. I very often find myself thinking about our session with Stacy Hardy and the way she drew our attention to our relationships with our own bodies. I have since made it a habit to actively try to sense myself in my whole body.
I remember back when I was younger, when I was still training for and performing in the circus, I used to be very much aware of my body and its strengths and limitations at all times. We spent months trying to push our bodies to new limits, constantly urging for more – more flexibility, more strength, more control. And we did it without consciously knowing that this was what we were doing. It never felt like exercising. It was merely part of the build-up to the annual climax: the public circus shows during the last week of summer break. Our bodies were our instruments; we used them as a means to tell stories to an audience.
In fact, many artists – particularly those who work in the performative sector – rely on their bodies to narrate stories or impart knowledge or emotions. And while actors or clowns usually use both their bodies and voices to portray characters and to narrate stories, dancers and acrobats are mostly restricted to their bodies. They move their bodies to tell their tales. The body is an important and absolutely essential part – not just of artists – but of every single person on this planet. By ‘body/-ies’, I refer to our actual physical bodies; that is our skeleton, muscles, organs, flesh, blood and skin. Bodies come in many sizes, shapes and colours. They can be flexible or stiff, tender or hard, fit or flabby, strong or weak, big or small, injured or healthy. They are incredibly versatile and can be shaped with the help of nutrition, exercise or drugs or even permanently altered through surgical intervention. Bodies can be decorated with tattoos, piercings, jewellery and clothes. Bodies can get ill or injured and bodies can be healed or even heal themselves.
And bodies have – at least in some way – been a very prominent topic throughout these past couple of months. The pandemic has forced us to focus thoroughly on how bodies work, how they can be vulnerable, how they can transmit diseases and what we have to do to keep them safe. Our bodies vulnerability to external hazards such as viruses has dominated and determined all kinds of decision-making during this pandemic. Decisions that were designed to protect as many bodies as possible, ironically forced many bodies into intermission. As theatres, opera houses, circuses, concert halls, sports stadiums and all sorts of stages had to shut their doors, millions of artists and performers suddenly find themselves unable to do the very thing they need to do to survive – both financially, physically and emotionally.
The movement of bodies has been restricted in various ways during this seemingly never-ending pandemic. Borders have been closed – not for goods, but for bodies – airplanes have been grounded, trains, trams and busses have come to a halt, ships were stuck in harbours, some governments have imposed curfews. And so, all over the world bodies have been stuck at home – at least those that have a home – to prevent them from ending up in body bags.
And many – including myself – have experienced feelings of rustiness, stiffness and ache due to a lack of movement. Confined to the safety of my apartment, I have come to re-evaluate my relationship with my body and the part I play in my physical and emotional wellbeing. I cannot even begin to imagine what this must feel like for dancers, acrobats or athletes. What if they are not only prevented from performing in front of an audience, but are also banned from their training halls, stages and dance studios? What does this situation do to people who are used to expressing their emotions through their bodies?
Back in May 2019, I went to see Jeremy Nedd & Impilo Mapantsula’s (CH/ZA) dance performance The Ecstatic at Kaserne Basel (co-production). The description of their show read as follows:
Pantsula, a historically significant South African subculture. Expressed not only as a powerful dance form which is well known for it’s [sic] high-speed virtuosic footwork, but also evident through a dress code, language, music, and a particular philosophy of life that is all it’s [sic] own. An expression that during Apartheid gave a voice to a whole generation. Praise Break, a mode of praise. A moment... a pause… a break in the context of the Christian Pentecostal Church service, where the dancing body, voice and music energetically coalesce and as a result blur the difference between ecstatic and cathartic. What happens when the aesthetics of these two worlds converge? What happens in this transcendental moment of “break”[?] Within the dance piece The Ecstatic six Pantsula dancers turn to the motions that lead up to the praise break in order to find out, and “break open” a new space all their own.
– https://www.kaserne-basel.ch/en/programme/the-ecstatic/07-05-2019_20-00
The show was phenomenal, and the audience seemed to be blown away throughout. The lightness, humour and flow with which the dancers moved across the stage was stunning and intoxicating. The performance was celebrated with a roaring round of applause and a standing ovation.
After the show, the audience had the opportunity to meet the crew and ask questions during an open discussion with the dancers and choreographers. Jeremy Nedd (CH) and the dancers (Impilo Mapantsula, ZA) explained, that the pantsula dance had its origins in the black townships of apartheid South Africa – particularly in Sophiatown and Alexandra in Johannesburg. The pantsula dance style and culture was developed by black South Africans as a form of peaceful protest against the racist apartheid regime. The dance moves originate from various everyday actions or movements frequently performed by black workers – for example running alongside and jumping on a moving train, sweeping the floor, or assembly-line work. Therefore, the pantsula dance tells the story of black South African workers. This is also reflected in their dance uniforms: pantsula dancers typically dress in colourful work wear inspired clothes, such as bib overalls and converse. According to Impilo Mapantsula, pantsula is not only a dance style, but rather a lifestyle and culture in itself.
What struck me, was the complete absence of women in the Impilo Mapantsula dance crew. When I questioned them about it, they explained that pantsula was originally developed and performed by men only. From the 1980s onwards, there was also an increasing number of female pantsula dancers. Impilo Mapantsula is actually a larger network of pantsula dancers in South Africa, which also includes women. However, they did not specify as to why they did not include any of them in the show.
I wonder what the pandemic with its curfews and lockdowns has done to the pantsula dancers and culture. Do they still meet in secret to dance? Do they dance together via skype or zoom in front of their smartphones? Do they now have to dance alone? What will happen to this culture and art form if it is forced to stand still for too long? How are they going to teach the next generations of pantsula dancers? How do they ensure that the knowledge and history communicated through this highly complex dance style will live on?
Pantsula is but one of countless forms of performative art which are practiced all over the world. How many of them will survive the pandemic? How will they change? Is the performative culture going to be changed throughout? Will dancers, actors and acrobats start to integrate physical distancing into their performances? I guess only time will tell.
Wanda Rutishauser
January 2021
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A Ray of Hope for Dhokra Art and Artisans
“We are artists and the artist shapes the tomorrow with his art, dissipating the negative energy because after a thick dark night there is always a golden morning.” - Prakash Joshi, master craftsman.
When the artist takes the responsibility of bringing in ‘golden mornings’ into our world, it becomes the collective duty of the society to preserve the art that the artists practice. Among the several tribal arts that are receding into the shadows, the plight of Dhokra in the present day is particularly dispiriting. With the artists facing a paucity of resources and financial distress, reviving the art to its former glory is the need of the hour.
What can we do to bring a change?
A change will be put in motion when artists are presented with new avenues of design and creativity. Once, the art that was restricted to human and animal figurines, has seen progression towards fresh ideas for eye-catching jewellery and home decor products. In the same way, a constant push to learn new styles and infusing them with their traditional techniques will give Dhokra handcrafted products a new image altogether.
To help Dhokra artists with newer inspirations, workshops and interactions with renowned artists will work wonders. Not only will these artisans, coming from humble villages, get a fresh perspective, but also the opportunity to exchange their ideas and understand the current trends in the market.
Initiatives by Patrons
Support by the government, initiatives by art enthusiasts and creation of awareness among the larger public, will help Dhokra craft to flourish in the society. In 2000-01, the government, under its TARA (Technological Assistance to Rural Artisans) programme worked with multiple Dhokra families in Bikna and Dariapur to educate them about levelling and measurement, thereby creating products with lesser flaws.
Similar enterprises by art enthusiasts to display and promote the dhokra products available online, and helping gather a larger audience for these artisans, will help them to work at a bigger scale. Additionally, these artisans must be given skill development training, especially the youth, who can use a fresh perspective to promote the art in the society. New ideas for marketing and advertising can create a complete brand for Dhokra art work.
The need for Technical Assistance
Dhokra art is undoubtedly a reflection of advanced thinking, given the fact that the art is 4000 years old. However, the process in today’s day has slowed down the production rate and is coupled with numerous other shortcomings. The use of furnaces which cause air pollution and lack fuel efficiency, issue of metal evaporation and subsequent increase in production cost by at least 20% are only some basic problems in the way of Dhokra artists. Modern technologies and adequate training to use them is thus an important necessity.
As we take small steps to improve the plight of these hardworking artists and their families, we must ensure that they feel welcomed into the new arena. A sensitive and inclusive approach to uplift the art is the silver lining that Dhokra craftsmen have been waiting for. By extending a helping hand today, we will not only help sustain an art form, but support an entire community of artisans who can showcase the richness of Indian heritage worldwide.
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Gem & Jewellery Export Promotion Council (GJEPC) seeks special assistance For Gems & Jewellery Small Scale Exporters from MSME Ministry. The GJEPC made a representation on the key focus areas pertaining to Gems & Jewellery to the Micro, Small and Medium Enterprises (MSMEs) sector to Shri. Nitin Gadkari, Minister of MSME, Government of India. Through a virtual meet, Colin Shah, GJEPC Chairman and Vipul Shah, Vice Chairman, briefed Shri. Gadkari about the various initiatives proposed and planned by the Council to boost the MSME Exporters from the sector. India is the 5th largest exporter of gem and jewellery in the world with exports accounting for $36.73 billion. It is a labour-intensive industry, employing 37.3 lakh. By facilitating the infrastructure and policy reforms, the industry has the potential to grow its exports to around $70 billion. Colin Shah, Chairman GJEPC said, “Almost 85% (5,931) of the Council members fall under the MSME category, and most of them are involved in the manufacture of handmade gold jewellery, cutting and polishing of diamonds, precious and semi-precious stones and imitation jewellery. The Gems & Jewellery industry is highly labour-intensive and export-oriented, a comprehensive financial package of Rs. 900 Cr has been proposed to Shri Nitin Gadkari. GJEPC has plans to set up a Model Manufacturing Workshop and is focusing on up-gradation of Skill Development Programmes. Introduction of Technology Upgradation Fund (TUF) will benefit the MSME sector by enabling clusters to infuse advanced technology, which, in turn, would augment productivity, reduce costs, improve quality and spur innovation. This will also make MSMEs ready for global competition. The Council also discussed the challenges faced by the MSMEs to get finance and the need for Brand Promotion, showcasing India as one-stop-shop for quality diamonds, gems and jewellery globally. A holistic approach for developing the MSMEs in the sector would help the sector move to the next level of growth.” Colin Shah, Chairman informed the Minister that the MSMEs would benefit through its multiple initiatives comprising Infrastructure Development Projects such as the Mumbai Jewellery Park and Gem Bourse in Jaipur, which would give karigars better working conditions and state-of-the-art facilities. Common Facility Centres have been already set up in four clusters in Gujarat and are running successfully. Some more CFCs are in the process of being established in Coimbatore, Kolkata, Delhi, Rajkot, Jaipur and Hyderabad in the near future. With regard to the challenges in financing faced by the sector, Shri. Gadkari said that under CGTME Rs.1 lakh crore grant is available, and it is a collateral-free loan. This will resolve many problems of the MSME sector. The Ministry is in the process of launching the SME Platform of National Stock Exchange for small- and medium-sized companies with high growth potential. The SME platform of the Exchange shall be open for SMEs whose post issue paid-up capital shall be less than or equal to Rs.25 crore. The Social Banking Finance Institute has been developed by the Ministry to provide small loans to the karigars so that they can buy machines and manufacture or produce from their homes to earn a living. The GJEPC has been the voice of the sector for resolving the challenges related to financing, policy, etc. So far, the Council has conducted 155 seminars or workshops for MSMEs across 11 states and 34 cities.
#GJEPC #MSME #TechnologyUpgradationFund
#GJEPC#MSME#TechnologyUpgradationFund#GemsandJewellerySmallScaleExporters#MSMEMinistry#MSMEExporters#SME#TopBusinessNews#LatestBusinessNews#LatestBusinessUpdates#LatestNews#BusinessNews
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Collins, HMS Terror, and Irving for the ask meme?
Questions!
Collins- a strange dream you once had
Most of the dreams I remember very clearly are the bad one’s, sadly. But one I had recently I was in a big, old hotel room. Like, slightly dilapidated old, not fancy old; red carpet, creaky double bed, dark green walls (yeah I know). And I had racks and racks of lipstick shelves, and was organising Nivea SPF lip balm into them. Which was rather strange. My subconscious warning me that summer is coming.
HMS Terror - first historical event of period you remember being interested in
Do Dinosaurs count? Probably not. Umm - the first active interest I probably took on my own, without school or the interest of family members (my Grandad was big on ancient Egypt) was the Anglo-Saxon’s. I loved the art, loved their love of riddles, loved Beowulf, loved all the Sutton Hoo jewellery.
Irving - do you have any hobbies to keep you from satisfying man’s worst urges busy?
Apart form satisfying man’s worst urges? *rim shot* I bake, I write, I draw, I cook, I look at recipes, I watch programmes about space and the Renaissance, and I look at my pile of books thinking that I should really read them.
Terror ask meme
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people: Maori
In the 1980s, the independent label Flying Nun Records had a lasting influence on the rock sector. While groups such as The Chills, The Clean, The Verlaines and Tall Dwarfs shaped the so-called Dunedin Sound, Bailter Space from Christchurch are still among the best-known representatives of New Zealand's noise rock today. Since 2000 there is also a free trade agreement with Singapore. This was extended to Chile and Brunei in 2005 and is now known as the P4 Agreement.
What is Kapa Haka?
The area of New Zealand is almost as large as that of Germany, but with about 4.5 million inhabitants it is much less populated (Germany has about 82 million). The country is divided into two similar large and elongated islands, which are connected by a ferry.
Perhaps New Zealand's most beautiful bird was almost extinct before conservation programmes stabilised its species. The white egret with its snow-white plumage and turquoise circles around the eyes is found throughout the South Pacific, but it only breeds in Whataroa, north of Franz Josef Glacier. There are not only traditional sandwiches with ham, sausages, cheese and salad, but also wraps. Their filling is often a mixture of European and Asian ingredients and spices. Read more about campervan hire New Zealand here.
Although the beginnings of rugby actually come from the state schools of England, rugby in New Zealand is the national sport of the "average Kiwi".performing arts - or Kapa Haka- of MÄori includes songs, rhythmic dances and the wild Haka (war dance). The new Haka is said to have been developed over more than a year and in cooperation with many experts in the culture of MÄori. and called it "Aotearoa" - the land of the long white cloud. Valuable jewellery and traditional weapons can be viewed and in some cases purchased in museums, galleries and artists' studios throughout the country. Many of the techniques used in carving and weaving have hardly changed for centuries and can be seen in numerous demonstrations. By the way, if you find a piece of jewellery made of Pounamu (New Zealand jade) that you like, have someone else buy it for you - according to legend, New Zealand jade brings luck to the wearer when it is given away. The wild landscape has not yet been tamed in every respect, dangerous places are
MÄori Culture
To visit a marae, you must be part of a tour. In the countryside there are fewer or, apart from the rare Katipo spider, hardly any dangerous animal species. In New Zealand more than 1100 spider species live from the worldwide known ca spider species. The puffer fish is not only found under water. A Japanese dish called "Fugu" consists of parts of the pufferfish. If it is not cleanly cut up, it can happen that people die. Ask your health insurance company or book travel insurance online. Fees may vary depending on deductible, age, nationality and other travel destinations. {
What dangerous animals are there in New Zealand?
Dangerous animals in New Zealand In the countryside there are fewer or, apart from the rare Katipo spider, hardly any dangerous animal species. In New Zealand more than 1100 spider species live from the c
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The Ultimate Guide to Earning a Jewellery Deign Course and Textile Design Degree
A degree in design is often a three- or four-year undergraduate programme leading to an academic degree in the discipline of design. It is the Master of Design, MDes, undergraduate equivalent. With the expansion and specialisation of discipline-specific design education, bachelor of design degrees are gaining popularity in the United States after decades of popularity in Canada and Australia. The Bachelor of Design degree comes in a variety of forms, such as the Bachelor of Design Arts and the Bachelor of Design Studies.
Jewellery design course
Both undergraduate and graduate students can translate their original design ideas into a practical piece of jewellery by enrolling in a jewellery design course. This course will assist students who want to improve their knowledge in drafting, designing, and shading theories. One might learn how to give an item a pricey and grandiose touch from the Jewellery Design course. Our nation has had a long-standing tradition of jewellery production. There are a few different virtuosities in jewellery design that must be overcome. These are stone setting, electroplating, enamelling, and metal colouring. This field involves everything from creative idea-pouring sessions to the actual manifestation of the same.
Aspirants can enrol in an undergraduate (UG) or postgraduate (PG) course to learn how to create jewellery. BDes in Jewellery Design, BSc in Jewellery Design, BA in Jewellery Design, and BVoc in Jewellery Design are popular UG degrees that applicants can pursue at the UG level. The MDes in Jewellery Design, MSc in Jewellery Design, and MBA in Jewellery Design are PG programmes that candidates can take in this design specialisation. Candidates may choose to pursue diploma or certificate programmes in jewellery design in addition to degree programmes.
Textile design degree
Textile Design degree is an imaginative field that includes the process of developing Designs, Fabrics, Printed Fabrics, Yarns, Fibres, Dyeing, Embroidery, And Design Development. Textiles are utilized all over rather than just fashion for various other purposes such as for the making of protective bulletproof coats, protective helmets, sound control wall coverings in movie theater halls and theatres, and so on. Candidates can pursue an undergrad, postgraduate, or diploma/ certificate course in Textile Design. At the undergraduate (UG) level, popular courses in the field of textile design include BDes, BSc, BA, BE/ BTech, BFA, and BVA, while at the postgraduate (PG) level, candidates can pursue courses such as MDes, MSc, MBA/ PGDM, MA, and MFA. UG courses in textile design are generally 3 - 4 years in duration, whereas PG-level degree programs are just for 2 years period.
Textile design courses can also be pursued along with other design courses as they enhance your understanding and assist you to acquire better career chances. Aspirants preparing to pursue a career in textile designing should have a creative sight and keen interest in design making, artwork, ingenious skills, and endurance to work long hours. There are numerous undergraduate and postgraduate textile designing courses across the country used by some of the leading design colleges and Institutes.
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Christmas Day is often thought of as a time when people spend time with family or loved ones, but for some this is not possible. This could be due to family circumstances, ill health, finances or personal choice. Whatever the reason, below are some suggestions of activities you can do over the Christmas period that can be done alone or with company and don't require extra cash.
1. Visit local parks and nature reserves Getting out off the house and filling your lungs with some fresh air can be really invigorating and uplifting. You can find local parks and gardens either through visiting your library or tourist information centre or by searching on Parks and Gardens website. Going outdoors for a walk will also give you some exercise, get you out in the sunshine and offer some opportunities to see other people.
2. Arts and crafts Creative activities can be a fun way to pass some time. You can either try your hand at some drawing and take a sketch pad and pencils out to a park or waterway or you can draw something at home by either creating a still life, copying a picture from a book or online or drawing something from your imagination. Adult colouring books have also become incredibly popular in the last year and these can offer a good alternative to someone who doesn't feel confident in their drawing skills. They can be picked up at most stationery or discount stores along with some coloured pencils and they can be a really relaxing activity. You can also find images online by searching for 'adult colouring pictures'. If you would prefer something craftier then there are lots of choice of crafting activities out there. You could try a small knitting or crochet project, card making, sewing, embroidery or cross stitch or making some beaded jewellery. Pinterest is a excellent place to search for tutorials or inspiration.
3. Reading or listen to an audiobook Curling up with a good book and a warm drink is a low cost and relaxing activity you could do over the holiday period. If you don't have anything on your bookshelves that grabs your attention then and you have a Kindle or Amazon's free Kindle app installed on your phone or tablet, you could search Amazons range of Kindle books. There are lots of free and low cost books available and you can download them straight away. If you don't enjoy reading then you could visit Libravox and search for an audiobook to listen to. The website is free to use and there are thousands of books to chose from. Libravox also have an app that is available for free for both Apple and Android devices.
4. Listen or watch some television, radio or podcasts If you enjoy watching television there should be plenty of festive programmes on over the Christmas period. If you don't like what is on TV then the radio can provide a great alternative. Another option is to search for podcasts you can listen to. You can either do this via an app on your phone or tablet or see what is available through your computer. If you don’t have Netflix try visiting Popcornflix or Classic Cinema Online for some free films.
5. Relaxation Take advantage of having a day free and use the time to relax and unwind. Christmas can be a stressful period for many people, even those who enjoy it, so taking some time to consciously slow down and do something calming can be beneficial both physically and mentally. You could try some guided relaxation or meditation exercises either using a website, such as free mindfulness, or you could download an app for your phone or tablet. There are lots to chose from, such as Buddhify, which I have reviewed here.
Alternatively you could play some relaxing music and have a soak in a warm bath with some bubble bath or a few drops of a relaxing essential oil, such as lavender, chamomile or rosemary. You could also make yourself a relaxing, herbal tea and sip this while you relax. If you don't have any relaxing music to hand you could visit Birdsong.fm and listen to birdsong, Raining.fm and listen to one of their rain tracks or cmd.to.fm and listen to one of their radio stations such as chillout, classical or ambient.
6. Faith groups and religious activities If you identify with a religion then you could find out what activities your local faith groups are providing over the Christmas period. These can provide an opportunity to connect with others who share your beliefs and help you to feel part of something bigger than yourself.
7. Play a game, do some puzzles or a jigsaw Playing games can be enjoyable and does not need to cost money. If you are seeing others over the festive period then you could play a card game or board game. If you don't have any plans then you could invest in a few puzzle books or a good jigsaw. You can also do these activities through your computer and there are lots of apps available for both Android and Apple devices.
8. Online communities If you are spending time alone over Christmas and you have access to a computer then there are lots of online communities that you can join in with and connect with others. Many of the major, mental health charities offer internet forums where people can chat and access support. If you are not familiar with these kind of forums it's always good to check what guidance they offer to new members and if the groups are moderated or unmoderated. Moderated groups can often feel safer if you are new to using internet forums. There are also lots of other social media platforms, such as Facebook, Twitter and Instagram that allow people to connect with friends and family and meet new people. Be mindful when chatting online that you take care of yourself and that you only reveal what you feel comfortable sharing. Also, while most people are friendly, there are some who are not and use these spaces to be unkind. For more information and advice on dealing with these kind of situations visit Bullying UK and their page on cyber bullying or Minds leaflet on online safety.
UK Comedian, Sarah Millican hosts a Christmas tweet up every year. Here she is promoting this years. Use the hashtag #joinin to join on twitter.
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What MDES IN DESIGNING Experts Want You to Know
Higher education institutions all over the world grant the Master of Design (MDes), a postgraduate degree in the discipline of design. Design occupations often require a blend of personal creativity and practical abilities like project management because the sector is, of course, always changing. A large variety of physical objects that we utilize in all facets of our everyday lives must be examined and re-imagined by designers.
M Des in Animation Designing
A distinctive programme called Animation Design is dedicated to bringing joy through beautiful design. The student begins with an observable need or idea, which is developed into a digital and physical prototype through shape, structure, colour, material, texture, environment, and detailing. A product, engagement, venue, or experience that adds value over time and elicits a favourable emotional reaction in the target audience can be the result. A two-year, full-time degree called the M Des in Animation Designing emphasizes experiential learning and an interdisciplinary curriculum. With a focus on student choice and voice, trans-disciplinary learning, societal effect, and a variety of experience, the design-thinking and project-based learning method emphasizes these factors.
M Des in Fashion Designing
A postgraduate course in fashion and interior design is called M Des in Fashion Designing or Master of Design in Fashion Designing. The art of applying design, aesthetics, or natural beauty to clothing and accessories is known as fashion design. Fashion trends have changed over time and locations because to cultural and societal variables. The typical course length for fashion design is two academic years, but this might vary from institute to institute and certain institutes may offer part-time courses. The course is career-oriented and has a semester-based syllabus. After successfully completing the course, applicants will have access to a wide range of employment opportunities.
M Des in Jewellery Designing
The luxury product industry has been on a continuous increase developing a huge demand in the market while at the same time driving the world of fashion. The designing of jewellery has been one of the most vital skillsets in this field which has allowed individuals the understanding of both mineral components coupled with development and a tip of creativity. M Des in Jewellery Designing provides a 2 year post graduate program in Jewellery Design which looks for to impart within the trainees an understanding of designing and crafting different jewellery and mineral wearable. The course will supply students with a hands on experience related to stone cutting, engraving, polishing, and checking the quality of precious metals, stones, and gems. This is the program which will supply both technical and aesthetic qualities of jewellery designing to the trainees and the candidates of this field
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