#Jennifer O'Neill
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The Psychic (1977)
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Scanners (1981)
#scanners#jennifer o'neill#stephen lack#patrick mcgoohan#1981#1980s movies#david cronenberg#teaser poster#horror movie poster
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Dismay Design has released a Scanners poster. 18x24 matte prints, signed and numbered, are available for $29.
#scanners#david cronenberg#body horror#horror#80s horror#1980s horror#dismay designs#art#gift#jennifer o'neill#michael ironside#patrick mcgoohan#80s movies#1980s movies#canadian horror
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#Scanners 1981#Scanners#David Cronenberg#Stephen Lack#Michael Ironside#Jennifer O'Neill#Patrick McGoohan#Lawrence Dane#80s
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Some of my favorite Giallo final girls (the ones that didn’t end up secretly being the killer or dying at the end of their film)
Deborah (Carroll Baker) - The Sweet Body of Deborah (1968)
Julie Wardh (Edwige Fenech) - The Strange Vice of Mrs. Wardh (1970)
Cleo DuPont (Anita Strindberg) - The Case of the Scorpion’s Tail (1971)
Julie/Mary Harrison (Carroll Baker) - The Devil with Seven Faces (1971)
Greta Franklin (Barbara Bouchet) - Amuck! (1971)
Giulia Torresi (Uschi Glas) - Seven Blood-Stained Orchids (1972)
Jane Harrison (Edwige Fenech) - All the Colors of the Dark (1972)
Eleanor Lorraine (Anne Heywood) - The Killer is on the Telephone (1972)
Valentina (Nieves Navarro) - Death Walks at Midnight (1972)
Kitty Wildenbrück (Barbara Bouchet) - The Red Queen Kills 7 Times (1972)
Jennifer Lansbury (Edwige Fenech) - The Case of the Bloody Iris (1972)
Jane (Suzy Kendall) - Torso (1973)
Sara Grimaldi (Senta Berger) - Puzzle (1974)
Simona Sanna (Mimsy Farmer) - Autopsy (1975)
Virginia Ducci (Jennifer O’Neill) - The Psychic (1977)
#giallo#gialli#italian horror#italian cinema#edwige fenech#barbara bouchet#carroll baker#anne heywood#suzy kendall#nieves navarro#jennifer o'neill#senta berger#mimsy farmer#anita strindberg#uschi glas#women in horror#scream queen
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US Vogue March 15, 1965
Model/Modèle : Jennifer O'Neill
On the wrist, a lapis dome rimmed with rubies and surrounded by diamonds. emeralds, sapphires. Below: a cabochon emerald in a diamond starfish. Both. set in enameled gold. By Erwin Pearl for Veneto 57. Kenneth hairdressing. Lipstick: Pink Minuet by Dermetics.
Au poignet, un dôme de lapis cerclé de rubis et entouré de diamants. émeraudes, saphirs. En dessous : une émeraude cabochon dans une étoile de mer de diamants. Les deux. serti sur or émaillé. Par Erwin Pearl pour Veneto 57. Kenneth coiffure. Rouge à lèvres : Pink Minuet de Dermetics.
Photo Irving Penn vogue archive
#us vogue#march 1965#jennifer o'neill#irving penn#erwin pearl#precious stones#jewellery#bijoux#pierres précieuses#vintage vogue
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Cover Girl 1975
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Scanners, Spanish Lobby Card. 1981
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Can you do one for the 1976 film L'Innocente?
Thanks for the suggestion!
The signs as L'Innocente costumes
Aries
Taurus
Gemini
Cancer
Leo
Virgo
Libra
Scorpio
Sagittarius
Capricorn
Aquarius
Pisces
#the signs as#zodiac aesthetic#astrology#horoscope#l'innocente#the innocent#luchino visconti#laura antonelli#rina morelli#jennifer o'neill
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s c a n n e r s, 1981 🎬 dir. david cronenberg
#film#sci fi horror#canadian cinema#Scanners#scanners 1981#david cronenberg#jennifer o'neill#Stephen Lack#patrick mcgoohan#Lawrence Dane#michael ironside#Robert Silverman#Mavor Moore
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Jennifer O’Neill on the cover of Cosmopolitan, February, 1973.
#beautiful women#beauty#sexy and beautiful#beautiful#vintage#vintage women#vintage beauty#jennifer o'neill#actress#hollywood#cosmopolitan magazine#1973
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While I can't imagine most Tumblr users have even heard of this 52-year-old Otto Preminger movie:
SUCH GOOD FRIENDS (1972): Annoyingly disjointed comedy-drama, based on a 1970 Lois Gould novel, about a 30something Jewish woman (a miscast Dyan Cannon) who reaches her wit's end when her boorish husband Richard (Laurence Luckinbill), who'd been threatening to divorce her, ends up in a coma following a routine surgery, leaving her to grapple with his array of condescending, useless doctors and her discovery of a "little black book" showing that Richard has been persistently unfaithful.
Elaine May's script for the film adaptation (written under the pseudonym "Esther Dale") has some funny smaller moments, but doesn't hold together at all as a story, largely defanging the protagonist's ornery frustration (which is the whole point of the novel) and only timidly approximating the book's caustic humor and sexual bluntness. Director Otto Preminger's apparent discomfort with the material also allows the tone to waver queasily between absurdist comedy and dreary wronged-wife melodrama, particularly toward the end. It has its moments, but the point has been missed — skip it and just read the book instead.
Absurdly, Roger Ebert's 1972 review credits Preminger and May for the film's "vulgarity" and for making "a sort of black-comedy version of Lois Gould's serious novel," an assertion credulous online sources like IMDb continue to wrongly present as fact. One can only assume Ebert hadn't actually read more than the jacket blurb of the bestselling book — which is much more vulgar and far more laceratingly cynical than anything in the film — and that whoever added that IMDb trivia hasn't read it at all.
#movies#books#hateration holleration#such good friends#lois gould#otto preminger#elaine may#dyan cannon#laurence luckinbill#james coco#jennifer o'neill#ken howard#nina foch#burgess meredith#saul bass#the ebert review has created an online feedback loop of bad information#which is hard to correct because “source: have actually read the book” is not considered a valid citation#anyone who's actually read any of the novel#and still thinks it's NOT a deadpan black comedy#has either catastrophically poor reading comprehension#or a concussion#and should get that looked at#the greatest justice the universe has for otto preminger#is that he will be best remembered as mr. freeze on the batman tv show#that's cold#if you'll excuse the expression
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