#Jen pops in

[supernatural-jackles]

Watching season 1 spn while trying to work was not the smartest idea😬

[pecbouncechannel]

[tweehearts]

the softies! one of the best to do it! featuring rose melberg of tiger trap, go sailor and a bunch of other great bands AND jen sbragia of all girl summer band! i think they're doing a reunion show later this year which is very very sweet

[jenicca-tribute]

When the Bra Decides to Take a Day Off: The Daily Struggle Without Support

Dear readers, today we’re talking about a scenario many of us know all too well: the day you decide to leave the bra at home. It seems like a good idea at first, right? The freedom, the comfort, that sense of lightness… But then reality hits, and it hits hard, just like that top trying its best to keep everything together without the help of its trusty ally.

The Button Rebellion

The first sign that the day might not go exactly as planned? The rebellious button. Without the support of a bra, every button on your top is fighting for its life, desperately trying to keep the situation under control. But all it takes is one small movement, a laugh that’s a bit too hearty, and that button decides to abandon ship, revealing more than you ever intended.

The Fabric Dance

Without a bra, the fabric of your top turns into a modern dance artist, moving to the rhythm of your body but with absolutely no choreographic control. Every step, every breath, leads to a new wrinkle, a new attempt to cover what wants to break free. It’s like trying to hold together a puzzle that changes shape every second!

The Illusion of Freedom

The decision to go braless often comes from the idea of feeling freer. But that freedom can quickly turn into a series of little mishaps. From adjusting your top every five minutes to worrying that something might slip out at the worst possible moment, the illusion of freedom can become a constant concern.

The Power of Gravity

Without a bra, the force of gravity suddenly becomes much more apparent. Your bust, which usually feels supported and in place, decides to explore new horizons, pushing the fabric to its limits. And so, you find yourself making continuous adjustments, trying to balance the desire for comfort with the need to not leave too much to the imagination.

A Tribute to Security

In the end, if there’s one thing this scenario teaches us, it’s that the bra, as much as it can sometimes feel like a hassle, is actually a great ally. It’s not just about physical support but also about mental security. And when you decide to face the world without it, well, it’s an experience that makes you appreciate how much difference a small piece of fabric can make!

[waylon-jennings]

Waylon Jennings, y’all!

[x-heesy]

Jen Stark’s art is driven by her interest in conceptualizing visual systems to simulate plant growth, evolution, infinity, fractals, mimetic topographies, and sacred geometries. Using available materials—paper, wood, metal, paint—Stark strives to make work that balances on a razor’s edge of optical seduction and perceptual engagement. In recent years, Stark has introduced new technologies into her diverse practice, delving into the digital realm of interactive projections and distinctive NFTs.

The resulting works often resemble organic, molecular, cloud-like structures, and are imbued with kinetic, undulating effects that serve to dislocate the viewer from staid reality into an immersive ecosphere of echoing patterns and the implausible designs found in nature. Even her vivid colors are in direct conversation with the natural world; the attractant/repellent properties of flowers encouraging pollination or insects warning birds of their poisonous traits, and the luminous mystery of phosphorescent sea creatures are among Stark’s concerns.

Via these corporeal abstractions, spectators are led onto the astral plane; there’s a transcendence to Stark’s work where the vibrational phases become a sacrosanct and curative experience for the viewer. Traces of mandalas or nautili reveal themselves as sacred geometric forms in Stark’s spiritual reservoir.

Stark’s ability to create atmospheric, minimal, naturalist configurations that only reveal themselves after deep engagement align her with the artistic legacies of Yayoi Kusama, Sol Lewitt, Tara Donovan, Tom Friedman, Andy Goldsworthy, Ernst Haeckel, and the Finish Fetish artists of 1960s Los Angeles.

Not limited to the confines of museums and galleries, Stark’s diverse practice—a series of sculptural objects that rely on a commitment to process and hypnotic repetition; charismatic wall works; widely seen murals; intricately animated films; NFTs (non-fungible tokens) and interactive projections—has been exhibited throughout the world, permeating both the physical and digital realms. By adopting cutting-edge techniques to showcase her aesthetic, Stark activates her universe through constant adaptation and transformation.

Stark was born in Miami, Florida in 1983, and studied at the Maryland Institute College of Art, graduating in 2005. Since then, Stark has realized exhibitions globally, with major shows in New York, Los Angeles, Miami, Chicago, Thailand, and Canada. Recently included as one of Fortune’s “NFTy 50,” Stark made history as the first female artist to make Foundation’s top 10 highest selling NFT creatives. Her work is in the collections of the Smithsonian American Art Museum, the West Collection, Crystal Bridges Museum of American Art, NSU Art Museum and MOCA Miami, among others.

Stark lives and works in Los Angeles. Part1 Part2

#sculpture #sculptureart #sculptureartist #sculptures #sculpturelovers #sculptureoftheday #sculpturepark #sculpture_art #sculpturegallery #sculpturesofinstagram #sculpture_gallery #sculpturesurbois #contemporarysculpture #sculpturecontemporaine #sculpturephotography #sculptured #modernsculpture #abstractsculpture #handsculpture @frenchpsychiatrymuderedmycnut 🌈 #artsculpture #instasculpture #skulptur #skulpturen #skulpturer #skulpturensammlung #skulptures #skulptūra #skulpturia #skulpturenausstellung

Soundtrack: I Feel Space by Lindstrøm 🌈

[it-might-be-mason-valance]

Get this man away from the supermarket cause I need a fucking restraining order that shits HORRIFYING

[aishasauce]

▍ ＸＸＸＸＸＸ ──​──​ //////////

​COMIC FIESTA 2023

Ｂ－Ｅ０２

look out for the eel balloons

Ｅｌｅｃｔｒｉｃ　Ｅｅｌ ///////////////////////////////////

[books-in-a-storm]

Book Haul

A twisted Tale Anthology & Mirror Mirror

[moonlightpirate]

So was out doing fall things today because you know self care! And you guys will be proud/happy got my coworker into the amazing devil! Also on a side note guys......please tell me how is this figurine supposed to look like Ed sheeran.....

He looks like Beetlejuice in his wedding outfit (and if he was alive according to @fandomohana )

[jen-with-a-pen]

"you're on top of everything" I WANNA BE ON TOP OF YOU BUT I CANT SAY THAT IN AN EMAIL

[bandcampsnoop]

4/21/24.

When I saw that Chapter Music (Melbourne, Australia) was splitting a vinyl reissue of Guy Blackman (co-founder of Chapter Music and member of Minimum Chips), I was anticipating a good album.

I wasn't really expecting a great one. "Adult Baby" was originally released in 2007 and now is being reiussued by both Chapter Music and Pop Superette (Pierre, the label owner, is just amazing), a French label responsible for one of my favorite Bandcamp releases, Irmão Victor.

As usual, the Bandcamp write-up contains some gems I need to pass on. First, Guy Blackman is a "nerdy fan of Syd Barrett". His voice reminds me of the melancholy voices associated with Nick Drake, Belle and Sebastian, and Jens Lekman (who appears on the 3rd song!) And finally, the Bandcamp page hypothesizes how the Guy Blackman CD made it to France in the first place. The blame is laid at the feet of Maxwell Farrington - an Aussie living in France who says of Guy Blackman:

“Guy Blackman is one of Australia’s finest singer/songwriters. There are very, very few artists who can make me cry like he does. Normally I don’t give a damn about the lyrics, but with him it’s genius. After his moving (unpretentious) words come his graceful and sticky melodies and arrangements. ‘Adult Baby’ - this is a very important album for me, it’s the Mount Everest of Australian pop.”

[x-heesy]

Jen Stark’s art is driven by her interest in conceptualizing visual systems to simulate plant growth, evolution, infinity, fractals, mimetic topographies, and sacred geometries. Using available materials—paper, wood, metal, paint—Stark strives to make work that balances on a razor’s edge of optical seduction and perceptual engagement. In recent years, Stark has introduced new technologies into her diverse practice, delving into the digital realm of interactive projections and distinctive NFTs.

The resulting works often resemble organic, molecular, cloud-like structures, and are imbued with kinetic, undulating effects that serve to dislocate the viewer from staid reality into an immersive ecosphere of echoing patterns and the implausible designs found in nature. Even her vivid colors are in direct conversation with the natural world; the attractant/repellent properties of flowers encouraging pollination or insects warning birds of their poisonous traits, and the luminous mystery of phosphorescent sea creatures are among Stark’s concerns.

Via these corporeal abstractions, spectators are led onto the astral plane; there’s a transcendence to Stark’s work where the vibrational phases become a sacrosanct and curative experience for the viewer. Traces of mandalas or nautili reveal themselves as sacred geometric forms in Stark’s spiritual reservoir.

Stark’s ability to create atmospheric, minimal, naturalist configurations that only reveal themselves after deep engagement align her with the artistic legacies of Yayoi Kusama, Sol Lewitt, Tara Donovan, Tom Friedman, Andy Goldsworthy, Ernst Haeckel, and the Finish Fetish artists of 1960s Los Angeles.

Not limited to the confines of museums and galleries, Stark’s diverse practice—a series of sculptural objects that rely on a commitment to process and hypnotic repetition; charismatic wall works; widely seen murals; intricately animated films; NFTs (non-fungible tokens) and interactive projections—has been exhibited throughout the world, permeating both the physical and digital realms. By adopting cutting-edge techniques to showcase her aesthetic, Stark activates her universe through constant adaptation and transformation.

Stark was born in Miami, Florida in 1983, and studied at the Maryland Institute College of Art, graduating in 2005. Since then, Stark has realized exhibitions globally, with major shows in New York, Los Angeles, Miami, Chicago, Thailand, and Canada. Recently included as one of Fortune’s “NFTy 50,” Stark made history as the first female artist to make Foundation’s top 10 highest selling NFT creatives. Her work is in the collections of the Smithsonian American Art Museum, the West Collection, Crystal Bridges Museum of American Art, NSU Art Museum and MOCA Miami, among others.

Stark lives and works in Los Angeles. Part1 Part3

#sculpture #sculptureart #sculptureartist #sculptures #sculpturelovers #sculptureoftheday #sculpturepark #sculpture_art #sculpturegallery #sculpturesofinstagram #sculpture_gallery #sculpturesurbois #contemporarysculpture #sculpturecontemporaine #sculpturephotography #sculptured #modernsculpture #abstractsculpture #handsculpture @shadowanndeath 🌈#artsculpture #instasculpture #skulptur #skulpturen #skulpturer #skulpturensammlung #skulptures #skulptūra #skulpturia #skulpturenausstellung

Soundtrack: I Feel Space by Lindstrøm 🌈