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mysticalhearth · 4 years

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Take Me Out - Broadway - March 26, 2003 FORMAT: VOB (with smalls) (SD) CAST: Daniel Sunjata (Darren Lemming), Neal Huff (Kippy Sunderstorm), Denis O'Hare (Mason Marzac), Frederick Weller (Shane Mungitt), Kevin T Carroll (Davey Battle), David Eigenberg (Toddy Koovitz) NOTES: Digital; excellent picture and sound, nice closeups Tanz der Vampire - Vienna - October 4, 1997 (Pro-Shot's master) FORMAT: VOB (with smalls) (SD) CAST: Steve Barton (Graf von Krolock), Cornelia Zenz (Sarah Chagal), Aris Sas (Alfred), Gernot Kranner (Professor Abronsius), Eva Maria Marold (Magda), James Sbano (Yone Chagal), Anne Welte (Rebecca Chagal), Nik Breidenbach (Herbert von Krolock), Torsten Flach (Koukol) NOTES: There are English subtitles available for this video in .sub/idx format. Tarzan - Broadway - March 30, 2006 (Preview) (SunsetBlvd79's master) FORMAT: VOB (no smalls) (SD) CAST: Josh Strickland (Tarzan), Jenn Gambatese (Jane Porter), Merle Dandridge (Kala), Shuler Hensley (Kerchak), Chester Gregory (Terk), Tim Jerome (Professor Porter), Donne Keshawarz (Mr. Clayton), Daniel Manche (Young Tarzan) NOTES: Filmed during previews, the show is a little dark at times, but a great Dvd. Crystal clear picture and sound. A Tarzan - Broadway - July 30, 2006 (SunsetBlvd79's master) FORMAT: VOB (with smalls) (SD) CAST: Josh Strickland (Tarzan), Jenn Gambatese (Jane Porter), Merle Dandridge (Kala), Horace V Rogers (u/s Kerchak), Chester Gregory (Terk), Tim Jerome (Professor Porter), Donne Keshawarz (Mr. Clayton), Daniel Manche (Young Tarzan), Nick Sanchez (u/s Snipes) NOTES: Nice filming, not as dark as other Tarzan Dvd. A Tarzan - Oberhausen - November 21, 2017 (Rumpel's master) FORMAT: VOB (with smalls) (SD) CAST: Anton Zetterholm (Tarzan), Tessa Sunniva van Tol (Jane Porter), Isabel Trinkaus (Kala), Andreas Lichtenberger (Kerchak), Matt Farci (Terk), Japheth Myers (Professor Porter), Rudi Reschke (Mr. Clayton), Simeon Pauls (Young Tarzan) NOTES: HD capture with great sound and no obstructions. The cast is amazing and the changes in the show, compared to Hamburg and Stuttgart, are suitable and refreshing. Tarzan - Scheveningen - June 23, 2007 (Pro-Shot's master) FORMAT: VOB (with smalls) (SD) CAST: Ron Link (Tarzan), Chantal Janzen (Jane Porter), Chaira Borderslee (Kala), Jeroen Phaff (Kerchak) NOTES: No zoom due to directorstape, but soundboard Sound, also some footage from after the show (cleaning etc) Tarzan - Stuttgart - August 21, 2015 FORMAT: VOB (with smalls) (SD) CAST: Gian Marco Schiaretti (Tarzan), Merle Hoch (Jane Porter), Willemijn Verkaik (Kala), Jan Ammann (Kerchak), Massimiliano Pironti (Terk), Maik Lohse (Professor Porter), Léon Roeven (Mr. Clayton), Matthis Lernhardt (Young Tarzan) NOTES: Willemijn and Massimiliano's first show. Tarzan - Stuttgart - October 3, 2015 FORMAT: MP4 (HD) CAST: John Vooijs (Tarzan), Merle Hoch (Jane Porter), Willemijn Verkaik (Kala), Jan Ammann (Kerchak), Alessio Impedovo (Terk), Maik Lohse (Professor Porter), Léon Roeven (Mr. Clayton), Miguel Strasser (Young Tarzan) Theory of Relativity - Workshop - April 13, 2013 (Pro-Shot's master) FORMAT: MP4 (HD) CAST: Josh Blackstock, Joanna Fraser, Curtis Brown, Jade Repeta, Jenny Weisz, Adrian Zeyl, Dana Jean Phoenix, Carter Easler, Trevor Patt, Beth Robertson, Andrew Perry, Charles Douglas, Natasha Kozak, Katie Kerr, Josh LeClair, Emma Pedersen

They're Playing Our Song - Los Angeles - October 2, 2010 FORMAT: VOB (with smalls) (SD) CAST: Jason Alexander (Vernon Gersch), Stephanie J Block (Sonia Walsk) Thoroughly Modern Millie - Broadway - April 13, 2002 (Preview) FORMAT: VOB (with smalls) (SD) CAST: Sutton Foster (Millie Dillmount), Gavin Creel (Jimmy Smith), Marc Kudisch (Mr. Trevor Graydon), Harriet Harris (Mrs. Meers), Sheryl Lee Ralph (Muzzy Van Hossmere), Angela Christian (Miss Dorothy Brown), Ken Leung (Ching Ho), Francis Jue (Bun Foo), Anne L Nathan (Miss Flannery) NOTES: Shot from the second row with lots of close-ups. Very clear and steady video with very good sound. The Three Musketeers (Raby, Leigh, Stiles) - North Shore Music Theatre - August 20, 2007 (Pro-Shot's master) FORMAT: MP4 (HD) CAST: Aaron Tveit (D'Artagnan), Allison Blackwell (Landlady of the Inn), Anne Tolpegin (Dona Estefania), Heather Koren (Queen Anne), Holly Davis (Cecile), Jeff Edgerton (Bonacieux), Jimmy Smagula (Porthos), John Schiappa (Athos), Kevyn Morrow (Aramis), Kingsley Leggs (Treville), Mark Aldrich (King Louis), Matt Stokes (Cardinal Richelieu), Mick Bleyer (Rochefort), Nick Dalton (Duke of Buckingham), Steven Booth (Planchet), Kate Baldwin (Milady) NOTES: No audience, proshot from the dress rehearsal. Nicely filmed from the North Shore Music Theatre. tick, tick... BOOM! - Korea - 2002 FORMAT: VOB (with smalls) (SD) CAST: Joey McIntyre (Jon), Jerry Dixon (Michael), Natascia Diaz (Susan) NOTES: Features 20 minute Joey McIntyre concert after the show tick, tick... BOOM! - Off-Broadway - May 31, 2001 FORMAT: VOB (with smalls) (SD) CAST: Raúl Esparza (Jon), Jerry Dixon (Michael), Amy Spanger (Susan) tick, tick... BOOM! - Off-Broadway - September 18, 2001 FORMAT: MKV (HD) CAST: Raúl Esparza (Jon), Jerry Dixon (Michael), Amy Spanger (Susan) tick, tick... BOOM! - Workshop/Concert - November 25, 1991 (Highlights) FORMAT: VOB (no smalls) (SD) CAST: Jonathan Larson (Jon) NOTES: 4 songs. The original Tick Tick Boom before it was adapted into a 3 person show. Tina - The Tina Turner Musical - West End - September, 2019 (hitmewithyourbethshot's master) FORMAT: MP4 (HD) CAST: Aisha Jawando (alt Tina Turner), Ashley Zhangazha (Ike Turner), Angela Marie Hurst (u/s Zelma Bullock), Edward Bourne (Erwin Bach), Oscar Batterham (Roger Davies), Irene Myrtle Forrester (Gran Georgeanna), Jammy Kasongo (Richard Bullock/Raymond Hill), Cameron Bernard Jones (Craig Hill) Titanic - Australia - November 30, 2006 (Pro-Shot's master) FORMAT: MP4 (SD) CAST: Hayden Tee (Thomas Andrews), Nick Tate (Captain E. J. Smith), Brendan Higgins (J. Bruce Ismay), Alexander Lewis (Frederick Barrett), Matthew Willis (Harold Bride, Radioman), David Goddard (Henry Etches, 1st Class Steward), Ana Marina (Caroline Neville), Katrina Retallick (Alice Bean), Robert Gard (Isidor Strauss), Joan Carden (Ida Strauss), Belinda Wollaston (Kate McGowen), Cameron Mannix (Bandmaster Wallace Hartley) NOTES: Single camera proshot with soundboard audio. Sometimes listed as 2005, but the production ran from October - December 2006. Titanic - Bad Hersfeld, Germany - August, 2017 (Rumpel's master) FORMAT: VOB (with smalls) (SD) CAST: David Arnsperger (Thomas Andrews), Alen Hodzovic (Captain E. J. Smith), Veronika Hörmann (Alice Bean), Stefan Grego Schmitz (Edgar Bean), Gabriela Ryffel (Kate McGowen), Anja Backus (Kate Murphy), Christine Rothacker (Kate Mullins) Titanic - Broadway - 1997 (Highlights) (Press Reel's master) FORMAT: VOB (with smalls) (SD) CAST: Michael Cerveris (Thomas Andrews), John Cunningham (Captain E. J. Smith), David Garrison (J. Bruce Ismay), Brian d'Arcy James (Frederick Barrett), Martin Moran (Harold Bride, Radioman), David Elder (Frederick Fleet), Don Stephenson (Charles Clarke), Judy Blazer (Caroline Neville), Victoria Clark (Alice Bean), Bill Buell (Edgar Bean), Theresa McCarthy (Kate Murphy), Erin Hill (Kate Mullins) Titanic - Broadway - November 12, 1997 FORMAT: MKV (HD) CAST: Michael Cerveris (Thomas Andrews), John Cunningham (Captain E. J. Smith), David Garrison (J. Bruce Ismay), Brian d'Arcy James (Frederick Barrett), Judy Blazer (Caroline Neville), Bill Buell (Edgar Bean), Larry Keith (Isidor Strauss), Jody Gelb (Eleanor Widener) NOTES: Camcorder video, mostly wide shot with a few zooms. The only known video of this production. Titanic - First National Tour - September 2, 2000 FORMAT: VOB (no smalls) (SD) CAST: Kevin Gray (Thomas Andrews), William Parry (Captain E. J. Smith), Adam Heller (J. Bruce Ismay), Marcus Chait (Frederick Barrett), Dale Sandish (Harold Bride, Radioman), Timothy J Alex (Frederick Fleet), Christianne Tisdale (Caroline Neville), Liz McConahay (Alice Bean), David Beditz (Edgar Bean), S Marc Jordan (Isidor Strauss), Taina Elg (Ida Strauss), Richard Roland (Jim Farrell), Melissa Bell Chait (Kate McGowen), Kate Suber (Kate Murphy), Jodi Jinks (Kate Mullins), Raymond Sage (3rd Officer Herbert J. Pitman) Titanic - Redondo Beach - March 20, 2001 (Pro-Shot's master) FORMAT: VOB (with smalls) (SD) CAST: Richard Kline (Captain Smith), Eve Cohen (Kate McGowen), Wendi Bergamini (Kate Murphy), Moriah Angeline (Kate Mullins), John Bisom (Jim Farrell), Tracy Perry (Lightoller), Mark Capri (Mr Ismay), Jamie Snyder (Pittman), Elizabeth Loyacano (Caroline Neville), Tony Adelman (Thomas Andrews), Lois Bourgon (Ida Strauss), Bob Lauder Jr. (Isidor Strauss), Kevin Earley (Stoker Frederic Barrett), Richard Israel (Harold Bride), Paul Greene (Charles Clarke), Gibby Brand (Henry Etches),Danny Michaels (Murdoch), Kent Melwig (Frederick Fleet), Douglas Carfrae (Mr Astor), Jill Simonian (Madeleine Astor) Titanic - The Netherlands - 2001 FORMAT: VOB (with smalls) (SD) CAST: Tony Neef (Thomas Andrews), Bert Simhoffer (Captain E. J. Smith), Hugo Haenen (J. Bruce Ismay), Danny de Munk (Frederick Barrett), Dick Cohen (Harold Bride, Radioman), Jon van Eerd (Henry Etches, 1st Class Steward), Annick Boer (Alice Bean), Céline Purcell (Kate McGowen) Titanic - West Palm Beach - February, 2019 (Pro-Shot's master) FORMAT: MP4 (HD) CAST: Christopher Pappas (Thomas Andrews), Colton McDonald (Captain E. J. Smith), Kyler O’Brien (J. Bruce Ismay), Chris Santiago (Harold Bride, Radioman), Olivia Henley (Alice Bean), Finnigan Anthony (Edgar Bean), Alli Graves (Kate McGowen), Jonathan Allen (1st Officer William Murdoch), Ethan Spell (2nd Officer Charles Lightoller) NOTES: running time 2'23; complete multicam proshot of West Palm Beach's King's Academy 2019 production. [title of show] - Broadway - July 5, 2008 (Preview) FORMAT: VOB (with smalls) (SD) CAST: Heidi Blickenstaff (Heidi), Hunter Bell (Hunter), Jeff Bowen (Jeff), Larry Pressgrove (Larry), Susan Blackwell (Susan) [title of show] - Broadway - July 6, 2008 (Preview) (SunsetBlvd79's master) FORMAT: MP4 (HD) CAST: Heidi Blickenstaff (Heidi), Hunter Bell (Hunter), Jeff Bowen (Jeff), Larry Pressgrove (Larry), Susan Blackwell (Susan) NOTES: Cute little show about making it to Broadway. Heidi was my favorite part of the show. There were some very funny parts to the show, especially if you are a theater buff. There are about 10 mins of total blackouts, which is mostly a chunk in within the first 13 minutes. Depsite that, a nice capture and the audience was very into the show. A- To Kill a Mockingbird - Broadway - July, 2019 (Hollis Mizner's master) FORMAT: MP4 (HD) CAST: Jeff Daniels (Atticus Finch), Celia Keenan-Bolger (Scout), Will Pullen (Jem), Manoel Felciano (Horace Gilmer), LaTonya Richardson Jackson (Calpurnia), Aubie Merrylees (u/s Dill), Dakin Matthews (Judge Taylor), Gbenga Akinnagbe (Tom Robinson), Frederick Weller (Bob Ewell), Danny Wolohan (Boo Radley), Erin Wilhelmi (Mayella), Neal Huff (Link Deas), Liv Roth (Miss Stephanie), Phyllis Somerville (Ms. Dubose) NOTES: Very shaky video, never really settles down. Filmed nearly entirely through close-ups, which means a fair bit of the action is missed. Tootsie - Broadway - December, 2019 (theaterfan64's master) FORMAT: MOV (HD) CAST: Santino Fontana (Michael Dorsey/Dorothy Michaels), Lilli Cooper (Julie Nichols), Andy Grotelueschen (Jeff Slater), Sarah Stiles (Sandy Lester), John Behlmann (Max Van Horn), Julie Halston (Rita Marshall), Reg Rogers (Ron Carlisle), Michael McGrath (Stan Fields), Britney Coleman NOTES: Full stage shot of the show during it’s run on Broadway. There is washout, as it’s a full stage shot, but it is very very watchable. About 8 minutes is missing right before the Act 1 finale. Tootsie - Pre-Broadway / Chicago - September 11, 2018 (Preview) (SunsetBlvd79's master) FORMAT: MP4 (HD) CAST: Santino Fontana (Michael Dorsey/Dorothy Michaels), Lilli Cooper (Julie Nichols), Andy Grotelueschen (Jeff Slater), Sarah Stiles (Sandy Lester), John Behlmann (Max Van Horn), Julie Halston (Rita Marshall), Reg Rogers (Ron Carlisle), Michael McGrath (Stan Fields), Anthony Wayne, Britney Coleman, Diana Vaden, Drew King, Harris Milgrim, James Moye, Jeff Kready, John Arthur Greene, Katerina Papacostas, Leslie Donna Flesner, Paula Leggett Chase, Shina Ann Morris NOTES: Excellent HD capture of the first PreBroadway preview performance. This is a fun show with terrific performances based on the 1982 movie. Santino gives a wonderful performance and earning early Tony buzz for Best Actor! A+ Translations - National Theatre - July 31, 2018 (Pro-Shot's master) FORMAT: MP4 (HD) CAST: Colin Morgan (Owen), Seamus O'Hara (Manus), Ciarán Hinds (Hugh), Dermot Crowley (Jimmy Jack Cassie), Adetomiwa Edun (Lieutenant Yolland), Rufus Wright (Captain Lancey), Michelle Fox (Sarah), Judith Roddy (Maire), Laurence Kinlan (Doalty), Aoife Duffin (Bridget) Travelling Light - National Theatre, London - February 9, 2012 (Pro-Shot's master) FORMAT: MKV (HD)|Subtitles CAST: Tom Allwinton, Norma Atallah, Roy Baron NOTES: National Theatre Live 9th February 2012 mkv, 5.46GB Hardcoded English subtitles

Treasure Island - National Theatre - January 22, 2015 (Pro-Shot's master) FORMAT: MP4 (HD) CAST: Arthur Darvill (Long John Silver), Patsy Ferran (Jim Hawkins), Oliver Birch (George Badger), Raj Bajaj (Job Anderson) Tuck Everlasting - Broadway - April 4, 2016 (Preview) (SunsetBlvd79's master) FORMAT: VOB (no smalls) (SD) CAST: Sarah Charles Lewis (Winnie Foster), Andrew Keenan-Bolger (Jesse Tuck), Carolee Carmello (Mae Tuck), Michael Park (Angus Tuck), Robert Lenzi (Miles Tuck), Terrence Mann (Man in Yellow Suit), Michael Wartella (Hugo), Fred Applegate (Constable Joe), Pippa Pearthree (Nana), Valerie Wright (Mother) NOTES: Excellent capture of the Broadway transfer from Atlanta. Many changes and direction from the out of town tryout. A Tuck Everlasting - Broadway - April 4, 2016 (Preview) (NYCG8R's master) FORMAT: DVD ISO (SD) CAST: Sarah Charles Lewis (Winnie Foster), Andrew Keenan-Bolger (Jesse Tuck), Carolee Carmello (Mae Tuck), Michael Park (Angus Tuck), Robert Lenzi (Miles Tuck), Terrence Mann (Man in Yellow Suit), Michael Wartella (Hugo), Fred Applegate (Constable Joe), Pippa Pearthree (Nana), Valerie Wright (Mother) NOTES: A more rare recording of the same performance as a more common capture. Single Disc Tuck Everlasting - Pre-Broadway / Atlanta - February 5, 2015 (SunsetBlvd79's master) FORMAT: MP4 (HD) CAST: Sarah Charles Lewis (Winnie Foster), Andrew Keenan-Bolger (Jesse Tuck), Carolee Carmello (Mae Tuck), Michael Park (Angus Tuck), Robert Lenzi (Miles Tuck), Terrence Mann (Man in Yellow Suit), Michael Wartella (Hugo), Fred Applegate (Constable Joe), Pippa Pearthree (Nana), Valerie Wright (Mother) NOTES: Beautiful HD capture of the PreBroadway tryout in Atlanta. This was Carolee's final performance due to leaving for Finding Neverland. Wonderful show, performances and music! A+ Tuck Everlasting - Pre-Broadway / Atlanta - February 6, 2015 (SunsetBlvd79's master) FORMAT: VOB (no smalls) (SD) CAST: Sarah Charles Lewis (Winnie Foster), Andrew Keenan-Bolger (Jesse Tuck), Beth Leavel (Mae Tuck), Michael Park (Angus Tuck), Robert Lenzi (Miles Tuck), Terrence Mann (Man in Yellow Suit), Michael Wartella (Hugo), Fred Applegate (Constable Joe), Pippa Pearthree (Nana), Valerie Wright (Mother) NOTES: Beautiful capture of the Pre-Broadway tryout in Atlanta. This was Beth Leavel's first performance taking over for Carolee in the final few weeks of the run. Great performances and music! A+

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musicalfan94 · 6 years

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Happy New Year Audio Gift

Anastasia Das Musical 06.12.2018 (Stuttgart)

Les Miserables 1998 (Belgium castalbum)

Vámpírok Bája 2007 (Hungarian Cast Album)

Der Glöckner Von Notre Dame 15.11.2017 (Müchnen)

#audio gift #audio bootleg #Anastasia das Musical #Les Miserables #tanz der vampire #Der Glöckner von Notre Dame

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allip815 · 6 years

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Kiss & Tug: Jean-Daniel Chagall Palms Gaelan Binoche’s Thick Tool @ Bel Ami | Chronicles of Pornia https://analclub.club/kiss-tug-jean-daniel-chagall-palms-gaelan-binoches-thick-tool-bel-ami-chronicles-pornia/ Kiss & Tug: Jean-Daniel Chagall Palms Gaelan Binoche’s Thick Tool @ Bel Ami PRIVACY POLICY Privacy Policy of Chronicles of Pornia Blog Commitment to Privacy Our Privacy Policy is designed to assist you in understanding how Chronicles of Pornia Blog collects, use and

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barbarapicci · 5 years

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#Paris day-by-day – #CentrePompidou (Day 4) @centrepompidou Cosa troverete: una sirena che zampilla acqua dai seni; uno degli orinatoi di Mr Mutt; gli alberi scavati su se stessi di Giuseppe Penone; le bolle viniliche di Takesada Matsutani; il cerchio di piume di Pino Pascali; uno stinco di dinosauro; le tele infilzate di Lucio Fontana; il tavolo spaventato a morte di Alberto Giacometti; i vetri pasticciati di Miquel Barcelò; il piede di dinosauro di Louise Bourgeois; le donne spalmate sulle tele di Yves Klein; un blob surreale di Sarah Lucas; un achrome di Piero Manzoni; gli ambienti appesi di Daniel Spoerri; la bara variopinta di Katharina Fritsch; la fontana gioiosa di Jean Tinguely e Niki de Saint Phalle; un ratto banksyano; Jeff Aerosol e Obey Giant in un sol colpo; il rischio collasso al cospetto di capolavori di Matisse, Cezanne, Picasso, Chagall, Leger, Delanuay, Mirò, Klee, Kandinsky, Brancusi, Dix, Arp, Mondrian, Oldenburg, Dubuffet, Rothko, Stella & more… Clicca per vedere video & gallery: https://barbarapicci.com/2019/08/09/paris-day-by-day-day-4/ #installationview #arte #art #musei#museums #traveldiariers #paris#travelblogging #parigi #artblogging#Parisdaybyday #diaridiviaggio #travels #cultureisfreedom #artisfreedom #contemporaryart#artecontemporanea #artmuseum #artcurator #artwatchers#artcollectors#artdealer #arthistory #photography https://www.instagram.com/p/B08DItcIDeU/?igshid=62b2h0bgf2u2

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diariodebordodeines · 5 years

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2º Movimento: TRABALHO COM A FLUTUAÇÃO DOS CORPOS

(Elenco sentado ao fundo, com exceção de Madame, que está de pé)

Madame: Segundo movimento: a despedida. Anote (mão para cima e estalo. Leoci e Senhorita levantam-se e se olham, de pé, de frente um para o outro). O casal dança. É uma dança de despedida. Ela, a esposa, diz ao marido, que ficará com ele até o último suspiro. Lembrem-se, nossa montagem não é naturalista, muito pelo contrário, nossas imagens-força são as pinturas de Chagal. Conhece Chagal? (Dirigindo-se a Olinda)

Olinda: Amo Chagal. Tenho, inclusive, uma publicação com todas as suas imagens bíblicas (fala com Iara).

Madame: Em Chagal, os enamorados não pisam na terra, estão sempre flutuando como anjos. Esse casal, como eternos enamorados que são, flutuam. Vivem a quase 40 anos com os pés flutuando pela casa, ora um, ora outro, ora ambos. Anote. Que Entre as pernas de pau. Há que ter muita poesia na cena. Haverá flutuação, mas haverá pesar, dor. Quando os dois estiverem praticamente desmaiados no colo de cada um, o marido revelará o seu segredo:

ARGUMENTO: "Me arrisco a ser alvo de teu rancor, mas preciso te revelar um segredo: não ficarás sozinha. Tu és mãe de quatro filhos, nossos filhos, quatro filhos homens. Não fiques petrificada, não estou em delírio. Minha humanidade é outra, diferente da tua. Somos um povo de homens. As mulheres não nascem entre nós. Para continuarmos a existir, precisamos nos apaixonar por mulheres de outras naturezas. Ao casarmos com elas e engravidá-las, sofrem de esquecimento. Para o meu povo, somente os homens podem enxergar os filhos. Não geramos filhas. As mulheres esquecem que engravidaram e pariram. Os filhos permanecem vivendo com o casal, mas existindo em uma dimensão só perceptível para os homens. As mulheres, suas mães, não os veem, não os reconhecem, mas, eles estão lá o tempo todo, sob os cuidados dos pais. É isso que eu precisava contar, mesmo sabendo que não me fora permitido,

Pelos meus. Meu amor, temos quatro filhos e eles estão aqui, dançando conosco, em despedida. Eles também choram. Se recorrer ao seu coração, você vai conseguir lembrar que eles existem, sempre existiram em nossas vidas. Com a força do teu amor, atravessarás a invisibilidade que a mantém separada deles. Acredite em mim; acredite no seu inconsciente”.

Senhorita: (Torcendo o corpo para olhar para Madame) se ela estiver flutuando de amor por ele, com toda certeza, depois desse golpe mortal, ela vai desabar, literalmente.

Madame: Ela estará sentada em um baloiço; um balanço. (Senhorita volta a olhar para Leoni, balançando-se suavemente) você sugere que após o segredo ser revelado, ela desabe lá de cima?

Senhorita: (Torcendo novamente o corpo para olhar para Madame) é um choque, não? Eu ficaria arrasada! Como assim? (Volta-se novamente para Leoci)

Madame: Não pensem de forma naturalista, nossa encenação fugirá dessa escritura.

Senhorita: (Sai de perto de Leoci, e ganha a cena) Claro, claro. Mas ela no baloiço, pairando paralisada sobre a cena de retirada do marido, por um grupo tão estranho de pessoas, porque eles, com toda certeza, serão muito estranhos, não tem nada a ver com realismo.

Madame: Impressionante como nosso “filme” começou bem!

Senhorita: (com um sorriso aberto) devo confessar que me antecipei ao dizer que o argumento é cinematográfico.

Neste movimento eu lhes apresento a Leitura Encenada, que para nós é um jogo cênico que, além da leitura, comporta sonoplastia, figurino, cenografia e um jogo de 13 cadeiras enumeradas, criado dentro da Casa Cuíra no período de abril a setembro de 2018, com estreia dia 21 de setembro de 2018. Nele, o grupo propõe uma série de imagens construídas com as cadeiras, modificando-se ao longo da leitura para compor cenicamente a trama da dramaturgia do Ovo nº 13, em que os personagens as utilizam para ilustrar e manipular as ideias ruminadas em grupo que irão para o Caderno de Encenação, de responsabilidade total de minha personagem.

Em nosso processo, as cadeiras levaram à construção da cena. Uma maneira diferente de olhar e trabalhar a cenografia já que esta não apenas ilustra imagens, mas também as suas imagens propõem o material de trabalho que nós atrizes tivemos que lidar. No primeiro ensaio, construímos treze imagens – Wlad, a primeira, enquanto o elenco fez as outras doze – que serviram a nós e à dramaturgia como árvore das onças, os clientes que visitam a loja dos desejos, objetos que voam e flutuam no ar, máquinas, uma barricada, asas dos pássaros do Quatipuru e vários outros elementos.

Objetos cênicos da leitura encenada. (Foto: Danielle Cascaes)

A visualidade da leitura é de responsabilidade de Iara Regina, com orientações de Wlad. Fora as cadeiras que fazem parte dela e também são objetos cênicos, temos: leques utilizados no momento da interação com o público; um arraial de lanternas para a iluminação da cena; a escada utilizada por Madame em seus momentos criativos; jornais que são transformados em chapéus de soldado e ninhos para os ovos dos pássaros; lanternas que fazem parte ou da iluminação da cena ou são usadas como objeto por mim, Leoci e Iara; as cadeiras maiores, pretas, onde sentamos a maior parte do tempo e as caixas de fósforos, em que nossos personagens usam no terceiro movimento como indutor da criação da cena. Ela foi pensada para ter essa sensação de visualidade “chapada”: preto, cinza, ocasionalmente outras cores diferentes. É uma cenografia pocket, de bolso, feita para caber na caçamba, no porta-malas de um carro, no bagageiro de um ônibus ou nos nossos pés entre cadeiras de uma lancha porque foi pensada para ser apresentada em espaços alternativos.

O que salta à vista são os figurinos concebidos por Larissa Latif e cosidos por Neire Lopes. Sendo, a base deles, uniformes reutilizados de uma mineradora da região. Costurados aleatoriamente em toda a superfície do macacão existem pedaços de tecido rasgado, restos de calcinha, sutiã, pedaços de toalha de mesa e um retalho de pano faz um laço em todas as cabeças do elenco e da produção, além do batom vermelho que cobre todas as bocas. Esse figurino tem, como inspiração, a mulher do cartaz que é símbolo do feminismo até hoje, com o macacão jeans e o lenço vermelho na cabeça com os dizeres “WE CAN DO IT”.

Outra coisa que se comunica diretamente com o figurino, é uma discussão de gênero. A gente foi buscar a inspiração nos uniformes das operárias, mulheres, do tempo da segunda guerra. Foi uma fase que, enquanto os homens estavam todos na guerra, elas ocuparam os espaços nas fábricas. Isso foi uma coisa importante nas lutas pelos direitos das mulheres, embora elas tenham sido, em uma boa medida, traídas quando terminava a guerra. A ideia era que elas voltassem a ocupar o lugar do lar… e acabaram voltando, muitas delas, mas de qualquer maneira a presença delas nas fábricas contribuiu para romper o mito de que as mulheres não eram capazes de fazer certas coisas, como empunhar ferramentas e fazer serviços técnicos pesados e não delicados, de trabalho tradicionalmente não associados às mulheres. Isso foi algo importante na construção das ideias do movimento feminista. (LATIF, apud CASCAES, 2019)

Nossa encenação, apesar da interpretação realista e da dramaturgia que obedece, até certo ponto, às unidades de espaço, tempo e ação aristotélicas, foge do naturalismo ao inserir estes elementos dentro dela. O figurino operário atravessado pelos retalhos e a boca vermelha, junto com a visualidade maquínica cinza e preta, causam um estranhamento no espectador, que o tira da ilusão de realidade. As transições entre um movimento e outro nem sempre fazem parte da trama; em quase todas elas, nós mudamos os jogos de cadeiras embalados pela sonoplastia de Leoci. O que se conta é um grupo de teatro tentando encontrar soluções cênicas para um argumento cinematográfico – de acordo com as primeiras impressões de Inês – para a construção de um Caderno de Encenação, mas o que se vê são operárias de batom vermelho e de lenço na cabeça, manipulando cadeiras em uma cenografia monocromática, chamando-as de pessoas, árvores, asas... nada a ver com realismo.

No último movimento, nos posicionamos em cima das cadeiras pretas, as cadeiras numeradas ficam espalhadas em nossos pés e mãos e nós formamos a árvore das onças. Mais do que ilustrar ou construir a árvore, nós somos a árvore. Eu, Olinda e Leoci permanecemos parados durante todo o movimento enquanto o público ouve um texto altamente poético, cheio de metáforas e reflexões. Zê, sempre com uma cadeira na cabeça, gira lentamente, acompanhando o off com sons de máquinas, vozes distorcidas e metálicas, nos transformando nelas.

Nesta cena, olhamos e vemos as máquinas, movendo-se. No palco, elas nos olham. E em uma espécie de experiência xamânica, somos capazes de experimentar outro ponto de vista: elas são árvores animadas, elas são toda a vida da cena. A vida nos cala e preenche tudo. Nós encontramos nosso lugar nessa relação. Nos quietamos como quem abandona seu trono de humanos universais. Somos apenas parte de algo belo que não estamos acostumados a ver. A vida se desenrola com seus ciclos. Somos maquinações, somos simplesmente coisa viva, espectadores que testemunham o nascer, estar e voar de pássaros, presentes entre movimentos e sons a emanar dessa outra existência a nós sempre revelada. (FLORES; LIMA, 2018)

Somos a árvore no Quatipuru. (Foto: Danielle Cascaes)

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Inside La Colombe d’Or, modern art’s home on the French Riviera

Cannes, France (CNN)Walking around La Colombe d’Or, a casual eye places it among the many inns dotting the French Riviera. This Provencal auberge wears its rustic charm like a badge of honor, or perhaps armor, warding off the dull trappings of the 21st century.

Whitewashed plasterwork, scratched and scuffed, evokes simpler times. The inn’s many nooks and crannies speak of a building that has lived, breathed and grown over the years, before settling into reassuring, unrefined normality.

Discovering the Riviera’s hidden masterpieces

Except there’s nothing normal about La Colombe d’Or. Look closer and artworks start to emerge: a Picasso nestled in one corner, a Matisse in another. In the courtyard outside, an Alexander Calder mobile rotates in the breeze while a Fernand Lger mosaic remains unmoved.

Some of the greatest names in modern art, nonchalantly arranged to look not only as if they belong, but as if they were created here. The thing is, some of them were.

“[The artworks are] completely part of the house, so we don’t think of it anymore,” says the inn’s third-generation owner Daniele Roux. “But you can’t touch them, because the alarm system is so strong.”

Perhaps unsurprisingly, she won’t be drawn on La Colombe d’Or’s insurance value.

Tea with Matisse

The story of La Colombe d’Or (which translates as “The Golden Dove”) is of a family that played the long game. In 1931, farmer’s son Paul Roux and his wife Baptistine opened their restaurant in a secluded corner of Saint-Paul-de-Vence, a medieval hilltop village west of Nice.

Its raison d’etre was bon vivance; good food and good times, a place to while away lazy summer days, eat heartily and drink well.

With a handful of rooms above a bustling eatery, there was nothing remarkable about the inn’s setup. What no one could have anticipated was the clientele drawn to this crumbling bolthole and its unlikely role as a meeting place for the creative elite of the 20th century.

“Portrait of a woman,” by Henri Matisse.

World War I drove many French artists south, where they took up residence along the Cote d’Azur. When peacetime came, some stayed. Among them were Fernand Lger and Georges Braque, who Paul — a versed, if not schooled art admirer — befriended. Alongside them, an aging Henri Matisse.

“He didn’t really come in because at the time he had problems with his legs,” says Paul’s granddaughter-in-law, Daniele. “Paul Roux would spend time with him in [Matisse’s] limousine,” on occasion taking tea.

The artist became a regular at La Colombe d’Or, and others soon followed, either as diners or lodgers.

Actor Yves Montand at the Colombe d’Or in front of a mosaic by Leger, commissioned in the 1950s.

Paul Roux was the fulcrum around which these artistic figures pivoted, “an autodidact and a man of lovely enthusiasm who, having begun to buy paintings, did not hesitate to provide accommodation for certain painters in exchange for their work,” writes Martine Prosper (nee Buchet) in the 1995 book “La Colombe d’Or.”

Paul Roux was admired and respected — a working class Peggy Guggenheim, thoroughly ingratiated with a community of modern artists without being a creative name in his own right. (Under the advice of Matisse, Roux did pick up a paintbrush in later life. His artworks now hang alongside those of his famous friends — one is to the left of the Miro in the main dining room.)

The guests’ wildly different styles, modes and philosophies all found a home under Roux’s roof. Within La Colombe there was commonality and community. Indeed, a sign hung above the inn’s entrance read “Ici on lodge a cheval, a pied ou en peinture” — “Lodgings for man, horse and painters.”

The friendship of Picasso

With the arrival of World War II, life in La Colombe d’Or held a reassuringly even keel, even as both German and American officers both found their way into its guest book.

In the post-war years its reputation was further enhanced. Joan Miro, Marc Chagall and Cesar Baldaccini all added to the inn’s growing art collection.

Pablo Picasso was a regular visitor and became firm friends with Paul. But the Spanish master left no impression on La Colombe’s walls until shortly before Paul’s death in 1953.

Spanish painter Pablo Picasso at the bar of La Colombe d’Or during the 1950s.

“Paul was not well physically, and Tichin [his wife’s nickname] was a strong woman,” recalls Daniele. “She went round to see Picasso and said: ‘You promised you would give him a painting one day.'”

He offered three paintings and Paul chose one. “Flower Vase” still has pride of place. On the day of Paul’s funeral, Picasso was the first to pay his respects.

Post-modernists

Paul’s son Francis took the reigns, but one night in 1959 — disaster. All the paintings were stolen; all except one, a Chagall. The artist came down the next day, most irked, Daniele says. Clearly the thieves had poor taste. (Word spread of the theft and all the paintings were soon returned.)

By the ’60s a new set was frequenting the inn. Intellectuals Jean-Paul Satre and Simone de Beauvoir would stay, while James Baldwin’s fiery rhetoric could often be heard at the dining table. The American iconoclast even relocated to the region after staying at La Colombe in 1970, remaining in the area until his death in 1987.

“The Thumb” by Cesar (1965).

As with so many things on the Cote d’Azur, the inn was not untouched by the Cannes Film Festival. Stars of the “Nouvelle Vague”, Brigitte Bardot and director Francois Truffaut, spent days in the dappled shade of La Colombe’s courtyard, along with Orson Welles, Charlie Chaplin and David Niven, while Roger Moore owned a house nearby. Its glamorous credentials were never in doubt — the kings of Sweden and Belgium, and Edward VIII (then Prince of Wales) all visited in the 1950s.

Successive generations continue to pay pilgrimage.

French literary titan Bernard-Henri Levy has written several of his books at La Colombe. Prosper and Martine Assouline, founders of their eponymous publishing company, based their first title on the inn, such was their adoration.

Episode 14: The allure of French Riviera style

Artworks continue to be added, most recently a giant ceramic apple by Irishman Sean Scully in 2007. New young names are scouted out by Daniele and Francois, though most works lie in storage. By and large, the painters have gone, and the region that inspired them has become a playground for people who buy masterpieces rather than those who paint them.

But three generations in, there’s little sign this Provencal institution will cash out. A precedent was set by Paul Roux many years ago when a wealthy American tried to buy the business. He sent back a bouquet and a note: “These flowers are for you, La Colombe is for my son.”

Daniele laughs at the mention of a fourth generation, batting away the question. “We have a son, we have a daughter, but we’re still here and we’re going to see what happens,” she says. There’s no pressure on them, she insists.

If they one day accept the role, their charge will be to uphold an idiosyncratic space of art and life well lived — to find room, amid the modernist bricolage, for the next chapter of its story.

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Things to do in Montréal February 24 to March 2

With the idea of spring in the air, Montréal celebrates with one of the biggest winter festivals in the world, MONTRÉAL EN LUMIÈRE, along with more inspiring dance, theatre, art, film and music, plus some top-talent hockey, indie video games and outdoor fun.

Winter city lights

Montréal is no stranger to winter festivities – we’ve been celebrating winter like a a pro for 375 years – while these last 18 winters have been even brighter with the wonderful MONTRÉAL EN LUMIÈRE winter arts, culture and fine dining festival. From Feb. 23 to March 11, the fest shines with an all-new program of performing arts, diverse fine dining options, all-nighter event Nuit blanche on March 4, and the free and family-friendly downtown outdoor site. That’s where you’ll find great local food and drink (sample Québec cheeses, sip Cabral porto, roast marshmallows over open fires), live music and performances such as X-Lumina, and more unique activities: take a ride on the illuminated Ferris wheel, glide down the urban ice slide and zip line, and try your hand at a classic Canadian sport with Curling en lumière.

Activities for all

Among the many free things to do this winter, try tobogganing or ice skating on the Mountain or visit Mammouth Village at the Olympic Stadium Esplanade, featuring skating, ice slides, activities for little kids. If you’re starting spring break early, begin with a visit to the extremely spring-like Botanical Garden’s Butterflies Go Free event – and explore the tropics at the Biodôme or space at the Planetarium, all part of the many worlds at the Montréal Space for Life. Play board games, video games and more all for free at Festival Montréal Joue, Feb. 25 to March 12, including local indie games at the SAT on Feb. 25 and activities at libraries. Or play a game of cricket, ultimate Frisbee or even quidditch at the Ministry of Cricket (and Other Homeless Sports). If you or your kids love the comic book universe of Astérix, see the characters step off the page at Grévin Montréal wax museum. Watch the Montréal Canadiens as they take on the Blue Jackets on Feb. 28 and the Predators on March 2 at the Bell Centre, or go cheer on Montréal’s CWHL stars Les Canadiennes as they skate hard in the Clarkson Cup Playoffs, Feb. 24-26.

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Une publication partagée par MONTRÉAL EN LUMIÈRE (@mtlenlumiere) le 9 Févr. 2017 à 6h28 PST

Food and drink

Along with the MONTRÉAL EN LUMIÈRE festival’s many gastronomic delights – dozens of incredible local and international chefs, multi-course meals, workshops, food-focused tours! – you’re sure to stay warm in winter with a big bowl of pho or Japanese authentic ramen, a cup of tea at Montréal’s tea houses, a signature winter cocktail at one of Montréal’s Hidden Bars, or an evening of decadence next to Montréal’s coziest fireplaces. And for sweet tooths, why not spoil your inner child at Montréal’s candy shops.

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Stage and screen

This year’s impressive winter-spring dance program includes Perm Opera Ballet’s rendition of Swan Lake, presented by Les Grands Ballets at Place des Arts Feb. 22-26, while dance meets rock concert in Helen Simard’s Idiot at La Chapelle Feb. 27 to March 3, and the incredible Dana Michel performs her work Mercurial George at Usine C, Feb. 28 to March 3, while Flamenco Vivo presents the fabulous Lo Esencial by Luis de la Carrasca, Feb. 28 at Le Gesù and it’s Flamenca Night on March 1 at Le Balcon Cabaret Music-Hall. In theatre, laugh along with farcical play Noises Off at the Segal Centre or Centaur Theatre’s comedy Bakersfield Mist. In film: watch indie films and step into the Virtual Reality Garden and Not Short on Talent installation at the Phi Centre, see Children of Men at the Canadian Centre for Architecture on March 2, and America Wild 3D at the Montréal Science Centre, while the Massimadi Afro-Caribbean LGBTQ film festival runs Feb. 21 to March 4 at various venues and 360-degree, surround sound film experiments astound at SAT Fest. And test your film knowledge: did you know that these movies were filmed in Montréal?

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Une publication partagée par Musée des beaux-arts Mtl (@mbamtl) le 17 Févr. 2017 à 10h14 PST

Museums and galleries

Among this season’s excellent museum exhibitions, don’t miss the wonderful paintings, costumes and music of CHAGALL: COLOUR AND MUSIC, featuring 340 works by the Russian-French artist at the Montreal Museum of Fine Arts. Part of the 375th programming, kanien’kehá:ka (Mohawk) artist Skawennati’s solo exhibition Tomorrow People explores time and identity in analog and digital forms at Oboro. See Scottish artist Graham Fagen’s video and music-based installation The Slave’s Lament at Galerie de l’UQAM. And at the Musée d’art contemporain, moving works by foremost Mexican artist Teresa Margolles, as well as Québec artist Emanuel Licha’s Now Have a Look at This Machine documentary installation – the museum also hosts its music-and-art night event Nocturne on Feb. 24. In Old Montréal, Belgian artist Wim Delvoye provokes at DHC-ART. Never Apart’s winter exhibition celebrates Black heritage, Indigenous women and more, plus film Paris Is Voguing on Feb. 24. Salon des nouvelles musiques video exhibition reflects on the music of tomorrow through past composers’ views of the future at Place des Arts Salle d’exposition. Elsewhere, you’ll find art in the “underground city” pedestrian network and in the city’s most stunning churches and other sacred sites.

Classical concerts

Among the many highlights of MONTRÉAL EN LUMIÈRE is music, including dozens of classical concerts at beautiful venues. This week, unwind with I Musici de Montréal at the Montreal Museum of Fine Art’s Bourgie Hall on Feb. 24, Daniel Taylor and Suzie Leblanc at Notre-Dame-de-Bon-Secours Chapel on Feb. 25, Ensemble Caprice playing the Complete Bach Cantatas at Bourgie Hall on Feb. 26, Alain Lefèvre‘s Sas Agapo at the Maison symphonique on Feb. 26, a string quartet marathon evening on Feb. 28 at Bourgie Hall, and pianist Jean-Philippe Sylvestre on March 1 at Bourgie Hall. Meanwhile, on Feb. 24, Jean-François Rivest conducts the Orchestre Métropolitain at Place des Arts in a concert inspired by nature, and on Feb. 25 Vasily Petrenko conducts the Orchestre symphonique de Montréal and pianist Javier Perianest at Place des Arts, Festival Montréal/Nouvelles Musiques brings Martin Matalon’s Le Scorpion score (for Luis Buñuel’s The Golden Ageto) to Cinquième Salle on Feb. 26, and Pro Musica presents the Hagen Quartet at Place des Arts on Feb. 27.

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More live music

On Friday, L.A. rock stars Maroon 5 play the first of two nights at the Bell Centre, Simply Saucer perform psych-rock mayhem at Bar le Ritz P.D.B., while Tchami and Mercer bring off-the-hook electro dance music to New City Gas. On Saturday, British singer-songwriter Benjamin Francis Leftwich plays his heart out at Café Campus, Sydney-based electro-pop production duo Cosmo’s Midnight go live at Newspeak, the SAT throws its Domesicle party with Music Is My Sanctuary, while NGHTMRE, Peking Duk and Jackal get us dancing at New City Gas. Meanwhile, among this week’s MONTRÉAL EN LUMIÈRE shows: Bobby Bazini at Metropolis on Friday, Champion and his G-Strings electro-symphony at Club Soda on Saturday, French singer Benjamin Biolay on Feb. 26 at Place des Arts, Black Joe Lewis & The Honeybears at La Sala Rossa on Feb. 27, Danish singer Agnes Obel on Feb. 28 at Place des Arts, and on March 2, The Tea Party wows at Metropolis, Leif Vollebekk shines at La Tulipe, and Milk & Bone’s Camille Poliquin plays solo as KROY at Théatre Fairmount.

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At the same time, Black History Month Montréal presents a weekend of music featuring Lee Fields & The Expressions at L’Astral and jazz stand-outs Aaron Diehl, Adam Birnbaum and Cécile McLorin Salvant at Centre Pierre-Péladeau on Friday, followed by a soul, Motown and disco evening with Dawn Tyler Watson at Le Balcon on Saturday, and on Sunday Malian kora master Ballaké Sissoko and French cellist Vincent Segal at Gesù and Khari Wendell McClelland in Searching for the Sound of the Underground Railroad at Le Balcon. Sunday night also brings the sweet electro-pop sounds of Vallis Alps to Bar le Ritz P.D.B. On March 1, join singer-songwriter icons Rickie Lee Jones and Madeleine Peyroux in a stellar double bill at Place des Arts, rock with Billy Talent at the Bell Centre, or get into the serious groove of Thundercat at the SAT. Singer Ariane Moffatt joins the Orchestre symphonique de Montréal for an OSM POP concert at Place des Arts on March 1-2. And Arcade Fire’s Tim Kingsbury is Sam Patch at Bar le Ritz P.D.B. on March 2. For more, check out where to hear live music in Montréal.

Up next:Spring break for families in Montréal

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