#Jang Song-Taek

[huipinkhair]

2024 STAN AND BIAS LIST

ZEROBASEONE

BIAS - KIM GYUVIN | WRECKER - SHEN RICKY

ONEPACT

BIAS - JAY CHANG | WRECKER - LEE YEDAM

KEP1ER

BIAS - CHOI YUJIN | WRECKER - SHEN XIAOTING

EVNNE

BIAS - LEE JEONGHYEON | WRECKER - TERAZONO KEITA

CLC

BIAS - KWON EUNBIN | WRECKER - JANG YEEUN

EL7ZUP

BIAS - JANG YEEUN | WRECKER - LEE YEOREUM

PENTAGON

BIAS - LEE HOE TAEK/HUI | WRECKER - ADACHI YUTO

(G)I-DLE

BIAS - SONG YUQI | WRECKER - JEON SOYEON

[adamwatchesmovies]

Parasite (2019)

Parasite is the kind of wholly original film that’s impossible to predict. It also has a lot to say about our world, which means there’s no way you’ll be able to catch everything on a single viewing. With plenty of dark laughs, the kind of suspense that will have your stomach in knots, an ending that sticks with you and masterful direction by Bong Joon-ho, it’ll knock you right off your feet - even if you’ve seen it before.

Kim Ki-taek (Song Kang-ho), his wife Chung-sook (Jang Hye-jin), their son Ki-woo (Choi Woo-shik) and daughter Ki-jeong (Park So-dam) make ends meet by snatching up whatever prospect comes their way. One day, Ki-woo finds a job tutoring Da-hye (Jung Ji-so), the daughter of the wealthy Park family. Sensing an opportunity, the Kims scheme, lie and fake their way into the household.

Part of what makes Parasite such a wild ride is that you never know who you should be cheering for or what the movie wants you to feel. When we first meet the Kim family, they’re scrambling around their dump of a semi-basement apartment looking for a free wifi signal so they can get a shipment of pizza boxes sent to them. Folding the boxes is how they’ll pay for their next meal. When they submit their work, part of their earnings is deducted because 25% of the boxes are badly folded. There are four family members. A quarter of the boxes are no good. Hmmm… There’s something funny and pathetic about the way they manage to screw up such a simple, honest job but excel at conning their way into the Park household. The more elaborate and extravagant their scam becomes, the more they thrive. You know it’s wrong, but there’s something "admirable" about their resourcefulness and determination. You don’t feel too bad for the Park family. Aside from Ki-jeong, everyone is actually doing the job they’ve been hired to do and there’s no way she’d get away with spinning her bullshit into dollars if Mrs. Park wasn’t such a dummy.

Then, your feelings about the Kims start changing. It’s one thing for them to exploit the Parks, whose wealth is wasted on them but this quest to get all of them on the same payroll means taking away jobs from other people. As we eventually find out, the current housekeeper of the Park family, Gook Moon-gwang (Lee Jung-eun) REALLY needs this job they’re stealing from her. As the film progresses, Bong Joon-ho shows us how the lap of luxury has made the Parks into ugly, entitled snobs. The more we see of the parents (Lee Sun-kyun and Cho Yeo-jeong), the less we like them. The thing is, the Kims are not much better. They’re also recklessly gobbling up the jobs in their employer’s household at the expense of everyone else. The people currently employed? they’re obstacles to be toppled over, not people with similar plights to their own. They never have a goal to make enough money to move into a nicer home. Their goal becomes to have THIS home, a building they know is too much for two parents and two children. While all of these people are on opposite ends of the financial spectrum, they both disregard others equally.

It would be criminal to give away the big surprises that come at the end of the film - and you probably wouldn’t believe me if I told you what they were anyway. Revealing all the intricacies of the scam would be just as heinous. The proof is that even upon multiple viewings, it’s a horrifying delight to see it play out the way it does. I do want to discuss the very very last scene, however. In the film, it’s presented as hopeful, a long-term strategy Ki-woo will follow to get the family what they desire the most. It all seems good but when you take a step back, you realize how hopeless it is. That final moment is about how wide a gap is between the rich and the poor. It's not about leaving us with a smile on our faces. It’s not as clear as it would be in a documentary but it’s a thousand times more impactful - and entertaining.

Parasite is mesmerizing, the kind of film you want to watch over and over so you can fully appreciate everything. It’s full of surprises, masterfully directed and certainly as good as everyone is saying it is. (Original Korean with English Subtitles, July 25, 2022)

[lucygold95]

Third POTO Korea Production Cast(and informations)

- 4. Andre, Firmin, Carlotta(2), Meg, Madame Giry, Piangi, ensemble, ballet dancers and swings.

Monsieur Andre: 윤영석[Yoon Young-seok]

Mr. Yoon was the first Korean Phantom. He was the only principal Phantom at the 1st POTO Korea production(김장섭[Kim/Gim Jang-sub]was an alternate Phantom).

He did Phantom again in the 2nd POTO Korea production.(With another Phantom, 양준모[Yang Joon-mo]. + Later 홍광호[Hong Kwang-ho], who had played Raoul, became Phantom too.)

He also did 'Gérard Carrière(Phantom's father and the previous head of the Paris Opera)' at Kopit & Yeston's musical 'Phantom'.(3rd and 4th Korea productions.)

(He did 'Brava, brava, bravissima' improv at here.)

P.S. Mr. Yoon played 'Franz Joseph' in the musical 'Elisabeth'.

Monsieur Firmin: 이상준[Lee Sang-jun]

Mr. Lee played 'Joseph Buquet' in the 2nd POTO Korea production.

He also played 'Monsieur Cholet(the new head of the Paris Opera and Carlotta's husband)' at Kopit & Yeston's musical 'Phantom'(1st, 2nd and 3rd Korea productions).

He did ALW's musical 'Cats' too.

Carlotta Giudicelli: 이지영[Lee Ji-yeong], 한보라[Han Bo-ra]

Both Carlotta actresses are classic Opera singers. According to the NEWS, Ms. Lee performed Operas in USA. And Ms. Han performed Operas in Italy and Korea.

Meg Giry: 박지나[Park/Bak Jina/Gina]

Ms. Park(Bak) majored in both Ballet and Opera.

Madame Giry: 김아선[Kim/Gim A-seon]

Ms. Kim(Gim) was a Madame Giry understudy(and an ensemble member) in the 1st POTO Korea production.

She did many musical heroine roles(Emma, 선녀, Maria(The Sound of Music), Kim, Maria(West Side Story), 천명, 요석공주, Lotte...) in Korea. Especially, Ms. Kim was the first 'Kim' at the 1st 'Miss Saigon' Korea Production.

Ubaldo Piangi: 박회림[Park/Bak Hoe-rim]

Mr. Park(Bak) is a classic Opera singer who performed Operas in Italy(especially at Firenze(Florence)).

+

* Phantoms and informations:

* Christines and informations:

* Raouls :

* Both 김주택(Kim/Gim Ju-taek. Julian Kim), who plays Phantom, and 황건하(Hwang Gun-ha), who plays Raoul, participated in the Korean (Opera singer) audition program series, '팬텀 싱어(Phantom Singer)' series.

You can check ensemble, ballet dancers and swings at the link below.

[goalhofer]

2024 olympics South Korea roster

Archery

Je-Deok Kim (Seoul)

Woo-Jin Kim (Okcheon Gun)

Woo-Seok Lee (Incheon)

Hun-Young Jeon (Incheon)

Si-Hyeon Lim (Gangneung)

Su-Hyeon Nam (Suncheon)

Athletics

Jangwoo Kim (Seoul)

Byeong-Gwang Choe (Seoul)

Sang-Hyeok Woo (Daejeon)

Badminton

Hyeok-Jin Jeon (Ulsan)

Min-Hyuk Kang (Suwon)

Seung-Jae Seo (Buan Gun)

Won-Ho Kim (Suwon)

Ga-Eun Kim (Suwon)

Se-Young An (Gwangju)

Ha-Na Baek (Gimcheon)

So-Hee Lee (Ulsan)

So-Yeong Kim (Incheon)

Hee-Yong Kong (Jincheon Gun)

Yoo-Jung Chae (Suwon)

Na-Eun Jeong (Seoul)

Boxing

Ae-Ji Im (Hwasun Gun)

Yeon-Ji Oh (Gunsan)

Breakdancing

Hong-Yul Kim (Seoul)

Climbing

Eun-Cheol Shin (Seoul)

Dohyun Lee (Seoul)

Chae-Hyun Seo (Seoul)

Cycling

Eu-Ro Kim (Seoul)

Min-Ji Song (Seoul)

Diving

Jaegyeong Yi (Ulsan)

Jung-Whi Shin (Seoul)

Ha-Ram Woo (Busan)

Yeong-Taek Kim (Incheon)

Na-Hyun Kim (Seoul)

Su-Ji Kim (Changwon)

Equestrian

Young-Shik Hwang (Osan)

Fencing

Jae-Won Kim (Seoul)

Tae-Gyu Ha (Seoul)

Bon-Gil Gu (Daegu)

Sang-Uk Oh (Daejeon)

Sang-Won Park (Daejeon)

Gyeong-Dong Do (Yeongcheon)

Se-Ra Song (Geumsan Gun)

Hye-In Lee (Ulsan)

Young-Mi Kang (Incheon)

In-Jeong Choi (Geumsan Gun)

Ji-Su Yoon (Busan)

Sebin Choi (Suwon)

Ha-Young Jeon (Daejeon)

Eun-Hye Jeon (Daejeon)

Golf

Joo-Hyung Kim (Seoul)

Byeong-Hun An (Orlando, Florida)

Hee-Young Yang (Orlando, Florida)

Hyo-Joo Kim (Wonju)

Jin-Young Ko (Frisco, Texas)

Gymnastics

Jun-Ho Lee (Seoul)

Woong Hur (Seoul)

Sung-Hyun Ryu (Seoul)

Seo-Jeong Yeo (Yongin)

Do-Hyun Eom (Seoul)

Da-Yeong Lee (Seoul)

Yun-Seo Lee (Seoul)

Sol-Yi Shin (Chungju)

Handball

Bitna Woo (Seoul)

Eunseo Kang (Seoul)

Ji-Yeon Jeon (Samcheok)

Da-Young Kim (Busan)

Jin-Mi Shin (Seoul)

Ji-Young Song (Gwangmyeong)

Eun-Joo Shin (Incheon)

Eun-Hee Ryu (Incheon)

Jin-Hui Jeong (Seoul)

Sae-Young Park (Seoul)

Mi-Seul Han (Sokcho)

Eun-Hye Kang (Seoul)

Kyung-Min Kang (Incheon)

Bo-Eun Gim (Samcheok)

Judo

Won-Jin Kim (Cheorwon Gun)

Ba-Ul An (Anyang)

Joon-Hwan Lee (Gumi)

Ju-Yeop Han (Seoul)

Min-Jong Kim (Seoul)

Hye-Kyeong Lee (Ulsan)

Ye-Rin Jung (Daegu)

Mi-Mi Huh (Tokyo, Japan)

Ji-Su Kim (Himeji, Japan)

Hyun-Ji Yoon (Cheorwon Gun)

Ha-Jun Kim (Busan)

Pentathlon

Woong-Tae Jung (Gwangju)

Changwan Seo (Yeongam)

Sunwoo Kim (Seoul)

Seung-Min Seong (Daegu)

Sailing

Jee-Min Ha (Busan)

Shooting

Daehan Choe (Changwon)

Min-Su Kim (Seoul)

Ha-Jun Park (Yangyang Gun)

Won-Ho Lee (Busan)

Yeong-Jae Cho (Chuncheon)

Jong-Ho Song (Seoul)

Eun-Seo Lee (Seoul)

Kook-Hee Jang (Seoul)

Ji-Hyeon Keum (Ulsan)

Ha-Na Im (Wonju)

Ye-Ji Kim (Danyang Gun)

Ye-Jin Oh (Hacheon-Ri)

Ji-In Yang (Namwon)

Gee-Eun Kang (Seoul)

Bo-Na Lee (Seoul)

Swimming

Dong-Yeol Choi (Seoul)

Min-Seop Kim (Seoul)

Yeonghyeon Kim (Seoul)

Ji-Hun Kim (Seoul)

Yu-Chan Ji (Gwangju)

Sun-Woo Hwang (Suwon)

Woo-Min Kim (Busan)

Ju-Ho Lee (Seoul)

Sung-Jae Cho (Ansan)

Ho-Joon Lee (Seoul)

Yoo-Yeon Lee (Anyang)

Jae-Hoon Yang (Jinhae)

Yoonseo Hur (Seoul)

Ri-Young Lee (Seoul)

Yeon-Kyung Hur (Seoul)

Eunji Lee (Seoul)

Seo-Yeong Kim (Suwon)

Table tennis

Dae-Seong Cho (Seoul)

Woo-Jin Jang (Sokcho)

Jong-Hoon Lim (Busan)

Ji-Hee Jeon (Seoul)

Yu-Bin Shin (Suwon)

Eun-Hye Lee (Seoul)

Taekwondo

Tae-Joon Park (Ulsan)

Geon-Woo Seo (Seoul)

Yu-Jin Kim (Danyang Gun)

Da-Bin Lee (Ulsan)

Weightlifting

Joo-Hyo Bak (Goyang)

Dong-Ju Yu (Sunchang Gun)

Yeon-Hak Jang (Asan)

Su-Hyeon Kim (Suwon)

Hye-Jeong Park (Ansan)

Wrestling

Seung-Jun Kim (Seoul)

Seung-Chan Lee (Seoul)

Hanbit Lee (Seoul)

[agendaculturaldelima]

   #ProyeccionDeVida

🎬 “PARÁSITOS” [Parasite / Gisaengchung]

🔎 Género: Intriga / Comedia / Drama / Thriller / Familia

⌛️ Duración: 132 minutos

✍️ Guión: Bong Joon-ho y Han Jin-won

🎼 Música: Jung Jae-il

📷 Fotografía: Hong Kyung-pyo

🗯 Argumento: Tanto Gi Taek (Song Kang-ho) como su familia están sin trabajo. Cuando su hijo mayor, Gi Woo (Choi Woo-sik), empieza a dar clases particulares en casa de Park (Lee Seon-gyun), las dos familias, que tienen mucho en común pese a pertenecer a dos mundos totalmente distintos, comienzan una interrelación de resultados imprevisibles.

👥 Reparto: Lee Sun-kyun (Park Dong-Ik), Cho Yeo-jeong (Yeon-kyo), Park So-dam (Ki-jung), Choi Woo-shik (Ki-woo), Park Seo-joon (Min), Song Kang-ho (Kim Ki-taek), Jung Ji-so (Da-hye), Park Myung-hoon (Geun Se), Jang Hye-jin (Choong sook), Lee Jung-eun (Moon-gwang) y Jung Hyeon-jun (Da-song).

📢 Dirección: Bong Joon-Ho

© Productoras: Barunson, CJ Entertainment, TMS Comics, TMS Entertainment, CJ E&M Film Financing & Investment Entertainment & Comics

🌎 País: Corea del Sur

📅 Año: 2019

📽 Proyección:

📆 Martes 04 de Junio

🕗 8:00pm.

🎦 Cine Caleta (calle Aurelio de Souza 225 - Barranco)

🚶‍♀️🚶‍♂️ Ingreso libre

🙂 A tener en cuenta: Prohibido el ingreso de bebidas y comidas. 🌳💚🌻🌛

[michaelcosio]

North Korea - The execution of Kim Jong Un's powerful uncle

(17 Dec 2013)

STORYLINE: On December 10th 2013 Pyongyang residents reacted to the announcement that their leader's uncle, long considered the country's second in command, had been sacked.

"I was hardly able to contain my indignation about the manoeuvres of Jang Song Taek group challenging our party," said one Pyongyang resident, Ri Myong Song.

Kim Jong Un's uncle, Jang Song Thaek, fell from grace when capped by his dramatic arrest at a party meeting on Sunday, facing allegations from corruption to womanising.

"How dare he betray the man's elementary conscience, morality and faith?" added another Choe Son Ok resident.

This was far from Kim's first purge.

Several defence ministers and army chiefs have been replaced as the Workers' Party has asserted control over the military after 17 years rule under late leader Kim Jong Il. But it is the ouster of Jang, who had been considered North Korea's second-most-powerful figure that sends the strongest signal to anyone seeking to challenge Kim Jong Un.

Jang, 67, had occupied a privileged and yet precarious spot within the inner circle. He is the husband of Kim Kyong Hui, the only daughter of late President Kim Il Sung, younger sister to Kim Jong Il and aunt to Kim Jong Un.

Jang was seen as a regent figure as Kim Jong Un was being groomed to succeed his father. He rose in party and military ranks alongside his baby-faced nephew, often dressed in a trim white general's uniform and standing within arm's length of Kim on field visits and at state events.

Worries remain over whether the expulsion of such a senior figure could instead lead to less stability and open up the possibility of a power struggle.

The confirmation that Pyongyang had removed Jang and purged his group was seen by some analysts as a warning against dissent. It came about a week after South Korea's spy agency said that two of Jang's closest assistants had been executed for corruption.

North Korea on December 13th said it had executed Kim Jong Un's uncle as a traitor for trying to seize supreme power, a stunning end for the leader's former mentor, long considered the country's number two official.

In a sharp reversal of the long-held popular image of Jang Song Thaek as a kindly uncle guiding Kim Jong Un as he consolidated power, the North's official Korean Central News Agency indicated that Jang instead saw the death of Kim Jong Il in December 2011 as an opportunity to challenge his nephew and win power.

It called him a "traitor to the nation for all ages" and "worse than a dog."

[kyle-reviews]

Parasite Review

After months of anticipation and dodging spoilers online, I finally got to see Parasite, a movie that took not just the Oscars but the whole world by storm. From the very first scene, I knew I was diving into something more than a simple film. Parasite is not just a narrative; it's a social dissection. It places you right in the heart of the lives of two starkly different families and the intricate dynamics between them. As the story plays out, you're left contemplating the underlying themes: social disparity, class struggle, and the disturbing reality of a world divided. The beauty of Parasite lies in its ambiguity, allowing each viewer to derive their unique interpretations and conclusions about its socio-political commentary.

The film opens with the Kim family, living in a semi-basement, scavenging for Wi-Fi, and folding pizza boxes for a meagre living. This introduction captures their humour, resilience, and the everyday struggles of life in the lower classes of society. Then enters the wealthy Park family, living in an architecturally magnificent house, fully immune to the struggles the Kims grapple with daily. The clever, almost parasitic, maneuvering of the Kims to integrate into the Park household provides comic relief and heightens the drama. This dynamic contrast between the two families lays the groundwork for an unpredictable series of events that exposes the stark class divide; something we should probably pay more attention to. The characters in this movie are a masterclass in depth and complexity. Every character, regardless of screen time, is thoughtfully crafted and they all symbolize different aspects of society. Ki-woo, played by the exceptional Choi Woo-shik, personifies the ambitious youth trapped in societal constraints, while the mother, Chung-sook, portrayed by the outstanding Jang Hye-jin, embodies resilience. However, it is Song Kang-ho, who steals the show as Ki-taek, the father figure whose tough exterior masks a man grappling with his reality.

The Park family's portrayal is equally nuanced. Yeon-kyo, played by Jo Yeo-jeong, is not a mere caricature of the clueless wealthy housewife, but a woman navigating her privileged world with her insecurities. The enigmatic housekeeper Moon-gwang, portrayed by Lee Jung-eun, delivers a haunting performance, adding another layer of complexity to the narrative. Parasite takes a sharp turn midway, delivering a gut-punch that shakes you to your core. The movie's climax, set against a picturesque backdrop, descends into an unforgettable sequence of events. A beautifully orchestrated chaos that keeps you guessing, questioning the unfolding reality. The build-up to this climax, with the film's remarkable use of visual metaphors and sound, completely engulfs you in its atmospheric storytelling and the intricate emotional landscapes of its characters.

One of the things that made this movie so captivating for me was, even though the storyline is quite ominous, gloomy, and somewhat dark, I was completely drawn in from the beginning to the end. No other movie has ever given me such a rush of adrenaline. I believe that Bong Joon-ho achieved this by beautifully executing his filmmaking technique. As Bong wrote the script, he made mock-ups of the houses. After paying close attention, I noticed that there were front-facing windows in each house that mirrored the windows in the neighboring house. The poor family's window is small, and they can see a drunken man urinating. An expansive window was built for the rich family which faces a lovely garden. The poor family also lives underground while the rich family lives on a high hill. Bong used High and Low shots to engage the Kim family. We look up at the son as the tutor, and the perspective flips. It was Kyung-pyo's lighting, as well as Bong's framing and shooting style, that helped convey the tone of the film very effectively for me. A lack of sunshine intensified the contrast between the rich and poor which Kyung pyo played with as a way to draw attention to the differences between the rich and the poor. Most of the interior of the rich family's mansion is bathed in warm, natural light throughout the day. Only a small window lets sunlight into the poor family's basement.

One other thing that truly stayed with me long after Parasite ended was how it presented social disparity in an ingenious and haunting style. The film is brilliant in the way it holds up a mirror to society, forcing us to confront uncomfortable realities that we often ignore. Even though I believe movies that deal with such issues of classism and social injustice often don't convey a larger message for a better world, Parasite still stands out for its frank and accurate portrayal of the human condition.

Like an intricate piece of art, Parasite demands reflection and introspection. Its genius lies in its moral ambivalence, refraining from spoon-feeding answers, thereby compelling its viewers to question, analyze, and understand the complex layers of societal structures. Much like life, there isn't an absolute right or wrong, good or evil in Parasite; it’s a compelling reflection of the shades of grey we live in. Director Bong Joon-ho masterfully raises difficult questions about class division, survival, and the human condition but leaves the interpretations to the viewer.

Only and only because of my love for feel-good movies, I give this movie a score of 9.5/10 :)

[wkddudtlf]

나혼자산다 490회 다시 보기 490화 E490 (HD)

나혼자산다 490회 다시 보기 490화 E490 링크<<

나혼자산다 490회 다시 보기 490화 E490 (HD)

나혼자산다 490회 다시 보기 490화 E490 (HD)

나혼자산다 490회 다시 보기 490화 E490 (HD)

나혼자산다 490회 다시 보기 490화 E490 (HD)

나혼자산다 490회 다시 보기 490화 E490 (HD)

The first work after returning was the first ice hockey drama, Icing, but it was frustrated by being pushed by I Report, which aired at the same time. In the end, he succeeds나혼자산다 490회 다시 보기 490화 E490 (HD) in transforming his acting by acting not as a youth, but as a professional character. His representative work is the 1997 drama, Brothers of the Righteous Family.

He also ventured into films and filmed Resurrection of Losers with Kim Hee-seon in 1997 and Yeonpung Love Song with Ko So-young in 1998, but there was a problem with th나혼자산다 490회 다시 보기 490화 E490 (HD)e selection of works. While doing this, he receives real lessons about acting from Park Joong-hoon and Ahn Seong-ki. He says, "It was the most precious work of his acting career."

A friend who gave up his star consciousness and decided to appear in the next film was director Kwak Gyeong-taek's winning bid. He is not the lead role, but a supporting charact나혼자산다 490회 다시 보기 490화 E490 (HD)er, and plays a despicable gangster character who betrays his friend. At a time when the screen was still small, even though it was rated as prohibited for viewing by teenagers, it exceeded 8 million viewers, and even brought a retro craze to society, blooming the second act of his acting life.[6 ] After that, he appeared in a series of works with a stron나혼자산다 490회 다시 보기 490화 E490 (HD)g masculine color, solidifying his macho image and completely dispelling the controversy over his acting ability.

As he gains confidence in acting, he makes various attempts, such as appearing in the shoreline of Kim Ki-duk, a나혼자산다 490회 다시 보기 490화 E490 (HD)n auteurist director. Then, in the movie Taegeukgi, in which he and Won Bin were in charge of the visual duo, he became the main character of the second 10 million movie in Korean history, and became a top star with acting skills, box office success, looks and star qualities. After that, he became a member of the Hallyu Star Corps with Bae Yon나혼자산다 490회 다시 보기 490화 E490 (HD)g-joon and Lee Byung-hun, filmed a martial arts with Chinese master director Chen Kaige, and went to Hollywood to star in a western called Warrior's Way directed by Korean director Lee Seung-moo, but it didn't have much fun.

In 2011, he gave up his movie appearances for a while, and in 2012, after a long time, he relaxed and became a나혼자산다 490회 다시 보기 490화 E490 (HD) comical middle-aged man. After transforming, she appeared in the drama A Gentleman's Dignity, and in the beginning, she created buzzwords in the form of '~girl' and succeeded in box office success. In 2014, he appeared in Crying Man, a follow-up to Lee Jung-beom, who made the movie The Man in the Box. At the press conference, he made a gag, "Wouldn't it be like a crying man if you appeared나혼자산다 490회 다시 보기 490화 E490 (HD) with Won Bin in your next film?"[7] But coolly ruined. And the movie V.I.P, which appeared after a long time in 2017, also failed at the box office, creating an image as a soup actor. His acting ability originally had no major problems, and even though he continues to rise in that state, his work itself continues to fail, and there is a problem with his selection 나혼자산다 490회 다시 보기 490화 E490 (HD)of works. Even though his recent appearance, 7 Years Night, was criticized enough to question the quality of his directing, it is regrettable as a fan to see that Jang Dong-gun's acting and visuals have been well-received. Ultimately, this film also failed at the 나혼자산다 490회 다시 보기 490화 E490 (HD)box office.

[cinemgc]

Gisaengchung (2019, KR) 

 • Dirección: Bong Joon-ho

 • Guion: Bong Joon-ho, Han Jin-won

 • Fotografía: Hong Kyung-pyo

 • Cast: Choi Woo-shik, Song Kang-ho, Jang Hye-jin, Park So-dam

[mannytoodope]

[olivierdemangeon]

  Lee Joon-suk sort de prison, après avoir purgé une peine de 17 ans et il est bien décidé à reprendre sa place de patron du crime organisé. Pour se faire, il va solliciter l’aide de Lee Chul-joo, une jeune tête brûlée qu’il a connu en prison…

    “친구 2” (Chingu 2), ou “Friend: The Great Legacy” pour la distribution internationale, est un film d’action sud-coréen datant de 2013, co-écrit et dirigé par Kwak Kyung-taek, à qui l’on doit également “RV: Resurrected Victims” (2017). Les acteurs principaux sont Yu Oh-seong, qu’on a pu voir dans “Shoot Me in the Heart” (2015), Joo Jin-mo, qu’on a pu voir dans “A Frozen Flower” (2008), Kim Woo-bin, qu’on a pu voir dans “The Con Artists” (2014), Gi Ju-bong, qu’on a pu voir dans “The Battleship Island” (2017), et Jang Young-nam, qu’on a pu voir dans “Confidential Assignment” (2017). Il s’agit de la suite directe d’un hit au box-office en 2001, “Friend” du même réalisateur. Ce métrage est paru le 14 novembre 2013.

L’histoire proposée par “Friend: The Great Legacy” nous permet de retrouver Lee Joon-suk (Yoo Oh-sung), seul personnage rescapé du premier opus. Après avoir purgé sa peine de prison pour avoir commandité le meurtre de Dong-soo, qui fut jadis son ami. Il se retrouve dans un monde qui lui est moins familier que l’organisation criminelle qu’il dirigeait. Son ancien subalterne, Eun-ki (Jung Ho-bin) parade comme s’il était le patron, forçant Joon-suk à mettre une opération secrète en place afin de retrouver le contrôle du gang. Pour se faire, il invite Choi Sung-hoon (Kim Woo-bin), qu’il a rencontré en prison, et son gang à se joindre à lui, afin de reprendre le contrôle de Busan. Le plan se met progressivement en place, et Joon-suk retrouve son statut de leader, mais dans le même temps Sung-hoon va découvrir la vérité sur son propre passé, ce qui va créer une grande tension entre ses deux “amis”…

Le scénario concocté par Han Seung-woon et Kwak Kyung-taek, ce dernier endossant la double casquette de co-scénariste et de réalisateur, s’éloigne de l’esprit du premier film. Dans le premier opus, l’accent était mis sur deux points particuliers. L’amitié de longue date qui ne résiste pas au temps et aux orientations de vie, les choix qui viennent perturber les relations entre les personnes. Dans cette suite, le personnage principal est surtout préoccupé par le fait de retrouver sa place de leader du gang. Bien qu’il tente de créer un esprit de famille, propre à l’identité des gangs tels qu’il les a connus autrefois, la nouvelle génération est essentiellement motivée par l’argent. Dans la dernière partie du film, la vengeance devient l’élément central du récit. Personnellement, je n’ai pas tellement adhéré à cet aspect, car le personnage incarné par Kim Woo-bin s’émeut du triste sort qui fut jadis réservé à un père qu’il n’a pas connu, et qui, probablement n’a même jamais eu connaissance de son existence.

On a tendance à penser que les suites sont presque toujours moins bonnes que les originaux, à quelques exceptions prêtes. Malheureusement, “Friend: The Great Legacy” n’échappe pas à cette règle. L’émotion n’est pas au rendez-vous. En outre, dans le premier volet, la violence était progressive, et accompagnait l’évolution des personnages. Dans cette suite, la violence est nettement plus accrue, démontrant au passage qu’elle fait partie inhérente de la vie des gangs. Cette violence atteint son apogée dès lors que le récit bascule dans la notion de vengeance. En marge de cette violence, le spectateur ressortira probablement avec l’idée qu’il n’y a pas d’amitié possible lorsque l’on épouse la vie de gangster. Le rythme est un peu plus soutenu dans ce film par rapport au précédent. Toutefois, le récit est régulièrement coupé par des flashbacks mettant en scène les parents de principaux protagonistes, présentés dans des époques où ceux-ci installaient les bases de ce qui allait devenir les clans mafieux de Busan.

Les valeurs de productions pour ce “Friend: The Great Legacy” sont tout à fait correctes. La photographie confiée à Simon K. Park est plutôt classique, bien que multipliant les différents lieux de tournage, essentiellement dans, et autour de Busan ainsi que d’Ilsan. Les scènes d’action sont très bien chorégraphiées, les scènes de combat étant régies par Kim Yong-soo et Jung Sung-ho. La bande musicale, orchestrée par Jeong Jin-ho est tout aussi classique, et vient agréablement accompagner l’atmosphère qui s’avère être relativement tendue sur la majorité du métrage. Enfin, le montage, confié à Park Kwang-il, s’inscrit également dans une forme ordinaire, mais sachant tout de même garder le spectateur captivé durant les 124 minutes du film.

En conclusion, “Friend: The Great Legacy” est un bon film d’action, mais une suite sans grande dimension articulée sur une histoire simple, une intrigue cohérente et un développement faisant la part belle à une certaine violence. Le rythme est tempéré, le récit est fluide et la narration fait appel à quelques flashbacks dont on aurait pu se passer. La photographie, la bande originale et le montage sont classiques. La distribution offre de bonnes prestations, mais Joo Jin-mo et Kim Woo-bin sont quelque peu sous-exploités. L’ensemble est suffisant captivant pour faire de ce film un honorable divertissement.

      Retrouvez-nous sur notre groupe de discussion Facebook !

    FRIEND: THE GREAT LEGACY (2013) ★★★☆☆ Lee Joon-suk sort de prison, après avoir purgé une peine de 17 ans et il est bien décidé à reprendre sa place de patron du crime organisé.

[eliasfilmreviews]

Review of “Parasite” (2019)

*SPOILER ALERT* - This review contains spoilers about Parasite (2019).

The Kims, consisting of father and mother, Ki-taek (Song Kang-ho) and Chung Sook (Jang Hye-jin), and son and daughter, Ki-woo (Choi Woo-shik) and Ki-jung (Park So-dam), are a poor family, living in a basement apartment in a working-class area in Seoul. So when Ki-woo lands a job as an English tutor for the rich Park family’s daughter, Da-hye (Jung Ji-so), he pulls some strings and tells a few lies in order to get his fellow family members jobs working for the wealthy Parks. Soon, Ki-taek is the chauffeur of father, Dong-ik (Lee Sun-kyun), Ki-jung is the art therapist of son, Da-song (Jung Hyeon-jun), and Chung Sook is the housekeeper for mother, Yeon-gyo (Cho Yeo-jeong). But will greed come between these two interdependent families, or will their relationship be ended by the difference in class that divides them?

Parasite (2019) has overarching themes of class conflict and wealth, and these themes are prevalent throughout many aspects of the film. For example, the stark contrast between the poverty of the Kim family and the wealth of the Parks is visible through their respective homes. The Kims live in a tiny, basement apartment, with its few small windows placed at the street level of a busy commercial district in Seoul. At the beginning of the film, it is revealed that they take advantage of the free wi-fi offered by local businesses as their only source of internet and, since that signal can be so varied in quality, they must try using their phones in every corner of their home to try to get a strong connection.

Meanwhile, the Parks live in a massive, stylish and modern home—one filled with automatic fixtures, and the best and most expensive furniture around. Their home is one that people around the world could only dream of having. This stark contrast in the set design of the two families’ homes plays a massive role in the storytelling of this film; however, the characters are equally as important. For example, Ki-taek’s character further accentuates the themes of rich versus poor through his dilemma regarding the “poverty smell” that he simply cannot get rid of. Throughout the film, he is reminded by members of the Park family that he smells of poverty, and this is symbolic of how one might feel that they cannot escape their social status and class level. In this case, Mr. Kim’s anger regarding his inability to escape from his poor background drives him to insanity in the shocking climax of the film.

The film’s historical win at the 2019 Golden Globes could be justified merely by its frightening and unexpected climax. This sequence takes place at a birthday party, planned by the Parks, in which the man who has been hiding in the Park home’s secret basement, Geun-sae (Park Myung-hoon), reveals himself and goes on a shocking slaughter spree, stabbing everyone in sight. Not only is this scene unnerving and appalling, it is also deep with symbolism and underlying meaning. It further displays the desperation for wealth that he is experiencing and the lengths that one may go to for the sake of money.

 Park’s portrayal of Geun-sae was exactly what the film needed to lock in the emotion behind this explosive episode. As he emerges from the basement bunker, grabs the knife, and makes his way out to the backyard, it is clear that there is no fear, or emotion in general, in his eyes. There is absolutely no warmth or compassion in him, displaying that he has left behind his humanity in his desperation. The way Park stumbles through the halls of the home appears soulless, like he is but a shell of a human being. This character, with the help of Park’s incredible portrayal, is an extreme example of how far we will go for wealth and prosperity. 

Parasite is a shocking look into the lengths that we as humans will go to for the sake of monetary success and opulence. The contrast between the set design of the Kim and Park families’ respective homes works to effectively show the difference in lifestyles that the poor have from the rich. Meanwhile, Ki-taek’s character displays that it is difficult to escape the class and social status that one has been brought up in. Finally, the shocking climax featuring Park Myung-hoon’s portrayal of Geun-sae represents the loss of humanity that comes from desperation, and provides quite a large shock factor to an otherwise tame film. I would rate Parasite a 9/10, and recommend watching it if you are looking for a profound film that you will be thinking about for weeks after seeing it. 

[simulacrahelps]

In this masterlist you’ll find  First & Last names from the Netflix series Squidgame.

Like or reblog if you thought it was useful

First names(Actors)

A-In

Anupam

Byung-Hun

Byung-Joo

Byung-Taek

Choon-Gyu

Choong-Goo

Christian

Daniel

Don-Sun

Dong-Hyun

Dong-Jun

Dong-Won

Doo-Seok

Han-Sol

Hee-Seo

Ho-Yeon

Hye-Jin

Hyun-Jin

Hyun-Sook

Hyung-Soo

Ja-Hyoung

Jae-Kwon

Jae-Sup

Jeong-Heon

Ji-Ha

Ji-Hoon

Ji-Yeon

Ji-cheol

John

Joo-Ryung

Jung-Dae

Jung-Eon

Jung-Jun

Kye-Sun

Kyung-Min

Mal-Bok

Mal-Geum

Min-Che

Min-Sik

Pub-Lae

Sang-Hee

Seo-Ha

Seo-Hwan

Seo-Hyun

Seong-Ju

Seung-Hoon

Si-Wan

Si-Won

Sung-Gon

Sung-Tae

Tae-Jul

Woo-Hyuk

Yeon-Ung

Yeong-Geol

Yeong-Taek

Yoo

Yoo-Mi

Youn-Hee

Young-Kyun

Young-Ok

Young-Soo

Young-Soon

Young-Sun

Yun-Tae

First Names(Characters)

Ali

Byeong-Ki

Cheol

Ga-Yeong

Gi-Hun

Il-Nam

Ji-Yeong

Jin-Woo

Ju-Un

Jun-Ho

Mi-Ok

Min-Tae

Sang-Hun

Sang-Hyuk

Sang-Woo

Sun-Young

Yeong-Uk

Yun-Ho

Last Names(Actors& Characters)

Abdul

Cho

Choi

Gong

Ha

Han

Heo

Hwang

Jang

Jo

Jun

Jung

Kang

Kennedy

Kim

Ko

Kwak

Lagahit

Lee

Michaels

Min

Moon

No

Oh

Park

Pyo

Seong

So

Son

Song

Tripathi

Wie

Won

Woo

Yang

Yoon

[goalhofer]

2020 Olympics South Korea Roster

Archery

Je-Deok Kim (Gyeongbuk)

Woojin Kim (Iwon)

Jin-Hyek Oh (Incheon)

San Ahn (Pyeongchang)

Min-Hee Jang (Seoul)

Chae-Young Kang (Gwangju)

Athletics

Wilson Erupe (Lodwar, Kenya)

Jong-Seop Sim (Seoul)

Byeong-Gwang Choi (Hwaseong)

Sang-Hyeok Woo (Seoul)

Min-Sub Jin (Busan)

Seulgi An (Seoul)

Kyung-Sun Choi (Seoul)

Badminton

Kwang-Hee Heo (Seoul)

Sol-Gyu Choi (Seoul)

Seung-Jae Seo (Buan)

Se-Young An (Gwangju)

Ga-Eun Kim (Gyeonggi-Do)

So-Yeong Kim (Incheon)

Hee-Yong Kong (Jincheon)

So-Hee Lee (Ulsan)

Seung-Chan Shin (Gochang-Gun)

Yoo-Jung Chae (Suwon)

Baseball

Won-Joon Choi (Seoul)

Woo-Suk Ko (Ganghwa-Gun)

Min-Woo Kim (Seoul)

Eui-Lee Lee (Gwangju)

Tae-In Won (Daegu)

Woo-Chan Cha (Gunsan)

Sang-Woo Cho (Uijeongbu)

Seung-Hwan Oh (Jeongeup)

Young-Pyo Ko (Gwangju)

Se-Woong Park (Daegu)

Jin-Uk Kim (Suwon)

Min-Ho Kang (Pohang)

Eui-Ji Yang (Gwangju)

Joo-Hwan Choi (Gwangju)

Kyoung-Min Hur (Gwangju)

Jae-Gyun Hwang (Seoul)

Baek-Ho Kang (Incheon)

Hye-Seong Kim (Seoul)

Jae-Il Oh (Guri)

Ji-Hwan Oh (Gunsan)

Hyun-Soo Kim (Seoul)

Jung-Hoo Lee (Gwangju)

Hae-Min Park (Seoul)

Kun-Woo Park (Seoul)

Basketball

Ji-Hyeon Sin (Seoul)

Lee-Seul Kang (Sacheon)

Ye-Bin Yoon (Boryeong)

Hye-Ji Ahn (Busan)

Hye-Jin Park (Busan)

Ji-Hyun Park (Seongnam)

Dan-Bi Kim (Bupyeong-Gu)

Hye-Yoon Bae (Seoul)

Jung-Eun Kim (Cheonan)

Min-Jeong Kim (Seoul)

Ji-Su Park (Seongnam)

Han-Byul Kim (Sacheon)

Boxing

Aeji Im (Hwasun-Gun)

Yeon-Ji Oh (Incheon)

Cycling

Ah-Reum Na (Naju)

Hye-Jin Lee (Geonggi)

Diving

Yeong-Nam Kim (Seoul)

Yeong-Taek Kim (Seoul)

Ha-Ram Woo (Busan)

Halim Kwon (Seoul)

Su-Ji Kim (Seoul)

Equestrian

Dong-Seon Kim (Seoul)

Fencing

Young-Jim Kweon (Iksan)

Segeon Ma (Seoul)

Sang-Young Park (Jinju)

Kwanghyun Lee (Seoul)

Bon-Gil Gu (Daegu)

Jung-Hwan Kim (Seoul)

Sang-Uk Oh (Daejeon)

Se-Ra Song (Seoul)

In-Jeong Choi (Geumsan)

Young-Mi Ko (Gwangju)

Hee-Sook Jeon (Seoul)

Soo-Yeon Choi (Ansan)

Ji-Yeon Kim (Busan)

Ji-Su Yoon (Busan)

Soccer

Bum-Keun Song (Seongnam)

You-Hyeon Lee (Gwangyang)

Jae-Woo Kim (Seoul)

Ji-Soo Park (Myungyeong)

Tae-Wook Jeong (Jeju)

Seung-Won Jeong (Jeonju)

Chang-Hoon Kwan (Seoul)

Kang-In Lee (Incheon)

Min-Kyu Song (Chungju)

Dong-Gyeong Lee (Seoul)

Dong-Jun Lee (Busan)

Young-Woo Seol (Ulsan)

Jin-Ya Kim (Daegun)

Dong-Hyun Kim (Seoul)

Du-Jae Won (Seoul)

Ui-Jo Hwang (Seongnam)

Won-Sang Um (Gwangju)

Joon-Soo Ahn (Uijeongbu)

Yoon-Sung Kang (Daegu)

Sang-Min Lee (Busan)

Changi An (Seoul)

Jin-Kyu Kim (Pohang)

Golf

Sung-Jae Im (Jeju Seom)

Si-Woo Kim (Seoul)

Jin-Young Ko (Seoul)

Park Inbee (Seoul)

Sei-Young Kim (Seoul)

Hyo-Joo Kim (Seoul)

Gymnastics

Jun-Ho Lee (Seoul)

Han-Sol Kim (Seoul)

Sung-Hyun Ryu (Seoul)

Hak-Seon Yang (Gwangju)

Jae-Hwan Shin (Jecheon)

Yun-Seo Lee (Seoul)

Seo-Jeong Yeo (Yongin-Si)

Handball

Yu-Ra Yung (Seoul)

Jun-Hui Jeong (Tongyeong)

Yun-Ji Kim (Seoul)

Kyun-Ming Kang (Seoul)

Hui Ju (Seoul)

Seon-Pil Won (Jeongseon)

Eun-Hee Ryu (Incheon)

Su-Min Choi (Seoul)

Hae-In Sim (Seoul)

Eun-Hye Kang (Seoul)

Ha-Rang Jo (Gwangju)

Mi-Gyeong Lee (Seoul)

Jin-Yi Kim (Taebaek)

Ji-In Jung (Busan)

Karate

Heejun Park (Busan)

Judo

Won-Jin Kim (Seoul)

Baul An (Anyang)

Shōrin An (Seoul)

Dong-Han Gwak (Pohang)

Gu-Ham Jo (Gangwon)

Min-Jong Kim (Seoul)

Yu-Jeong Kang (Yeosu)

Da-Sol Park (Seoul)

Ji-Su Kim (Seoul)

Hee-Ju Han (Seoul)

Seong-Yeon Kim (Gwangju)

Hyun-Ji Yoon (Seoul)

Mi-Jin Han (Seoul)

Pentathlon

Ung-Tae Jeon (Seoul)

Jin-Hwa Jun (Ulsan)

Se-Hee Kim (Seoul)

Sun-Woo Kim (Gyeonggi)

Rowing

Hye-Jung Jung (Seoul)

Rugby

Chang Yong (Seoul)

Jeong-Min Jang (Seoul)

Yon-Sik Jeong (Incheon)

Hyun Kim (Seoul)

Kun-Kyu Han (Seoul)

Nam Kim (Seoul)

Seong Lee (Seoul)

Won Park (Seoul)

Jin Lee (Seoul)

Andre Coquillard (Seoul)

Seong-Min Jang (Seoul)

Seong Choi (Seoul)

Gwong-Min Kim (Seoul)

Shooting

Dae-Yoon Han (Seoul)

Mo-Se Kim (Seoul)

Sang-Do Kim (Seoul)

Jong-Jun Lee (Seoul)

Jong-Oh Jin (Chuncheon)

Tae-Yun Nam (Seoul)

Jong-Ho Song (Seoul)

Eun-Young Cho (Seoul)

Ga-Eun Choo (Seoul)

Eun-Ji Kwon (Seoul)

Hee-Moon Park (Seoul)

Bo-Mi Kim (Seoul)

Min-Ji Kim (Ansan)

Min-Jung Kim (Seoul)

Climbing

Jongwon Chon (Seoul)

Chae-Hyun Seo (Seoul)

Swimming

Sungjae Cho (Seoul)

Seungwoo Moon (Seoul)

Yoo-Yeon Lee (Seoul)

Woo-Min Kim (Seoul)

Sun-Woo Hwang (Suwon)

Ju-Ho Lee (Asan)

Ho-Joon Lee (Gwangju)

Eunji Lee (Seoul)

Hyun-Young Jung (Seoul)

Da-Kyung Han (Gwangju)

Seo-Yeong Kim (Gyeonggi-Do)

Se-Hyeon An (Seoul)

Table Tennis

Woo-Jin Jang (Daejeon)

Young-Sik Jeoung (Seoul)

Sangsu Lee (Busan)

Ji-Hui Jeon (Seoul)

Yubin Shin (Seoul)

Hyo-Ju Choi (Busan)

Taekwondo

Jun Jang (Seoul)

Dae-Hoon Lee (Seoul)

Kyo-Don In (Incheon)

Jae-Young Sim (Seoul)

Ah-Reum Lee (Seoul)

Da-Bin Lee (Incheon)

Tennis

Soon-Woo Kwon (Sangju)

Volleyball

Eun-Jin Park (Seoul)

So-Young Lee (Asan)

Hye-Seon Yeom (Mokpo)

Hui-Jin Kim (Busan)

Hye-Jin An (Seoul)

Ji-Young Oh (Daegu)

Yeon-Gyeong Kim (Ansan)

Su-Ji Kim (Ansan)

Jeong-Ah Park (Seoul)

Hyo-Jin Yang (Busan)

Ji-Yun Jeong (Seoul)

Seung-Ju Pyo (Ulsan)

Weightlifting

Meong-Mok Han (Changwon)

Dong-Ju Yu (Jinan-Gun)

Yun-Seong Jin (Goyang)

Eunji Ham (Wonju)

Seon-Mi Lee (Gyeongsan)

Su-Hyeon Kim (Seoul)

Yeoun-Hee Kang (Seoul)

Wrestling

Han-Su Ryu (Busan)

Min-Seok Kim (Busan)

[luisfelipegonzalezlatorre]

Parásitos

Título: Parásitos Título original: Gisaengchung (Parasite)

Reparto:

Song Kang-ho (Kim Ki-taek)

Lee Seon-gyun (Park Dong-ik)

Jang Hye-jin (Kim Chung-sook)

Cho Yeo-jeong (Park Yeon-kyo)

Choi Woo-sik (Kim Ki-woo)

Park So-dam (Kim Ki-jung)

Año: 2019 Duración: 132 min. País: Corea del Sur Director: Bong Joon-ho Guión: Kim Dae-hwan, Bong Joon-ho, Jin Won Han Fotografía: Kyung-Pyo Hong Música: Jaeil Jung Género: Drama. Comedia

Parásitos ganó la Palma de Oro en el Festival de Cine de Cannes de 2019. Fue la primera película de Corea del Sur en hacerlo, así como la primera película en ganar con un voto unánime desde que ganó La vida de Adèle en la edición del Festival en 2013. En la 77a edición de los Premios Globo de oro, la película fue nominada para tres premios, incluyendo Mejor director y Mejor guion, y ganó la Mejor película extranjera, convirtiéndose en la primera película coreana en lograr esa hazaña. 

Esta película dirigida por Bong Joon-ho trata de la familia Kim que lucha día a día para poder mantenerse, al no contar el cabeza de familia, Ki-taek, ni ninguno de sus otros miembros, con un trabajo. Todo cambia para ellos cuando conocen a los Park, por medio de un amigo de Ki-woo, se trata una familia adinerada de quienes sacarán provecho los Kim ya que Ki-woo es recomendado para dar clases de inglés y consigue el trabajo.

Pero no se queda ahí, ya que con el tiempo los Kim hacen echar a los demás trabajadores de la lujosa familia, con el fin de quedarse con sus empleos. Esto formará una relación simbiótica en la que los Kim ofrecerán a los Park los servicios sin los que no son capaces de vivir, mientras que los Parks permitirán que los Kim puedan mantenerse económicamente. 

Todo iba bien, Ki-taek (padre Kim) trabaja de chofer para el señor Park, Chung-sook (madre Kim) trabaja de ama de llaves, Ki-woo continuaba dando clases de inglés a Da-hye la hija de los Park, con quien tiempo después entablaría una relación, por último, Ki-jeong trabaja como terapeuta de arte, ya que supuestamente el hijo de los Park Da-song, tiene esquizofrenia, y Ki-jeong puede curarlo con sus “terapias de arte”.

Un día los Park deciden irse de viaje por el cumpleaños de Da-Song, los Kim disfrutan la mansión con todos sus lujos. Esa noche, Moon-gwang (la antigua ama de llaves) regresa, a pedir el favor que se le deje entrar por solo un momento, con la excusa que se le había quedado algo, la familia Kim se escondió excepto Chung-sook que iba a atender a Moon-gwang, lo que ella menos esperaba, era encontrarse un sótano secreto en la casa, y dentro hallar a el marido de Moon-gwang en condiciones precarias.

Moon-gwang se entera que el esposo de Chung-sook, Geun-sae ha vivido allí durante años, ya que él debe mucho a unas personas muy peligrosas y le da miedo salir porque lo pueden llegar a matar, La señora Moon decide proponerle a Chung-sook que le iba a pagar para que ella alimente a su esposo, y mantenga el secreto, a lo que ella se niega y amenaza con llamar la policía, el resto de la familia kim escuchaba desde las escaleras, pero por desgracia se resbala uno de ellos.

Eso los dejo en evidencia ya que Ki-woo dice: ¡papá, mi brazo!, la peor parte es que Chung-sook estaba grabando con su celular, y los amenazó con enviarle el video a los Park. De un momento a otro todos se pelean por el dispositivo móvil, la ama de llaves recibió una llamada de los Park, diciendo que las fuertes lluvias arruinaron el viaje, y que se encuentran a pocos minutos de la casa, los Kim ganan la pelea y meten a Chung-sook y Geun-sae en el sótano secreto.

Pero ellos tenían otro problema, pues los Park, ya casi llegaban y su casa estaba muy desordenada y sucia, metieron toda la basura bajo los muebles, y limpiaron lo que pudieron, pero eso no les dio tiempo, los Park ya estaban llamando a la puerta, lo que los obliga a esconderse bajo la mesa de la sala de estar. Para su desgracia el hijo de los Park decide acampar afuera y los padres deciden dormir en la sala, para estar pendiente de su hijo.

Pasado un tiempo los Kim salen de la casa con mucha precaución, se dirigen a su pobre casa, pero la encuentran inundada por las fuertes lluvias, lo que los obliga a dormir en un lugar público.

Al día siguiente los Park organizan una fiesta de cumpleaños para su hijo Da-Song, e invitan a los trabajadores, en medio de la fiesta Ki-woo decide ir a el sótano secreto, y ve a Chung-sook sangrando tirada en el suelo, el la iba a ver mejor, pero Geun-sae lo ataca por la espalda, Ki-woo logra escapar, pero Geun-sae se va detrás de él y lo noquea con una piedra, luego coge un cuchillo de la cocina y va al patio donde están todos reunidos, sin pensarlo apuñala a Ki-jeong (la hija de los Kim), Da-song al ver tan sangrienta escena se desmaya.

Ki-taek corre rápidamente a ayudar a su hija, el Sr. Park le ordena a su chofer que lleve a Da-song al hospital. Ki-taek le intenta lanzar las llaves del carro, pero no llegan a su destino, gracias a la pelea de muerte entre Chung-sook y Geun-sae.

Chung-sook mata a Geun-sae, el Sr. Park recupera las llaves, mira mal a Ki-taek, y no le brinda ninguna ayuda a Ki-jeong que está agonizando. Ki-taek, sin pensarlo, recoge el cuchillo y se lo clava en la espalda a su jefe el Sr. Park.

Ki-woo (al que lo habían noqueado) despierta en un hospital y no podía parar de reírse, tal vez era por el golpe, Ki-woo y Chung-sook quedan libres, pero los mantenían en vigilancia, por si sabían del paradero de Ki-taek, que es acusado de asesinar a su jefe, y no aparece en ningún lado. Ki-jeong muere a causa de la herida. Cuando ya todo estaba calmado, Ki-woo observa desde la montaña a tan lujosa casa que solía ser de los Park, y se detalla que un de las bombillas alumbra de forma intermitente, el de inmediato supo que se trataba de código morse, y entendió que su padre estaba en el sótano secreto, porque desde allí podía controlar las luces como quiera, Ki-woo escribió una carta proponiéndose un plan a si mismo, decía que quería estudiar en la universidad, y que haría todo lo que este a su alcance, para algún día comprar esa casa y vivir con su familia en la particular casa. Ki-taek vivía en el sótano y por las noches salía a robar comida para poder sobrevivir.

¿Quién es en realidad el que merecería el calificativo de parásito social? ¿Esa familia que sobrevive a duras penas en medio de la penuria, aprovechándose de la credulidad de otros más afortunados de otros mas afortunados?¿O el empresario que gana dinero a espuertas, manteniendo a su mujer y a sus hijos en un limbo completamente ajeno al mundo real? Un personaje que, además, desprecia cuanto queda fuera de su burbuja, hasta el punto de que le huele mal.Respondiendo a la anterior pregunta, me parece que los dos tienen algo de parásito, pero mayormente los ricos, porque como explico mas adelante, los pobres luchan por sobrevivir, y los ricos se creen superiores a los demás. 

Esta película se merece los premios que se a ganado, ya que cuenta con una historia interesante, tiene sus momentos de suspenso, y de acción, además muestra dos mundos totalmente diferentes, los Kim luchando por sobrevivir, viviendo en condiciones indeseables, y los Park que lo tienen todo y no se preocupan por el dinero, estas son dos realidades que podemos encontrar a lo largo del mundo, tristemente es más común la pobre. Esta película nos quiere dar un mensaje, y es que debemos acabar con las clases sociales, los ricos deben dejar la envidia, avaricia, y el hecho de sentirse superior al otro solo por tener más comodidades de vida, y los pobres me parece que hacen lo necesario para sobrevivir, como cualquier ser humano, sin embargo las personas necesitadas no tienen derecho a abusar de la confianza de su jefes, por ejemplo, me parece horrible que los Kim hayan usado la casa de los Park como si fuese de ellos, cuando sus jefes no están en ella. 

Me encanto el trama de la película, y es de felicitar a los actores, directores, guionistas...por tan maravilloso trabajo. Respecto al final de la película, me parece que es un claro ejemplo de que todos somos iguales, y que por mucho dinero que tengas no eres superior a nadie, otro ejemplo de que todos somos iguales, es la relación entre Da-hye y Ki-woo, porque los dos sienten lo mismo, el amor, y no les importa la clase social o el dinero. A mi parecer es de admirar a todas las personas que luchan y trabajan duro para salir adelante, porque son personas que no les ha tocado una vida fácil, mientras que un niño que nace de padres ricos, ya va a tener la vida resuelta.

Para concluir, la película “Parásitos” es recomendable para ver, pero no se la recomiendo a los niños, primero porque está subtitulada en español y segundo, un niño no entiende, ni le preocupa, los problemas que tiene la humanidad. Tiene un final que nadie se lo espera, estoy seguro que esa conmovedora historia te va a hacer reflexionar acerca de como los humanos nos organizamos según las cosas sin importancia como lo es el dinero, también vas a agradecer las cosas que tienes, que tal vez para ti ni tienen importancia alguna.

Luis Felipe Gonzalez Latorre 

Lengua castellana - 1004

[jdiazblv]

PARÁSITOS

Parásitos (2019)

Sinopsis

Tanto Gi Taek (Song Kang-ho) como su familia están sin trabajo. Cuando su hijo mayor, Gi Woo (Choi Woo-sik), empieza a dar clases particulares en casa de Park (Lee Seon-gyun), las dos familias, que tienen mucho en común pese a pertenecer a dos mundos totalmente distintos, comienzan una interrelación de resultados imprevisibles. (FILMAFFINITY)

Dirección:

-Bong Joon-ho

Reparto:

-Song Kang-ho

-Lee Seon-gyun

-Jang Hye-jin

-Cho Yeo-jeong

-Choi Woo-sik

-Park So-dam

-Park Seo-joon

-Lee Jeong-eun

-Park Keun-rok

-Hyun Seung-Min

-Andreas Fronk

-Park Meong-hoon

-Jung Hyun-jun

-Ji-hye Lee

-Joo-hyung Lee

-Jeong Esuz

-Ik-han Jung

-Seong-Bong Ahn

-Dong-yong Lee

-Hyo-shin Pak

original:Gisaengchung

Duración:132 min.

Estreno:1 de junio de 2020

Guion:Bong Joon-ho, Jin Won Han

Música:

-Jaeil Jung

-Kyung-Pyo Hong

Fotografía

Productora

Barunson, CJ Entertainment, TMS Comics, Tokyo Movie Shinsha (TMS), CJ E&M Film Financing & Investment Entertainment & Comics

Género:

Intriga, Comedia, Drama, Thriller , Comedia negra, Drama, Familia.

Recaudó 128 millones de dólares en todo el mundo, convirtiéndose en el lanzamiento de mayor recaudación y la decimonovena película de mayor recaudación en Corea del Sur.

La película se estrenó el 21 de mayo de 2019 en el Festival de Cannes, donde se convirtió en la primera película de Corea del Sur que obtiene la Palma de Oro y la primera en hacerlo con el voto unánime del jurado desde 2013 en que ganó La vida de Adèle.

Al abrirnos los ojos y hacernos reflexionar, Bong Joon-ho nos hace entender lo dificil que es la vida sin importar que tan alto o bajo estemos. La pelicula nos enseña a valorar lo que tenemos y agradecer por lo que tenemos.

Nos muestra el punto de vista de una familia que de no tenerlo todo pasa a ser feliz por un pequeño momento con cosas que no son de su pertenencia.Y hay es donde viene el dicho que si haces millonario a un pobre, al final seguirá siendo pobre por que se gastaria el dinero.Cambio si haces millonario a una persona con ideas millonarias se hara mas millonario ya que sabra duplicar el dinero.

Por el punto de vista de la familia que lo tiene casi todo, el tener dinero no te hace superior que otros, ya que al fin y al cabo todos somos personas y no hay razon para discriminar a los que no tienen lo que tu tienes.A medida de que la pelicula avanza nos damos cuenta de ello.

La pelicula no es apta para los niños que no sepa el idioma de ella, ya que contiene escenas "fuertes" y solo esta subtitulada al español ya que su idioma es coreano.

“La mejor recompensa de convertirte en millonario no es la cantidad de dinero que ganes. Es la clase de persona en la que te tienes que convertir para llegar a serlo” Jim Rohn.

La película nos ubica desde el punto de vista de la familia de Ki-woo (Choi Woo-shik), un joven bastante inteligente y capaz que vive con sus padres Kim Ki-taek (Song Kang-ho) y Choong-sook (Jang Hye-jin), y su hermana Ki-jeong (Park So-Dam). Son una familia que vive en una situación precaria y a base de trabajos temporales hasta que un día un amigo de Ki-woo lo recomienda para ser el nuevo tutor de inglés de la hija de una familia rica, los Park. De esa forma, tras un par de falsificaciones de documentos, nuestro protagonista consigue el trabajo y se le ocurre la brillante idea de infiltrar al resto de su familia dentro de la casa como trabajadores profesionales a cargo de los Park. A partir de ahí, irán ingeniando un plan para crear los puestos de trabajo necesarios para vivir cómodamente a expensas de la familia, pero se encontrarán con un par de sorpresas que pondrán a todos en riesgo y darán un giro brusco de las circunstancias.