#Jailer cast salaries

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Jailer Movie Cast: Salaries Revealed!

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Jailer Cast Salary, Pre Release Business And Budget | Rajinikanth, Mohan...

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The Mysterious Death of a Hollywood Director

This is the tale of a very famous Hollywood mogul and a not-so-famous movie director. In May of 1933 they embarked together on a hunting trip to Canada, but only one of them came back alive. It’s an unusual tale with an uncertain ending, and to the best of my knowledge it’s never been told before.

I. The Mogul

When we consider the factors that enabled the Hollywood studio system to work as well as it did during its peak years, circa 1920 to 1950, we begin with the moguls, those larger-than-life studio chieftains who were the true stars on their respective lots. They were tough, shrewd, vital, and hard working men. Most were Jewish, first- or second-generation immigrants from Europe or Russia; physically on the small side but nonetheless formidable and – no small thing – adaptable. Despite constant evolution in popular culture, technology, and political and economic conditions in their industry and the outside world, most of the moguls who made their way to the top during the silent era held onto their power and wielded it for decades. Their names are still familiar: Zukor, Goldwyn, Mayer, Jack Warner and his brothers, and a few more. And of course, Darryl F. Zanuck. In many ways Zanuck personified the common image of the Hollywood mogul. He was an energetic, cigar-chewing, polo mallet-swinging bantam of a man, largely self-educated, with a keen aptitude for screen storytelling and a well-honed sense of what the public wanted to see. Like Charlie Chaplin he was widely assumed to be Jewish, and also like Chaplin he was not, but in every other respect Zanuck was the very embodiment of the dynamic, supremely confident Hollywood showman.

In the mid-1920s he got a job as a screenwriter at Warner Brothers, at a time when that studio was still something of a podunk operation. The young man succeeded on a grand scale, and was head of production before he was 30 years old. Ironically, the classic Warners house style, i.e. clipped, topical, and earthy, often dark and sometimes grimly funny, as in such iconic films as The Public Enemy, I Am a Fugitive from a Chain Gang, and 42nd Street, was established not by Jack, Harry, Sam, or Albert Warner, but by Darryl Zanuck, who was the driving force behind those hits and many others from the crucial early talkie period. He played a key role in launching the gangster cycle and a new wave of sassy show biz musicals. At some point during 1932-33, however, Zanuck realized he would never rise above his status as Jack Warner’s right-hand man and run the studio, no matter how successful his projects proved to be, because of two insurmountable obstacles: 1) his name was not Warner, and 2) he was a Gentile. Therefore, in order to achieve complete autonomy, Zanuck concluded that he would have to start his own company.

In mid-April of 1933 he picked a public fight with Jack Warner over a staff salary issue, then abruptly resigned. Next, he turned his attention to setting up a company in partnership with veteran producer Joseph Schenck, who was able to raise sufficient funds to launch the new concern. And then, Zanuck invited several associates from Warner Brothers to accompany him on an extended hunting trip in Canada.

Going into the wilderness and killing wild game, a pastime many Americans still regard as a routine, unremarkable form of recreation, is also of course a conspicuous show of machismo. But in this realm, as with his legendary libido, Zanuck was in a class by himself. He had been an enthusiastic hunter most of his life, dating back to his boyhood in Nebraska. Once he became a big wheel at Warners in the late ’20s he took to organizing high-style duck-hunting expeditions: the young executive and his fellow sportsmen would travel to the appointed location in private railroad cars, staffed by uniformed servants. Heavy drinking on these occasions was not uncommon. (Inevitably, film buffs will recall The Ale & Quail Club from Preston Sturges’ classic comedy The Palm Beach Story, but DFZ and his pals were not cute old character actors, and their bullets were quite real.) Members of Zanuck’s studio entourage were given to understand that participation in these outings was de rigueur if they valued their positions, and expected desirable assignments in the future. Director Michael Curtiz, who had no fondness for hunting, remembered the trips with distaste, and recalled that on one occasion he was nearly shot by a casting director who had no idea how to properly handle a gun.

But ducks were just the beginning. In 1927 Zanuck took his wife Virginia on an African safari. In Kenya Darryl bagged a rhinoceros and posed for a photo with his wife, crouched beside the rhino’s carcass. Virginia, an erstwhile Mack Sennett bathing beauty and former leading lady to Buster Keaton, appears shaken. Her husband looks exhilarated. During this safari Zanuck also killed an elephant. He kept the animal’s four feet in his office on the Warners lot, and used them as ashtrays. If any animal lover dared to express dismay, the Hollywood sportsman would retort: “It was him or me, wasn’t it?” Zanuck made several forays to Canada with his coterie in this period, gunning for grizzly bears. Director William “Wild Bill” Wellman, who was more of an outdoorsman than Curtiz, once went along, but soon became irritated with Zanuck’s bullying. The two men got into a drunken fistfight the night before the hunting had even begun. In the course of the ensuing trip the hunting party was snowbound for three days; Zanuck sprained his ankle while trailing a grizzly; the horse carrying medical supplies vanished; and Wellman got food poisoning. “It was the damnedest trip I’ve ever seen,” the director said later, “but Zanuck loved it.”

Now that Zanuck had severed his ties with the Warner clan and was on the verge of a new professional adventure, a trip to Canada with a few trusted associates would be just the ticket. This time the destination would be a hunting ground on the banks of the Canoe River, a tributary of the Columbia River, 102 miles north of Revelstoke, British Columbia, a city about 400 miles east of Vancouver. There, in a remote scenic area far from any paved roads, telephones, or other niceties of modern life, the men could discuss Zanuck’s new production company and, presumably, their own potential roles in it. Present on the expedition were screenwriter Sam Engel, director Ray Enright, 42nd Street director Lloyd Bacon, producer (and former silent film comedian) Raymond Griffith, and director John G. Adolfi, best known at the time for his work with English actor George Arliss. Adolfi, who was around 50 years old and seemingly in good health, would not return.

II. The Director

Even dedicated film buffs may draw a blank when the name John Adolfi is mentioned. Although he directed more than eighty films over a twenty-year period beginning in 1913, most of those films are now lost. He worked in every genre, with top stars, and made a successful transition from silent cinema to talkies. He seems to have been a well-respected but self-effacing man, seldom profiled in the press. 

According to his tombstone Adolfi was born in New York City in 1881, but the exact date of his birth is one of several mysteries about his life. His father, Gustav Adolfi, was a popular stage comedian and singer who emigrated to the U.S. from Germany in 1879. Gustav performed primarily in New York and Philadelphia, and was known for such roles as Frosch the Jailer in Strauss’ Die Fledermaus. But he was a troubled man, said to be a compulsive gambler, and after his wife Jennie died (possibly of scarlet fever) it appears his life fell apart. Gustav’s singing voice gave out, and then he died suddenly in Philadelphia in October 1890, leaving John and his siblings orphaned. (An obituary in the Philadelphia Jewish Exponent reported that Gustav suffered a stroke, but family legend suggests he may have committed suicide.) After a difficult period John followed in his father’s footsteps and launched a stage career, and was soon working opposite such luminaries of the day as Ethel Barrymore and Dustin Farnum. Early in the new century the young actor wed Pennsylvania native Florence Crawford; the marriage would last until his death.

When the cinema was still in its infancy stage performers tended to regard movie work as slumming, but for whatever reason John Adolfi took the plunge. He made his debut before the cameras around 1907, probably at the Vitagraph Studio in Brooklyn. There he appeared as Tybalt in J. Stuart Blackton’s 1908 Romeo and Juliet , with Paul Panzer and Florence Lawrence in the title roles. He worked at the Edison Studio for director Edwin S. Porter, and at Biograph in a 1908 short called The Kentuckian which also featured two other stage veterans, D.W. Griffith and Mack Sennett. Most of Adolfi’s work as a screen actor was for the Éclair Studio in Fort Lee, New Jersey, the first film capital. The bulk of this company’s output was destroyed in a vault fire, but a 1912 adaptation of Robin Hood in which Adolfi appeared survives. That same year he also appeared in a famous docu-drama, as we would call it, Saved from the Titanic. This ten-minute short premiered less than a month after the Titanic disaster, and featured actress Dorothy Gibson, who actually survived the voyage, re-enacting her experience while wearing the same clothes she wore in the lifeboat. (This film, unfortunately, is among the missing.) After appearing in dozens of movies Adolfi moved behind the camera.

Much of his early work as a director was for a Los Angeles-based studio called Majestic, where he made crime dramas, Westerns, and comedies, films with titles like Texas Bill’s Last Ride and The Stolen Radium. In 1914 the company had a new supervisor: D. W. Griffith, now the top director in the business, who had just departed Biograph. Adolfi was one of the few Majestic staff directors who kept his job under the new regime. A profile in the February 1915 issue of Photoplay describes him as “a tallish, good-looking man, well-knit and vigorous, dark-haired and determined; his mouth and chin suggest that their owner expects (and intends) to have his own way unless he is convinced that the other fellow’s is better.” It was also reported that Adolfi had developed something of a following as an actor, but that he dropped out of the public eye when he became a director. Presumably, that’s what he wanted.

Adolfi left Majestic after three years, worked at Fox Films for a time as a staff director, then freelanced. During the remainder of the silent era he guided some of the screen’s legendary leading ladies: Annette Kellerman (Queen of the Sea, 1918), Marion Davies (The Burden of Proof, 1918), Mae Marsh (The Little ‘Fraid Lady, 1920), Betty Blythe (The Darling of the Rich, 1922), and Clara Bow (The Scarlet West, 1925). Not one of these films survives. A profile published in the New York World-Telegram during his stint at Fox reported that Adolfi was well-liked by his employees. He was “reticent when the conversation turned toward himself, but frank and outspoken when it concerned his work. Mr. Adolfi is not only a director who is skilled in the technique of his craft; he is also a deep student of human nature.” Asked how he felt about the cinema’s potential, he replied, with unconscious irony, “it is bound to live forever.”

III. The Talkies

In spring of 1927 Adolfi was offered a job at Warner Brothers. His debut feature for the studio What Happened to Father? (now lost) was a success, or enough of one anyway to secure him a professional foothold, and he worked primarily at WB thereafter. Thus he was fortuitously well-positioned for the talkie revolution, for although talking pictures were not invented at the studio it was Sam Warner and his brothers, more than anyone else, who sold an initially skeptical public on the new medium. After Adolfi had proven himself with three talkie features Darryl Zanuck handed him an expensive, prestige assignment, a lavish all-star revue entitled The Show of Shows which featured every Warners star from John Barrymore to Rin-Tin-Tin.

Other important assignments followed. In March of 1930 a crime melodrama called Penny Arcade opened on Broadway. It was not a success, but when Al Jolson saw it he sensed that the story had screen potential. He purchased the film rights at a bargain rate and then re-sold the property to his home studio, Warner Brothers. Adolfi was chosen to direct, but was doubtless surprised to learn that Jolson had insisted that two of the actors from the Broadway production repeat their performances before the cameras. One of the pair, Joan Blondell, had already appeared in three Vitaphone shorts to good effect, but the other, James Cagney, had never acted in a movie. Any doubts about Jolson’s instincts were quickly dispelled. Rushes of the first scenes featuring the newcomers so impressed studio brass that both were signed to five-year contracts. While Adolfi can’t be credited with discovering the duo, the film itself, re-christened Sinners’ Holiday,remains his strongest surviving claim to fame: he guided Jimmy Cagney’s screen debut.

At this point the director formed a professional relationship that would shape the rest of his career. George Arliss was a veteran stage actor who went into the movies and unexpectedly became a top box office draw. He was, frankly, an unlikely candidate for screen stardom. Already past sixty when talkies arrived, Arliss was a short, dignified man who resembled a benevolent gargoyle. But he was also a journeyman actor, a seasoned professional who knew how to command attention with a sudden sharp word or a raised eyebrow. Like Helen Hayes he was valued in Hollywood as a performer of unblemished reputation who lent the raffish film industry a touch of Class, in every sense of the word.

In 1929 Arliss appeared in a talkie version of Disraeli, a role he had played many times on stage, and became the first Englishman to take home an Academy Award for Best Actor. Thereafter he was known for stately portrayals of History’s Great Men, such as Voltaire and Alexander Hamilton, as well as fictional kings, cardinals, and other official personages. The old gentleman formed a close alliance with Darryl Zanuck, whom he admired, and was in turn granted privileges highly unusual for any actor at the time. Arliss had final approval of his scripts and authority over casting. He was also granted the right to rehearse his selected actors for two weeks before filming began. All that was left for the film’s director to do, it would seem, would be to faithfully record what his star wanted. Not many directors would accept this arrangement, but John Adolfi, who according to Photoplay “was determined to have his own way unless he is convinced that the other fellow’s is better,” clearly had no problem with it. His first film with Arliss was The Millionaire, released in May 1931; and in the two years that followed Adolfi directed eight more features, six of which were Arliss vehicles. He had found his niche in Hollywood.

One of Adolfi’s last jobs sans Arliss was a B-picture called Central Park, which reunited the director with Joan Blondell. It’s a snappy, topical, crazy quilt of a movie that packs a lot of incident into a 58-minute running time. Central Park was something of a sleeper that earned its director positive critical notices, and must have afforded him a lively holiday from those polite period pieces for the exacting Mr. Arliss.

In spring of 1933, after completing work on the Arliss vehicle Voltaire, Adolfi accompanied Darryl Zanuck and his entourage to British Columbia to hunt bears. Arliss intended to follow Zanuck to his new company, while Adolfi in turn surely expected to follow the star and continue their collaboration. Things didn’t work out that way.

IV. The Hunting Trip

It’s unclear how long the men were hunting before tragedy struck. On Sunday, May 14th, newspapers reported that film director John G. Adolfi had died the previous week – either on Wednesday or Thursday, depending on which paper one consults – at a hunting camp near the Canoe River. All accounts give the cause of death as a cerebral hemorrhage. According to the New York Herald-Tribune the news was conveyed in a long-distance phone call from Darryl Zanuck to screenwriter Lucien Hubbard in Los Angeles. Hubbard subsequently informed the press. The N.Y. Times reported that the entire hunting party (Zanuck, Engel, Enright, Bacon, and Griffith) accompanied Adolfi’s remains in a motorboat down the Columbia River to Revelstoke. From there the body was sent to Vancouver, B.C., where it was cremated. Write-ups of Adolfi’s career were brief, and tended to emphasize his work with George Arliss, though his recent success Central Park was widely noted. John’s widow Florence was mentioned in the Philadelphia City News obituary but otherwise seems to have been ignored; the couple had no children. 

V. The Aftermath

Darryl F. Zanuck went on to found Twentieth Century Pictures, a name suggested by his hunting companion Sam Engel. One of the company’s biggest hits in its first year of operation was The House of Rothschild, starring George Arliss and directed by Alfred Werker. The venerable actor returned to England not long afterwards and retired from filmmaking in 1937. In his second book of memoirs, published three years later, Arliss devotes several pages of warm praise to Zanuck, but refers only fleetingly to the man who directed seven of his films, John Adolfi, and misspells his name.

In 1935 Zanuck merged his Twentieth Century Pictures with Fox Films, and created one of the most successful companies in Hollywood history. He would go on to produce many award-winning classics, including The Grapes of Wrath, Laura, and All About Eve. Zanuck’s trusted associates at Twentieth-Century Fox in the company’s best years included Sam Engel, Raymond Griffith, and Lloyd Bacon, all survivors of the Revelstoke trip. Personal difficulties and vast changes in the film industry began to affect Zanuck’s career in the 1950s. He left the U.S. for Europe but continued to make films, and sporadically managed to exercise control over the company he founded. He died in 1979.

In 1984 a onetime screenwriter and film critic named Leonard Mosley, who had known Zanuck slightly, published a biography entitled Zanuck: The Rise and Fall of Hollywood’s Last Tycoon. Aside from his movie reviews most of Mosley’s published work concerned military matters, specifically pertaining to the Second War World. His Zanuck bio reveals a grasp of film history that is shaky at times, for the book has a number of obvious errors. Nevertheless, it was written with the cooperation of Darryl’s son Richard, his widow Virginia, and many of the mogul’s close associates, so whatever its errors in chronology or studio data the anecdotes concerning Zanuck’s personal and professional activities are unquestionably well-sourced. 

When Mosley’s narrative reaches May 1933, the point when Zanuck is on the verge of founding his new company, we’re told that he and several associates decided to go on a hunting trip to Alaska. The location is not correct, but chronologically – and in one other, unmistakable respect – there can be no doubt that this refers to the Revelstoke trip. From Mosley’s book:

“There is a mystery about this trip, and no perusal of Zanuck’s papers or those of his former associates seems to elucidate it,” he writes. “Something happened that changed his whole attitude towards hunting. All that can be gathered from the thin stories that are still gossiped around was that the hunting party went on the track of a polar bear somewhere in the Alaskan wilderness [sic], and when the vital moment came it was Zanuck who stepped out to shoot down the charging, furious animal. His bullet, it is said, found its mark all right, but it did not kill. The polar bear came on, and Zanuck stood his ground, pumping away with his rifle. Only this time it was not ‘him or me,’ but ‘him’ and someone else. The wounded and enraged bear, still alive and still charging, swerved around Zanuck and swiped with his great paw at one of the men standing behind him – and only after it had killed this other man did it fall at last into the snow, and die itself. That’s the story, and no one seems to be able to confirm it nor remember the name of the man who died. The only certain thing is that when Zanuck came back, he announced to Virginia that he had given up hunting. And he never went out and shot a wild animal again, not even a jackrabbit for his supper.”

VI. The Coda

Was John Adolfi killed by a bear? It certainly seems possible, but if so, why didn’t the men in the hunting party simply report the truth? Even if their boss was indirectly responsible, having fired the shots that caused the bear to charge, he couldn’t be blamed for the actions of a dying animal. But it’s also possible the event unfolded like a recent tragedy on the Montana-Idaho border. There, in September 2011, two men named Ty Bell and Steve Stevenson were on a hunting trip. Bell shot what he believed was a black bear. When the bear, a grizzly, attacked Stevenson, Bell fired again – and killed both the bear and his friend.

That seems to be the more likely scenario. If Zanuck fired at the wounded bear, in an attempt to save Adolfi, and killed both bear and man instead, it would perhaps explain a hastily contrived false story. It would most definitely explain the prompt cremation of Adolfi’s body in Vancouver. Back in Hollywood Joe Schenck was busy raising money, and lots of it, to launch Zanuck’s new company. Any unpleasant information about the new company’s chief – certainly anything suggestive of manslaughter – could jeopardize the deal. A man hit with a cerebral hemorrhage in the prime of life is a tragedy of natural causes, but a man sprayed with bullets in a shooting, accidental or not, is something else again. That goes double if alcohol was involved, as it reportedly was on Zanuck’s earlier hunting trips.

Of course, it’s also possible that Adolfi did indeed suffer a cerebral hemorrhage. Like his father.

John G. Adolfi is a Hollywood ghost. Most of his works are lost, and his name is forgotten. (Even George Arliss couldn’t be bothered to spell it correctly.) Every now and then TCM will program one of the Arliss vehicles, or Sinners’ Holiday. Not long ago they showed Adolfi’s fascinating B-picture Central Park, that slam-bang souvenir of the early Depression years in which several plot strands are deftly inter-twined. One of the subplots involves a mentally ill man, a former zoo-keeper who escapes from an asylum and returns to the place where he used to work, the Central Park Zoo. He has a score to settle with an old nemesis, an ex-colleague who tends the big cats. As the story approaches its climax, the escaped lunatic deliberately drags his enemy into the cage of a dangerous lion and leaves him there. In the subsequent, harrowing scene, difficult to watch, the lion attacks and practically kills the poor bastard.

by William Charles Morrow

* * * * * * * * * * * * * * * * *

My sources for this article, in addition to the Mosley biography cited in the text, include Stephen M. Silverman’s The Fox That Got Away: The Last Days of the Zanuck Dynasty at Twentieth-Century Fox (1988), and Marlys J. Harris’s The Zanucks of Hollywood: The Dark Legacy of an American Dynasty (1989). For material on John Adolfi I made extensive use of the files of the New York Public Library for the Performing Arts. Special thanks to James Bigwood for his prodigious research on the Adolfi family genealogy, and to Mary Maler, John Adolfi’s great-niece, for information she provided on her family.

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The Scottish actor Alex McCrindle passed away on Aoril 20th 1990.

Born on 3rd August 1911 in Glasgow, Alex McCrindle started work at the age of 10 years, probably like many of us, delivering milk. At 15, he left school and got a job in a timber merchants’ office. He started his acting career playing heroes in plays put on by the Boys Brigade. Later, after moving to Glasgow and getting a job as a manager of a hardware firm, he joined the Glasgow Clarion Players. A pioneer Scottish theatre group with strong links to the Communist Party, this was a predecessor of Glasgow Unity and Glasgow Citizens.

McCrindle went to lectures on drama at Glasgow University and had become so engaged in theatrical matters that he had to choose to give up his hardware career. He was lucky to be able to become an indentured apprentice at Queen Theatre in London He finished up as an electrician but became immersed in the world of theatre and actors along the way.

He eventually became a formable actor himself. In the period 1937-9, he appeared in a dozen plays on the first broadcasts of television, including `Juneo and the Paycock’, before the medium was closed down for the duration of the war, sometimes being credited as Alex McCringle or Alex McGrindle, as well as in his own name. he was also in the cast of the classic Hitchcock film, `The 39 steps’, although he was more proud of his nationwide tour of `Six men of Dorset’, about the Tolpuddle Martyrs, in 1937

McCrindle began a history of the actors’ union, Equity, but was unable to finish it due to being called up for the Royal Navy during the Second World War. He produced the first ever play performed on board a RN ship during war, `Androcles and the Lion’, transmitted over the Tannoy!

He starred in the British BBC radio show `Dick Barton Special Agent’ from 1946-51, which ran for 700 episodes and had 15 million listeners. Alex played the role of Jock Anderson one of Dick Barton’s key henchmen and was widely loved for the role and enormously popular in it. In 1947, he was producer of the childrens TV programme `Larry the Lamb’.

Although he also branched out very successfully into scriptwriting, McCrindle was effectively blacklisted because of his Communist and Equity activities for much of the important years of his career, especially from the late 1940s to the end of the 1950s. In the 1950s, he appeared – often uncredited to escape the blacklist – in a string of small budget movies as a character actor. But, in the main, blacklisting resulted in him devoting more time to building up Equity and securing improved pay and conditions for Actors, to meet this objective he was sent by his union to found Scottish Equity, which only had 15 members before he began his work. He worked at this full-time for the next seven years, leaving the union in a flouring position north of the border. In this period, he only worked in British television and then only twice during the early 1960s.

In the later stage of his career, he began to secure significant parts in films and TV programmes from `The Saint’ in 1965, and then through many other projects, with increasingly more significant parts, to `All Creatures Great and Small’ and `Taggart’ and then, in the 1977 first `Star Wars’ movie in which he played a rebel general.

George Lucas, short of capital, offered the actors on the movie "points" in lieu of salary. Big stars such as Alec Guinness, could afford to indulge in some capitalist speculation and take "points" and, in the event, the film proved to be the best move Guinness ever made financially. "Hollywood thought Darth Vader was a tough nut," one luvvie has recalled, "but they hadn’t met Alex."! He campaigned through Equity for bonuses for all actors in Star Wars, among them R2-D2 (who was played, or operated inside, by Birmingham-born Kenny Baker), who also took a working wage and contributed to the success of Star Wars.

Alex had a great love of Scottish poetry and regularly read it aloud to audiences. He produced and read his own selection of 37 poems by William Soutar (Glasgow, Scotsoun, 1989) and raised money for Brownsbank Cottage., the former of the great Scottish writer, Hugh MacDiarmid, now a home for "writers in residence"

He was married twice, the first was Sandy, the second wife, Honor Arundel, the Communist children’s author and Daily Worker film critic. (See entry for Honor Arundel.) The home of McCrindle and Arundel in the fifties was always a hub of Party activity and organisation, as the writer Doris Lessing notes in her autobiography. Alex became close friends with Paul Strand, the famous photographer, and was a major asset to Strand in his `Tir a Mhurain’ photography project. He went onto become Strand’s agent in Scotland, negotiating with Compton Mackenzie and visiting the School of Scottish Studies in order to help set up the project.

In the 1980s, with US screenings no longer debarred to him, he appeared in dozens of major roles on television mini-series, including "Reilly: The Ace of Spies" and in film such as `Eye of the Needle’. As late as 1987 he played the role of a jailer in `Comrades’, the film about the Tolpuddle Martyrs.

Alex McCrindle’s obituary in the Times was headlined "Communist stalwart" and stated that he remained committed to an "unrelenting Marxism which lost nothing of its purity and uncompromising severity". His daughter Jean also became involved in politics and an award for drama was named after him. Alex McCrindle died on April 20, 1990 in Edinburgh.

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Mary (Buss) Vidler, Free Settler "Maitland" 1838's Timeline. 1813 May 17, 1813. Birth of Mary (Buss) Vidler, Free Settler "Mait... Sandhurst Kent. England. 1836 December 20, 1836. Birth of Henry Vidler. 1838 January 22, 1838. Birth of Sophie Purkiss. Dapto, NSW, Australia. 1841 April 5, 1841. Birth of Edwin Vidler. NSW, Australia. 1844 March 20. Tuesday, July 12. NSW Opposition Leader Luke Foley speaks to Australian Racing Greyhound to express his concerns over the closure of the industry, whilst also announcing he will help fight for the industry's survival. "Greyhound racing has operated here legally since 1927 and it has a proud history, but I also want it to be a part of the state's future as a modern greyhound industry with. Manage & delete your Search history. Understand & manage your location when you search on Google. Manage Google autocomplete predictions. Find & control your Web & App Activity. Customize what you find in Discover. Get info about your photos & surroundings. Use "Hey Google" voice searches & actions.

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Dating & Relationship status. He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged.... Timeline. 1978. He transferred to St George Dragons from Dapto in 1978 and played six seasons with the club between 1978-1983. Trudgett won a premiership with St George Dragons. MSS dated to Peter 23rd September 1862 18th birthday or coming of age gift from Aunties and family. 1844 7th October birth of Peter Lorimer as per birth notice in Indian Mail. Philip 16 months of age. 1845 9th March Mary Underwood love of Philip born 1845 Nathaniel Martin married Elizabeth Rowe calculated per death certificate. EDWARD WARRINGTON and ELIZABETH ROACH. Edward WARRINGTON was born in Dapto in on the 9th of January 1843 (ref 1), however the story of the Warrington family begins in Ireland in 1770 with the birth of Catharine MALONE. a) Catharine MALONE: Catharine was tried at Dublin in 1792 for the theft of money from Francis Hopkins and was transported to.

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[vox]

I voted for Donald Trump, and I already regret it

I remember the precise moment that I realized I regretted voting for Donald Trump.

It was during his 60 Minutes interview after the election. I was, like everyone else, shocked that he had won. It seemed so unlikely based on the polls and the confidence the media had that he would lose. It was a pleasant surprise, and I went to bed on election night thrilled that he would be our president.

But sitting on my couch, sipping coffee as I watched the interview, I saw with my own eyes who Trump really was as a person. He backtracked on one of his signature campaign promises: pursuing an investigation into the Clinton email scandal. It’s not that I want Clinton to be crucified or “locked up” — it’s the nonchalance with which he went back on his word after hammering it repeatedly during the campaign. The ease and quickness with which he reversed his position shook me to my core. I realized in that moment that I had voted for a demagogue. And it was sickening.

I didn’t want to vote for Trump or Clinton — but I had to make a choice

I’m a former law enforcement officer in my 50s, originally from Texas but currently living in a small Midwestern town. I’m a real political junkie, spending much of my day reading news and watching C-SPAN, and issues like immigration enforcement, pro-life laws, and health care are important to me. Though I tend to fall on the conservative end of the political spectrum, it’s important to me to remain open-minded, and I’ve cast my vote for Democratic candidates like Al Gore in the past.

Last year was a particularly tough choice. I hated both candidates, wishing every day that Washington had offered up different options. I would have voted for Marco Rubio or Bernie Sanders any day over those two. I swore I would sit out on this election, unable to vote for either Trump or Clinton in good conscience.

Most of my decision came down to my poor experience with Obamacare. In the ’90s, I was diagnosed with fibromyalgia, a chronic illness that causes fatigue, memory loss, physical aches, and soreness. I found myself increasingly unable to perform my duties in law enforcement due to these symptoms, and eventually had to leave the job completely. After a stint working part-time for the government, helping to distribute food stamps and other services, I eventually was unable to work at all. I lost employer-based health insurance when I left the workforce and had to pay my health care costs out of pocket.

When Obamacare first came into effect, I was excited to get what I thought would be financial help with my costly medicine and treatments. But when I signed up, my premium came back at an astronomical price, more than my monthly mortgage payment. This happened because I had to declare my husband’s salary as part of our household income, which put me in an earning bracket too high to qualify for any financial assistance. My husband works for a small business, and while he gets paid fairly, his company does not offer spousal insurance. I’m left with a premium of $893, so high that I can no longer afford the cost of my medicines and treatments on top of the monthly premiums. I wish I could opt out completely, but the penalty for not signing up is much too great.

In the end, I voted for Trump because he promised to repeal and replace Obamacare, and that was the most important issue to my own life. Looking back, I realize what a mistake it was. I ignored the pundits who repeated over and over again that he would not follow through on his promises, thinking they were spewing hysterics for better ratings. Sitting on my couch, my mouth agape at the words coming out his mouth on the TV before me, I realized just how wrong I was.

Trump isn’t even president yet, and already he’s not keeping his promises

Since that 60 Minutes interview when Trump went back on his promise to investigate Clinton, I haven’t been able to look at him the same way. Witnessing his open admittance that he made promises simply because they “played well” during the campaign was disturbing. He has shown himself to be guilty of all of the same things he accused Hillary of — lying to the public, refusing to do press conferences, putting himself and his business interests above the American people.

Since the election, Trump has repeatedly spat in the faces of those that cast their ballots for him. I did not cast my vote for his Cabinet members, many of them rich millionaires and billionaires, despite Trump’s lambasting of Hillary Clinton on her association with Wall Street. I did not cast my vote for his sons who sat next to him during his meeting with tech titans, potentially representing the vast business interests of the Trump company that they now run. I did not cast my vote for Ivanka, whose clothing brand was working out an ongoing deal with a Japanese clothing company when she sat in on a meeting with her father and the Japanese prime minister. I did not cast my vote to enrich the very swamp that Trump promised he would drain.

News that the Republicans in Congress are prioritizing the repeal of Obamacare is a step in the right direction. But Trump’s lack of clear plan to replace the system is troubling. He doesn’t seem to be showing any interest in the mechanics of a new policy — he’s just out there making promises to the public with nothing to back it up. It doesn’t do much to offer me faith that he really wants to fix the problem.

Trump’s retaliatory and impulsive behavior, which I think I assumed was a campaign tactic, have carried over into his actions as president-elect. He now has the power to reward companies or countries that flatter him and destroy those that don’t with a simple tweet — just look at how he praises L.L. Bean and criticizes Boeing, causing their stock values to swing like yo-yos. His tweets about foreign powers lack restraint, and his treatment of the press whenever they say something he doesn’t like shows his vengefulness. He promised that he would be a president to all Americans, but all he has done is divide us.

As I witnessed the first rally of the post-election Thank You Tour, watching him soak up the praise and applause from the live feed on my computer, I felt my heart fall into my stomach. These supporters, many of whom populate my small town and my Facebook feed, have invested so much hope in him. They believe he has their back and will put them first. But all he cares about is himself. And he will betray them, as he has already done.

I know I’ll be ridiculed for voicing my regret

It’s not easy for me to come forward and say all of this. I feel humiliated already, and I know that going public with my story will open me to ridicule. But I don’t know what else to do to try to oppose him and his actions. I’m too sick to participate in peaceful protest. All I can do is try to spread the word, publishing editorials, signing petitions, and posting on Facebook, trying to do what I can to change the minds of my friends and families who continue to support him.

I hope that by coming forward, I can encourage other Trump voters who feel the same regret to speak out as well. Together we can send a message to Washington: All of you Republicans in Congress, I know that you are excited to pass your legislation, but you need to reign in this dangerous cult of personality or I will begin advocating against your party. I’m ready to switch sides to stop him.

My peers who voted for Trump still don’t get it. They tell me to give the man a chance, that it’s still too early to tell and that I shouldn’t listen to the media. They aren’t willing to let go the hope they have that he will keep their best interest in mind. They tell me, what were they going to do, vote for Hillary, of all people?

I wish I had. I wish I had done anything else but vote for him. I know my one small vote doesn’t make a huge difference in the grand scheme of things, but this one feels so personal. The decision haunts me every day. And I’ll do whatever I can to help reverse it.

—as told to Karen Turner

Sherri Underwood lives in the Midwest with her husband, three cats, and one dog. She began her career in law enforcement shortly after high school, working her up from a dispatcher to county jailer and then peace officer before changing her career to social services as a disabled adult jobs counselor, state JOBS program case worker, and eligibility specialist, assisting clients in applying for public assistance programs. Sherri is a self-described “news junkie” and an avid reader. When her illness allows, she pursues her hobbies of painting, writing poetry, and crocheting and treasures time with family. She encourages other regretful Trump voters to visit the Facebook group I Regret Voting For Trump in 2016 and tell their story.

[nageshchandramishra]

How Visvesvaraya Model Can ‘Engineer’

“SABKA VISHWAS” For ‘SABKA SAATH_SABKA VIKAS’

( *52nd Engineers’ Day Theme “Engineering For Change”* By Nagesh Chandra Mishra ,Former Engineer-in-Chief , Drinking Water & Sanitation Department, Jharkhand )

Hope Soars High Across India When Vikram Lands On Moon In One Piece -

K Sivan & his entire ISRO Team is working round the clock for National Flagship Programmes for many more ambitious Space Missions ! All such challenging good things are happening on the eve of 52nd Engineers’ Day ( 15th September, 2019 ) when we are celebrating this auspicious moment to commemorate the birthday of Bharat Ratna Sir Mokshagundam Visvesvaraya who dedicated his ‘cent per cent’ life working towards “Engineering For Change” - Which aptly is the theme of 2019 for nation’s prosperity & gross national happiness.

“Jaadoo Ki Jhappi “ Of the Present National Leadership With the Entire Engineering Fraterniy In Itself Is a good omen raising our heads high up in the sky singing a song of Hindi Movie, ‘Jagriti’ that our generation watched during school days “UTHO CHHALAANG MAAR KE AAKASH KO CHHOO LO” !!

Driving home the point , let us pose a pertinent question to ourselves, what does it mean , “Engineering For Change” ?

At this , one may ask us with a wry smile : ‘Hi Guys , Change is the only Constant in the world ....what’s new in it ...we have been changing constantly since time immemorial & even after 72 years of Independence , we have been growing & developing fast as a strong largest democratic nation of the world & till the time ‘Government Is Here ...All’s Right With the World’ ?

Really??

Candid Answer Is a BIG “NO” : “SAB KUCHH THEEK NAHIN HAI - VIKRAM LANDER SE SAMPARK STHAAPIT KARNE KI SAKHT ZAROORAT HAI” - this is symbolic in many ways to fulfill the common man’s aspirations of a hassle free service delivery system with the same zeal & innovation as being done by our ISRO Scientists & Engineers !

At this crucial juncture , what the Nation direly needs is Sir MV’s Model Of All Round Development to instil the spirit of “SABKA VISWAS” For fulfilment Of ‘SABKA SAATH & SABKA VIKAS’ .

What is extraordinary in MV’s Model Of Engineering so different from that of an ordinary engineer ?

In my opinion, it’s the vast psychological gap of thought process overlooking the multiple meaning of the word , ‘ENGINEER’ ! Our ‘tunnel thought process’ has been so much dwarfed by our political & bureaucratic masters since colonial days that we have been ‘programmed’ to know very limited meaning of the the word , ‘Engineer’ .

According to Oxford Dictionary, the word ‘Engineer’ means the following:

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en·gi·neer

/ˌenjəˈnir/

noun

noun: engineer; plural noun: engineers

1. a person who designs, builds, or maintains engines, machines, or public works.

4 3 designer, planner, builder, architect, producer, fabricator, developer, creator; Moreinventor, originator, deviser, contriver, mastermind 
"the structural engineer's drawings"

* ◦ a person qualified in a branch of engineering, especially as a professional."an aeronautical engineer"


* the operator or supervisor of an engine, especially a railroad locomotive or the engine on an aircraft or ship.

◦ ◦ engineering officer, controller, handler, driver; Moreoperator, mechanic, machinist, technician, fitter; 
artificer; 
informalmech 
"the ship's engineer rarely came up to the bridge"

* ◦ a skillful contriver or originator of something."the prime engineer of the approach"


2. verb

verb: engineer; 3rd person present: engineers; past tense: engineered; past participle: engineered; gerund or present participle: engineering

1. design and build (a machine or structure)."the men who engineered the tunnel"




* skillfully or artfully arrange for (an event or situation) to occur."she engineered another meeting with him"

◦ ◦ bring about, cause, arrange, pull off, bring off, fix, set up, plot, scheme, contrive, plan, put together, devise, maneuver, manipulate, negotiate, organize, orchestrate, choreograph, mobilize, mount, stage, put on, mastermind, originate, manage, stage-manage, coordinate, control, superintend, direct, conduct, handle, concoct; Moreinformalwangle; 
rareconcert 
"he engineered the overthrow of the Conservative majority"

* ◦ modify (an organism) by manipulating its genetic material."it is now possible to engineer tobacco plants that are resistant to the virus"


2. 
Origin

Middle English (denoting a designer and constructor of fortifications and weapons; formerly also as ingineer ): in early use from Old French engigneor, from medieval Latin ingeniator, from ingeniare ‘contrive, devise’, from Latin ingenium (see engine); in later use from French ingénieur or Italian ingegnere, also based on Latin ingenium, with the ending influenced by -eer.

_____________________________________________________________________


While Sir M. Visvesvaraya used to apply all the above meanings of ‘Engineer’ in discharging his duties towards serving the Nation & Common man , most of us have confined ourselves to become ‘Prisoner’ in the ‘Jail’ Of colonial mindset - coincidently , ‘Jail’ & ‘Prison’ have the same meaning in funny English Language, but , the meaning of “Jailer “ & “Prisoner” Is diametrically Opposite !

Likewise, Ministers , Civil Servants & we All Government Functionaries , In fact , are Servants Of the Public & Common Man Is Our Master - we derive all our salaries, perks , Pension etc. from Public Kitty ... But...our Colonial Mindset Inertia Has Been Programmed to Behave with Common Man as if we are ‘Donors’ & they are ‘Recipients’ whereas the Truth Is just diametrically Opposite - this very PSYCHE Has To CHANGE & it is here , we all Engineers are needed to ‘Engineer’ the CHANGE - in Mahatma Gandhi’s Words , ‘BE THE CHANGE THAT WE WANT TO CHANGE’ !

Thanks to our Journalistic Parlance Who Use the word , ‘Engineer’ only for their political mindset in Derogatory Terms when they write & speak , ‘...such and political parties have “Engineered Defection” - I am not talking of such engineering.

To cite an excellent example in better terms ....for the sake of Sovereignty & Nation Building , “Engineering” Masterstroke like Abrogation Of Article 370 & 35A can be an eye opener .

It is here that “ENGINEERING FOR CHANGE “ has to be initiated & formulated departing from ‘Cut/Copy/Paste’ types of all old & obsolete models Of Governance By Reorienting ourselves towards Time-tested Indigenously designed Innovative Development Models that may compete with the best technological models of the most developed nations of the world .

This can be possible only if we all look all things through the ‘divine visionary eyes’ of Sir MV .

For ‘Divya Darshan’ Of such a Desired Engineering Framework , we need to go deeper in the following magnum opus of Sir MV’s Writings that is readily available on Internet Archives which can be instantly downloaded on our tablets & smartphones :-

1 ) SPEECHES By Sir M. Visvesvaraya, Dewan Of Mysore , first Published in 1917 by Government Press , Bangalore ( 479 Pages )

2 ) RECONSTRUCTING INDIA , By Sir M. Visvesvaraya, first published in 1920 by P. S. King & Son , London ( 352 Pages ) ;

3 ) Unemployment In India , Its Causes & Cure , By Sir M. Visvesvaraya ( 1932 ) ;

4 ) PLANNED ECONOMY FOR INDIA , By Sir M. Visvesvaraya, first Published in December, 1934 ( 318 Pages ) ;

5 ) MEMOIRS Of MY WORKING LIFE , By Sir M. Visvesvaraya, first Published in 1951 ( 172 Pages ) .

In fact , I wish to institutionalise ‘VISVESVARAYA INTERNATIONAL FOUNDATION’ in every part of the Nation on the pattern of ‘Vivekananda International Foundation’ To Ignite Sir MV’s Engineering Framework for Change Towards Serving the Nation & the Common Man Through Excellence shedding the Present Mediocrity shrouded with colonial mindset .

To begin with Visvesvaraya Sanitation & Water Academy ( ViSWA ) , RANCHI , Jharkhand can be Developed as the seat of Visvesvaraya International Foundation.

While Gandhi had two dreams , Nation’s Independence & Gram Swaraj - one of which he realised in his lifetime & another couldn’t fulfil even seven decades after his demise ; Likewise, Sir MV’s Dream Of Merit Based National Character couldn’t be realised during his life time in protest of which he had to resign twice - once while in Govt. Service when denied promotion as Chief Engineer as the post was reserved for Britishers & at another time while he voluntarily resigned from the post of Dewan Of Mysore due to caste consideration !

It is high time when any professional be it a soldier or sportsperson or doctor or engineer or lawyer or chartered accountant or professor or musician or scientist or artist or , for that matter , any expert in his or her domains MUST FIND EQUAL OPPORTUNITY TO EXCEL & PROSPER ENTIRELY ON THE BASIS OF THEIR MERITS IN THEIR RESPECTIVE DOMAINS - ONLY THEN THE COMMON MAN & THE NATION SHALL PROSPER - THIS IS THE REAL MEANING OF “ENGINEERING FOR CHANGE “ & Power Of Excellence, Sir MV Desired. Even in America when Martin Luther King Junior had aspired , “I have a Dream” - he aspired for equality. That’s why whether one is white , black or brown in America, there is No Reservation System here - all have an equal opportunity for development in all respective domains of their expertise. Why not such equality in India ?

Sir MV’s main emphasis was on All Round Development Of The Nation Competing with the Most Developed Nations Through Innovative Technology In all walks of life , Industrial Production & Agriculture , Building Strong National Character , Discipline , Nation’s Strong Defence , Mass Education, Water , Health & Hygiene , Population Control etc.

Time Has Come When Every Aspiring Youth Of our Nation with a Beautiful Mind Like Sivan Must Concentrate On his Science & Technology Works to Establish link with Vikram Lander Rather Than Pulling Down his legs towards the quagmire Of Colonial Power Through Circuitous Routes Of Civil Services Examinations .

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