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vroomvroommuppett · 1 year ago

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Hi! Could we get a smutty and fluffy follow up to the Sev x Jay x Reader story as it ended with “let’s put a baby in you”. The fun night and then afterwards about loving being together and having a family. ❤️

yes, yes we can

here is the one anon is referring too

a/n: i apologize. this is the first smut i’ve written in a while

notes: you’re a graphic and interior designer that worked from home; you decided to hyphenate jay and kelly’s last names, and are all severide-halstead (throuples are known and legal), but co-workers will call them their respective last names still sometimes

this was longer than i intended but i hope this is what you were wanting! i don’t mind going more in-depth into any of the topics i covered in this, as well as the other thouples i have listed here

when you finally got home, you were pushed up against the door by kelly while jay locked said door. jay came up behind you and started kissing your neck and you let out a moan when he hit your sweet spot. kelly tapped your legs and you wrapped them around his waist. when you and kelly broke apart, jay was the first to speak,

“c’mon babes, let’s take this upstairs, so we can worship our milf properly.”

kelly maneuvered you so you were thrown over his shoulder and took you upstairs with jay. once on the bed, everyone started stripping. they gave you a few orgasms before alternating coming in you, and once when they were both in you at the same time. the whole night was moans, profanities, statements, and screams.

“look at you, all ready for us” “i cannot wait until these are filled with milk” “i/we can’t wait to make you a mommy” “i can’t wait to make you daddies” and so on.

next shift, they would both get teased.

intelligence

“well looks like halstead got some after defending his wife”

“oh shut up ruzek. i think its sweet”

“what can i say? i love my wife and husband”

“damn severide, you look like you got mauled by a lion”

kelly just looked at casey confused

“your back?”

kelly goes to the mirror and looks at his back. there were fingernail scratches all up and down it.

“this stays between us, matthew”

matt just laughed and kelly sent a text to your group chat.

a few months later you weren’t feeling well and realized you were late so you went to the store to get tests. all six of them were positive. when kelly and jay came home, you gave them a bag each with a test. when they opened it, they both looked at you then your stomach then back up at you. kelly was the first to speak

“you’re pregnant?”

you just nodded, with tears in your eyes. both came and hugged and kissed you. throughout the pregnancy they were at your beck and call. when you went to find the gender, you not only found it out, but you also found out you were having twins, both which were girls. once everyone found out, they were so excited and helped in any way they could.

when your daughters were born, after a very long and painful labor, it was hard to take them away from jay and kelly. they wanted to protect them from the world. they would thank you for giving them your daughters and you were just in awe at how quickly they became professionals.

you named them fallon james severide-halstead and blakely jade severide-halstead.

they loved being at home with their girls and loved helping when you would get clogged ducts and in general. when the doctor cleared you for sex, will and connor took the twins and they went at your pace.

a year later you got pregnant, again.

life with them was amazing, and once your third baby was born, jay retired from working, and helped with them while you worked from your at-home office, and when you were pregnant with your fourth, kelly moved to ofi for consistent hours, and a less dangerous job, and you couldn’t be more grateful.

your last pregnancy you got pregnant with twins, again, and once they were born, you all decided that 6 was enough.

#jay halstead #kelly severide #jay halstead smut #kelly severide smut #one chicago #one chicago one shots #jay halstead x kelly severide x reader

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rollingwithroy26 · 19 days ago

Text

(INTRO POST)

Mainstream Universe‎‎, 2011‎-present

Real Name

Roy Harper

Main Alias

Arsenal

Other Aliases

Red Arrow[1]

Speedy

Black Lantern

Omega Lantern

Relatives

Unnamed father (deceased)[2]

Big Bow (adoptive father, deceased)[3]

Oliver Queen (adoptive father)[4]

Bird (adoptive brother)[5]

Lian Harper (daughter)[6]

Connor Hawke (adoptive brother)

Affiliation

Justice League Unlimited,

Team Arrow,

Titans ·

Formerly Outlaws,

Teen Titans,

Iron Rule,

Rent-A-Bat,

Seven Soldiers of Victory,

Outsiders,

Black Lantern Corps,

Darkseid

Base Of Operations

New York City · Formerly Seattle

Status

Alignment

Good

Identity

Public Identity

Citizenship

American

Marital Status

Single

Occupation

Teacher, former Mercenary

Characteristics

Gender

Male

Height

5' 11"

Weight

185 lbs (84 kg)

Eyes

Green

Hair

Red

Origin

Universe

Prime Earth

Creators

Mort Weisinger · George Papp

First Appearance

Red Hood and the Outlaws #1

(November, 2011)

Others Like You Also Viewed

Lian Harper (Prime Earth)

Green Arrow (Oliver Queen)

Connor Hawke (Prime Earth)

Jade Nguyen (Prime Earth)

Jason Todd (Prime Earth)

Batman (Bruce Wayne)

DC Comics Database

Dinah Drake (Prime Earth)

Emiko Queen (Prime Earth)

"Sure, I'd like to think I turned out okay... That I am the best me I can be. But if I can keep them from messing up as bad as I did? Why the hell not?"

Arsenal

Roy Harper is Arsenal, formerly operating as Green Arrow's sidekick Speedy, and for a time, as Red Arrow. He is a member of Team Arrow and a former member of a number of groups, including the Titans, the Seven Soldiers, the Outsiders and the Outlaws.

History

Early Life and Career

Roy Harper was adopted by Big Bow as a child and lived with him on Spokane Indian Reservation, learning how to shoot a bow and arrow from him. He often got into trouble with the police but, because it usually happened on the reservation, Big Bow was always able to get him out of trouble. One day, Roy stole from a liquor store off the reservation and got blackout drunk, waking up to find a bow in his hand and Big Bow dead. Not knowing his mentor had been killed by an aggressive police officer, Roy fled the reservation.[3]

Green Arrow and Speedy Prime Earth 001

Roy as Speedy, with Green Arrow

Roy somehow made it to Seattle, where he lived in a mall by hacking the camera feeds. It was at this mall he picked the pocket of Oliver Queen, who, when he came to get the wallet back, was intrigued by the strange boy, later taking him on as his sidekick and dubbing him "Speedy". While Speedy, Roy designed Green Arrow's elaborate trick arrows, much to the man's frustration.[5]

As Speedy, Roy joined the original Teen Titans (Robin, Wonder Girl, Aqualad, Kid Flash, and Omen) and worked with them for a while; eventually he and his friends would have their memories of the team erased following an encounter with Mr. Twister.

Also during this time Ollie would regularly have Batman Character Guide

10:26

Mainstream Universe‎‎, 2011‎-present

Real Name

Roy Harper

Main Alias

Arsenal

Other Aliases

Red Arrow[1]

Speedy

Black Lantern

Omega Lantern

Relatives

Unnamed father (deceased)[2]

Big Bow (adoptive father, deceased)[3]

Oliver Queen (adoptive father)[4]

Bird (adoptive brother)[5]

Lian Harper (daughter)[6]

Connor Hawke (adoptive brother)

Affiliation

Justice League Unlimited,

Team Arrow,

Titans ·

Formerly Outlaws,

Teen Titans,

Iron Rule,

Rent-A-Bat,

Seven Soldiers of Victory,

Outsiders,

Black Lantern Corps,

Darkseid

Base Of Operations

New York City · Formerly Seattle

Status

Alignment

Good

Identity

Public Identity

Citizenship

American

Marital Status

Single

Occupation

Teacher, former Mercenary

Characteristics

Gender

Male

Height

5' 11"

Weight

185 lbs (84 kg)

Eyes

Green

Hair

Red

Origin

Universe

Prime Earth

Creators

Mort Weisinger · George Papp

First Appearance

Red Hood and the Outlaws #1

(November, 2011)

Others Like You Also Viewed

Lian Harper (Prime Earth)

Green Arrow (Oliver Queen)

Connor Hawke (Prime Earth)

Jade Nguyen (Prime Earth)

Jason Todd (Prime Earth)

Batman (Bruce Wayne)

DC Comics Database

Dinah Drake (Prime Earth)

Emiko Queen (Prime Earth)

Sure, I'd like to think I turned out okay... That I am the best me I can be. But if I can keep them from messing up as bad as I did? Why the hell not?

Arsenal

History

Early Life and Career

Green Arrow and Speedy Prime Earth 001

Roy as Speedy, with Green Arrow

Also during this time Ollie would regularly have adventures with Hal Jordan, the Green Lantern, who acted as a secondary mentor to Roy.[7]

While Roy was in High School, his grades started slipping as a result of lack of enthusiasm and his attention being spread too thin between his work with Oliver and his escapades with the Teen Titans. On the advice of fellow Leaguers Batman and Flash, Oliver attempted to reorient his parenting style. He benched Roy as Speedy, stating that he'd be allowed to return to his role as Speedy when his grades recovered. This continued for nine weeks; while Roy's grades did show drastic improvement, he was miserable. After some tension, he eventually allowed Roy to resume his role as Speedy after they talked it over and Oliver apologized to Roy for his shortcomings as a parent and made it clear to Roy that his dream for him was for him to have a full life in every aspect, not just as a Superhero.[8]

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mirandamckenni1 · 5 months ago

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#IFTTT #YouTube #Youtube

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larryland · 6 years ago

Text

by Lisa Jarisch

As filling as the first slice of wedding cake, and almost twice as sweet, The Wedding Singer literally heads down the aisles of the Mac-Haydn Theatre with all the big hair, big shoulders, and big sounds that made the 1980s as memorable as the New Coke, Reagan’s jelly beans, Marty McFly, and Material Girl Madonna references that pepper the show.

This latest production at the Mac, while certainly not the highlight of the theatre’s season, nonetheless brings a pleasant two and a half hours to the stage, paying fluffy homage to the 80’s in the music, costumes and set design.

Conor Fallon brings considerable appeal to the title role of Robbie Hart, whose one-hit wonder “It’s Your Wedding Day” has him in demand for all the best weddings in Ridgefield, NJ. As he proudly announces to the crowd at his band’s latest gig that tomorrow HE will be taking that walk down the aisle, you can almost hear the ominous organ music signaling the impending doom destined to follow. Jilted by “A note from Linda,” a jaded Robbie crosses paths with the hoping-soon-to-be-engaged Julia, who urges him to “Come out of the Dumpster “ where he has sought refuge after the debacle at the altar. Still reeling from his recent jilting, he effectively ends his and his band’s all-too brief career as sought-after wedding entertainers by turning a wedding reception into a full-scale “Casualty of Love.” This is a break-out number for Fallon; with increasing volume, and building intensity, he whips the misfits, rejects, and general wedding guests into a frenzy of anger, angst, and general degeneration. Forced to seek other venues and occasions where he can ply his and the band’s trade,

As the shallow breaker-of Robbie’s heart Linda, Maggie Eley offers up “A Note from Linda” as half Bride of Frankenstein, half Elvira, with a costume to match. At times her lyrics were nearly unintelligible, but she made it clear that marrying a wedding singer is not the life she envisioned, dumping the hapless Robbie to pursue a rock star life. After her hopes are dashed on that score, she seductively slinks back, enticing Robbie to “Let Me Come Home” , bumping and grinding her way into his bed but not his heart.

Kate Zulauf gives us a wistful, earnest Julia with just enough niavete to believe in hearts and flowers, doves and diamonds, champagne wishes and caviar dreams as she waits for her would-be fiance Greg to “Pop” the question, which of course he does, eventually. Again…cue the ominous organ music as we know the course of true love never did run smooth, especially when the true love of one partner is “All About the Green.” Zulauf has a lovely, if slightly light, voice, well-suited to her character and the numbers she performs. She more than holds her own in duets with Fallon, and her numbers in company with other cast are delightfully brimming with all the exuberance of youth, the energy of the decade, and the anticipation of finding that “happily ever after.”

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With little to do aside from channel Michael Douglas in Wall Street in his zealous pursuit of Almighty Dollar, Nathanial Dolquist’s Glen Guglia manages to make his shallow, slimy, covetous, scheming presence felt during his moments on stage, even without the over-sized caricature of an early cell phone seemingly permanently attached to his hand. His performance in “All About the Green,” accompanied by neon green glow sticks, and strident green lighting that plays brilliantly, literally and figuratively, against the stark black costuming, was as show-stopping a number as the later “Move That Thing” offered by the unlikely duo of Grandma Rosie and band member George.

And speaking of Grandma Rosie, who shares her heart and her basement with grandson Robbie, Meg Dooley again delights Mac audiences as that sassy, brassy, and downright bawdy character, whose writhing undulations in “Move that Thing” brought to mind the head-banging on-stage performances of various grunge bands of the 80s. None of that era, however, likely ever performed their numbers in a tight fitting, hot pink suit…and heels. A far cry from her earlier appearance in a Richard Simmons-tribute track suit, complete with headband, and dialog delivered while keeping up with those oh so popular back in the day step exercises !

As for the ensemble company, this is a youthful cast whose collective knowledge of the 80s comes from their parents; what they lack in personal experience of punk rock, grunge, and 80s attitude, they more than make up for with enthusiastic and on-key performances all around.

The production itself suffers somewhat from the first-time directorial efforts of Erin Spears Ledford, who has not quite mastered the intricacies of directing theatre in the round on an especially small stage. A number of key scenes were staged on a raised platform to one “side” of the circular stage, forcing the audience in two of the four sections of the house to crane their necks at length to the right or the left in order to take in the action. Overall, however, Ledford’s direction is crisp and sharp, and she directs the large ensemble to good effect throughout.

The excessive use of a revolving section on the center stage was also a distraction. No fewer than eight times in Act I and seven in Act II were cast members and set pieces set awhirl, giving the audience the sense of watching the show from a carousel horse. Just because this is theatre IN the round doesn’t necessarily mean it should be GOING around. In addition, the revolving portion of the stage is patterned with a black and white striping. Coupled with the revolutions, and at times combined with strobe lighting and/or the flashing of the iconic disco ball, there is a definite seizure trigger impact.

The costumes are worthy of their own curtain call, Costume designer Bethany Marx has captured the essence of 80s fashion. From the Princess Diana-evocative wedding gowns to Grandma Rosie’s Richard Simmons-style track suit, the look of the 80s is done to a T..for turquoise, accompanied by hot pinks, lime green, and bright yellow.

As has become the norm at the Mac, the house sits within the set, so to speak, as side pieces and walls are all designed to bring the 80’s to life around the stage. Panels of turquoise, yellow, and pink, adorned with assorted geometric shapes, surround the stage and the audience, and Andrew Gmoser’s lighting is the perfect complement to each scene.

The stage manager in me needs to give special mention to the “cast as crew” as they seamlessly perform scene and set changes throughout the show. Tables, beds, bars, restaurants, even the Bridal Registry in a department store, flow on and off the stage space with perfect timing and placement. Clearly a testament to a dedicated cast and crew well-rehearsed in the intricacies of staging and striking in the dark.

While by no means the jewel in the Mac-Haydn season, The Wedding Singer is more than worth the trip down the aisle…..err, road,… to Chatham for an afternoon or evening back to the 80s. You won’t leave humming the score, but you might just want to dig out your shoulder pads, fire up the VCR, and enjoy an icy glass of New Coke while Sweating to the Oldies with Richard Simmons.

The Wedding Singer, music by Matthew Sklar, lyrics by Chad Beguelin, book by Beguelin and Tim Herlihy, directed by Erin Spears-Ledford, runs August at the Mac-Haydn Theatre, 1925 NY Route 203 in Chatham, NY. Choreography by Sebastiani Romagnolo, set design by Emma Commings, lighting design by Andrew Gmoser, costume design by Bethany Marx. CAST: Connor Fallon as Robbie Hart, Kate Zulauf as Julia, Connor Hubbard as George, Jonah Hale as Sammy, Emma Flynn as Holly, Maggie Eley as Linda, Meg Dooley grandma Rosie.

For showtime and more details please visit www.machaydntheatre.org or call the box office at 518-392-9292

REVIEW: “The Wedding Singer” at the Mac-Haydn Theatre by Lisa Jarisch As filling as the first slice of wedding cake, and almost twice as sweet, …

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